X: 1
T:Prelude by Dean(01). TBe.001
M:4/4
L:1/16
Q:200
C:Mr. Thomas Dean.
S:Thomas Bennet MS,1718, VWML
R:misc.
O:England
H:1718

Z:vmp.C. Graebe..

K:G minor
"Gamut flat=Gminor.No time sig." A4B4d4A4 |\
 B4G4g4d4 | e4c4a4=e4 | ^f4d4 gfec ABcA |!
dcBA GABG cdec ABcA | abag ^f=efd gabg cdec |!
fgaf BcdB efge ABcA | d2A2 B2G2 g2d2 e2c2 |!
a=e^fg fefd gdec dABG |\
 Dg^fg aga=e g6 f2 |g2G2B2d2 g8 ||

X: 2
T:Prelude by Dean(02). TBe.002
M:4/4
L:1/8
Q:150
C:Mr. Thomas Dean
S:Thomas Bennet MS,1718, VWML
R:misc.
O:England
N:1 - two more or less horizontal dashes over the note - like a

N:slightly slanted equal sign, meaning a "Backfall"..see Playford...

H:1718

Z:vmp.C. Graebe..

K:G Major
"Gamut sharp=G major.No time sig."\
G2B2d2B2 | g2d2e2B2 |\
 c2A2d2A2 | B2G2gfed |!
cBcA dedc | BABG ceae |\
 ^cafd gdeB | ^ceac gb dg |!
Bd GB DG B,D | G,gfg "=NB"g3 f | gGBd  g4 ||

X: 3
T:Prelude by Dean(03). TBe.003
M:4/4
L:1/16
Q:200
C:Mr. Thomas Dean
S:Thomas Bennet MS,1718, VWML
R:misc.
O:England
N:

H:1718

Z:C, Graebe

K:A minor
"Are natural=A minor.No time sig."\
A4B4c4A4 | ^G4B4e4B4 | c4A4a4e4 | ^d4B4b4^f4 |!
^g4e4 E2F2G2E2 | e2E2G2E2 A2B2c2A2 | a2A2c2A2 B2A2^G2E2 |!
a2g2f2d2 g2f2e2c2 | f2e2d2B2 e2d2c2A2 | d2c2B2G2 c2B2A2F2 |!
B2A2^G2E2 agfd gfec | fedB edcA dcBG cBAF |!
agfe defd gfed cdec | fedc BcdB edcB ABcA |!
BcBA ^G^FGE ABcA BcdB |\ 
cdec defd efge fgaf |! 
^g6 ^fg a2A2c2e2 | a8 ||

X: 4
T:Prelude by Dean(04). TBe.004
M:4/4
L:1/16
Q:200
C:Mr. Thomas Dean
S:Thomas Bennet MS,1718, VWML
R:misc.
O:England
N:Key signature shows F and G sharp in higher and lower octaves.

H:1718

Z:vmp.C. Graebe..

K:A major
"Are sharp=A mojor.No time sig."\
A4c4e4B4 | g4e4a4e4 | f4e4c4A4 |\
 e2(EF)G2E2 A2B2c2A2 |!
a2(AB) c2A2 e2f2g2e2 | b2(Bc) ^d2B2 "s/q's in ms"e2f2g2e2 |\
BcBA GAGE ceag aeag |!
 fedc Bdgf gdgf edcB |Acfe fcfe dcBA GBed |!
 eBed cBAG ceae ceae |^dgbf dfbf egbg egbg |!
 ceae ceae aAcA eEGE | \
z2B2 =(c2B2) z2B2 =(c2B2) | A2,A2C2E2 A8 ||

X: 5
T:Prelude by Dean(05). TBe.005
M:4/4
L:1/8
Q:180
C:Mr. Thomas Dean
S:Thomas Bennet MS,1718, VWML
R:misc.
O:England
N:Heading 'Bmi Flat' The other prelude on the page is 'Bmi Sharp'

N:(TBe.006).  This appears to be Bb major, and  TBe.006, 'Bmi

N:sharp' appears to be B major.   There also appears to be  very little

N:difference between commas , and full stops . in this typeface.

H:1718

Z:vmp.C. Graebe..

K:BB major
"Bmi flat.see notes.No time sig."\
B2F2D2B,2 | DFBD EGEC | EGcG AcAF |\
Bd GB ce Ac | df Be eg AF |!
 fb df zc _(dc) |\
AFzc _(dc) AF | "d flat in ms"dc fb df Bd | BB,DF B2 ||

X: 6
T:Prelude by Dean(06). TBe.006
M:4/4
L:1/8
Q:120
C:Mr. Thomas Dean
S:Thomas Bennet MS,1718, VWML
R:misc.
O:England
N:Heading is 'Bmi Sharp'.  With all the accidentals it appears to be in

N:B major, but I have left the key signature and accidentals as shown, as

N:otherwise I have to put a lot of naturals in and it is better to leave

N:it as it is.

H:1718

Z:vmp.C. Graebe..

K:D major
"Bmi sharp.see notes.No time sig."\
B2c2d2B2 | f2^g2a2b2 | ba^gf edcB |\
^Acfc dfgd |!
 eG cB ^Acfe | ^db dB d/f/b/f/ d/f/b/f/ |\
gdec ^AF^DF | BB,DF B4 ||

X: 7
T:Prelude by Dean(07). TBe.007
M:4/4
L:1/16
Q:200
C:Mr. Thomas Dean
S:Thomas Bennet MS,1718, VWML
R:misc.
O:England
H:1718

Z:vmp.C. Graebe..

K:C Major
"C faut natural= Cmaj.No time sig"\
c4e4g4e4 | B4d4g4B4 | A4c4f4A4 |!
 c2e2g2e2 a2g2f2e2 |\
 g2f2e2c2 f2e2d2B2 |e2d2c2A2 d2c2B2G2 |!
 agfe defd gfed cdec | fedc BcdB edcB ABcA |!
dcBA GABG cege cege | c2C2E2G2 c8 ||

X: 8
T:Prelude by Dean(08). TBe.008
M:4/4
L:1/8
Q:200
C:Mr. Thomas Dean
S:Thomas Bennet MS,1718, VWML
R:misc.
O:England
H:1718

Z:vmp.C. Graebe..

K:C minor
c2d2e2c2 | g2d2e2c2 | ^F2A2d2A2 | B2G2g2d2 |!
e2c2 cGAF | agfd gfec | fedB cege |!
 BdgB AcfA |^FAdA gdec | CDEC GG,B,G, |!
 ccec gGBG | gdec dABA | cCEG c4 ||

X: 9
T:Prelude by Dean(09). TBe.009
M:4/4
L:1/16
Q:200
C:Mr.  Thomas Dean
S:Thomas Bennet MS,1718, VWML
R:misc.
O:England
N:

H:1718

Z:C. Graeb

K:D minor
"D solre natural=Dmin.No time sig"\
d4f4a4f4 | b4g4f4d4 | dfaf dfaf ^ceae^ceae |!
dfbf dfbf  DFAF DFAF | agfe defd gfed cdec |!
fedc BcdB edcB ABcA | dcBA GABG cBAG FGAF |!
dfaf ^ceae dfaf ^ceae | d2D2F2A2 d8 ||

X: 10
T:Prelude by Dean(10). TBe.010
M:4/4
L:1/16
Q:200
C:Mr. Thomas Dean
S:Thomas Bennet MS,1718, VWML
R:misc.
O:England
N:Key signature has F# in both octaves...

