ATKINSON ABC | The Village Music Project

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%abc
%%abc-alias Henry Atkinson MSS 1695
%%abc-creator ABCexplorer 1.6.1 [30/10/2015]
%Henry Atkinson’s MS Tunebook, 1694
%Transcribed to ABC for www.village-music-project.org.uk
%by C.Partington & N.Brookes,2004
%Revised 11/2008
%Revised 12/2009
%First tune illegible, HA.001 missed out of transcription.
%Revised 9/9/2015, mostly adjusting title formats and line ends

X:1
T:Chicken & Sparrow Grass. HA.002
T:Chicken & Asparagus,aka. HA.002
M:6/4
L:1/8
Q:3/4=70
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:This tune is interesting in the way it moves from 3 beats in the bar
N:for the first three bars ( 3/2 ) in the A strain, to 2 beats ( 6/4 ) in
N:the Bstrain…cf Pills to Purge Melancholy,1719..CGP.
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:G
B2G2G2 Bcd2d2|c2A2A2 cde2e2|\
B2G2G2 Bcd2B2|e2c2d2G6:|
|:g2gfed e2efge|a2agfe fefgaf|g2gfed e3fg2|a2f4 g6:|

X:2
T:Jocko’s Carvatt. HA.003
T:Jenny Come Tie My Cravatt,aka. HA.003
M:6/4
L:1/8
Q:3/4=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:B strain might be open to rhythmical
N:interpretation.cf Playford eds 7A(1687) onwards.Also Apollo’s
N:Banquet,1687..CGP
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:C
A2|(F2D2)F2 (A2F2)A2|(E2C2)E2 G4E2|\
(F2D2)F2 (A2F2)A2|(f2g2a2) f2d4||
e2|(fg)a2f2 (ef)g2f2|”^qu’s”(e2c2)e2 g4e2|\
(fg)a2f2 (ef)g2f2|”^qu’s”(c2A2)c2 d4|]
W:qu=2 quavers in MS.

X:3
T:Untitled. HA.004
M:6/4
L:1/8
Q:3/4=80
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:F
“^unedited”d4e2 f2e2d2|(ed)(ef)(ef)|d4e2 f2e2d2|e4||
a4g2 f2e2d2|g4f2 e2^c2d2|e2f2g f2ed2|
a4g2 f2e2d2|g4f2 e2^c2d2|e4e2e4||
zzz|zzz|zzz||
M:9/4
“^Edited By CGP”d4e2 f2e2d2 (ed)(ef)(ef)|d4e2 f2e2d2 e6||
M:6/4
a4g2 f2e2d2 |g4f2 e2^c2d2|e2f3g f3ed2|
a4g2 f2e2d2| g4f2 e2^c2d2| e4e2e6|]

X:4
T:Untitled. HA.005
M:C
L:1/8
Q:1/2=75
C:Same as #HA.017
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Same as #017.
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:F
“_No Key Sig in MS”d2^c2(de)f2|g2e2^c2A2|f2e2(fg)a2|b2g2e4||
“^cr”e3d (ef)g2|”^cr”g3f gagf|edec fefg|”^cr”g3ff4|
c2(cB) ABcA|f2d2B4|”^Music runs out, but see #HA.017″g2(gf) efge|zzzzz|]
W:cr=crotchet in MS.

X:5
T:Gigg. HA.006, A
M:6/4
L:1/8
Q:3/4=60
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.Jigg
O:England
A:Hartburn,Northumberland
N:Hmmm…Have a go?CGP
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:F
“_As Writ, unedited”a2|(ga) f2 (ge) f2|e4 d2 (ge) f2|\
^c4 A4 a2|(ga) f2 (ge) f2|e2d2(ge)f2| c4 d4||
F2|E4 F2 (GE) D2|C4 B,4 F2|F4 F2 (G2E2) G2|\
(FG) A2 f2 (cd) e2 (dc) d4 D4|]

X:6
T:King’s Jigg. HA.007, The
T:Within a Furlong of Edenborrow Town. HA.164
T:Painted Chamber,aka. HA.007
M:6/4
L:1/8
Q:3/4=70
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.Jigg
O:England
A:Hartburn,Northumberland
N:NB=looks like a missing note has been added here, by the original pen.
N:Not plain Mr. King, by the way, but THE King,(which one?). See Playford
N:editions 6A(1679) – 13(1709)..CGP.
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:C
G2|”^cr”A3Bc2 B4c2|d4d2 “^NB”d3ef2|e3dc2 (d2B2)G2|c4c2 c4:|
|:g2|e3fg2 a2d’2c’2|g4g2 “^cr”f4e2|”^minim”a6 (g2e2)c2|d4d2 d4e2|
f3ga2 (g2e2)g2|(c2A2)e2 f4g2|e3dc2 d2B2G2|c4c2 c4:|
W:cr=crotchet in MS

X:7
T:Untitled. HA.008
M:6/4
L:1/8
Q:3/4=70
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.Jigg
O:England
A:Hartburn,Northumberland
N:NB=Probably meant to be a minim and a half, but not in need of an
N:editorial dispute.HA has a tendency to not dot leading crotchets when
N:he should. I have let it lie when, as here, confusion doesn’t result
N:for PlayQabc. CGP
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:F
“_as writ”f2gf2 e2dc2|d2ed2 c2BA2|”^NB”d4A4|
d2ed2 c2BA2|B2cd2 G2FE2|F4c4||
B2cB2 A2B2c2|d2ed2 g2a (gf)|e4c4|
a2g”^qu”a2 b2ab2|f2gf2 e2d2c2|f6F6|]
W:qu=quaver in MS

X:8
T:Bonny Cate Of Edenbrough. HA..009
M:C
L:1/8
Q:1/2=60
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:NB=funny looking to my eyes, but may be a matter of opinion, so it
N:stays as it is.CGP..
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:D
“_No Key Sig in MS”(AB) (AF) A2 (de)|”^cr”e3d “^cr”B3A|\
(Bc) (BA) (Bc) (BA)|(Bd) (AF) “^cr”E3E|
(AB) (AF) A2 (de)|”^cr”e3d “^cr”B3A|\
(Bd) (ef) (ec) (BA)|B2d2d4||
(fg) (ag) a2b2|(af) (ed) g2d2|\
(Bc) (dB) g2G2|(GA) (BG) (Bc) (dB)|
(AB) (cA) “^NB.sic”a2e c2 “_as written”(BA) A2AG2|(FG) (AF) B2A2|
(Bd) (AF) E2E|(AB) (AF) d2 (dG)|F2 (ED)D4|]
W:cr=crotchet in MS

X:9
T:Rood House Rant. HA.010
T:Reed House Rant,aka. HA.010
T:Cheshire Round,aka. HA.010
M:6/4
L:1/4
Q:3/4=70
C:Reed….
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.Rant
O:England
A:Hartburn,Northumberland
N:I may have it wrong as “Rood” not “Reed”, but that’s what it looks like
N:to me.Editorially not a disaster, and a well enough known tune, so I
N:let it stand for you to work on the interesting bits toward the end.
N:Aka.Old Lancashire Hp..Appears as”Cheshire Round a jig divided 12 ways”
N:in Apollo’s
N:Banquet,1693..CGP
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:D
“_As Writ, but should be in 3/2″BAG F>ED|\
fede2E|BAG F>ED|fe(d/c/) d2D2||
BAG F>ED|(a/g/)ae2E|BAG FED|fe(d/c/)d2D||
BAG AD2|BAG cE2|BAG (F/G/)A|Bcd (c/d/)e|d2D|]

X:10
T:Roger The Cavalaye. HA.011
T:Roger De Coverley,aka. HA.011
T:Sir Roger De Coverley,aka. HA.011
M:9/4
L:1/4
Q:3/4=120
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:AARGL Scordatura, ADAE, tune bottom string up a tone, though it doesn’t say
N:so. All I’ve done is put in a couple of barlines which you may find
N:useful. see Playford eds 9(1695)+ .CGP
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
“_As Writ, No Key in MS Sig””^Scordatura ADAE”G,A,B,CCB(AF)D|E2EEF/DB,2 |\
G,A,B,CCB(AF)A|d2 DDECB,2G,||
(AF)A (BG)B (AF)C|E2E “^cr”E>FD B,2G,|\
(AF)A (BG)B (AF)A|d2D “^cr”D>EC B,2G,||
a(ba) (gf) g(ag) (fe) f(gf) e(de)|EEF/EB,2G,|\
a(ba) (gf) g(ag) (fe) f(gf) (ed) d2|]

X:11
T:Northern Nanny. HA.012
T:Northern Nancy,aka. HA.012
M:6/4
L:1/8
Q:3/4=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.Jigg
O:England
A:Hartburn,Northumberland
N:There is no Key Sig in the MS and only the F notes shown are
N:sharpened,
N:which makes editorial intervention tricky. However, Bb seems possible,
N:and conforms with other versions. Other versions can be
N:got,eg Northern Nancy, Playford/4th ed. 1670 and all subsequent
N:eds..CGP
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:Bb
G2|”^cr”G3″_No Key Sig in MS”AG2 ^F4G2|\
A4B2c4A2|B2c2d2 ^F4G2|A4″_#?”F2 G4||
“^cr”f3ed2 “^cr”c3BA2|B4c2 d4A2|B2c2d2 “_#?”F4G2|A6 G4|]
W:cr=crotchet in MS

X:12
T:Such A Wife As Willie Had. HA.013
M:C
L:1/4
Q:1/4=150
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:F
“_No Key Sig in MS”Adde|f2ed|f2ed|e2c2|
Adde|f2ed|e(f/g/) (a/g/)(f/e/)|”^cr”d2A2||
aa(b/a/)(g/f/)|gg(a/g/)(f/e/)|ff(g/f/)(e/d/)|e2c2|
aa(b/a/)(g/f/)|gg(a/g/)(f/e/)|e(f/g/) (a/g/)(f/e/)|d2A2|]

X:13
T:Sweetnors Jigg. HA.014
T:Gee Woe Dobbin,aka. HA.014
T:Swaggering Boney,etc,aka. HA.014
T:Rummer,aka. HA.014, The
M:6/4
L:1/4
Q:3/4=70
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.Jigg
O:England
A:Hartburn,Northumberland
N:Editing this if required, seems fairly straightforward, so
N:I’ve provided a parallel version.AKA Swaggering Boney,Longborough. Old
N:Frog Dance,Oddington, How Do You Do Sir?Sherborne, and Gee Woe
N:Dobbin.CGP..
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:F
“_As Writ, No Key Sig in MS”c|AGF (A/B/) c/A|\
B/(c/d/) B c2c|fe/d e/(f/g/) e|f2F F2||
f|fga gab|ag/f efg|fe/f dg/f|ec2 c2c|
def ccf|BBf AAf|dg/f ed/e|fFF F2||
zzzz|zzzz|zzzz||
“^Edited version by CGP”c|AGF (A/B/) cA|\
B/(c/d) B c2c|f>ed e/(f/g) e|f2F F2:|
f|fga gab|a>gf efg|f>ef d>gf|ec2 c2c|
def ccf|BBf AAf|d>gf e>de|fFF F2|]

X:14
T:Jigg,A. HA.015
M:6/4
L:1/4
Q:3/4=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.Jigg
O:England
A:Hartburn,Northumberland
N:The ends of the phrases are minims, and should possibly be played as
N:dotted minims, but don’t need editing to make sense,CGP
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:F
c|ABc f2d|(cA)F E2D|EFG C2c|
Bcd b2a|(gc)f “^cr”f>ge|”^min”f3F2||
f/g/|(af)d (ge)c|(d/e/)fA GAB|”^min”c3f3|
“^cr”e>dc dcB|bdg “^cr”e>dc|”^min”f3F2|]
W:cr=crotchet, min=minim in MS

X:15
T:Untitled. HA.016
M:6/4
Q:100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Superfluous “Natural” signs above all the E notes. A most beautiful
N:tune, easily edited.CGP
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:F
c”^#NB”ef/ ga/g|f”^#”e2 d/c/d/”^#”e/ d|c”^#”ef/ gag|f”^#”e2d2||
dB2 “^#”e2d|(c/B/)(c/d/)(c/B/) A2-A|fdc BA/B/c|dd2c2||
zzz|zzz|zzz|
“^Edited by CGP”ce>f g>ag|fe2 d/c/d/e/ d|ce>f gag|fe2d3||
dB2 e2d|(c/B/)(c/d/)(c/B/) A2-A|fdc BA/B/c|dd2c3|]

X:16
T:Untitled. HA.017
M:C
L:1/4
Q:1/2=90
C:Same as #HA.005
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Same as #005.
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:F
“_As Writ”dc(d/e/)f|gecA|fefga|bge2||
e(e/d/) (e/f/)g|g/f g/a/g/f/|e/d/e/c/ f/e/f/g/|gf/f2|
cc/B/ A/B/c/A/|fdB2|g(g/f/) e/f/g/e/|”^The End”acd2||
zzzz|zzzz|zzzz|
“^Edited By CGP”dc(d/e/)f|gecA|fef/g/a|bge2||
e(e/d/) (e/f/)g|gfg/a/g/f/|e/d/e/c/ f/e/f/g/|g>f f2|
cc/B/ A/B/c/A/|fdB2|g(g/f/) e/f/g/e/|acd2|]

