BARNES, Joseph ms ABC

%abc
%%abc-alias Joseph Barnes MS
%%abc-creator ABCexplorer 1.5.0 [11/04/2012]
%Transcribed to ABC for www.village-music-project.org.uk
%VMP C.Graebe, 2002
%Revised 26/4/2004
%Revised again 11/2008
%Revised again 12/2009

X:1
T:Count F…?’s March. JBa.01
M:C|
L:1/4
Q:1/2=100
S:Joseph Barnes MS,Carlisle,1762.
R:.march
O:England
A:Carlisle
N:1 – grace note shown as a crochet
Z:vmp.C.Graebe.
K:G Major
“_sh = shake. See pages 1 – 11″\
B/c/ | d2e2 | d/c/B/c/ dg | G2A2 | B/A/G/F/ Gd |!
e/d/c/e/ eg | d/c/B/c/dg |c2 “sh”B>c | “_NB1 sh”{B}”sh”A3 :|!
|:f/g/ | a2d2 | ^c2 d f/g/ |a2d2 |^c/d/e/c/ AA |!
d (d/4e/4f/) e (e/4f/4g/) |\
f (f/4g/4a/) g (g/4a/4b/) | ad{f}e d/”_Cnat in ms””2″^c/ | {c}d3g |!
e/d/c/d/ eg | d/c/B/c/ dg | c2″sh”B2 | A/G/F/E/ DD |!
G (G/4A/4B/) A (A/4B/4c/) | B (B/4c/4d/) c (c/4d/4e/) |\
dG”1″{B}A G/F/ | “1”{F}G3 |]

X:2
T:Sir Charles’s Sedley’s(?) Minuet. JBa.02
M:3/4
L:1/4
Q:3/4=60
S:Joseph Barnes MS,Carlisle,1762.
R:.Minuet
O:England
A:Carlisle
N:Probably Sedley. Sir Charles Sedley. I found it in one of Gina’s
N:books, but lost it again.
N:Not clear if B music has repeat marked…CGr
Z:vmp.C.Graebe.
K:D Major
d f/d/ f/d/ | def | A B/c/d/B/ | AGF |!
D3/2 F/E/G/ | F D/F/E/G/ | F G/F/E/D/ | A3 :|!
|:A/F/D/F/A/c/ | {c}”qu”B A/B/G |\
B/G/E/G/ “^cr”B/”^cr”d/ | {d} c B/c/ A |!
e/c/A/c/e/g/ | f/d/ e/c/ d | A3/4g/4 f “sh”e | “min”d3 😐

X:3
T:Crooked Yew,The. JBa.03
T:Crooked Ewe,The,aka. JBa.03
T:Ewe Wi’ The Crooked Horn,aka. JBa.03
M:C
L:1/8
Q:1/2=80
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
N:No key sig in MS, but is in G maj in Joseph . Jackson MS…Bar line
N:after bar 11 not in MS…CGr. Known as Strathspey ‘the Ewe Wi’ the
N:Crooked Horn’ in modern Highland piping..P.Roberts..
Z:vmp.C.Graebe.
K:G Major
“_No key/time sig. in MS”\
DGGB FGAF | DGGB cABG |\
cBAG FGAG | DGGB AF G2 :|!
Gefg af ge | defg af g2 | Gefg af ge | defg af g2 |!
gd eB cA BG |DGGB cABG |\
cBAG FGAF”NB” |DGGB AF G2 |]

X:4
T:Cackling Of Ye Hens. JBa.04
T:Hen’s March to the Midden,aka. JBa.04
M:C|
L:1/8
Q:1/2=90
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
N:No key signature given. Version in Walsh MS 1730 is in Dmajor..NB –
N:the
N:marks above the notes are shown as short vertical dashes above the
N:stave…CGr.
Z:vmp.C.Graebe.
K:D major
“No Key Sig in MS,see note”\
d2A2 defg | a2 gf efde | “_Unclear” A2A2 dcde |\
fgfg “sh”g3 g|!
a4-agfa | gfeg fede | A3A dcde | fagf “sh”e4 | d8 :|!
|:.”NB”d2.d2.d2.d2 | .d2 .d.d (f3a) | .d2 .d.d (bg3)|\
.d2 .d.d (f3a) |!
.d2 .d.d (b”^cr”g3) | .d2 .d.d (f3a) |\
(f3a) a4-|agfa gfeg |!
fede A3A | d2 de fagf | “sh” e4d4 |]

X:5
T:Minuet,A. JBa.05
M:3/4
L:1/4
Q:3/4=60
S:Joseph Barnes MS,Carlisle,1762.
R:.minuet
O:England
A:Carlisle
N:No key signature given – various possibilities – Dorian mode – G Major
N:- D major – A music in Dmaj and B music in G maj. Your
N:choice!..Different writing from Nos 1 – 4?…CGr…I’d go for G
N:major..I think the handwriting issue needs looking at before we can say
N:it is a different person…CGP
Z:vmp.C.Graebe.
K:None
“_No Key Sig in MS,see note”\
d2g | f/e/ dg | B2 g | B/A/G/A/B/c/ |\
d2g | f e/f/d | edc | d3 :|!
|:A2d | c B/c/A | Bc/B/A/G/ | F E/F/D |\
d2g | B2 g | B/A/GF | G3 😐

X:6
T:Minuet. JBa.06
M:3/4
L:1/4
Q:3/4=80
S:Joseph Barnes MS,Carlisle,1762.
R:.minuet
O:England
A:Carlisle
N:Key Signature is given as two flats, given in the approximate
N:neighbourhood of B and E.
N:NB 1 – shown as a sharp – this is an old style relative not absolute
N:accidental -in modern terms, a natural.NB 2 – not shown as
N:dotted..CGr.
Z:vmp.C.Graebe.
K:Bb
“_NB re key sig.”Fff | f e/d/ c | dcB | A G/A/ F | CFF |\
F/G/A/B/ c |!
CFF | F/G/A/B/ c |fed |gcd | e/d/ cB | c3 :|!
|:Aaa | ag/f/e | f g/f/e/d/ | A2 a |bag | ad”_NB1″=e |!
f g/f/e/f/ |d2 d/e/ |fed | cBA | Ggf | e2d |!
c f-f | f/g/a/f/g/e/ | c f-f | f/g/a/f/ g |bag | “_NB2″f3 |]

X:7
T:Reels of Boggie,The. JBa.07
M:C
L:1/8
Q:1/2=80
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
N:Re: title. The only words I’m sure of is ‘The’..Only visible bar
N:lines are the double bars and the first…Ist, 2 and 3 are written
N:above the double bars.. I am still major league unhappy about the A
N:music. If any one can identify this tune maybe we can work out what
N:was intended here…CGr..Reel of Bogie is a well known Scotch
N:reel..P.Roberts..
Z:vmp.C.Graebe.
K:E minor
“No key/time sigs.or bar lines in MS”
EEE GA B/B/d D/D/D ADFDAD E/E/E GABBg g>ed>f e/e/e e2 :|!
|:”1st”e>fg>e b>ga>f (g/f/e/d/) df\
c/B/A/G/ GB e>fg>e bgaf g>ed>f e/e/e/ e2 :|!
|:”2nd”G>BE>B G>BE>B F>AD>A F>AD>A\
G>BE>B G>BE>B g>ed>f e/e/e/ e2 :|!
|:”3rd”g>eb>e g>eb>e (g/f/e/d/) df (g/f/e/d/) df\
g>eb>e gebe g>ed>f e/e/e e2 ||!
zzzz|zzzz|!
K:Em
“Edited version”|:E/E/E GA BBd2| D/D/D AD FDAD |\
E/E/E GA BBg2| g>ed>f e/e/e e2 :|!
|:e>fg>e b>ga>f | (g/f/e/d/) df c/B/A/G/ GB |\
e>fg>e bgaf | g>ed>f e/e/e e2 :|!
|:G>BE>B G>BE>B | F>AD>A F>AD>A |\
G>BE>B G>BE>B | g>ed>f e/e/e e2 :|!
|:g>eb>e g>eb>e | (g/f/e/d/) df (g/f/e/d/) df |\
g>eb>e gebe | g>ed>f e/e/e e2 😐

X:8
T:Lads and Lasses. JBa.08
T:Whitby Abbey,aka. JBa.08
M:C
L:1/8
Q:1/2=90
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
N:No time or key signature – but there is a very similar version in
N:Peter Kennedy’s Fiddler’s Tune Book series – unfortunately sources are
N:not given for the tunes..NB2 unclear note lengths aand not marked as
N:triplets in MS…CGr..similarity to Whitby Abbey (Vickers ms) pointed
N:out by Paul Roberts..
Z:vmp.C.Graebe.
K:G Major
“_No key/time sig,see note”g |\
dBAG FAAc | BGBd g2 fe | dBAG FAAc |\
BGAF G2G2 :|!
|: g2 (g/a/b) afed | g2 (g/a/b) a2d2 |\
“_unclear pitch”g2 (g/a/b) afed | “_NB2″((3efg) ((3fga) g2g2 |]

X:9
T:Sir John Fenwick. JBa.09
M:3/4
L:1/4
Q:3/4=60
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
N:Great Version..No Time signature.. Key signature is 3 sharp, though
N:not necessarily
N:the right three, even if it were A major, which it isn’t…NB Notes
N:marked ” have two little dashes – ” – written either under or over
N:them. 2 and 3 are written in the MS to indicate parts…
Z:vmp.C.Graebe.
K:D major
“_As Writ,see note”
DDF | AAd | AAd | F>ED | EEG | B2d |\
e/f/g/f/e/d/ | B2A |!
DDF |AAd | AAd | F>ED | G2 A/B/ |\
B/4d/4 A/4F/4 “”(NB)”E>D | “””B2 A :|!
|:”^Part 2″d”””DF | d”””DF | d”””DF |\
“””F2 E/D/ | e”””EF | e”””EF|\
e/f/g/f/e/d/ | B2 A |!
d”””DF | d”””DF | d”””DF | “””F>ED |\
G2 A/B/ | B/4d/4 A/4F/4 “””E>D | “””B2 A ||!
“^Part 3” dD/E/F/D/ |\
d A/B/c/A/ | d B/c/d/B/ | A F/G/A/F/ | eE/ “””F3/2 |\
eE/ “””F3/2 |!
e/f/g/f/e/d/ | B2A | d D/E/F/D/ | d A/B/c/A/ |\
d B/c/d/B/ | A F/G/A/F/ |!
G2 A/B/ | B/4d/4 A/4F/4 “””E>D |\
“””B2 A | D/B/,A,/B,/ D | A/F/E/F/ A | d/B/A/B/ d |!
“””F2 E/D/ |\
EEG| “””B2d | e/f/g/f/e/d/ | “””B2A || D/B/,A,/B,/ D |!
A/F/E/F/ A | d/B/A/B/ d | “””F2 E/D/ | G2 A/B/ |\
B/4d/4 A/4F/4 “””E>D | “””B2 A|]