H:1718

Z:vmp.C. Graebe..

K:D major
"Dsolre sharp=Dmaj,No time sig."\
d4f4a4f4 | c4e4a4e4 | d2f2a2f2 c2e2a2e2|\
 a2g2f2d2 d2f2a2f2 |!
F2A2F2D2 ceag aeag | fedc Bdgf gdgf edcB |! 
dfaf ceae dfaf ceae | d2D2F2A2 d8 ||

X: 11
T:Prelude by Dean(11). TBe.011
M:4/4
L:1/16
Q:200
C:Mr. Thomas Dean
S:Thomas Bennet MS,1718, VWMLt
R:misc.
O:England
H:1718

Z:vmp.C. Graebe..

K:E minor
E4F4G4E4 | e4B4G4E4 | b2f2g2e2 f2e2^d2B2 |\
 e2B2c2A2 B2F2G2E2 |!
fgfe ^d^cdc efed cBcA |!
 BcBA GFGE ^d6 cd | e2E2G2B2 e8 ||

X: 12
T:Prelude by Dean(12). TBe.012
M:4/4
L:1/16
Q:200
C:Mr. Thomas Dean
S:Thomas Bennet MS,1718, VWML
R:misc.
O:England
N:Key signature is shown as 3 sharps - F,C and G, and every D has an

N:accidental sharp, so I have shown the key signature in the conventional

N:way...

H:1718

Z:vmp.C. Graebe..

K:E major
"NB re key"e4B4G4E4 | f2g2f2e2 d2c2d2B2 |\
 e2f2e2d2 c2B2c2A2 | e2g2b2e2 d2f2b2f2 | !
b2f2g2e2 G2F2G2E2 | egbg dfbf egbg dfbf | egbg egbg E8 ||

X: 13
T:Prelude by Dean(13). TBe.013
M:4/4
L:1/16
Q:200
C:Mr. Thomas Dean
S:Thomas Bennet MS,1718, VWMLt
R:misc.
O:England
H:1718

Z:vmp.C. Graebe..

K:F major
F4A4c4A4 | f4c4a4f4 | A2B2c2A2 F2G2A2F2 |\
 B2c2d2B2 G2A2B2G2 |!
g2a2g2f2 e2d2e2c2 |fefc dcdB BABG AcAF |!
 agfe defd gfed cdec | f2F2A2c2 f8 ||

X: 14
T:Prelude by Dean(14). TBe.014
M:4/4
L:1/8
Q:180
C:Mr. Thomas Dean
S:Thomas Bennet MS,1718, VWMLt
R:misc.
O:England
N:F minor has 4 flats, B,E,A, and D.  Key signature is shown as two

N:flats and multiple accidentals, so transcribed as shown, except that

N:(relative) sharps in the MS are shown as (absolute) naturals.  See

N:notes. The word 'Finis' is written at the end.

H:1718

Z:vmp.C. Graebe..

K:BB major
f2c2_A2F2 | c2f2=e2_a2 | g2d2e2=B2 |!
 c2d2=e2c2 | fc_dB cG_AF |bfgd =ecfc |!
 cfec cG_AF | (_d2c2)(f2c2) | (_d2=E2) F8 ||

X: 15
T:Tom Tinker's My True Love,aka. TBe.015
M:3/4
L:1/8
Q:140
C:titled only "Minuett" in MS
S:Thomas Bennet MS,1718, VWML
R:Minuet
O:England
N:Title supplied in margin in F.Kidson's hand..

H:1718

Z:vmp.C. Graebe..

K:G major
d3 efd | g2d2d2 | B2G2G2 | G4 D2 |\
 GFGABc | d4 A2 | F2D2D2 | D6 ||!
B3 cBA | G2E2E2 | BABcBA | G2E2E2 |\
 c3 d c2 | B2e2A2 | A4G2 | G6 ||

X: 16
T:Minuet,A. TBe.016
M:3/4
L:1/8
Q:140
S:Thomas Bennet MS,1718, VWML
R:Minuet
O:England
H:1718
Z:vmp.C. Graebe..
K:G major
d2d2d2 | d2 edcB | c2B2A2 | B2G2d2 |!
 g2 fe d2 |d2e2^c2 | d2 cBAG | F2 G4 ||!
d2d2d2 | B2B2B2 | cBAG D2 |GABc d2 |!
e2f2g2 | gfedcB | AG F3 G | G6 ||

X: 17
T:Bass Minuet. TBe.017
M:3/4
L:1/4
Q:80
S:Thomas Bennet MS,1718, VWML
R:Minuett
O:England
N:This is titled "Bass Minuet" but is written in the treble clef and it

N:is not clear to which, if any of the minuet, this is the bass.

H:1718

Z:vmp.C. Graebe..

K:F major
C | F/E/F/G/ F | C F2 | GAB | A d/c/ d |\
 c F2 | B B,A, | G,GE | F3 ||!
c | f/e/f/g/f/g/ | ea2 | d b/a/ b | g c'2 |\
 dbd | ca2 | d g/f/g/e/ f3 ||

X: 18
T:Bass Rigadoon. TBe.018
M:6/8
L:1/8
Q:80
S:Thomas Bennet MS,1718, VWML
R:Rigadoon
O:England
H:1718
Z:vmp.C. Graebe..
K:F Major
c | A>GA B2 B, | c2C d2D | e>de fAB | c2CF2 ||\
g/f/ | e>de f2F |!
 g2G a2A | a>ga b2a | g>ag/f/ e>dc |\
def f2e | f3-f2 ||

X: 19
T:Minuet. TBe.019
M:3/4
L:1/8
Q:160
S:Thomas Bennet MS,1718, VWML
R:minuet
O:England
H:1718

Z:vmp.C. Graebe..

K:A major
cec | A2E2C2 | A,4 a2 | g2e2g2 | a4 e2 | \
cecece | F4 d2 |!
 BdBdBd | E3 faf | \
g2e2g2 | f2b2e2 | f2^d4 | e3 :||:!
gbg | e2B2G2 | E4 b2 | gbgbgb | c4 a2 |\
faf afa | B3 faf |!
 gegege | f2b2e2 | f2 ^d4 |\
e3 cec | ececec | F3 BdB |!
 dBdBdB | \
E3 cec | d2f2d2 | e2a2c2 | B2 G4 |\
A3 ag2 |!
 f2e2d2 | c3Bc2 | d2 B4 | A6 ||

X: 20
T:Minuet. TBe.020
M:3/4
L:1/8
Q:120
S:Thomas Bennet MS,1718, VWML
R:minuet
O:England
H:1718
Z:vmp.C. Graebe..
K:F major
c2d4 | c6 | B2 (cB)AG | ABAG F2 | \
c2f2c2 | AB c2c2 | dcBAGF | E6 ||!
g2a4 | g6 | f2 (gf)ed | efed c2 | \
f2 _e4 | d3 c B2 | AB G3 F | F6 ||