X:17
T:Young Jamy. HA.018
T:Young Jemmy,aka. HA.018
M:C
L:1/8
Q:1/2=90
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:see Playford eds 7(1686) and all subsequent, but not identical..
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:F
“_No Key Sig in MS”\
A2|F2(ED) (FG) A2|d4f4|(ef)(ed) (cd)(cA)|G4A2A2|
F2(ED) (FG) A2|d4f4|a2 (gf) (ef)(ed)|d4D2||
A2|”^cr”d3e (fe)(fc)|A2c2c2 (BA)|d2 (ef) (gf)(gf)|f4a4|
“^cr”A3G (AB)c2|”^cr”c3BA2(Bc)|d2 (ef) (gf)(ed)|d4D2|]
W:cr=crotchet in MS

X:19
T:Sandy & Jockey. HA.020
M:6/4
L:1/8
Q:3/4=50
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:There are no time signatures or key signatures to most of the tunes,
N:but this tune in particular doesn’t give many other clues either. I
N:don’t think an interpretation by me would be anything but vain. First
N:appears in print that I have found in The Scots Musical Museum, #3, of
N:1790.. CGP
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:C
“_As Writ”(GB)d2 g4f2|d2cB2 (cA)F2|(G2B2)d2 g4f2|(bf)d2 (dB)G2||
G2|B2c d2f4|c2e4 d2g4|(fb)f2 d4g2|(fd)(cB) c4B2|
(dB)(dB) (cA)(cA)|(BG)(BG) (AF) D2|\
G2B2d2 g4f2|(bf) d2 (dB) G2|]

X:20
T:Black Mare’s Anticks. HA.021, The
M:6/4
L:1/4
Q:3/4=80
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.Jigg
O:England
A:Hartburn,Northumberland
N:Somebody has added in pencil the words “Gee Woe Doddin”, But it’s not
N:the same as the “Dobbin” I’ve got.(See #014).CGP
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:Bb
fga b2a|”^cr”g>fg fd2|”^cr”e>dc fBc|c2B “^cr”B3||
BFE DB,2|”^cr”E>F (G/F/) GC2|DEF GAB|B2A “^cr”B3|]
W:cr=crotchet in MS

X:21
T:Untitled. HA.022
M:6/4
L:1/8
Q:3/4=70
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:The two sharps shown in the MS are disconcertingly placed at the top
N:and the bottom of the stave. CGP.
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:D
“_As Writ, No time sig. in MS”A2|F2G2A2 D4B2|(AF)A2 A,2C2D2|E4A,2A2|
F2GA2D4f2|f2(e/f/) g2(e/d/)A2|d2D4||
(de)|f2gf2 (ec)d2|e2fg2 g2(gf)(ed)|e4A4|
f2(e/f/) g2(ec)A2|c2(B/c/) d2(AF)A2|d4D4||
zzzz|zzzz|zzzz||
“^Edited by CGP”\
A2|F3GA2 D4B2|(AF3)A2 A,2C2D2|E6A,4A2|
F3GA2D4f2|f2(ef) g2(ed3)A2|d6D4||
(de)|f3gf2 (ec3)d2|e3fg2 g2(gf)(ed)|e6A6|
f2(ef)g2 (ec3)A2|c2(Bc) d2(AF3)A2|d6D4|]

X:22
T:Jigg,A. HA.023
M:6/4
Q:3/4=90
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.Jigg
O:England
A:Hartburn,Northumberland
N:Two random sharps in MS, but see edited version.
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:D
F2A2F2 c2A2c2|f2d2g2 e2f2g2|c2A2d2 B2G2c2|d2B4c4||
(ef)|g2e2c2 f2d2g2|g2e2a2 g2a2b2|a2g2a2 d2e2f2|g2e4f4||
K:F
zzzz|zzz|zzz||
“^Edited By CGP”\
F2A2F2 c2A2c2|f2d2g2 e2f2g2|c2A2d2 =B2G2c2|d2=B4c4||
(ef)|g2e2c2 f2d2g2|g2e2a2 g2a2b2|a2g2a2 d2e2f2|g2e4f4|]

X:23
T:Untitled. HA.024
M:C|
L:1/8
Q:1/2=75
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Although there are two sharps in the MS, they are on top F and bottom
N:F.CGP
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:G
(dB)|”^cr”G3A B2(AG)|A2e2e2g2|\
“^cr”d3B (dB) (AG)|(AB) (AF) D2(dB)|
“^cr”G3A B2(AG)|A2e2e2f2|\
(ga) (ba) (ae) (e/f/g)|B2d2d2||
g2|”^cr”e3d (ef) (ga)|b2a2g2G2|\
A2A2 (cB) (cd)|e2A2 A2 (A/B/c)|
(BA) (BG) (ge) (dB)|(AB) (AG) “^cr”E3d|\
“^cr”D3d (AB) (cd)|B2G2G2|]

X:24
T:Have Ye Any More On’t? x025
M:C|
L:1/8
Q:1/2=90
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:C
“^cr”G3A G2E2|D2C2A4|G2(AB) c2(GE)|G4c4||
c2″^NB”e2e2(de)|(fe)(dc) d2G2|c2″^NB”e2e2 (de)|\
(fe)(dc) (ef)(ge)|
(fg)(ag) (ag)(fe)|(fe)(dc) d2(cd)|\
e2(de) g2(GE)|G4c4|]

X:25
T:Portsmouth,aka. HA.026
M:C
L:1/8
Q:1/2=100
C:Untitled in MS
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:This appears in Playford eds 11(1701) and all subsequent.CGP
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:F
C2|”^cr”F3G “_2sharps in MS”(AG) (FE)|\
D4 d2e2|”^cr”f3c (dc) (BA)|”^Min.”G6C2|
“^cr”F3G (AG) (FE)|D4 d4|(cd) (cA) (GF) (GA)|”^Min”F6||
c2|”^cr”f3g (ag) (fe)|”cr”f3c A2(GF)|f2c2 (dc) (BA)|”^min.”G6C2|
“^cr”F3G (AG) (FE)|D4 d4|(cd) (cA) (GF) (GA)|”^min”F6|]
W:cr=crotchet,min=minim, in MS

X:26
T:Black Ewe. HA.027, The
M:C
L:1/8
Q:1/2=90
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:G
g2|d3B (dB) (AG)|G4D4|E2G2B2 (AG)|”^min.”A6 g2|
d3B (dB) (AG)|G4D4|E2G2B2d2|”^min.”g6||
B2|c3d (ed) (ef)|”^cr”f3ed2(ef)|(ge)g2 B2 (AG)|”^min.”A6 g2|
d3B (dB) (AG)|(Bc)d2D4|E2G2B2d2|”^min.”g6|]

X:27
T:Untitled. HA.028
M:3/4
L:1/8
Q:1/4=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:G
G2|”^cr”B3Bc2|dcded2|edefga|f2f2G2|
BABcd2|edefg2|”^NB”f4ef|g4||
g2fefgab|a2a2d2|g2f2e2|d4B2|
edefg2|fefga2|g2f2e2|e4(dc)|
BABcde|d2d2G2|c2c3B|A2A2g2|
fefga2|gfgab2|c2A3G|G4|]
W:NB=(f2e/2f/2) in MS

X:28
T:Untitled,fragment. HA.029
M:C
L:1/8
Q:1/2=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Not enough left to reconstruct.
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:C
“_No Key Sig”B2G2G2g2|(gf)(ed) B4|\
(fg)(fd) (Bd)(fc)|(AB)(cA) f2 f2|
G2b2a2B2|(fg)(af) “^cr”g3g|\
(fe)(fd) ef g2|(c2Bc) d4||
“_sic”b(ag) (ad)|g2a2b4|(ba)(gf) (ed)(cB)|
(de)f2 A3 A|”_sic”(Ac)(dB) (de) (fd)|”_music runs out”zzzz||

X:29
T:Flower Of Yarrow. HA.030, The
T:Mary Scott,the…,aka. HA.030
T:Sir John Fenwick,aka. HA.030
M:6/4
L:1/8
Q:3/4=55
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:aka Sir John Fenwick’s The Flower Among Them All..CGP
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:C
“_No Key or Time Sigs”G4B2 d4g2|d4g2 B3AG2|\
A4B2 e4g2|e4d2 e4g2|
G4B2 d4g2|”^cr”d4g2 B3AG2|\
c2 (dc)(BA) B2(cB)(AG)|A4G2 e4d2||
g6 g6|g6 B3AG2|A4c2 e4ga|b4a2 e4g2|
G4B2 (dB)(dB)(dB)|d6 B3AG2|\
c2 (dc)(BA) B2(cB)(AG)|A4G2 e4d2||
g2G2B2 g2G2B2|g2G2B2 g2G2B2|\
g2A2B2 g2A2B2 |g2A2B2 e4d2|
g2G2B2 g2G2B2|g2G2B2 g2G2B2|\
c2 (dc)(BA) B3AG2|A4G2 e4d2|]

X:30
T:London’s Loyalty. HA.031
M:3/2
L:1/8
Q:1/2=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Scordatura ADAE. Tune bottom string up a tone. This you may compare
N:with the more understandable version in Playford
N:13th edition, 1706..For this reason I have only straightened out the
N:(usual) crotchets.. CGP
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:F
“^Scordatura ADAE”D4 (dc)(dA) G2F2|E2F2 (GF)(GE) =B,4|\
D4 (dc)(dA) G2F2|(EF)(ED) E2B,2 D4||
c4 e2c2 (ef)g2|c2g2 g2c2 g4|\
defg a2d2 “^cr’s”fga2|d2a2 a2d2 a4|
gfed c2f2 (AB)(cB)|(GF)(ED) B,2c2 E4|\
F2E2 F2G2 A2A2|B2c2 d2″^cr”dc d4|]

X:31
T:Cock Up Thy Beaver,Jemme. HA.032
T:Johnny,Cock Thy Beaver,aka. HA.032
M:6/4
L:1/4
Q:3/4=70
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:cf Playford Division Violin
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:F
d|c2FA>GF|G>AGB2d|c2FA2G|FfBABc|
“^qu’s”dcd”^qu’s”fcA|G>AGB2f|c2BA2G|FfcA2F||
Ffc(A/B/)cA|GgdB2G|Ffc(A/B/)cA|FfBABc|
B/A/B/c/d/e/fFA|G>AGB2f|c2BA2G|FfcA2F||
cA Fc (A/B/c/A/)|(dB) Gd/c/B/A/G|\
(cA) Fc/B/A/B/c/A/|c/B/A/B/c/A/ c/B/A/B/c/A/ |
d/c/B/c/d/B/ c/B/A/B/c/A/|G/F/G/A/B/c/ d2f|\
c>dc/B/ A>BA/G/| Ffc A2F||
F>GA/B/ c(d/c/B/A/)|(GAG) B2D|\
F>GA/B/ c(d/c/B/A/)|c (d/c/B/A/) c (d/c/B/A/) |
f (g/f/e/d/) c (d/c/B/A/)|”^qu”F (A/B/c/A/) d (B/c/d/B/)|\
c (A/B/c/A/) B (G/A/B/G/)|Ffc A2 G||
F/E/F/G/A/B/ c/B/A/B/c/A/|d/c/B/c/d/B/ G/F/G/A/B/c/ |\
d/c/B/c/d/B/ F/E/F/G/A/B/| c/B/A/B/c/A/ c/B/A/B/c/A/ |
c/B/A/B/c/A/ d/c/B/c/d/B/ |c/B/A/B/c/A/ G/F/G/A/B/c/ |
d/c/d/e/d/f/ c/B/c/d/B/d/ |A/B/c/A/B/G/|FfcA2F||
FFf FFf|GGgfe/f/g|FFf AAf|ccd c/B/A/B/c/A/|
B/A/B/c/d/e/ fFA|GgG B/A/B/c/d|fg/f/e/d/ cd/c/B/A/ |\
Ffc A2(G/F/)||
f(fF) A(AG)|(gg)G (BB)d|(ff)c (dd)G|(cc)F A(AG)|
B(BG) A(AF)|G>AG B2f|c2B A2G|Ffc A2(G/D/)||
F3A3|G>AG B2D|F3A3|FfB ABc|
(dc)d (fc)A|G>AG B2G|F3A3|Ffc A2(G/F/)|]

X:32
T:Trumpett’s Tune. HA.033
M:3/4
Q:90
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
gg/g/g|ggg|ee(e/4f/4g/)|c2G|\
cce|ddg|e c/d/e/f/|g3||
dB/c/d|dGd|B/c/dG|d2G|\
c/d/e/f/g|c’>ae|”cr’s”g/d/cB|c3|]

X:33
T:Boré. HA.034
M:C
L:1/4
Q:1/2=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.Bourée
O:England
A:Hartburn,Northumberland
Z:vmp.Chris Partington.Jan.2004
K:Bb
“_No Key Sig.”G|GA/B/Ad|BA/G/^FE/E/|GA/B/Ad|B2G||
A|Bc/d/cf|dc/B/cF|BA/G/ed|c2B2|
AA/B/cA|dGF>f|d(c/B/) (A/B/) c|B2G|]

