DIXON, (2) ms ABC | The Village Music Project

%abc
%%abc-alias Dixon(2) MS
%%abc-creator ABCexplorer 1.6.0 [29/12/2012]
%Anonymous MS in the Dixon Papers, dated 1811
%#Dixon 21/1/6 Lincolnshire Archives
%www.village-music-project.org.uk
%Transcribed by Ruairidh Greig, 2010

X:01
T:Mrs Macintyres Strathspey. 2 Voices. Dix.01
M:C
L:1/8
Q:1/4=90
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:Strathspey
N:Repeat marks added at start and end
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2010 <https://www.village-music-project.org.uk>
K:F
[V:1]|:f|(F>G)B>F c>FA>f|a/g/f/e/ f>F {FG}BGGA|F>GA>G c>FA>f|a/g/f/e/ f>d c<AA:|
[V:2]|:z|F,2F,2G,2F,2|F,2F,2C2C,2|F,2F,2F,2F,2|[C2A,2F,2][C2A,2F,2]F,2F,,:|
[V:1]|:c|f>gf>e c>af>d|d<f{c}c{B}<A AGGc|{g}f/e/f/g/ a/g/f/e/ f>cd>f|c/f/f/d/ c/a/a/g/ c>fA>f|
[V:2]|:z|C2D2C2C2|D2C2C2C,2|F,2F,2C2D2|F,2B,2A,2F,2|
[V:1]a/g/f/e/ f>F {FG}A>GG>A|F>GA>B d>ef>g|a/g/f/e/ f>d c<AA<f:|
[V:2]C,2F,2C2C,2|D,2A,2B,2C,2|D,2B,2F,2G,,2:|

X:05
T:Ap Shenkin. 2voices. Dix.05
M:6/8
L:1/8
Q:3/8=100
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:jig
N:Repeat marks added at start
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2010 <https://www.village-music-project.org.uk>
K:F
[V:1]|:(c/B/)|A2A Afe|d2d def|cdc cBA|AGG G2{d}c/B/|
[V:2]|:z|F,3-F,2A,|B,3B,3|(A,3-F,3)|(G,3C,2)z|
[V:1]A2A Afe|d2d def|cdc BAG|F2AF2:|
[V:2]F,3-F,2A,|B,3B,3|C3C,3|F,3F,,2:|
[V:1]|:f/g/|a2fg2e|{g}fef cBA|B>cd (cf)A| [AF][GE][GE][G2E2](f/g/)|
[V:2]|:z[D3F,3][C3C,3]|[A,3D,3][F,3A,,3]|[G,3E,,3][F,3F,,3]|C,,3C,2z|
[V:1]a2fg2e|fed gfe|agf efd|”8vo”cfe dcB|
[V:2][C3F,3][C3E,3]|[=B,3D,3][C3E,3]|[C3F,3][=B,3G,3]|[C3C,3]z2z|
[V:1]A2A Afe|d2d def|cdc cBA| AGG G2c/B/|
[V:2]F,A,C F,A,C|F,B,D F,B,D|F,A,C F,A,C|E,A,C C,A,C|
[V:1]A2A Afe|d2d def|cdc {c}BAG|”_repeat marks added”F2AF2:|
[V:2]F,A,C F,A,C|F,B,D F,B,D|F,A,C E,G,C|F,A,C A,2:|

X:08
T:Colonel Baird. 2voices. Dix.08
M:6/8
L:1/8
Q:3/8=100
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
C:Mrs Oswald
R:jig
N:Repeat marks added at start
N: ‘The dull jig Colonel Baird was first published in Niel Gow’s Fourth Collection.
N:It was written by Mrs Oswald of Auchincruive, born Mary Ramsay, the heiress of a
N:slave trader from Jamaica who married Richard Oswald, a slaver from the
N:West of Scotland’ (J.Campin)
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2010 <https://www.village-music-project.org.uk>
K:F
[V:1]|:c|(cf).c (cf).d|c2=cc2d|(cA).F (BG).E|F2FF2c|
[V:2]|:z|(F,A,).C F,B,.D|G,A,C G,A,C|G,A,C C,G,C|F,A,CF,3|
[V:1](cf).c (cf).d|c2=cc2d|(cA).F (BG).E|F3F2:|
[V:2](F,A,).C F,B,.D|G,A,C G,A,C|G,A,C C,G,C|F,C,A,,F,,2:|
[V:1]|:B|{AB}c2c AFA|{c}B2B GEG|(FG).A (FG).A|{c}B2AG2B|
[V:2]|:z|F,A,C F,A,C|E,G,C C,G,C|G,A,C G,A,C|C,G,C C,G,C|
[V:1]{AB}c2c AFA|”tr”B2B GEG|F>GA BGE|F3F2:|
[V:2]F,A,C F,A,C|E,G,C C,G,C|F,A,C C,G,C|F,C,A,,F,,2:|

X:09
T:Welch Air. 2voices. Dix.09
M:6/8
L:1/8
Q:3/8=80
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:air
N:Repeat marks added at start
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2010 <https://www.village-music-project.org.uk>
K:D
[V:1]|:{de}[f2d2A2][ec] {e}dcd|[B3G3]”rest added”z2[AF]|d2Ad2d|[e2A2][fA][d2A2F2][ec]|
[V:2]|:D,F,A, D,F,A,|D,F,A, D,F,A,|D,F,A, D,F,A,|C,E,G, D,2A,,|
[V:1]{de}[f2d2][ec] {e}dcd|[B3G3]”rest added”z2[AF]|d2Ad2d|e2fd2[ec]:|
[V:2]D,F,A, D,F,A,|D,G,B, D,F,A,|D,F,A, D,F,A,| C,E,A, [B,3B,,3]:|
[V:1]|:[f2d2][ec][f2d2][ge]|[a3f3]abc’|[d’b][ac’][gb] [af][ge][fd]|[ec][fd][ge] [f2d2]d|
[V:2]|:z6|D,F,D,A,,3|A,3 D,3|A,3F,3|
[V:1][f2d2][ec][f2d2][ge]|[a3f3]abc’|[d’b][ac’][gb] [af][ge][fd]|[f3d3]{ef}[e3c3]:|
[V:2]z6|D,F,A, A,,2A,|G,3D,3|A,B,A, !D.C.!G,F,E,:|

X:10
T:Waltz. Dix.10
M:3/8
L:1/16
Q:1/8=80
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:waltz
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2010 <https://www.village-music-project.org.uk>
K:Bb
“$”d>e|f2f2 bg|gf f2 df|feedef|d4 d>e|
f2f2 bg|gf f2 df|fegecA|B4|
f2f2 bg|gf f2 df|feedef|d4 d>e|
gf f2 bd’|d’c’d’c’ac’|b4:|
|:bd’|d’c’e’d’ac’|{a}babc’bd’|d’c’e’c’ac’|b4 bd’|
d’c’e’d’ac’|{a}babc’bd’|d’c’e’c’ac’|”$”b4:|

X:12
T:Duncan Davidson. 2voices. Dix.12
M:C
L:1/8
Q:1/4=120
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:strathspey
C:a Strathspey
C:an extremely rude song by Robbie Burns
N:Repeat marks added at start
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2010 <https://www.village-music-project.org.uk>
K:E
[V:1]|:E>GB>c BGBc|E2{d}e>c BGFG|E>GBc BGBa|g>af>g eee2:|
[V:2]|:E,2E,2E,2z2|E,2E,2E,2B,,2|E,2E,2E,2E,2|E,2B,2E,2E,2:|
[V:1]|:{a}gf e/f/g/a/ bg”tr”fe|d”tr”Bf”tr”B g”tr”Bf”tr”B|{a}gf e/f/g/a/ bgfe|caf”tr”g {ef}eee2:|
[V:2]|:E,2E,2E,4|B,,2B,,2B,,4|E,2E,2E,2G,2|A,2B,2E,2E,2:|

X:15
T:Heres the Bower. Dix.15
M:2/4
L:1/8
Q:1/4=80
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:Song
C:T. Moore
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2010 <https://www.village-music-project.org.uk>
K:C
d e/ cz/ G/|A F c z|A B> c ({B/}A/)z/ G/|Gc2z|!
w:Here’s the bower she loved so much, A-nd the tree she plant-ed.
d> e cz/ G/|A F c/z/Hc2|{c}B> A B G|G c2z|!
w:Here’s the harp she used to touch, Oh how that touch en-chant-ed!
~F G/ A A|G E c2|d> c (B{dc}) A/|AG2z|!
w:Ro-ses now un-heed-ed sigh, Where’s the hand to wreathe them?
A> ^G Az B/|c< d {d}e z|d> B {d}c> A|AG2z|!
w:Songs a-round neg-lect-ed lie, Where’s the lip to breathe them?
d> e c z/G/|A F/c/ c z|B> c {B}Az/ G/|Gc2z|!
w:Here’s the bower she loved s-o much, And the tree she plant-ed.
d> e c z/G/|A F c/ z/Hc|B> A B G|Gc2z||
w:Here’s the harp she used to touch. Oh how that touch en-chant-ed.