X:10
T:Maggy Lowther. JBa.10
T:Maggy Lowder,aka. JBa.10
T:Maggie Lauder,aka. JBa.10
M:4/4
L:1/8
Q:1/4=80
C:unedited
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
N:No time signature,no key signature, number of beats in a bar very
N:variable. Time signature chosen because I have to put something in.
N:Key signature because the begining of this appears to be a relative
N:of the song “Maggy Lowther” (see Maggie Lauder in J.Aird,HSJJackson)
N:Other than that, transcribed as written because otherwise it would not
N:be
N:editing, it would be rewriting.
N:Actually it makes a lot of sense if you play it. Numbers at begining of
N:sections are given in MS. NB”*” – Does the handwriting change here
N:NB# – impossible to tell duration…CGr
Z:vmp.Cherri Graebe
K:D major
“_See note re lack of Key/time sigs and bar lines,otherwise as written”
A2 | d>fd>f d>ed>f | ef g/f/e/d/ c2 e2 |\
d>ed>f d>ed>f | a/b/ abag f2a2 |!
g>ag>b f>g f>a | e/f/ gfed | c2 e2 |\
d/c/B/A/ B/A/G/F/ G/F/E/D/| Dg (fg)a ef d2 D ||!
“Part 2” f/g/a da fga dfef f/e/d/c/ c2e2 |\
f/g/a d2a2 f/g/a df/g/ |a/g/a/b/ a/b/a/g/ f2a2 |!
g/f/g/a/ a/b/a/g/ f/e/f/g/ f/a/g/f/ | ef g/f/e/d/ c2e2 |!
d/c/B/A/ B/A/G/F/ G/F/E/D/ Dg | fga de d2 D2 ||!
“Part 3″DEDg f/g/a/ df|e/f/ g/f/e/d/ c2e2 |DEDg f/g/a/ df |!
a/g/a/b/ a/b/a/g/ f2a2 | g/f/g/a/ a/c’/a/g/ f/e/f/g/ f/a/g/f/ |!
e/d/e/f/ g/f/e/d/ c2e2 |d/c/B/A/ B/A/G/F/ G/F/E/D/ Dg |\
fga df d2 D2 :|!
|: “4th” a/f/d/f/ d/f/a/f/ a/f/d/f/ d/f/a/f/|\
e/d/e/f/ g/f/e/d/ c2 e2|\
a/f/d/f/ d/f/a/f/ a/f/d/f/ d/f/a/f/| a/g/a/b/ a/b/a/g/ f2a2 |!
g/d/B/d/ B/d/g/d/ e/c/A/c/ A/c/e/c/| “poss”e>f g/f/e/d/ “#”c2e2 |\
d/c/B/A/ B/A/G/F/ G/F/E/D/ Dg |\
f/g/a/ de d2 D2 |]

X:11
T:Dumfries Bowling Green. JBa.11
M:6/8
L:1/8
Q:3/8=120
S:Joseph Barnes MS,Carlisle,1762.
R:.jig
O:England
A:Carlisle
N:See No. 55 No key signature. Page very blotted. Possibly edge of
N:page missing – no bar line at end. Above the tune, after the first
N:double bar with repeats, it is possible that the figure 3 is
N:written, followed by several illegible words including poss”….Mr
N:Barnes ‘ piping….” A figure two is written over the tune after the
N:next double bar, and ‘end’ after the final double bar. ..CGr
H:See comments elsewhere regarding this tune..
Z:vmp.C.Graebe.
K:G major
“_No Key sig. in MS””‘1st.'”
g2|e/c/e c2 c | (B/c/d/B) c2g | edB c2c | ecA A2g |!
ed/e c2c | (B/c/dB) B2 e | d2B2G2c2A | dBG G3:|!
|:”‘3rd.’ ‘……Mr Barnes’ piping.. etc..’ (illegible)”cGE cGE |\
BGEc2 e | cGE cGE cGE |!
dDDD B | cGE cGE | cGE c2e | dGE c2 A | dBG G2 :|!
|:”2nd”B2 | c2 (gfege) gec | (e/f/ge) c2g | (e/f/ge) acA A2 B |!
B2g (e/f/ge) | agf efg | edc B2 A | dBG G2 ||!
zzzz|!
“^Edited Version.CGr.”|:g|\
e>ce c2 c | (B/c/dB) c2g | edB c2c | ecA A2g |!
e>de c2c | (B/c/dB) B2 e |dBG c2A | dBG G2:|!
|:d|cGE cGE | BGE c2 e | cGE cGE | dDD D2B |!
cGE cGE | cGE c2e | dGE c2 A | dBG G2 :|!
|:B | c2 g/f/ ege | gec (e/f/ge) | c2g (e/f/ge) | acA A2 B |!
c2g (e/f/ge) | agf efg | edc B2 A | dBG G2 😐

X:12
T:Over Ye Moor to Betty. JBa.12
M:4/4
L:1/8
Q:1/2=80
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
Z:vmp.C.Graebe.
K:G major
“_No key/time sig in MS” DG BG cA (cB) | Fc AB c2 A-A |\
DG BG G-G fg | (gf) e2 dc B2 G2-G2 ||!
d2 dg BG (cB) | c2 cf AF (cB) |\
GB Ac BG g2 | (gf) e2 dc B2 G2-G2 |]

X:13
T:Boniest Las in Ye World. JBa.13
M:4/4
L:1/4
Q:1/4=80
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
N:1768 1769 1769 written at bottom of page. ‘ – there is a short vertical
N:line over this note. It looks deliberate. The last note – G – in each
N:part looks smaller than the others.CGr.
Z:vmp.C.Graebe.
K:G major
“_No key/time sig. in MS”Bd | dDGB | A/B/A/G/ ED |\
Ggf/4g/4a/4b/4 ag | !
“‘”e2d g/a/ |\
b/a/g/e/ gB | (A/B/)(A/G/) E D/E/ | Gg (d/e/)(g/B/) (A2G) ||!
g/g/f/ e/f/g/e/ | a a/g/”sh” f e/d/ | g g/a/ (f/g/)(a/b/) (ag) | !
e2d ga | b/a/ g/e/ gB | A/B/A/G/ E D/E/ | Gg (d/e/) (g/B/) (A2G) ||!
zzzz|!
“^Edited Version”
B/d/ | dDGB | A/B/A/G/ ED | Ggf/4g/4a/4b/4 a/g/ |!
e2d g/a/ |\
b/a/g/e/ gB | (A/B/)(A/G/) E D/E/ | Gg (d/e/)(g/B/)| (A2G) ||!
z|gg/f/ e/f/g/e/ | a a/g/”sh” f e/d/ | g g/a/ (f/4g/4)(a/4b/4) (a/g/) |!
e2d g/a/ | (b/a/) (g/e/) gB | A/B/A/G/ E D/E/ | \
Gg (d/e/) (g/B/)| (A2G) ||!

X:14
T:Heart of Oak.2voices. JBa.14
M:C|
L:1/8
Q:1/4=100
C:Dr. William Boyce,1759
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
N:Composed for ‘Harlequin’s Invasion’ at the Garrick Theatre in 1759..
N:Two part arrangement – second part in bass clef..the standard words
N:are
N:included with this tune..Words of first verse written under stave..u
N:and d are in the ms.. At “symphony” “Sy” is written under the
N:stave..symphony = the West Gallery Music term for an instrumental
N:break..NB2 – could be a bar line here. Rest added by me to make bar
N:add up and match bass line. Z,X,Y,# as written.CGr
Z:vmp.C Graebe.
V:1 name=primo
V:2 clef=bass name=bass
%%staves [1 2]
K:C major
[V:1]z/ G|c2 c c c2 e d|c2 B A G2 z G|A2 A B c2 c d|e2 f d e2 z G|!
[V:2]z/ G,|C2 C C C2E D|C2 B, A, G,2 z “6”E,|\
F,2 z2 “6,qu”E,2 z G,|C2 G,2 C,2 z G,|!
%
[V:1]c2 E F G2 A B|c2 E F G2 z d|e2″u”d “^d”c g2 B c|d2 d D G2|!
[V:2]C2 E, F, G,2 A, B,|C2 E, F, G,2 z “X”D|\
E2 D C G2 B, C|D2 DD, “6”G,2|!
%
[V:1]”‘Symphony'”z/ G/^F/E/ D/C/B,/A,/B,2 “^Chorus” d>d|\
d2 B c d2 e>e|e2 c>d e2 z e|!
[V:2]z/ G,/^F,/E,/ D,/C,/B,,/A,,/G,,2 “cr”z2|G,2 z2 G,,2 z2|\
C2 z2 C,2 z2|
%
[V:1](dc) B e c A z2|c<c G2 E<C z G|(AB) c d e2 d>c|g2 G B c2|]
[V:2]”Y”D,2″#” E,2 A,,2z2|C<C G,2 E,<C, z G,|\
A,B, C D”Z”E2 D>C|G2 G, B, C2|]

X:16
T:Haymakers. JBa.15
M:6/8
L:1/8
Q:3/8=100
S:Joseph Barnes MS,Carlisle,1762.
R:.jig
O:England
A:Carlisle
N:As usual, no time or key signature,Not many bar lines either and not
N:much resemblence to the Playford Haymakers. Fortunately it does bear a
N:strong resemblance in the MS of John Miller of Perth, 1799..and the
N: version in Vicker’s MS… photocopy
N:very unclear Do I hear faint echoes of ‘Off she goes’ – ‘Pop goes the
N:Weasel’.. Edited with reference to version in John Miller, Perth MS
N:1799..CGr.
Z:vmp.C.Graebe.
K:C major
“_No key/time sig,see note”GB AcA cB G2 AFD G2B2 AcA BdB G2 ||!
G2g2 gf d2 efg dBG G2g2 gf d2 efg d2 ||!
c2e2 dBG AcA cBG ce dBG AcA G2 |]!
K:G major
M:6/8
“^Edited version – see note”
G2B AcA | cBG AFD| G2B AcA | BdB G3 ||!
G2g gfd | efg dBG |G2g gfd | efg d3 ||!
c2e dBG | AcA cBG | c2e dBG | AcA G3 |]

X:17
T:O….? ?….? Wedding. JBa.16
M:7/8
L:1/4
Q:1/8=90
C:HAVE FUN!
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
N:No key or time signature given. The photocopy and writing are
N:exceptionally clear
N:1 – duration of these four notes unclear – cf next 2 bars…CGr.
N:Note on facing page says “The 4th part must be played but once
N:over”,therefore I have felt justified in making repeat marks for all
N:the other bits where none were shown in the MS..CGP
H:See note elsewhere..
Z:vmp.C.Graebe.
K:A minor
“_as written,see note,no key/time sig in ms”
cA/e(d/c/) | B G/ d (c/B/) | cA/e (d/c/) | A f e/ d :|!
|:c/d d/f/ g | g/Bc (e/e/) | (f/g/) aa/A :|!
|: a b/ (a/g/) (g/f/) | e g g/ B | ab/ (a/g/) (g/f/) | e a a/ A :||!
“^’play this part but once'”ab/ (a/g/) (g/f/) |\
ab/ (a/g/) (g/f/) | ab/ (a/g/) (g/f/) | g2 f/ g |!
aa/4g/ f e/4d/ ||:\
c/A/ a/c/ B/G | d/B c/A/ a/c/ | Af/ed :|!
|: cc”1″c/c/4 c/c/4|B B B/B/4 B/B/4|cc c/c/4 c/c/4|Af/ed :|!
|: c (e/e/) e/d/c/ |Bcd/B | c (e/e/) e/d/c/ | Af/ed 😐

