HARRISON, Rev. Robt. ms ABC | The Village Music Project

%abc
%%abc-alias Rev R.Harrison
%%abc-creator ABCexplorer 1.5.0 [13/04/2012]
%%abc-edited-by www.village-music-project.org.uk
%VMP Simon Wilson 3/4/2006
%Revised 11/2008
%Revised again 12/2009.
%Multi-voice tunes formatted by Phil Taylor 1/2010

X:1
T:Wragg’s Lesson the 7th.2voices. RH.001
R:waltz
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/4
L:1/8
Q:1/4=100
K:D
[V:1]|:d2dAde|f2fdfg|a2a2b2|(ag)(fe)d2|\
d2dAde|f2fdfg|a2(ba)(gf)|{f}e6:|
[V:2]|:z6|d2dAde|f2f2g2|fedAF2|\
z6|d2dAde|f2gfed|{d}c6:|
%
[V:1]|:e2e2d2|(3cdc (3BcB A2|a2a2g2|(3fgf (3efe d2|\
dAFDFA|dfad’af|(3efg f2e2|d6:|
[V:2]|:(3cdc (3BcB A2|e2e2a2|(3fgf (3efe d2|a2a2d’2|\
a6|G2fafd|(3cde d2A2|F6:|

X:6
T:Wragg’s Duetto the 1st.2voices. RH.006
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=50
K:D
[V:1]|:A|f>ga agf|eee e2f|d>fa a/f/b/a/g/f/|(f3e2)A|
[V:2]|:A|{FA}d2f fed|AAAA2d/A/|D/F/A/d/f/d/ fg/f/e/d/|(d3c2)z|
%
[V:1] {de}f>ga agf|{de}d’c’b ag/f/e/d/|f>gf eac|da/f/a/f/d2:|
[V:2]{FA}d>ef fed|bag fe/d/c/d/|dz dA2A|Fz FF2:|
%
[V:1] c/d/|e>fe ecA|f>gf fdB|g>ag gec|agf{f}e2c/d/|
[V:2] A/B/|c zcc2z|d zdd2z|e2e ecA|fed{d}c2A/B/|
%
[V:1] e>fe ecA|ef^g a>gf|e/f/g/^g/a/d/ cd/c/B/c/|A/c/e/a/e/c/A2A|
[V:2] c>dcc2A|^GABc2d|c2cA2E|[Cc][Cc][Cc][C2c2]z|
%
[V:1] {de}f>ga agf|eeee2f|d/f/a/d’/a/f/ ag/f/e/d/|(f3e2)A|
[V:2] {FA}d2f fed|AAAA2d|DFA/d/ fe/d/c/d/|d3c2z|
%
[V:1] {de}f>ga agf|d’c’b ag/f/e/d/|f>gf eac|dd’d’ d’2|]
[V:2] {FA}d>ef fed|bag fe/d/c/d/|dzdA2A|Ffff2|]

X:7
T:Wragg’s Duetto the 12th.2voices. RH.007
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
N:Occupies more than one page so may not all display on screen.
N:However, it will print if your settings allow.CGP.
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/16
Q:1/4=100
K:D
[V:1]|:A2|d2dd d2d2|fede d2e2|f2ff f2f2|(agfg) f2a2|
[V:2]|:z2|z8|z4z2A2|d2dd d2d2|(fed)e d2e2|
%
[V:1] d’2aa a2fg|d’2aa a2fg|a2a2 bagf|(edc)B A2A2|d2dd d2d2|(fed)e d2e2|
[V:2] f2ff f2d2|f2f2 f2de|f2f2 (gfe)d|cBAG A2z2|z8|z4z2A2|
%
[V:1] f2ff f2f2|(agf)g f2a2|d’2aa (gf)(ed)|(cd)(ef) (ga)(bc)|d'(dfa) afef|d2d2d2:|
[V:2] d2dd d2d2|fede d2e2|d2f2 (edc)B|A2cd (efg)e|f2d2 A2A2|F2F2F2:|
%
[V:1]|:cd|e3f (edc)B|A2a2A2 fg|a3d (agf)g|d2d’2d2 (fg)|
[V:2]|:AB|c3d cBAG|A2c2A2 de|f3g fedc|d2F2F2 (de)|
%
[V:1] a3b (agf)g|a3b (agf)e|d2d’2e2e’2|(cde)c A2A2|d2dd d2d2|fede d2e2|
[V:2] f3g (fed)e|e3f (fed)c|d2F2 G2^G2|A3B AGFE|D2 z2z4|z4z2A2|
%
[V:1] f2ff f2f2|(agf)g f2a2|d’2aa a2fa|d’2aa a2fg|a2a2 (bag)f|(edc)B A2A2|
[V:2] d2dd d2d2|(fed)e d2f2|d2f2 d2d2|f2f2 f2de|f2f2 gfed|cBAG A2z2|
%
[V:1] d2dd d2d2|(fed)e d2e2|f2ff f2f2|(agf)g f2a2|(d’c’d’)a gfed|ABcd efge|
[V:2] z8|z4 z2A2|d2dd d2d2|fede d2f2|d2f2 (edc)B|A2AB (cde)c|
%
[V:1] (fa)df fedc|{de}d’4b4|ad’fa (ag)fe|d2d’2d’2:|
[V:2] d2F2G2A2|F.f.f.f G.g.g.g|f2d2 fedc|d2f2f2:|

X:8
T:Cameron’s Got his Wife again.2voices. RH.008
R:Strathspey
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=60
V:1 name=”primo”
V:2 name=”bass”
K:D
[V:1]|:B|d>BAF A/A/A AB|{AB}d>B A>F E/E/E E>c|d>BAF Agfe|d>B A>F D/D/D D:|
[V:2]|:z|D,2D,2D,2D,2|D,2D,2A,2A,2|D,2D,2A,2A,2|D,2D,2D,2D,:|
%
[V:1]|:g|f>df>a (e>gf>e)|f<df<a B/B/B B>g|f<dg<f e>gf>e|{c}d>B A>F D/D/D D:|
[V:2]|:z|D,2D,2A,2A,2|D,2D,2G,2G,2|D,2D,2A,2A,2|D,2D,2D,2D,:|

X:15
T:Wragg’s Duetto the 28th.2voices. RH.015
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:Originally transcribed using L:1/8. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/16
Q:1/4=75
K:G
[V:1]|:.G2(GA) .B2(Bc)|.d(gfg)d4|.e(gfg) .d(gfg)|(cB).A.G A2D2|
[V:2]|:z4 .G2(GA)|B2d2 B2G2|c2z2 B2z2|(AG).F.E (DE).F.D|
%
[V:1] G2(GA) B2(Bc)|d(gfg) g2fe|d2g2 (ba).g.f|g4 g4:|
[V:2] z4 .G2(GA)|B2d2 e2dc|B2G2 d2D2|G4 G4:|
%
[V:1]|:d2(dc) B2B2|e2(ed) c2z2|c2(cB) A2A2|(de).d.c B2z2|
[V:2]|:B2BA (GA).B.G|c2(cB) A2z2|A2AG (FG).A.F|B2(BA) G2z2|
%
[V:1] B2(BA) G2g2|c2(cB) A2a2|b2(gb) a2(fa)|(ge).d.c ” DC”Hd4:|
[V:2] d2dc (BA).B.G|A2.A.G (FE).F.D|G2g2 f2e2|A2A2 ” DC”HD4:|
%
[V:1]|:g2{agf}g2 a2{bag}a2|b2{c’ba}b2 c’4|b3d’ b2g2|e2a2 {g}f2{e}d2|
[V:2]|:B2z2 c2z2|G2z2 A2D2|G2B2 d2B2|A2A2 d2D2|
%
[V:1] g2{agf}g2 a2{bag}a2|b2{c’ba}b2 c’4|b2g2 a2g2|g3a g4:|
[V:2] B2z2 c2z2|G2z2 A2D2|G2B2 c2A2|B3c B4:|
%
[V:1] d3B .G2.G2|e3c .A2.A2|(d3B) .G2.G2|F2G2 A2z2|
[V:2] G2GA .B2.B2|c3A F2z2|G2GA .B2.G2|.D2.E2.F2.D2|
%
[V:1] d3B G2G2|(e2c2 A2)g2|f2d2 e2f2|Hd6″ DC”z2||
[V:2] G2GA B2B2|c2A2 F2G2|A6 A2|HD6 ” DC”z2||
%
[V:1] G2G2 (FG).F.G|A2A2 A4|d3c B2G2|E2A2 (GF).E.D|
[V:2] B2B2 A2(AG)|F2F2 D2z2|B3A G2D2-|D2[^C2c2] D2z2|
%
[V:1] G2G2 (FG).F.G|A2A2 A4|d3c B2G2|D2F2 B4||
[V:2] B2B2 A2(AG)|F2F2 D2z2|B2A2 G2B2|d2D2 G4||
%
[V:1] g2g2 (fg).f.g|a2a2 .a4|d’3c’ b2a2|e2a2 (gf).e.d|
[V:2] B2BA A2B2|c2c2 A2z2|b3a g2d2-|d2^c2 d2c2|
%
[V:1] g2g2 (fg).f.g|a2a2 .a4|d’3c’ b2g2|(ba).g.a g4||
[V:2] B2B2 A2(AB)|c2c2 A2z2|b3a g2d2|(dc).B.A B4||
%
[V:1] e2e2 (cd).e.c|d2d2 B2z2|c2c2 (AB).c.A|FGAF D2z2|
[V:2] c’2c’2 abc’a|b2b2 gabg|a2a2 (fga)f|dd’c’d’ d2z2|
%
[V:1] e2e2 (cd).e.c|d2d2 B2z2|(AB).A.B cBAG|d4 ” DC”z4|]
[V:2] c2c2 ABcA|B2B2 GABG|F2FG (AG).F.E|DdBF ” DC”D4|]

X:16
T:Chilling O Guiry with Variations. RH.016
T:Cats Dinner,The. RH.016
R:Air
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:Originally transcribed with L:1/4. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/4
L:1/8
Q:3/4=50
K:G
G2B2B2|A2c2c2|G2B2B2|c4d2|\
G2B2B2|c2A2d2|B2G2G2|G6:|!
|:efg2g2|”tr”g4a2|e2c2c2|{d}c6|fga2a2|\
a4b2|f2d2d2|d6|efg2g2|!
g4a2|e2c2c2|d4c2|B2G2G2|c2A2A2|B2G2G2|G6:|!
|:DGBGBG|EAcAcA|DGBGBG|”tr”c4d2|\
DG/A/ BGBG|cADA dA|B2G2G2|G6:|!
|:efgggg|g4a2|e2c2c2|”tr”c6|fgaaaa|\
a4b2|f2d2d2|”tr”d6|efgggg|!
g4a2|e2c2c2|d4c2|B2G2G2|\
c2A2A2|B2G2G2|G6:|!
|:DGB2B2|EAc2c2|DGB2B2|”tr”c4d2|\
DGB2B2|c2A2d2|B2G2G2|G6:|!
|:D/E/F/G/A/B/c/d/e/f3/|g4a2|e2c2c2|”tr”c6|\
D/E/F/G/A/B/c/d/e/f/g|a4b2|fd^cdec|d6|!
D/E/F/G/A/B/c/d/e/f3/|g4a2|e2c2c2|d4c2|\
BGDGBG|cAecBA|B2G2G2|G6:|!
|:B2B2B2|c2c2c2|B2B2B2|”tr”c4e2|\
(edcBA)G|EAc4|B2G2G2|G6:|!
|:Bdg2g2|g4a2|ecBcec|c6|\
DFa2a2|a4b2|fd^cdec|d6|!
D/E/F/G/A/B/c/d/e/f3/|g4a2|e2c2c2|”tr”d4c2|\
BGEGBG|c/B/A ecBA|B2G2G2|G6:|!
|:g2b2b2|a2c’2c’2|g2b2b2|c’4d’2|\
g2b2b2|c’2a2d’2|b2g2g2|g6:|!
|:D/E/F/G/A/B/c/d/e/f3/|g6|\
f/e/d/c/B/A/G/F/E/D3|{d}c6|\
D/E/F/G/A/B/c/d/e/f/g|a6|\
g/f/e/d/c/B/A/G/F/E/D|d6|!
efgggg|g4a2|e2c2c2|d4c2|\
((3BGB) B4|((3cAc) c3d|B2G2G2|G6:|

X:20
T:I’ll Never Leave Thee Laddie. RH.020
R:Reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=180
K:D
d2 fa| gf ec| d2 fa| g2 B2|\
d2 fa| gf ed| B2 ed| c2 A2:|!
|: dc BA| GA BG| A2 gf| g2 B2|\
dc BA| GA BG| A2 ed| c2 A2:|

X:25
T:Sicilian March. RH.025
T:Sicilian Dance, aka. RH.025
R:Jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=110
K:G
GAG BAG|d2d d2c|Bdg d2c|BcA G2D|\
G>AG BAG|d2d d2g|fgf ed^c|d3 d3||!
a2d c’2b|agf gfg|a2d c’2b|agf g3|\
ec’c’ dbb|caa g2B|ABc d2F|G3 G3||!
B3 AGA|G2G G2B|d3 cBc|B2B B2d|\
g2f f2e|e2d d2c|Bcd dcB|B3 A3||!
g3 ge^c|ded dfa|c’3 c’af|a2g g2d|\
b2a g2f|e2d c2B|ABA d2F|G3 G3|]

X:31
T:Bugle March,The Quick. RH.031
T:Quick Bugle March,The. RH.031
R:March
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:I have added the introductory rest. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/16
Q:1/4=100
K:D
z2|d2fa d2fa|d4 f2a2|g2bg e2c2|dcde d4|\
d2fa d2fa|d4 f2a2|g2bg e2c2|d6:|!
|:fa|gfge dcec|defg abc’d’|c’bag fedc|ecfd A3f|\
gfge dcec|defg abc’d’|c’bag fedc|d4 z2:|!
|:A2|d2d2 f2f2|a2a2 f2d2|f2d2 f2d2|a2A2 A2d’2|\
c’2c’2 c’2c’2|d’c’ba gfed|efge dcec|d4 z2:|!
|:a2|a4 f3g|a6 a2|g2g2 f2f2|e2e2 e2g2|\
g4 e3f|g6 g2|fafd egec|d4 z2:|!
|:A2|d6 D2|A2B2 f2a2|f2a2 f2d2|A6 f2|\
g6 eg|fad’c’ bagf|fege dcec|d4 z2:|!
|:f2|g2z2g2 f2z2f2|g2g2 f2f2|e4 z2f2|g2c4 g2|\
fad’c’ bagf|efga bgec|d4 z2:|

X:33
T:Jessy the Flower of Dumblane. RH.033
R:Air
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:Works nicely as a waltz. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=60
K:D
d/e/|f>gf e<ae|{e}d>cd {f}ecA|\
A>BG FAd|d>ef/ fe (d/e/)|!
f>gf e<af|{e}d>cd ecA|{B}A>BG FAd|eBc{c}d2||!
d/e/|fde fba|fde fdB/d/|\
ecd eaf/e/|c>dB {A}A2d/e/|!
fde fde|f>aa {a}gef|\
g>ab afd|eBc d e/d/c/B/|!
A>BG FAd|f>ga gef|g>ab afd|eBc d2|]

X:35
T:Morgiana in Ireland. RH.035
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:G
D2D G2G|AGA B3|D2D G2A|B2c BGE|!
D2D G2G|AGA B2e|edc BcA|G2A BGE:|!
|:d2d dcB|e2f g3|d2d dcB|e2f gdB|!
d2d dcB|efe efg|dec BcA|G2A BGE||!
GAG Bdz|ABA cez|GAGG2A|B2c BGE|!
GAG Bdz|cez Bdz|egz Bdz|G2A BGE:|

X:36
T:Wounded Hussar,The. RH.036
R:Air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/16
Q:3/8=60
K:Bm
BA|”_sic”G2B2c2 d4cB|cdedcB A2B2c2|\
d2f2d2 fedcBA|F2B2B2 B4BA|!
F2B2c2 d4cB|cdedcB A2B2c2|\
a3^gf2 e2c2A2|F2B2B2 B4:|!
|:Bc|d2f2f2 f4ed|c2e2e2 e4g2|\
f2b2a2 b2c’2d’2|f2b2^a2 b4bc’|!
d’2c’2b2 a2g2f2|{f}e2dca2 A2B2c2|\
d2f2d2 fedcBA|F2B2B2 B4:|

X:38
T:Larietts Fancy. RH.038
R:Jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=110
K:D
A|d>ed dfa|g2e e2g|f2d dcd|e2A A2A|!
d>ed dfa|g2e e2g|f2d ede|d3 d2||!
A|f2f fgf|e2e efe|d2d dfa|e2e e2A|!
f2f fgf|e2e efe|d2e f2^g|a3 ” DC”a2|]

X:39
T:Miss Douglass Strathspey. RH.039
R:Reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=180
K:G
D|G2GE|FGAF|GBdB|e3f|\
gbeg|dgBG|FAAG|FEFD|!
G2GE|FGAF|GBdB|e3f|\
gbfg|dgBG|EAFD|G3||!
d|efge|fgaf|efgf|edcB|\
cdec|BdgB|EAAG|FEFD|!
G2GE|FGAF|GBdB|e3f|\
gbeg|dgBG|EAFD|G3|]

X:40
T:Hibernia. RH.040
R:air or March?
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:D
d|f2e d2B|ABA AFD|DFA d2f|g2e e2d|\
f2e d2B|ABA AFD|DFA A2g|f2d d2:|!
g|fga afa|afa ad’c’|b2e b2e|b2e gfe|\
fga afa|afa ad’c’|bab e2f|g2f ” DC”e2|!
|:z|DED F2D|d’2d ded|EFE G2E|e’2e efe|\
g2a bge|gfe z{gfe}z2|f2g afd|!
fed z{fed}z2|f2g a2a|abc’ d’2e’|\
f’2d’ e’2c’|d’2b a2f|gab e2f|g2f e2:|!
A|ddd eee|fff eee|ddd eee|fff eee|\
d2f d2f|d2f d2f|d2z d2z|d3 zz2|]