X:16
T:Miss Johnson’s Reel. 2voices. Dix.16
M:C
L:1/8
Q:1/4=120
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:reel
N:Repeat marks added at start
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2010 <https://www.village-music-project.org.uk>
K:G
[V:1]d/c/|:Bcde dBBe|dBgd bdgd|Bcde dBBd|cAag {g}”tr”fefd:|
[V:2][K:G clef=bass]z|:[D2B,2G,2][D2B,2G,2][D2B,2G,2][D2B,2G,2]|[D2B,2G,2][D2B,2G,2][D2B,2G,2][D2B,2G,2]|[D2B,2G,2][D2B,2G,2][D2B,2G,2]”rest added”z2|[C,2C,,2][^C,2C,,2][D,2D,,2][D,2D,,2]:|
[V:1]|:{c}BABd G<DB<A|GBDB GBDB|B2AG BB{B}AG|FGAB cAec|
[V:2]|:G,,2G,2G,,2G,2|G,,2G,2G,,2G,2|G,,2G,2G,,2G,2|D,2D2D,2F,2|
[V:1]BABd G<G”tr”B>A|GBDB GB DB|dBcA BGAF|DEFG ABcd:|
[V:2]G,2G,2G,,2G,2|G,,2G,2G,,2G,2|[B,2B,,2][A,2A,,2][G,2G,,2][F,2F,,2]|[D,2D,,2][D,2D,,2][F,2F,,2][F,2F,,2]:|
[V:1]|:Bcde dBBe|dGgd bcgd|B>”tr”cde dBBd|cAag f”tr”efd:|
[V:2]|:[G,2G,,2][G,2G,,2][G,2G,,2][G,2G,,2]|[G,2G,,2][G,2G,,2][G,2G,,2][G,2G,,2]|[G,2G,,2][G,2G,,2][B,,2B,,,2][B,,2B,,,2]|[C,2C,,2][^C,2C,,2][D,2D,,2][D,2D,,2]:|
[V:1]|:babd’ g<gba|gbdb gbdb|”tr”b2ag gg {b}ag|fgab c’ae’c’|
[V:2]|:G,,2G,2 G,,2G,2|G,,2G,2G,,2G,2|G,,2G,2G,,2G,2|D,2D2F,2F2|
[V:1]babd’ g>g “tr”b>a|gbdd’ gbdd’|d’bc’a bgaf|defg abc'”$”d’:|
[V:2]G,2 G2 G,2G2|B,2G2G,2G2|[B,2B,,2][A,2A,,2][G,2G,,2][F,2F,,2]|[D,2D,,2][D,2D,,2][F,2F,,2]”$”[F,2F,,2]:|

X:17
T:Caro Dolce. 2voices. Dix.17
M:2/4
L:1/8
Q:1/4=100
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:air
N:Repeat marks added at start
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2010 <https://www.village-music-project.org.uk>
K:Bb
[V:1]|:{c}BA|BEdB|GEcB|Acfe|{e}d2{c}BA|BFdB|GEcB|AFGA|B2:|
[V:2]|:z2|B,,,2B,,2|E,,2E,2|F,,2F,2|B,,2z2|B,,,2B,,2|E,,2E,2|F,,2F,2|[D,2B,,2]:|
[V:1]|:d’c’|b2df|e2cg|fgfe|d2d’c’|b2df|e2eg|f2A2|B2:|
[V:2]|:z2|B,,,2B,,2|E,,2E,2|F,,2F,2|B,,2z2|B,,,2B,,2|E,,2E,2|F,,2F,2|[B,,2D,2]:|

X:18
T:Waltz. 2voices. Dix.18
M:3/8
L:1/8
Q:1/8=100
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:waltz
N:Repeat signs added at start
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2010 <https://www.village-music-project.org.uk>
K:F
[V:1]|:F/G/|[AF][AF][BG]|[c2A2][f/d/][d/B/]|[cA][cA] [d/B/][B/G/]|[AF][AF] F/G/|
[V:2]|:z|F,A,C|F,A,C|F,A,C|F,A,C|
[V:1][AF][AF][BG]|[c2A2]f|f/e/d/c/d/e/|f2:|
[V:2]F,A,C|F,A,C|C,G,C|F,F,,:|
[V:1]|:c|[bg][bg] c|[af][af] f|ee/g/f/a/|[ge][ge] c|
[V:2]|:z|[CC,][CC,]z|[F,F,,][F,F,,] A,|[CG,][CG,][CG,]|[CG,E,][CG,E,]z|
[V:1][bg][bg] c|[af][af]f|{a}ge/c/d/e/|[f2A2]:|
[V:2][CC,][CC,]z|[F,F,,][F,F,,]A,|B,/G,/CC,|F,F,,:|
[V:1]|:c|c2 A|A2F|{A}GG/F/G/A/|FF/G/A/B/|
[V:2]|:z|F,,A,,C,|F,,A,,C,|C,,G,,C,|F,,A,,C,|
[V:1]c2A|A2F|{A}GG/F/G/A/|[F2A,2]:|
[V:2]F,,A,,C,|F,,A,,C,|C,,B,,D,|F,,F,:|

X:19
T:King Roberts Address. Dix.19
T:Scots Wha Ha,aka. Dix.19
M:4/4
L:1/16
Q:1/8=120
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:song
C:
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2010 <https://www.village-music-project.org.uk>
K:C
G3 G G3 A G2 A2 c4|A3 A A3 G A2 B2 (c2d2)|
w:Scots, wha ha wi’ Wal-lace bled; Scots wham Bruce has af-ten l-ed
e3 g d3 e c3 d He2 e d|c2 A2 A2 G G4z2:|
w:Wel-come to your go-ry bed or to glor-i-ous vic-tory
|:e3 e e3 d e2 f g4|d3 d d3 c d3 e f4|
w:Now’s the day, and now’s the hour! See the front of Bat-tle lowr!
(gf) (ef) e3 d c3 d e2 e d|c2 A2 A3 GG4z2:|
w:S-ee a-ppr-oach proud Ed-ward’s pow’r! Ed-ward, Chains and Sla-ver-y!
W:%
W:Wha will be a traitor-knave?
W:Wha can fill a cowards’ grave?
W:Wha sae base as be a Slave?
W:Let him turn and flee.-
W:Wha for Scotland’s King and law,
W:Freedom’s sword will strongly draw,
W:Freemen stand, or freeman fa’,
W:Caledonian! on wi’ me-
W:%
W:%
W:By Oppression’s woes and pains!
W:By your sons in servile chains!
W:We will drain our dearest veins,
W:But they shall be, shall be free!
W:Lay the proud oppressers low!
W:Tyrants fall in every blow,
W:Liberty s in every blow!
W:Onward let us do or die.

X:20
T:Caledonia Dix.20
M:6/8
L:1/8
Q:1/4=60
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:air
C:
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2010 <https://www.village-music-project.org.uk>
K:D
F|B (d/c/) (B/^A/) B F F |F d c d F|F B (d/c/) (B/^A/) B F d|E F ^A B2 F|
w:Their groves o-f sw-eet thyst-les let for-eigh lands reck-on, When bright beam—ing sum-mers ex-hale their per-fume; Far
B (d/c/) (B/^A/) B F F |F d c d F F/ F/|G (A/G/) (F/E/) F (G/F/) (E/D/)|E F ^A B2 d|
w:dear–er t-o me yon lone glen of green Breck-en, Wi’ the burn steal—ing un–der th-e lang yell-ow broom. Far
A/B/ d d d2A|(d/c/) (d/e/) (f/g/) (af) d/ d/|g (a/g/) (f/e/) f d B|A F A B2d|
w:dear–er to me yon hum—ble br-oom bow-ers, Where the blue–bell a-nd gow-an lurk low-ly un-seen for
(A/B/) d d d d A|(d/c/) (d/e/) (f/g/) af d|g (a/g/) (f/e/) f d B|A F A B2:|
w:th-ere light-ly tripp-ing a–mang th-e w-ild flow-ers A-list-en-ing th-e linn-et oft wan-ders my Jean-

X:21
T:Tekeli. 2voices. Dix.21
M:6/8
L:1/8
Q:1/4=100
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:jig
N:Repeat sign added at start
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2010 <https://www.village-music-project.org.uk>
K:F
[V:1]|:c|f2f ede|d2f c2c|cde fga|b2ge2c|!
[V:2]|:z|F,,2F,F,2F,|F,,2F,F,2F,|B,3 A,G,F,|D2C,C2z|!
[V:1]f2f ede| d2fc2c|cde fga|bgef2:|!
[V:2]F,,2F,F,2F,|F,,2F,F,2F,|B,3A,G,F,|C2C,F,2:|!
[V:1]|:f2ga3|aba g2f|{a}g2f{a}g2f|{a}g2fg2a|!
[V:2]|:[A,2F,2]B,[C3F3]|[C3F,3]B,2A,|[B,2F,2]A,[B,2F,2]A,|[B,2C,2]A,[B,2C,2]C|!
[V:1]f2ga3|aba g2f|{a}g2f g2a|f3-!D.C.!f3:|
[V:2][A,2F,2]A,[C3F,3]|[C3F,3]B,2A,|[A,2C,2]A, A,2C|[A,3F,3][A,3F,3]:|