X: 21
T:Gavot. TBe.021
M:2/2
L:1/8
Q:120
S:Thomas Bennet MS,1718, VWML
R:Gavot
O:England
H:1718
Z:vmp.C. Graebe..
K:D minor
F2c2A2d2 | c2f2e2c2 | fefc dgfg | efge f4 |!
a2z2g2z2 | f2z2e2z2 | fedc =B2 c2 | "="c3"#"=B c4 ||!
c2g2e2a2 | g2 fe f4 | fgef dfef | "+"f2 (ed) d4 |!
d2 (d/e/f) B2d2 | e2 e/f/g) c2 e2 |\
 "+"f2 (f/g/a) d2 g2 | "+"e4 f4 ||

X: 22
T:Jigg. TBe.022
M:6/8
L:1/8
Q:100
S:Thomas Bennet MS,1718, VWML
R:jigg
O:England
H:1718
Z:vmp.C. Graebe..
K:F major
FAc c>dc | def edc | d2z c2z | B2 A GEC |!
 FAc c>dc | def e2 d | _efe ded | cdc =B2 g |!
 =Bcd GAB | cdc cdc |cdc Gc=B | c3-c3 ||!
 cdg gag | gec cde | fgf def | f>ed d3 |!
def cdc |  BcA GcB | A d c Bed | cfe dgf |!
 e>dc f2 g |agf edc | f3g3 | agf ede | f3-f3 ||

X: 23
T:Jigg. TBe.023
M:6/8
L:1/8
Q:120
S:Thomas Bennet MS,1718, VWML
R:jigg
O:England
H:1718
Z:vmp.C. Graebe..
K:F major
c3d3 | c2B A/B/cF | FfF FfF | E2FG2C |!
 c3d3 | c2B A/B/cF |  FfF FfF | e>de f3 ||!
G3A3 | G2 F E/F/GC | CcC CcC | CcB A3 |!
A3B3 | A2 G  F/G/AD | DdD DdD | Dd^c d3 |!
 d3f3 | A2B cCC | D3 B3 | E2F GEC |!
 c3d3 | c2 B A/B/cF | FfF FfF | Ffe f3 ||

X: 24
T:Fill Every Glass. TBe.024
M:3/4
L:1/4
Q:70
S:Thomas Bennet MS,1718, VWML
R:Air
O:England
H:1718

Z:vmp.C. Graebe..

K:F major
(A/B/) A (G/A/) | F2 c | d/e/ f c | d A B | \
cFG | "="A2 B | c C2 | "Pause"F3 ||!
fe f/e/ | "="d2 c | f "="d2 | c3 | A/B/  "="A G/A/ |\
F2G | "=" A2 B | c/B/c/d/ c2 ||

X: 25
T:Gavatt. TBe.025
M:C|
L:1/4
Q:80
S:Thomas Bennet MS,1718, VWML
R:Gavot
O:England
H:1718

Z:vmp.C. Graebe..

K:G major
geb2 | ^d>e f2 | BEc2 | B^de2 |!
gebz | ^d>efz | g>f e/d/^c/d/ | d ^c/B/B2 ||!
dBe2 | fdg2 | gea g/f/ | ^d>e f2 |!
geb>c' | bea>g | f/e/^d/e/ Bg | e>^de2 ||

X: 26
T:Minuet. TBe.026
M:3/4
L:1/4
Q:75
S:Thomas Bennet MS,1718, VWML
R:minuet
O:England
H:1718
Z:vmp.C. Graebe..
K:D major
A2 d | A G/F/E/D/ |  A2d | A G/F/E/D/ |\
A2d | c B/A/ d | ef>g | e3 ||!
eaa | a g/f/g | Ggg | gf/e/ f | F e/f/e/d/ | c B/A/  d |\
e c2 | d3 ||

X: 27
T:Trumpet March,A. TBe.027
M:2/2
L:1/8
Q:130
S:Thomas Bennet MS,1718, VWML
R:march
O:England
N:+ shown above the note is in the M
H:1718
Z:vmp.C. Graebe..
K:D major
d2 dd d2d2 | d2A2 d3e | f3ga2 gf | edef egfe | !
d2 dd d2d2 |d2A2 d3e | f3ga2 gf | e8 ||!
e2A2 a3g | "+"f3ed2e2 | fefg abag | fgfe d2 f2 |!
e2 A2 a3g | fgfe defg | a2 gf e3 d | d8 ||

X: 28
T:Minuet. TBe.028
M:3/4
L:1/8
Q:140
S:Thomas Bennet MS,1718, VWML
R:minuet
O:England
H:1718
Z:vmp.C. Graebe..
K:G major
B2 | ef e2 ^d2 | e4 f2 | gfefge | f2 B2 e^d |!
 e2E2 fe | f2F2 e^d | e2 BAGF | E4 ||!
 F2 | GA G2D2 | G4A2 | BF GE Be | ^d4 B2 |! 
e2f4 | gdBG Bd | eBGE GB | e8 ||

X: 29
T:Minuett. TBe.029
M:3/4
L:1/4
Q:70
S:Thomas Bennet MS,1718, VWML
R:minuet
O:England
N:"+" are shown in the MS.
H:1718
Z:vmp.C. Graebe..
K:D Major
(d d/)(f/e/)d/ | "+"c2d | B (d/c/)B/A/ | d2 A |\
AGF | ECC |D/B,/EE | A,3 ||!
agf | "+"e2 f | g (a/g/)f/e/ | f3 | DCB, |\
F/G/F/E/F/D/ | E F2 | B,3 | eee |!
c (B/c/) A | d (d/e/)f/g/ | a2 a | f (f/g/)a/f/ |\
bef | g "+"e2 | d3 ||

X: 30
T:Rigadoon. TBe.030
M:6/8
L:1/8
Q:100
S:Thomas Bennet MS,1718, VWML
R:rigadoon
O:England
N:Illegible comment in pencil under this tune.

H:1718

Z:vmp.C. Graebe..

K:G major
d | g2dg2d | B2 A/B/ G2 d | e2d c2B | A3-A3 ||!
d | d2G G2e | e2A A2 f | f2B B2g | g2 G G2d |!
dcB A2 G | G3-G2 d |dBG ecA | fdB g2d |!
dBG ecA | fdB gfe | dcB A2 G | G3-G3 ||

X: 31
T:Morris Minuet,aka. TBe.031
M:3/4
L:1/8
Q:200
C:untitled in ms
S:Thomas Bennet MS,1718, VWML
R:minuet
O:England
N:= and ' are as shown in MS.  E represents something like a backwards
N:'3' skewered on the leger line.Sounds very like a Morris tune that I
N:haven't yet identified, hence the new title..CGP
H:1718
Z:vmp.C. Graebe..
K:D major
"see notes"d4 A2 | B2 g2 (fg) | "="e4 d2 |\
 edcB A2 | d4 A2 | B2g2f2 | "'"e2d2 "="c2 | d6 ||!
"="f4 g2 | a2e2a2 | "="f4g2 | "E"a2 e2 a2 |\ 
"="f4 g2 |  "E"a2 (gf)(ed)| (cd) ("="d3 c/d/) | e6 ||

X: 32
T:Morris Minuet,aka,var. TBe.o32
T:Second Strain Divided,The. TBe.032
M:3/4
L:1/8
Q:200
S:Thomas Bennet MS,1718, VWML
R:minuet
O:England
H:1718

Z:vmp.C. Graebe..