X:34
T:Untitled. HA.035
M:6/4
L:1/4
Q:3/4=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:–Or Barlines.
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:F
“_No Key or time Sigs in MS”b|a>fe e/f/gc|f>ed c>BA|”^min”B3d2f|
e>dc d/e/fB|A>Bc G>AB|”^min”A3″cr”F2||
F|E2D E/F/ GG| A/B/ cc d/e/ ff| “^min”e3 g2a|
b>ag c’ag/a/|bfd gec|”^min”f3F2|]

X:35
T:White Hall. HA.036
T:White Hall End,aka. HA.036
T:New Dance Call’d White-hall,aka. HA.036, A
M:C
L:1/8
Q:3/8=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:See Playford eds 5(1675) and all subsequent..CGP
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:F
C|F>GA B>cd|e>fg a>ba|g3 c3|
B>cB A>BA|G>AG E>DC|F3A2||
A|B>cd Ggf|e>dc g>a (g/f/)|e3 c3|
B>cB A>BA|G>AG E>DC|F3 A3|]

X:36
T:Roger Coverley,New Way. HA.037
M:9/4
L:1/8
Q:3/4=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.Slip Jig
O:England
A:Hartburn,Northumberland
N:Just as written first time through, then edited by me.cf Playford DM
N:eds 9+(1695)CGP
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:F
“_as Writ, unedited”f4c2 (c2A2)c2 |(c2A2) F2 G4g2| “sic”gagf e2d2c2|
f4c2 (c2A2)c2 |(c2A2)F2 D3EF2| F2A2G2 G4F2||
B2f2f2 B2f2f2 |B2f2f2 c2g2g2| c2g2g2 c2g2g2|
B2f2f2 B2f2f2 B2f2f2 D3EF2 |F2A2G2 G4F2||
c2 AcA c3Ac2 |AB c2F2|d2BdB| dBd|Bcd G2|
c2 AcA |c3Ac2|(AB) c2F2|D3EF|F2A2G2 G4F2||
f2 gag |f2 gag |f2 gag|g2aba| g2 aba|g2aba|
f2 gag|f2 gag|(f2c2)d2 (c2A2)F2|F4a2|g6f2||
zzzz|zzzz||
“^Version edited by CGP”\
f4c2 (c2A2)c2 (c2A2)F2|G4g2 gag2f2 e2d2c2|
f4c2 (c2A2)c2 (c2A2)F2|D3EF2 F2A2G2 G4F2||
B2f2f2 B2f2f2 B2f2f2|c2g2g2 c2g2g2 c2g2g2|
B2f2f2 B2f2f2 B2f2f2|D3EF2 F2A2G2 G4F2||
c3AcA c3Ac2 AB c2F2| d3BdB d2B2d2 Bcd2 G2|
c3AcA c3Ac2 (AB) c2F2|D3EF2 F2A2G2 G4F2||
f3 gag f3 gag f3 gag|g3aba g3 aba g3aba|
f3 gag f3 gag (f2c2)d2| (c2A2)F2 F4a2 g4f2|]

X:37
T:Minoway. HA.038
T:Minuet?aka.x038
M:3/4
L:1/4
Q:1/4=150
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Could the title “Minoway” be a rendition of “Minuet” in a French
N:accent? Which would be a very early date for a minuet in England, but
N:not the only one in this collection. CGP
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
cg2|e2f|ga/g/f/e/|d2c|cg2|e2f|ga/g/f/e/|d3||
d>ef|ga/g/f/e/|fg/f/e/d/|e3|d3|c>de|f/e/d>c|B>AG|
d>ef|ga/g/f/e/|fg/f/e/d/|e3|d3|c>de|f/e/d>c|c2|]

X:38
T:My Father Left Me Ware Enough. HA.039
M:3/4
L:1/4
Q:1/4=150
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:G
gd2|”^perhaps 9/4?”Gc A/G/|AEE|gd2|Gc A/G/|cGG||
gd2|G B/c/d/B/|cEE|gd2|GB/c/d/B/|
d2G|B/c/d/B/ c/B/|c/d/e/d/c/B/|AEE||
Gg>a|gab|ggG|g2a|ga>b|AAE|
g2a|g>ab|(a/g/)a(g/f/)|ef>g|fg/f/d/B/|AEE||
DGd|”^e/ in MS”e>dc/B/|AFF|EGd|B/c/d/B/d|GB/c/d/B/|
c>Bc|”^qu’s”cBc|de/d/c/B/|AEE||
g3|f3|e3|d3|c3|B3|AEE|]

X:39
T:Jenny Come Down To Jocko. HA.040
T:Hey,Jennie Come Down…. HA.040
M:3/4
L:1/8
Q:1/4=90
C:or
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:…Or Jemy
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:G
“_As Writ. No Key Sig.in MS”D|G>AB(B/G/)|\
Bd(B/c/)A|DGAB|(B/G/)Bgf|e2||
de>fg|feag|fdefg|(d/B/)BcA|GE|]
zzzz|zzzz||
|:”^Version as Edited by CGP,perhaps 9/4?”D|G>AB|(B/G/)Bd|\
(B/c/)AD|G>AB|(B/G/)Bg|fe:|
|:d|e>fg|fea|gfd|e>fg|(d/c/)Bc|AG:|

X:45
T:Borey. HA.044, A
T:Bourree,aka. HA.044
M:C
L:1/4
Q:1/2=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.Bourée
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
G|cdef|g/f/ g/a/gG|cde”^#”f|g3||
d/e/|f>ede|^c>BAd|GcB>c|d/c/ d/e/ d e/f/|
“^qu’s”f>ede|c>BAd|GcdB|c3|]

X:46
T:Minuet. HA.045
M:3/4
L:1/8
Q:3/4=60
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.Minuet
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:C
ef efg2|g3fe2|f2d2g2|ef edc2|
ef efg2|g3fe2|f2d2g2|e6||
ef edc2|d4G2|c2d2e2|cB cd cd|
ef ed c2|d4G2|c2d2B2|c6|]

X:47
T:Farinell’s Ground. HA.046
T:Faronell’s Division on a Ground,aka. HA.46
T:La Folia,aka. HA.046
M:3/4
L:1/4
Q:80
C:Division on a ground
C:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Some editing required.
N:The Tune in the MS is covered in cryptic signs, which I have attempted
N:to represent with a cunning misuse of the abc chord symbols. You must
N:interpret them for yourself, for I cannot.Somewhere under this you
N:will
N:find a very satisfying tune, if you play it back a few times on
N:PlayQabc or whatever..PFD Division Violin.v1.CGP
N:Format it yourself, by the way
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:F
“_Unedited””^A”dd”^u”e|”^#”c”^#”c”^#”c|”^d”d”^#”d”^u”(c/4d/4)|eee|”^d”f”^#”f”^u”g/|\
“^=”eef/e/|dd>e|”^#”c”^#”c”^u”c/|”^#”c”^#”c”^#”c|d”^-“d”^u”(c/4d/4)|\
eee|”^d”f”^=”f”^u”g/|eef/e/|f/d/”^=”d”^#”c/4|dd2||
dD”^u”d|”^#”cA”^#”c|dDdd|eE”^u”e|fF/f/e/d/|eE/e/f/e/|dD/”^u”d”^#”c/B/|\
“^#”cA/”^#”B/”^#”c/A/|dAD/d/|”^#”cAE/”^#”c|dAD/d/|ecG/e/|\
gec/g/|f/e/”^ll”ed/|d2||
d/”^#”c/4d/e/4d/e/4|”^ll”c/B/4″^#”c/d/4″^#”c/e/4|\
d3/4″^#”c/4d3/4″^#”e/4d3/4f/4|\
“^ll”e3/4d/4e3/4f/4e3/4g/4|f3/4e/4f3/4g/4f3/4g/4|\
“^=”e3/4d/4e3/4f/4e3/4f/4|\
d3/4c/4d3/4e/4d3/4e/4|”^#”c/”^#”B/4″^#”c/d/4″^#”c/e/4|\
d3/4″^#”c/4 d3/4e/4 d3/4e/4|”^#”c/B/4 “^#”c/d/4 “^#”c/e/4|\
d3/4c/4 d3/4e/4 d3/4f/4|”^#”e/d/4 e/f/4 e/g/4|\
f3/4e/4 f3/4g/4 f3/4g/4|”^#”e/d/4 e/f/4 g/a/4|f3/4e/ “^#”ed|d2||
ff”^u”g/|”^d”eee|f”^#”f(e/4f/4)|ggg|aa”^u”b/|gg>g|f(g/a/) (g/f/)|”^du”eee|\
“^d”ff>a|”^#”eee|ff”^u”(e/4f/4)|ggg|a(c’/a/) g/f/|g(a/g/) (f/e/)|”^d”f/d/”^=”
d”^=”c/|\
dd2||(df)e “^#”c2A|fa/”^-“g/f/4 “^=”e2e|ab/a”^-“ga/”^-“g/f/4||”^-“ed/e/c/f2||
fga efg|df/e “^#”c>BA|”^b”cBA Bcd|GF/E F2E|FGA “^#”B”^#”cd|efg fga|\
ba/g agf|”^-“ed/”^#”cd2|]

X:48
T:Mackay’s March. HA.047
M:C
L:1/4
Q:1/2=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:G
“^Unedited”GEDE|GAB(A/G/)|AG/A>G|cGEG|EDEG|”^sic”e2|deA/B/|cB2AG||
gede|gaba|gedB|AGE(D/E/)|G(A/B/)”^sic”g3/2|de(A/B/)c|BAG2||
zzzz|zzzz|zzzz||
“^Edited by CGP”\
GEDE|GAB(A/G/)|A>GA>G|cGE2|GEDE|G2e2|deA/B/c|BAG2||
gede|gaba|gedB|AGE(D/E/)|G2(AB)|g2-g2|de(A/B/)c|BAG2|]

X:49
T:Buff Coat Has No Fellow. HA.048, The
T:She Wants A Fellow,aka. HA.048
T:Retreat,aka. HA.048, The
M:6/4
L:1/4
Q:3/4=120
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Title has been added in pencil in a later hand.cf Playford DM eds
N:4+(1670).CGP
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:D
“^u”(B/c/)|d2A “^cr”F>ED|Eed “^ii”c2(B/c/)|d2AF2E|FD2D2||
“^d”B/c/|dcd Bcd|ede c>BA|dcd ede|f3a3|
f>ef Bcd|ede c>Bc|d2AF2E|FD2-D2|]

X:50
T:Treble Mr Condiff.2voices. HA.049
M:3/4
L:1/4
Q:3/4=60
C:in Hand B
C:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:F
[V:1]|:fed|a”#”cd|efd|e/d/e/f/e|
[V:2]|:def|eef|gaf|g/a/g/f/e|
%
[V:1]fed|a”^#”cd|”^illegible inserted notes in MS”zzz|zzz:|
[V:2]def|eef|e”^#”c2|d3:|
%
[V:1]|:aga|bag|f/e/f/g/f/g/|a/g/a/b/a/b/|
[V:2]|:fef|gfg|a/g/a/b/a/g/|f/e/f/g/f/g/|
%
[V:1]aga|bag|a3/4b/4g3/2a/|a3:|
[V:2]fef|gfe|f3/4g/4 e>f|f3:|

X:54
T:A New War Like Tune of Mr Purcell. HA.053
T:New Warlike Tune of Mr Purcell. HA.053
T:By Moonlight on the Green,aka. HA.053
M:3/4
L:1/4
Q:3/4=75
C:in Hand B
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
c|ece|g3-|g2g/f/|e>dc|A2e|a>ga|fdc|
BGz|zzd|g(g/a/) (g/f/)|e>dc|ffg|a2A/A/|ddd|
BBd/d/|ggg|eee/d/|cA(d/A/)|(B/c/)A>G|GG||
d/c/|B(A/G/)d|e>dc|f>ge|f2g|adg|”#”cea|
f>ed|d2d|g/a/g(g/f/)|e2(e/d/)|cAf|
d2(d/c/)|BGg/f/|eca/g/|fdg|e>fd|c3|]

X:55
T:A R..?F..?of Mr. Purcelle.? HA.054
M:C
L:1/8
Q:1/2=80
C:in Hand B
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:F
F3A FA(cA)|F2f2 d3e|(fd)(fd) (cA)(cA)|G2g2 e3e|
f3g (ga)(gf)|(ab)(ag) c3f|(df)(ba) (ge)(ce)|f2a2 f4||
d’2a2fa (ba)|g2e2 (ce)(fe)|(fd)(cB) (Ac)(dc)|d2g2 e3e|
(eg)(ag) (ab)(ag)|(Bf)(gf) (ga)(gf)|(cd)(_ed) (cA)(cA)|A2F2 F4|]

X:56
T:Untitled. HA.055
M:3/4
Q:1/4=120
C:in Hand B
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:Bb
d2|:g^fgagd|g^fgagd|g^fgaga|b=efgf2|
fgabag|f2g2a2|f2gf=ef|d6:|
dcdede|d2g2f2|e2d2c2|B4B2|
(BA)(GA)(Bc)|B2GAB2|B2(GA)(BG)|c2A2A2|
dcdede|d2g2ab|f2d2B2|B4B2|
BAGABc|dcd=efd|g2a2^f2|g4|]