X:45
T:Dance in Peggy’s Law[?]2voices. RH.045
T:Peggy’s Law, Dance In. RH.045
R:Jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:D
[V:1]|:”^Allegro”f3 def|g3 gag|f2f ede|d3 A2z|
[V:2]|:d3 A3|e3 A3|d2d cBc|d2z z3|
%
[V:1] f3 def|g3 gag|f2f ede|d3- ” Fine”d3:|
[V:2] d3 A3|e3 A3|d2d cBc|d3- ” Fine”d3:|
%
[V:1]|:efg efg|a3 a2z|efg efg|f3 f2z|
[V:2]|:c3 A3|def def|c3 A3|def def|
%
[V:1] efg efg|a3 a2z|efg efg|” DC”z6|]
[V:2] c3 A3|def def|c3 A3|” DC”z6|]

X:47
T:Rondo in the Turnpike Gate2voices RH.047
T:Turnpike Gate,aka. RH.047
R:Jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:Odd placing of the bar lines, a la Italian.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:D
[V:1]|:ded|f2d g2e|a2f ded|e2g B2e|c2A ded|
[V:2]|:z3|D3 E3|F3 z3|G3 E3|A3 z3|
%
[V:1] f2d g2e|a2f ded|e2g ABc|d3||
[V:2] D3 E3|F3 z3|(G2B) (A2G)|F3||
%
[V:1] aba|a2f f2f|g2e efe|f2d d2d|e2A ABA|
[V:2] z3|DFA DFA|EGA EGA|DFA DFA|E3 G3|
%
[V:1] d2d ede|f2f gfg|aba agf|f2″ DC”e|]
[V:2] F2F A2A|d2d ede|fgf fed|d2″ DC”A|]

X:52
T:I Can No Longer Stifle??. RH.052
R:Air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=110
K:G
” Allegro”\
D|G>DG>A|B2B>B|A>GA>B|c2B>A|\
G>DG>A|B>cd>e|d>cB>A|G2G:|!
|:d|g>GG>A|B2B>b|b>AA>B|c2B>A|\
G>DG>A|B>cd>e|d>cB>A|G2G:|

X:53
T:Rondo in the Overture to Rossina.2voices RH.053
R:Rondo
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:Best played as a stately jig.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:D
[V:1]|:”^Allegro” g|f2f f2a|e2e e2a|d>cd B2e|(c3 A2)A|
[V:2]|:z|d2d d2z|c2c c2z|B3 G3|A3 z2G|
%
[V:1] d2f B2g|c2a d2b|1afd dcd|f3 e2:|2agf e2f|d2d d2||
[V:2] F2D G2E|A2F B2G|1F2z D2z|AAA A2:|2FED A2A|DFA d2||
%
[V:1] a|aba aba|d’2g aba|f2f f2a|e2e e2a|aba aba|
[V:2] f|fgf fgf|f2f fgf|d2d d2z|c2c c2z|fgf fgf|
%
[V:1] d’2a aba|f2f a2d’|c’3 c’2a|f2f f2a|e2e e2a|d>cd B2e|
[V:2] f2f fgf|d2d f2f|e3 e2z|d2d d2z|c2c c2z|B>AB G2G|
%
[V:1] (c3 A2)A|d2f B2g|c2a d2b|(agf) e2f|d2d d2z|
[V:2] A2A G2G|FFD GGE|AAF BBG|FED A2A|F2F F2z|
%
[V:1] (fef) (def)|(ede) (cde)|(dcd) (Bcd)|(cBA) A2A|
[V:2] d6|c6|^G6|A6|
%
[V:1] (fef) (def)|(ef^g) a2d|c>dc B>AB|A2a ” DC”a2|]
[V:2] d6|d3 c2d|e2e d2d|c3 ” DC”z2|]

X:55
T:Duke of York’s March,The. RH.055
R:March
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=80
K:D
D2D>D F2F>F|(AF)(AF) D2A>A|(dA)(dA) dAFD|\
A2A>A A2z2|!
(a3f) d2d2|e2e>g f2za|\
a3f fdgf|e2e>e e2z2:|!
|:A2A>A c(efg)|A2A>A .A(def)|(ge)ee (fd)dd|\
(ba)(gf) f2e2|!
d3(f/e/) dGB=c|=cBB4(^c/d/e/f/)|\
ggff eedd|e2e>e e2z2|!
D2D>D F2F>F|\
(AF)(AF) D2g2|(fa)(af) (ge)dc|d2d>d d2z2:|!
K:A
|:A3c BABA|A2c2 A2c2|c3e dcdB|c2e2 B2e2|!
e3a a3e|f3g {b}a2gf|e2ae (ed)(dc)|c4 B2z2:|!
|:B3c dcdB|c2e2 a2c’2|B3c dcdB|c2A>A A2z2|!
f3g a2gf|e3a a3c’|b2a2 b2g2|a2a>a a2″ DC”z2:|

X:58
T:Duke of York’s Troop. RH.058
R:waltz (with bugle intro)
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/8
M:C
L:1/16
Q:3/8=60
K:D
d4f4|a4f4|a4f4|a4f4|e4d4|e4f4|d8||\
(3abc’|(d’a)(d’a) d’afd afaf afdA|!
fdfd fdAF dAdA DAFD|A4A2A2 A2A2A2A2|A12||!
M:3/8
(3abc’|d’2a2a2|a3bag|f2d2d2|d3fed|\
(c2e2).e2|d2f2a2|a2f2d2|{f}e3(abc’)|!
d’2a2a2|a3bag|f2d2d2|d4a2|\
b2(d’b)(d’b)|a2(fa)(fa)|g2e2c2|d4:|!
|:d2|(c2e2).e2|(d2e2).e2|(e2f2).f2|f3gfd|\
c2(ec)(ec)|d2fdfd|e2(ge)(ge)|f4(3abc’|!
d’2a2a2|a3bag|f2d2d2|d4a2|\
babc’d’b|c’d’e’c’d’a|g2e2c2|d6:|!
|(f2a2).a2|^a2b2b2|(e2g2).g2|(^g2a2)b2|\
(d2c2)e2|d4fa|(d’a)(d’a)fd|a6|!
(f2a2).a2|(^a2b2).b2|(e2g2).g2|(^g2a2).a2|\
(d’c’)(d’c’)b^a|bagfed|(fa)fdec|d6|]

X:60
T:Livery Yeomanry. RH.060
R:waltz
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/8
L:1/8
Q:3/8=60
K:D
FDF|A2d|edc|dfa|\
FDF|A2d|edc|d3:|!
|:(d/e/f)d|(e/f/g)e|ABc|dfa|\
(d/e/f)d|e/f/ge|ABc|d3:|

X:69
T:Lass of Peatie’s Mill,The.2voices RH.069
T:Lass of Patie’s Mill,The,aka. RH.069
R:Air
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:Numerous small errors in note lengths have been
N:corrected to allow the tune to play.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=60
K:D
[V:1]|:A>G|F2E>D F>GA2|(d2>e2) f2zA|(Bc)(dc) BAGF|{F}E4 z2A>G|
[V:2]|:D2|D2A2 d2c2|(B2A>G F2)zF|G2F2 (GF)(ED)|A4 z2F>E|
%
[V:1] F2E>D F>GA2|(d3e/).f/ A2zd|(B>c)(dc) c>def|d6:|
[V:2] D2A2 d2c2|B2A>G F2zF|G2G2 A3A|D6:|
%
[V:1]|:f2|gfed c2BA|(d3e f2)zA|B>cdA BAGF|{GA/B/}E4 z2fg|
[V:2]|:d2|edcB A2G2|F3E D2zF|G2F2 GFED|A4 z2DE|
%
[V:1] a/g/f g/f/e fdBg|{f}He4 z2GF|G2AB A2c2|d6:|
[V:2] F2A2 d2G2|HA4 z2D2|G2FG A2A2|D6:|

X:71
T:Salarza. RH.071
R:Country Dance
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C|
L:1/8
Q:1/2=90
K:G
c2|BGBd g2gd|B2Bd A2Ac|\
BGBd g2gd|BGBd G2:|!
zd|dcAc cBAG|FdAd GdBd|\
dcAc cBAG|D2f2 “min in MS”g2||!
zd|dcAc cBAG|FdAd GdBd|\
GgBg dgBg|a2ag fedc||!
M:6/8
B2G AGF|GAB Ddc|B2G AGF|GBd gec|!
B2G AGF|GAB Ddc|BAG AGF|GGG G2d|!
e2e edc|d2d dcB|c2c cdc|BBB B2d|!
e2e edc|d2d dcB|c2d B2d|BAA A2B|!
cAF DEF|G2B d2B|c2e d2g|gfe d2B|!
cAF DEF|G2B d2B|c2e d2g|fed cB” D.C.”A|]

X:76
T:Bonniest Lass of aw the World,With Vars. RH.076
R:Air
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:I wish they’d chosen deserving tunes for these
N:interminable “variations”. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C|
L:1/16
Q:1/2=60
K:G
|:G2A2|B4D4 E4G4|c2B2A2G2 E4D2E2|\
G4g4 d2e2f2d2|e8 d4d2e2|!
g2f2e2d2 e2f2g2B2|c2B2A2G2 E4D2E2|\
G4g4 d2e2c2d2|B6A2 G4:|!
|:e2f2|g2f2e2d2 e2f2g2e2|a2g2f2e2 f2a2a2f2|\
g2f2g2a2 b2g2a2b2|e8d4g2a2|!
b2a2g2f2 d2e2g2B2|c2B2A2G2E4D2E2|\
G4g4d2e2c2d2|B6A2G4:|!
|:”Var’n 1st”\
G2A2|B2d2 D2G2 E3DE2G2|c2B2A2G2 E2G2D2F2|\
G2G2B2d2 g2ba gfed|e8d4e2f2|!
g2ba gfed e2gf edcB|(c2B2)(A2G2) (E2G2)(D2F2)|\
G2g2(f2e2) (dcde) (cBcd)|B6A2G4:|!
|:”2nd”e2f2|\
gfgf e2d2 e2f2g2e2|bgbg f2d2 fdfg afga|!
gfga b2ga bgab|e8d4g2a2|!
baba g2e2 d2gf edcB|c2Bc A2G2E4D2E2|\
G2g4fe dgfe dcBc|B6A2G4:|!
|:”3rd”G2A2|B2d4D2 E2G4B2|A2cB ABAGE4D2E2|\
G2B4d4ef g2e2|e8d4e2f2|!
g2bg d2gd e2ge B2dB|cdcB ABAGE4D2E2|\
G2gf g2fe d2AB c2d2|Bgfe dcBAG4:|!
|:”4th”e2f2|g2d2e2=f2{f}e4z2e2|\
agab abagf6f2|g2f2g2a2 b2d2g2b2|e8d4g2a2|!
bag2 gfe2{e}d6B2|(c2B2)(A2G2) (E2G2)(D2E2)|\
G2g4fe d2cB ABcd|B6A2G4:|

X:79
T:Countess of Eglington’s Delight,The. RH.079
T:Haste to The Wedding,aka? RH.079
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:Sounds like..
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:D
|:G|(F/G/AA) A2f|e>de (fd)B|\
(F/G/AA) A2f|(e3{d/e/f/} B2)z|!
(F/G/AA) A2f|e>de fdB|b/c’/d’b afd’|afd d2:|!
|:b|(af)a (d’^a)c’|(bg)b afd|\
(af)a (d’^a)c’|(bf)b e2b|!
(af)a (d’^a)c’|(bg)b afd|1bc’d’ afd|\
Adc d2:|2(bg)e (af)d|(Ad)c d2:|

X:80
T:Troop,A. RH.080
R:waltz
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:Military tune..
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/8
L:1/8
Q:3/8=120
K:G
((3def)|g2g2d2|g4d2|edefgf|d4B2|\
c2e2ge|d2B2gd|((3ded) c2B2|B2A2 ((3def)|!
g2g2d2|g4d2|edefge|d4B2|\
cdefge|dBdgdB|ABcedf|g4:|!
|:((3def)|g2f2e2|e2d2Bd|d2c2Ac|c2B2D2|\
G2G2G2|B2B2B2|d4B2|A4((3def)|!
g4b2|g4d2|gfedcB|B2A2c2|\
cdefge|dBdgdB|ABcedf|g4:|!
|:B2|e2f2ge|e2^d2e2|B3cBA|G2E2B2|\
c2B2e2|e2^d2f2|g3fe^d|e4f2|!
g2g2g2|g2b2g2|d3edc|c2B2d2|\
edcdec|dcBcdB|ABcAGF|G4:|

X:82
T:How Imperfect is Expression. RH.082
R:Air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=80
K:G
d3 d|(ed) (cB)|B3 B|(cB) (AG)|\
(G>B) (B>d)|d2 (e>d)|(de/d/) cB|(BG) A2|!
d3 d|(ed) (cB)|B3 B|(cB) (AG)|\
(G>B) (B>d)|d2 e>c|d>B A>B|G2 z2||!
A>A|BA A2|B2 cB|A2 G2|(G>B) (B>d)|d2( ed)|\
(de/d/) cB|(BG A>)d|!
d3d|(ed) (cB)|B3 B|(cB) (AG)|\
(G>B) (B>d)|d2 (e>c)|(d>B) (A>B)|G2 z2|]

X:86
T:Russian Dance,The. RH.086
R:Country Dance
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:Makes a good polka, rant or reel.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=180
K:G
|:DG|B2 DG|B2 DB|cd Bc|A2 DF|\
A2 DF|A2 DA|Bc AB|G2:|!
|:dc|B2 BA|G2 gf|e2 e2|e2 cB|\
A2 AG|EA dF|GF GF|G2:|

X:87
T:Tekeli. RH.087
R:Jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:D
A|d2d dcd|B2d A2d|ABc def|g2e c2A|!
d2d dcd|B2d A2d|ABc def|gec d2:|!
|:z|d2e f3|fgf e2d{f}|{f}e2d {f}e2d|{f}e2d {f}e2f|!
d2e f3|fgf e2d|{f}e2d e2f|e3 d2:|

X:92
T:Paddy O Carrol. RH.092
R:Jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:D
A/G/|.F.D.D .E.D.D|F>GF FED|AFF dFF|”tr”E>FE E2A/G/|!
FDD EDD|”tr”F>GF FED|AFF dFF|D>ED D2||!
a/g/|fdd ecc|BdB AFF|fd^a ec=a|dB^g a2a/=g/|!
fdd ecc|BdB AFB|AGF dAF|E>FE ” DC”E2|]

X:94
T:Pandean Dance in Tekeli. RH.094
R:Jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:I undotted the last crotchet. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:D
A|d2d {e}dcd|B2B Bed|cBA ABc|d2f a2A|!
d2d {e}dcd|B2B Bed|cBA ABc|dAF D2||!
f|g2e efe|c2A ABA|a2a aba|f2d d2A|!
{e}dcd {f}ede|{g}fef {a}gfg|\
aba agf|[d3f3] ” DC”[c2e2]|]

X:97
T:Paddy Cary. RH.097
R:Jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:No C music.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:C
G2c {d}cBc|e2c {d}cBc|A2dd2e|fdc BAG|!
G2c {d}cBc|e2c {d}cBc|BAG GBc|cde d2c:|!
|:c2e fa2|g2a gec|c2e fa2|gec d3|!
c2e f2a|g2a gec|BAG GBc|cde d3:|

X:99
T:Lucy Campbell. RH.099
R:Strathspey
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C|
L:1/8
Q:1/2=60
K:D
|:B|(A<D)(A<F) A<DA<F|A<DA<F BE-EF|\
A<DA<F d>efe|d>B {B}A>F ADD:|!
|:f|d>B A>F d>efe|d>B A>F eE-Ee|\
d>B A>F d>efe|d>B A>F ADD:|!
|:B|(A<D) (A/G/F) (A<D) (A/G/F)|A<D (A/G/F) B<EE>F|\
A<D (A/G/F) d>efe|d>B {B}A>F ADD:|!
|:f|d>fA>f d>fA>f|d>fA>f eEEe|d\
>fA>f d>efe|d>B A>F ADD:|!
|:B,|A,>D (F/E/D) A>D (F/E/D)|A,>D F/E/D BEE>F|\
A,>D (F/E/D) A>D F/E/D|d>B {B}A>F ADD:|!
|:f|a>baf d>efd|e>fd>f eEE>f|\
a>b a>f d>ef>e|d>B A>F ADD:|

X:104
T:Haste to the Wedding. RH.104
T:Trip to the Dargle,The. RH.104
R:Jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=100
K:D
|:A|AFG Aaf|{f}ede fdB|AFG AdF|FEE E2A|!
AFA Aaf|{f}ede fdB|AFA f/g/a/g/f/e/|ddd d2:|!
|:a|afa afa|bgb bgb|afa agf|fee e2f/g/|!
a3f3|{f}ede fdB|AFA f/g/a/g/f/e/|ddd d2:|

X:105
T:Savage Dance. RH.105
R:reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C|
L:1/8
Q:1/2=80
K:G
G2Gd Bd GB|A2D2G/A/B/A/ GD|\
G2Gd Bd GB|A2D2 G4||!
B2Bc dBGg|e2ce dBAG|\
B2Bc dBAg|e2Be d4|]

X:106
T:Waterloo Dance,The. RH.106
T:Timour The Tartar,aka. RH.106
T:Blanchland Races,aka. RH.106
R:Reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:Marked “by H.R.Bishop”.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=100
K:A
E2|A2c/B/A eAcA|eAaA gAfA|\
eA c/B/A eAcA|BEcE dEBE|!
A2c/B/A eAcA|eAaA gAfA|\
efec eaec|BABc A2:|!
E2|G2G/F/E BEGE|BEdE cEBE|\
c2c/B/A eAcA|eAfA eAcA|!
eA c/B/A aAfA|eA c/B/A aAfA|\
eAfe dcBA|GABA GEFG|!
A2c/B/A eAcA|eAaA gAfA|\
eA c/B/A eAcA|BEcE dEBE|!
A2c/B/A eAcA|eAaA gAfA|\
efed eaec|{c}BABc A2|]