X:22
T:Lord Moira’s Welcome to Scotland. 2voices. Dix.22
M:C
L:1/8
Q:1/4=120
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:strathspey
C:Duncan MacIntyre
C:Athole Collection credits A. Duff
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2010 <https://www.village-music-project.org.uk>
K:F
[V:1]C2|:F<F F<F A<c~c2|B>G A>F {EF}G>F EC|F<F F<F Ac~c2|d>f .e/.f/.g/.e/ .f/.g/.a/.g/ f<a:|
[V:2]z2|:F,,2 F,2F,,2F,2|E,2F,2C2A,2|A,2F,2F,2A,,2|B,,2C,2F,,2F,2:|
[V:1]f<f a<f g>f ec|d<d {e}f>d “tr”c>B AF|f<f a<f “tr”g>f ec|~d>f e/f/g/e/f2f g/a/|
[V:2]F,2F,2C,2C,2|B,,2D,E,F,2F,,2|F,2F,2C,2C,2|B,,2C,2F,2F,,z|
[V:1]b>g a>f “tr”g>f df|d/c/B/A/ f>A B/A/G/F/ G>A|F<F F<F B<d ~d2|c>f .e/.f/.g/.e/ .f/.g/.a/.f/ f<a:|
[V:2]E,2F,2C2B,2|A,2F,2C,2B,,2|A,,2F,,2B,,2B,,2|E,2 E,,2F,,2F,2:|
[V:1]|:{B}A>F c>F (d/c/)B/A/ cf|AFcF “tr”G>ABd|A>Fc>F “quavers in ms”d/c/B/A/ c<g|d~>f .e/.f/.g/.e/ .f/.g/.a/.g/ .f<a:|
[V:2]|:[F,2F,,2][F,2F,,2][F,2F,,2][F,2F,,2]|[F,2F,,2][F,2F,,2][C,2E,,2][C,2E,,2]|[F,2F,,2][F,2F,,2][F,2F,,2]A,,2|[B,,2B,,,2][C,2A,,,2]F,,2F,2:|
[V:1]|:”rests omitted”f<a f<a e<g c2|~d>e fd c>BAF|(3fga (3fga (3fga ~c2|d>f e/f/g/e/ “tr”f2 f g/a/|
[V:2]|:F,2A,2C2C,2|B,,2D,E,F,2F,,2|F,2A,2C2C,2|B,,2C,2F,,2F,z|
[V:1](.d.b) (.c.a) (.B.g) (.A.f)|{ce}c>B A>F {EF}G>F EC|(3FGA (3GAB (3ABc (3Bcd|”tr”B>f a/g/f/e/ {g}f/e/d/c/B/A/G/”f added”F/:|
[V:2]B,2A,2G,2F,2|E,2F,2C,2B,,2|A,,2E,,2F,,2B,,2|C,2E,,2F,,2F,,2:|

X:23
T:Up in the Morning Early Dix.23
M:6/8
L:1/8
Q:1/4=110
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:Song
C:’Scotch’, Burns
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2010 <https://www.village-music-project.org.uk>
K:Bb
D|G2AB2c|(d>=e) fF2F|(G>A) (B/c/) (d>c) (B/A)|G3d2D|!
w:Cauld blaws the win’ frae nor-th to south an dr-ift i-s dr-iv–ing fair-ly, the
G2A B2-c|(d>=e) fF2F|(G>A) B (d>c) (B/A/)|G3d2:|!
w:Sheep is cour-ing i-n the heugh, & s-irs it’s win—ter fair-ly.
|:F|B> c B B2B|(c>d) c c3|d> e f (g>f) e|d3f2B|!
w:Now up in the morn-ings n-o for me, up in the morn–ing ear-ly; I’d
B> c B c> d c|(d>=e) f Hg2(f/e/)|d> c B (A>G) ^F| G3d2:|
w:rath-er go supp-er-less t-o my bed th-an rise in the morn–ing ear-ly
W:%
W:Ruder airs the blast amang the woods
W:The branches tirlin’ barely;
W:Amang the chimney tops it thuds,
W:An’ frost is nippin sairly.
W:Now up in the mornings, no for me,
W:Up in the morning early,
W:To sit a’ the night wad better agree,
W:Than rise in the morning early.
W:%
W:The sun peeps o’er the southlan hills
W:Like ony timorous carlie,
W:Just blinksa wee, then sinks again
W:An that we fin’ severely;
W:Now up in the morning’s no for me,
W:Up in the morning early
W:When snaw blaws in to the chimley cheek
W:Wha’d rise in the morning early.
W:%
W:%
W:Nae linties lilt on hedge or bush
W:Poor things they suffer sairly;
W:In caudrife quarters a’ the night
W:A’ day they feed but sparely
W:Now up in the morning’s no for me,
W:Up in the morning early
W:No fate can be war’, in the winter time
W:Than rise in the morning early
W:%
W:A cosey house an’ a canty wife
W:Keep s ay a body cheerly;
W:An’ pantry stow’d wi’ meal &maut
W:It answers unco rarely.
W:But up in the Morning, Na Na Na
W:Up in the morning early
W:The gowans maun glint on bank an’ bra’
W:When I rise in the morning early

X:24
T:Burn’s Farewell to Ayrshire Dix.24
M:2/4
L:1/8
Q:1/4=120
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:Song
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:D
d2(Ad)|e2A2|(fe) (fg)|f2ez|!
w:Scenes o-f woe and sc-enes o-f pleas-ure
d2 (cB)|(ce) (ef)|c2B2|A4|!
w:scenes th-at form—er thoughts re-new
a2(gf)|g2f2|(ef) (de)|c2Az|!
w:Scenes o-f woe and sc-enes o-f pleas-ure
(dc) (de)|d2e2|(fe) (fg)|f3z|!
w:N-ow a-a sad and l-ast ad–ieu
(gf) (ed)|c2(de)|f2e2|d4:|
w:N-ow a-a sad a-nd last a-dieu.

X:25
T:Lady Lucy Ramsays Reel Dix.25
M:C
L:1/8
Q:1/4=120
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:reel
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2010 <https://www.village-music-project.org.uk>
K:C
f|egg>a g>ec>a|g>ec>a edd>f|egg>a g>ag>e|f>dB>g ecc:|!
|:f|G>cE>c “tr”d>cd>e|c<c {cd}e>d cAAc|G<cE<c “tr”d>cde|cG A/B/c/G/ ECC>c|!
G>cE>c “tr”d>cde|c<c {cd}e>d cAAc|GcEc FdEc|Daa>f ecc:|

X:26
T:Song of Death,The. Dix.26
M:6/8
L:1/8
Q:3/8=40
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:song
C:Words by Burns
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:Bm
A|B> A (B/d/) e e a|f> e {f e}d {d}B2g|f {g}a ({g}f/e/) d d (F/^G/)|A3-A2 (B/d/)|!
w:Fare-well thou f-air day thou green earth and ye skies, Now gay with th-e broad sett–ing S-un! Fare
B> A (B/d/) e> f g|{g} f e d/ {d}B2g|(f/g/) ({f g}a/g/) (f/e/) d d (F/^G/)”bar line added”|A3-A2:|!
w:well loves a-nd friend-ships ye dear ten-der ties; our r-ace o-f ex–ist-ence i-s run
|:(f/g/)|a a d’ b b (b/=a/)|b> a g B2g|f> e (fa) b/ b2 f|{f} a3-a2 a|!
w:Th-ou grim king of ter-ror, th-ou life’s gloom-y foe, Go fright-en th-e co-ward and sl-ave! Go
b> a g a a g|f> e {f e} d B2g|f< a (f/e/) d d (F/^G/)|A3-A2:|
w:teach them to trem-ble, fell ty-rant but know, No ter-ror h-ast thou to th-e br-ave.
W:%
W:Thou strik’st the dull peasant, he sinks in the dark
W:Nor saves even the wreck of a Name:
W:Thou strikest the young hero, a glorious mark!
W:He falls in the blaze of his fame.
W:In the field of proud honour, our swords in our hands,
W:Our King and our country to save,
W:While victory shines on life’s last ebbing sands,
W:O, who would not die with the brave.