X:18
T:S………?. JBa.17
M:4/4
L:1/4
Q:1/2=90
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
N:photocopy very faint.
Z:vmp.C.Graebe.
K:Ddor
“_No key/time sig”e d/c/ c/G/c/G/ |\
“_Bars 2, 3, 4 edited – see below”d/c/ e f/g/a |\
e d/c/ c/G/c/G/ | A/B/G/E/ D D |!
c/4c/4c/ g/a/ g/e/g/a/ |\
c/4c/4c/ g/a/ g/e/c/e/ | c/4c/4c/ g/a/ g/e/c/e/ |\
f/4g3/4f3/4e/4 d/4d/4d/d/ :|!
“^bars 2,3, 4 as in MS”d/c/ e f/4g/4a/ | e d/c/ c/G/ c/G/ A/4B/4|\
G/E/ D D |]

X:19
T:Militia March for Cumberland Militia,A. JBa.18
T:Cumberland Militia March. JBa.18
T:Lads A Bunchum,Adderbury,aka. JBa.18
M:4/4
L:1/4
Q:1/2=80
S:Joseph Barnes MS,Carlisle,1762.
R:.march
O:England
A:Carlisle
N:The bar lines are one crotchet to the left in MS.
Z:vmp.C.Graebe.
K:D major
“_No key/time sig in ms,see note re bar lines”
A/G/| F F F/A/G/F/| E/D/E/F/ E G|\
F/A/G/F/ E/G/F/E/| D D/D/ D :|!
|:d/4c/4B/| A A/B/ A D/4E/4F/|\
G/E/G/A/ G d/4c/4B/| A A/B/ Ad/F/| E/D/E/F/ E G|!
F F/F/ F d/F/| E/D/E/F/ E G|\
F/A/G/F/ E/G/F/E/| D D/D/ D 😐

X:20
T:Prince of Orange’s March,The. JBa.19
T:Bonny Broom,aka. JBa.19
T:Broom,Broom,etc,aka. JBa.19
M:4/4
L:1/4
Q:1/2=80
S:Joseph Barnes MS,Carlisle,1762.
R:.march
O:England
A:Carlisle
N:
Z:vmp.C.Graebe.
K:D Major
“_No key/time sg in ms”F/G/ | AA A>B | A/G/F/E/ D2 | d/c/d/e/ f2 |\
e/d/c/B/ A G/A/ |!
(c/B/) (A/B/) B/c/d/B/ |AA (B/A/)(G/A/) | (c/B/) (B/c/) B/c/d/B/ |!
AA (B/A/) (G/A/) | G G/B/ A/G/F/E/ | D>E D/G/F/E/ | D3 :|!
|:”‘1st'”f e/d/ c/d/ e | (e/f/) e/d/c/B/ A | f e/d/ c/d/ e |\
(e/f/) e/d/c/B/ A |!
g “tr”f ((3e/f/g/) “tr”f | ((3e/f/g/) “tr”f ((3e/f/g/) “tr”f | \
e d ((3c/d/e/) d |\
((3c/d/e/) “^crots in ms” d/c/B (f/g/) |!
a/g/f/e/ d/f/d/c/ | c (B/c/) B B/c/ |d d A/B/c/A/ |B G G c/d/ |!
e e B/c/d/e/ | (d/c/)(B/c/) A G/A/ | (c/B/) (A/4B/4)”sq”c/ B/c/d/B/ |\
A A (B/A/)(G/A/) |!
(c/B/)(B/c/) B/c/d/B/ | A A (B/A/)(G/F/) |\
G G/B/ A/G/F/E/ | D>E D/G/F/E/ | D>E D2 |]

X:21
T:Fox Hunter. JBa.20
T:Balby a Rieving? JBa.20
T:Buckle My Shoe,aka. JBa.20
M:6/8
L:1/8
Q:120
C:”Balby a Rieving”?
S:Joseph Barnes MS,Carlisle,1762.
R:.jig
O:England
A:Carlisle
N:Key signature shown as F sharp in lowest space and a second sharp in
N:the top space the figure 6 is then written – old style of writing
N:6/8..CGr
N:Balby a Rieving is a very uncertain attempt to decypher what appears to
N:be an alternative title in a different hand.
H:See Paul’s notes elsewhere.
Z:vmp.C.Graebe.
K:D major
“_See Note re key/time sig”def g2e | faf f2e | dBB B2A | dBB B3 | !
def g2e | faf g2e | cAA A2B | cAA A3 ||!
agf gfe | fgf f2e | dBB B2A | dBB B3 |!
agf gfe | fag f2e | cAA A2B| cAA A3 |]

X:22
T:Donkin Gray. JBa.21
T:Duncan Gray,aka. JBa.21
M:2/2
L:1/8
Q:1/2=120
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
N:Quite different from the version in J.Aird.
H:See elsewhere for Paul’s comments
Z:vmp.C.Graebe.
K:G Major
“_No key/time sig.” \
G2 BG F2G2 | A2B2F4 |G3B ABcA | B2G2G4 :|!
|: (B2d2d2) cB | (A2c2c2) BA |G2B2 cBAG | FGAF D2 Bc |!
d2ed c2 dc | B2 cBA2 GF |G3 B ABcA | B2G2 G4 :|!
|: GFED EDCB, | CA,DB,G,2 B2 |G3B ABcd | B2G2G4 :|!
|:BcdB cdec | BcdB ABcA |EFGE cBAG | FGAF D2 (ef) |!
gfed edcB | cABd (F2 ED) |G3 B ABcA| B2G2 G4 :|!
|: {(E/F/)} G2G,2D2A,2 | cBAG F2 EF | G3B ABcA | B2G2G4 :|!
|:ecAc gcAc |dBAB fBAB | DBAB cBAG |FGAF (D2ef) | !
gfed edcB | cABd (F2 ED) |\
(G/A/B) (A/B/c) (B/c/d) (A/B/c) | B2G2G4 |]

X:23
T:Minuet. JBa.22
M:3/4
L:1/4
Q:3/4=60
S:Joseph Barnes MS,Carlisle,1762.
R:.minuet
O:England
A:Carlisle
Z:vmp.C.Graebe.
K:G major
“_no key sig” G d/d/d/d/ | B e/e/e/e/ | d d/a/f/a/ | g2d |!
e c/c/c/c/ | B G/G/G/G/ | c d/c/B/c/ | A3 ||!
A D/D/D/D/ | FAc | B G/G/G/G/ | ceg |!
f d/d/d/d/ | gab | e e/g/f/a/ | g3 |]

X:24
T:Neopolitan,The. JBa.23
M:3/4
L:1/4
Q:3/4=60
S:Joseph Barnes MS,Carlisle,1762.
R:.minuet?
O:England
A:Carlisle
N:No time signature. There is what appears to be a sharp in the lowest
N:space (F) but in G this sounds wrong . Photo copy very faint..CGr.
N:Neapolitan? could this be evidence of the first ice-cream van?.
Z:vmp.C.Graebe.
K:C major
“_see note”E/D/ | CEF | G2 A/B/ | c B/A/ f/d/|\
cBc | e/c/ e/f/ g |!
d/B/c/A/B/G/ | e/c/e/g/ g |\
d/B/c/A/B/G/ | (e/4d/4c/) BA | G2 ||!
B/A/ | GBc | d2e | f f/d/e/c/ | B/c/d/B/ G |!
ABc | GBc |A/4G/4F/ ED | C2 :|!
|: D | E-E E | F-F E/F/ | GFE |D/C/B,/A,/ G, |!
E-E E | F-F F | (A/4G/4F/) ED | C2 :|!
|:z|D D/D/ D | E/F/G/E/ C | c-c c | B/c/d/B/ G |!
E-E E | F-F F | (A/4G/4F/)ED | C2 |]

X:25
T:Scotch Tune,A. JBa.24
M:4/4
L:1/8
Q:1/2=80
S:Joseph Barnes MS,Carlisle,1762.
R:.snap!
O:England
A:Carlisle
N:No time signature. Key signature very faint. Photocopy very faint. 1 –
N:there is a spare “g” at the end of this bar, half a beat too many,so it
N:has been disappeared by CGP…CGr..
Z:vmp.C.Graebe.
K:E major
“_see note”B2 E/F/G B>GE>G | A>FD>F d>FD>F |!
“1”B>GE>G e2 g/a/b |g>ef>d e/e/e e2 :|!
|: e>gf>e B/B/B ec | d>ef>d d/d/d fd |!
egf>e d>BA>F | G>BA>F E/E/E E2 😐

X:26
T:Captain Rosses(?) Gigg. JBa.25
M:4/4
L:1/4
Q:1/2=100
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
N:Very difficult to read..No key signature.. Duration of notes tricky to
N:read –
N:rest at start of Bstrain is editorial..The Csharp in bar 12 is a
N:problem..CGr.
Z:vmp.C.Graebe.
K:D major
“_no key sig”A | F>EDc | d/c/B/A/ ” cr”c2 | ECCE | cEEA |!
FEDc | d/c/B/A/ d2 | FDD” crs”B/c/ | dAA :|!
|:z|d>efd | gefd | ecc e/f/ | (g/f/)(e/d/) ” ?”^c>e |!
defg | abg>f | fdae | d/d/ dd |]

X:27
T:Black Joak,The. JBa.26
M:6/8
L:1/8
Q:3/8=50
S:Joseph Barnes MS,Carlisle,1762.
R:.joke,ha ha
O:England
A:Carlisle
N:1 – this note added by me 2 – In the MS these notes come in sets of 8
N:not 6..CGr…
H:See elsewhere for Paul’s notes.
Z:vmp.C.Graebe.
K:A major
A||: EGA (Ad/c/B/A/) | Bcd (d/c/B/A/G) | cde (a/g/f/g/a/f/) |\
(ed/c/B/A/) (dc/B/A/G/) |\
(A/B/c/d/e) (F/G/A/B/c) | EFG ” cr”A3 :: (d/c/B/c/d) (e/d/c/B/A) |\
(a/g/f/g/a) edc | d/c/B/A/B/c/ d(dc) | fga edc |\
(d/e/f/g/a) (c/d/e/f/g) |\
Bcd (d/c/B/A/G) | cde a/g/f/f/g/a/ | (e/d/c/B/A) (dc/B/A/G/) |\
(A/B/c/d/e) (F/G/A/B/c) |EFG ” cr”A3 ::\
E2A AA,A | BcB BB,B | cdc cCc | BcB BA,B\
| (A/B/c/d/e) (F/G/A/B/c) | EFG ” cr”A3 ::\
(d/c/B/c/d) (d/c/B/c/d) | fga (ed/c/B/A/) | (d/c/B/c/d) (d/c/B/c/d) |\
fga edc | d/e/f/g/a (c/d/e/f/g) |\
Bcd (d/c/B/A/G) | cde (a/g/f/g/a/f/)|\
(e/d/c/B/A) (d/c/B/A/G) | (A/B/c/d/e) (F/G/A/B/c) | EFG ” cr”A3 ::\
eac’ eac’ | ebd’ ebd’ | ec’e’ ec’e’ | ed’f’ ed’f’ | eaa g2f |\
efg ” cr”a3 ::\
(e/d/c/B/A) (e/d/c/B/A) | fga ecA |\
(e/d/c/B/A) (e/d/c/B/A) | fga ecA |\
(d/e/f/g/a) (c/d/e/f/g) | Bcd (d/c/B/A/G) | cde (a/g/f/g/a/f/) |\
” bar almost illegible”\
(e/d/c/B/A) (d/c/B/A/G) | (A/B/c/d/e) (F/G/A/B/c) | EFG ” cr”A3 ::\
aae aea |bc’b bab | c’d’c’ (c’d’/c’/b/a/) | bc’b bab | eaa ” 1″ agf |\
efg ” cr”a3 ::(e/c/)(e/c/)(e/c/) (f/d/)(f/d/)(f/d/) |\
(e/c/)(e/c/)(e/c/) (f/d/)(f/d/)(f/d/) |\
(a/c/)(a/c/)(a/c/) (g/B/)(g/B/)(g/B/) | agf edc |\
Bcd (d/c/B/A/G) | (A/B/c/d/e)( F/G/A/B/c) |\
EFG ” cr”A3 ::” 2″ (a/A/)(a/A/)(a/A/) (b/A/)(b/A/)(b/A/) |\
(c’/A/)(c’/A/)(c’/A/) (b/A/)(b/A/)(b/A/) | eaa g2d | efg ” cr”a3 |]