X:107
T:Captive Waltz,The. RH.107
R:Waltz
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/8
L:1/16
Q:3/8=50
K:D
|:A>A|A4 d>d|d4 f>f|e2f2 e2|d2A2 A>A|!
A4 d>d|d4 f>f|e2f2 e2|d2z2:|!
|:e>e|e2f2 ^g2|a2b2 c’2|d’2c’2 b2|{d’}c’2b2 a2|!
e2f2^g2|a2b2c’2|d’2c’2b2|a2z2:|

X:110
T:Prince Leopold of Saxe Cobourg’s Waltz. RH.110
R:Waltz
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/4
L:1/8
Q:3/4=65
K:C
G2|\
{A}G>FE2c2|e4dc|Bdf2ed|ceg2G2|!
{A}G>FE2c2|e4dc|(Bdgedf)|c4:|!
|:ed|d3b^fg|d3^c=cB|AGFedc|BAG2ed|!
d3b^fg|d3^c=cB|ABced^F|G2z2G2|!
{A}G>FE2c2|e4dc|Bdf2ed|ceg2G2|!
{A}G>FE2c2|e4dc|(Bdgfde)|c4:|!
|:e^d|ecA2ag|a3ecA|^G2[G2B2e2][G2B2e2]|[^G4B4e4]Bc|!
dB^gdba|gfedcB|ceacB^g|a4:|!
|:g2|g4a/b/c’/d’/|e’2((3e’d’c’) ((3bag)|\
gf[B2d2f2][B2d2f2]|[B4d4f4]f2|!
[G2B2d2f2]((3fed) ((3cBA)|G2G2AB|c2cedB|” DC”c4:|

X:114
T:La Hollandaise Waltz. RH.114
R:Waltz
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:A saucy little number……..CGP
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/8
L:1/16
Q:3/8=50
K:D
d’2|\
a2- a>fb>g|e2- e>Aa>f|d>fA>dc>d|(^d2e2) {c’}d’2|!
a2-a>fb>g|e2- e>Aa>f|d>fA>dc>e|d4:|!
|:ab|c’2c’d’ e’2|e’2 d’c’ba|^g2gabg|(a2e2) ab|!
c’2 c’d’ e’2|e’2 d’c’ba|^gabefg|a4:|!
|:gf|egBecA|{e}dcdefg|a2 a2a2|(a2d’) gf|!
egBecA|{e}d>cd>ef>g|a>bc’>d’e’>d’|d’2z2:|

X:116
T:La Honorine. RH.116
R:Quadrille
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:Sounds like a tarantella.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:G
b2d’|\
a2a {b}aga|b2a g2f|e2e c’ba|gfd b2d’|!
a2a {a}aga|b2a g2f|ec’b agf|g2″ Fine”z||!
b2b|a2a ^c’2c’|d’3 d’^c’b|a2a abg|g2f b2b|!
a2a ^c’2c’|d’^c’b agf|egf ed^c|dd’^c’||!
K:Bb
dgb|a2c’ ^f2a|g2d d’2b|d’bg {a}g^fg|a2z dgb|!
a2c’ ^f2a|g2d d’2b|ac’b ag^f|g2″ DC”z|]

X:117
T:La Belle Alliance Waltz. RH.117
R:Waltz
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/8
L:1/16
Q:3/8=50
K:C
ge|\
c4gf|d4ge|c2c’2c’2|b2d’2 ge|!
c4gf|d4ge|c2c’2 bd’|c’4:|!
|:g2|g4bg|c’g e2c2|gf d2B2|ce g2g2|!
g4bg|c’g e2c2|gf d2bg|c’4:|!
|:g2|g4c’2|e’d’c’bag|fedefg|e2c2g2|!
g4c’2|e’d’c’bag|fedefd|” Fine”c4:|!
K:Eb
g2|ga g2g2|gc’ g2g2|gagfed|eg c2g2|!
ga g2g2|gc’ g2g2|gfedc^B|” DC”c4:|

X:118
T:La Petite Nanette. RH.118
R:Quadrille
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:G
b>c’b|\
(a2d’) g2g|(f2a) e2e|dc’b c’ad’|bgd b>c’b|!
(a2d’) g2g|f2b e2e|d2b {b}aga|” Fine”g3:|!
dfg|a3 c’3|b3 d’3|f3 a3|gbg dfg|!
a3 c’3|b3 d’3|{d’}c’bc’ afd|g3 dfg|!
{b}a^ga c’2c’|{d’}bab d’2d’|{g}fef a2a|gbg dfg|!
aaa abc’|bbb bc’d’|c’2c’ a2a|g2g (g/a/b/a/g/f/)|!
[G3c3e3] [B3e3g3]|[e3g3b3-] bag|\
gfe efg|[eg][df][df] [d3f3]|!
[B3^d3f3] [d3f3a3]|[f3a3c’3-] c’bf|egb af^d|e3|]

X:119
T:St. Helena. RH.119
R:Set Tune
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/16
Q:1/4=100
K:D
A2A2|d2d2 f2f2|a4 ba^ga|g2e2 fe^de|c2A2 A2A2|!
d2d2 f2f2|a4ba^ga|g2e2 fedc|d4||!
[f2a2][f2a2]|baga [f2a2][f2a2]|agfg [f2a2][f2a2]|\
baga [f2a2][f2a2]|[f4a4] [f2a2][f2a2]|!
baga [f2a2][f2a2]|agfa [f2a2][f2a2]|\
baga bagf|([d2g2][c2e2]) A2B2|!
cAdA eAfA|e2 ac’ ba^gf|e2e2 {e}dcde|d2c2 A2B2|!
cAdA eAfA|e2 ac’ ba^gf|ecae edcB|A4|]

X:122
T:Copenhagen Waltz,The. RH.122
T:Danish Waltz. RH.122
R:waltz
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/8
L:1/16
Q:3/8=60
K:C
e<g|(f<a)(e<g)(d<f)|(e<g) c2 (e<g)|\
(d<f) G2 (B<d)|(c<e) G2 (e<g)|!
(f<a)(e<g)(d<f)|(e<g) c2 (e<g)|d<f G2 B<d|c4|!
|(e<g)|(d<f) G2 (B<d)|(c<e) G2 (e<g)|\
(d<f) G2 (B<d)|(c<e) G2 e<g|!
f<ae<gd<f|(e<g) c2 (e<g)|(d<f) G2 (B<d)|c4|!
|g2|(a2g2).e2|c4g2|a2g2e2|d4g2|!
a2g2e2|cBcege|dcdefd|c4|]

X:125
T:Slack’s Fancy. RH.125
R:Reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C|
L:1/8
Q:1/2=120
K:F
fcAc fcAc|fgef gece|\
fgaf bagf|efge f2F2||!
c2cA c2cA|dcBA BGGA|\
B2BG B2BG|cBAG AFFA|]

X:126
T:Prussian Waltz. RH.126
R:Waltz
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:A good exercise for teh second finger. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/8
L:1/16
Q:3/8=50
K:G
D>G|B4A2|G4GB|AcFAGB|D2D2D2|\
d4c2|B4GB|AcFADF|G4:|!
|:GB|AcFAGB|AcFAGB|AcFAGB|D2D2D2|\
d4c2|B4GB|AcFADF|G4:|!
|:D2|GFGABc|d2B2d2|edefge|{e}d2Bded|\
{d}c2Acdc|{c}B2GBdB|ABcAGF|G4:|!
|:Bd|cdAdcd|BdGdBd|cdAdcd|BdGdBd|\
cdAdcd|Bdgfe^d|e2ecAF|G4:|

X:127
T:Lasses of Stewart Town,The. RH.127
R:Reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:1/2=80
K:G
g|fdec (d/c/B/c/)d2|FDDF A2Ag|\
fdec B>(A/B/4)c2|ECCE G3:|!
|:c|(B/c/d) DF AFDc|(B/c/d) DF A3c|\
(B/c/d) DF(AB) cA|GECE G3:|!
|:c|BGAF BGAF|FDDF A3c|BGAF BGAF|ECCE G3:|!
|:A|defg afdf|gfdf a2{g}f2{e}|\
defg afdf|gece g2f>d|G3:|

X:129
T:Pea Straw. RH.129
R:Reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:A useful tune if you repeat the A music. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:1/2=90
K:D
A|defd g2f2|eAAB =c2BA|\
defd g2f2|eAAc d2z||!
g|((3faf) dg ((3faf) df|eAAB =c2cg|\
((3faf) dg ((3faf) df|eAAc d2dg|!
((3faf) dg ((3faf) df|eAAB =c2cg|\
afge fdec|dgfe d3|]

X:135
T:Mrs McLead. RH.135
T:Mrs McLeod,aka. RH.135
R:Reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:1/2=100
K:D
c|A2a2 {g}fefa|c>cc>B c2c>B|\
A2a2 {g}fefa|B>BB>A B2Bc|!
A2a2 {g}fefa|c>cc>B c2ce|\
fgfe f2ef/g/|{g}a2ec B2-B||!
c|AAcA eccf|c>cc>B c2c>a|\
AAcA ecce|B>BB>A B2Bc|!
AAcA ecca|c>cc>B c2ce|\
fgfe f2ef/g/|{g}a2ec B2B|]

X:136
T:Trip to Inchcomb,A. RH.136
R:reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:To make the repeats work, I halved the last note,
N:and added the leading rest. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:1/2=70
K:G
z|B/c/d dd c>de2|B/c/d BG F>AA2|\
B/c/d dd c/d/e/f/g2|fadf g2G:|!
g|g>abg a<fd2|e>fge dBG2|\
c>dec Bdge|edcB [G2B2][F2A2]|!
g>abg a>fd2|e>fge dBGB|\
c>dec Bdge|dB {d}cB/A/ G2G|]

X:137
T:Stumpie. RH.137
T:Butter’d Pease,aka. RH.137
T:Jack’s Be The daddy On’t,aka. RH.137
R:Reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:see #141. SW.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C|
L:1/8
Q:1/2=70
K:G
c|Bdg2 (ag/f/)g2|Bdg2 aA-Ac|\
Bdg2 {g}(ag/f/)g2|(B/c/d) (A/B/c) BG G:|!
|:c|BcdB cdec|BcdB cAAc|\
BcdB cdec|(B/c/d) (A/B/c) BG G:|

X:139
T:Broad Hole. RH139
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:F
c|cag fed|c3 A2c|{c}BAB GAB|c3 A2c|\
cag fed|c3A2A|BAB GFE|F3A2||!
c|BAB GAB|cBc A2f|efg c2e|fga c2A|\
BAB GAB|cde fga|gba gfe|f3F2|]

X:145
T:Hon’ble Mrs. Scott’s Reel. RH.145
R:Reel
C:”by A.Mackintosh”
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C|
L:1/8
Q:1/2=80
K:D
f|d2fd BdAF|Eeef agfe|\
dDcD BDAD|Bcde fdd:|!
f|defg affa|bggb aff2{ef}|\
defg abaf|gefd ceef|!
defg afaf|bgbg afaf|\
gbaf gefd|cA (a/g/f/e/) fdd|]

X:147
T:Humours of Glen with Variations. RH.147
R:Air
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:Formatting removed to keep it on one page! SW.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/4
L:1/8
Q:1/4=120
K:Bm
F2|B2dcBA|B2F2F2|F2d2c2|d2F2F2|\
B2dcBA|B2F2d2|E2F2A2|B4D2|!
B2dcBA|B2F2F2|F2d2c2|d2F2F2|\
G2AGFE|F2GFED|E2F2A2|B4:|!
|:d2|A2B2d2|d3ed2|d2f2a2|a2f2d2|\
gbagfe|f2d2B2|B2F2A2|B4:|!
|:dB|A2F2F2|d2F2F2|A2F2F2|B3B dB|\
A2F2F2|d2F2ED|E2F2A2|B4dB|!
A2F2F2|d2F2F2|d2fedc|d2F2F2|\
G2A/G/F G/F/E|F2G/F/E F/E/D|E2F2A2|B4:|!
|:F2|B2b2b2|a2f2d2|g2agfe|f2d2B2|\
B2b2b2|a2f2d2|gbagfe|f4ga|!
b2b2b2|a2a2a2|g2agfe|f2d2B2|\
g3f ef/g/|f2d2B2|A2F2A2|B4:|!
|:dB|AFBFdF|AFBFdF|AFBFdF|BAGFED|\
AFBFdF|AFBFdF|E2F2A2|B4dB|!
AFBFdF|AFBFdF|AFBFdF|BAGFED|\
G2A/G/F G/F/E|F2G/F/E F/E/D|E2F2A2|B4:|!
|:F2|B2b2b2|a2f2d2|g2agfe|f2d2B2|\
B2b2b2|a2f2d2|gbagfe|f4ga|!
b2B2b2|a2A2a2|g2G2g2|f2d2B2|\
d3c dB|AFBFdF|E2F2A2|B4:|!
|:d2|F2A2d2|F2A2d2|F2A2d2|BAGFED|\
F2A2d2|F3E DE/F/|E2F2A2|B4d2|!
F2A2d2|F2A2d2|gbagfe|f2d2B2|\
d3c dB|AFGEFD|E2F2A2|B4:|!
|:d2|A2B2d2|d3ed2|d2f2a2|a2f2d2|\
gbagfe|f2d2B2|A2F2A2|B4:|

X:151
T:Miss L.Montgomery of Skermorlies S’spey. RH.151
R:Strathspey
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:1/2=60
K:D
F|D2D>d d2 c/B/A|BABd eEEF|\
D2D>d dcBA|B/c/d e/f/g fdd:|!
f/g/|g>da>f a>db>a|adaf geef/g/|\
a<da>f a<db>d|A>d {f}ed/e/ {e}fddf/g/|!
a>da>f adb>a|ada>f {de}feef/g/|\
D2Dd dcBA|B/c/d e/f/g fdd|]

X:158
T:Saw Ye Nae My Peggy. RH.158
R:Air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/4
L:1/16
Q:1/4=60
K:Em
e3d (e>fg).e (dB)(AG)|d3e (de)(dB) (cB)(AG)|!
e3de2(d/e/g) (dB)(AG)|A>GAB cBAG{D}E4:|!
|:D>EG>A G3A G/A/B AG|E2A2A3B (cB)(AG)|!
D>EG>A G3A({GA}B2)AG|ABge dBA>GE4:|!
|:(e>de)g e>ged BdBG|\
d>B(de/f/) (g/f/)(e/d/) (e/d/c/B/) (c/B/)(A/G/)|!
e>def g>fga {ga}b2G>B|A>cB>g (dB)(AG){d}E4:|!
|:d>eg>a g3a g/a/b ag|e2a>b a3b (c’b)(ag)|!
d>eg>a g3a g/a/b (ag)|(a>ga)b c’/b/a b/a/g {d}e4:|

X:159
T:Miss Menzie of Culdare’s Strathspey. RH.159
R:Strathspey
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:1/4=60
K:D
f/e/|dA B/A/G/F/ dAdf|fA/d/ B/A/G/F/{F}E2Ef/e/|!
dA B/A/G/F/ A>Bd>b|gfe>fd2d:|!
b/c’/|d’abd’ a>fdf|edfd B2Bb/c’/|!
d’abd’ a>fdf|e>defd2db/c’/|!
d’abd’ afdf|edfdB2B>d|!
A>Bde d>edd’/c’/|afe>fd2d|]

X:160
T:Care Thou Canker. RH.160
T:Favourite Catch,A RH.160
R:Air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/4
Q:2/4=60
K:D
a>bad’|a>ggf|d>ffe|e>ggf|\
a>b a/b/c’/d’/|a>ggf|d>f f/e/g/e/|dc{c}d2||!
f>gff|f>eed|A>ABB|c>eed|\
f>gff|f>eed|AABg/e/|dc{c}d2||!
d>ddd|AAB2|F>FGG|AAD2|\
d>ddd|AAB2|F>FGG|AAD2|]

X:161
T:Neil Gow’s Lamentation for Abervanny. RH.161.
R:Air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=40
K:D
“Very Slow”F|\
D>FAd BdAd|e>f g/f/e/d/{c}B2Bd|!
D>FAd Bd Ad’/c’/|a>d a/g/f/e/d2d:|!
b|ab/c’/ d’a ba d’f|ge’/g/ fd’/f/e2e>f|!
D>FAd Bd Ad’/b/|ad a/g/f/e/d2d>a|!
ab/c’/ d’a bad’f|g/f/g/e’/ f/e/f/e’/e2ef/g/|!
{b}ag/f/ {a}gf/e/ {g}fe/d/ {f}ed/c/|\
{e}dc/B/ A/B/A/F/D2D|]

X:167
T:Voulez Vous Dansez Mademoiselle. RH.167
T:Oats,Beans & Barley Grow,aka. RH.167
R:Jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:C
(G|e2)ee2e|{f}d^cd=c2c|\
B2c{Bc}d2B|c2d({cd}e2)c|!
e2ee2e|{e}(d^cd) =cde|f2e (dec)|{c}BABc2||!
d|d2(dB2)G|(cde)d2d|d2(dB2)(G|cde)d2d|!
d2(dB2)(G|cded2)(d|g2)g {a}(g^fg)|{e}(fe).e (ed).d|!
(dc).c B(dc|B2AG2)”Octave —–“(G|\
e2)ee2e|{e}(d^cd =c2)(c|!
B2)c{Bc}d2B|c2d({cd})e2(c|e2)ee2e|!
{e}(d^cd =cde)|(f2e dec)|{c}BABc2|]

X:168
T:Lady Homes’ Favourite. RH.168
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=80
K:C
d|c2g geg|gea g2e|\
c2g gfe|ded {f}e2d|!
c2g geg|gea {a}g2e|\
(f/e/f/g/)a gfe|d>ed {f}e2:|!
|:d|c>dc cGc|cGc e2d|\
c>dc cGF|D>FD {f}e2d|!
c>dc cGF|GAB cGE|\
FGA GFE|DED {f}e2:|