X:27
T:Farewell to Lochaber Dix.27
M:3/4
L:1/8
Q:1/4=90
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:Song
O:England;Lincolnshire;Holton le Moor
N:This ballad was first published in Tea Table Miscellany (1724).
N:The words are by the poet Allan Ramsay (1686-1757).
N:The tune is usually attributed to the Irish Harper, Thomas Connellan (c.1640/45-1698).
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:G
G>A|B2B2B>c|B2>A2 Bd|e2A2A>B|{B}A4G>A|!
w:Fare–well to Loch–ab-er a-nd fare-well m-y Jean, Wh-ere
B2cB AG|(D2>E2) G A|B2AG GA|G4G> A|!
w:heart-s-ome w-ith th-ee I ha mon–y d-ays been; For Loch-
B2B2Bc/d/|({c}B2>A2) Bd|e2A2AB/c/|(B2A2)GA|!
w:ab-er n–o m-ore, L-och-ab-er n–o m-ore, We’-ll
B>d cB AG|D2dc BA|B2AG GA|G4:|!
w:m-ay b-e re–turn t-o L-och-ab–er n-o more.
|:G2|B>c d2d2|d>e dc BA|G2g2f2|g4G2|!
w:These t-ears that I sh-ed th-ey a-re a for my de-ar
B>c d2d2|ed cB AG|G2g2 ga|g4d2|!
w:A-nd no for th-e d-ang–ers at-tending o-n weir Tho’
=f2>g2 fg|{=f}e2d2eg|a2A2 AB/c/|{B}A4 G>A|!
w:borne on r-ough seas to a-a far blood—y sh–ore
B2cB AG|D2>e2 dB|B2AG GA|G4:|
w:May be to re-t-urn to L-och-a–ber n-o m–ore.
W:%
W:Tho’ hurricanes rise, and raise every wind
W:They’ll ne’er make a tempest like that in my mind;
W:Tho’ loudest of thunders on louder waves roar
W:That’s naething like leaving my love on the shore;
W:To have thee behind me my heart is sair pain’d
W:But by ease that’s inglorious no fame can be gain’d
W:But beauty and love’s the reward of the brave,
W:And I maun deserve it before I can crave.
W:%
W:Then glory, my Jenny maun plead my excuse,
W:Since honor commands me, how can I refuse?
W:Without it I ne’er can have merit for thee,
W:And losing thy favour, I’d better not be.
W:I gae then, my lass to win glory and fame
W:And if I should chance to come gloriously hame,
W:I’ll bring a heart to thee with love running o’er,
W:And then I’ll leave thee and Lochaber no more.

X:31
T:Marquis of Huntly’s Favourite,The. 2voices. Dix.31
M:C
L:1/8
Q:1/4=120
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:reel
N:Repeat marks added at start
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:A
[V:1]|:A,2> C2 E/E/E E>F|A>B {AB}c>B {c}Ac Ac|A,2>C2 E/E/E E>c|”tr”B>c d/B/c/A/ {F}F2 FA|
[V:2]|:A,,2A,,2A,,2A,,2|A,,2A,,2A,,2A,,2|A,,2A,,2A,,2A,,2|B,,2A,,2G,,2E,,2|
[V:1]A,2>C2 E/E/E EF/G/|A>B {AB}c>B {c}B>A Ac|d2> e2 {f}ed/c/ {d}cB/A/|B>c c/B/c/A/ GEE:|
[V:2]A,,2A,,2A,,2A,,2|A,,2A,,2A,,2A,,2|D,2D,2C,2C,2|B,,2A,,2E,,2E,:|
[V:1]|:e|f/e/d/c/ a>c bc a2|f/e/d/c/ a>c “tr”fe”tr”dc|f(bb)f b/a/g/f/b2|fbbf “tr”ag”tr”fe|
[V:2]|:z|A,2A,2A,2A,2|A,2A,2A,2A,2|B,,2B,2B,,2B,2|B,,2B,2B,,2B,2|
[V:1]f/e/d/c/ a>A b>ca2|f/e/d/c/ a>c (“tr”fe)(“tr”dc)|.d/.e/.f/.g/ .a/.g/.f/.e/ .f/.g/.a/.g/ .f/.e/.d/.c/|”tr”B>c d/B/c/A/ {G}F2FA:|
[V:2]A,2A,2A,2A,2|D,2D,2C,2C,2|B,,2A,,2E,,2E,2|B,,2A,,2E,,2E,2:|

X:32
T:Waltz. 2voices Dix.32
M:3/8
L:1/8
Q:3/8=60
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:waltz
N:Repeat marks added at start
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:Bb
[V:1]|:z|[d2F2][cF]|[B2D2](B/d/)|(c/e/)(A/c/)(B/d/)|FFF|[d2D2][cE]|[B2D2]B/d/|c/e/A/c/e/c/|[B2D2]:|
[V:2]|:z|B,,B,F,|B,B,,B,|[CA,F,][CA,F,][DA,F,]|[CA,F,][CA,F,][CA,F,]|B,B,,B,|B,B,,B,|E,F,F,,|B,,B,:|
[V:1]|:B/d/|c/e/A/c/B/d/|c/e/A/c/B/d/|c/e/A/c/B/d/|FFF|[d2F2][cE]|[B2D2] B/d/|c/e/A/c/B/d/|[B2D2]:|
[V:2]|:z|[CA,F,][CA,F,][DA,F,]|[FA,F,][CA,F,][DA,F,]|[FA,F,][CA,F,][DA,F,]|[CA,F,][CA,F,][CA,F,]|B,B,,B,|B,B,,B,|E,F,F,,|[B,2B,,2]:|
[V:1]|:F|B/A/B/c/d/e/|fdf|{a}g/f/g/a/b/g/|{g}fd/f/g/f/|{f}ec/e/g/e/|{e}dB/d/f/d/|c/d/e/c/B/A/|[B2D2]:|
[V:2]|:z|B,,D,F,|B,,D,F,|B,,D,F,|B,,D,F,|A,,E,G,|B,,D,F,|F,,C,F,|B,,2:|
[V:1]|:[d/B/]f/|e/f/c/f/e/f/|d/f/B/f/d/f/|e/f/c/f/e/f/|d/f/B/f/d/f/|e/f/c/f/e/f/|d/f/b/a/g/^f/|{f}”note added”ge/c/B/A/|”DC”B2:|
[V:2]|:z|F,[CE][CE]|F,[B,D][B,D]|F,[CE][CE]|F,[B,D][B,D]|F,[CE][CE]|[C2A,2]z|DEF,|B,B,,:|

X:33
T:Waltz. 2voices Dix.33
M:3/8
L:1/8
Q:3/8=60
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:waltz
N:Repeat marks added at start
N:Crotchets in last line replaced by quavers
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:D
[V:1]|:A|d2f/a/|d2f/a/|a/g/f/g/e/c/|dfa|d2(f/a/)|d2f/a/|a/g/f/g/e/d/|d2:|
[V:2]|:z|D,F,A,|D,F,A,|C,E,A,|D,F,A,|D,F,A,|D,F,A,|A,,E,A,|D,D,,:|
[V:1]|:f/a/|gec’|d’af|a/g/b/g/e/c/|(d/c/d/e/f/g/)|{a}gec’|d’af|a/g/b/g/e/c/|[d2F2]:|
[V:2]|:z|A,,E,A,|F,A,F,|G,A,A,,|D,/C,/D,/E,/F,/G,/|D,F,A,|D,F,A,|G,A,A,,|D,D,,:|
[V:1]|:f/a/|{a}[ge][ge] e/g/|{g}[fdA][fdA] d/f/|f/e/g/b/a/c/|(d/c/d/e/f/g/)|{a}[ge][ge] e/g/|{g}[fdA][fdA] d/f/|f/e/g/b/a/d/|[d2F2]:|
[V:2]|:z|[A,A,,] [A,A,,]z|[D,D,,] [D,D,,]z|G,A,A,,|D,/C,/D,/E,/F,/G,/|A, A,z|[D,D,,] [D,D,,]z|A,A,A,,|D,2:|

X:34
T:Waltz. 2voices Dix.34
M:3/8
L:1/8
Q:3/8=60
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:waltz
N:Repeat marks added at start
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:F
[V:1]|:[cA]|[A/F/][B/G/][cA][cA]|[d/B/][e/c/][fd][fd]|[G/E/][A/F/][BG][BG]|[B2G2][AF]|G/g/f/e/d/c/|f/a/c’c’|[cA][dB][ec]|[f2F2]:|
[V:2]|:z|F,,F,F,|B,,B,B,|C,CC|F,B,,F,,|C,,C,C,|F,,F,F,|A,,B,,C,|F,F,,:|
[V:1]|:c|c’/b/gg|g/e/cc|c’/a/ff|c/f/aa|c’/c’/gg|g/e/cc|c’/a/ff|[f2F2]:|
[V:2]|:z|[CB,G,][CB,G,][CB,G,]|[CB,G,][CB,G,][CB,G,]|[CA,F,][CA,F,][CA,F,]|[CA,F,][CA,F,][CA,F,]|[CG,][CG,][CG,]|[CG,][CG,][CG,]|[CA,F,][CA,F,][CA,F,]|[C2A,2F,2]:|
[V:1]|:[cA]|[cA][=BG][AF]|[fdA][e^cG][fdA]|[dF][^cE][dF]|[B2G2][GE]|[AF]>[BG][cA]|[cA]>[BG][AF]|GG/F/G|A2F|
[V:2]|:z|F,A,C|F,B,D|F,A,C|C,G,C|F,A,C|F,A,C|C,G,C|F,A,C|
[V:1][cA]>[BG][AF]|[fd][e^c][fd]|[dB][^cA][dB]|[B2G2][GE]|[AF]>[BG][cA]|[cA]>[BG][AF]|GG/F/G/A/|F2:|
[V:2]F,A,C|F,B,D|G,B,C|C,G,C|D,A,C|D,A,C|C,G,C|F,F,,:|

X:35
T:Behind yon hills. Dix.35
M:C
L:1/8
Q:1/4=120
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:song
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:Em
(G>A)|B2E2B2>A2|G2″tr”(F>E)E2 (DE)|G2>A2 (B>AB) d|e2(A>B)A2!
w:Be–hind you hills where Lu–gar flows, m-ang mu-irs a–nd moss-es man-y, O
(GA)|B2{B}{c} d2cB (AG)|A2B2Hg2>f2|(e>ge) d (B>AB) ^d|e2(E>F)E2:|!
w:Th-e wint-ry s-un th-e day has closed, and I–‘ll a—wa to Nann–ie, O.
|:B>c|d2>e2 {e}d2(cB)|g2 (d>e)d2 (gf)|e2>d2 (e>fg) a|b2(e>f)e2 (dc)|!
w:Th-e west-lin winds bl-aw loud a-nd shrill; th-e Night’s baith m–irk and rain–y, O. I’ll
B2f2 (dB) (AG)|A2B2Hg2>f|(f>gf) d (B>AB) ^d|e2 (E>F)E2:|
w:get my pl-aid, a-nd out I’ll steal and o–er the h–ill to Nann–ie, O.