K:D major
"See minuet TBe.031"\
fefgfg | agaeag | fefgfg | agaeag |!
fefgab | agfefd | (cd)(d3 c/d/) | e6 ||

X: 33
T:Collins Complaint. TBe.033
M:3/4
L:1/4
Q:70
S:Thomas Bennet MS,1718, VWML
R:Air
O:England
N:Illegible comment in pencil after tune, (in FK hand?)....
H:1718
Z:vmp.C. Graebe..
K:F major
A | d^cd | fed | e2 A | fea | f>ed | d3 ||!
g | aad | ba(g/f/) | g2 a/g/ | f>ef | dgf | e2 "sic"AA ||

X: 34
T:Gavott. TBe.034
M:2/2
L:1/8
Q:120
S:Thomas Bennet MS,1718, VWML
R:gavotte
O:England
N::S: is in the MS.  As it is, the tune has 8 bars in the A music (no
N:repeat shown) and 16 in the B music.  Repeating from the sign doesn't
N:make musical sense - does it mean somethng else?  The naturals are
N:shown as # - see note to tune ???
Z:vmp.C. Graebe..
K:C minor
G2 | c2e2d2g2 | e2g2d2g2 | c2e2d2e2 |\
 fedc =B=ABG | c2e2d2g2 |e2a2f2ba |!
 gedc B2d2 | e6 || ga | b2g2 egbg | \
a2f2 dfaf | g2d2e2 dc | =B-2B3 Bcd |!
 e2G2c2F2 | BGFE DC B,2  | E3FG2F>E |\
 E2-E3 FG=A | B2 =B6 | c6 d2 |!
 e2 de fedc | =B2-B3 ":S:" def |\
 g2c2e2z2 | g2G2c2z2 |g2 (fe) (dedc) | c6 ||

X: 35
T:Minuet. TBe.035
M:3/4
L:1/4
Q:70
S:Thomas Bennet MS,1718, VWMLt
R:minuet
O:England
Z:vmp.C. Graebe..
K:C major
c (e/d/)c/B/ | c2 G | e (g/f/)e/d/ | e2c |\
e/f/g/a/ g | a2 g | f e2 | d3 ||!
Gdg | Gdf | Gce | d3 | gc'2 | a2g | fe2 | a2d | ed2 | c3 ||

X: 36
T:Rigadoon. TBe.036
M:C|
L:1/4
Q:90
S:Thomas Bennet MS,1718, VWML
R:rigadoon
O:England
H:1718
Z:C.  Graebe
K:C major
cdef | g (f/e/)dG | g (f/e/) dc | "+"B"+"c d2 |!
 defg | a (g/f/) "+"ef | g (f/e/) dc | d"+"Bc2 ||!
gfe (d/c/) | fga2 | gag (f/e/) | fe"+"d2 |!
 GcAd | Becf | dge (d/c/) | d"+"Bc2 ||

X: 37
T:Minuett. TBe.037
M:3/4
L:1/8
Q:160
S:Thomas Bennet MS,1718, VWML
R:minuet
O:England
H:1718
Z:C. Graeb
K:C major
gfgagf | edefef | g2 ag"+"fe | "+"d4G2 |! 
gfgagf | edefef | g2 (ag)"+"fe | d6 ||!
dcdede | fefgfg  | a2 (ba) "+"gf |  "+"e4d2 |! 
gfgagf | edefge | a2  "+"d4 | c6 ||

X: 38
T:Minuett. TBe.038
M:3/4
L:1/4
Q:80
S:Thomas Bennet MS,1718, VWML
R:minuet
O:England
H:1718
Z:vmp.C. Graebe..
K:C major
c/d/ ed | c/d/ ed | c/d/ ed | cag | a>ag |\
 a>ag | a a/g/f/e/ |  "+"d3 ||!
d/e/fe | d/e/fe | dgf |  "+"e2d | cc'b |\
 agf | e (f/e/)d/e/ | c3 ||

X: 39
T:Rigadoon. TBe.39
M:C|
L:1/4
Q:160
S:Thomas Bennet MS,1718, VWML
R:rigadoon
O:England
H:1718
Z:vmp.C. Graebe..
K:BB major
defe | d2B2 | def(e/d/) | c4 || efgf | e4 |!
 efgf | e4 | defe | d4 |defe | d4 |!
 dcd e/d/ | cBcc | dcd e/d/ | c4 | fgag |f4 |!
 fgag |f4 | fgfe | dcde | d2c2 |!
 Bcde | fgfe | dcde | d2c2 | B4 ||

X: 40
T:Sarabrand. TBe.040
M:3/4
L:1/4
Q:80
S:Thomas Bennet MS,1718, VWML
R:saraband
O:England
N:dotted in MS...
H:1718
Z:vmp.C. Graebe..
K:BB major
Bd>e | f>e d | gf>e | d>cB | f g>a | b>ag | g g2 | f3 ||!
fb>a | g>fe | e/f/ f>e | e3 | g f>e | d>c d/e/ | f g/f/e/d/ |\
c3 |!
 f f>f | g>fg/a/ | b a>a | b f>f | g e>e | \
e>fd | (d/c/) (e/d/) c | B3 ||

X: 41
T:Minuett. TBe.041
M:3/4
L:1/4
Q:80
S:Thomas Bennet MS,1718, VWML
R:minuet
O:England
H:1718
Z:vmp.C. Graebe..
K:E minor
B | e/f/ e /^d | e2 f | g/f/e/f/g/e/ | fBe/^d/ |!
eEf/e/ | fFe/^d/ | e B/A/G/F/ | E3 || !
F | G/A/ GD | G2 A | B/F/ G/E/ B/e/ | ^d2 B |!
ef2 | g/d/B/G/ B/d/ | e/B/G/E/ G/B/ | e3 ||

X: 42
T:Rigadoon. TBe.042
M:C|
L:1/4
Q:100
S:Thomas Bennet MS,1718, VWML
R:rigadoon
O:England
N:E naturals are shown as E# - see notes

N:1 - shown as a double bar

N:2 - written on the stave as D but 'e' written above stave

N:3 - shown as dotted minim g, double bar, semibreve g, double bar.