X:169
T:O’er Boggie. RH.169
R:Reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=60
K:C
G|cdcA cGGA|c>dcAG3c|\
Addc dega|gedc{B}A2G:|!
|:B|c2e/f/g cc e/f/a/e/|c>dcA GAcG|\
Addc dega|gedc{B}A2G:|

X:170
T:Dusty Miller,The. RH.170
R:Misc.
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:This popular tune appears elsewhere as 12/8, 6/8, 3/, etc.,
N:The rhythm is not common and on this occasion I have
N:ducked out of classifying it. It appears in John Clare’s
N:MS with dance instructions, so really
N:it is a miscellaneous country dance. CGP.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/4
L:1/8
Q:3/4=50
K:G
B>cdBAG|FAAcBA|B>cdBAG|DGGBAG:|!
|:B>cdefg|aAAcBA|B>cdefd|gGGBAG:|

X:172
T:Lady of the Lake,The. RH.172
R:Jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:C
d|e2e efd|e2f gab|\
{d’}c’2b {b}a2g|gfe def|!
e2e efd|e2f gab|c’2a d’2c’|bc’a g2:|!
|:f|efd c2G|A2G c2G|A2G c2e|d2g g=f^f|!
efd c2G|A2G c2G|A2G c2d|efd c2:|

X:174
T:Lochaber No More. RH.174
R:Air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/4
L:1/8
Q:1/4=90
K:G
“Slow”G>A|B2B2(B/c/d)|B3A({BA}G2)|\
e2A2(A/B/c)|{B}A4(G>A)|!
B2(cB)(AG)|D3EGA|B2(AG) (G>A)|A4:|!
|:G>A|Bcd2(e/f/g)|{e}d3cB>A|G2g2(ga)|g4G>A|!
Bcd2e2|d>edc(B>A)|G2B2d2|g4d>e|!
(=fef).a.g.f|e3d (B/d/g)|(ed)(cB)(AG)|A4(G>A)|!
(Bcde) (A>G)|D3edc|B2(AG) G>A|G4:|!
M:6/8
Q:3/8=120
|:g|” Brisk”d2G (ABd)|edB A2g|(ed)B d2D|EGG G2:|!
|:A|(B/c/de) (dBG)|(f/g/a)fg2G|(B/c/d)e (dBA)|G2g gde|!
=fFf (e/f/g)e|(dB)g (AB)d|edB d2D|EGG G2:|

X:175
T:Scots Fanny. RH.175
R:Air
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:Remarkably similar to the preceding tune.CGP
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/4
L:1/8
Q:1/4=90
K:G
G>A|{A}B2d2(d/e/f)|g3e (d/e/g)|\
(ed)(cB)(AG)|F4(g>a)|!
{g}f3ed2|{d}e2g2D2|{D}F2G2GA|G4:|!
|:(Bc)|d2(e/f/g) (e>d)|d3BAB|G4A>B|{B}d4({de}f2)|!
g4f2|e3gGA|{A}B2e2(ef)|e4(d/e/f)|!
g3a (f/g/a)|G3A (B/c/d)|D4D/E/=F|E4(G>A)|!
B3ged|B2d2D2|{D}E2G2(GA)|G4:|!
M:6/8
Q:3/8=120
|:g|f>ed ” Brisk”(ef)e|d>cB cde|A3 a2g|!
fef (gd)B|(cd)e Adc|B3 G2:|!
|:(B/c/)|dBG c2d|efg (ae)g|f3 d2c|!
(B/c/d)G FAB|cAG FDF|G3- G2:|

X:192
T:Turkish March. RH.192
R:quickstep
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:In the original file, the 2nd time of the A music
N:ends with a repeat. There is no repeat sign at the
N:start of the tune. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=110
K:G
|:d/c/|B2B Bcd|G2G GFG|A2A ABc|BAB G2A|!
B2B Bcd|^cdB A2g|fed AB^c|1dAF D2:|2d2d d2||!
|:d|e2d def|e2d e2d|c2B ABG|FEF D2D|\
G2G GAF|!
E2E EFG|A2A ABG|\
FEF Ddc|BAG DEF|G3 G2:|

X:199
T:Lango Lee,New Way. RH.199
T:New Lango Lee. RH.199
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:D
d3 f3|ede fdB|ABc d2{ga}b|agf e2d|\
d3 f3|ede fdB|ABc d2{ga}b|agf e2d:|!
|:fga ab=c’|bag fed|fga aba|bd’c’ d’3|\
dfa d’c’b|agf e2d|!
dBd dAd|dgf e2d|\
d3 f3|ede fdB|ABc d2{ga}b|agf e2d:|

X:215
T:We’ll gang nae muir to yon Town. RH.215
R:Reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=160
K:G
B|Gggd|B2Gd|BdGd|BAAB|\
Gggd|B2Gd|BdAc|BGG:|!
|:d|BGdG|eGdG|BGdG|cAAd|\
BGdG|eGdG|BdAc|BGG:|!
|:d|g>agd|B2Gd|BGdG|cAA2|\
(b/a/g/f/) gd|B2Gd|BdAc|B2G:|

X:222
T:My Wifes a Wanton Wee Thing. RH.222
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:D
f/e/|d2A B/c/dA|d3 A2B|=cdc cGE|=c3 E2f/e/|\
d2A B/c/dA|d3A2G|FGF EDE|D3 D2:|!
|:F/G/|AdA FDF|A3 F3|GAG ECE|G3 B3|\
AdA FDF|A3 a2g|fdf ece|d3 d2:|

X:236
T:Where Will our Goodman Lye. RH.236
T:Red House in Cardiff,aka. RH.236
R:Country Dance
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/16
Q:1/4=85
K:G
(BA)|G2g2 g2fe|d4 B4|A2=f2 (gfed)|c4 A4|!
G2g2 (agfe)|d4 B4|(cB)(AG) (FG)(Ac)|B2G2 G2:|!
|:(Bc)|(dcBA) (GABc)|d4 B4|(cBAG) (FGAB)|c4 A4|!
(dcBA) (GABc)|d4 g4|(cBAG) FAdA|B2G2 G2:|

X:239
T:Cupids Recruiting Sergeant. RH.239
R:country dance
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:I have halved the length of the first two notes. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=150
K:G
B/c/|dBAB|G2AB|cAFA|DFAc|\
Bgfe|dcBA|B2G>G|G3:|!
|:B/c/|dBec|d3B/c/|dBec|d3B/c/|\
dBgf|edcB|A2A>A|A3B/c/|!
dBAB|G2AB|cAFA|DFAc|\
Bgfe|dcBA|B2G>G|G3:|

X:243
T:Cameronian’s Rant. RH.243
R:reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=160
K:G
g|dG G/G/G|dGBG|dG G/G/G|d2Bd|\
cA A/A/A|cABA|cA A/A/A|d2B:|!
|:A|G(gg)a|gedB|G(gg)a|gedB|\
A(aa)b|agfe|Aaab|agfe|!
d(gg)a|gedB|G(gg)a|{g}f2eg|\
(f/g/a) eg|f/g/a eg|f/g/a eg|f2e:|

X:256
T:Dainty Beesom Maker,The. RH.256
T:Rose Tree,The,aka. RH256
R:Scots Measure
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=70
K:D
(f/e/)|d>B A>F A2A>B|d2e2 f>ee>f|\
d>B A>F A2A>B|d>fe>g fdd:|!
|:f|g>fg>a {ga}b2ag|f>ef>a bee>f|\
d>B A>F A2A>B|d>fe>g fdd:|

X:263
T:Dumb Glutton,The. RH.263
T:Dumb Waiter,The,aka. RH.263
R:reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=170
K:G
B2GB|cecA|B2AG|FAc2|\
B2GB|c2Ac|BGAF|G2[G2G,2]:|!
|:B2GB|dgdB|c2Ac|fafd|\
Bdg2|dBAG|c2ec|B2A2|!
B2GB|cecA|B2AG|FAc2|\
B2GB|c2Ac|BGAF|G2[G2G,2]:|

X:264
T:March de Gens d’Armes. RH.264
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=110
K:G
G2 BG|d2 BA|Ge (d/c/B/A/)|GG G2:|!
|:Dc c(B/c/)|AA A2|GB B(A/B/)|GG G2:|!
|:ec (c/B/c/d/)|ec c2|ec (c/B/c/d/)|e2 c2:|!
|:dB (B/A/B/c/)|dB B2|dB (d/c/B/A/)|A2 G2|!
Dc cB/c/|AA A2|GB B(A/B/)|GG G2:|

X:270
T:Quick Step 30th Reg’t. RH.270
T:30th Reg’t Quickstep. RH.270
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=100
K:D
fd a2|gb e2|fa (g/f/)(e/d/)|cd eA|\
fd a2|gb e2|f>a (g/f/e/d/)|Ac d2:|!
|:dA BA|dA BA|dA (B/c/d/B/)|(b/a/g/f/) e2|\
fd a2|gb e2|f>a (g/f/e/d/)|Ac d2:|

X:271
T:2nd Quick Step 30th Reg’t. RH.271
T:30th Reg’t Quickstep. RH.271
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=100
K:D
Ad d2|Ae e2|f/e/f/g/ ad|cB cA|\
Ad d2|Ae e2|(f/e/f/g/) ad|ec d2:|!
|:(f/e/f/g/) ad|cB cA|f/e/f/g/ ad|cB cA|\
Ad d2|Ae e2|(f/e/f/g/) ad|ec d2:|

X:279
T:Polygon,The. RH279
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:D
(f/g/)|afd ecA|dBG {G}F2E|\
DFA Ggf|efd {d}c2(f/g/)|!
afd ecA|dBG F2E|DFA Bgf|edc d2:|!
|:Ace gec|Ace afd|Ace gec|Bed c3|!
Ace gec|Adf afd|AcA Bgf|edc d3:|

X:285
T:West Fencibles Quick Step. RH.285
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=120
K:D
d/f/a/f/ dA|Bg g2|fe dc|e/d/c/B/ A2|\
d/f/a/f/ dA|Bg g2|fe dc|d2 d2:|!
|:Ad d=c|=cB B2|Be ed|cA A2|\
ec Ae|fd Bf|e>f e/d/c/B/|A2 A2:|

X:289
T:March in the Battle of Prague. RH.289
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:1/4=95
K:G
g2g>g g2a/g/f/e/|{e}d2d>d d2b>g|\
{f}e2c’>a {g}f2a>f|g2g>g g2ba|!
a2(fg) aa(ba)|{a}g2ef gg(ag)|\
{g}fe/f/ a/g/f/e/ d2^c2|d2d>d d2z2:|!
|:d2d>e f>ga>b|c’2a>c’ b2bc’|\
(d’b)gg c’>ab>g|a2d>d d2B>c|!
d2d>f g2b>g|{g}f2c’>a b2((3dgb)|\
(d’b).g.g (ba)(gf)|g2g>g g2z2:|

X:294
T:Morgiana in England. RH.294
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:I halved the first note, and removed the last rest.
N:This tune as “Morgiana” in Hardy MS. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=104
K:G
d|dBd gbg|gef d2B|dBd gdg|ab/c’/b/a/ a2d|!
dBd gba|gfe d2B|dBd gdg|baf g2||!
f/g/|aba gfe|ddd c’2a|bdd gdd|bdd a2f/g/|!
aba gfe|ddd c’2a|bdd gdb|agf edc||!
BGA B2d|BGA B2d|c2e B2d|AcA Aed|!
BGA B2d|BGA B2d|e2g f2a|g2b a2|]

X:296
T:Come hap me with thy Pettycoat. RH.296
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:see #358
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=60
K:Em
g|(dB)(AG) (ED)(EG)|d2dB d2dg|dBAG EDEG|e2ed e2:|!
|:g|dega {ga}b2ag|d2dB d2de|dega {ga}b2ag|e2ed e2eg|!
dega {ga}b2ag|d>edB d2dg|dBAG EDEG|e2ed e2:|

X:298
T:Batchelors of Ev’ry Station. RH.298
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=75
K:G
Bd de/f/|g>a (g/f/)(e/d/)|e>fg>e|d/e/d/c/ BG|\
Bdg>f|ea{g}f2|gbdg|(b/a/)(g/f/)g2:|!
|:bgaf|ga/g/ fd|e>fge|d/e/d/c/ BG|\
Bdg>f|ea{g}f2|gbdg|b/a/g/f/g2:|

X:307
T:Waltz. RH.307
R:Waltz
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/8
L:1/16
Q:3/8=50
K:D
A2|d2(d2f2)|d2d2f2|(a4g2)|(f2d2)A2|\
(d2df)d2|(d2df)d2|(agf edc)|d4:|!
|:(fg)|(a4g2)|(b4a2)|a2b2c’2|d’2d2 (fg)|\
a4f2|b2abc’d’|a2g2f2|e4(fg)|!
(a2fafa)|(b2gbgb)|agfgab|a2bc’d’a|\
b6|a2.g2.f2.|e2.d2.c2.|d6:|!
|:a2|d’6|c’2b2a2|c’6|a2(g2f2)|\
a6|(f2e2d2)|(cdedcB)|A2a4|!
d’6|(c’2b2a2)|b6|a2g2f2|\
g6|(fedefg)|g2A2c2|d4:|

X:308
T:March,A. RH.308
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C|
L:1/8
Q:1/2=90
K:G
d>d|g4 d3B|G4 GGA>B|c4 B4|A2A>A A2d>d|!
g4 d2B2|a4 f2d2|g3(a/g/) fedc|d2d>d d2:|!
d>d|d4 f>fd>d|g4 b>bg>g|c’>c’b>b a>ag>g|f>fe>e d>dc>c|!
B4 dcBA|G2e2 d2c2|B4 dcBA|G2g>g g2||!
B2|”Trio”B3A G>GA>B|d3A F3F|G4 A2B2|cdde A4|!
B3A G>GAB|d2A2 F3F|G2A2 B3A|G2E>E E2|]

X:311
T:Patrick O Hilly. RH.311
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:I introduced the 1st and 2nd time bar markings, and
N:added the introductory rest. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:D
z|:Add Fdd|ede fdB|ABc dAF|FEE E2z|\
Add Fdd|ede fdB|ABA Aaa|gec d3:|!
|:afd dcd|fdd eAA|afd dcd|fee efg|\
afd dcd|fdd ecA|A>BA Aaa|1 gec d3:|2 gec d2||!
|:(A/G/)|(FD)D. (AF)F.|(dA)A. fdd|\
a>ba gfd|fee e2(A/G/)|\
(FD)D. (AF)F.|(dA)A. edd|A>BA Aaa|gec d2:|

X:319
T:Untitled RH.319
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=120
K:G
(B/c/)|dd/e/ db|g2 db|gg fg|a/g/f/e/ ” cr”dB/c/|\
dd/e/ db|g2 db|af a/g/f/e/|d3:|!
|:(f/g/)|(aa/b/) ac’|bd’ d’2|bg g2|fd d(f/g/)|\
aa/b/ ac’|bd’ d’2|bg f/g/a/f/|g3:|!
z|d’2 c’b|ag g2|dg ab|a/g/a/b/ aa|\
d’2 c’b|ag g2|dg ab|g/d/e/f/ g/a/b/c’/|!
d’2 c’b|ag g2|dg ab|a/g/a/b/ aa|\
d’2 c’b|ag g2|dg ab|a3|]

X:325
T:Newcastle Association March. RH.325
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C|
L:1/8
Q:1/2=70
K:D
a/b/4c’/4|d’4 a3f|d>cd>e f2f>d|\
c>Ad>A e>Af>e|e2A>A A2 f>g|!
a3f dddd|e3c A2A2|\
((3Bcd) ((3fed) c2ed/c/|A2A>A A2:|!
|:c>d|e2A>A f2d>d|e2A>A f2d>d|\
g>gf>e d2c2|B2B>B B>AB>c|!
d2A>A e>da>f|{e}d2d>B A2g2|\
fe/f/ g>e d>fe>c|d2d>d d2:|

X:327
T:Come Hap Me with Thy Pettycoat. RH.327
R:reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:see #296. WS. Last note was e2. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=100
K:G
g|(dB)(AG) (ED)(EG)|d2dB d2dg|\
(dB)(AG) EDEG|e2ed e3:|!
|:g|dega {ga}b2ag|d2dB d2de|\
dega {ga}b2ag|e2ed e2eg|!
dega {ag}b2ag|d>edB d2dg|\
dBAG EDEG|e2ed e3:|

X:331
T:Davy Davy Nick Nack,aka. RH.331
T:Quick March. RH.331
R:reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:Just Quick March in MS.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/16
Q:1/4=120
K:D
dcde f4|dcde f4|agfg e2e2|agfg e2e2|\
dcde f4|dcde f4|agfg agfe|d2d2 d4:|!
|:a2a2 f2f2|d’2d’2 a4|agfg e2e2|agfg e2e2|\
a2a2 f2f2|d’2d’2 a3g|fbag fedc|d2d2 d4:|!
|:f6 g2|a2b2 c’2d’2|b4 b3b|b4 bagf|\
e6 f2|g2e2 a2g2|f4 f3f|f4 z4|!
f6 g2|a2b2 c’2d’2|b4 b3b|b6 b2|\
a2d’2 c’2b2|a2g2 f2e2|d4 d3d|d6 z2:|

X:333
T:Web’s Quick Step. RH.333
R:quickstep
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
P:ABACAD
K:C
P:A
M:6/8
L:1/8
Q:3/8=110
K:G
d|d2B g2d|dcB ABc|Bdg gdB|BAA A2d|\
d2B g2d|dcB ABc|Bdg eca|g2f g2:|!
P:B
|f|gfg dAd|gfg ece|gfe dcB|BAA A2z|\
G3 B3|d3 g2g|fed ed^c|d2d ” DC”d2||!
P:C
B|B6|d6|B3 d2B|AAA A2d|\
d3 c2B|B3 A2B|B3 d2B|A2A ” DC”A2||!
P:D
g|e2e Beg|e2e Beg|fef fge|e3 {df}d2B|\
cBA Bgf|e^de f2B|cBA B2^d|e3 ” DC”e2|]
W:I think we’re intended to play ABACAD. PJH.