X:36
T:Highland Mary to the tune of Kathrine Ogie. Dix.36
M:C
L:1/8
Q:1/4=120
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:Song
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:Bm
BA|F2(Bc)”undotted in ms”B2>c2|d2(cB)B2(cd)|e2> f2 (ec) (Bc)|A3 Bc2(BA)|
w:Y-e banks and braes, and streams, a-round the cas-tle o’ Mon-gom-er-y, Green
F2(Bc)B2>c2|(d>e) c>d B2 (ag)|f2e/d/c d>e c>d|B4f2:|
w:be y-our woods, and f-air y-our flowers! Y-our wat—ers nev—er drum-lie:
|:Bc|def g a2>b2|af efa2ed|c2 af ec Bc|”undotted in ms”A2>B2c2BA|
w:Th-ere sim–mer first un-f–aulds h-er robes, A-nd there th-ey l-ang–est tarr–y; I-n
d2cBB2>F2|B>cd e {d}{e}f2(ed)|e>fa b (af) (ec)|B4d2||
w: there I– took the l–ast fare-well o-f m–y dear H-igh–land Mar-y.
W:%
W:How sweetly bloom’d the gay green birk,
W:How rich the hawthorn’s blossoms,
W:As underneath their fragrant shade,
W:I clasped her to my bosom!
W:The golden hours, on angel wings,
W:Flew o’er me and my dearie;
W:For dear to me, as light and life
W:Was my sweet Highland Mary.
W:%
W:Wi’ mony a vow, and lock’d embrace,
W:Our parting was fu’ tender;
W:And pledging aft to meet again,
W:We tore ourselves asunder:
W:But O’, fell deaths untimely frost,
W:That nip’t my flower so early!
W:Now green’s the sod, and caulds the clay,
W:That wraps my Highland Mary!
W:%
W:0 pale, pale now, those rosy lips
W:I aft ha kissed so fondly!
W:And closed for aye, the sparkling glance,
W:That dwelt on me so kindly!
W:And mouldering now in silent dust,
W:That heart that loed me dearly!
W:But still within my bosom’s core
W:Shall live my Highland Mary.

X:37
T:Soldiers Return,The. Dix.37
M:C
L:1/8
Q:1/4=100
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:Song
C:Burns
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:D
de {d}f2A>B {B}A2>d2|{=c}(BA) (Bd) {f}e2de|f2A2 gf (ed)|{c}B2>^c2 d2(de)|!
w:Wh-en wild w-ars dead-ly bl-ast w-as blawn a-nd gent-le p-eace re–turn–ing, And
f2A>BA2>d2|BA Bde2(de)|{d}f2A2(gf) (ed)|{=c}B2>^c2d2||!
w:eyes a–gain mid pl-eas–ure beam’d, th-at had been bl-ear’d wi– mourn–ing;
zA|de fg {g}a2>a2|(ba) (gf) e2>A2|de fg ab ag|f2>g2a2zA|!
w:I l-eft th-e lines and tent—ed fields, Where l-ong I-‘d b-een a– l-odg-er; My
(de) (fg) a2(fa)|ba gfe2de|f2A2(gf) (ed)|{=c}B2>^c {e}d2||
w:h-um-b-le knap–sack a’– m-y wealth, A– poor but hon—est sod–ger.
W:%
W:A leal, light heart was in my breast,
W:My hand unstain’d wi’ plunder;
W:And to dear Scotia hame again,
W:I cheerly on did wander:
W:I thought upon the banks o’ Coil,
W:I thought upon my Nancy,
W:I thought upon the witching smile
W:That caught my youthful fancy.
W:%
W:3
W:At length I reached the bonny glen,
W:Where early life I sported;
W:I passed the mill and trysting thorn,
W:Where Nancy oft I courted:
W:Wha’ spied I but my ain dear maid,
W:Down by her mother’s dwelling!
W:And turn’d me round to hide the flood
W:That in mine eye was swelling.
W:%
W:4
W:Wi’ alter’d voice, quoth I, “Sweet lass,
W:Sweet as yon hawthorn blossom,
W:O! happy, happy may he be,
W:That’s dearest to thy bosom!
W:My purse is light, I hae far to gang,
W:Fain would I be thy lodger;
W:Ive served my King and country lang-
W:Tak’ pity on a sodger.”
W:%
W:5
W:Sae wistfully she gaz’d on me,
W:And lovelier was than ever;
W:Quo’ she, “A sodger ance I lo’ed,
W:Forget him I shall never:
W:Our humble cot, and hamely fare,
W:Ye freely shall partake it;
W:That gallant badge-the dear cockade,
W:Ye’re welcome for the sake o’t.”
W:%
W:6
W:She gaz’d-she redden’d like the rose-
W:Syne pale like only lilly;
W:She sank within my arms, and cried,
W:Art thou my ain dear Willie!
W:By him who made yon sun and sky
W:By whom true love’s regarded-,
W:I am the man!- and thus may still
W:True lovers be rewarded.
W:%
W:7
W:The wars are o’er, and I’m come hame,
W:And find thee still true-hearted;
W:Tho’ poor in gear, we’re rich in love,
W:And, mair, we’se ne’er be parted.”
W:Quo’ she, “My grandsire left me gowd,
W:A mailen plenish’d fairly;
W:Come then, my faithfu’ sodger lad,
W:Thou’rt welcome to it dearly!”
W:%
W:8
W:For gold the merchant ploughs the main,
W:The farmer ploughs the manor;
W:But glory is the sodgers prize,
W:The sodger’s wealth is honor:
W:The brave poor sodger ne’er despise,
W:Nor count him as a stranger;
W:Remember he’s his country’s stay,
W:In day and hour of danger.

X:38
T:Lass in Yon Town,The. Dix.38
M:C
L:1/8
Q:1/4=100
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:Song
C:(Burns)
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:D
F|D> d d> A {G}F2D> A|F A D A F> E E> d|!
w:I wat ye wha’s in yon town, Ye see the e’en-ing sun up-on? The
d> c d> A {G}F2 D> A|F> A E> G F D D|!
w: dear-est maids in yon town his sett-ing beams do shine up-on.
A|F D A D B D A> D|F D B D F> E E> G|!
w: Now hap-ly down yon gay green shaw she wan-ders by that spread-ing tree How
F D A D B D A> D|F A E G F D D A|!
w:blest ye flowers that round her blaw ye catch the glanc-es o’ her ‘ee. How
F D A D B D A> D|F D A D F> E E> G|!
w:blest ye birdsn that round her sing and wan-tons in the bloom-ing year. But
F D A D B G Hd> B|A> F E> G F> D D||
w:doub-ly wel-come be the Spring, the sea-son to my Jean-nie dear.
W:%
W:The sun blinks blithe in you town,
W:Amang the broomy braes so green
W:But my delight’s in yon town,
W:And dearest pleasure is my Jean.
W:Without my fair, not a’ the charms
W:Of paradise could yield me joy.
W:But gie me Jenny in my arms
W:And welcome Lapland’s dreary sky.
W:My cave would be a lovers bower,
W:Tho’ raging Winter rent the air;
W:And she a lovely little flower,
W:That I wad tent and shelter there.
W:%
W:O sweet is she in yon town,
W:The sinkin suns gaun down upon;
W:The dearest maids in yon town,
W:His setting beams e’er shone upon.
W:If angry fate be sworn my foe,
W:And suffering I am doom’d to bear,
W:I’d careless quit aught here below,
W:But spare! O spare my Jeanie dear!
W:For while life’s dearest blood runs warm,
W:My thoughts fra’ her shall ne’er depart;
W:For as most lovely is her form
W:She has the kindest truest heart.