H:1718

Z:C.  Graebe

K:G minor
|:G2d2 | B>AGd | gd g/a/ b | f f f (d/=e/) |!
 fff (c/d/) | eee (B/c/) | d(d/e/) c>d |1 d4 :|2 d3 ||: !
fdg (g/f/) | =e>d cc | ff (c/d/) "2"e | d>cBf |!
 dg=ea | ^f>gad | g (g/a/) a>g |1g3 :|2 g4 ||

X: 43
T:Medus to this tune(TBe.042). TBe.043
M:C|
L:1/4
Q:100
S:Thomas Bennet MS,1718, VWML
R:rigadoon
O:England
N:See notes to TBe.04
H:1718
Z:vmp.C. Graebe..
K:G minor
B2B2 | d>c BB | B>c dd | AAA (B/c/) |!
 ddd (e/d/) |ccc (f/e/) | d (B/c/) A>G |1 ^F4 :|2 ^F3 |:!
f | dBd (=e/f/) | g>d =e e | fA (A/B/) c | B>A G d |!
 BBcf | A>A B (B/c/) | d (g/f/) ^f>g |1 g4 :|g3 ||

X: 44
T:Air. TBe.044
M:C|
L:1/8
Q:200
S:Thomas Bennet MS,1718, VWML
R:air
O:England
N:1 - tune in MS is written out with 1st and 2nd time bars - shown in
N:full so it will play right.  2 - first time through as written, this
N:time written in  a way which is slightly easier to read. 3 - quavers
N:shown as crochets
H:1718
Z:vmp.C. Graebe..
K:C minor
g2 | g4 "3"g3gf3g | e2g2d2g2 | c2g2=B2g2 | edce dc=Bd | \
c2-c3 def | g2b2e2c2 | fafa d2B2 | e2g2c2A2 | dfdf B2G2 |\
cdeG F2 d2 | e6 c/d/e/f/ "1"  | g4 g3gf3g | e2g2d2g2 | c2g2=B2g2 | \
edcedc=Bd | "2" c4-c def | g2b2e2c2 | fafa d2B2 | e2g2c2A2 | \
dfdf B2G2 | cdeG F2 d2 | e6 || ga | bagf efga | b2e2e2g2 | agfe defg | \
a2 d2d2f2 | gfed cdef | g2e2e2g2 | agfe dedc | =B2-B3 def |\
g2G2F2g2 | f2F2E2G2 | DEFD C2 =B2 | c6 ||

X: 45
T:Minuett. TBe.045
M:C|
L:1/4
Q:80
S:Thomas Bennet MS,1718, VWML
R:minuet
O:England
N:1 - see earlier note re naturals. 2 - shown dotted in M
H:1718
Z:C.  Graebe
K:C minor
"1"g f/g/ e | d e/d/ c | dc=B | c2 G | c/d/e/d/ c | f>ga |! 
g (f/e/)d/c/ | =B/c/ d G | g/a/f/g/ e |\
d/e/c/d/ =B | cG=B | c2 d |!
e/f/gc | =Bdg | f d2 | c3 ||\
g3/4a/4|b2  g |!
 ege | a a/g/f/e/ | dfd  | g g/f/e/d/ | cde |\ 
f (d3/2 c/4d/4) |!
e2 g/a/ | b/(a/g/)f/e/d/ | c/d/ e (/f/g/) |a/g/f/e/d/c/ | !
=B3/4c/4 d e3/4f/4 | g2 c | G2 g | f d2 | c3 ||

X: 46
T:Minuett Round O. TBe.046
M:3/4
L:1/4
Q:80
S:Thomas Bennet MS,1718, VWML
R:minuet
O:England
N:See notes re +.  2 - last note illegible.  The only place I've found
N:where it works as a round is A music against B music.  Does 'Round'
N:refer to the dance?  When was 'round' first used for a Frere Jacques
N:type tune?
H:Before 1718
Z:vmp.C. Graebe..
K:G major
ggg | g (f/e/)d/c/ | BBB | B (G/A/)B/c/ |\ 
ddd |!
 d c/B/A/G/ | "+"FDF | G3 ||\
A/B/ cc | "+"c2c | B/c/ dd |!
 d2d | ggg |"+"f>ga | (g/f/e>d | "2"d3 ||

X: 47
T:Rigadoon. TBe.047
M:C|
L:1/4
Q:80
S:Thomas Bennet MS,1718, VWML
R:rigadoon
O:England
H:Before 1718
Z:vmp.C. Graebe..
K:G major
G2d2 | B>cdB | e (d/c/) d (c/B/) | Bgfg ||!
d2g2 | f/e/f/g/ f/g/f/g/ | a (g/f/) ed |\
g/f/g/d/ e/d/c/B/ | d c/B/ A G || 

X: 48
T:Medus(to TBe.047). TBe.048
M:C|
L:1/4
Q:80
S:Thomas Bennet MS,1718, VWML
R:rigadoon
O:England
H:Before 1718
Z:vmp.C. Graebe..
K:G major
B2A2 | G>A BG | c (B/A/) B (A/G/) | d (c/B/) AG ||!
B2d2 | d d/e/ d/e/d/e/ | f (e/d/) ^cd | \
e/d/e/B/ c/B/A/G/ | B A/G/ FG ||

X: 49
T:Bass(to TBe.047). TBe.049
M:C|
L:1/4
Q:80
S:Thomas Bennet MS,1718, VWML
R:rigadoon
O:England
N:Thi has not been transposed into treble clef - ignore the sign and
N:read it as bas
H:Before 1718
Z:vmp.C. Graebe..
K:G major
"READ AS BASS CLEF" DedB | e2E2 | A2 ef | gabe ||!
e/d/e/f/ ga | b2B2 | DEFB | GEA2 | EABE ||

X: 50
T:Minuett. TBe.050
M:4/4
L:1/4
Q:80
S:Thomas Bennet MS,1718, VWML
R:minuet
O:England
N:Are minuets usually in 4/4?  1 - I know the beats don't add up - it's
N:up the the user to decide which one to lose.
H:Before 1718
Z:vmp.C. Graebe..
K:E minor
B | e2f2 | g f/e/^d B | c/B/A/G/ F/G/F/E/ ||! 
"1"d | B2d2 | g f/e/ ^dB | ^c2e2 | a (f/e/) dB |\
 e/d/e/f/ B/e/ ^d/f/ | e3 ||

X: 51
T:Gavot. TBe.051
M:3/4
L:1/4
Q:80
S:Thomas Bennet MS,1718, VWML
R:gavot
O:England
H:Before 1718
Z:C. Grabbe
K:BB major
g2 f | egG | cde | d3 | f2e | d=Bc | B (c3/2 B/4c/4) | d3 ||!
g2f | gez | f2e | fdz | e2d | cdB | cA2 | G3 | !
g2f | gez | f2e | fdz | e2d | c=Bc | dd2 | c3 ||

X: 52
T:Medus(to TBe.051). TBe.052
M:3/4
L:1/4
Q:80
S:Thomas Bennet MS,1718, VWML
R:gavot
O:England
H:Before 171
Z:vmp.C. Graebe..
K:BB major
e2d | c/e =B3/2 |G=Bc | =B3 | d2c | =BG_A | G_A=B/c/ | =B3 ||!
e2d | ec=B | d2c |d=BG | c2 =B | G2G | _A^F2 | G3 |!
e2c | ec=B |d2c | d=BG | c2B | edc | =BB2 | c3 ||

X: 53
T:Jigg. TBe.053
M:6/8
L:1/8
Q:100
S:Thomas Bennet MS,1718, VWML
R:jigg
O:England
H:1718
Z:vmp.C. Graebe..
K:BB major
g | g>fe e>dc | B3 "qu"G2 e | d2ef2g | e3-e2 g | !
g>fe e>dc | =B3 G2e | (def) e2 d/c/ | c3-c2 ||!
g/_a/ | g2_a g2B | B3-B2 B |=B>AG F2E | E3-E2 g/_a/ |!
 g2_af2B | B2BB2B | c>de e2 d | e3-e2 d/e/ |!
d2g e>dc | d2g e>dc | =BGc dcB | c3-c2 d/e/ |!
 d2g e>dc | d2g e>dc | =BGc cdB | c3-c3 ||

