FOX, Charles James. ms ABC | The Village Music Project

%abc
%%abc-creator ABCexplorer 1.3.5 [16/04/2009]
%%abc-alias Charles Fox
%%abc-creator Gnome Editor (gedit)
%%used under Ubuntu Linux [17/11/2008]
%%abc-edited-by www.village-music-project.org.uk
%Kidson Coll. M1805
%VMP P J Headford, 2000
%Revised 1/1/2005
%Revised again 17/11/2008
%Revised again 12/2009

X:1
T:Pinolara(?),La. CJF.001
T:La Pinolara(?). CJF.001
R:Hp 24
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Sounds a bit Hornpipey? .CGP.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=90
K:G
Bc|dBcA Ggfe|(ed).d.d d2cB|Aced cBAG|FGEF D2 Bc|!
dBcA Ggfe|(ed).d.d dgfe|dBcA BGAF|G2B2 G2||!
(cB)|(BA)A4Bc|(ed)(d2 d)gdB|(BA)A4Bc|(ed)d4ag|!
(gb)(fa) (eg)(df)|(ce)(Bd) AcGB|A2A2 (AGAB)|G2B2 G2 Bc|!
dBcA Ggfe|(ed).d.d d2cB|Aced cBAG|FGEF D2 Bc|!
dBcA Ggfe|(ed).d.d dgfe|dBcA BGAF|G2B2 G2|]

X:2
T:Été (L’). CJF.002
T:l’été. CJF.002
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Part of the Quadrille 1st set. CGP.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/8
Q:1/4=120
K:G
dg|fd ee|d2ce|Bd Ac|BG dg|\
fd ee|d2c/d/e/c/|Bd cA|G2||!
|:Bd|e/^d/c/B/ e/f/g/a/|fB .b(b/g/)|.a(a/f/) .g(g/e/)|B2bb|\
“tr”g2aa|”tr”f2a/g/f/g/|\eg f^d|e2:|!
dg|fd ee|d2ce|Bd Ac|BG dg|\
fd ee|d2c/d/e/c/|Bd cA|G2|]

X:3
T:Aline, L’. CJF.003
T:L’ Aline. CJF.003
T:Soldier Won’t You Marry Me, aka. CJF.003
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/8
Q:1/4=60
K:C
(G/F/)|” $”\
(EG).G.c|{d/}(c/B/c/d/) ee/f/|gceG|(A2GG/F/)|!
” p”(EG)(Gc)|\{d/}(c/B/c/d/) ee/f/|.g(cd)(B|” Fine”c2)z||!
e|” f”dcBc|{e/}d/^c/d/e/ dg|^fac’c’|b2ge|!
” f”dcBc|d/^c/d/e/ dg|^f” f”c’af|g2z||!
“p”(e|f)(^G=G)(e|f)(^G=G)e|dd d/c/B/A/|(A2G) (e|!
f)(^G=G)(e|f)(^G=G)e|dd d/c/B/A/|(A2G)(B/A/|!
G)(d/c/ B)(f/e/|e)a/g/ ff/(e/|\
d)f/e/ d/c/B/A/|G/^F/G/F/ G/A/G/” $”=F/|]

X:6
T:Rosa. CJF.006
R:March
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=70
K:D
” $”(a>f)f (b>c’d’)|\
a>ff {g/}f>ed|a<ff b>c’d’|afd {f}e2d|!
a<ff b>c’d’|a<ff f>ed|e2f g>ab|afd {f}e2d:|!
{f/g/}a2d{g/a/}b2d|{f/g/}a2d (f>ed)|{f/g/}a2d{g/a/}b2d|afd {f}e2d|!
{f/g/}a2d{g/a/}b2d|{f/g/}a2d (f>ed)|e2f g>ab|afd e2d:|!
(d’a)a (d’b)b|(d’a)a {g/}fed|(d’aa) (d’bb)|afd {f/}e2d|!
(d’a)a (d’b)b|(d’a)a {g/}fed|e2f g>ab|afd {f/}e2d:|