X:57
T:Untitled. HA.056
M:C
L:1/8
Q:1/2=90
C:in Hand B
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:Bb
G2g2 (fe)(dc)|B2f2 (AB)(cA)|(dc)(BA) GABG|(AB)(AG) ^F2D2|
G2g2 (fe)(dc)|B2f2ABcA|(dc)(ed) (cB)(cA)|B2^F2 G4||
g2g2gab2|(gf)(ed) (de)f2|c2c2 (ed)(cB)|(AB)(AG) ^FGAF|
(BA)(GF) (Ec)z(e/d/)|(ed)(cB) (Af)z(g/f/)|\
(gf)(ga) (ba)(gf)|(=ef)(ga) ^f2d2|
(ed)(cB) (Ad)(cB)|A4G2a2|bagf (=eb)(ag)|a2^f2g4|]

X:58
T:Untitled. HA.057
M:C
L:1/8
Q:1/2=90
C:Back to original Hand
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:F
c2|”^cr”f3ga2b2|”^cr”g3fe2f2|g2f2 edef|efed c2c2|
f2g2a2b2|g3fe2f2|g2fed2e2|f6||
A2|”^cr”B3c d2ef|gagf e2fg|agfe d2ef|gfed c2A2|
B3c d2ef|gagf e2fg|a2f2g2e2|f6|]

X:60
T:Untitled. HA.059
M:3/4
L:1/8
Q:3/4=60
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:F
d^cdefg|e2e2a2|d2e2^c2|dcde”^qu”d2|
d^cdefg|e2e2a2|d2e2^c2|d4A2:|
|:agab”^qu”a2|f4c2|f2g2e2|fefgfg|
agab”^qu”a2|A4a2|g2e4|d6:|

X:61
T:Untitled. HA.060
M:3/4
L:1/8
Q:1/4=120
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:No B Strain.
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:D
“^cr”d3A (dA)|B2F2(ED)|d2(fd) (af)|e2c2B2|
BF Bc de|f2d2A2|FA BA dA|F2D2D2|]

X:63
T:Untitled. HA.062
M:6/4
Q:3/4=50
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:G
gab gef|g3 d>ec|cA2G3|
Bcd edg|e2a a>gf|ge2 d3||
ABc cde|e>dc efg|ABA F2d|
ecc dBB|cAf gGA|A2G G2|]

X:64
T:Untitled. HA.063
M:3/4
L:1/4
Q:3/4=60
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:G
a|a2e|fdg|af2|g/f/g/a/g/a/|a2e|fdg|af2|g2||
e|d2B|c(B/A/)d|eA2|B/A/B/c/B/c/|d>cB|cAd|eA2|G2|]

X:65
T:Untitled. HA.064
M:6/4
L:1/4
Q:3/4=90
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:There is a note in the margin, in pencil in a modern hand, suggesting
N:that it may be more sensicle as 3/4. This would, however, result in
N:twelve bars for each half of the tune, which would be very long for a
N:3/4 tune of this date..CGP
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
“_2 sharps in MS”g/f/|e>dc e/f/ge|f>ga Adc|B3 G2c/B/|
A/B/cA f>ge|d>ec B>AG|c3C2||
G|E>FG GEG|cAd d(A/B/)c|B3d2e|
f>ef gec|(a/g/)(f/e/)(d/c/) dGB|”min”c3 C2|]

X:66
T:Untitled. HA.065
M:6/4
L:1/4
Q:3/4=90
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:F
c|f>gf cfg|a>gf efg|c3 ABc|
d>cB A>GF|EFG c3/2d/c/B/|A3 F2||
g|g>fe def|ABc c>dB|c3 g2a|
bag fdB|c>BA G2a|g3f2|]

X:67
T:Illegible Title. HA.066
M:C
L:1/8
Q:150
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:3 sharps in MS, but I think include both top and bottom F.
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:D
d3A (dA)(GE)|F2(ED) D2FG|A3B (AB)(AF)|E2f2 e2(dc)|
“^cr”d3e (fd)(ef)|(eE) (EF/G/) F2(ED)|\
“^cr”B3A (dc)(de)|e3d d2||
df/g/|”^cr”a3f (ec)(BA)|(ec)(BA) “^cr”e3f|\
(gf)(ed) (BF)Bc|”^cr”c3B “^cr”B3d|
(AB)(AF) (EF)(ED)|(AB)(cA) d3f|\
(df)(ce) (Bd)(AF)|D2d2″^cr”d4|]

X:68
T:Untitled. HA.067
M:C
L:1/8
Q:1/2=90
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Various notes have been sharpened or naturalised in the MS. Sometimes I
N:have obeyed this and at other times I have merely indicated it above
N:the staff, according to my judgement.CGP
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:Bb
d2|c3B A2G2|^F3G A2F2|D2G2G2A2|B4f4||
(cd)(cB) (AB)(AG)|^F3G A2e>f|g2d2 f2A2|G6||
d2|B2f2 B2f2|(gf)(ed) (cd)(cA)|B2f2 B2f2|(gf)”^#”(ed) (ef)(gf)|
(gf)”^#”(ed) e”^#”dcB|(cB)(AG) F2″^#”e>f|g2d2 f2A2|G4 d4|]

X:69
T:New Ballopp. HA.068, The
T:Scotch Tune,A. HA.068
M:C
L:1/8
Q:1/2=100
C:”A Scotch Tune”, in a different hand
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:…..is a trouserflap
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:C
ABc2 c3G|E4 C4|Bcd2 d2c2|A4 G4|
ABc2 c2G2|E4 f4|efg2 e3d|c4-c4||
gfga g3f|edef e3d|efg2″^#”f3e|e4-e4|
gfga g2f2|edef e2ce|g2a2 e3d|c4-c4|
gfga g2f2|edef e2c2|efg2 f3e|d4-d4|
ABc2 A2cA|E4f4|efg2 e3d|c4c4|]

X:70
T:Untitled. HA.069
M:C
L:1/8
Q:1/2=80
C:Hand ‘A’
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:A little tweak with the barlines and one or two note lengths is all I
N:have done in the edited version.CGP
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:F
“^As Writ”D4|E2F3GA2|d3e dcd4|e2f2c2d2c3|(BA) (GF) FG|”u”G4A4:|
g2a2 g2fe|dcf2A2G4|(AB) c2d2c2|(BA) (GF) G2″u”E2F2|
g2a2g2|(fe) (dc)|f3e2 fga|(fe)d2e2d2|c2(BA) c2d4||
zzzz|zzzz|zzzz||
M:3/4
Q:3/4=60
“^Edited by CGP”\
z2|D4 E2|F3GA2|d3e dc|d4 e2|f2c2d2|c2 (BA) (GF) |FGG4|A4:|
g2|a2 g2fe|dc f2A2|G4 (AB)| c2d2c2|(BA) (GF) G2|E2F2g2|
a2g2 (fe)| (dc) f3e| fga2 (fe)|d2e2d2|c2(BA) c2|d4|]

X:71
T:How Blest Are Shepherds. HA.070
M:3/4
L:1/4
Q:1/2=70
C:Purcell
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.Air
O:England
A:Hartburn,Northumberland
N:cf Apollo’s Banquet, 1691.CGP.
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
cge|ade|f(g/f/) (e/d/)|e2(d/c/)|gc’g|ecG|ce(d/c/)|g3:|
|:dBe|d>ef|g(a/g/) (f/d/)|e2d|eae|d>ef|(B/c/) (d/c/) (B/A/)|A3|
cde|f(e/d/)g|efg|a2a|gab|c’ea|dg(c/d/)|d2c|]

X:72
T:New Minnet. HA.071, A
M:3/4
L:1/4
Q:3/4=60
C:in a different Hand, C
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.minuet
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
c>Bc|dd3/2(c/4d/4)|e/d/e/f/e|d2c|dd2|c/B/c/d/c/G/|
c>Bc|dd3/2(c/4d/4)|e/d/e/f/e|d2c|dd2|c3:|
|:g3|agf|de/f/g|e2c|fe2|d/c/d/e/f/d/|
g3|agf|ee/f/g|d2c|fe2|c3:|

X:73
T:New Lesson. HA.072, A
M:6/4
L:1/4
Q:3/4=100
C:in Hand C
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
“^As Writ”eaga|g2g3/2(f/4g/4) ad|eAd aga|g2g3/2(f/4g/4) ad|”^#”c2:|
|:abc'(b/a/)|b(a/g/)a bg>f|gef2 g3/2(f/4g/4)|a”^#”d(e/f/)ed|e2:|
zzzzzz||
M:3/2
|:”^Edited by CGP”ea ga g2|g3/2 (f/4g/4) ad eA|\
ea ga g2|g3/2 (f/4g/4) ad c2:|
|:ab c'(b/a/)b(a/g/)|ab g>f ge|f2 g3/2 (f/4g/4)ad|ef ed e2:|

X:76
T:Why Are My Eyes. HA.075
M:3/4
L:1/8
Q:3/4=60
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.Air
O:England
A:Hartburn,Northumberland
N:Pills To Purge Melancholy, 1719
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:Bb
“_No Key Sig in MS”c2d2f2|d4B2|(c>Bc>d) d>c|B4B2|
c2(cB) (cG)|(A2B2)c2|(d2c2)(c/d/e)|c6:|
|e2f2g2|g2(fe)(dc)|e2(fe)(dc)|d6|
g2(a2g2)|f2e>dc>d|d3cd2|e6|
A2B2c2|(f2d2)c2|e2(fe) (dc)|B6|
c2d2e2|(c3B) (AB)|B3AB2|c6|]

X:77
T:Untitled. HA.076
M:3/4
L:1/4
Q:3/4=70
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
c2e|g2a|(ge)(d/c/)|a3|
c’ce|f>g (a/f/)|ge(d/c/)|B2G|
c2e|g2a|(ge)(d/c/)|a3|
c’ce|(d/e/)fd|gAB|c3-|c2:|
|:g|(c’g)c|f2a|d’ac’|b2(a/g/)|
c’ga|”^#”fdB|(Gg)^f|g>a (b/g/)|
c’ge|e>f (g/d/)|(fe)(d/c/)|B2(A/B/)|
gde|fga/b/|c’ge3/4d/4|c3:|

X:79
T:Lawson’s Delight. HA.078
M:3/4
L:1/4
Q:3/4=70
C:Back to Original Hand
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:We seem to be back to the original hand, but with the variation of
N:modern repeat marks, (sometimes).CGP
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
ccd|eec|e”^#”f3/2(e/4f/4)|g2(f/e/)|
ffg|aag/e/|fe>d|d2G:|
|”^u”gge|ffe|dd/e/ d/c/|B>AG|
eef|^fg^g|af>e|e2f|
ggf/e/|ffe|dd/e/d/c/|B>A G/A/|
“^b”BB>c|AAd/B/|cc>B|c3|]

X:80
T:Farther Be In The Welcomer. HA.079, The
M:C
L:1/8
Q:1/2=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Although grammatically challenging, the tune is strong, and clearly not
N:in need of any interference from an editorial angle.cf John Young,
N:Scotch Tunes, 1720.CGP
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:G
“_As Writ..No Key Sig in MS”\
(DE/F/) D4A2|BAFA c2C2-C2|(D/E/F/) D4A2|BAFA (GF) (ED) d2|
(cB) ABcdefde c2C2-C2|(FE) DEFGABGA “#”F2 D2-D2:|
|:Bcd2D2A2D2 c2C2-C2|Bcd2D2A2D2|d2D2A2D2|
d2D2A2D2c2C2-C2|(FE) DEFGABGA “#”F2 D2-D2:|
|:(FE)D2a2 fgaf|eg cg ec ge|defdefge|
agfe defd ABcdefde c2 C2-C2|(FE) DEFGABGA “#”F2D2-D2:||
zzzz|zzzz|zzzz||
“^Version edited by CGP”\
(DE/F/)| D3A BAFA| c2C2-C2 (DE/F/) |D3A BAFA| (GF)(ED) d2(cB)|
ABcd efde| c2C2-C2 (FE)| DEFG ABGA| F2D2-D2:|
|:Bc|d2D2A2D2| c2C2-C2 Bc|d2D2A2D2|d2D2A2D2|
d2D2A2D2|c2C2-C2 (FE)| DEFG ABGA| F2D2-D2:|
|:(FE)|D2a2fgaf|egcg ecge|defd efge|agfe defd |
ABcd efde| c2 C2-C2 (FE)| DEFG ABGA |F2D2-D2:|