X: 54
T:Jigg Medus(to TBe.053). TBe.054
M:6/8
L:1/8
Q:100
S:Thomas Bennet MS,1718, VWML
R:jigg
O:England
H:Before 1718
Z:vmp.C. Graebe..
K:BB major
e | e>dc c>B_A | G3-G2 c | =B2cd2G | G3-G2 e |! 
e>dc c>B_A | G3-G2 c | =B>cd c2 B | c3-c2 ||!
e/f/ | e2f d2G | E3G2F | E3DE2 | E3-E2 e/f/ |!
 e2fd2G | E3 G2F | E3G2B | B3B2B |!
 =B2cc2c | B2GG2G | BGB_A2G |G3-G2B/c/ |!
  =B2cc2c | =B2GG2G | BGB _A2G | G3-G2 ||

X: 55
T:Country Dance. TBe.055
M:2/2
L:1/4
Q:110
S:Thomas Bennet MS,1718, VWML
R:!
O:England
H:1718
Z:C. Graeb
K:F major
cff(e/d/) | (e/f/)gg2 | a "+"ffc | "+"A2F2 ||!
fc"+"A2 | (A/B/)cG2 | "+"AFFG | "+"A2c2 ||

X: 56
T:Prince Eugene's March. TBe.056
M:2/2
L:1/4
Q:100
S:Thomas Bennet MS,1718, VWML
R:march
O:England
H:1718
Z:vmp.C. Graebe..
K:D major
F2 A2 | d3 (f/g/) | afdf | e/d/e/f/ e A |!
 F2 A2 | d3 (d/e/) | (f/g/) a (^g3/2f/4g/4) | a4 ||!
e e/e/ ee | e2 z2 | f f/f/ ff | f2 z2 | !
a a/g/ f f/e/ | ddAA | a a/g/f f/e/ | ddAA |!
D D/D/ DF | D D/D/ D f/g/ | a d/e/ f f/g/ | !
a d/e/ f f/g/ | a g/f/ e>d | d4 ||

X: 57
T:Minuett. TBe.057
M:3/4
L:1/4
Q:80
S:Thomas Bennet MS,1718, VWML
R:minuet
O:England
H:Before 1718
Z:vmp.C. Graebe..
K:C major
"as writ"[ec] gd | G c/d/e/g/ | BGc | fgg | g/f/e/d/c/B/ |!
 cd"+"d | c c2 ||\
g a/g/f/e/ | d c/B/c/d/ | "+"d [ec] [ec] ||

X: 58
T:Mr. Wildbore's Far(e)well. TBe.058
M:3/4
L:1/8
Q:100
C:Charles Roe
S:Thomas Bennet MS,1718, VWML
R:air
O:England
N:1. Not shown as triplets..
H:Before 1718
Z:vmp.C. Graebe..
K:E_ major
F2 | A2A2"1" ((3B=AB) | c4 d2 |  e2 ^c2 e2 | f4 e2 | \
_d2 "+"d3 c | c4B2 | (Ac)(BG) F2 | E3 F G2 | \
A>B c2 (c/d/e/d/) | e2c2 d>e | f2 "1"((3f=ef) g>a |\
b>ag>f =e2 | f2B2e2 | c4B2 | A>B B2c2 | c6 ||\
c2 | e2 e2 "+" d>c | _d3cB2 | g2c2e2 |\
f2 B2 d>e | f>efc_dB | e>deBcA | _d>cBA BG | \
=E4 g2 | c2 a2 (gf) | b3 "1" ((3=abe)  |\
(_ag/a/) (bg)(af)| =e3fg2 | c2f2 (B/c/d) | \
e3_dc2 | (g/f/g/a/) gd =e2 | f6 ||

X: 59
T:Minuett. TBe.059
M:3/4
L:1/4
Q:60
S:Thomas Bennet MS,1718, VWML
R:minuet
O:England
H:Before 1718
Z:vmp.C. Graebe..
K:Eb
F | AAF | ccA | _ddB | ee_d | ccB | AAG |!
 A/B/ "+"B3/2=A/B/ | c3 ||\
c | eec | _ddB | ee_d | cAc |!
 BGA | F_dc | "+"B2 A | A3 | \
G (G/4A/4B/)=A | BBc |!
 _dBe | cfe | dgf | cag | g2f | f3 ||

X: 60
T:Boree. TBe.060
M:2/2
L:1/4
Q:100
S:Thomas Bennet MS,1718, VWML
R:bourree
N:Time signature given as 2/
K:C minor
"Time sig. 2/3 in ms"f2a2 | g/a/ b =e g | f2 cB |\
 A/B/ cFc :||: f>gfc | _dBec |!
 _d>e f/e/_d/c/ | B2A2 |\
(G/F/)(G/A/) BG | (=E/D/)(E/F/) G =e | \
f>c (_d/B/)(c/G/) G2F2 ||

X: 61
T:Bore. TBe.061
M:C|
L:1/4
Q:80
S:Thomas Bennet MS,1718, VWML
R:bourree
O:England
N:1 - shown as a natural in the MS, but it sounds wrong, and it seems to
N:me this is 'actually' in Eb - all the other 'A's are flattened
H:1718
Z:vmp.C. Graebe..
K:B_ major
B>ed>c | B/_A/G/F/ G/F/4G/4 E/F/ |\
 G/E/ _A/F/ B/G/ c/A/ | d/B/d/e/ f2 ||!
 f>g f/e/d/c/ | Be/f/ g>f | \
g/e/"1" _a/f/ b/g/ c'/c/ | B/e/e/d/ e2 ||

X: 62
T:Round O Jigg, A. TBe.062
M:6/8
L:1/8
Q:100
S:Thomas Bennet MS,1718, VWML
R:jigg
O:England
N:1 - ?last bar missing - edge of page missing? Something appears to
N:have


N:been written on the very edge of the page between the two staves


H:1718


Z:vmp.C. Graebe..


K:BB major
B | B2cB2"cr"_A | G/A/BG E2 e | c2fd2e | fdB B2B |\
B2cB2_A | G/A/BG Eed | cfe dcd | e3-e2) ||\
g | g2_ag2f |e2d c>de | "dotted"f2e d>ec |\
=B2d g3-|g>fe f3-|f>ed e3-|e>fe d2c | c3-c2 g |\
g2_a bag |_a3-a2 f | f2g _agf | g3-g2 f | g2_a ba"1"g |] !
zzzz | zzzz | zzzz ||!
"Tune with possible ending.C.Gr."B | B2cB2"cr"_A | \
G/A/BG E2 e | c2fd2e | fdB B2B |\
B2cB2_A | G/A/BG Eed | cfe dcd | e3-e2) ||\
g | g2_ag2f |e2d c>de | "dotted"f2e d>ec |\
=B2d g3-|g>fe f3-|f>ed e3-|e>fe d2c | c3-c2 g |\
g2_a bag |_a3-a2 f | f2g _agf | g3-g2 f | g2_a bag | \
^ f2g _agf | cfe dcd | e3-e2) ||