X:7
T:Mozarts Military Waltz. CJF.007
R:Waltz
C:Mozart
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:b 24,28,40,44 the beamed notes should perhaps be quintuplets. Repeats
N:are as MS; playback is unpredicted.PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/4
L:1/8
Q:3/4=50
K:D
“p”A2|\
A2A2A2|A2A2A2|” f”(A6|d2)z2″ p”A2|A2A2A2|A2A2A2|\
” f”(A6|e2)z2A2|!
f2f2f2|g2e2c2|d2d2d2|d2c2B2|\
A2d2f2|” f”a2g2e2|(e6|d2)z2|!
|:A2|(dcdcdc)|(dcdcde)|f4d2|A4A2|!
G4e2|dcBABc|d2d2f2|d2z2:|!
” p”(df)|a2^gabaf|d4(ed)|cdefga|(g2f2)(df)|!
g2^gabaf|\
d4(ed)|ABcdef|d4|!
|:” f”F2|f2(f>f)f2|f4e2|\
d2c2B2|^A2c2F2|f2(f>f)f2|f4e2|d2c2B2|f4(df)|!
a2^gabaf|d4(ed)|cdefga|(g2f2)(df)|!\
a2^gabaf|d4(ed)|ABcdef|d4:|!
|:A2|(f2d2).A2|(d2A2).F2|(G2e2).c2|(d2f2).A2|\
(f2d2).A2|(G2e2).c2|d2z2:|!
|:e2|e2d2c2|c2B2A2|(dc)d2e2|f4d2|\
e2d2c2|c2B2A2|(de)f2e2|d4:|

X:8
T:Mr Grimstocks Waltz. CJF.008
T:Poor Mary Lies A’Weeping, aka. CJF.008
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Unlikely to be by Grimstock. The title is difficult to make out. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:G
GB|\
d4Bd|e4ge|dedcBA|B3G3 GB|d4Bd|e4ge|dedcBA|G4:|!
|:g2|fa d2d2|gb d2d2|fa d2d2|g4GB|d4Bd|e4ge|dedcBA|G4:|!
|:D2|GFGABc|d2B2B2|c2A2A2|B2G2D2|\
GFGABc|d2B2B2|c2A2A2|G4:|

X:9
T:Beggar Girl,The. CJF.009
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=60
K:C
” Andante”g>fe g>fe|\
dcd e>fg|g>fe g>fe|dc{e}dc2g|!
g>fe g>fe|dcd e(c/d/e/f/)|g>fe g>fe|dc{e}dc2z|!
Gce Gdf|Gfe (dc)d|(Gc)_B Afe|(ed)cg2Hz|!
g>fe g>fe|dcd efg|gfe abc’|!
e>fdc2e/f/|g/e’/d’/c’/b/a/ (g/c’/b/a/g/f/)|e>fdc2|]

X:10
T:Waltz. CJF.010
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The lead notes to each section are as in MS. Perhaps trplets are
N:intended. Last note of first section is quaver in MS.PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
(3A/B/c/|\
(d2dAdf)|(d2dAdf)|{d}e2 {d}e2 {d}e2|!
.c2(cAce)|.c2(cAce)|.c2(cAce)|d4:|!
|:((3ABc)|.d2(dAdf)|.e2(efed)|.c2(cAce)|.d2.f2.a2|!
.d2(dAdf)|.e2(efed)|.c2(cAce)|d4:|!
|:A2|{(de)}f4e2|d4f2|(eg)(ce)(AF)|!
(FAdefg)|f4e2|d4f2|c<e(g<e)c<e|d4:|!
|:(3ABc|dcdefg|a2fafa|b2bc’d’b|a2fafa|!
{a}g2egeg|{g}f2dfdf|{g}e2cecA|d4((3ABc)|!
dcdefg|a2fafa|b2bc’d’b|a2faba|!
{a}g2egag|f2d’c’ba|b2gece|d4:|

X:12
T:Moss Roses. CJF.012
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Penultimate note c has # faintly marked above.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/8
Q:1/4=80
K:G
“p”D|\
G2G|BBB|d2g|”>”d3|d(Bd)|c3|(BGB)|A2″ f”D|!
(G/F/G/A/B/c/)|dBB|d/B/(a/g/f/e/)|d2z|\
(c/B/A/B)c|Bz”>”d|Az”>”d|G2z|!
“p—–“d’/c’/b/a/g/f/|\
d2g|gfg|a3|ac’a|bd’b|gfg|a2″mf”D|!
(G/F/G/A/B/c/)|(d/B/G/B/)d|d/B/(a/g/f/e/)|\
(d/” dol:”^c/e/d/=c/B/)|(c/B/A/B/c)|.Bz.d|.Azd|G2d|!
.g.g.g|.b.b.b|d’2g’|”>”d’3|.d’.b.d’|”>”d3|.b.g.b|a2d|!
” f”.g.g.g|g2b|bb/a/g/f/|e2z|”p”F3/4(GAB)|\
(GBd)|(F/G/A/B/c/A/)|G2z|(A/F/”>”d/c/A/B/)|G2|]
W:More usually played as a jig.