X:81
T:Claw Her Weam. HA.080
T:Lass Of Livingston,aka. HA.080
T:Highland Laddie,aka. HA.080
M:C
L:1/8
Q:1/2=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Aka Cockleshells..Translates roughly as “Tickle On The Tum”, if you get
N:my meaning. I
N:considered re-beaming to conform with modern expectations, as it would
N:not require altering the tune in any way, only it’s graphic
N:presentation. However, the original beaming, as here given, is graphic
N:and very suggestive of performance practice..CGP
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:F
“^Original Beaming”CD|F3G A3f|cAcfcA GF|A3G G3F/G/|A3G G3F/D/|
F3G A3d|cA GFGA c2|d2D2 D2CD|F2D2 D2:|
|:ag|fcfgfgag|fcdfcA GF|A3G G3″^#”F|A3G G3F/D/|
fgagfafd|cAcdcd fg|a2D2 D2CD|F2D2 D2:|

X:82
T:Untitled. HA.081
M:3/4
L:1/4
Q:3/4=60
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:F
dAG|F2E|FD/E/F/G/|A/G/A/B/c/A/|
dAG|F2E|FD/E/F/G/|A3:|
|:f/g/aa|a>ba|g/f/ g/a/ g|ga2|
a(b/a/)(g/f/)|ea2|f(g/f/)(e/d/)|^c>BA|
f/g/aa|a>ba|g/f/g/a/g|ab2|
a(b/a/)(g/f/|ea2|f(g/f/) (e/f/)|d2:|

X:83
T:Untitled. HA.082
M:3/4
L:1/4
Q:3/4=60
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Key arrived at by implication, likewise E naturals in B strain by
N:preceding E being flattened in MS..CGP.
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:Bb
“_No Key Sig. in MS”ggd|g2a|b/a/”^qu”gb|a/g/a/b/”^qu”a|
ggd|Bed|cA2|G3:|
|:AdA|BGe|gd”^b”e|=ece|
a=eg|”^sic”fdc’|”^cr””_e flat f nat in ms”=e^f2|g3:|

X:84
T:Minuet,A. HA.083
M:3/4
L:1/4
Q:3/4=70
C:in Hand C
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
e>fe|de2|fga|ged|\
e>fe|de2|cd2|B3:|
|:g>fe|f>ga|def|e2d|\
def|g2g|g>ag|g3|
gfe|f>ga|def|e2c|\
g2a|gec|c2B|c2|]

X:85
T:Untitled. HA.084
M:3/4
L:1/4
Q:3/4=70
C:in Hand C
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Erratic barlines could mean 6/4 or 3/4.CGP.
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
e2d|cGc|cc/d/e/c/|dd/e/f/d/|
e2d|cGc|dd2|c3:|
|:e2f|gcd|e2f|g3|
e/d/c/d/e/f/|e/d/c/d/e/f/|e/d/c/d/e/f/|ga/g/f|
e2d|cGc|c/B/c/d/e/c/|dd/e/f/d/|
e2d|cGc|dd2|c3:|

X:86
T:Untitled. HA.085
M:3/4
L:1/4
Q:3/4=60
C:in Hand C
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:I can’t work this one out.CGP
H:1/4
Z:vmp.Chris Partington,Jan.2004.
K:F
“_As Writ. No Key or Time Sigs.”\
fg/f cf/g|ag/f e/fg|c3A|B/c/d/ cBAGFE|\
FGABBAA2F:|
|:f/g/a/ gfe|fgfedcGAcg|\
abagfga(c/A/)GAgg2f2:|

X:92
T:Untitled. HA.091
M:3/4
L:1/8
Q:1/4=135
C:in Hand C
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:Bb
^f2|g4d2|b4(ag)|(fg)(fe)(dc)|c4(BA)|
(ga)(g^f)(gd)|b4(ag)|(fg)(fd)(Bc)|d4d2:|
|:f4(ed)|g4f>e|d>ec2=B>c|=B6|
cd ef ga|f2d3B|c6|
A2B2c2|d2ed=e2|f2gfg2|a4d2|
b2(ag)(fe)|d2(fd) c>A|ABA3G|G6|]

X:99
T:Scotch Tune. HA.098, A
M:C
L:1/4
Q:1/2=130
C:Back to original Hand
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
“^As Writ”G3d df>ed|(c/d/) (c/A/) (G/F/)F2GA2|\
G3d df>ga|F3G (Ac)G2:|
|:d(e/d/) (c/A/) f2|(e/d/) g (e/d/) a2|\
(g/e/) d (e/d/) (c/A/)|f3 g/a/ F2G (A/c/) G2:|

X:100
T:Untitled. HA.099
M:3/4
L:1/4
Q:3/4=60
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
GGE/F/|G>AG|cdB|c/B/c/d/c|
GGE/F/|G>AG|cdB|”^min”c3:|
|:c/d/e/f/e/d/|c/B/A2|B/c/d/e/d/c/|B/A/G2|
A/B/cc|B/c/dd|c/d/ef/e/|d/e/c2:|

X:101
T:Where Will Our Goodman Lie. HA.100
T:Black & Grey,aka. HA.100
T:Duke of Hamilton’s Reel,aka. HA.100
T:As She Pissed She Paddled In It,aka. HA.100
M:C
L:1/4
Q:1/2=80
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:cf James Oswald Pocket Companion, 1760..Walsh’s Caledonian Country
N:Dances.. 1754 .Aka Lady Hamilton’s Rant, As She Pissed She Paddled In
N:It..CGP.
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
GGBA|B>AGc|A>GFf|A>GFF|
GGBA|B>AGc|A(G/F/) (A/B/)(c/A/)|G2d2||
gd(B/c/)(d/B/)|gd(B/c/)(d/B/)|fc(A/B/)(c/A/)|fc(A/B/)(c/A/)|
gd(e/f/)(g/f/)|(g/f/)(e/d/) (e/d/)(c/B/)|A(G/F/) (A/B/)(c/A/)|G2d2|]

X:102
T:Highland Pibroch. HA.101, A
T:Irish Gilicrankey. HA.101
T:Killicrankie,aka. HA.101
M:C
L:1/4
Q:1/2=120
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:”Irish Gilicrankey” is written at the end of the tune. Then it says
N:–“Erse formerly used instead of Gaelic” and signed “J.M.W.”
N:Easily tidy it up yourself.CGP.
D:
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
“_As Written..No Key or Time Sig. in MS”G2cG/E| G2cG/E|G2cG/E G3|\
B3A/G/ A/B/ A|
B3A/G/ A/B/ A|Bc3d/e/d/c/B/A/ A|d/e/a(g/e/) g(e/d/)e(d/c/)d2|
(c/A/)c(A/G/) (c/a/) (G/E/)|G3|c/AG/Ac3/2B/c/d3|\
(c/d/)ec2(A/G/)|c3EDC||
g3ag/a/g/e/ g/e/g/a/ g/a/g/e/ g/e/d/c/ d/c/d/e/a2-a2|
(e/g/)ab|\
a/b/a/e/a3b/ a/b/a/e/ g/e/d/c/ d/c/d/e/ a3|
(e/g/)a(g/e/)|g(e/d/)e(d/c/)d2(c/A/)|c(A/G/) c/A/ (G/E/)G2|
c3A3/2 G/A/ c3/2 B/c/ d|c/d/e|(d/c/)c3 (A/G/) c3 ED3/2C3|]

X:103
T:Shonburg’s March. HA.102
M:3/4
L:1/8
Q:3/4=60
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Friedrich Hermann Von Shonberg, German soldier of fortune, was
N:commander of William lll’s army at the Battle of the Boyne, 1690, and
N:was killed there, at the age of 75.CGP
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
“_No Key or Time Sig in MS”\
Gc3dc3AGG|”^As Writ”GAc3c2d|Gc3dc3AGG|GAc2c2:|
|:d(e/4f/4g/) (e/4f/4g/) g3ed|Gc3d2e3|
d(e/4f/4g/) (e/4f/4g/) g2ed|GAc3c3:|

X:104
T:Deol Gae With Him…. HA.103, Ye
T:Devil Go With Him,aka. HA.103
M:C
L:1/4
Q:1/2=100
C:”….his tayl flies up”
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:There’s a tune in there if you’re patient with it.CGP
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:F
“_As Writ. No Key or Time Sig in MS”DF3c3cAc|G3dd|\
DF3c3cAcF2cc|
AB/A/B/c/d/e/e2|c/A/G2dd|ef3edc/A/c|F3c2c2:|
|:DF2f(f/c/) AG2ff(e/4f/4g/)|F3f3 f/e/f/g/f/ f/c/ dc/A/F|
B/A/B/c/d/e/f3G/A/G2dd|ef3 e/d/ c/A/c|F2c2c3:|

X:105
T:To Thee,To Thee. HA.104
M:3/4
L:1/4
Q:3/4=80
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:WYSIWYG.
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
“_No Key or Time Sig. in MS”\
d|c3(A/G/)GGD/E/F/G/A|”^Unedited..(able)”c3GGG(G/A/) (B/A/) c3|
c3(c/d/) c2B|AAG3FG2GE/A|G3(E/D/)G2|
dc3(A/G/)DD D/E/F/G/A|c3GGG(G/A/) (B/G/)c3|
c3(c/d/)c2BA/A|B/c/d/ g3d e/d/c/B/ A/B/c/d/ c3G3||
g2Gg2Gg/f/e/d/g2GGG/A/G2GEE|
c3c3(c/d/)c3B/AAB/c/d/|g3d e/d/c/B/ A/B/c/d/ c2G2|]

X:106
T:Over The Hills And Far Away. HA.105
M:C
L:1/8
Q:1/2=90
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:cf Pills To Purge Melancholy,1719.also Walsh CD, 1719.CGP
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:C
GA|c3d cded|c2A2-A2GA|c3d cdec|f2d2-d2GA|
c3d cded|c2A2A2c2|G3A GABc|e2d2-d2||
ef|g3a gede|c2A2-A2ef|g3a gedc|a2d2-d2ef|
gfga gede|c2A2A2c2|G3A GAcd|e2d2-d2|]

X:107
T:Untitled. HA.106
M:C
L:1/8
Q:1/2=80
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:G
G2g2 (ef)(ge)|(dB)(AG) FGA2|B2e2 e2(ag)|f2(ed) d4|
G2g2 (ef)(ge)|(dB)(AG) (FG)A2|B2e2 e3d|B2(AG) G4:|
G2g2 (ef)(ge)|(dB)(AG) FGA2|B2e2 e2(ag)|f2(ed) d4|
G2g2 (ef)(ge)|(dB)(AG) (FG)A2|B2e2 e3d|B2(AG) G4||
F3G A2(Bc)|B2e2 ^d2(cB)|e2f2g Be2|e3d e4|
dedc Bc d2|e2(fg) f2 ed|gfed (Be)(dc)|B2(AG) G4|]

X:110
T:King Shall Enjoy His Own Again. HA.109, The
M:C
L:1/8
Q:1/2=75
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:cf Caledonian Pocket Comanion,1760..CGP.
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:D
A2A2 d2d2|efga f2ef|g2B2 c2de|e4 d4||
“^u”e2cd e2f2|ed cd e2f2|g2B2 cd ec|B4 A4|
“^S”ab ag f2(ed)|efga f2(ef)|g2B2c2(de)|e4 d4|]

X:113
T:Aber Geldie. HA.112
T:Birks of Abergeldie,aka. HA.112
T:Devonshire Lass,aka. HA.112
M:C
L:1/8
Q:1/2=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Aka, Scotch Ayr. cf Playford eds 12-18(1703-28). also as Birks of ..in
N:Walsh CD 2 1735..CGP
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:F
F3G A2c2|”^-“f4″^=”e2d2|”^-“f4″^=”e2d2|efga g2a2|
F3G A2c2|f2g2 a2g2|f2d2c2(BA)|G4d4:|
F3G A2f2|c2F2 A2f2|c2F2 A2f2|dcBA G2A2|
F3G A2f2|c2F2 A2fg|agfd fdcA|G4 d4||
F3G A2B2|cAFA cAFA|cAFA cAFA|dcBA GABG|
FEFG AGAB|cAcd cdfg|agfd fdcA|G4d4|]

X:115
T:Minuet. HA.114
M:3/4
L:1/8
Q:3/4=60
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:F
c2|f2edc2|d2cBA2|B2G2c2|A2F2c2|
f2edc2|d3ef2|g2e3f|g4:|
|:c2|g2agfg|e2c2e2|f2gfef|d4c2|
dcdede|f2F2G2|A2BAGF|G4c2|
A2FGAF|GFGAGA|BABcd”^b”e|c4c2|
c2f2d2|g2e2a2|f2g2e2|f4:|

X:121
T:Lass In The North Country. HA.120, A
M:3/4
L:1/8
Q:1/2=90
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Works very well with a strong first beat in the bar. cf Kingsley
N:MS,1795 (USA).. CGP.
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:G
“_Perhaps 9/4?”BAG2D2|G4B2|AGABE2|BAG2D2|G4A2|(Bc)(dB)G2:|
efg4|e2(fe)(dB)|d2e2f2|efg4|e2(fe)(dB)|
d2(ef)d2|efg4|e2(fe)(dB)|d2e2f2|efg2G2|
G4B2|AGABE2|BAG2D2|G4A2|(Bc)(dB)G2|]