X: 63
T:Eccho Minuet. TBe.063
M:3/4
L:1/4
Q:60
S:Thomas Bennet MS,1718, VWML
R:minuet
O:England
N:The style of writing out music on this and the following tune, both on
N:one page, appear to be different from the others. This tune has a
N:convention 3/4 not the 3 squiggle used elsewhere.  There are = used
N:instead of + probably to indicate ornaments, a sort of Greek E in
N:front
N:of notes marked "E" and short dashes on the stave joining the notes
N:marked "1".  So far this is the only one with grace notes?  Grace
N:notes
N:are shown as quavers
H:1718
Z:vmp.C. Graebe..
K:D major
f/g/ "1"(ag | dBG) |  B A/G/F/E/ | D/C/D/E/F/D/ |!
 f/g/a/g/f/e/ | d AG |  B A/G/F/E/ | D3 ||!
"E"{f/g/}a "="gf | G"="FE | {e/f/}g"="f e | F"="ED |!
 d/c/d/e/d/e/ | f/e/f/g/f/g/ | agf | GFE |!
 {e/f/}g f e |FED | f g/f/e/f/ | d3 ||

X: 64
T:Minuet. TBe.064
M:3/4
L:1/4
Q:60
S:Thomas Bennet MS,1718, VWML
R:minuet
O:England
N:See notes to 063, Eccho Minuet .. E - Funny greek E before the note...
H:Before 1718
Z:vmp.C. Graebe..
K:D major
f/g/ ad | "="c2 d | (e/f/)  "="f2 | e/d/e/f/e/g/ |\
f/g/ ad |  "="c2d | (e/f/)  "="f2 | e3 ||!
 f/g/ "E"aa | aB2 | e/f/"E"gg | gA2 |\
 f/g/"1"aa | a>gf/e/ | f/g/  "="e2 | d3 ||

X: 65
T:Jigg. TBe.065
M:9/8
L:1/8
Q:100
S:Thomas Bennet MS,1718, VWML
R:jigg
O:England
H:1718
Z:vmp.C. Graebe..
K:C minor
C2G FGE DEC | AGF EDC =B,2G, | CEG =B,DF CDE | FGA G2G, C3 ||!
c2g fge dec | agf edc =B2d | ceg =Bdf ceg | (g/f/)(e/d/)c =BGB c3 ||!
E2G GFE GBE | D2F FED FBF | C2E EDC FGA | GFE B2B,E3 ||!
e2g gfe g>be | d2f f>ed fad | c2e e>dc fga | gfe dBd e2 g/a/ ||! 
b2g ece ecA | a2f dBd dBG | g2e cAc cAF | f2e ded/c/ =B2d ||!
g2z e2z cfg | a2zd2c =B>AG | c>de f>ga gfe | dec =BGB c3 ||

X: 66
T:An der Berollo. TBe.066
M:C|
L:1/4
Q:100
S:Thomas Bennet MS,1718, VWML
R:air
O:England
H:171
Z:C. Graeb
K:G major
B | GEEe | ^d>e fg | Be^d e/f/ | e3 d/c/ | B/A/ G/A/ B/A/B/c/ | \
d3 c/B/  |!
A/G/F/G/ A/G/ A/B/ | c3 B | A/G/F/G/ A/G/F/E/ | B3 e/f/ | \
g ^cc d/e/ | f2 FB | ^AB d/^c/B/^A/ | B3 || f | f>g f/e/d/e/ | \
^d2 e | fB (B/A/)(G/F/) | G3 A | \
B>c Bc | d>ede | Ag b/a/g/f/ | g3 B | B e (e/d/)(c/B/) |\ 
c3 ^c | cf f/e/d/^c/ | ^d2 z b | beea | a^dzg | g^ccd | fBze |\ 
de g/f/e/^d/ | e2zb | beea | a^dzg | \
g^ccf | fBze | ^d e/f/ (g/f/)(e/^d/) | e3 ||

X: 67
T:Divisions. TBe.067
M:C|
L:1/4
Q:120
C:untitled in MS
S:Thomas Bennet MS,1718, VWML
R:misc.
O:England
N:
H:171
Z:vmp.C. Graebe..
K:G minor
GdGd | GdB (A/B/) | GgGg | Gg f (e/f/) |!
 BfBf | cg A (G/^F/) |G (A/B/) c (B/A/) | A2 G2 ||!
"2 Strain"GgGg | Ggf (e/f/) | BbBb | Bb a (g/a/) |!
 dfdf | df d (c/B/) |c (c/4d/4e/) dg | ^f2g2 ||! 
"3 Strain"BbBb | Bba (g/a/) | dfdf | df d (c/d/) |!
 BfBf | Bf A (G/^F/)|G (A/B/) c (B/A/) | A2 G2 ||!
"4th Strain"(B/d/) f (B/d/) f | (B/d/) f (B/d/) f |\
 (A/c/) f   (A/c/) f| (A/c/) f (A/c/) f |! 
(B/d/) f (B/d/) f  | (B/d/) f (B/d/) f |\
(A/B/)(c/A/) d (c/B/) | A2 G2 ||!
L:1/8
"5th strain"(Bd)(fd) (Bd)(fd) | (Bd)(fd) (Bd)(fd) |\
(Ac)(fc) (Ac)(fc) | (Ac)(fc) (Ac(fc) |!
 (Bd)(fd) (Bd)(fd) | (Bd)(fd) (Bd)(fd) | \
(AB)(cA) d2 (cB) | A4 G4 ||

X: 68
T:Corante. TBe.068
M:3/4
L:1/8
Q:100
S:Thomas Bennet MS,1718, VWML
R:courante
O:England
N:1 -Shown as flat, but see note - I think this is just making sure you
N:know it isn't sharp as in previous bar.  2/3Page is much blotted - I
N:think the book must have been closed before the ink dried -
N:possibilities for 2 are  [dc cb AorB B] and for 3 are [BA AorB c or d
N:d]
N:...CGr..
H:171
Z:vmp.C. Graebe..
K:G major
e | e3 e^d^c | B2 e"1"dcB | cBAG FB | G3 FEF | !
G2 BGBc | d2 DGAG | F2 AFAB |c2 CFGF |!
E2 GEGA | B3 Bef | gfed^cB | ^A^cdefF |! 
B^c c3B | BF/E/ ^DF B,F | B4 ||!
^d | ^d3 deB | c6- | cBcedc | B3 ddd |! 
(dc) (cB) "2"AB | "3"(BA) Ad dd | cB A3G | G2 BG dG |! 
F2 AF cF | Ee ge be | ^d3 def | (gf) gB Ae |! 
(fe) (fA) GB | edeGFg | (fe) e3 ^d | e3 ^def |\
 (gf)(gB) Ae |!
 fefA GB | e^deGFg | fe e3 ^d | eB/A/ GB EB | e6 ||