X:28
T:Goodnight and God be with you. JBa.27
M:4/4
L:1/8
Q:1/4=100
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
N:Very like Buttered Peas/Stumpie
H:See Paul’s notes.
Z:vmp.C.Graebe.
K:A major
“_MS has time sig as 6/8, Key sig Gmaj”\
Ac a2 ag/f/ fa | Ac a2 ac/B/ Bc |\
Ac a2 ag/f/ fa | ca ed/c/ fBBf :|!
|:Ac ed/c/ ac ed/c/ | Ac ed/c/ fBBf | Ac e(d/c/) ac ed/c/ |\
ca ed/c/ acBc :||: !
Ac e2 ed/c/ ca | Ac e2 ed/c/ Bc | Ac e2 ed/c/ ca | ca ed/c/ fBBf 😐

X:29
T:Queen Ru…? House. JBa.28
T:Down the Bank,aka. JBa.28
M:C|
L:1/8
Q:1/2=90
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
N:1 – not shown as triplet in MS
Z:vmp.C.Graebe.
K:D major
B | AFED (G2 GB) | AFED E/E/E EB | AFED BcdB |\
AFdF D/D/D D :|!
|: e | defd gfed | defd ecBA | defd gfeg |\
“1”((3fga) Ac d3d |]

X:30
T:Horrock’s(?) Rant. JBa.29
M:C|
L:1/8
Q:1/2=80
S:Joseph Barnes MS,Carlisle,1762.
R:.strathspey
O:England
A:Carlisle
N:”1″ shown as 3 semi-quavers but see bar 8
H:See Paul’s notes.
Z:vmp.C.Graebe.
K:Amix
f | e>cAc e>fed | d>fed B/B/B Bf | e>cAc e>fec | d>fec A/A/A A2 :|!
|:{fg} | a/g/f/e/ ac ec ac | ec ac B/B/B “1”(Bf/g/) |\
a/g/f/e/ ac ec ac |\
d>fec A/A/A (Af/g/) |!
a/g/f/e/ acec ac | d>fed B/B/B B>f |e>cAc e>fec | d>fec A/A/A A2 |]

X:31
T:Scotch Reel,A. JBa.30
M:2/2
L:1/8
Q:1/2=90
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
Z:vmp.C.Graebe.
K:D Major
“_no key sig”defa efdA | BdAF E/E/E E2 | defa efdA |\
B/d/e/c/ AF D/D/D D2:|!
|:D2 DF D/D/D AF | E2 EB E/E/E BA |\
D2 DF defd | dBAF D/D/D D2 :|!
|:abaf abaf | ge be ge be | abaf abaf | geaf d/d/d d2 :||!
zzzzzzzzzzzzz|!
“^First line as in MS”\
defa efdA | BdAF E/E/E E2 | defa efdA | Bdec | AF D/D/D D2 😐

X:32
T:Dear Betty Brown. JBa.31
M:4/4
L:1/8
Q:1/4=100
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
N:Is it possible the mixture of beamed and unbeamed quavers indicates a
N:song tune?
N:Very difficult to decide which are quavers and which crochets 1 – end
N:of line, unclear if bar line intended – bars often run over line end
N:3 – possibly a quaver 2 – bar line dotted
N:4 – probably dotted..CGr.
Z:vmp.C.Graebe.
K:C major
“_No key/time sig.As written – See note” D D | G2 B d c2 AE |\
(DE) A F G>”3″ A | B2G B A2 B g |fe d c d2 d |!
g2 d f e2 c e dB A “4”G A3 d | B2 cd e2 fg |B2 c A G2 “1” |!
g2 f e d4 | e2 d c B> “3”c | dB AG e2 f g | B2 c A G4 “2” |\
dg dB g2 dB AB DF G3 ||!
zzzz|!
” With minimal editing”
K:G major
DD | G2 Bd c2 AE |(DE) AF G3 A | B2 GB A2 Bg |\
fe d^c d2 d2 |!
g2 df e2 ce | dB AG A3 d | B2 cd e2 fg |B2 cA G4 |!
g2 fe d4 | e2 dc B3 c |\
dB AG e2 fg | B2 cA G4 |dg dB g2 dB | AB DF G3 |]

X:33
T:Lass in ye Yellow Coat,The. JBa.32
T:Lass with the Yellow Cottie,aka. JBa.32
M:2/2
L:1/8
Q:1/2=90
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
N:Key signature is two sharps, but both F – low and high. 1 – note added
N:- see bar 2..CGr
Z:vmp.C.Graebe.
K:E minor
“_no time sig.See note”B | G2(GB) defd | edgd edef |\
G2 GB def”1″d | (e/f/g) dB AG F2 :|!
|:gabg afge | (Bddf) fged | gabg afge | (e/f/g) dB AF E2 😐

X:34
T:Minuet,A. JBa.33
M:3/4
L:1/4
Q:3/4=60
S:Joseph Barnes MS,Carlisle,1762.
R:.minuet
O:England
A:Carlisle
N:sh?- is the squiggle under this note the sign for a shake. Or just a
N:hair on the photocopy?
Z:vmp.C.Graebe.
K:G Major
G/A/ Bc | dgg | e/d/ cB | “sh?”A2 G |!
D/E/ B-B |D/G/ c-c | B/d/ cB | BAA :|!
|: D/F/ G d | c(B/A/)B | G/B/ dd |F2E |!
D/F/ A d | c (B/A/ B) | G/c/B/A/G/F/ | G3 😐

X:35
T:Dukes Reel. JBa.34
M:2/2
L:1/8
Q:1/2=80
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
H:See Paul’s notes..
Z:vmp.C.Graebe.
K:A minor
“_No key/time sig.-but A minor feels OK”\
G/A/B/c/ dc BGGB | G/A/B/c/ dc AFFA |\
G/A/B/c/ dc ecdB |cAgd AFFA :|!
|: (B/c/d) gd BGGB | (B/c/d) gc AFFA |\
(B/c/d) gd ecdB | cA fd AFFA 😐

X:36
T:Honley(??) at(?) Cricketers,The. JBa.35
M:C|
L:1/8
Q:1/2=80
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
N:Very difficult to make sense of the title,except that Cricketers is
N:certainly right..CGP
Z:vmp.C.Graebe.
K:D Major
d2 | AFDF AFDB | AFde d2 (E/F/G) |\
AFdF AFDf | e>d ef d/d/d d2 :|!
|:(d/e/f) afbg af | f>ed>f (e/e/e) ef |\
(d/e/f) afbg af | ed ef d/d/d d2:|

X:37
T:Quakers Hornpipe,The. JBa.36
M:3/2
L:1/4
Q:1/2=90
S:Joseph Barnes MS,Carlisle,1762.
R:.Double HP
O:England
A:Carlisle
N:Makes good sense in 9/8,too..CGP.
H:See Paul’s notes.
Z:vmp.C.Graebe.
K:G major
“_No time sig.Key sig.given as two #’s, upper and lower G”
G2 G/A/ G F E/D/ | G2 G/A/ B c/B/ A |\
G2 G/A/ GFD | E/C/ E D/B,/ D G2 :|!
|:B/d/ c B/G/ B A/F/ A | B/d/ c B/G/ B g/d/ B |\
B/d/ c B/G/ B A/F/ A | E/C/ E D/B,/ D G2 :|!
|:g2 g/a/ g f d | e2 e/f/g a/f/ d | g2 g/a/ gf d |\
e/c/e f/d/f g2 :|!
zzzz|!
” bar 9 in ms”g2 g/a/ g f>e d||\
” last bar as in MS” e/4c/4e/ f/4d/4f/ g2 |]

X:38
T:Unidentified Fragments. JBa.37
M:4/4
L:1/4
Q:100
S:Joseph Barnes MS,Carlisle,1762.
R:.Misc.
O:Carlisle
A:England
N:This is the last line of the page with Dukes Reel at the top.It is in a
N:different writing to the other 3 tunes.It has no clef, key or time
N:signature or bar at endAnd, other than clef, key, time signatures and
N:double bar added because the program requires them, is as it appears.2-
N:the number is written above the note, which could be either F or G,
N:but this probably refers to a 2nd-finger G..Frag2 This is the last line
N:of the page with Jacks Lattin at the top.As above re writing which
N:appears to match the above fragment. This has a clef but nothing else.
N:See notes above re addenda.CGr..
Z:vmp.C.Graebe.
K:C Major
” Fragment 1 – See note.”DGGGA B/c/ (c/d/)\
c/B/ A3/2 B/ c/e/ A (B/c/) d c/ B/G/ F/ G3/2 |!
GGgf “2” gab a/g/f/ e f g b e (f/g/)ag f dcd |\
(A/B/c/) ddg|| !
” Fragment 2 – see note”ABc ((2c/B/A/) G (G/F/) (D/E/F/)\
G A/B/c/ (c/d/)G G A/B/c/ d g ((2cBA) G |]

X:39
T:Minuet. JBa.38
M:3/4
L:1/4
Q:3/4=60
S:Joseph Barnes MS,Carlisle,1762.
R:.minuet
O:England
A:Carlisle
N:1 – this bar as written has an extra beat, and the B music has 15 bars
N:Could this bar as written be the begining of one bar and the end of
N:the next? 2- bar inserted – highly speculative rewrite. See end of
N:tune..CGr.
Z:vmp.C.Graebe.
K:G major
“_Key sig. unclear”
G2 A | B/A/G d | e/f/ gf | g G/A/B/c/ |!
dgf | e/d/ cB |c e/d/c/B/ | A/G/A/c/B/A/ |!
G2 A | B/A/ G d | e/f/ g f |g G/A/B/c/ |!
dgf | e/d/ cB | c/A/B/G/A/F/ | G3 :|!
|:G2c | B/A/ BG | e/f/g/e/f/d/ | “tr”e2 f |!
g a/f/e/d/ | “1”e/f/ a/f/g/e/ | “2”d e/f/e/d/ | e2 f |!
g e/d/c/B/ | e/d/c/B/A/G/ | d/B/c/A/B/G/ | F E/F/ D |!
f2 g | f/e/f/d/ f| c/A/B/G/A/F/ | G3 :||!
zzzzzzzz | “1 – as in MS” e/f/ a/f/g/e/f/d/|]