X:124
T:Untitled. HA.123
M:3/4
L:1/8
Q:3/4=45
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:C
A>A|c2e2e2|g4dc|B2d2d2|f4(ed)|
(ed)(ef)(ef)|d2B2e2|^c2A2A2|A4:|
(A/B/c)|B2G2G2|d4d2|d3e^c2|d4B2|
c2(AB)(cd)|e3d (e/f/g)|(fe)(dc)c2|c4d2|
e2(e/f/g) (fe)|c4c^c|d2(df) (ed)|_B4(cd)|
e3fe2|e2(dc) (Be)|^c2(BA)A2|A6|]

X:125
T:New Road To Berwick. HA.124, The
T:Go To Berwick,Billy. HA.124
M:3/2
L:1/4
Q:1/2=90
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:F
cF Fc d/c/B/A/|BG GG Bd|cF Fc d/c/B/A/|cF Fc Ad||
f>g fF A/B/c/A/|g>a gG Bd|f>g fF A/B/c/A/|f>g fF Ad||
c/A/F/A/ c/A/F/A/ c/A/F/A/|d/B/G GG Bd|\
c/A/F/A/ c/A/F/A/ c/A/F/A/|c/A/F/A/ c/A/F/A/ cd||
F2 C2 F2|g>a gG A/B/c/A/|F2 C2 F2|g>a gG A/B/c/A/||
f/c/f/g/ f/g/a/g/ f/g/f/c/|dg2GBd|
f/c/f/g/ f/g/a/g/ f/g/f/c/|cf2FAc||
b(a/g/) a(g/f/) g(f/e/)|dg2G Bd|b(a/g/) a(g/f/) g(f/e/)|cf2FAc||
AF fA gA|BG2G Bd|AF fA gA|cA fA cd|]

X:126
T:Prince Eugene’s March. HA.125
M:C
L:1/8
Q:1/4=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Prince Eugene of Savoy,1663-1736, Field Marshal and Commander of the
N:Austrian Army in the wars against France in late 17th – early 18thC.
N:Big pal of the Duke of Marlborough, Queen Ann’s C-in-C .There is
N:tablature above the tune that I don’t understand and any way can’t
N:represent. cf Walsh, Musica Bellicosa,1733..CGP.
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:D
“Written for two parts”[F4A4] A4|[F3d3]e defg|a2f2[d2f2]gf|edef e2A2|
[F4A4] A4|[F3d3]e defg|fga2^g3a|a8||
ee/e/ ee ee e2|[df][d/f/][d/f/] [df][df] [df][df] [d2f2]|\
aa/g/ ff/e/ [df][df] AA|a/b/a/g/ f/g/f/e/ [df][df] AA|
DD/D/ D[DF] DD/D/ Df/g/|\
ad/e/ f/e/f/g/ ad/e/ f/e/f/g/|ag/f/ e>d d4|]

X:127
T:Scotch Tune. HA.126, A
T:Friday Night,aka. HA.126
T:Nowill Hills,aka. HA.126
M:C
L:1/8
Q:1/2=90
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:PLFD ed 11(1701) #439..Aka Love Neglected.Peggy In Devotion…CGP
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:D
F>E|D2F2A2d2|A4F4|G3A BAGF|EDEF E2FE|
D2F2A2d2|A4f4|(ef)(ec) (Bc)(BA)|A6||
c>B|A2c2e2a2|e4c4|d3e fedc|BABc B2cB|
A2d2 (AB)(AF)|A4B4|(AB)(AF) (EF)(ED)|D6|]

X:128
T:Purcell’s Trumpet Voluntary,aka. HA.127
T:Temple,The,aka. HA.127
M:C
L:1/8
Q:1/4=180
C:..or J.Clarke’s Untitled in MS
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
N:I’ve removed two redundant barlines. cf “The Temple” in Walsh CD 2,
N:1731..CGP.
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:C
c4d4|e3f e2d2|c2d2e2dc|d2G2G2G2|
c4d4|e3fe2d2|cdcd d3c|c4||
e4 (f3e/f/)|g3a g2f2|e2c2c2G2|c2G2E2C2|
e4 (f3e/f/)|g3a g2f2|e2c2 cdec|d4|]

X:129
T:Happy Groves. HA.128
M:C|
L:1/4
Q:1/2=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:cf The Beggar,s Opera.
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:C
“^v”g2″^u”a”^u”g|g/f/e/d/ cd|(ed) (fe)|d/c/d/e/ d2|
“^v”g2″^u”a”^u”g|g/f/e/d/ cd|e/d/c/e/ dB|c2||
(ed)(fe)|(ed)(fe)|dcBA|e3e|
agfe|d/e/f B”^crs”b/a/|”^sic”gff>e|e2|]

X:130
T:Madame Coblenie’s(?) Minuet. HA.129
M:3/4
L:1/8
Q:3/4=60
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:G
z/d/e/f/|g2f2g2|d4d2|e2d2c2|B2A2G2|\
B2A2G2|B2A2G2|B4c2|d4z/d/e/f/|
g2f2g2|d4d2|e2d2c2|B2A2G2|\
BcBABG|Bcd2e2|A4G2|G4||
B2|c2dcBA|B2G2B2|c2dcBA|B4B2|\
efgfed|”^first strain again”cBA2a2|(gf)e4|d4||
B2|e3fg2|f2B2B2|A2BAGF|GFE2B2|\
e3fg2|f2B2f2|
(gf)f4|e4f2|\
e2f2g2|a2gfed|g2f2g2|a4|]

X:131
T:Scotch Tune. HA.130, A
M:C|
L:1/8
Q:1/4=140
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Chris Partington.Jan.2004
K:G
“_3 sharps in MS”G2B>c d3e/f/|gdcB A3B|c2c>d Bddg|B2(AG) G4||
B2d2 g3f|e2a2 f3f|(g/f/g/e/ g/f/g/e/) (g/f/g/e/ g/f/a/e/)|\
e3d d3g|
egdg cgBg|egdg cgBg|e2d>c B2(B/c/d)|B2(AG) G4|]

X:134
T:Three Crowdeys In A Day. HA.133
M:C
L:1/4
Q:1/4=120
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:”Crowdey once, crowdey twice,three crowdeys in a day, if ye crowdey any
N:more, ye’ll crowdey all the ……?(illegible) away.”
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:F
FA c2|FA f2|FA cf|(d/c/)(B/A/) G2|
FA c2|FAf>g|a/g/f/d/ f/d/c/A/|c/A/G/F/ G2||
f2 f/g/a|cA c2|f2 f/g/a|cAG2|
f2 f/g/a|cAf>g|a/g/f/d/ f/d/c/A/|c/A/G/F/ G2|]

X:135
T:Ranting Roaring Willie. HA.134
T:Rattlin’ Roarin’ Willie,aka. HA.134
M:9/4
L:1/4
Q:3/4=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Many inconsistencies in the MS, but I have refrained from editing as it
N:is a tune commonly found elsewhere.CGP
H:1/4
Z:vmp.Chris Partington.Jan.2004
K:D
“_Unedited”(B/c/)|A2D F2D (FA)B|\
cdc (cG)EG(AB)|A2D F2D (F/A/) |
(B/c/) (d/c/)(d/c/)(d/c/)”^sic barlines”|(d/c/)(B/A/)(G/F/) A2(B/c/)|
(d/c/)(d/c/)(d/c/) (d/c/)(B/A/) (G/F/) A2B|
cdc (c/G/)E GAB|A2F B2A d2(c/B/)| ADF ECE D2||
D|DA,D DA,D DA,D|EDE CEC (E/F/G)E|
EA,D DA,D DA,D|FEF CFC F/G/AF|
EDE CEC (E/F/)GE|A2F B2A d2(c/B/)| ADF ECE D2||
A|d>ef f>ef d2A|c>de e>de c2A|
cAB Adc/B/|A/D/F E/C/ED2||
A|AFD AFD AFD|cGE cGE cGE|AFD AFD|
dAF dAF dAF|dAF dAF dAF|cGE cGE G>AB|
A2F B2A dc/B/| ADF FCE D3-|D2|]
W:See notes re editing

X:139
T:Gingling Geordy,another way. HA.138
T:Wylam Away,aka. HA.138
M:6/4
L:1/8
Q:3/4=90
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:In MS the only repeat signs are at end of tune.
N:Preceding tune “Gingling Geordy” repeats each part. NB
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:G
ef|g3dB2g2G2B2|g2d2B2A2 fgaf|g3dB2g2G2B2|g3dB2G4||
d2|d3 B/2c/2d2e3c/2d/2e2|d3B/2c/2d2A4d2|\
d3 B/2c/2d2e3c/2d/2e2|d3B/2c/2d2G4||
d2|B2d2g2B2d2g2|B2d2g2a2A2d2|\
B2d2g2B2d2g2|B2d2g2G4||
d2|B3AG2e3dB2|g3dB2a2A2c2|B3AG2e3dB2|g3dB2G4||
ef|gfed B2d2 efgf|gfed B2A2 fgaf|
gfed B2d2 efgf|gfed B2G4:|

X:140
T:Lad That Keeps The Cattle. HA.139, The
M:6/4
L:1/8
Q:3/4=90
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:C
G3AG2e4c2|d2B2G2c2A2F2|G3AG2e4c2|d2B2G2c4A2|
G3AG2e4c2|d2B2G2c2A2F2|G2A2B2A2B2c2|d2B2G2c4A2||
G2g2d2e2d2e2|d2B2G2c2A2F2|G2g2d2e2d2e2|d2B2G2c4A2|
G2g2d2e2d2e2|d2B2G2c2A2F2|G2A2B2A2B2c2|d2B2G2c4A2||
d2B2G2d2B2G2|d2B2G2c2A2F2|d2B2G2d2B2G2|d2B2G2c4A2|
d2B2G2d2B2G2|d2B2G2c2A2F2|G2A2B2A2B2c2|d2B2G2c4A2|]

X:141
T:Milkmaid’s Dance. HA.140, The
M:C
L:1/8
Q:1/2=110
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:G
G2B4AG|d4g4|d2B2e2A2|”^=”F4D4|
E2C2E2(AG)|F2A2d2(gf)|(ed)(cB) (AB)(AG)|G4B4:|
|:d3B/2c/2d3B/2c/2|d2B2G2B2|\
A3c/2B/2″^undotted in MS”A3c/2B/2|A2d2F2A2|
d2efe2fg|f2d2g2B2|A2B2A3G|G4B4||
B2G4d>c|”^=”B4G4|A2D4A>G|”^=”F4D4|
E2C4AG|”^=”F4d4|e2A4dc|”^=”B4G4:|
|:g2d2g2gf|e2c2e2dc|d2B2G2B2|E2A2F2D2|
E2C2E2AG|F2A2d2(gf)|(ed)(cB) (AB)(AG)|G4B4|]
W: Repeats shown as in MS.

X:142
T:I Was Young And Lustey…. HA.141
M:3/2
L:1/8
Q:1/2=100
C:”… When I Had Ye”
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:”…When I Had Ye” It seems that HA has missed repeat signs in places.
N:However, this may be
N:deliberate to fit a specific dance. I have therefore left repeats as in
N:Key sig (one flat) with root note G suggests dorian mode. NBr.
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:GDor
“^tr”Td2(ef) gfed f2B2|d2g2 fdcB f4|
“^u”d2 ef gfed f2B2|c2g2c4f4||
“^undotted in MS”d3BG2B2f2B2|d3BG2B2f4|
d3BG2B2f2B2|c2g2c4f4:|
|:defd efge defd|BcdB defd f4|
defd efge defd|c2g2c4g4:|
|:d2G2f2B2g2B2|fdcd fdcB f4|
d2G2f2B2g2B2|c2g2c4g4:|

X:143
T:Love Is Ye Cause of My Mourning. HA.142
M:3/4
L:1/8
Q:3/4=40
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Deviation from 3/4 (in 2 bars) is probably intended .NBr
N:cf Music for Alan Ramsay,1724..CGP.
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:F
F>G A3 A>c|A>cG>AF2|f2g2a2|A4c2|
d2(df) (cA)|c2(dc) (Ac)|(ag)(fd)(cA)|GAG>F D2|
F>G A2 A>c|A>cG>A F2|f>g (“^=”gf/2g/2) a2|A4c2|
dcA2cA|GF G3F|Gf dc A2 (A/2c/2d/2c/2)|A3GF2||
f3g ag|f3dc2|G2 Acdf|dfdc A2|
c2 Acdf|cdAcGA|agfdcA|GAGF D2|
f>g a2 ac’|ac’ ag f2|f>g (“^=”gf/2g/2a2)|A4c2|
dc A2 (Ac/2A/2)|GF G3F|Gf dc A2|\
(A/2c/2d/2c/2)”^=”A3GF2|]

X:144
T:Bonnay Wattered Meggy(?). HA.143
T:Farewell my pretty,witty Peggy,aka. HA.143
M:C
L:1/8
Q:1/4=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:B music a bit odd, but sounds OK as is. NBr
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:F
c|f2(f/2g/2a) (fd) (cA)|G>FG>A (FD)F2|
f2(f/2g/2a) (fd)(cA)|(GF)(GA) F3||
c|c3d (cA)c2|f2(f/2g/2a)”^=”g3f|\
d2(d/2e/2f) (cA)(GF)”_barline missing in MS”|D2B2G2F|
FCFG A2 (fe)|d3c defg|a3g (fc)(df)|(cA)(GF) F3|]

X:146
T:Leshly’s March. HA.145
T:Leslie’s March,aka. HA.145
M:6/4
L:1/8
Q:3/4=80
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Flat signs over f notes in line 5 bar one are strange, but possibly
N:gives the
N:player a feel of the way the tune turns at this point. NBr
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:C
e2c2c2e2G2G2|e2c2c2e2G2G2|efgfed f2A2A2|efgfed f2A2A2|
e2c2c2e2G2G2|e2c2c2e2G2g2|”^=”e3dc2A2G2A2|cAcdec d4c2||
A2c2c2c4c2|A3GA2c4G2|E3DC2C2D2E2|E2D2C2″^=”D4C2|
A2d2d2d3cd2|e3dc2d3cd2|e3dc2A2G2A2|cAcdec “^=”d4c2||
c2g2e2g2 efge|c2g2e2c4G2|_B2″^*”f2d2″^*”f2 de”^*”fd|B2f2d2″^=”B4G2|
c2g2e2g2 efge|cBcdef g2G2g2|e3dc2A2G2A2|cAcdec “^=”d4c2|]
W:Notes marked * have flat sign above them in MS.