X:13
T:Rose Fragrante,La. CJF.013
T:La Rose Fragrante. CJF.013
R:air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=60
K:D
“$”A2|\
dFAd fAdf|a4d’4|cAce gceg|a4e’4|!
dAdf adfa|d’4f’2d’a|\
e’ee’e e’ed’e|d’2d’2d’2|!A2|d4e2f2|\
fegf e2b2|b4a2g2|!
gfag d2A2|d4e2f2|fegf e2g2|b4a2g2|!
a^(gba a=gBc)|d4e2f2|fegf e2g2|\
b4a2g2|gfaf d2A2|!
d4e2f2|(fecb agfe)|(dfba ag” D.C. $”Bc)|(e4d2)|]

X:16
T:Bugle Waltz No.4. CJF.016
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Note * is d4 in MS.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
((3ABc)|\
d2A2d2|d4de|f2d2f2|f4a2|d’4f2|a2f2d2|f2e2e2|\
e4((3ABc)|!
d2A2d2|d4de|f2d2f2|f4a2|d’4f2|a4A2|d2d2ef|d4:|!
|:gf|f2e2e2|e4ag|g2f2f2|f4a2|b2c’2d’2|\
a2g2f2|a4f2|e4((3ABc)|d2A2d2|!
d4e2|f2d2f2|f4g2|a3bag|f3gfe|d2d2fe|d4:|!
|:” Bugle Solo”A2|F2A2d2|f4e2|d2c2d2|c2B2^d2|\
e2^d2e2|B2g2e2|d6|c4A2|!
a4a2|a2g2f2|f2e2^d2|e2f2g2|f4f2|f2e2c2|e6|d4:|!
|:a2|^gaba=ge|c3ABc|edcdfd|A4dc|B^defga|^abc’bge|!
“*”d3 ced|d4a2|d’2f’2e’2|d’2c’2d’2|c’2b2^a2|\
b2c’2d’2|a4{ga}fd|a2g2e2|e6|d4:|
W:Note * is d4 in MS.

X:17
T:Waltz. CJF.017
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:C J Fox 1829 in margin. Marked “From J D.”
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
FG|\
A2A2d2|B2B2e2|dcBABc|def2 FG|\
A2A2d2|B2B2e2|dcBABc|d4:|!
|:ef|g2g2f2|e2e2d2|cBABcd|e2e2 ef|\
g2g2f2|e2e2d2|dcBABc|d4:|!
|:a2|a4f2|f4d2|cdefe2|d2f2A2|\
a4f2|f4d2|e2edef|d4:|!
|:ed|c2c2e2|d2d2f2|e2e2g2|\
f2f2a2|a4f2|f4d2|e2edef|d4:|

X:18
T:C’est L’Amour. CJF.018
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Charles James Fox?
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:D
A|\
A2AA2A|A2AA2A|d2d dcd|(^d3e2)A|!
A2AA2A|A2AA2A|e2e edc|d2z||!
ABc|d2d ded|d2c (cd^d)|e2e efe|d2c ABc|!
d2d ded|d2c cd^d|e2e eac|d3-d2||!
A|g3(ef) .g|f3f2d|c2c cBc|d3d2A|!
g3efg|f2f fed|c2c cBc|d3-d2|]

X:19
T:Beethoven’s Waltz. CJF.019
R:Waltz
C:Beethoven ?
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:In the MS last section, bar 3 is ^(c3A/ce) and
N:bar 11 is d3B/^cc.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:G
B”p”|\
d3ed2|.d2.d2.d2|(db)(ba)(ag)|(gf)(fe)(ed)|!
c3dc2|.c2.c2.c2|(ca)(ag)(gf)|(fe)(ed)(dc)|!
B2B4|(Bc^cd^d)e|A2A4|(Ae^d^cBA)|!
B2B4|(Bc^cd^de)|A2A4|(AedcBA)|!
.G2.A2.B2|.c2.A2.d2|” cresc:”G>GA>AB>B|c>cA>Ad>d|!
((3zGg)((3zAa)((3zBb)|\
((3zcc’)((3zAa)((3zdd’)|”8va——“GgfgdB|g4|!
“p”A2|A3BA2|(Afgfed)|(d2^c2c2)|(^c3Acd)|!
gfed^cB|A^GA^AB^G|(G2F2).F2|F4A2|!
(d4^d2)|(efga)b2|d4e2|d3″ D. Capo”B^cc|]