X:40
T:New Way of Wooing,The. JBa.39
M:C|
L:1/4
Q:1/2=100
S:Joseph Barnes MS,Carlisle,1762.
R:.Country-dance
O:England
A:Carlisle
Z:vmp.C.Graebe.
K:D major
“_Key sig is two #s-upper and lower E’s”
D | F>GAB | AF-FB | A F (G/F/)(E/D/) | E2E2 |!
F>GAB | AFdG | AF(G/F/)(E/D/) | D2″minim”D :|!
|:d/e/ | f f (g/f/)(e/d/) | f f (g/f/)(e/d/) |\
f f (g/f/)(e/d/) | e2E2 |!
F>G AB | A F d B |A F (G/F/)(E/D/) | D2″minim”D 😐

X:41
T:Bonny Lass of Aberdeen. JBa.40
M:2/2
L:1/8
Q:1/2=90
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
Z:vmp.C.Graebe.
K:D major
“_No time sig.Key sig 1# – low E..Dmaj sounds best”
B2 | AFED AFED| BABc d2 B2 | AFED AFED| EDEF G2B2 |!
AFED AFED | BABd GFED | d2 cB BcdB | AGFE D2 :|!
|:f2 | edBA ecBA | d2 cB c2 BA | BABc dcde | gagf e2 g2 |!
fgaf ecBG |BcdB AFED| d2 cB BcdB | AGFE D2 😐

X:42
T:Jack Lattin. JBa.41
M:2/4
L:1/16
Q:1/2=70
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
H:See Paul’s notes..
Z:vmp.C.Graebe.
K:G major
(GABc) d2g2 | d2B2B2g2 | d2B2B2g2 | d4B4 | !
GABc d2g2 | d2B2B2g2 | f2A2A2B2 | c4A4 :|!
|:GABc d2B2 | e2dc d2B2 | GABc d2B2 | d4B4 | !
GABc ” crs”d2B2 | e2dc d2e2 | f2A2A2B2 | c4A4 :|!
|:g2d2 BcdB | g2d2 BcdB | g2d2 BcdB | d4B4 |!
g2d2 BcdB | g2d2 BcdB | g2A2A2B2 | c4A4 |]

X:43
T:March. JBa.42
M:4/4
L:1/8
Q:1/2=100
S:Joseph Barnes MS,Carlisle,1762.
R:.march
O:England
A:Carlisle
N:1 – shown as grace notes.2 – for repeat needs to be a crochet
Z:vmp.C.Graebe.
K:E Minor
“_No time sig”
“See note”f>e |d3BA3G | F2E2D4 | f2f2d2f2 |edef e2 fg |!
a2a2a2 gf | g2g2g2 “sh” f>e | (de)(fg) a2 gf | e6 ||!
“1”fg | a4f4 | gagf e2 fg | a2f2 b2a2 | g2f2 efge |!
e4 A4 |(de)(fg) a2 gf | “tr” e3 d “2”d4 😐

X:44
T:Parson in the Suds,The. JBa.43
T:May Day,aka. JBa.43
T:England’s Glory,aka. JBa.43
M:2/4
L:1/8
Q:1/2=80
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
N:No key signature given, but version from Rutherford is in G
Z:vmp.C.Graebe.
K:G major
“_no key sig in MS,See note – tune as in ms”g/f/e/f/) gd cBAG\
FGAB cA A2 (g/f/e/f/) gd cBAG FGAc BG G2 :|!
|:B2 DG BG AG BG DG BG cAA2 cd ef ge dB cA dc BG G2 ||!
zzzz|!
K:G major
“^Edited by ref. to Country Dances, Pub.Rutherford 1758”
|:z|(g/f/e/f/) gd cBAG| FGAB cA A2 | (g/f/e/f/) gd cBAG| FGAc BG G :|!
|:B| DGBG AGBG |DGBG cAAB | cdef gedB| cAdc BG G:|

X:45
T:Spread Eagle,The. JBa.44
M:6/8
L:1/8
Q:3/8=120
S:Joseph Barnes MS,Carlisle,1762.
R:.march
O:England
A:Carlisle
N:This is clearly written and a clear photocopy. No doubt about what is
N:written.However….CGr.
Z:vmp.C.Graebe.
K:C major
“_No key sig.”
“^See note”Bc | dAG F2D | dAG F2D | dAG F2 D | G2BF2A |!
BGE E2 B/c/ | dAG F2 D | dAG F2 D | G2BF2A |!
AFD D2 :: Bc | d2g2 fed | c3 G| GBF A BAG E2 |!
Bcd ” cr”g3 |fed c2 A | G2BF2A | AFD D2 ||!
zzzz|!
K:D major
“^Edited version.CGr.”B/c/ | dAG F2D | dAG F2D | G2BF2A |\
BGE E2 B/c/ |!
dAG F2 D |dAG F2 D | G2BF2A | AFD D2 :|!
|: B/c/ | d2g fed | c3 G3| GBF A3 | BAG E3 |!
Bcd g3 |fed c2 A | G2BF2A | AFD D2 😐

X:46
T:More for Beauty than(?) Gear. JBa.45
M:4/4
L:1/8
Q:1/4=120
S:Joseph Barnes MS,Carlisle,1762.
R:.Country-dance
O:England
A:Carlisle
N:I don’t know what key signature to choose It seems to vary between 5/4
N:and 7/4. Or so. 1 – written over this bar is”note down” and the bar is
N:written a note above the transcription, so it has been written a note
N:down..CGr…I,ve had a go at this, but beware that it is only my
N:guess..CGP.
H:See Paul’s notes.
Z:vmp.C.Graebe.
K:C major
“_No time/key sig,see note”
d2 (3(fga) f2d2 (fg)(af) | d2 (fga) e2c2 (ef)(ge) |!
d2 (fga) f2d2 (fg)(af) | g2 (ag)f2 (gf) | “1”ec (ef)(ge)||!
fd Ad fd (fg)(af) | fd Ad ec (ef)(ge) |!
fd Ad fd (fg)(af) |g2 (ag) f2 (2(af) e2c2 (ef)(ge) ||!
d2 a2 (fg)(af) ad (fg)(af) |d2 a2 (fg)(af) ec (ef)(ge) | !
d2 a2 fgaf ad (fg)(af) | g2 (ag) f2 (gf) ec efge ||!
zzzz|zzzz||!
“^Suggested interptetation-CGP”
M:4/4
d2 (f/g/a) fd (f/g/)(a/f/) | d2 (f/g/a) ec (e/f/)(g/e/) |!
d2 (f/g/a) fd (f/g/)(a/f/) | g(a/g/) f(g/f/) ec (e/f/)(g/e/)||!
fd Ad fd (f/g/)(a/f/) | fd Ad ec (e/f/)(g/e/) |!
fd Ad fd (f/g/)(a/f/) |g(a/g/) f(a/f/) ec (e/f/)(g/e/) ||!
da (f/g/)(a/f/) ad (f/g/)(a/f/)|da (f/g/)(a/f/) ec (e/f/)(g/e/)|!
da (f/g/)(a/f/) ad (f/g/)(a/f/) | g(a/g/) f(g/f/) ec (e/f/)(g/e/) |]

X:47
T:Kendal Gill. JBa.46
T:Candle Gill,aka. JBa.46
T:Kendal Ghyll,aka. JBa.46
M:6/8
L:1/8
Q:3/8=120
S:Joseph Barnes MS,Carlisle,1762.
R:.jig
O:England
A:Carlisle
Z:vmp.C.Graebe..
K:D major
“_No time/key sig”
d2e f2g | fed cBA | d2e f2g | agf edc |!
d3 def | A3 AGF | G2B A2F | FDD D3 ||!
F2F A2F | (A/B/c)A cAF | G2G B2G | (B/c/d)B dBG|!
F2F A2F | (d/e/f)d cAF | G2B A2F | EDD D3 |]

X:48
T:Drops of Brandy. JBa.47
M:9/8
L:1/8
Q:3/8=130
S:Joseph Barnes MS,Carlisle,1762.
R:.slip jig
O:England
A:Carlisle
N:Key signature – three sharps shown but I think they are high and low
N:F’sand a G. Time signature is given as 6/8.. CGr…The penultimate
N:note in each part may possibly be shown as a dotted crotchet,but since
N:there is boubt,I have put it as a crotchet,which makes more sense(to
N:me!)..CGP
H:See Paul’s notes..
Z:vmp.C.Graebe.
K:G major
“_see note”G>AB B>AB B>AB | G>AB dBG d2g |\
G>AB B>AB B>AB | GAB gdB c2e :|!
|:”2nd” G>AB gdB gdB | G>AB gdB d2g |\
G>AB gdB gde | fga cAF c2″^End”e |]

X:49
T:Major,Ye. JBa.48
T:Moincoin Jig,aka. JBa.48
M:6/8
L:1/8
Q:3/8=120
S:Joseph Barnes MS,Carlisle,1762.
R:.Jig
O:England
A:Carlisle
N:This is the first half of each line of the Moincoin Jig(Not necessarily
N:implying that it was the Mooncoin Jig first,of course) Or just what a
N:working musician uses to remind him/her of how the tune goes.(On this
N:basis I have added a complete set of repeat marks to stop it playing
N:right through..CGP) Key
N:signature given as 3 sharps, but two of them are F’s. I think the
N:squiggle over the F in the 3rd bar is the shake sign. I’m not sure.
N:”1″ Bar line added..CGr….CGP
H:See Paul’s Notes..
Z:vmp.C.Graebe.
K:D Major
“_See note”c2A AcA “1” | AcA Bcd | c2A AcA “1” | dBG Bcd :|!
|:”2nd” cde efg | (“sh”f2e) fga | cde e(fg) “1” | f2d (Bc)d :|!
|:”3rd” c(BA) g3 | (ec)A Bcd | cBA g3 | dBG Bcd :|!
|:”4th” e2Ac2A | e2A Bcd | e2Ac2A | dBG Bc” End”d 😐

X:50
T:Kiss her Sweetly. JBa.49
T:Kiss Me Sweetly,aka. JBa.49
M:C|
L:1/8
Q:1/2=80
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
Z:vmp.C. Graebe.
K:C major
a/g/f/e/ cg egce | a/g/f/e/ cg edde |\
“q’s” a/g/f/e/ cg eg ce | cA GE C/C/C C2 :|!
|:EG cG AG cG | EG cA dDDd |\
EG cG EG ga | gede c/c/”sq’s”c ” End”c2|]

X:51
T:Welcome here again. JBa.50
M:4/4
L:1/8
Q:1/2=80
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Calisle
N:No time or key signature. D major seems logical,- it is in D in the
N:Joseph ua Jackson MS 1 – Note added ..CGr.
Z:vmp.C.Graebe.
K:D major
“_no key/time sig,See note”
D2 AF Ac Bd | D2 AF EC CE |\
D2 AF AB de | fd ef d/d/d “1”d2 :|!
|:”qu’s in ms”(g/f/)(e/d/) ef afed | cA eA fA eA |\
“qu’s”(g/f/)(e/d/) ef gf ed | cd ef d2d2 |]

X:52
T:Old Wife K(?)ist and Pa??al?,The. JBa.51
M:3/2
L:1/8
Q:1/2=80
C:Hmmm…
S:Joseph Barnes MS,Carlisle,1762.
R:.misc
O:England
A:Carlisle
N:Assigned key signature is an average,(using one of the three
N:mathematical definitions of ‘average’)Some difficulty in determining
N:note duration..CGr. ..Works better as 3/2..PR..OK, done.CGP
Z:vmp.C.Graebe.
K:C major
“_No time/key sig,as writ,see note”
c2B E A2 (GF) | d2D2 D | c2B E A2 (GF) E2 C2 (C2 C2) :|!
|:c2 Bc Ac (BcdB) | Dc (BcdB) A2 (GF) E2 CC | c2 Bd Ac BcdB |\
A2 (GF) GB FA E2 (CC) :|!
|: g2 fd e2(dc) d2 (DD) | g2 fd e2 (dc) E2 (CC)|\
g2 fd e2 dc BcdB | A2 (GF) GB FA E2 CC :|!
|:D2 (3(EFG) A2 (G/F) Fc | D2 (G/F) A2 (G/F) EC CE |\
D2 (3(EFG) A2 (G/F) Fc | D2 (G/F) A2 (G/F) GB FA (CC) 😐