X:39
T:Lovely Jean Dix.39
M:C
L:1/8
Q:1/4=90
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:Song
C:Burns, 1790
N:Last bar missing in MS
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:C
G|c> c c> c c> A c> a|g> e d> c A2z G/A/|!
w:Of a’ the airts the wind can blaw, I dear-ly like the West, F-or
c> c c> c c> A c> a|g> a c’> e g2za|!
w:there the bonn-ie lass-ie lives, the lass that I loe best Tho’
g> a c’> e g> e d> c|d d/ e/ fe dc {B}A2z G/A/|!
w:wild woods grow and riv-ers row Wi mon-ie a h-ill be–tween. Baith
c> c c> c c A c> a|g> e d> e c2z||G/F/|!
w:day and night my fan-cys flight is ev-er wi’ my Jean. I-
E> G c G A> G c> G|e> g f/e/ d/c/ {B}A2z G/F/|!
w:see her in the dewy flow-er, Sae love-ly sw-eet a-nd fair I-
E> G c> G A> G c> d|e> f g/a/b/ c’/ g2z a/b/|!
w:hear her voice in il-ka bird, Wi’ mus-ic ch–arm the air, Th-eres
c’> b a> g a> g f> e|d> e (f/e/) (d/c/) A2 z G|!
w:not a bonn-y flower that springs by fount-ain sh-aw o-r green, Nor
c> c c> c c> G c> a|g> e d> e c3||
w:yet a bonn-y bird that sings but minds me o’ my Jean.
W:%
W:On the banks of flowing Clyde,
W:The lasses busk them braw,
W:But when their bestt they ha put on,
W:My Jeanie dangs them a’;
W:In hamely weeds she far exceeds
W:The fairest o’ the town;
W:Baith grave and gay confess it so,
W:Tho’ dressed in russet gown.
W:The gamesome lamb that sucks its dam,
W:Mair harmless can na’ be,
W:She has na faut, (if sic we ca’t)
W:Except her love for me:
W:The sparkling dew, of cleanest hue,
W:Is like her shining e’en;
W:In shape and air, wha can compare
W:Wi’ my sweet lovely Jean.
W:%
W:%
W:O blaw ye westlin winds, blaw soft
W:Amang the leafy trees;
W:Wi gentle breath, fra muir an’ dale,
W:Bring hame the laden bees;
W:And bring the lassie back to me,
W:That’s aye so neat and clean,
W:A blink o’ her wad banish care,
W:So lovely is my Jean.
W:What sighs and vows, amang the knows
W:Hae past atween us twa!
W:How fain to meet! How wae to part!
W:That day she gaed awa:
W:The Powers aboon can only ken,
W:To whom the heart is seen,
W:That nane can be, sae dear to me,
W:As my sweet lovely Jean

X:40
T:Poortith Cauld,O. Dix.40
M:3/4
L:1/8
Q:1/4=120
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:song
C:Burns, to the tune of “I had a horse”
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:G
D|G< G G2g> e”^bar line added”| d> B A2> B2|G< G G2>A2″^bar line added”|B E2 “s-q in ms”DE|!
w:O poor-tith cauld and rest–less love, Ye break my peace be-tween ye! Yet
G> G G2 g e|d> B A2> B B/|G/ GG2 A/ B2<E2 B|c c {B}{d}c2> c2|!
w:poor-tith a’ I could for–give, If t’were na for m-y Jean-ie. O why should f-ate
B B B2> G2″^bar line added”| A< A A2>B2|B2< e2z g|d> e g2 g/a/”^bar line added”| b a g e3 g|d/B/ A/G/ G2> A2 B2<E2||
w:sic pleasure have, Love’s dear-est hand un-twin-ing! O why so sweet a– flow-er as love de-p-end o-n for-tunes shin-ing.
W:%
W:The world’s wealth, when I think on’t,
W:It’s pride and a’ the lave o’t;
W:Fie, Fie on silly coward man,
W:That he should be the slave o’t!
W:O whyshould fate &c.
W:%
W:Her e’en, sae bonie blue, betray
W:How she repays my passion;
W:But prudence is her o’erword ay,
W:She talks o’ rank and fashion.
W:O why, &c.
W:%
W:%
W:O wha can prudence think upon,
W:Wi’ sic a lassie by him?
W:O wha can prudence think upon
W:Wi’ sic a lassie by him, (2)
W:And sae in love as I am. (1)
W:O why, &c.
W:%
W:How blest the humble cotters fate!
W:He woos his simple dearie;
W:The silly bogles, wealth and state,
W:Can never make him eerie,
W:O why, &c.
W:%
W:Then why should fate sic pleasure have,
W:Loves pleasant hand untwining,
W:Or sic a tender flower as love,
W:Depend on fortunes shining.
W:O Why &c

X:41
T:Tam Glen Dix.41
M:3/4
L:1/8
Q:1/4=120
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:song
C:Burns
N:Possibly a bar missing in the second part
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:Bm
fe|d2B2B2|B2> d2 BA|B2d2 e2|f2> e2d2|!
w:M-y heart is a break-ing, de-ar tit-tie, Some coun–sel
d2>e2 de/f/|A4fe|d2B2B2|B2> d2 BA|!
w:un-to m—e c-ome l-en’. To ang-er them a’
B2d2e2|f2>e2 B2|e2>d2 ef|d2B4||!
w:tis a pity But what maun I do w-i’ Tam Glen?
ag|f2a2b2|a2f2e2|d2>e2f2|f2>g2a2|!
w:I’m think-ing wi’ sic’ a braw fal-low, In poor-tith I myght
f2> e2d2|d2>e2f2|f2>g2a2|f2>e2 d2|!
w:a’ fin, What care I rich-es to wall=ow
A4fe|d2B2B2|efB4||
w:If I– mau-na marry Tam Glen
W:%
W:There’s Lowrie the Laird o’ Dummeller-
W:Gude day to you, brute he comes ben;
W:He brags and he blaws o’ his siller,
W:But when will he dance like Tam Glen!
W:%
W:My minnie does constantly deave me,
W:And bids me beware o’ young men;
W:They flatter, she says, to betray me,
W:But wha can think sae o’ Tam Glen!
W:%
W:3
W:My Daddie says, gin I’ll forsake him,
W:He’ll gie me gude hunder marks ten;
W:But, if it’s ordain’d I maun tak’ him,
W:O wha’ will get but Tam Glen?
W:%
W:%
W:Yestreen at the Valentine’s dealing,
W:My heart to my mou’ gied a sten’;
W:For thrice I drew ane without failing,
W:And thrice it was written Tam Glen
W:%
W:4
W:The last Halloween I was waukin
W:My drouk it sark-sleeve, as ye ken,
W:His likeness came up the house staukin,
W:And the very grey breeks o’ Tam Glen!
W:%
W:Come, counsel, dear Tittie, don’t tarry;
W:I’ll gie ye my bonie black hen,
W:Gif ye will advise me to marry
W:The lad I lo’e dearly, Tam Glen.

X:42
T:Whistle and I’ll come to you. Dix.42
M:6/8
L:1/8
Q:1/4=70
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:song
O:England;Lincolnshire;Holton le Moor
C:Burns
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:C
(c/d/)|e c A G>F E|D d d d2 (c/d/)|e c A G>E G|A c c c2 (c/d/)|!
w:O– whist-le and I’-ll come to you my lad O–whist-le and I’-ll come to you my lad Tho’–
e c A G> F E|D f e {e}d2 (g/f/)|e c A G>E G|A c c c2||!
w:fath-er and moth-er and a’ should go mad O– whist-le and I’-ll come to you my lad.
(e/d/)|c e g c e g|c e g gf (e/d/)|c e g c e g|c c’ a Hg2g/f/|!
w:C-ome down the back stairs when you come to court m-e; C-ome down the back stairs and let no-bod-y see, a-nd
e c A G>F E|D d d d2 g/f/|e c A GE G”bar line adde”|A c c c2||
w: come as you w-ere na’ com-ing to me A-nd come as you w-ere na’ com-ing to me.
W:%
W:O Whistle, an’ I’ll come to ye, my lad,
W:O whistle, an’ I’ll come to ye, my lad,
W:Tho’ father an’ mother an’ a’ should gae mad,
W:O whistle, an’ I’ll come to ye, my lad.
W:At kirk, or at market, whene’er ye meet me,
W:Go by me as tho’ ye carE’d na’ a flee;
W:But steal me a look o’ your bonny black e’e,
W:Yet look as ye were na lookin’ to me,
W:Yet look as ye were na’ looking at me.
W:O Whistle , &c. &c
W:%
W:%
W:O Whistle, an’ I’ll come to ye, my lad,
W:O whistle, an’ I’ll come to ye, my lad,
W:Tho’ father an’ mother an’ a’ should go mad,
W:O whistle, an’ I’ll come to ye, my lad.
W:Ay vow and protest that ye care na’ for me,
W:An’ whyles ye may lightly my beauty a-wee;
W:But court na’ anither, tho’ joking ye be,
W:For fear that she wyle your fancy frae me,
W:O Whistle &c. &c

X:43
T:Banks and Braes o’ Bonnie Doon Dix.43
M:6/8
L:1/8
Q:3/8=70
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:song
O:England;Lincolnshire;Holton le Moor
C:Burns
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:D
A|”qu in ms”d2 d ed e|(fg) f (ed) e|(fe) d dB A|(AB) d e2 A|!
w:Ye banks and br-aes o’ bon–y D-oon how c-an you bl-oom so fr-esh and fair, how
d2d (ed) e|fg f (ed) e|{d}{e}fe d dB A|AB dd2:|!
w:can ye s-ing ye litt–le b-irds while I-‘m so w-ear-y f-u’ o’ care?
|:f|a2b af d|a2b af d|af d af d|{b}Ha2 g/f/ {f}e2 A|!
w:You’ll break my h-eart ye litt-le b-irds that warb–le o-n the flow’–ry thorn; It
d2″qu.omitted” d ed e|{d}{e}(fg )f (ed) e|{d}{e}fe d dB A|AB dd2″rpt sign added”:|
w:minds me o-‘ De-part–ed j-oys. De-part–ed, nev–er t-o re-turn
W:%
W:Aft ha I stray’d by bonny Doon
W:To see the rose and woodbine twine
W:And hear ilk bird sing of its love,
W:As fondly so did I of mine;
W:Wi’ lightsome heart I pu’d arose,
W:So sweet upon its thorny tree;
W:But my fause love has stou’n the rose,
W:And left the sharpest thorn to me
W:%
W:3
W:O blaw ye flowers, your bonny blooms,
W:And draw the wild birds by the Doon!
W:For Lumon promised me a ring,
W:And ye maun rid me, shou’d I mourn,
W:O na! na! na, ye need na’ bloom,
W:My e’en are dim an’ drawing worn
W:Ye bonny birds ye need na’ sing
W:For Lumon never will return.
W:%
W:4
W:My Lumon’s love, in broken sighs,
W:At closing day by Doon ye’se hear
W:And Mid’ day by the Willow green
W:For him I’ll shed a silent tear
W:Sweet birds! I ken ye’ll pity me
W:An’ join me wi a plaintive sang
W:While echoes wake, an’ pour the mane
W:I make for him I lo’ed so long.