X:20
T:Cytheria,La. CJF.020
T:La Cytheria. CJF.020
R:Quadrille
C:C Nicholson
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:In the MS last section, bar 3 is ^(c3A/ce)
N:and bar 11 is d3B/^cc. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=60
K:D
c2″~”c2d2″~”d2|\
f2″~”f2a4|(ag)e2 (gf)d2|c2(gf) edcB|!
c2″~”c2d2″~”d2|f2″~”f2a4|(^gabc’) d’2g2|(b4a2)z2||!
(a^g=gf) (edce)|d2f2 A2(AB)|(cd)ef (ga)bc’|(d’4a2)z2|!
(a^g=gf) (edce)|(^AB)(^de) (fa)(ab)|\
a2aa a2bc’|c’4” Fine”d’2z2|]

X:21
T:Saxe Coburg Waltz,The. CJF.021
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
A>G|\
FAd2d2|Ad f2f2|e2egce|dfA2 AG|!
FA d2d2|Ad f2f2|e2egce|d4:|!
|:ed|cea2a2|fad2d2|BdeBge|d2c2 AG|!
FA d2d2|Ad f2f2|e2egce|d4:|!
|:A|f4e2|d2A2f2|e2A2g2|fefgag|!
f4e2|d2A2f2|efgabc’|d’4|]

X:24
T:Waltz. CJF.024
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
fe|\
d2 dc d2|d’4f2|g2gab2|e4dc|!
c2cBc2|a4((3gec)|dcdfec|d4:|!
|:fe|dcdcdc|defgab|a^gagag|a4Bc|!
dcdcdc|defgab|abc’d’e’c’|d’4:|!
|:fg|a<d’ f<a d<f|A4f2|g<b e<g f<a|g<b e<g f<a|!
a<d’ f<a d<f|A4f2|e<g c<e A<c|d4:|!
|:f2|fgfgfg|fgfedc|B^ABcdc|B2f2f2|!
fgfgfg|fgfedc|B^ABcdc|B4fg|!
a<d’ f<a d<f|A4f2|g<b e<g f<a|g<b e<g f<a|!
a<d’ f<a d<f|A4f2|e<g c<e A<c|d4:|

X:26
T:Waltz. CJF.026
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
N:Marked “From J J”.
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
fe|\
d2dAdf|d2dAdf|d2dAdf|f2e2 ed|!
c2cAce|c2cAce|a3g ((3fge)|d4:|!
|:ag|f2g2a2|b4gf|e2f2g2|a4fe|!
d2e2f2|g4ed|c2cdec|d4:|!
|:dc|B2(Bcde)|f2(fedc)|B2Bcde|f2F2F2|!
B2(Bcde)|f2fedc|B2d2c2|B4:|!
|:e2|e3dcB|A2ABcd|e3dcB|A4dc|!
B2Bcde|f2fedc|B2d2c2″ D.C.”B4:|

X:27
T:Waltz. CJF.027
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/4
L:1/8
Q:1/4=120
K:D
fe|\
d2d2ag|f2f2d’c’|b2b2b2|b2z2(gf)|!
e2e2e2|e4fg|a2fdec|d2z2:|!
|:de|a2fdd’b|a2(fd)(eg)|gfed bg|f2e2fg|!
a2fdd’b|a2fdeg|gfedec|d2z2:|!
|:” Trio”a2|f2z2c’2|g2z2g2|e2z2a2|f2z2z2|\
B2B2B2|g6|f2a2dc|d2z2:|!
|:A2|dcdef^g|aaaa b^g|.a.a.a.a b^g|a6|!
a^g=gfge|.d.d.d.d (ec)|.d.d.d.d (” D Capo”ec)|d2z2|]