X:53
T:Oughterside Rant. JBa.52
M:4/4
L:1/8
Q:1/2=90
S:Joseph Barnes MS,Carlisle,1762.
R:.Country-dance
O:England
A:Carlisle
N:Oughterside near Aspatria,Maryport, near Cockermouth, near
N:Carlisle..CGr.
N:Oughtiside is written at the end of the book as the home of John
N:Allison.one of the owners of the book,but not I believe, the copier of
N:this tune, which is why I think Joseph Barnes might also have come
N:from Oughtiside..CGP..
H:See Paul’s notes..
Z:vmp.C.Graebe.
K:C major
“_No key sig,time sig given as 3/4″
g2 fd ec dB | (cB) (AG) GB A2 | (Bc) d2 (EE) |!
gfd ec dB | (cB) (AG) GB A2 | (Bc) d2 (DD) ||!
(GF2) (AA) (cB) (G2G2) |(FE2) (ee) (dc2) (AA) |!
(fgaf) ge fd | ec df (gf)(ec) | d2 (D2D2) |]

X:54
T:Weel take her away without leave of her Minny. JBa.53
M:6/8
L:1/8
Q:3/8=80
C:”December 30th 1762”
S:Joseph Barnes MS,Carlisle,1762.
R:.Gigg
O:England
A:Carlisle
Z:vmp.C.Graebe.
K:F major
“_No time/key sig”
e | f>cA cFA | f>cA cag | fcA cFA | (d/c/)(B/A/)G Bdg :|!
|:”‘1st'”c(e/f/)(g/e/) g(e/f/)(g/e/)|gec Aag|c(e/f/)(g/e/) ge/f/g/e/|!
dBG Bdg|ce/f/g/e/ ge/f/g/e/|gec Aag |\
fed edc| “qu’s”(d/c/)(B/A/)G Bdg |]

X:55
T:Stir ye Girls. JBa.54
T:Go to Berwick,Johnny?aka. JBa.54
M:3/2
L:1/8
Q:1/2=80
S:Joseph Barnes MS,Carlisle,1762.
R:.?
O:England
A:Carlisle
N:Although the paired D notes are clearly quavers in th MS, simply
N:changing only these as I have done into crotchets, has removed a lot of
N:room for misinterpretation, I hope…perhaps the c in bar1 should be
N:c#?..CGP
H:See Paul’s notes
Z:vmp.C.Graebe.
K:D major
“_No key/time sigs”(d2 de) (d”?”cBA) (GFED) |\
d2(df) (efge) (fgaf) |!
(d2 de) (dcBA) (GFED) |E2(C2C2)E2c2 (cA) :|!
|: d2 “qu’s in ms”(D2D2) (EF) AF ED | d2 “qu’s”(D2D2) (EF) ef ge |!
d2 “qu’s”(D2D2) (EF) AF ED | E2 C2 C2 E2 c2 (cA) |]

X:56
T:Dumfries Bowling Green. JBa.55
M:6/8
L:1/8
Q:3/8=120
C:Here be beasties….
S:Joseph Barnes MS,Carlisle,1762.
R:.jig
O:England
A:Carlisle
N:I’ve assigned it as 6/8 with ref. to JBa.11…CGP
Z:vmp.C.Graebe.
K:None
“_No key/time sig,as writ,bar lines wonky,see note” f2 ecA c2 |\
(Bc)(dB) c2 | f ecA c2 d | ecA A2f |!
ecA c2 |(Bc)(dB) c2 | f ecA c2 | d dBG G2 :|!
|:c2 (e2e)fg gec efg | c2 (e2e)fg acA A2 |!
c2e2 efg gec efg c2 e2 efg | dBG G2 :|!
|:AB cGE cGE | cGE G2 AB | cGE cGE AFD D2 |!
AB cGE cGE | cGE c2A2 | dBG c2A2 dBG G2 |]

X:57
T:Gigg,A. JBa.56
T:Oldham Rant?aka. JBa.56
M:4/4
L:1/8
Q:1/2=120
S:Joseph Barnes MS,Carlisle,1762.
R:.jig
O:England
A:Carlisle
N:1 – At least I think the squiggle in the slur is the sign for a
N:shake..CGr…PR suggests ‘Oldham Rant’ from Kershaw..
Z:vmp.C.Graebe.
K:D Major
“_No key/time sig.Barred as written”
f2 (dd) (dc) d2 eg| f2d2d2f2 | g2 (“1″g”sh”fe) |\
f2 d-d (dc) d2 e2 (fg) | af ge d2d2 :|!
|:A2 A BA (F”sh”ED) | A2 (Bcd) d2 d2 |\
A2 A2 BA (F”sh”ED) af ge d2d2 |]

X:58
T:I will have a Wife of my Own. JBa.57
T:I Have a Wife of my Own,aka, JBa.57
M:9/8
L:1/8
Q:3/8=120
S:Joseph Barnes MS,Carlisle,1762.
R:.slip jig
O:England
A:Carlisle
H:See Paul’s notes
Z:vmp.C.Graebe.
K:G major
“_no key/time sig”(EFGE) G2 A2(“sh”cB) | (EFGE) G2 B AFD |\
(EFGE) G2 A (c2B2) | AFD D2 B AFD :|!
|:G2 cAc BdB | BGE G2 B AFD | G2 cAc BdB |\
AFD D2E AFD :|!
|: g2G2 B g2 | (gfe) G2 B AFD |\
g2 G2 B (cB) | AFD D2 B2 AFD ||!
zzzzzzzz|zzzzzzzzz||!
“^Edited version.CGr”
|:(4(EFGE) G2 A(“sh”c2B) | (4(EFGE) G2 B AFD |\
(4(EFGE) G2 A (c2B) | AFD D2 B AFD :|!
|:G3 cAc BdB | BGE G2 B AFD | G3 cAc BdB |\
AFD D2E AFD :|!
|: g3G2 B g3 | (gfe) G2 B AFD |\
g3 G2 B (c2B) | AFD D2 B AFD 😐

X:59
T:Willie is a Wanting Wag. JBa.58
M:4/4
L:1/8
Q:1/2=90
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
N:Regrettably this bears almost no resemblance to ‘Willie is a wanten
N:wag’ in Kerr’s Merry Melodies..CGr.
Z:vmp.C.Graebe.
K:C major
“_No key/time sig”
D/D/D AG FG Ac | D/D/D AF GE CE |\
D/D/D AG FG Ac | dB cA GE CE :|!
|:d/d/d fd ge fd | d/d/d fe ge ce |\
d/d/d fd ge fd | e (ag) f ed ce |]

X:60
T:Untitled. JBa.59
M:4/4
L:1/8
Q:125
S:Joseph Barnes MS,Carlisle,1762.
R:.Country-dance
O:England
A:Carlisle
N:Not sure how to edit this, so we won’t. Paul Roberts thinks he can
N:play this in 3/2 with a bit of imagination…CGP
Z:vmp.C.Graebe.
K:D major
“_No key/time sigs,as written”
fd f(a/f/) g2 (ee) g | fd f(a/f/) g2 (“sh”g/f/e/) |\
fd f(a/f/) g2 (ee) c | B2 A Bc d2 (“sh”cBA) :|!
|:dA BG AF (F/E/) D | dA Bc (“sh”dcBA) |\
dA BG A2F2 (F/E/) D | E>D EF G2 (“sh”FED) |]

X:61
T:March. JBa.60
M:4/4
L:1/8
Q:1/2=100
S:Joseph Barnes MS,Carlisle,1762.
R:.march
O:England
A:Carlisle
N:You’ll have to work it out yourself!
Z:vmp.C.Graebe.
K:D major
“_No key/time sig,as written”
(BA) G2 F2 DF | A2 FA d2 Bd | f2 df a2 gf e2 eee2 |(BA) G2 F2 DF |!
A2 FA B2 ge (dc) | A2B2 ag f2 ge | cA d2 dd d2 | A2 (de) fd BcdB |!
AF dc AG F2 FA dc BA GF | E2 EF E2 (BAG) (F2 DF) |!
A2 FA B2 (dc) (ed3) (cBA) B a gf ge | cA d2 ddd ||!

X:62
T:John’s Friends is Never Pleas’d. JBa.61
T:Jack’s Friends is..etc,aka. JBa.61
M:4/4
L:1/8
Q:1/2=80
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
Z:vmp.C.Graebe.
K:Gmix
“_No key/time sig”
(ef) | gd ec Bg eG | G2 (c/B/)(A/B/) c2 E2E2 |\
(ef) gd ec Bg eG G2 (cBA) A2 D2D2 :|!
|:G2 (cB) G(B/c/) dB | G2 (cB) c2 E2 E2 |\
G2 (cB) GB dB | D2 A2 (G/F/) D2D2 ||!
zzzz|zzzz||!
“^edited version,CGP”
(e/f/) |: gdec BgeG | G2 (c/B/)(A/B/) cE E(e/f/)|\
gdec BgeG| G2 (c/B/A) AD D2 :|!
|:G2 (cB) G(B/c/) dB | G2 (cB) cE E2 |\
G2 (cB) GBdB | D2 A(G/F/) ADD2 😐

X:63
T:Minuet,A. JBa.62
M:3/4
L:1/8
Q:3/4=60
S:Joseph Barnes MS,Carlisle,1762.
R:.minuet
O:England
A:Carlisle
N:1 – shown dotted 2 – bar line here 3 – not shown as grace notes
Z:vmp.C.Graebe.
K:None
“_No key/time sig”
(ef) | g2 gggg | d2 dddd | G2 GGGG | GA “1”D4 |!
G2 GB Ac | B2 GB “2” (AB/c/) | d2 ed cB | {B}A4 :|!
|:(fg) | a2 aaaa | a2g2f2 | “3”{ga} b2 bbbb | b2a2g2 |!
de dc Bc | de dcBg | “sh”(cB) A2 G2 |”_bar added” A4 😐

X:64
T:Guinea Corn. JBa.63
M:7/4
L:1/8
Q:1/2=115
S:Joseph Barnes MS,Carlisle,1762.
R:.misc.
O:England
A:Carlisle
N:Guinea Corn = Sorghum Wheat
H:See Paul’s notes..
Z:vmp.C.Graebe.
K:D major
“_No key/time sig,as writ”
d2 (f2f2) (d c2) (e2e2) c2 | d2 (f2f2) d2 c2 (A2A2) |\
d2 (f2f2) d c2 (e2e2) | (BcdA) B2 G2 F2 (D2D2) :|!
|:(FG) A2A2 BG (c2A2A2) | FG A2A2 BG F2 (D2D2) |\
(FG) A2A2 BG c2 (A2A2) | (Bc)(BA) AG F2 (D2D2) 😐