X:147
T:Three Sharp Knives No1(?) HA.146
T:Three Case Knives,aka. HA.146
T:Three Rusty Swords,aka. HA.146
T:Rusty Gully,aka. HA.146
M:6/4
L:1/8
Q:3/4=80
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:A key sig. of Gmaj results in a version very like
N:”Three Case Knives (or Three Rusty Swords)”.
N:The Gmix setting (G root; no sharps), however, would be interesting,
N:whether or not intended NBr
N:Aka Lady Susan Montgomery Hp, Jock & Tam, Punchanello’s Hp, Risty
N:Gully,.
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:G
“_No Key Sig in MS”GABc d2G2d2G2|F2A4c2B2A2|\
GABc d2G2d2D2|D2G4B2A2G2:|
|:g2 ag f2 gf e2 ag|f2d4f2e2d2|c2 dc B2 cB A2 dc|B2G2-G2B2A2G2:|

X:148
T:French March. HA.147
M:C
L:1/8
Q:1/2=90
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:C
c4B3A|G4G2G2|ABcA BcdB|c4G4|
c4B3A|G4G2G2|ABcA BcdB|c8||
(ef)g2(ef)g2|”^=”f3ed2G2|c4d2e2|”^=”e4d4|
(ef)g2(ef)g2|”^=”f3ed2G2|A4B4|c8|]

X:149
T:Sodger Laddie. HA.148
T:Soldier Laddie,aka. HA.148
M:3/4
L:1/4
Q:3/4=80
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Tune appears to be incomplete. NBr. cf Walsh CD 1731..CGP.
H:1/4
Z:vmp.Neil Brookes, Jan.2004
K:C
“^u”g|e3/2d/2c|cGA|d2d|dag|e3/2d/2c|gGA|
c2c|cag|e3/2d/2c|cGA|d2d|dag|e2c|
e/2f/2 gc|e2c|cag|f2c|e/2f/2gc|d3/2e/2d|
dag|e3/2d/2c|gGA|”_tune incomplete”c2c|cag|]

X:152
T:Untitled. HA.151
M:9/4
L:1/4
Q:3/4=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Some bowing style guide given in MS. u/v = up/down
N:and double slashed notes.NBr
H:1/4
Z:vmp.Neil Brookes, Jan.2004
K:F
“_2 sharps in MS”G3/2A/2GB2″^u”g”^=”f3/2 e/4f/4 g|\
G3/2A/2G”^u”B2″^u”dc”^u”A”^u”F|
G3/2A/2G”^u”B2″^u”g”^=”f2d|f2(cc)fdcAF|
|:”^v”f2d-dBddBd|”^v”f2ddBdcAF|
“^v”f2d-dBd-dBd|c3/2d/2cfedc”^u”AF:|

X:155
T:Take Toast To Thee,.. HA.154
M:6/4
L:1/8
Q:3/4=60
C:”….Tippetts,good man (???)”
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:No key sig., but G (i.e. with sharpened F notes)
N:sounds more probable than C (Gmix?). The title is a little difficult
N:to read and my guess may be incorrect NBr
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:G
“_No Key Sig in MS”G2|E2G2G2B2e2d2|\
B2 dB AG A4G2|E2G2G2 efgfed|B2G2G2G4:|
|:g2|e2g2f2e2a2g2|e2d2B2A2B2d2|\
e3de2g2d2e2|B2G2G2G4:|

X:156
T:Untitled. HA.155
M:C
L:1/8
Q:1/2=90
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:C
“_No Key Sig. in MS”gf|e2 (dc) G2 (cG)|E2C4 cd|\
e2(cd) e2 (cd)|e2g4 fg|
(ag)(ag) (ag)(ag)|agf>e d2 (ag)|e2 (dc) G2 (cd)|e2g4||
dc|B2 (gd) B2 (gd)|B2d4 cd|e2(cd) e2 (cd)|e2g4 fe|
f2F2 ABcA|g2G2 BcdB|a2A2 BABG|A2c4|]

X:158
T:Untitled. HA.157
M:3/4
L:1/8
Q:1/4=140
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:C
“^u”E2G2G2|c2e2c2|”^=”e2c2e2|dc BA GF|
E2G2G2|c2e2c2|”^=”e2c2e2|d6:|
|:ef g2B2|A4G2|c2c2 Bc|d2d2 cd|
edcdef|g6|G2G2G2|G2E2G2|c2G2A2|
G2E2G2|e6|d3ed2|c2 cd cd|c6:|

X:160
T:Hampton Court. HA.159
M:3/4
L:1/8
Q:1/4=120
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:cf Pills to Purge Melancholy,1719..CGP. A note at the end of the tune
N:in the MS appears to read:
N:”end on ye 1st strain(??)”. i.e. play first part of tune to finish.
N:Flat signs marked in MS (instead of natural).. NBr
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:G
B3c (cB/2c/2)|d2G2c2|A3Ad2|B3AG2|
B3c (cB/2c/2)|d2 e>dc>B|A4G2|”$”G6||
d>e d>c B2|e2f2g2|f3g (gf/2g/2)|a4d2|
g2 g>f e>d|c2d3e|e4d2|d3 edc|
B3c(cB/2c/2)|d2G2c2|A3Ad2|B3AG2|
B3c (cB/2c/2)|d2 e>d c>B|A4G2|G4G2|
A3Ad2|B3Be2|^d2e3f|f4e2|
d2g2 (“^*”=fe)|”^*”=f2d2 (cB)|”^DC al segno”c>dB3A|A4A2|]

X:161
T:Mr Banister’s Saraband. HA.160
M:3/4
L:1/8
Q:1/4=140
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:”Saraband” written at end of tune, “Mr Banister” at the beginning.
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:D
f2″^=”d3a|e2A3A|d>c “^=”B2e2|”^=”c3BA2|
a2″^=”f3f|b2B2e2|”=”c2d3e|”=”e4d2:|
|:f>ga>b a>b|e>fg>ag>a|d>cB>f g2|”^=”e3dc2|
d>ed>AB>=c|B>d g>B c>d|c>d a>c d>e|”^=”e4d2:|

X:162
T:Blyth Jockey,Young and Gay. HA.161
M:3/4
L:1/8
Q:3/4=40
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.Saraband
O:England
A:Hartburn,Northumberland
N:cf Scots Musical Museum,1787..CGP.
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:D
“^u”F2(AF)(E>D)|B3cB2|(Ad)(AF)(E>D)|E3FG2|
F2(AF)(E>D)|B3cd2|(d/2e/2f) (ec)B>A|A3Bc2:|
|:”^u”c2(ec)(de)|f3gf2|(ea)(ec)B>A|f3gf2|
B2(GB)eB|c3BA2|”^tr”Td2(AF)E>D|d3ef2:|

X:165
T:Within a Furlong of Edenborrow Town. HA.164
T:Twas Within a Furlong of Edenborough Town,aka. HA.164
M:C
L:1/8
Q:1/4=120
C:H.Purcell
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:In line 4, bar 1, two of the 3 F notes are sharpened. It is likely that
N:l 3 are
N:intended to be F#. NBr This is not the same tune as “Within a Mile
N:of…”
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:Gmin
(GA)|B3c d2(cB)|(cA) (B/2c/2)d G2(GA)|\
B>cd>e f2 ed|(cB)fd B2(de)|
(fe)(fg) f2 (ed)|(ed)c>B c2 (Bc)|\
(d<B)c<A (B<G)(A<G)|(^FD)(^FA) d2||
(de)|f3 g f2 (ed)|(ed)c>B c2 (BA)|\
(BA)(Bc) d2 (cB)|(AG)(^FG) A2 (A/2B/2c)|
(BA)(BG) c2 (de)|(^fe)(fg) f2 (gf)|\
(g<d)(e<c) (d<B)(c<A)|(B<G)(D^F) G2|]

X:166
T:Minuet Royall. HA.165
M:3/4
L:1/8
Q:3/4=50
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:cf Apollo’s Banquet,1687..CGP.
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:C
c2E2c2|D4c2|(cd)B4|cBcd c2|c2E2c2|D4c2|
(cd)B4|c6||G2c2e2|g6|g2 ga gf|e3dc2|
dcde d2|dcde d2|defedc|B3AG2|G2 (EF) GE|G2 (EF) GE|
G2 (EF) GE|g6-|g3 agf|g2G2c2|cd d4|c6|]

X:167
T:Earle of Darwin’s Farewell. HA.166, The
M:3/4
L:1/8
Q:3/4=50
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:HA marks the lower F# in addition to the upper F#.
N:i.e the key of D looks like 3# in MS. NBr
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:D
(dA)(dA)d2|f2 d2D2|f2 (gf) g2|e3f (e/2f/2g)|
fed2B2|(ef)(ec)(BA)|d3 f(e/2c/2B/2A/2)|A6||
e>de>fe>f|e>dc>B A2|f>ef>gf>e|f2d2d2|
g>fg>ag>f|g2e2a2|b3a^g2|a6|
a>ga>ba>g|f>ed>cB2|g>fg>ag>f|e>dc>BA2|
d>cdFGA|B3g f2|e2a2c2|d6|]

X:169
T:Over The Hills And Far Away. HA.168
M:C
L:1/8
Q:1/2=80
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:some illegible comments follow in pencil in MS. NBr
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:C
GA|c3d cded|c2A4 GA|c3d cdec|f2d2-d2cA|
c3d cded|c2A2 A2c2|G3A GAcd|e2d2-d2||
ef|gfga gede|c2A2-A2ef|gfga gedc|e2d2-d2ef|
gfga gede|c2A2 A2c2|G3A GAcd|e2d2-d2|]

X:170
T:Untitled. HA.169
M:C
L:1/8
Q:1/4=120
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:This one line tune follows illegible notes on previous page.
N:Metre is variable – certainly not 4/4.
N:Could it be a song air??NBr. A very beautiful tune.CGP.
H:1/8
Z:vmp.Neil Brookes.Jan,2004
K:C
“_As written, No Key Sig. etc”
DE|F4(ED)D2 d>B|AFED A,4|G,C DE FA G,2|E3DA,2C2G,2|]

X:171
T:This is ye Webye onte(??) HA.170
M:C
L:1/8
Q:1/2=70
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:No key given, though seems to be in D. If it is really in C,
N:the Blues was invented here Tune goes a little awry at the end. NBr
N:The word “Schott” is written in between the two lines, in a different
N:hand. NBr
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:D
“_no key sig.in MS ”
d2|dBAB defd|efed BdeB|defa fdef |d2 A2-A2 de|
fdeB dABF|AFED A,4|A,2 DEFA G,2| E2D2A,2C2| D4|]

X:173
T:Sweetness When She’s Smiling(?) HA.172
T:Sweetness When She’s Naked,aka. HA.172
M:6/4
L:1/8
Q:3/4=40
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.Air
O:England
A:Hartburn,Northumberland
N:No key sig in MS, but sounds OK in Amin.
N:One of the crs in bar 2 of B music should possibly be dotted. NB
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:Amin
A2e3f(d3c/2d/2) e2|A2c2-c2 GEDE G2|A2c4 dcde ga|e3 d cd e2A4:|
|:A2d4d3ed2|e2g4g3″^undotted in MS”ag2|gede g2 gede g2|agab abg2e4|
e2 fedc dcde ga|gedB AG E2G4|A2c4dcde gd|efed cd e2A4:|

X:175
T:Shores Trumpett Tune or Maggott. HA.174
M:C
L:1/8
Q:1/4=120
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Signs above notes in MS seem to denote trills.
N:Rests denoted by “r” in MS. NBr….cf Playford DM eds 9C(1698)+.CGP..
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:C
TE2 (E/2F/2G) GEEC|c2 (c/2d/2e) eddG|\
TE2 (E/2F/2G) GEEC|(e/2f/2g) e>dc2 z2||
Tde dGd2z2|dedG d2z2|gagc gagc|gagc g2z2|
TE2 (E/2F/2G) GEEC| c2(c/2d/2e) eddG|\
TE2 (E/2F/2G) GEEC|(e/2f/2g) (e>d) c2z2|]