X:44
T:Peggys Daughter. 2voices. Dix.44
M:3/8
L:1/8
Q:3/8=60
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:waltz
N:Repeat signs added at start
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:G
[V:1]|:BGG|ced|cBA|{G}FED|BGG|”tr”e2d|cBA|[G3D3B,3]:|
[V:2]|:G,G,,B,,|C,CB,|A,D,D,|D,A,F,|G,G,,B,,|C,CB,|CDD,|G,D,G,,:|
[V:1]|:gg/a/g/a/|ff/a/g/a/|ee/f/g/e/|d2d|g/f/g/a/g/a/|f/e/f/g/f/g/|e/d/e/f/e/f/|H[d2B2]e//d//c//B//|
[V:2]|:G,2G,|D,2D,|G,A,A,,|D,/E,/F,/E,/F,/D,/|G,2G,|D,2D,|G,A,A,,|HD,2z|
[V:1]BGG|c/d/e/d/c/B/|A/B/c/B/A/G/|”tr”F>E D//E//F//G//|BGG|”tr”e2d|cBA|G3:|
[V:2]”pia”G,G,,B,,|C,CB,|A,D,D,|D,A,F,|G,G,,B,,|C,CB,|CDD,|G,D,G,,:|

X:47
T:Fight about the fire side. 2voices. Dix.47
M:C|
L:1/8
Q:1/4=120
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:reel
N:Repeat signs added at start
C:MS attributes Gow
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:C
[V:1]|:c|GcEc Dd-dc|GcEc GcEc|FcEc DddB|cGcF ECC:|!
[V:2]|:z|C,2C,2D,2D,2|C,2C,2C,2C,2|D,2C,2G,,2G,2|E,2F,2C,2 C,:|!
[V:1]|:f|e<cg>c eddf|ecgc acgc|fage dcde|GAcd {f}e2 df|!
[V:2]|:z|C2C2G,2G,,2|C,2E,2F,2E,2|D,2C,2G,,2G,,2|C,2G,2C,2G,2|!
[V:1]e<cg>c eddf|ecgc acgc|fage “tr”d>cde|GAcd {cd}e2dc”$”:|
[V:2]C2C2G,2G,2|C,2E,2F,2E,2|D,2C,2G,,2G,,2|C,2G,,2[C,2C,,2][C,2C,,2]”$”:|

X:48
T:Captain Fleming Dix.48
M:2/4
L:1/8
Q:1/4=120
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:quickstep
N:Repeat signs added at start
N:Tune incomplete in MS as shown
C:MS attributes Gow
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:C
[V:1]|:G|ccce|ccce|dfBd|cccG|ccce|ccce|dfBd|c3:|
[V:2]|:z|C,2C2|C,2C2|G,,2G,2|C,2C2|C,2C2|C,2C2|G,,2G,2|C,2″cr in ms”C:|
[V:1]|:e|g>^fg>f|g2ee|fddg|e”b,b in ms”cce|g>^fg>f|g2e>e|fddB|c3:|
[V:2]|:z|C,2C2|C,2E,2|G,2G,,2|C,2C2|E>DE>D|E2C2|B,2G,2|C2C,:|
[V:1]|:e|dddg|eccg|a>ga>b|c’gec|dddg|
[V:2]|:z|B,2G,2|C2C,2|E,2G,2|CG,E,C,|”^Tune incomplete in MS”B,,2G,,2|

X:49
T:Woo’d and married and a’. 2voices. Dix.49
M:9/8
L:1/8
Q:1/4=90
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:slip jig
N:Last bar altered. Ms gives final two bass clef notes as dotted
C:MS Attributes Gow
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:F
[V:1]|:f|{d}c2B ABG F2B|(A/B/c).c cdAc2f|{d}c2B ABG FGA|D2d de^cd2:|!
[V:2]|:z|F,3C,3F,,3|A,,3F,3F,,3|F,3C,3F,,3|D,3A,,3D,,2:|!
[V:1]|:f|cde fgf edc|(B/c/c).c cdA”tr”c2d|cde fgf edc|A2 d- d.e.^c ~d2f|!
[V:2]|:z|F,3F,3C,3|A,,3F,3F,,3|F,3F,3E,3|D,3G,,3D,,3|!
[V:1]cde fga efg|A/B/cA fcAc2f|c>dB ABG FGA|D2d de=c d2:|
[V:2]F,,3F,3F,,3|F,3 C,3F,,3|F,3C,3F,2E,|D,3G,,3D,,2:|

X:50
T:Lady Cholmondley’s Reel. 2voices. Dix.50
M:3/8
L:1/8
Q:3/8=60
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:waltz
N:Handwritten pencil note “Waltz” next to title in ms
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:D
[V:1]|:F/G/|AAd|BBe|cA/B/c/A/|dfa|AAd|BBe|cA/B/c/A/|[d2F2]:|!
[V:2]|:z|D,[B,G,][B,G,]|D,[B,G,][B,G,]|A,,[A,E,][A,E,]|D,[A,F,][A,F,]|D,[A,F,][A,F,]|D,[B,G,][B,G,]|A,,[A,E,][A,E,]|[F,2D,2]:|!
[V:1]|:F|ggf|eed|cA/B/c/d/|eeA|ggf|eed|cA/B/c/A/|d2:|!
[V:2]|:z|A,,A,A,|A,,A,A,|A,,A,A,|A,,A,A,|C,A,A,|C,A,D,|A,,[A,E,][A,E,]|[F,2D,2]:|!
[V:1]|:A|A2F|F2D|EE/F/G/A/|FDA|A2F|d2B|AA/F/G/E/|D2:|!
[V:2]|:A,|A,2F,|F,2D,|A,,A,A,|D,A,A,|D,A,A,|D,[B,G,][B,G,]|D,A,A,,|D,2:|

X:53
T:Lady Louisa Ramsay’s Strathspey. 2voices. Dix.53
M:C
L:1/8
Q:1/4=90
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:strathspey
N:Repeat signs added at start
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:C
[V:1]|:g|e<gg>a gecg|g>ca>e eddf|e<gg>a gage|(f/e/d/c/) Bg ecc:|!
[V:2]|:z|C,2C2E,2F,2|E,2F,2G,2G,,2|C,2C2E,2C,2|D,2G,,2C,2E,,:|!
[V:1]|:z”^rest added”|G<cE<c d>cd>e|c<c{cd}e>d c<AA<c|G<cE<c d>cd<e|cG A/B/c/G/ ECCc|!
[V:2]|:z|E,2C,2F,2G,2|E,2C,2F,2F,,2|E,2C,2F,2G,2|E,2F,2E,2″cr.in ms”C,C,,|
[V:1]G>cE>c d>cd>e|c<c{cd}e>c cAAc|G<cE>c F<cG<c|Aa”tr”g>f ecc:|
[V:2]”_8vo”E,2C,2F,2G,2|E,2C,2F,2F,2|E,2C,2D,2E,2|F,2G,2C,2″cr in ms”C,:|