X:65
T:Britan. JBa.64
M:3/4
L:1/4
Q:3/4=60
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
N:Well I think it sounds wierd in A major
H:Pipes compatible-PR..
Z:vmp.C.Graebe.
K:A minor
“_No key/time sig”
E | AAB | c A/B/c/d/ | eea | g f/g/ e |!
aaa | eee | d/e/f/e/d/c/ | B3:|!
|:g | g a/g/f/e/ | f g/f/e/d/ | e f/e/d/c/ | dGg |!
g>a g | ecd | e f/e/d/c/ | c2 d |!
e f/e/d/c/ | d e/d/c/B/ | c d/c/B/A/ | GEA | !
A2B | c/d/e/ d/c/B>A | A3 😐

X:66
T:Untitled. JBa.65
M:4/4
L:1/4
Q:1/2=100
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
Z:vmp.C.Graebe.
K:A minor
“_Time given as 2/4.No key given”
E | cccA | e/d/e/f/ e f/g/ | acBe | cB/c/ AE |!
cccA| e/d/e/f/ e f/g/ | acBA | A3 ||!
a a>A a | ggGg | gfed | e4 |e e/e/ ea | d4 |!
c c/c/ ce | B4 | cB A/B/c/d/ |\
e/d/e/f/ ea | gabg | a2a2 |]

X:67
T:Brandy Bottle. JBa.66
M:4/4
L:1/4
Q:1/2=80
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
Z:vmp.C.Graebe.
K:G major
“_No key or time signature”G(c/4B/4)(A/4G/4) (B/d/c/B/) |\
G (c/4B/4A/4G/4) F/A/ F/D/ | G (c/4B/4A/4G/4) B/d/ (c/B/) |\
c/A/ B/d/ F/A/ F/D/ :|!
|:”1st” E/c/ (c/4B/4)(A/4G/4) E/c/ B |\
E/c/ (c/4B/4)(A/4G/4) F/A/ F/D/|\
E/c/ (c/4B/4)(A/4G/4) E/c/ tr(c/B/) | c/A/ B/d/ F/A/ F/D/ :|!
|:”2nd”(g/4f/4)(e/4f/4) g/G/ (B/d/ “tr”c/B/) |\
(g/4f/4)(e/4f/4) g/G/ F/A/ F/D/ |\
(g/4f/4)(e/4f/4) g/G/ B/d/ (“tr” c/B/) | c/A/B/d/ F/A/ F/D/ :|!
|:”3rd”(E/4F/4G/4E/4) C/E/ G/E/ c/G/ | E/4F/4G/4E/4 C/E/ D/A/ F/D/|\
(E/4F/4G/4E/4) C/E/ G/E/ c/G/ | F/A/ B/d/ F/A/ F/D/ 😐

X:68
T:Jack of Ye Green. JBa.67
T:John of the Greeny Cheshire Way,aka. JBa.67
M:3/4
L:1/8
Q:1/4=150
C:”December 28th 176…”?
S:Joseph Barnes MS,Carlisle,1762.
R:.misc
O:England
A:Carlisle
N:Last digit of date illegible. This is written under the tune
N:1=dotted crotchet in ms
Z:vmp.C.Graebe.
K:D major
“_No key/time sig,as writ”CE DF EG | F2 A-A EA | (GF) “NB”D4 |\
CE DF Ec | d2 (dd) dA | (GF) D3 :|!
|:d2 f ecA | (Bc)(dB) (cde) | E G F2 D2 |\
d2 f eBA |(fg)(af) d2 | E G F2 D2 :|!
|: (fg)(af) efge | fgaf {d}e |\
EG F2 D2 | fgaf efge | fgaf d2 | E G F3 😐

X:69
T:Keely Krankie. JBa.68
T:Killiecrankie. JBa.68
M:C|
L:1/8
Q:1/4=120
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
N:G mixolydian?
Z:vmp.C.Graebe.
K:C Major
“_No key given”EF | G3A G2 EF | G3A G2 EF |\
GFED CDEF |G8 |!
A3B A2G2 | c3 B A2G2 |\
c3d edcB |A6 ef |!
g2e2g2c2 | d2c2d2e2 |\
c2A2c2E2 |G4 G3 B |!
A4 c4 | d2c2d2e2 | c2A2 c3 E | D4 C3 :|!
|:ef | gfga g2 (ef) | gfga g2 ef |\
gfed cdef | g8 |!
a2b2a2g2| c’2b2a2g2 |\
agfe defg | a4 a2 G2 |!
cBcd edef | gfga g2 fe |\
d2 c2 G2 E2 | G4 G3 B |!
A4c4 | d3 c d2e2 | (c2A2) c3 E | D4 C 😐

X:70
T:(..?) Married if ye go your way(?). JBa.69
M:6/8
L:1/8
Q:3/8=120
S:Joseph Barnes MS,Carlisle,1762.
R:.misc
O:England
A:Carlisle
N:Title not very legible
Z:vmp.C.Graebe.
K:None
“_No key/time sig,as writ”E2 DEG | GAB ded | dBG cBA | ABA | GEF G4 :|!
(dcB) c2d2 |def gag | gdc Bcd | d2e f2a 2A2A2A2 |!
(dcB) c2d2 | def gag |gdc dcB | A2 dc B2 G2 G G4|]

X:71
T:Minuet. JBa.70
T:?.aka. JBa.70
M:3/4
L:1/4
Q:3/4=60
S:Joseph Barnes MS,Carlisle,1762.
R:.minuet
O:Carlisle
A:England
N:1 – barline not shown
Z:vmp.C.Graebe.
K:D Major
“_No time or key signature given”
A | d (f/d/) (f/d/) | d e f | A (B/c/)(d/B/) |\
AGF | D (D/F/)(E/G/) | “sic”F/ A/ GFE :|!
|: (A/F/) (D/F/) (A/c/) |”1″BAG|\
(B/G/) (E/G/) B/d/ |\
cBA | (e/c/) (A/c/) (e/g/) | fed | {d/4e/4f/4g/4} “sic”fed |]

X:72
T:Maidenhead is a Folly. JBa.71
M:4/4
L:1/8
Q:1/4=125
S:Joseph Barnes MS,Carlisle,1762.
R:.Country-dance
O:England
A:Carlisle
N:Not really enough to go on for me to reconstruct..CGP.
Z:vmp.C.Graebe.
K:G major
“_No key or time signature,as writ”c | BG AF G2 GB |\
BG AF FA “qu”c2 | BG AF G2 GB | AF DG FA ||!
A2 d-d e d2 | A2 d-d e (cdec) | A2 d-d e2 (dc) |\
d D-D (GF) A2|]

X:73
T:Mopping Nelly,Part of. JBa.72
M:3/2
L:1/4
Q:1/2=140
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
N:….this bit is on a spare line at the bottom of the page and I haven’t
N:found the other bit yet..CGP
Z:vmp.C.Graebe.
K:Ador
“no key/time sig”dg Ba AF (AB)(cA) 😐 DG cA BG B2 (dB) |
DG cA cF A2 (cA) | DG cA BG B2 (dB) dg Ba AF A2 (cA) |]
“^Incomplete, but sounds promising..So…”
zzzzzz|zzzzzz|
“^Edited by CGP”
|:dg Ba AF| (A2B2)(cA) |dg Ba AF| (A2B2)(cA) 😐
|: DG cA BG| B2 B2 (dB) |DG cA cF|A2 A2 (cA) |
DG cA BG|B2 B2 (dB)| dg Ba AF|A2 A2 (cA) 😐

X:74
T:Grand Turks March,The. JBa.73
T:Capt. Brown’s March,aka. JBa.73
T:Bodmin Riding March,aka. JBa.73
M:C|
L:1/8
Q:1/2=60
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
N:1 – no end bar line, but ‘the End’ written above the stave
N:The ‘2’ is not a note, it’s a figure written above the double bar.
N:The similarity to Capt. Brown’s/Bodmin Riding was pointed out by Paul
N:Roberts..
Z:vmp.C.Graebe.
K:D Major
A2 dd dgfe | dcde d2 de | f2f2 fagf | fefg f2 fg | a2 AA Aagf |!
g2 AA Agfe | fefg fagf | {f} e6 (cd) | edef e2 fe | dcde c2 B2 |!
c2 (fg) e2 d2 | c2 (ef) e2 d2 | ((3cBA) ((3dcB) c2 “tr”B2 |\
A2 AAAA A2||!
“2” E2 | A2 AA AcBA | A^GAB A2 AB | c2 cc cedc | cBcd “tr”c2 cd |!
e2 EE Eedc | d2 EE EdcB | cBcd cedc | {c} B6 fg |!
a2AA Aagf | g2 AA Agfe |fefg fagf | {f}e6 fg |!
gfga (g/a/b) ag | fefg (f/g/a) ag | fgab “tr”f2e2 |\
d2 d ddd”1” d2 |]

X:75
T:Scotch Song,A, JBa.74
M:C
L:1/8
Q:1/2=70
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
W:Ah why did Jockey gang away and leave his love behind him
W:So far in distant climes to stray where Jane could never find him
W:Where thundring canons they do roar and drums so loudly rattle
W:Where verdant fields are all in gore by some most famous battle
W:By some most famous battle..
Z:vmp.C.Graebe.
K:F major
F2 | C3D F3G | A2 GF B3d | c<A G<F F2 E<D |!
E>FG2 z E<D |C3D F3G | A2 c2 d3 f |!
c3 “cr”d (c<A) (G<F) | D2 F2 z2 A>B |c3 d (c<A) (G<F) |!
d2 f2 f3 c | f2 c2 B<A G<F | (EF) G2 z2 c2 |!
(d<B) (f<d) c<A G<F | d<B f<d {d}c2 C2 | (D<E) (F<G) (B<A) (G<F) |!
B2d2 z2 f2 | c3 d c<A G<F | D2F2 z2 |]

X:76
T:Good fellow still,A. JBa.75
M:4/4
L:1/8
Q:1/2=100
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
N:SS – this is as written in the manuscript. Too uncertain to edit.
Z:vmp.C.Graebe.
K:G major
“_No key or time signature”
D2 | G2B2A2 Ac | B2 Bc d2 Bc | dc B2c2″SS”d3 |\
|Bc d2 d-d d2 cB | AB cd c2 BA |!
G2 (Bd) c2B2A2 |\
D2G2 (BG) A2 (Ac) | B2 (Bc) d2 (ef) | g2 (3(fed) B2A2G3 ||!