X:28
T:Thorn,The. CJF.028
R:Air
C:”From J J”
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Marked “From J J”. The word ” Andante” appears before
N:the first clef. the asterisked note was a2 in the MS.
N:Written in the stave at the end of the tune is “C J FOX”.
N:Sym short for symphony, meaning the instrumental “break”
N:between verses..
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:C
L:1/8
Q:2/4=60
K:D
“Sym:”FG|\
” Andante”A2B>AA2Bc|d2A>G F<DzA|d2dc cBA^G|\
A2a/e/a/e/ cAz”*”a|!
b2b/g/b/g/ eczc|\
a2a/f/a/f/ dBzB|g2e/c/e/c/ df AF|B/G/B/G/ E/C/E/C/D2||!
“Song”F G|(A2{c})B> AA2B c|d2A> G F DzA|d2d c cB A ^G|\
A6F G|!
A2{c}B AA2B c|(df) A> G F DzA|(^Gd) d c cB A ^G|\
A2a/e/a/e/ cAz2||!
c2zAd2A A|e2A A ff2d|”Tenderly-“cB A G FG A B|F2E> DD2z2|!
c2z{cB}Ad2A A|e2A a g fh (ad)|\
(dc) e G FG A d|(d2f/e/) (d/c/)d2za|!
“Sym:”b2b/g/b/g/ eczc|a2a/f/a/f/ dBzB|g2e/c/e/c/ df AF|\
B/G/B/G/ e/c/e/c/d2|]

X:29
T:Rudolphe, Le. CJF.029
R:Air
C:C M Weber
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Presumably Carl Maria von Weber. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=60
K:G
(Gd).d (^cd).d|\
e2d (G/A/B/c/^c/e/)|d2=c (^cd).d|e2d (d/e/f/g/^g/a/)|!
c’2b (bc’).^c’|(e’2d’) (gf).e|.d(AB) .c(ef)|(a3g) d”$”d||!
(g2d)(e2d)|(b2a)(g2d)|g2g (ba).g|d’3(c’b).a|!
(g2d)(e2d)|(b2a)g2^g|\
(ba).b .c'(ef)|(a3″ Fine”g)||!
dd|_e2df2d|a2fc’2a|\
.e'(d’/c’/b/a/) (^g/a/)(c’/b/a/=g/)|\
(f/g/a/g/f/e/) (d/e/d/c/B/c/)|!
(Bd).g (Bd).g|fef gba|fba egf|dd'” D.C. $”^c’ =c’ba|]

X:30
T:Waltz. CJF.030
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:In the MS, each section ends d4. – PJH
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
d2d’2c’2|d2b2a2|A2c2e2|dcded2|\
d2d’2c’2|d2b2a2|A2c2e2|d6:|!
|:a2b2b2|a2b2b2|abagfe|dcdefg|\
a2b2b2|a2b2b2|abagfe|d6:|!
|:Acecec|Bdfdfd|ABcdef|gfedcB|
Acecec|Bdfdfd|Agfedc|d6:|

X:32
T:Emperor of Russia’s Waltz. CJF.032
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:TS given as 3/8 in MS. The word “Andantino” precedes the tune. – PJH
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:G
” Andantino”d2|\
(g2″p”f2)g2|(d2b2)a2|(g” f”fa).g.f.e|d2d2d2|\
(g2″p”f2).g2|(e2c’2).a2|f2″ f”(fe)(fd)|g4:|!
|:b2|”mf”a2d’2(bg)|(af)d2(af)|(gfga).b.g|.a(d’^c’d’)d2|\
(g2f2).g2|(e2c’2).a2|(fd).a.f.d.f|g4:|!
|:d2|”p”d4B2|d2g2a2|b3(agf)|.e2e2e2|\
d3(gfg)|e3(c’af)|d2e2f2|g4:|

X:33
T:Blink o’er the burn, my sweet laddie. CJF.033
T:No.1. CJF.033
R:Air
C:J Smith
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The extra note at the start of section 3 is as in MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=60
K:G
“p”d|”$”\
d>ed dbg|e2cc2e|d>ed dbg|fg^ga2d|!
d>ed dbg|ecB cde|dgb {b}aga|gdbHg2||!
” ff”b|bag gfe|f2bb2b|bag c’af|^de^e fga|!
bag gfe|=f2a c’af|gab ag^f|efg “>”fe” D.C.”d||!
K:C
g|” dol.”c’ba gfe|a2f dec|Bc^c def|ef^f gab|!
c’ba gfe|dag fed|cBA GAB|(d3″$”c2)|]