X:334
T:Neil Gow’s Farewell to Whiskey. RHG.334
T:Farewell to Whiskey,aka. RHG.334
R:air
C:Neil Gow
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/16
Q:1/4=100
K:D
A2|d4 d2cd|e4 B2Bd|A2d2 edef|a2gf a4|!
b3d’ a3d’|f2ed e3f|A2d2 fede|f2d2 d2:|!
fg|a3f d’4|f4 (gfed)|e4 f2g2|a3f d’4|a3b (d’3d’)|!
a4 b3d’|a3d’ fede|f4 A2d2|fedc e4|f2d2 d2|]

X:339
T:Leathern Bottle,The. RH.339
R:reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:2/4=100
K:D
z|D2FA|D2FA|dfed|dcBA|\
dfdf|dfed|cABc|d2z:|!
|:c/d/|e2cA|e2cA|gfed|\
cBAG|FGAB|Afed|cABc|d2z:|

X:341
T:Old Towler. RH.341
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:D
A|d2d B2G|F2G A2=c|B2d ceg|f3 eA2|\
d2d f2d|B2B e2d|c2c BAB|A3 z2:|!
(c/d/)|e2c A2A|f2d A2A|c2e g2f|f3 eA2|\
A^GA Bcd|efg afd|B2e d2c|c3 d2(D/F/)|!
A3 A3|Adz z2A|AFA AFA|Adz z2(c/d/)|\
e3 e3|eaz z2e|ece ece|egz z2g|!
fd{d}z {d}z2f|eA{A}z {A}z2g|\
fd{d}z {d}z2f|eA{A} z {A}z2A|\
dff dff|d3 d3|dff dff|a3 AG/F/E|!
D2G F2B|A2g f2e|e2e cBc|d3 g3|\
f2f ede|a3 g3|[F2f2]f ede|d3 {d’}{d’}d’d’d’|!
c’c’c’ c’c’c’|d’d’d’ d’d’d’|c’c’c’ c’c’c’|\
d’/a/f/d/f/a/ d’/a/f/d/f/a/|d’d’d’ d’2|]

X:348
T:Pipers Frolic. RH.348
T:Trip To Galloway,aka. RH.348
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:D
B/c/|{F}dcB AFd|DFD AFD|{F}dcB AFD|EFA B2B/c/|!
{F}dcB AFd|DFD AFD|G/A/BG F/G/AF|EFA B2:|!
|:A|d2a afd|c2e ecA|{F}d2a afd|AFA B2A|!
dfa afd|cea ecA|dcB AFd|EFA B2:|

X:349
T:Soldiers Return,The. RH.349
R:strathspey
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/16
Q:3/8=90
K:D
A2|d/e/f3d2 B4d2|AF3A2 A4B2|\
A2F2A2 d4e2|f2g2a2 g2f2e2|!
d/e/f3d2 B4d2|AF3A2 A4A2|\
A2f2a2 g2f2e2|d4f2 d4:|!
|:A2|d3efg a4f2|b4g2 a4f2|\
d3efg a4f2|g4e2 b2g2e2|!
d3efg a4f2|b4g2 a4f2|\
(d2c2B2 A2B2c2|d2f2a2 g2f2e2)|!
d2B2B2 “~”B4d2|AF3″>”A2 A4″>”B2|\
A2″>”F2A2 d4e2|f2″>”g2a2 {a}g2″>”f2e2|!
d/e/f3d2 B4d2|A2″>”F2A2 A4″>”B2|\
A2”>”f2a2 g2f2e2|d4f2 d4:|

X:351
T:Bonny Pit Laddie,The. RH.351
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=100
K:D
A|d<fd cAc|d<fd cAc|e3 c2A|\
d<fd cAc|def gec|d3 D2:|!
|:A|def g2e|f2d faf|e3 c2A|\
def gfe|faf gec|d3 D2:|!
|:A|dcB AGF|GAB cAc|e3 c2A|\
dcB AGF|GAB Adc|d3 D2:|

X:354
T:Miss Homes Favourite. RH.354
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=104
K:D
e|d2a afa|afb a2d|d2a agf|efe {g}f2e|!
d2a afa|afb a2f|g/f/g/a/b agf|e>fe {f}f2:|!
|:e|d>ed dAd|dAd {g}f2e|d>ed dAF|E>FE {g}f2e|!
d>ed dAF|ABc dAF|GAB AGF|EFE f2:|

X:355
T:Grand March by T.Thompson. RH.355
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=80
K:D
F>G|A2A>A B2Bc|d2d>d d2cd|\
e2e>e a2a/b/a/g/|f2f>f f2f>a|\
age>c dcd>a|age>c dAf>a|!
agf>c dAa>f|e2f>e e2″8ve————–“F>G|\
{B}A2A>A B2Bc|d2d>d d2c>d|\
e2e>e a2a/g/a/g/|f2f>f f2″Loca”f>a|!
age>c dAf>a|age>c dAd>a|\
age>c dAA>d|e2e>ee2||!
c>d|e2c/d/c/d/ e2e/f/e/f/|gfed cBAG|\
F2(d/e/d/e/) f2f/g/f/g/|ad’c’b bagf|\
b2g>g g>db>g|{b}b2a>a a2f>a|\
{f}g2g>g g>ea>g|e>cd>f e>cdz/f/|\
a2A>A .Az/A/d>f|e>c.df ec.df|\
a2a>a a2f>g|”8ve————-“A2A>A “~”A2B>c|\
{f}d2d>d d2cd|e2e>e a2a/b/a/g/|\
f2f>f f2″Loca”f>a|age>c dAf>a|\
age>c d>fA>d|Bg/a/ g/a/g/f/e/ d2c2|\
dDFD GEFF|D2b2 a2c2|\
dDFD GEAF|D2b2 a2a2|d’2dd d2:|

X:356
T:QuickStep,Grand March,T.Thompson,The. RH.356
T:Grand March,T.Thompson,The. RH.356
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/16
Q:1/4=80
K:D
FA|d2d2d2 Ad|f2f2 fagf|c2c2 {d}cBce|dcde A2 FA|\
d2d2d2 Ad|f2f2 fage|c2c2 {d}cBce|e4d2 FA|
d2d2d2 Ad|f2f2 (fage)|c2c2 {d}cBce|dcdf A2 FA|\
d2d2d2 Ad|f2f2 fagf|c2c2 {d}cBce|(e4 d4)||
|:ge|c2c2 {d}cBce|dcdf A2ge|c2c2 {d}cBce|\
d3f gage|cc cBce|dcdf A2a2|g2g2 gabg|agab agfe|
d2d2d2 Ad|f2f2 fage|c2c2 {d}cBce|dcdf A2 FA|\
d2d2d2 Ad|f2f2 fagf|c2c2 {d}cBce|e4 d4:|

X:357
T:Highland Strathspey,The. RH.357
T:Miss Lyall,aka. RH.357
R:strathspey
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=70
K:G
gf|e>EE>F G>AB>c|d<df>e d2dg/f/|\
eEE>F G>AB>c|ge g/f/e/^d/ e2eg/b/|!
eEEF G>AB>c|d>df>e d2dg/a/|\
b>ga>f gefd|Be g/f/e/^d/ e2e||!
f|e<e’e’>f’ d'<d’ e’/d’/^c’/d’/|b<e’e’>f’ d’2^c’d’|\
b<e’e’>f’ d’d’ e’/d’/^c’/d’/|b>ga>f e2eg/f/|!
e<e’e’>f’ d'<d’ e’/d’/^c’/d’/|e<e’e’>f’d’2^c’d’|\
((3e’d’c’) ((3d’e’f’) ((3bag) ((3fga)|b>ga>fe2e|]

X:362
T:Paddy’s Own Sweet Little Island of Green. RH.362
T:Paddy’s Green Island,aka. RH.362
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=110
K:D
a|fdd {f}ecc|BdB AFG|Add fdd|cee e2a/g/|\
fdd {f}edd|BdB AFG|Aaf ede|fdd d2:|!
|:A|dfa af”sic”A|dfa afd|gab afd|ceg g2e|\
fdd {f}edd|BdB AFG|Aaf ede|fdd d2|]

X:363
T:Quick Step. RH.363
R:quickstep
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:Can you have 2/4, 4/4 and 6/8 quicksteps?
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=110
K:G
d|d>Bd g2a|{ga}bag g2d|def gab|c’aa a2b|\
d>Bd g2a|{ga}bag g2d|efg abc’|bgg g2:|!
|:b/c’/|d’3 bgb|d’3 bgb|d’bg dga|baa a2b/c’/|\
d’c’b c’ba|bag fed|efg abc’|bgg g2|]

X:364
T:Jennys Baw Bee. RH.364
R:reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:aka Polly Put the Kettle On.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C|
L:1/8
Q:1/2=70
K:D
f/g/|abag fddf|BBed cAAf|\
abag fddf|B2c2 d2||!
fdge fddg|BBed cAAf|\
fdge fddg|B2c2 d2|]

X:365
T:Be Gone Dull Care.4voices. RH.365
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:Written by a different hand
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=100
V:1
V:2 name=”Alto”
V:3 name=”Sec’d”
V:4 name=”Bass”
K:G
[V:1] D|G3 A3|B3- B2c|ded cBB|(B3 A2)D|
[V:2] d|d3 d3|d3 d2d|d2d d2d|d3- d2d|
[V:3] F|G3 F3|G3 G2A|BcB AGG|G3 F2A|
[V:4] D,|G,,3 D,3|G,3 G,2F,|G,2G, C,2C,|D,3 D,2D,|
%
[V:1] G3 A3|B3- B2c|BcB AGA|G3 G2||
[V:2] d3 d3|d3- d2d|d2d d2d|d3 d2||
[V:3] G3 F3|G3- G2A|GAG ABc|B3- B2||
[V:4] G,,3 D,3|G,3 G,2F|G,2B,, D,2D,|G,,3 G,,2||
%
[V:1] B|d2d d2B|c2c c2A|B2B dcB|(B3 A2)D|
[V:2] d|d2d d2d|d2d d2d|d2d d2d|d3- d2d|
[V:3] G|B2B B2G|A2A A2A|G2G BAG|G3 F2A|
[V:4] G,|G,2G, G,2G,|F,2F, F,2F,|G,2G, G,,2G,,|D,3 D,2F,|
%
[V:1] G2G A2A|B2c d2c|B2B AGA|G3 G2|]
[V:2] d2d d2d|d2d d2d|d2d d2d|d3 d2|]
[V:3] G2G F2F|G2A B2A|G2G ABc|B3 B2|]
[V:4] G,2G, D,2D,|G,2G, B,,2C,|D,2D, D,2D,|G,,3 G,,2|]

X:367
T:Speed the Plough. RH.367
R:strathspey
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=80
K:G
G2GB d>edB|d<gdB d>edB|\
c>dcA B>cBG|E<A A>G F<AAB|!
G2G>B d>edB|d<gdB d>edB|\
c>dB>c A>BAD|E>FG>A BGG2||!
gGgG gGdG|gGfG eGdG|\
c>dcA B>cBG|E<A AG F<AAd|!
B/A/G gG gG fG|ecGE dBGd|\
c>dB>c A>BGD|E>FGA BGGz|]

X:368
T:Earl Morris’s Farewell to Scotland. RH.368
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C|
L:1/8
Q:1/2=70
K:G
G2G2 Bdd2|c>AB>G A>GFD|\
G2G2 Bdd2|e>gf>a g2gb:|!
g>ab>g a>gfd|e>fge dcBG|\
g>ab>g a>gfd|e>gf>a g2gb||!
c’abg ageg|dBgB c/B/A/G/ AB|\
G2G2 Bdd2|e>gf>a g2gb||!
BGdG e/d/c/B/ dg|BGdG ABce|\
BGdG e/d/c/B/ df|egfa g2gb||!
gbgb fad2|efge dcBA|\
((3gab) ((3gab) ((3fga) d2|eg f/g/a/f/ g2gb||!
ec’db caBg|B/c/d/B/ BG F/G/A/G/ FD|\
((3GAB) ((3ABc) ((3Bcd) ((3cde)|egfa g2gb|]

X:371
T:Go to the … and Shake Yourself. RH.371
T:Go to the Devil and Shake Yourself. RH.371
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:D
Add dcB|ABA AFA|Add d2e|fdB B2A|\
Add dcB|ABA AFA|dfd ege|fdd d3||!
afd dcd|BGG G3|bge “sic”egd|cAA A3|\
Add dcB|ABA AFA|dfd ege|fdd d3||!
afd dcd|BGG G3|bge “sic”fgd|cAA A3|\
Add dcB|ABA AFA|dfd ege|fdd d3|]
W:It seems the Rev. R. Harrison is shy of writing “Devil”.

X:372
T:Tink a Tink. RH.372
R:hornpipe
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:Not sure whether bars 9 to 12 should be repeated, or
N:might they be a kind of ground bass? PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/2=100
K:G
g2d’>b|g2d’>b|c’>d’c’>b|a>gfz|\
g2d’>b|g2d’>b|c’>ag>f|g2z2|\
c2A2|Bd gz|c2A2|G2z2|!
G2d>B|G2d>B|c>dc>B|A>GF2|\
G2d>B|G2d>B|c>AG>F|G2z2|!
G2d>B|G2d>B|c>dc>B|A>GF2|\
G2d>B|G2d>B|c>AG>F|G2z2||!
G2g>f|e>cc>B|A>B c>d|B2G2|\
d2g>f|e>dc>B|A>cF>A|G2z2|!
d2g>f|e>dc>B|A>B c>d|B2G2|\
d2g>f|e>dc>B|A>cF>A|G2z2|]

X:378
T:Irish Air. RH.378
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:G
“Vivace”B3 AGA|G>AG GBd|e>fg dcB|cAA AGA|!
B3 AGA|G>AG GBd|e>fg dgB|A3 ” Fin”G3||!
b3 aga|g>ag gbd’|e’>f’g’ d’c’b|”Vivace”c’aa aga|!
b3 aga|g>ag gbd’|e’>f’g’ d’g’b|a3 g3||!
B>cd ddd|d>e=f e=fg|d>cB B>AG|F>GA ABc|!
B>cd ddd|d>e=f e>^fg|d>cB B>AG|AFAc3|]

X:379
T:Air by Pleyel. RH.379
T:Pleyel Air,A. RH.379
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=70
K:G
D|GG BB|d>e/d/ c>A|BG AF|F2 GD|\
GG ge|d>e/d/ ^cz/g/|fd e^c|^c2d||!
D|dd BB|c>e Az/c/|BG cB|B2 A D|\
GG BB|d>e/d/ c>A|BG AF|F2G|]

X:380
T:Lady Nelsons Reel. RH.380
R:reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=90
K:G
g2dg edcB|aefg fddf|g2dg edcB|dABc BGG2:|!
DGBG dBcA|GBde cAAB|GBdf egaf|edef d4{ef}||!
g2dg edcB|aefg fddf|g2dg cgBg|Aedc BGG2|]

X:381
T:Leouk??,The. RH.381
R:Waltz
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:I converted the first 3 notes to triplets. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/8
L:1/8
Q:3/8=50
K:D
((3A/B/c/)|ded|Agf|ege|ce/c/A|\
ded|Aaf|egc|d2:|!
|:c/d/|ecA|fdA|gee|afd|\
e/c/e/c/A|f/d/f/d/A|gec|d2:|!
|:a|d’c’b|aff|gee|fdA|\
d’c’b|aff|gec|d2:|!
|:a|afb|g2e|c2a|f2d|\
afb|g2e|c2a|d2:|

X:385
T:Rondo by Mr.Hook. RH.385
R:rondo
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:i.e. James Hook.
N:I think the last 2 notes are intended to be an option
N:for going back to re-start the tune. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:G
BAB GAB|c2c cde|d2e dcB|ABc dBG|\
BAB GAB|c2c cde|dgG AGA|G6||!
g2g gfe|d2d dcB|edc BAG|FAG FED|\
g2g gfe|d2d dcB|edc BAG|B3 A3||!
K:Bb
d2b ag^f|g6|d2b ag^f|g6|\
ege dgd|cgc BgB|ABc BAG|{c}^d6|!
d2b ag^f|g6|d2b ag^f|g6|\
ege dgd|cgc BgB|ABc BAG|d6 {^c}{=c}|]

X:388
T:Royal Lancashire Quick Step. RH.388
T:Lancashire Hornpipe,aka. RH.388
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:See Wm Irwin MS.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/16
Q:1/4=100
K:G
g2d2 dedc|B2B2 BcBA|GABc defg|f2d2 d4|!
g2d2 dedc|B2B2 BcBA|G2GB A2Ac|G4 G4:|!
|:D2EF GABc|d2(df) e2(eg)|d2(df) e2(eg)|d4 z4|!
{ef}g2d2 dedc|B2B2 BcBA|G2GB A2Ac|G4- G4||!
B4 z2d2|(d2c2) c4|A6 c2|(c2B2) B4|\
G6 B2|A2A2 (c2A2)|(A2G2) (G2F2)|F4 G2|]

X:389
T:Lady Cholmondly Waltz. RH.389
R:waltz
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:I have halved the length of the first two notes. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/8
L:1/8
Q:3/8=60
K:G
B/c/|ddg|eea|f(d/e/f/d/)|g(d/e/f/d/)|\
ddf|eea|fd/e/f/d/|g2:|!
|:d|c’c’b|aag|f(d/e/f/g/)|aad|\
c’c’b|aag|fd/e/f/d/|g2:|!
|:d|d2B|B2G|A(A/B/c/d/)|BGd|\
d2B|g2e|dd/B/c/A/|G2:|

X:391
T:Isle of Skie,The. RH.391
R:Reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:The last note was double the length. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=70
K:D
c|dAFA dAFA|GEEd eBBc|dAFA dAFA|GEEA FDDc|!
dA F/G/A/F/ dA F/G/A/F/|GEEd eBBc|\
dA F/G/A/F/ dA F/G/A/F/|GE F/G/A/G/ FDD||!
a|adab afdf|edef eBBa|adad’ afdf|edeg d2dg|!
ad a/d’/c’/b/ afdf|edef eBBa|\
adad c’dd’d|d’daf d/d/dd|]