X: 69
T:Untitled. TBe.069
M:C|
L:1/8
Q:100
S:Thomas Bennet MS,1718, VWML
R:air
O:England
N:No title - not a continuation of previous tune, as different time
N:signature, also it has his end of tune squiggle.  I think this is a
N:complete but untitled tune.
N:1 - Shown as D flat, but flat is probably to
N:make it this is not sharp - see general notes re accidentals.
N:2 - Shown as
N:flat, but see preceding
H:171
Z:vmp.C. Graebe..
K:E minor
B | efg^d eB zc | BA G>"qu"F GE zE |\
 A>B cA FG Ad | cB e>"qu"f ^"undotted"d3 f |!
gf b^d e3 f | gf/e/ dc B3 c | dc/B/ e2 fe/d/ g2-|g/b/a/g/ f>g g3 f |\
 (fe) (ed) (dc) (cB) |!
ef/g/ f>e ^d3 || f | f2 g^d e3e | e"1"d fe c3e |\
eA Ad d^G G>"qu"G | A/B/A/B/ B>A A3 B |!
cA Fd/c/ B3b | bg e/g/f/g/ a3a | af ^d/f/e/f/g3f |\
 ed ^c>B B3 "2"=c | !
dB ^Ge c3c |cA Fd B3 b |\
 bg e/g/f/g/ a>b a/g/f/e/ | ^d/B/e/f/ f>e e3 ||

X: 70
T:Untitled. TBe.070
M:3/2
L:1/4
Q:240
S:Thomas Bennet MS,1718, VWML
R:misc.
O:England
N:See general note re accidentals Natural is bar 7 shown as sharp..c
N:sharp in bar 8 is shown as a crotchet, this is my intervention..cgp...
H:1718
Z:C. Graeb
K:G minor
D | GAB cde | dcB A2 G | dBGdBG | gfg AG^F |!
 GABcde | dcBA2G |gf=ef>gA | d"cr in ms"^c2d4 ||!
 d2 ef>gf | f>gff2A | B>cdefd | c3B3 |!
 bfdBdf | bfdBcd | cdedcB | A3G3 ||

X: 71
T:Mr. Cosgill's Delight,aka. TBe.071
M:C|
L:1/8
Q:120
C:titled only "Gavot" in ms
S:Thomas Bennet MS,1718, VWML
R:gavotte
O:England
N:"=" - as in MS.
H:1718
Z:vmp.C. Graebe..
K:D major
f2a2d'2d2 | g>af>g "="e2d2 | f2a2e2A2 | d>ec>d "="B2 A2 ||!
 e2a2f2b2 |g>fe>d "="c2B2 | a2A2B2d2 | g>af>g "="e2d2 ||

X: 72
T:Semele,a Song. TBe.072
M:3/8
L:1/8
Q:20
S:Thomas Bennet MS,1718, VWML
R:air
O:England
N:Semele is a character from Greek mythology, the daugher of Cadmus and
N:Harmonia and mother of Dionysus.  There was an opera of that name by
N:John Eccles, libretto by Congreve, dated either 1705 or 1710.  (Also an
N:opera or oratorio by Handel in 1743,)
N:All E  natural and B naturals are shown as sharp in MS - see general
N:note
N:re accidentals.  = is as shown in MS  2 - quaver E appears to have a
N:dot after it, quaver f a comma, but see bars 1, 5 7 and 14.
N:"Endless pleasure Endless Love Semele enjoys Semele enjoys Semele
N:enjoy----s
N:above on her Bosom Jove reclining useless now his Thunder lies his
N:Thunder lyes
N:to her Arms his Bolts resigning and his Lightening to her eyes"
H:1718
Z:vmp.C. Graebe..
K:BB major
(f/e/f)g | (f/g/)(f/e/)d | e d2 | \
c3 | c/d/cd | e3 | e/c/dg | "=" =e3 |!
c/d/c (d/=e/) | f3 | "2"f/g/ e f | f3 | \
c d2 | e/f/e/d/c | f/e/de | =B>AG |!
 g_a2 | g(f/e/)(d/c/) | de2 | f2e |\
 d/c/ "="=B2 | c3 | zff | (fB)B |!
 gfe3/4d/4 | "="c2c |(de)f |\
 "sic"g3/2a/4g/4  f3/2g/4f/4  (e3/2f/4e/4) | \
(d/4c/4B)  A3/2 "qu"B/ | B ||

X: 73
T:Trumpet Solo,Violino Primo. TBe.073
M:12/8
L:1/8
Q:80
C:"By Senior Nicola" (Matteis?)
S:Thomas Bennet MS,1718, VWML
R:air
O:England
N:1 -  what looks like a number 3 written on the stave, followed by a
N:crochet rest and two quaver rests.  Bar lines as in M
H:1718
Z:vmp.C. Graebe..
K:D major
(F/E/D) C(A,D) D(F/E/D) C(A,D) | D(F/E/D) C(A,D)  D(F/E/D) C(A,D) | \
M:2/2
D6 zz A | d/e/f/e/ f/g/f/g/ a/g/a/b/ fe |\
(a2a/)(b/4a/4)b/4a/4(g/4f/4) g/(a/4g/4)\
(a/4g/4)(f/4e/4 f/(g/4f/4)(g/4f/4)(e/4d/4e/4) | \
e6 z2  z/ A |! 
d/e/f/e/ f/g/f/g/ a/g/a/b/ aa |\
(a2 a/)(b/4a/4)(b/4a/4)(g/4f/4)\
 g/(a/4g/4)(a/4g/4)(f/4e/4)  f/(g/4f/4)(g/4f/4)(e/4d/4) |\
(e/d/e/f/) "="e>d d2 z/ b/4a/4)(b/4a/4)(g/4f/4) |\
g/(a/4g/4)(a/4g/4)(f/4e/4) f/(g/4f/4)(g/4f/4)(e/4d/4)\
 (e/d/e/f/) "="e>d| d8 | zA,DD D>FDD | D>A,DD D>FDD |\
  D>A,DD D>FDD | D>FAA A>dAA |\
"Piano" A>FAA A>dAA | A>F F>D D>A, A,>D |\
 D>F F>A A>d d>f  f>a a>f f >a(f>e/d/4) | d8 "1"| !
  "And so on for four interminable, copied out of a book, tota
lly tedious pages."  zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz ||

X: 74
T:Sebella.  TBe.074
M:2/2
L:1/4
Q:100
S:Thomas Bennet MS,1718, VWML
R:air
O:England
N:Sebella is an alternative form of Sibyl.  1 - probably squiggle before

N:note.  Looks like a sharp but that wouldn't make musical sense.

H:pre-1718

Z:vmp.C. Graebe..

K:A minor
c>c | ddd>c/2d/4 |e2 d"1"B | cdB>c | c2 fe | ddde |!
 f3 e | ef^d>c/2d/4|e2ED | CB,CA, | FEFD | EDEE | !
 A,2 e>e/ | f3 z/ e | d3 z/g | g>a f>e | d3z/g | g>a f>e |!
d3z/c | c2CD | EDEC | GABG | G,A,B,G, | e3 e/4f/4 g |!
 f3 e | d3 z g/ |g>a f>e | ^d3z/ e/ |e3e | e2d>c |!
 B3A | A2CD | EF^GE | A A/G/AD |E E/D/ CA, | e2 d>c |!
 B3A | A2 C/B,/C/D/ | E/D/E/F/ GE | A/B/A/G/ F/E/F/D/ |!
 E/F/E/D/ C/B,/C/A,/ | e2 d>c | B3 A | A4 ||

% Output from ABC2Win  Version 2.1 k pre2 on 14/05/2003