X:34
T:I’d be a Butterfly. CJF.034
T:No. 2. CJF.034
R:Air
C:T H Bayley Esq.
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:On the stave at the end is “D. Capo” – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=60
K:D
“$ ff”f4g2g2|\
a2a2d4|d’4c’2b2|(b4a3)g|f4g2g2|a6b2|\
(a2f2)(f2e2)|d2(fa) d’2z2h||!
“p”e4e2e2|^g2f2e4|d’3b a^gfg|{b}a^gac’e4|!
e4e2e2|^g2f2e4|bc’d’b ^gabg|a^gba =gfge|!
f4agfg|a2a2d4|d’2c’d’ e’d’c’b|(b4a3)g|f4agfg|!
a4b2c’d’|(ba) f2 (ag) e2|dA” f”^GA Bcd”$”e|]

X:35
T:Birds are singing sweet my Love,The. CJF.035
T:No. 5. CJF.035
R:Q’step song
C:J Braham
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=60
K:A
“$ p”e|\
za2aa2a|a2AA2e|b2bb2b|b3-b2e|!
(c’2b) (bag)|(gfe) (edc)|Bfe dcB|Acd efg|!
” ff”a2aa2a|a2AA2e|b2bb2b|b3-b2e|!
(c’2b) (bag)|(gfe) (edc)|Bfe dcB|AceH”H”a2||!
c|f2ga2^e|f2aa2^a|bge Bc^d|egf egb|!
d’3 c’d’c’|b3aba|gab agf|e3z2d|!
c2aa2^d|e3-e2e|agb ac^d|(f3e2)e|!
d’e’d’ c’d’c’|bc’b aba|gab agf|fe^d e”$ D C”fg|]

X:37
T:Oh povera me. CJF.037
T:No.3. CJF.037
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
N:Marked “Amatuer”.
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=60
K:D
“p”fg|\
ad’-d’d’2d’|(d’2f) gab|(b2a)(a2b)|(gf^e) ffg|!
a2d’d’2d’|d’2f gab|(b2a) age|d3-d2||!
” ff”ef|(gfe) (gfe)|(edc) def|(gfe) (gfe)|efc dfg|!
(a2d’) d’2d’|(d’2f) gab|(b2a) age|” D.C.”d3-d2||!
d'” f”|c’bc’ d’f’d’|{f’}c’bc’d’3|\
(d’c’b) a(d’a)|({a}gfe) fad’|!
c’bc’ d’f’d’|{f’}c’bc’d’3|d'(c’b) a(d’a) |({a}” D.C. $”gfe)d2|]

X:38
T:Waltz. CJF.038
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/4
L:1/8
Q:1/4=120
K:G
B2B2B2|BABcd2|dcA4|cBG4|\
A2A2A2|A^GABc2|F2F2FA|G4:|!
|:FA|d4^cd|Adfda2|(af).d.A(fd)|d^cc2Ac|\
e3fge|bagfed|{d/}^c2A>ge>c|d4:|!
|:d>c|BzBzBz|AzAzAz|G3ABG|A2d3c|\
BzBzBz|AzAzAz|G3BAF|G4:|

X:39
T:Waltz. CJF.039
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The lead notes for section 2 & 3 are d in the MS, not d2,
N:as required for scansion. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/4
L:1/8
Q:1/4=120
K:G
” f”d2|\
(gf) (ag) (ba)|(c’b)(ag)(fe)|(d>e) (e>f) (f>g)|
g>b a>c’ gd|(gf) (ag) (ba)|c’bagfe|d2e2f2|g4:|!
|:c2|”>”(b3a)gf|e4e2|(c’3b)ag|f4e2|\
(d’3c’)ba|g3fed|d2e2f2|{B}g4:|!
|:d2|”p”(d3e)dc|Bdgbd’b|c’a fd ef|gb .a.g.fe|\
d3edc|Bdgbd’b|(c’a)(fd)(ef)|g4:|!
|:d2|(d2c’)bc’b|d2(ba)(bg)|d2(a^g)(af)|(gb)(ag)(fe)|\
d3edc|(Bd)(gb)(d’b)|(c’a)(fd)(ef)|g4:|