X:392
T:Gen’l Washingtons March. RH.392
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:1/4=100
K:G
D2|G2G>G GBdB|A>GAB A2GA|\
B>ABc Bc (d/c/B/A/)|B2G>G G2:|!
g>f|e2c>c c2a/g/f/e/|d2B>B B2G/B/d/g/|\
c2A>A Aedc|B2G>G G2d>c|\
((3Bcd) ((3efg) B2A2|G2G>G G2||!
g>a|g/a/b G>G G2g>a|g/a/b G>G G2g>f|\
e>fga bgfg|e2e>e e2a/g/f/e/|!
d^c de dg bd|c>Bcd cedc|\
B>ABc B2A2{GA}|G2G>G G2|]

X:394
T:My Nanie O. RH.394
R:Air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=60
K:Em
(G>A)|B2E2 B3A|G2(F>E) E2(DE)|\
G3A (B>ABd)|{d}e2A>B A2G>A|!
B2(Bc/d/) cBAG|A2B2 g3f|\
e>ged (BA)B^d|e2(E>F E2):|!
|:(B>c)|d3e d2(c>B)|g2(d>e) d2g>f|\
e3f (g>fga)|{ga}b2(e>f) e2(d>c)|!
B2g2 (dB)(AG)|A2B2 g3f|\
e>ged BAB^d|e2(E>F E2):|

X:396
T:Can Ye Sew Cushions. RH.396
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=50
K:G
“Slow”G|G>Bg>e d B2G|G>B(g>e)d3e|\
d>B(B>A) G>G(G>A)|B>A(A>G)G3G|!
(G>B)(g>e) dB2G|(G>B)g>ed3e|\
d<BB>A G>GG>A|B>AA>GG3||!
M:2/4
G|B3G D4|(AG)AB B2A2|B3G D3B|(A3G) G4|!
B3G D3D|AGAB A2G2|B3G D2B2|A3G G4|]

X:397
T:Of Age Tomorrow. RH.397
T:New Way of Getting Bairns,aka. RH.397
T:Open The Door To Three,aka. RH.397
R:slip jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:cf Winifred’s Knot in Playford, and the morris dances
N:Beaux of London City (Adderbury) and Shooting (Hinton).
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:9/8
L:1/8
Q:3/8=140
K:G
“Quick”D|G2B BGB AFD|G2B BGB c2d|\
efg dcB AFD|G2c BAB G2:|!
|:d|gdB gdB AFD|gfg def gdB|\
cac BgB AFD|G2c BAB G2:|

X:398
T:Veni Vecchio. RH.398
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/16
Q:1/4=60
K:D
de|f2d2f2d2|efge c2de|e2c2e2c2|defd A2fg|\
a2f2g2b2|abag f2ab/c’/|d’2d2 edef|d4z2:|!
|ag|f2e2d2e2|fgfe d2ag|fgef dfeg|fgfe d2d’c’|\
bc’ab gafg|efde cdBc|Add2 e2c2|d4z2||!
ab|c2c2c2e2|edd4fa|g2g2f2f2|e2A2 A2ab|\
c2c2c2e2|edd2zdfa|agg2 gff2|e2a2a2 cd|!
ea^gf ea^gf|e2e2z2cd|ea^gf ea^gf|e4ef^ga|\
b2b2 a^gfe|a4ef^ga|!
b2b2 a^gfg|(a4a)(^gag)|\
(a4a)(^gag)|(a^gab agf^e)|f^efg f=e de|]

X:400
T:Favourite French Air with Variations,A. RH.400
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/16
Q:1/4=80
K:D
f4g2e2|d4e4|f4agfe|a3ba2z2|\
b2a2g2f2|e2f2g2a2|b2g2b2g2|e6a2|!
a2g2f2b2|(a4g2)g2|g2f2e2a2|(g4f2)z2|\
d’2c’2b2a2|a2b2g2e2|d4e4|d4z4||!
f”Var 1″efa gege|d4z2e2|f2f2z2ge|a3b a2z2|\
b2bag4gf|egfa gbac’|b2g2z2bg|(f4e2)a2|!
abga f2b2|(a4g2)g2|gafg e2a2|(g4f2)z2|\
dd’d’c’ c’bb^a|^abc’b abge|d2fd c2gc|(e4d2)z2||!
a2″Var 2nd”a4g2|f4agfe|d2d2e2e2|f3gf2d2|\
g2e2b2a2|(a4g2)f2|e2b2g2e2|(d4c2)z2|!
b6d2|e2e^d ef|g2a2b2a2|a6c2|\
defg abc’d’|b2a2g2f2|f2g2b2g2|fdfa agfe|e6d2||!
f4″3rd Var”e4|d4e4|f4g4|a2b2 a2z2|\
b6g2|e6g2|b2g2z2g2|(e4e2)a2|!
a6b2|(a4g2)g2|g6a2|(g4f2)z2|\
d’6a2|^a2b2g2e2|d4e4|d4z4||!
f”4th Var”g^ga agfe|edcd fe^de|agfg agfg|afba a2z2|\
bgfa ge^de|eBfB gBaB|^abc’b =agbg|(f4e2)a2|!
abga fab=c’|bgfa g2g2|gafa egab|afeg f2a2|!
dd’cc’ Bb^A^a|^abab fgeg|gfad ^dege|d4zcac|\
d4zcac|d2d2d2z2|]

X:404
T:And Are Ye Sure.2voices RH.404
T:Nae Good Luck,aka.Vars. RH.404
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
V:1 name=”primo”
V:2 name=”secundo”
M:C
L:1/16
Q:2/4=40
K:D
[V:1]|:d2|” Doloroso”d4f3d g4 g3b|d3ef3d e6f2|d4f3d g3ab3d’|a3gf3e d4z2:|
[V:2]|:z2|F2A2d2A2 B2d2B2G2|F2A2c2A2 c2A2G2A2|F2A2d2A2 B2d2g2d2|\
f3ed3c d2c2F2:|
%
[V:1]|:”^B” a2|d’3ba3f g4g3b|d’3ba3f e6c’2|d’3ba3f g3ab3d’|a3gf3e d4z2:|
[V:2]|:z2|F2d2f2d2 B2d2B2d2|B2g2f2e2 c2A2e2g2|f2d2f2d2 B2d2f2d2|\
f3ed3c d2A2F2:|
%
[V:1] “^ C”|:a^g/a/|d’c’ba gfed gfed cBAG|.F2.A2.d2.f2 e4(a2bc’)|\
d’c’ba gfed ^gaba gfed|c2a2^g2b2 a4z2:|
[V:2]|:A2|(d2f2)z4 (e2g2)z4|D2F2A2d2 c4z2A2|(d2f2)z4 (B2e2)z4|\
.A2.c2.B2.d2 c4z2:|
%
[V:1] “^D”c’a|e’d’c’b agfe defg abc’d’|e’d’c’b agfe defg abc’d’|\
G2d’2A2c’2 G2b2F2a2|E2g2 D2^g2 (a2^ga) {gab} az2 d|
[V:2] A2|gfed cBAG GABc defg|gfed cBAG FGAB cdef|\
.g2.b2 z2.a2 z2.g2 z2.f2|z2.e2 z2.d2 c4 z2z2|
%
[V:1] d4f3d g4g3b|d3ef3d e6f2|d4f3d g3ab3d’|a3gf3e d6A2|
[V:2] .F2.A2.d2.A2 .B2.d2.G2z2|.F2.A2.d2.A2 .c2.A2.G2.A2|\
.F2.A2.d2.A2 .B2.d2 .G2.g2|f3ed3c d2A2F2z2|
%
[V:1] ((3d2e2c2) (3d2e2f2 (3g2a2f2 (3g2a2b2|((3a2b2c’2) (3.d’2.b2.f2 e6A2|\
((3d2e2).c2 ((3d2e2).f2 ((3g2a2).f2 ((3g2a2).b2|\
((3a2f2).d2 (3.g2.e2.c2 d4z2a2|
[V:2] F2 z2d2z2 B2z2 G2z2|F2z2 D2z2 A3ce3G|F2z2 d2z2 B2z2 G2z2|\
F3AE2G2 ((3F2A2d2) D2z2|
%
[V:1] d’3ba3f g4g3b|d’3ba3f e6c’2|d’3ba3f g3ab3c’|a3gf3e d4z2a2|
[V:2] d4=c4 B4G4|F2z2 D3d c3B A3G|F2z2 d2z2 B4G2g2|f3ed3c ((3d2A2F2) D2z2|
%
[V:1] ((3d’2c’2b2) (3.a2.g2.f2 (3g2a2^a2 (3.b2=c’2^c’2|\
(3.d’2.c’2.b2 (3.a2.g2.f2 e4z2a/b/c’|\
(3.d’2.c’2.b2 (3.a2.g2.f2 ((3.^g2.a2.^a2) (3.b2.=c’2.^c’2|\
(3d’2a2f2 (3g2e2c2 (3d2e2c2 (3d2e2c2|]
[V:2] f2z2 d2z2 B2z2 G2z2|F2z2 D2z2 A3ce3g|f2z2 d2z2 B2z2 G2z2|\
F3AE3G ((3F2A2c2)D4|]

X:405
T:Celebrated French Air.2voices RH.405
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:80
K:G
[V:1] d|(dbg) fef|gbg d2d|(ed).c (c’b).a|(g3 f2)d|
[V:2] B|(Bd).B (AG).A|B3 (BG).B|(cB).c (e[Dd]).c|(B3 A2)d|
%
[V:1] (db).g (fe).f|(gb).g d2d|agf ede|d3 z2d|
[V:2] (Bd).B (AG).A|B3 (Bd).g|(fe).d (GF).G|(FA).F D2z|
%
[V:1] (a3a) fd|(b3 b) gd|(c’b).f (gd).B|(A3 A2)d|
[V:2] (FA).d (FA).d|(GB).d (GB).d|FAc FAc|Dc.d D2z|
%
[V:1] (a3a) fd|(b3 b) gd|c’af gdB|{B}A2d a2f|
[V:2] (FA).d (FA).d|(GB).d (GB).d|(FA).cB2G|F2z c3|
%
[V:1] g2g a2b|c’b.a e2e|c’2b aga|gd2 a2f|g2g a2b|
[V:2] B2B c2d|edc c2c|e2d cBc|BGB cAc|B2g f2=f|
%
[V:1] (c’b).a e2e|c’2b aga|(g/a/b/a/g/f/) e2e|c’2b aga|ggg g2|]
[V:2] (ed).c c2c|e2d cBc|B2z(c/d/c/B/c/e/)|e2e cBc|BBBB2|]

X:406
T:Marriage Promenade …[?],The. RH.406
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=120
K:D
A|Addf|ecdB|ceef|g2fe|addf|cead|Bfe^G|A3||!
A/B/|.c(c/d/) .e(ef)|g2fe|adcd|(f2e) A/B/|\
>c(c/d/) .e(e/f/)|g2fe|aab^g|a3|]

X:407
T:Grand March…2voices RH.407
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
V:1 name=”primo”
V:2 name=”2nd”
M:2/4
L:1/16
Q:1/4=80
K:C
[V:1] g3f e2d2|c6 d2|fedc agfe|e4 d2ef|
[V:2] e3d c2B2|c6 B2|c2z2 fedc|c4 B2cd|
%
[V:1] g3g gfed|c6 d2|efgf e2d2|1 c2c>c c4:|2 c2c>c c2||
[V:2] e3e edcB|c2e>c G2B2|cdec c2B2|1 c2E>E E4:|2 c2E>E E2||
%
[V:1]|:G2|d3d defg|f3e e2e2|e3e agfe|e4 def^f|
[V:2]|:G2|B4 Bcde|d3c c2c2|c3c fedc|c4 Bcd^d|
%
[V:1] g3g gfed|c6 d2|efgf e2d2|1 c2c>c c2:|2 c2c>c c4|]
[V:2] e3e edcB|c2D>F G2B2|cdec c2B2|1 c2E>E E2:|2 d2E>E E4|]
W:Grand March as Performed at the Theatre Royal Drury Lane.

X:408
T:Air in Peeping Tom of Coventry.2voices RH.408
R:schot
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
V:1 name=”primo”
V:2 name=”secundo”
M:C
L:1/8
Q:2/4=80
K:Em
[V:1]|:e>f|g>ef>d B2B>^c|d2d>f a2g>a|b>fg>e B2e>^d|e2E2 E2:|
[V:2]|:e>f|g>ef>d B2B^c|d2d>f A2e>f|g>^de>G B>AG>F|E2E2 E2:|
%
[V:1]|:f2|(g>fg>a) b2(a>g)|(fd).d.f a2b>g|g>ea>f B2e^d|.e2(e^d) .g2(g>a)|b>c’a>f B2e^d|e2E2 E2:|
[V:2]|:z2|(B4 ^c4)|(d4 ^d4)|e2cA B2Ac|g2g>B e2e>f|g>ec>A G>AG>F|E2E2 E2:|

X:411
T:Duett by Pleyel.2voices. RH.411
T:Pleyel,Duett by. RH.411
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:{gfef}
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
V:1 name=”primo”
V:2 name=”secundo”
M:2/4
L:1/16
Q:1/4=100
K:D
[V:1] a3b a3c’|f3g f2g2|d2d2 efge|(d4 c2)a2|
[V:2] F4 z2A2|A3B Adc=c|B2A2 G2^G2|A2A2 AGFE|
%
[V:1] a3b a2c’2|f3g f2a2|efgb afec|c4 d2z2||
[V:2] F4 z2A2|A3B A2F2|G2eg fAGF|DAFA F2z2||
%
[V:1] g2g2 g2bg|f3″*”g a3d’|f3a gefd|(f2gf) e4|
[V:2] B2B2 cege|d3e f2FA|d2e2 c2dd|(d3e/d/) c2A2|
%
[V:1] g2g2 g2bg|f3g a2fa|cfBd fd’^gb|g2c2 defg|]
[V:2] B2B2 cege|d3e f2dc|B2B2 B2d2|c2A2 AGFE|]
W:* had to remove grace notes {gfef}.

X:416
T:Grinders,The. RH.416
T:Our Bride is No Maid,aka. RH.416
T:Hexhamshire Lass,aka. RH.416
R:slip jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:I added the final repeat mark. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:9/8
L:1/8
Q:3/8=140
K:G
gfg edc BAG|gfg efg afd|\
gfg edc BAG|AAA A2B d2B:|!
|:AAA A2B G2E|AAA A2B d2B|\
AAA A2B G2E|dBG GBc d2B:|

X:422
T:Yellow Hair’d Laddie,The. RH.422
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/4
L:1/16
Q:3/4=40
K:D
D3E|F4A4 B4|d6e2 (def2)|\
(A3B)A2F2 E2D2|E8 D3E|F4A4 B4|!
(d3c)(d3e) (def2)|1(A3B) (A2F2)(E2D2)|\
D8:|2A4gf3e3d|d8||!
|:d3e|f4(a2f2e2d2)|c4(e2c2B2A2)|\
(B2c2)(d2B2)(A2F2)|E4D3E|!
F4A4B2c2|1d2c2d2e2 (def2)|A6f2 e3d|d8:|2\
(d2c2)(d2B2)(A3d)|A3BE6D2|D8||!
|:D3E|”Variation”F4A4B3c|d2c2d2e2 (def2)|\
A2d2 BAGF GFED|E8D2E2|!
F4A4B2c2|1(d2c2)(d2B2)(A3B)|AFED E6D2|D8:|2\
d2c2 defg a3b|afed e3d|d8||!
|:d3e|(fefg) a2f2e2d2|(cBcd) e2c2B2A2|\
(BABc) (BcdB) AFED|E8D2E2|!
F4A4B2c2|1d2c2d2e2 (def2)|\
A3ge6d2|d8:|2d2c2 d2cB A3B|AFED E4D2|D8|]

X:425
T:Green Grow the Rashis (with Vars.). RH.426
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/16
Q:2/4=60
K:D
d4|B6A2 (A2B2) (d2e2)|(def2) e2d2 d6f2|\
e6f2 gfga|b4(e2f2) e6f2|!
g2f2g2a2 (gab2) a3g|f3e defg {fg}a4g2f2|\
e4b4 (a2f2)(e3f)|d4B3d B4:|!
|:d4|B3BB3d B4a4|f2e2f2a2 f4e3d|\
(e3d)(e3f) e4e’4|(b2a2c’2d’2) b4a2bd’|!
(B2A2B2)d2 B4a3g|f3e (defg) {fg}a4g2f2|\
e4b4 (a2f2e3f)|d4B3d B4:|!
|:d4|”Variation”(B2A2B2d2) A2B2d2e2|(fagf) (egfe) d3e fefd|\
e4E3F GFGA|B2A2G2F2E4e3f|!
g2G2 (gfga) gab2 a3g|f3e (defg) (fga2) g3f|\
e4b4a2f2e3f|e4B3d B4:|!
|:d4|B3AB2d2 B4a4|f2e2f2a2 f2a2 (gf)(ed)|\
(e3d)(e2f2) (eabc’) (d’c’ba)|b2a2b2d’2 b4abe’2|!
(B2A2B2d2) B4b3g|f3e (defg) (fga2) g3f|\
e4b4 a2f2e3f|d4B3d B4:|

X:428
T:Westminster Slow March,The.2voices RH.429
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
V:1 name=”primo”
V:2 name=”secundo”
M:C
L:1/8
Q:2/4=60
K:D
[V:1] d4 A4|d>cd>f d4|a2f2 g2e2|d>cd>f d4|
[V:2] F4 A4|F>EF>A F4|f2d2 e2A2|F>EF>A F4|
%
[V:1] AA/B/ cc/d/ e2dc|BB/c/ dd/e/ f2ed|c2a2 b2a/g/f/e/|a2a>a a2z2||
[V:2] AA/G/ AA/B/ c2BA|GG/A/ BB/c/d2G2|A2c2 e2Be|c2c>c c2z2||
%
[V:1] g2e2 f2d2|c2d2 e2z2|g2e2 f2d2|a2a>b agfe|
[V:2] e2c2 d2B2|A2B2 c2z2|e2c2 d2B2|A2A>B AGFE|
%
[V:1] d4 f4|B2B/^G/B/c/ B4|ef/g/ a/g/f/e/ d2c2|d2d>d d2z2|]
[V:2] D2F2 A2F2|D2D>D D4|B2BA/G/ F2E2|F2F>F F2z2|]