X:176
T:Jig. HA.175, A
M:9/4
L:1/4
Q:3/4=120
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/4
Z:vmp.Neil Brookes, Jan.2004
K:C
“_Barred 6/4 in MS”c2g (ge)a (ge)c|f2A (AB)c (dB)G|
c2g (ge)a (ge)c| d/2e/2 fA B/2c/2 dB c2G:|
|:E2G (GE)c (GE)G |(AF)A (GE)G (FD)F|
E2G (GE)c (GE)G |A/2B/2cA B/2c/2dB c2G:|

X:177
T:Gray Ey’d Morn. HA.176, The
T:Bonny Gray Ey’d Morn.aka. HA.176
M:C
L:1/8
Q:1/4=120
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Rebeamed for clarity.cf Playford DM eds 9B(1698)+..CGP.
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:C
G|(cB)(cd) e2(dc)|(ef)g2 g3a|(ga)(ge) (fe)(dc)|(Bc)d2 d3e|
(fe)(dc) B2(AB)|(cB)(AG) F2(ED)|\
(GB)(Ac) (Bd)(ed)|B2(AG) G3||
d|dBdB G3g|gege c2e2|(fA)(dB) G2e2|c2(BA) A3F|
A>B (c/2B/2)(c/2A/2) f3e|(eA) (A/2B/2)c B2(AG)|\
(ce)(df) (eg)(ag)|e2(dc) c3|]

X:178
T:Cheshire Round,aka. HA.177
M:3/2
L:1/8
Q:1/2=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Version of a tune commonly known as “Cheshire Round”. cfr Playford DM
N:eds 11(1701)+..NBr
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:D
Tf2(ef) (gf)(ed) (fg)a2|c’2e4d2c2A2|
f2(ef) (gf)(ed) (fg)a2|A2d4A2F2D2:|
|:TB2(AB) (cB)(AG)F4|E2e4d2c2A2|
B2(AB) (cB)(AG) F4|D2d4A2F2D2:|

X:180
T:Round O. HA.179, A
M:C
L:1/8
Q:1/2=90
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Illegible comments in pencil in margin CGP
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:D
dc|d2A2B2dc|d2D2E2dc|d2A2 BcdA|F2(ED)D2||
FG|A2A2A2Bc|d2d2dedc|B2B2B2cd|efed c2 dc|
d2A2B2 dc|d2D2E2 dc|d2A2BcdA|F2(ED)D2 de|
fedc B2 (cd)|edcB A2 fe|d2 ef gfed|cdcB B2|]

X:181
T:My Lord Cutts(?) Delight. HA.180
T:St.Catherine,aka. HA.180
M:C
L:1/8
Q:1/2=110
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:C
ga|g2c2 c2d2|e6 de|fgfe dedc|Bc d2d2 ga|
g2c2 c2d2|e6 de|fedc BcdB|c6||
de|d2G2 G2A2|B6 de|d2G2 c2d2|e6 ef|
e2e2 a2e2|f6 fe|dedc BcdB|c2A2 A2 ef|
e2e2 a2e2|f6 ef|d2d2 g2d2|e6 ga|
g2g2 c’2g2|agfe d2g2|agfe fedc|c6|]

X:182
T:Saw Ye Not My Meggy. HA.181
M:3/2
L:1/8
Q:1/2=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Tune clearly 3/2, re-barred accordingly . Key probably Gdorian.NBr
N:cf The Boarding School,(Play) by Charles Coffey (as ..Peggy), 1733.Also
N:Margaret
N:Sinkler Ms,1710 (as ..Peggy). But not recognisable as the same tune.CGP
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:F
“_Barred 4/4 in MS”d2g2 g3″^*”f d2B2|d2f2 gfed cdec|\
d2g2 g3″^*”f d2B2| cBcd fedc g2g2:|
|:B3c d2g2 fdcB| cBcd fdcB g2G2|B3c d2g2 fdcB| cBcd fdcB G2G2 😐
W:notes marked “^*” have an acute accent over them-stress?|

X:183
T:Untitled. HA.182
M:3/4
L:1/8
Q:3/4=80
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Two notes in MS are marked with fermata sign (upside down)
N:and may therefore be extended in length. NB
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:A
“_5 sharps in MS”f4a2|e2 (dcBA)|d2c4|BABcde|
f4a2|e2 (dcBA)|(dc)B3A|A6||
BAGABc|B2E2E2|BAGABc|HB4B2|
edcdef|e2A2A2|edcdef|He6|]

X:184
T:Untitled. HA.183
M:3/4
L:1/8
Q:3/4=50
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:F
ded2c2|d4e2|fedefg|a4a2|
agf2a2|gfe2f2|d2gfed|^c3BA2||
f2F2f2|e2E2e2|d2D2d2|cdcBAG|
FEFGAB|cdcBAG|ABc2C2|F4fg|
a2A2a2|g2G2g2|f2F2f2|e3dc2|
dcdefg|a3ba2|g2e4|d6|]

X:185
T:I Have A Wife Of My Own,aka. HA.184
T:Untitled. HA.184
M:9/4
L:1/4
Q:3/4=120
C:Untitled in MS
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Tempo could be anything between an air and a jig (or slipjg)
N:Metre is 9/8 rather than 3/4 NBr
H:1/4
Z:vmp.Neil Brookes, Jan.2004
K:F
“_re-barred from 3/4 in MS”G3/2A/2G B2g f2d|G3/2A/2G B2d cAF|
G3/2A/2G B2g f2d|f2c cAf cAF||
f2d dgd dgd|f2d dfd cAF|
f2d dgd Bfd|f2c cAf cAF|]

X:186
T:Untitled. HA.185
M:C
L:1/8
Q:1/2=90
C:”J.A.”
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:No key sig. Plays OK as writ in C (or Gmix as root note is G) NBr
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:Gmix
“_no key sig – see notes”
Bc|d2g2d2g2|edeg e2g2|d2g2 dedB|ABAG G2:||
AB|c2cd e2dc|BABc d2 cB|AGAB cBcd|edege2A2|
c2 cde2dc|d2 de f2 ef|g3e gedB|ABAG G2|]

X:188
T:Untitled. HA.187
M:3/4
L:1/8
Q:3/4=50
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:Amin
E2|AGABcd|e2a4|gagfed|B2g4|
efedcB|A2e4|c2dcBc|A4:|
|:E2|AGABcd|gfgage|agab a2|e4e2|
agfe d2|edcB A2|A2B2G2|A4:|

X:189
T:Untitled. HA.188
M:C
L:1/8
Q:1/4=150
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:No key sig. Sounds more ‘comfortable’ in Gmaj
N:F crs in line 1 are slashed. NBr
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:D
“_No key sig in MS”
“^-“f2 AA “^v”g2 fe|”^=”f2 Ag BG ge|
“^=”f2 AA “^v”g2 fe|f/g/ a e/f/ g”^v”d2g2:|
|:AB de fd ge|fd ge d/c/B/A/ G/A/B/G/|
AB de fd ge|f/g/ a e/f/ g “^v”d2g2:|
W: Some bowing downstrokes (“v”) and slashes (- , =) indicated.

X:197
T:Britton Strike Home. HA.196
M:3/4
L:1/4
Q:3/4=40
C:Henry Purcell
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Notes added in MS: after title “(by Henry Purcell G”)
N:at foot of page “* First performed in “Boadicea” 1696 G”
H:1/4
Z:vmp.Neil Brookes, Jan.2004
K:D
“^v”d”^u”d”^u”e|”^=”f2a|”^v”de”^=”f|\
ef”^v”g|a b/2a/2g/2f/2|”^=”e3:|
|:e2z|eef|.e2z|”^v”f2z|ffg|fga|
agf|”^u”g/2″^u”f/2 (“^=”e3/2d/4e/4)|”^v”f2z|\
“^v”a2z|a b/2a/2g/2f/2|”^v”g2z|
“^v”g2z|efg|fga|bag|fga|g/2f/2 “^=”e2|”^v”d3:|

X:201
T:Round O Minuet. HA.200, A
M:6/4
L:1/8
Q:3/4=70
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:HA writes key sig with 5# to mark every sharpened note on staff. NBr
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:A
“^v”f4 a2e2 (dc)(BA)|d2″^=”c4 BABcde|”^v”f4 a2e2 (dc)(BA)|dc”^=”B3AA4A2|
|:BAGABc B2″^u”E2″^u”E2|BAGABcB4B2|edcdef e2″^u”A2″^u”A2|edcdef .e4 e2:|

X:202
T:Uncle John. HA.201
M:3/2
L:1/8
Q:1/2=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Time Sig. Quite clearly 6/4 in MS, but it equally clearly shouldn’t
N:be.CGP..”=” = double slashed note.NBr.
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:D
“_Time Sig. 6/4 in MS”f2d4D2″^=”F4|E2e4(fg)(ag)(fe)|\
f2″^u”d4″^u”D2″^=”F4|D2d4(fg) (ag)(fe)|
|:d2″^u”f4″^u”d2″^u”f4|c2e4(fg) (ag)(fe)|\
d2f4d2f4|d2f4d2 efge|
d2f4d2f4|”^u”c2e4 (fg) (ag)(fe)|\
(fe)(dc) (dc)(BA) (BA)(GF)|D2d4 (fg) agfe:|

X:203
T:Cheshire Round. HA.202, A
M:3/2
L:1/8
Q:1/2=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:D
“_No time sig. in ms”d2 “^u”c”^u”B ABAF “^=”E4|c2e4B2c2 BA|\
d2 cB ABAF “^=”E4|D2d4F2″^=”E2D2||
d2f2c2 e2B2c2|A2″^u”e4″^u”B2c2 “^u”B”^u”A|\
d2f2c2 e2B2c2|A2″^u”d4″^u”F2″^=”E2D2||
EDCB, A,B,CD “^=”E4|E2A4E2F2ED|\
EDCB, A,B,CD “^=”E4|D2d4F2″^=”E2D2|]

X:205
T:Borey. HA.204, A
T:Bourree,aka. HA.204
M:C
L:1/8
Q:1/2=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
R:.Bourrée
O:England
A:Hartburn,Northumberland
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:Bb
d2|G2A2 BABc|A2G2g2d2|e2B2″^cr”c3(B/2c/2)|d4||
fg|f2B2e2 dc|d2G4 cB|A2B2c2F2|”^minim”B6 ba|
g2f2e2a2|^f2d4 g=e|f2g2″^NB”g3f|g4|]
W:NB=dotted Minim in MS

X:206
T:Pritty Poll. HA.205
T:Pretty Poll,aka. HA.205
M:3/2
L:1/8
Q:1/2=100
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Problematic time signatureCGP cf PFD Vol 2..
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:Amin
“_No Time Sig in MS”A2E2E2A2c4|dcBc A2(cd)e4|
e2ae f2e2d2c2|B4A2e2f2e2|d4B4:|
z2d2|(ed)(cB) (cd)c2(dc)(BA)|B3B (cB)(AG) (AB)A2|
z2e2(fe)(dc) g2G2|c4c4 (ef)(ef)|
g2g2 (gf)(ed) c4|(cd)(cd)e2e2 (ed)(cB)|
A2e2A2e2(dc)(BA)|A8||A12|]

X:207
T:Rugged Saylor. HA.206, The
M:9/4
L:1/4
Q:3/4=120
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Double slashes on notes marked “=” are marked below note in MS.
N:Elsewhere in MS slashes are on note stems. NB
H:1/4
Z:vmp.Neil Brookes, Jan.2004
K:C
“_Barred 6/4 in MS”D|G3/2A/2B gde eBG|ABd e2A A2B|
“^cr”G3/2A/2B gde dBG|ABd “^=”B2G G2||
g|ece dBd ece|dBG “^=”B2A A2g|
ece dBd ece|dAc “^=”B2G G2g|
ece dBd ece|dBG B2A A2B|
G3/2A/2B gde dBG| ABd “^=”B2G G2|]

X:208
T:Parson upon Dority. HA.207
T:Shepherds Daughter,aka. HA.207
M:C
L:1/8
Q:1/2=100
C:”J.A.”
S:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
O:England
A:Hartburn,Northumberland
N:Dotted (minim+cr)in lines 1 and 2 likely errors in MS.
N:HA possibly could not decide between min+cr and dotted min
N:Tune title at end. cf Playford DM eds 2(1652)+.. NBr
H:1/8
Z:vmp.Neil Brookes, Jan.2004
K:F
BA|G2G2A2F2|”^*”B4-B2d2|c3B (AB)(cA)|B4-B2||
d2|c3B (AB)(cA)|B2F2F2d2|c3B (AB)(cA)|”^*”B4-B2d2|
c3B (AB)(cA)|B2F2F2d2|c3B (AB)(cA)|”^*”B4B2AB||
c2 c2-c2Bc|d2 d2-d2cB|A2G2A2F2|G4G2AB|
c2 c2-c2Bc|d2 d2-d2g2|d2g2g3f|g4g2|]
W: The minims marked “*” are dotted in MS