X:55
T:Paddy O’Carrol. 2voices. Dix.55
M:6/8
L:1/8
Q:1/4=115
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
C:Inscription on page “Islington Feby 21st 1811″
R:jig
N:Repeat signs added at start
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:D
[V:1]|:A/G/|FDD FDD|F>GF F>ED|AFF dFF|E>FEE2A/G/|!
[V:2]|:z|D,,2D,D,,2D,|D,,2D,D,,2D,|D,,2D,D,,2D,|A,,2A,A,,2z|!
[V:1]FDD FDD|F>GF F>ED|AFF dFF|D>EDD3:|!
[V:2]D,F,A, D,F,A,|D,F,A, D,F,A,|D,F,A, D,F,A,|D,2A,,D,,3:|!
[V:1]|:a/g/|fdd ecc|BdB A>GF|fda eca|dB^ga2{b}a/g/|!
[V:2]|:z|D,2DC,2C|B,,2B,A,,2A,|[D3D,3][C3C,3]|[B,3B,,3][A,3A,,3]”q rest omitted”|!
[V:1]fdd ecc|BdB A>GF|AFF dFF|D>ED D2:|!
[V:2]D,2DC,2C|B,,2B,A,,2A,|D,,2D,D,,2D,|D,,F,,A,,D,2:|!
[V:1]|:z[FD][FD] d [FD][FD]|f [FD][FD] F>ED|z[FD][FD] d [FD][FD]|[EC]>FE [E3C3]|!
[V:2]|:[D,D,,]z2 z3|z3[D,3D,,3]|[D,D,,]z2z3|A,E,C,A,,3|!
[V:1]z[FD][FD] d [FD][FD]|f [FD][FD] [FD]>ED|z[FD][FD] d [FD][FD]|D>ED D3:|!
[V:2][D,D,,]z2z3|[D,D,,]z2z3|[D,D,,]z2z3|D,,F,,A,,D3:|!
[V:1]|:z[dAF][dAF]z [dAF][dAF]|z[dAF][dAF]z [dAF][dAF]|z[dAF][dAF]z [dAF][dAF]|[ec]>[fd][ec] [ec]z2|!
[V:2]|:[D,3D,,3] [D,3D,,3]|[A,2A,,2]z [F,2F,,2]z|[A,2A,,2]z [D2D,2]z|[A,2A,,2][A,A,,] [A,A,,]z2|!
[V:1]fdd ecc|BdB A>GF|AFF dFF|D>EDD3:|!
[V:2][D3D,3][C3C,3]|[B,3B,,3][A,3A,,3]|[D,3D,,3][D,3D,,3]|[D,2D,,2][D,D,,][D,3D,,3]:|

X:56
T:Lady Cunningham’s Strathspey. 2voices. Dix.56
M:C
L:1/8
Q:1/4=80
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:strathspey
N:Repeat signs added at start of A and end of B
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:A
[V:1]|:”tr”c/>B/|A”tr”A,A,>C E>FEc|”tr”B>c {d}cB/A/ GB B”tr”c/>B/|AA,A,>C EF<Ed|{d}”tr”c>e {d}cB/A/ EAA:|!
[V:2]|:”slow”z|A,2A,,2C,2A,,2|G,,2A,,2E,2E,,2″rest omitted”|A,2A,,2C,2A,,2|E,2E,,2A,,2A,,:|!
[V:1]|:”tr”c/>d/|”tr”efec (agfe)|”tr”fg/a/ e/c/”tr”B/A/”bar line omitted” BG “tr”Bc/>d/|e>fec (agfe)|”tr”fg/a/ e/c/”tr”B/A/ EA A”tr”c/>d/|!
[V:2]|:z|C2A,2F,E,D,C,|D,2A,2E,2E,,z|C2A,2F,E,D,C,|D,2E,2A,,2A,,z|!
[V:1].e.c.A.a .f.d.B.b|{d}c/B/c/a/ e/c/”tr”B/A/ GB Bc/d/|{cd}.e>.d.c.B .A.G.F.E|F/G/A “tr”E>C A,AA:|
[V:2]A,2A,2A,2A,2|A,2A,,2E,2E,,2|CB,A,G, F,E,D,C,|D,2″qu in ms”E,2 A,,2A,,:|

X:58
T:Morgiana. 2voices. Dix.58
M:6/8
L:1/8
Q:1/4=110
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:jig
N:Repeat signs added at start
N:Tune incomplete in MS
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:F
[V:1]|:c|cAc {fg}a2g|fedc2d|cAc fca|bag fed|!
[V:2]|:z|[A,3F,3] [C2F,2]B,|[A,2F,2]B, [A,2F,2]B,|[A,3F,3] [A,3F,3]|E,2G, C2B,|!
[V:1]cAc {fg}a2g|{g}fedc2d|cAc fga|{a}gfe f2″rpt added”:|!
[V:2][A,3F,3] [C2F,2]B,|[A,2F,2]B, [A,2F,2]B,|[F,3D,3][A,3D,3]|G,2[B,C,][A,2F,2]:|
[V:1]|:”rpt added”a|fag fed|c2cb2c|”_Tune incomplete in MS”a2c
[V:2]|:z|E,G,C D,F,=B,|C,G,C E,G,C|

X:59
T:Fisher’s Minuet. 2voices. Dix.59
M:3/4
L:1/8
Q:3/4=35
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:minuet
N:Repeat sign added at start
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:C
[V:1]|:[g4e4c4G4]f/e/d/c/|g>f”tr” d2>f2|eggc’c’e|{f}ed{d}cB{B}AG|!
[V:2]|:C,2E,2C,2|D,2B,,2G,,2|C,2E,2C,2|G,2G,,2z2|!
[V:1][g4e4c4G4] f/e/d/c/|g>f “tr”d2>f2|e/g/ac2″tr”B2|{c}[c6G6E6]:|!
[V:2]C,2E,2C,2|E,2B,,2G,,2|C,2G,2G,,2|C,2G,,2C,,2:|!
[V:1]|:[d4B4G4]c/B/A/G/|^e2c2 e/c/e/c/|[f2d2]d2 f/d/f/d/|”tr”g2e/g/a/g/ c’/g/a/g/ |!
[V:2]|:G,,G,G,,G,G,,G,|G,,G,G,,G,G,,G,|G,,G,G,,G,G,,G,|[C,2C,,2]z2 z2|!
[V:1]”tr”g2 e/g/a/g/ c’/g/a/g/|g/e/a/g/ f/d/g/f/ e/c/f/e/|e/d/G/A/ B/c/d/e/ f/g/a/b/|c’/g/e/g/ f/a/d/f/ e/g/c/e/|{f}ed{d}cB{B}AG:|
[V:2][C,2C,,2]z2 z2 |E,2B,,2C,,2|G,2G,,2z2|e,,2b,,2c,2|A,2G,,2z2:|

X:60
T:Coln McBean’s Reel. 2voices. Dix.60
M:C
L:1/8
Q:1/4=120
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:reel
N:Repeat signs added at start
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:Gm
[V:1]|:d/c/|(B/c/d) Gd BGdG|(A/B/c) Fc AFcA|(B/c/d) Gd BGdB|D ^f2ag2G:|!
[V:2]|:z|[G,2G,,2][G,2G,,2][G,2G,,2][G,2G,,2]|[F,2F,,2][F,2F,,2][F,2F,,2][F,2F,,2]|[G,2G,,2][G,2G,,2][G,2G,,2][G,2G,,2]|[D,2D,,2][D,2D,,2][G,2G,,2][G,G,,]:|!
[V:1]F|Bdf2f>gfe|c2c/d/c/B/ ABcA|Gg2^f g^fga|gba^fg2>a2|!
[V:2]z|[B,2B,,2][B,2B,,2][B,2B,,2][B,2B,,2]|[A,2A,,2][A,2A,,2][F,2F,,2][F,2F,,2]|[G,2G,,2][G,2G,,2][G,2G,,2][B,2B,,2]|[G,2G,,2][D,2D,,2][G,2G,,2][F,2F,,2]|!
[V:1]b2fdB2Bd|c2cB ABcG|Gg2^f gdde|dcBAG2G||
[V:2][B,2B,,2][B,2B,,2][B,2B,,2][B,2B,,2]|[A,2A,,2][A,2A,,2][F,2F,,2][F,2F,,2]|[G,2G,,2][G,2G,,2][G,2G,,2][G,2G,,2]|D,2D,2[G,2G,,2]z||

X:61
T:Untitled 2voices. Dix.61
M:2/4
L:1/8
Q:1/4=110
S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
R:polka
N:Repeat signs added at start
O:England;Lincolnshire;Holton le Moor
Z:vmp.R.Greig 2012 <https://www.village-music-project.org.uk>
K:Eb
[V:1]|:.Be .Ge|dF/G/ A/G/F|.B.f A>f|e[G/E/][A/F/] [B/G/][A/F/][GE]|.B.e. G.e|
[V:2]|:E,[DB,G,] E,[DB,G,]|B,,[CA,F,] [CA,F,][CA,F,]|B,,[A,B,D] B,,[A,B,D]|E,[B,G,] [B,G,][B,G,]|E,[DB,G,] E,[DB,G,]|
[V:1]d[D/F/][E/G/] [A/F/][G/E/][FD]|d[c’a] .B.a|1e E/F/ G/F/E:|2[eBG][eBG] [eBG]z||
[V:2]B,,[B,A,F,] [B,A,F,][B,A,F,]|B,,[DB,A,] B,,[DB,A,]|1[B,G,E,] E,/F,/ G,/F,/E,:|2[EB,G,E,][EB,G,E,] [EB,G,E,]z||
[V:1]|:.g/.a/.b/.c’/ .b/.g/.a/.f/|.g.e .e/d/e|.f.c .d.B|ee e/d/e|
[V:2]|:[EB,G,E,C,]z [B,F,D,B,,]z|E,[EB,G,] [EB,G,][EB,G,]|A,,[FCA,] B,,[DB,A,]|E,[EB,G,] [EB,G,][EB,G,]|
[V:1]g/a/b/c’/ b/g/a/f/|ge e/d/e|.f.c dB|{B}e[eBG] [eBG]z:|
[V:2][EB,G,E,C,]z [B,F,D,B,,]z|E,[EB,G,] [EB,G,][EB,G,]|A,,[FCA,] B,,[DB,A,]|[EB,G,E,][EB,G,E,] [EB,G,E,]z:|