X:430
T:Austrian’s Retreat,The.2voices RH.431
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:The lengths of numerous notes have been amended
N:to match the metre of the bars. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
V:1 name=”primo”
V:2 name=”secundo”
M:C
L:1/16
Q:2/4=40
K:D
[V:1] a3b bagf b2a2a4|gfga g2f2 fedc defg|a3b bagf b3a a3g|fd’c’d’ f2e2 fgab a2g2|
[V:2] f3g gfed g2f2f4|edef e2d2 AGFE Fcde|f3g gfed g3f f3e|d2ef d3c defg f2e2|
%
[V:1] fd’c’d’ f2e2 d2d>d d2ef|e2A>A A4 e2e>e e2fg|f2ddd4 z/a/b/c’/d’4b2d’2|a3b/c’/ d’3ff4gabg|
[V:2] d2ef d2A2 F2FF F2Ad|A2AAA4 A2AA A2de|d2F2F4 z/A/B/c/ d4B2e2|A3B/c/ d3dd4 efge|
%
[V:1] f2ee e2a2 A3B/c/ d2e2|f2e2 e2a2 A3B/c/ d2e2|f2ee e2z/a/b/c’/ d’4b2e’2|a3b/c’/ d’2f2f4 e>de>f|
[V:2] d2c>c c2c2 A2G2F2E2|D2A2 A2c2 A2G2F2E2|DFAA A2z/A/B/c/ d4 B2e2|A3B/c/ d2d2 d2A2 G>FG>A|
%
[V:1] d4{e}z4 e3f agfe|fgab a4 efga b2ag|fedc dfeg a3b bagf|b2a2 a2g2 fd’c’d’f2e2|
[V:2] F4z4 c2d2 fedc|defg f2d2 cdef g2fe|dGFE FAde f3g gfed|g2f2 f3e d2ef d2c2|
%
[V:1] dfff feee eddd d2zA|Aggg gfff feee e2zA|Aaaa aggg gff2 zfge|edd2 zdec c2d2 z2ag|
[V:2] dAAA AGGG GFFF F2zA|Aeee eddd dccc c2zA|Afff feee edc2 zdBG|GFF2 zFGE G2F2 z2fe|
%
[V:1] gfff fffg feee eeef|eddd defg f2e>e e2z/a/b/c’/|d’4 c’2e’2 a3b/c’/ d’2f2|f4 e>de>f d6z2|]
[V:2] e^ddd ddde =dccc cccd|cBBB Bcde d2c>c c2z/A/B/c/|d4 B2e2 A3B/c/ d2d2|d2A2 G>FG>A F6z2|]

X:432
T:Valencienne’s Slow March.2voices RH.433
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:I had to add bar 19 of the primo, to get it
N:to fit the secundo part. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
V:1 name=”primo”
V:2 name=”secundo”
M:2/4
L:1/16
Q:1/4=80
K:D
[V:1] d4 e4|f3g a2d2|g2f2 e2d2|cdcB ABcA|
[V:2] F2d2 c2A2|d3e f2d2|B2A2 G2^G2|A4 A2G2|
%
[V:1] d4 e4|f3g a2d’2|d’c’ba c’ba^g|a2a>a a4||
[V:2] F2d2 c2A2|d2e2 f2d2|A2f2 d2e2|c2c>c c4||
%
[V:1] a2f2 a2f2|bagf g2e2|g2e2 g2e2|agfe f2A2|
[V:2] f2d2 f2d2|gfed e2A2|e2A2 e2A2|fedc d2AG|
%
[V:1] .d(dcd) .e(ede)|.f(fef) aad’a|aggf aggf|e2e>e e>AB>c|
[V:2] F2d2 c2A2|Adcd eede|f2f2 feed|c2c>c c>AGF|
%
[V:1] d4 e4|f3g a2d2|g2f2 e2d2|cdcB ABcA|
[V:2] F2d2 c2A2|d3e f2d2|B2A2 G2^G2|A4 A2G2|
%
[V:1] d4 e4|f3g a2d’2|agfe fedc|d2d>d d4:|
[V:2] F2d2 c2A2|d3e f2d2|fedc AGFE|F2F>F F4:|

X:434
T:Queen’s March,The. 2voices RH.435
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:I added the (presumably required) repeat
N:at the end of the second section. 1 also
N:added the 1st & 2nd time bars. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
V:1 name=”primo”
V:2 name=”secundo”
M:C
L:1/8
Q:2/4=75
K:D
[V:1]|:d’4 a4|f2d>d f2a2|d3d e3e|f2ed c2BA|d’2d’>d’ a2a>a|f2d>d f2a2|d2f>d a2g>f|e2e>e e2z2:|
[V:2]|:d4 A4|F2D>D F2A2|F2A4 c2|d2cB A2GA|d2d>d A2A>A|F2D>D F2A2|F2d>A f2e>d|c2c>c c2z2:|
%
[V:1]|:g3e dcBA|f2d2 f2d2|g3e c2BA|a2f2 a2f2|d4 e4|dcBA a3g|f2f>g e2e>f|d2d>d d2z2:|
[V:2]|:EAGA EAGA|d2F2 A2F2|e3c A2^GA|f2d2 f2d2|F2A2 G2A2|F2A2 F2A2|A2A>B G2G>A|F2F>FF2z2:|
%
[V:1]|:d4 f2a2|a6 a/g/f/e/|d2d2 e2e2|f>ef>g e4|d4 f2a2|a6 a/g/f/e/|dcBA B2c2|1 d2d>d d2z2:|2 d2d>d d2z||
[V:2]|:d4 d2f2|f6 f/e/d/c/|d2F2 A2c2|dcde c4|F4 d2f2|f6 f/e/d/c/|G6 G2|1 F2F>F F2z2:|2 F2F>F F2z||
%
[V:1] A|e3c A2A2|a3f e2zA|e2e>e dcBA|a3f d2zA|d4 f2a2|a4 agfe|dcBA B2c2|d2d>d d2z2|]
[V:2] F|GAGA GAGE|FAdA EAcA|E2E2 A4|FAdA F2z2|F4 d2f2|f4 cBAG|G6 G2|F2F>F F2z2|]

X:435
T:Dance in the Prior Claim. RH.436
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:D
f3 faf|d2a f2d|e3 efg|Bed cBA|\
f3 faf|d2a f2d|efg ABc|d3 d2z||!
fef def|gag fed|cde ABc|d2f a2g|\
fef def|gag fed|cde ABc|d3 D2z|]

X:436
T:Dark Tower,The.2voices RH.437
R:mixed air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
V:1 name=”primo”
V:2 name=”secundo”
M:2/4
L:1/8
Q:1/4=120
K:D
[V:1] ” Andante”a2aa|f2d2|e2a2|f2d2|b2a2|g2f2|e2fd|dcBA|
[V:2] ” Andante”f2ff|d2F2|GB Ac|dAdf|g2f2|e2d2|G2^G2|A2z2|
%
[V:1] a2aa|f2d2|e3a|f2d2|b2bb|ad’ c’/b/a/g/|f2e2|d3d/e/||
[V:2] e2ee|d2F2|GBAc|d2z2|g2gg|f2a/g/f/e/|d2A2|F2z2||
%
[V:1] [M:6/8][L:1/8][Q:3/8=120]”^Allegro”f2f fga|a2e e3|def fed|d3 d2d/e/|
[V:2] [M:6/8][L:1/8][Q:3/8=120]”^Allegro”D3 d3|c3 c3|B3 ^G3|A3 A2z|
%
[V:1] f2f fga|a2e e2d|ceA dB^G|A3 A2a|a^ga aga|faf dfd|
[V:2] D3 d3|c3 c2B|A2f D2E|A3 A2z|A3 ABc|d2A F2D|
%
[V:1] [M:2/4][L:1/8][Q:1/4=120]”^Andante”efe aba|f3 d3|b2b2|ad’ c’/b/a/g/|f2e2|d4|]
[V:2] [M:2/4][L:1/8][Q:1/4=120]”^Andante”G3 A2c|(d3 d3)|g2g2|f2a/g/f/e/|d2A2|F4|]

X:438
T:Rondo.2voices RH.439
R:rondo
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=100
K:D
[V:1] z|FDGD|FAFD|GFED|A2-AA|dfef|d2Af|edcB|A3||
[V:2] A|dfef|d2Ad|cdef|(f2e)A|FDGD|FAFd|cBA^G|A3||
%
[V:1] z|(A2A)A|(d2d)d|cded|d2cA|e/d/c/B/ AA|a/g/f/e/ dd|c>d B>d|(B2A)||
[V:2] A|e/d/c/B/ AA|g/f/e/d/ df|efgf|f2eA|A2AA|(d2d)c|A2^G2|(G2A)||
%
[V:1] z|FDGD|FAFD|GFED|A2- AA|dfef|dfA=c|Bgfe|(f2d)|]
[V:2] G|dfef|d2Ad|cdef|(f2e)A|FDGD|FDFD|GBAG|(G2F)|]

X:440
T:Welsh Air,A. RH.441
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=150
K:D
a>bag|e2de/f/|gfed|c2A2|\
Bcde|f2a2|gfe2|d4:|!
fgag|fgag|(fbag)|f2d2|\
efgf|efgf|(eagf)|e2d2|!
(df/)e/ dc|B2B2|(Bg/)f/ ed|d2cA|\
Bcde|f2a2|gfe2|d4|!
(df/)e/ dc|B2B2|Bg/f/ ed|d2cA|\
Bcde|f2a2|gfe2|d4|]

X:443
T:Haunted Tower,The. RH.444
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/16
Q:1/4=90
K:D
d2f2 a2f2|g2e2 e4|f2d2 d2f2|(f4 e4)|\
d2f2 a2f2|g2e2 e4|f2(fa) e2(ef)|d8||!
a2d’2 c’2d’2|(c’2b2) g4|g2b2 a2g2|\
(g4 f4)|a2d’2 c’2d’2|c’2b2 a4|agfe gfed|a8||!
” DC Var. 1st”\
(dB)(fd) (ba).g.f|(ag).f.g e4|\
(gf) .e.d (cd).e.d|(ef)(^df) e4|!
(dA) (fd) (ba).f.e|agfg e4|\
(f2-fg) (e2ef)|dfad’ d4||!
(ag) .f.e (df).a.d’|c’bd’ b bad’a|\
gfed cbag|g2fg fefg|!
agfe dfad’|c’bd’b a4|agfe gfed|a8|]

X:444
T:Madame Hillisberg’s Scotch Dance. RH.445
R:strathspey
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=60
K:D
F|D>EF>G A>BAF|D>FA>F Addf|\
D>EF>G A>BA>F|Ef (g/f/e/d/) (ce)ef|!
D>EF>G A>BA>F|D>FAF A<d fg|\
afdA Bga>g|g>fed cee||!
f|d>df>d a>ff>d|A>df>d a/g/f/e/ ef|\
d>df>d a>df>d|B>d B/A/G/F/ Eeef|!
d>df>d a>df>d|A>df>d b/a/g/f/ ef|\
d>fd>A B>dA>F|A>GF>E Ddd|]

X:446
T:Netley Abbey. RH.447
R:jig
C:by Wm.Shield,1794
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:From the Opera of the same name.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:A
E|A2c ecA|fdB Bcd|ecA AGA|cBA BGE|!
A2c ecA|fdB Bcd|ecA FBG|A3- A2||!
c|BGE EdB|cAc ecA|BGE EdB|cea A2c|!
BGE EdB|cAc ece|fga Bc^d|e3 fdB|]

X:452
T:Caledonian Hunt. RH.453
R:strathspey
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C|
L:1/8
Q:1/2=70
K:D
A|F<AdA B<dAF|G<BAF BEEG|\
FAdA BdAF|G<BAG FDDG|!
FAdA B<dAF|GBAF BEE>G|\
FAdA B/c/d AG|FAGD fdd||!
f|(d/e/f/g/) a<f b<ga<f|(d/e/f/g/) af geef|\
(d/e/f/g/) af bgaf|Aa (a/b/a/g/) f>dd>f|!
(d/e/f/g/) af bgaf|d/e/f/g/ af geeg|\
fdef dBAF|ABde fdd|]

X:453
T:How Sweet in the Woodlands.2voices RH.454
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/4
L:1/8
Q:3/4=50
K:G
[V:1]|:D2|G2(BA)(BA)|G2G2A2|B2(dc)(dc)|{c}B4 Bc|d2eded|cde2zc|B2dcdB|{B}A4:|
[V:2]|:z2|z6|z2z2D2|G2(BA)(BA)|{A}G4AA|B2cBcB|ABc2zA|G2BAAG|{G}D4:|
%
[V:1]|:B2|A2(AB)(AB)|c2c2dc|B2Bded|d4 B2|(A3/G/4A/4)G2c2|(B3/A/4B/4)A2fd|
[V:2]|:G2|D2D2DG|A2A2BA|G2GBcB|B4G2|D2B,2A2|(G3/F/4G/4)F2B2|
%
[V:1] c2B2d/c/B/A/|G4zd|e2c2zc|B2ABcd|(f/e/)(d/c/)B2A2|G4|]
[V:2] A2G2D2|B,4zB|c2A2zA|G2FGAB|cB/A/G2D2|B,4|]

X:455
T:Catch for Three Flutes.2voices RH.456
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/4
L:1/8
Q:3/4=40
K:G
[V:1] (d>e) d2c2|B3cd2|(E>G)c2B2|(B2A2)d2|
[V:2] B>c BG AF|G3AB2|(c>B)A2G2|(^G2FA) GB|
[V:3] G2G2D2|G4G2|cEF2G2|D4E2|
%
[V:1] (d2^c2)=c2|(d2B2)G>B|A>GF3G|G6|]
[V:2] E2A2A2|A>FG2d2|c>BA3G|G6|]
[V:3] A4F2|G4B2|cC2D2C|G6|]

X:457
T:Honey Moon,The. RH.457.5
R:reel
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:457.5?
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:2/4=90
K:D
Addd|dffa|gfed|ceA2|Addd|dffa|gfge|d2d2||!
dAA2|B>dd2|AFED|D>EE2|d>AA2|Bcde|f>ge>f|d2d2|]

X:463
T:Lorny?Mr. Wotten. RH.463
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=80
K:D
d3 f2z|ede fd>B|A>Bc d2b|a>gf e2d|!
d3 f2z|ede fd>B|A>Bc d2b|a>gf e2d||!
f>ga a>bc’|bgb afd|f>ga a>bc’|b>c’a d’2z|!
d>ef d’c’b|aa/g/g/f/ fed|dAd dAd|dgf edc|]

X:465
T:Gramachree Molly. RH.465
R:mush
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:There is a penchant in certain parts of Britain for
N:adding pointless complications to the degree that
N:the confection loses all musical value. PJHeadford.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/16
Q:2/4=40
K:G
G4 g4|d3ed3c e3fg3e|d3BA3B G4z2d2|\
g3fg2a2 d2f2e2d2|e3dg3B d6d2|\
g3fg3f g2f2e2d2|e2d2c2B2 e6f2|\
g3fe3d e2f2g2{ab}e2|d2B2A3B G4:|
G4|”Var 1″d>^cd>e dBAG e>de>f agfe|dgBd dcBA G4z2d2|\
g>fg>a gaba g2f2e2d2|edef gBc^cd6d2|
gfga gaba gGfG eGfG|eGdG cGBG (e4e)gfa|\
g3fe3d e2e/g/f/a/ g3{ab}e|d3BA3B G4||
G4|”Var 2″.d2 (B/c/B/c/) .d2 ((3dBG) .e2 c/d/c/d/ .e2 ((3gfe)|\
((6dgbd’bg) ((6dedcBA) G4z2d2|g2 ((3gba) g2g2 .g2.f2.e2.d2|\
((3ece) ((3geg) ((3c’ba) ((3gfe) d6f2|
g2G2 ((3GBd) ((3gba) .g2.f2.e2.d2|.e2.d2.c2.B2e4z2f2|\
g3fe3d e2 c’af g2{ab}e2|d3BA3B G4||
G4|”Var 3″d2B/c/B/c/ d/g/f/g/ a/g/f/g/\
e2 c/d/c/d/ e/f/e/f/ a/g/f/e/|\
dd’bg (d/g/f/e/ d/c/B/A/)G4z2d2|
g/(G/A/B/ c/d/e/f/ g/a/b/a/) gg \
g2f2e2d2|e/^c/e/f/ ef g/a/b/a/ gB d6f2|
g/G/G/G/ (G/A/B/c/ d/e/f/g/) ag2f2e2d-|\
de2d2c2Be4z/(G/A/B/ c/d/e/f/)|!
g3fe3d (e/c/d/e/ f/g/a/b/) c’3e|d3BA3B G4||
dc|”Var 4″BGBd gdBG eceg c’gfe|dgBd dcBA G4z2d2|\
.g(GG)(g g)(GG)g g3ab3a gfed|efgf edcB d4zdfa|
gd.d2 ad.d2 Gg2f Ge2d|Ge2d Gc2B(e4e)gfa|\
g3fe3d e2f2 g3{ab}e|d3BA3B G4|]

X:472
T:Miss Charlotte Stirling’s Jig. RH.472
T:Lads Of Dunse,aka. RH.472
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:D
B|AFD DFD|AFA d2B|AFD DFD|EcB A2B|\
AFD DFD|AFA d2A|BdB cec|d2d d2:|!
g|faf d2f|gbg e2g|faf d2f|ecA A2g|\
faf d2f|gbg e2g|fdf ece|d2d d2||!
g|faf d2f|gbg e2g|faf d2f|ecA A2g|\
faf def|gbg efg|faf gec|d2dd2|]