X:77
T:I.m.w.t.Fiddle Says JBa.76
M:4/4
L:1/8
Q:1/2=80
C:”I am what the Fiddle says”(?)
S:Joseph Barnes MS,Carlisle,1762.
R:.Country-dance
O:England
A:Carlisle
N:The title, if that is what it is, is written on the stave at the end
N:of
N:the tune. 2 – not marked as triplets..CGr. Paul suggests that this is
N:early text messaging for I Am.. etc as per S.W.A.L.K.
H:PR- pipe compatible
Z:vmp.C.Graebe.
K:Bm
“_time signature given as 6/8.See note re triplets”
e>fe>g f>af>a | e>fe>f (dA) d2 | e>fe>g f>af>a |\
dedc BG B2 :|!
|:(3(Bcd) e2 (3(dcB) a2 | (3(Bcd) ed BG B2 |\
(3(Bcd) e2 (3(dcB) g2 |(3(Bcd) d2 BG B2 😐

X:78
T:Pilgrim,The. JBa.77
T:New Pilgrim,aka. JBa.77
M:6/8
L:1/8
Q:3/8=120
S:Joseph Barnes MS,Carlisle,1762.
R:.march
O:England
A:Carlisle
N:Not clear, may be New Pilgrim
Z:vmp.C.Graebe.
K:D major
d2d e2e | fd z z2 A | Bcd A2 G | FDzz2 c |!
dcd ede |f2e “tr” c3 |dfe dcB | A3 A3 :|!
|: A | A2 A AGF | G2 B e2G |G2G GFE |F2 A d2F |!
GAB AFD | B2cd3 | egf gec | d3 d3 |]

X:79
T:Harmony. JBa.78
T:Elsie Marley,aka. JBa.78
M:6/8
L:1/8
Q:3/8=120
S:Joseph Barnes MS,Carlisle,1762.
R:.jig
O:England
A:Carlisle
N:It’s either a variant of Elsie Marley or a harmony to it.
Z:vmp.C.Graebe.
K:C major
B2 A G2G | (gdc) B2A | G2BA2B | c3 B2A |!
G2AG2g | (gdc) c2g |B2 g A2B”single crot in ms” |c3c3 ||!
B2c d2d | d2g gdc | B2c d2 d | efg f2e |!
d2cB2d |(gdB) B2g | B2gA2B”single crot in ms”| c3c3 |]

X:80
T:True Blue. JBa.79
M:4/4
L:1/8
Q:1/2=100
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
W:Come all you brave sportsmen I’d have you draw near
W:All to my song you quickly shall hear
W:Of a wonderful match which appeared to our view
W:That was run by the gallant ……?….? .true blue
Z:vmp.C.Graebe.
K:E minor
“_No time sig”B2 e3 f e2 |\
g3 f e2 d2 | B3 B B4 |\
B2 d3 A2 G2 | F2 A3 A G2 | F2 G2 E6 | !
E2 E F2 E/4 F2 | G2F G2A2 | B2A2 g4 | f2 f g2 f |\
g2 e3 f g2 d2 | B2 G2 E4 |]

X:81
T:Prodsdan Boys(?). JBa.80
T:Lillbulero,aka. JBa.80
T:Protestant Boys,aka. JBa.80
M:6/8
L:1/8
Q:3/8=110
S:Joseph Barnes MS,Carlisle,1762.
R:.march
O:England
A:Carlisle
N:Also aka Jolly Companions.
Z:vmp.C.Graebe.
K:G major
“_No key/time sig” GAG c2B | AGA2c4 |\
BdG c2 B | AGF2 G4 :||: gag2g2d | ege2 d2d |!
gag2gd |\
e2d2c2 d4 | edc2 Bc d2 | dg G2 cB A2G2F2 G4 ||!

X:82
T:Bonners Maggot. JBa.81
T:Byer’s Maggot,aka. JBa.81
M:C|
L:1/8
Q:1/2=90
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
N:1 – Not shown as triplet..CGr
Z:vmp.C.Graebe.
K:G major
“_No key/time sig”GDDE GABG | AFED ABcA |\
BGGA BcdB | cA dB G2G2 :|!
|:”1″(3(B/c/d/) d2 BcdB |”1” (3(c/d/e/) e2 cdec |\
“1”(3(B/c/d/) d2 (3(e/f/g/) g2 | cAdB G2 G2 😐

X:83
T:Untitled. JBa.82
M:6/8
L:1/8
Q:3/8=120
C:At end is written ‘November 20 1769’
S:Joseph Barnes MS,Carlisle,1762.
R:.march
O:England
A:Carlisle
N:The S and DC markings are in the manuscript 1 – almost illegible
H:PR – Could be pipe tune.1st part ok,2nd part is same as 1st.
Z:vmp.C.Graebe.
K:A minor
“_No key/time sig,as writ,See note”
A | dAd fdf | a4g2 | fed faf | e4″S”A | dAd fdf |”DC” a4g2 |!
fed fge | “S”d6 |\
fg | afg aba | gef gag | fed faf | e4″1st”A2 :|!
|: A,2 DA,D FDF | A3G3 |FED FAF E/A,/ |\
“S” DA,D FDF | ” Dacapo”A3G3 | FED FGE |!
“S 1″D4 Fg | AFG ABA |\
GEF GAG | FED FAF | E4A,2 |]

X:84
T:Peace and Plenty. JBa.83
M:C|
L:1/8
Q:1/2=90
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
N:1 – not marked as triplet
Z:vmp.C.Graebe.
K:F major
“_Time given as 6/8 and 2/2”
FAcf “tr”c2 BA |\
f2 “1” (3(agf) gG G2 | FAcf “tr”c2 BA |BG cA F/F/F F2 || !
fc fg a2 gf | ecgc acgc | fcfg a2 gf | cfeg f/f/f f2 |!
fcfg a2 (a/g/f) | gfga ba ga | fdcB A2 fd | cABG F/F/F F2 |]

X:85
T:Creef Fair. JBa.84
T:Crieff Fair,aka. JBa.84
M:C|
L:1/8
Q:1/2=80
S:Joseph Barnes MS,Carlisle,1762.
R:.reel
O:England
A:Carlisle
N:The tune above this one is in F major, and ‘Crief Fair’ in J. Aird
N:Vol 3. Pub in the 1780’s is in D minor..CGr.
Z:vmp.C.Graebe.
K:D minor
“_No key/time sig,see note”AB AG FG A2 | (cdcA) (cd) cA |\
ABAG FG Ac |fd ec d/d/d d2 ||!
defg af ge | fdcA FGAc | defg afge | fdec d/d/d d2 |!
defg afge | fdcA FGAc | AcFc A/A/A ag | fdec d/d/d d2 |]

X:86
T:Porto Bello. JBa.85
M:C|
L:1/8
Q:1/2=80
S:Joseph Barnes MS,Carlisle,1762.
R:.Country-dance
O:England
A:Carlisle
N:’A’ music very similar to Portobellos Rant in Joseph ua Jackson MS
N:1798
N:B music faintly similar.
Z:vmp.C.Graebe.
K:G major
“_No key/time sig” G2 GG G2 FE | DCB,A, G,4 |\
A2AB A2 GA | cBAGE4 |!
G2 GG G2 FE | DCB,A,G,4 | G2 (BG) D2 c2 | (BG) (AF) G4 :|!
B2 d2-d2 c B | cBcd e4 | d2 cB A2 GF | FG (AF) D4 |!
“qu’s in ms………..”B,2d2 A,2c2 |\
G,2B2 D2 (EF) | G2 FE D2 CB, | B,CDG, G,4 ||!

X:87
T:Fond Shepherd,The. JBa.86
M:3/4
L:1/8
Q:1/4=90
S:Joseph Barnes MS,Carlisle,1762.
R:.Air
O:England
A:Carlisle
N:1 – Shown as two quavers 2 – bar line not shown 3 – bar line shown here
W:1 My fond shepherds of late were so blest
W:The nymphs were so happy and gay
W:That each night they went early to rest
W:And they merrily sung through the day
W:But Oh what a scene must appear
W:Must the sweet rural pastimes be o’er
W:Must the taber the taber no more strike the ear
W:Must the dance on the green be no more.
W:2 Must the flocks from their pastures be led
W:And the herds go wild straying abroad
W:Must the looms be all stopt in each shed
W:And the ships be all moored in each road
W:Must the Arts be all scattered around
W:And must commerce grow sick of her tide
W:Must religion expire on the ground
W:And shall virtue sink down by her side.
Z:vmp.C.Graebe.
K:A minor
E c | B2A2G2 |\
A2c2B2 | c4 A e | (ed) c2 B2 |!
g3 e d2 |e4 E c | B2A2 ^G2 | A4 “1” c B |!
c4 B A |g3 f e2 | (3(cBA) G2 F2 | E4 :|!
|: “2”e2 |f4 dc | B2c2d2 | e4 “3” c G |!
B2f2e2 |d2c2B2 | c4 e d | c2 B2A2 | d2c2d2 |!
e3 A B |c4 d f | (ea) (ec) BA | (3(fed) c2 B2 | A4 |]

X:88
T:Shamtrues. JBa.87
T:Gin ye kiss my wife,I’ll tell the Minister,aka. JBa.87
T:Sean Triubhas,aka. JBa.87
M:4/4
L:1/4
Q:1/2=80
S:Joseph Barnes MS,Carlisle,1762.
R:.Misc
O:England
A:Carlisle
N:Also aka Devil stick the minister,aka shaun truish willichan.1 – No bar
N:line 2 – Not marked as triplet 3 – is it a mistake, a chordor an
N:alternative 4 – Starred notes shown as crochets and no bar line.5 –
N:Shown as crochets..CGr.
H:See ‘The Caledonian Companion’ – two part version. ‘This was originally
H:a tune for the Sean Triubhas, an ancient highland dance . . .’ This
H:version transposed to same notes as MS would be in F major – or a mode
H:having that key signature. Is ‘Shambuco’ a phonetic mishearing of ‘Sean
H:Triubhas’?CGr.
Z:vmp.C.Graebe.
K:None
“_No key/time sig,see note”A,D/-D/ (F/E/) C |\
F (E/D/) G/E/ C/E/ | A, D/D/ (F/E/) C “1” |\
F”2″ (3(F/E/D/) C A,/A,/ :||:!
A/c/ A/F/ G/B/ G/E/ |A/c/ A/F/ G”3″ (E/E/) |\
A/c/ A/F/ G/B/ G/E/|F (E/D/) C A,/A,/ ||!
A d-d f/ e A | f (e/d/) g/e/ c/e/ |\
“4”A “*”d/-“*”d/ f e/c/ | f (“*”e/”*”d/) c “*”A/”*”A/ ||!
f “5”(g/4f/4e/4d/4) e “5”(a/4g/4f/4e/4) |\
a “5”(b/4a/4g/4f/4) g (“*”e/”*”e/) |\
a (“5″b/4a/4″*”g/4″*”f/4) g (“5″a/4g/4f/4e/4) |\
f (e/d/) A A/-A/ |]

X:89
T:Paddy Wack. JBa.88
M:6/8
L:1/8
Q:3/8=120
C:Distinctly different hand
S:Joseph Barnes MS,Carlisle,1762.
R:.jig
O:England
A:Carlisle
N:This is definitely in a very much younger/less literate hand.
Z:vmp.C.Graebe.
K:G major
“_Numbers shown are in MS”
GBd gfg | edc BAG | GBd gfg | fdd def |!
gfg fdB | cec dBG |BBB cAd | BGG “2”G3 :|!
|: (B/c/)dB (c/d/)ec | dcB {B}A2G |Bcd efg | fdd def |!
gfg fdB | cec dBG | BBB cAd | BGG G3 😐

X:90
T:Haste to the Wedding,aka. JBa.89
M:6/8
L:1/8
Q:3/8=120
C:The Different Hand
S:Joseph Barnes MS,Carlisle,1762.
R:.jig
O:England
A:Carlisle
N:The last tune in the book.
Z:vmp.C.Graebe.
K:D major
“_Untitled in MS”
A | AFG Aaf | ede fdB | AFA B/c/dF | EEE E2A |!
AFG Aaf |ede fdB | AFA B/c/dF | DDD D2 :|!
|:f/g/ | afa afa | bgb bgb|afa agf | eee e2 f/g/ |!
a3 f3 | ede fdB | AFA faf | ddd d2 😐
% Output from ABC2Win Version 2.1 k on 26/04/2004