X:475
T:Within a Mile of Edinburgh. RH.475
R:strathspey
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=80
K:D
(f>g)|(a<f) (e>f).d2(f<d)|(B<d) (AF)A2(d>e)|\
f<a (b<d’) (a<f) (de/f/)|(f2e2)d2(f>g)|!
(a<f) (e>f)d2(f>d)|(B<d) (A>F)A2(d>e)|\
(f<a) (b<d’) a<f (e>{edcd}f/)|d4z4|!
(d>e)(f>g) (af)d’2|(d>e)(f>g) (a>f) d’d|\
(d>edB) (AF) (A>d)|!
(fd)(fa)b2d’c’/b/|(a<f)(f<d) (B<d) (A<d)|\
(f<a) (e>{edcd}f/)d2|]

X:482
T:Gloomy Winter’s Night,The. RH.482
T:Theme from The Piano! RH.482
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C|
L:1/8
Q:1/4=100
K:Dm
d>d d>e d>c A2|f>f f>a g>f e2|\
d>d a>d d>c A>F|G>G”sic” A2 ^c>d D D||!
F>F F>A G>FE2|FE D>F EAA2|\
f>f f>a g>f f>g|f>d f/e/d/c/ Add2|!
f>f bf e>f g2|f>e d>f e>g g2|\
A>c c/A/c/B/ Ad dg|fe f/e/d/c/ A>d d2|]

X:483
T:Rondo.2voices. RH.483
R:rondo
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
V:1 name=”primo”
V:2 name=”secundo”
M:6/8
L:1/8
Q:3/8=100
K:D
[V:1] A|A>BA (Adf)|g3 e2g|fad edc|d3- d2f|(ec).A d2f|(ecA) d2(f/e/)|Bcd cdB|F3 E2z|
[V:2] z|F3 D3|C3- C2A|D2F A2A|dAF D2z|zG2 FED|C2G FED|G2G FGE|D3 D2A|
%
[V:1] F3 D3|C3- C2A|DFG A2A|dAF D2z|z2G FED|G2G FED|G3 A3|dAF D2||
[V:2] A>BA Adf|g3 e2g|(fdB) (ABc)|d3- d2A|(BGd) A2A|(BGd) A2A|Bge cec|ddd d2||
%
[V:1] A|d3 A/B/A/G/F/E/|Ddd dAd|eee ece|f3 g3|a3 (e/f/e/d/c/B/)|AAA AEA|c6|e6|
[V:2] A|D3 F/G/F/E/D/C/|DDD DFD|CCC CAC|DDD DB,D|A3 E/F/E/D/C/B/|A,2z z2z|AAA AEA|ccc cAE|
%
[V:1] acd efe|dBB B2d|cea c>dB|A3- A2||B3 dcB|f3 cde|dcB dcB|ABc F3|B3 dcB|f3 cde|dcB BcA|(B3 B2)z|
[V:2] CAB cdc|BGG G2B|A2C E2E|AEC B,2||B,3 DCB,|F3 ABc|B3 B,3|F3 F3|B,3 DCB,|F3 ABc|B3 F2F|B,DF B,2z|
%
[V:1] A3 ABc|d2d dcB|AGB AGF|E2E EFG|A3 ABc|d2d ede|f2d B2e|(d3 c)AA|^ABB zcc|edd zee|fAG FED|A3- A2|]
[V:2] F3 (FGA)|B2B BAG|FDG FED|C2C CDE|F3 E3|D3 C3|D3 G3|A3 A3|G3 G3|F3 C3|dAG FED|A,3 A,2|]

X:484
T:My Lady. RH.484
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:marked “..for the German Flute.”
N:I have not corrected the tune for leading notes. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=100
K:D
A|d3f|e3g|fg a/g/f/e/|dddA|\
d3f|e3g|fa a/g/f/e/|d3z:|!
|:zafa|zbgb|zgeg|zafa|\
zd’af|zbge|zfgf|ddd2:|!
|:A2FG|AAAA|gzez|fzdz|\
c4|d4|bagf|eee2:|!
|:g4|f4|ggge|fffd|\
bbbg|ad’bg|fdec|ddd2:|!
|:A|dd/e/ df|ee/g/ eg|fa a/g/f/e/|dd d3/z/:|\
|:Aafa|Bbgb|!
Ggeg|Aafa|\
Fd’af|Gbgf|Afge|ddd3/z/:|!
|:A2FG|A2AA|geed|fddd|\
c2ce|d2da|bagf|f2e:|!
|:f|gg/b/ ge|ff/a/ fd|gg/b/ ge|ff/a/ fd|\
b2bg|ad’bg|f2ge|ddd2:|

X:486
T:O Nanny Wilt Thou Fly With Me. RH.486
R:march
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=50
K:G
B>c|d>fed d2B>c|d>edB A2dF|\
G2G2 G3B|Aedc B2B>c|\
d>efe d2 B>c|d>edB A2dF|\
G2G2G3B|AedcB3d||!
g>ab>b afzd|e>fgg bdzd|\
b2(a/g/f/e/)a2bg|f2e2d2zd|\
(e>fgg) fdzB|(c>dee) dBzG|\
c2BA B (g2d)|cBAG d4||!
e>fgg fdzB|c>dee dBzG|\
c2(B/A/) Bg2(f/e/)|(e/d/c/B/) d/c/B/A/G2zd|!
d/^c/d/e/ d=c Bgzd|d/^c/d/e/ d=c Bgzd|\
d/e/f/g/ a/b/c’/d’/ b/g/ze/c/z|B2A2G2|]

X:488
T:Scottie Cam O’er The Border,with variations. RH.488
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:I added bar 54. You can smother any
N:tune, if you use enough notes. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/16
Q:3/8=100
K:D
D6 F4A2|d3efe d4A2|B2d2B2 B4b2|b2a2f2 e4d2|\
D6 F4A2|d3efe d4A2|B2d2B2 A2F2A2|B2d2F2 E4D2:|!
|:d2f2a2 a2f2a2|b2a2f2 e4d2|d2f2a2 b2c’2d’2|d3ef2 e4d2|\
d2f2a2 a2f2a2|b2a2f2 e4d2|d2B2B2 A2F2A2|B2d2F2 E4D2:|!
|:D6 F4A2|defedc BAGFED|E6 G4B2|efgfed cBAGFE|\
F2D2F2 A2F2A2|d2A2d2 f2d2f2|a2f2a2 {^a}b2agfe|d6 c4z2|!
D6 F4A2|d4z2 z4z2|E6 G4B2|e4z2 z4z2|\
D2F2A2 d2f2a2|d’2e’2d’2 d’2a2f2|!
e2g2b2 b2a2c2|d2fdaf d’afafd|\
ceaec’a e’c’agec|dfdaf d’afafd|!
ceaec’a e’c’afec|d’e’f’e’d’c’ bc’d’c’ba|\
gabagf efgfed|cdedcB ABAFGE||!
a4f2 d2d’2c’2|c’2b2a2 a2g2f2|\
f2e2f2 {^a} b2agfe|d6 c4a2|\
a4f2 d2d’2c’2|c’2b2a2 a2g2f2|\
e2g2b2 b2a2e2|e6 d4a2|!
a4f2 d2d’2c’2|c’2b2a2 a2g2f2|\
f2e2f2 {^a}b2agfe|d6 c4a2|\
a4f2 d2d’2c’2|c’2b2a2 a2g2f2|\
e2g2b2 b2a2c2|e6 d4z2||!
|:d2Adf2 adfad’2|d’e’f’e’d’c’ bagfed|\
e2de2a2 c’aeac’2|e’d’c’d’e’f’ e’c’agec:|!
fad’afa gaeaga|fad’afa gaeafa|\
bc’d’c’ba gabagf|efgfed cBAGFE||!
a2f2d2 d’2b2g2|a2f2d2 c2e2g2|\
f2a2d’2 b2g2e2|d6 {e2d}c4a2|!
a2f2d2 c2e2g2|f2a2d2 e2a2c2|e6 d4z2||\
dAfAdA eAgAdA|fAgAfA eAfAeA||!
fdAFDF Adfad’a|fad’afa dfafdf|\
Adfdcd FAdAFA|DFAFDF DDFAdf|!
e6 f2gfagfe|dcdB ABAG FGFE|\
D6 F4A2|d3efe d4A2|B2d2B2 B4b2|b2a2f2 e4d2||!
D6 F4A2|d3efe d4A2|B2d2B2 A2F2A2|B2d2F2 E4D2|\
b2d’2f2 e4d2|b2d’2f2 e4d2|\
d’2d’d’d’2 b2bbb2|a2f2d2 e4d2|]

X:490
T:Kildenny Willy. RH.490
T:Hexham Races,aka. RH.490
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=120
K:G
“_No key Sig in MS”B|GBd gdB|d>ed d2B|GBd gdB|A>BA A2B|\
GBd gdB|def gfe|ded cBA|GAG G2||!
b/a/|g2d edB|d>ed d2b/a/|g2d edB|A>BA A2b/a/|\
g2d edB|def gfe|ded cBA|G>AG G2|]

X:495
T:Highland Laddie,The. RH.495
R:jig march
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:The MS has a leading D. PJH.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=100
K:D
(D>E)D (F>GF)|A>BA {de}f2d|\
dAF (G>AB)|(A>G)F F>ED|!
(D>E)D A>BA|(d>e)d {fg}a2d|\
(f>d)A (B>c)d|A>BAF2D:|!
|:F2G Ad2|(f>ed) eAA|\
FAf{f} e2d|c2d eAA|!
F2d{d} c2B|A2{e/f/} gf2e|\
(f>e)d B>cd|A>BA FD2|]

X:496
T:Soldier’s Dream,The. RH.496
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:in a slightly different hand?
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C|
L:1/4
Q:2/4=90
K:Am
” As Writ”E2|G2(AB)|(cB)(cd)|e2e>e|e4|\
e2fe|(dc)dc|BAB2|E3E|E2||!
E2|(AB)(cA)|(Bc)(dB)|e2e>e|e4|\
|c>d|(ea3)|(g/f/) (e/d/) (c/A/)|(Bd)c2|A3A|A4||!
(ef)|(gf)(ga)|(gf)(eg)|(ag)(fe)|e4|\
|(c>d)e2|ee(fe)|(dc)A2|e3e|e4||!
E3|(AB)(cA)|(Bc)(dc)|e2e>e|e4|\
|(c>d)|ea3|(g/f/) (e/d/) (c/A/)|(Bd)B2|A3A|A4|]

X:498
T:Cumberland Rangers Troop,The. RH.498
R:jig march
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/8
L:1/8
Q:3/8=80
K:G
G>B A/F/|G>B A/F/|GGA|Bdg|\
G>B A/F/|G>B A/F/|DEF|G3:|!
” F”g2g|gfe|edc|B/A/B/c/d|\
g2g|gfe|edc|B/c/d/”$”B/c/A/||!
” P”.B.B.B|B>cd|edc|B/c/d/e/f/g/|\
BBB|B>cd|edc|B/c/d/” DC”B/c/A/|]

X:499
T:Cumberland Militia Quick Step,The. RH.499
R:jig
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=100
K:G
B/c/|d>ed def|g>ag gfe|d>ed dcB|BAA A2B/c/|\
d>ed def|g>ag gfe|d>ed cBA|G>AG A2:|!
” F”b|a2f d2d|b2g d2d|d>ed c>dc|B>cB A2b|\
a2fd2a|b2gd2b|abg fge|dec”$”B2||!
A|G>GG G2A|B3 G2A|B>BB B2c|d3 B2c|\
d2g e2a|f2a g2c’|b>ag g>fe|e>dc ” DC”B2|]

X:504
T:Love Waltz,The. RH.504
R:Waltz
S:Rev.R.Harrison’s MS,c1815,Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/8
L:1/16
Q:3/8=50
K:G
dg|b2b2a2|{a}g4e2|d>edBge|d>edBdg|\
b2b2a2|g4e2|d>edcBA|G4:|!
A2|B>cB2A2|G>AG2B2|d>edBge|e2{fe}d2 G2|\
B>cBBAA|G>AGABc|dbagfe|{e}d4||!
b2|{b}c’4a2|fa/f/ d2c2|Bddgg2|dggbb2|\
c’2c’2e’2|b2b2d’2|gbagfe|{e}e4||!
B>G|G2G2A2|B4c2|d>edced|d>edcBA|\
G2G2A2|B4d2|degfed|d4|]

X:508
T:Old English Gentleman. RH.508
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:Music Hall? Possibly a different hand.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:C
L:1/8
Q:2/4=60
K:G
” Andante”G|GG/G/ GG G2zF/G/|AG/G/ FG A2AA|\
AAAA AAAA|BAGA B2zB/B/|!
BBBB BBBB|c>B AB czcc|\
cccc cccc|d”sic”cBc dd2||!
M:6/8
GG|G2g f2e|e2d d2d|{d}c2B {B}G2G|G3 G2|]

X:510
T:Buy a Broom. RH.510
T:Lieber Augustine,aka. RH.510
T:I’m A Little Dutch Girl,aka. RH.510
R:Waltz
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:marked in different hand “aka Lieber Augustine,
N:I’m A Little Dutch Girl”. It’s a polka. PJH.(?CGP)
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:3/4
L:1/8
Q:3/4=60
K:D
.a2(abag)|”sic”(e2d2).d2|(e2A2)A2|(fedefg)|\
.a2(abag)|(f2d2).d2|(e2A2).A2|d4z2||!
(e2A2).A2|(f2d2).d2|(e2A2).A2|(fedefg)|\
.a2(abag)|(f2d2).d2|(e2A2).A2|d4z2|]

X:511
T:When a Man’s a Little Bit Poorly. RH.511
T:Bab At The Bowster,aka. RH.511
T:Country Bumpkin,aka. RH.511
R:air
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:in a different hand – Country Bumpkin, Bab At The Bowster, aka
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
Q:3/8=100
K:G
c2c B2B|ABG FED|(G2B) .B2z|(G2B) .B2z|!
c2c B>BB|(A2G) FED|g>gd e>dc|B2A G2z||!
B2d ded|(BAG) d2A|B2G d2c|(BAG) d2z|!
(gd).d ddc|(BAG) d2d|(dA).G B2G|FGE D2z|!
c2c B2B|(ABG) (FED)|(G2B) .B2z|G2B B2z|!
c2c BBB|A2G (FED)|g2d/d/ (edc)|(Bc).A G2z|]

X:512
T:Annan Polka.(incomplete) The RH.512
R:Polka
S:Rev.R.Harrison’s MS,c1815,Cumbria
N:In a different hand “by Strauss” (hand 3).
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:2/4
L:1/8
Q:1/4=120
K:Eb
GeGe|]
W:”that’s all, folks”

X:514
T:Hungarian Schottische.2voices RH.514
T:Girl with a Blue Dress on,The,aka. RH.514
R:schottishe
S:Rev.R.Harrison’s MS,c1815,Cumbria
C:In hand 3.
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
V:1 name=”primo”
V:2 name=”secundo”
M:2/4
L:1/16
Q:1/4=100
K:C
[V:1]|:g2((3gag) f2d2|e2c2 cBce|d2B2 BABd|e2c2 cBce|
[V:2]|:G,4G,4|C2C2C4|G,2G,2G,4|C,2C,2C,4|
%
[V:1] g2((3gag) f2d2|e2c2 cBce|d2B2 BABd|c2c2 “qu”c4:|
[V:2] G,4G,4|C2C2C4|G,2G,2 G,,2G,,2|C,2C,2 C,4:|
%
[V:1]|:c2((3ceg) c’2b2|c’aa^g a4|B2((3Bdf) b2a2|agg^f g4|
[V:2]|:C,2C,2 C,4|F,2F,2F,4|G,2G,2G,4|C2C2C4|
%
[V:1] c2((3ceg) c’2b2|c’aa^g a4|B2((3Bdf) a2B2|c2c2 “qu”c4:|
[V:2] C,2C,2 C,4|F,2F,2F,4|G,2G,2 G,,2G,,2|C,2C,2 C,4:|

X:515
T:Schottische.2voices. RH.515
T:Original Schottische,The,aka.2voices. RH.515
T:Linhope Lope,aka.2voices. RH.515
R:Schottische
S:Rev.R.Harrison’s MS,c1815,Cumbria
C:In a different hand
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
V:1 clef=treble
V:2 clef=bass
M:2/4
L:1/16
Q:1/4=70
K:F
[V:1] AB|c2a2 B2g2|A2f2- f(cAF)|E2d2- d(cBG)|FAGB AcBd|
[V:2] z2|F,2[A,2C2]C,2[E,2B,2]|F,2[F,2A,2C2][F,2A,2C2]z2|\
C,2[C,2E,2B,2][C,2E,2B,2]z2|F,2[F,2A,2C2][F,2A,2C2]z2|
%
[V:1] .c2.a2 .B2.g2|A2f2 (fcAF)|E2d2 dcBG|G2F2 F2Hz2||
[V:2] F,2[A,2C2]C,2[E,2B,2]|F,2[F,2A,2C2][F,2A,2C2]z2|\
C,2[C,2E,2B,2][C,2E,2B,2]z2|[C,2E,2B,2][F,2A,2] [F,2A,2]Hz2||
%
[V:1] .F2.G.A .B.c.d.e|.f2.A2 (BA^GA)|.d2.G2 AG^FG|.c2.E2 (FE^DE)|
[V:2] F,2[A,2C2][A,2C2]z2|F,2[A,2C2][A,2C2]z2|B,,2[D,2G,2][D,2G,2]z2|\
C,2[E,2B,2][E,2B,2]z2|
%
[V:1] .F2.G.A .B.c.d.e|.f2.A2 (BA^GA)|.d2.G2 {A}G^FGA|.G2.F2.F2|]
[V:2] F,2[A,2C2][A,2C2]z2|F,2[A,2C2][A,2C2]z2|\
B,,2[E,2G,2]C,2[E,2B,2]|[C,2E,2B,2][F,2A,2][F,2A,2]|]