X:40
T:On this cold flinty Rock. CJF.040
R:Air
C:Braham
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=60
K:D
A|\
ddd dcd|{^d}e2ee2e|f>ff fga|e3-e2e|\
edc cBe|ecf {e}d2c|fFd ce ^G|A3-A2A|!
(BG)dd2B|AF dd2A|f>ef gB{f/}e|(d3c2)A|\
(d/c/)(B/A/) (G/F/)E2A|d(c/d/e/f/)Hg2e|f>ed A>Bc|{e}d3z2|]

X:41
T:Fox . CJF.041
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Just “Quadrille” in MS – My title..CGP.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:G
d|\
“$”d2Bd2g|b2ag2f|e2^de2a|c’2ba2g|\
d2Bd2g|b2ag2f|e2de2f|g3g2||!
d|d2Bb2a|gfed2B|dcA cBG|FG^GA2d|\
dBgb2a|gfe bag|fed ^cBc|e3d2″$”||!
B|e2^de2f|g2fe2f|g2eg2e|f2^dB2B|\
e2^de2f|g2za3|b2af2g|eg” Da Capo”fe2|]

X:42
T:Waltz, A. CJF.042
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The introductory rest has been added.
N:The asterisked note may be d4 in MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
z2|d3faf|b3ge2|ABcdeg|gfbaa2|\
d3faf|b3ge2|cegece|d4:|!
|:fa|agfgeg|gfefdf|agfgec|a3fdf|\
agfgeg|gfefdf|fedfcA|d4:|!
|:a2|ad’c’bag|f2a2 “*”d2|cegece|dfa4|\
ad’c’bag|fad4|cegece|d4:|!
|:d2|cegece|dfafdf|cegece|dfa4|\
ad’c’bag|fad4|cegece|d4:|

X:43
T:Waltz of the 3rd Dragoon Guards. CJF.043
T:3rd Dragoon Guards Waltz. CJF.043
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The MS has a repeat at the start of section 3 – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:G
(Bc).d2.d2|(dg)(dc).B.d|(dc) A2F2|GBd4|\
(Bc).d2.d2|(dg)(dc).B.d|(dc) A2F2|(GB)G4:|!
|:g2g2b2|a2a2c’2|(FA)(df) (ac’)|b2g2g2|\
g2g2b2|a2a2c’2|(FA)(df) (af)|gbg4:|!
(Bc)(dg)(fe)|(ed)d4|(AB)(ce).d.c|cBB4|\
(Bc).d(gf).e|(ed)d4|(AB).c(ed).c|BAG4|!
b2g2d2|c’4a2|(c’a)(af)(fd)|bggddB|\
b2g2d2|c’4a2|(c’a)(af)(fd)|gbg4|]

X:44
T:Waltz. CJF.044
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:G
d2|(g2d2)b2|g4Bc|de(dcBA)|(B2G2).d2|\
(g2d2).b2|g4fg|a(bagfe)|d4:|!
|:a2|(c’a)(fa)c’2|(bg)egb2|abagfe|\
d4d2|g2d2b2|g4Bc|dedcBA|G4:|!
|:D2|G2B2B2|A4D2|A2c2c2|B3def|\
g2d2B2|d2B2G2|D2DDD2|D4:|!
|:d2|c’dc’dc’d|bdbdbd|fdfdfd|g2fed2|\
c’dc’dc’d|bdbdbd|fdfdfd|g4:|

X:45
T:Waltz. CJF.045
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Only the first six triplets are marked as such in the MS.
N:”C J Fox” is after the tune, on the stave – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:G
d>b|g2g2 d>b|g2g2 d>b|a2a2d’2|b2g2 d>b|!
g2g2 d>b|g2g2 ((3dgb)|a2a2d’2|g4:|!
|:a>b|c’>ba>bc’>a|b>ag>ab>g|a>gf>ga>f|g>ab>c’d’>b|!
c’>ba>bc’>a|b>ag>ab>g|a>gf>ga>f|g4:|!
|:d>bg2 ((3bd’b) ((3gbg)|d2 ((3bd’b) ((3gbg)|\
a2 ((3d’e’d’) ((3c’ba)|b2g2 db|!
g2 ((3bd’b) ((3gbg)|d2 ((3bd’b) ((3gbg)|\
a2 ((3d’e’d’) ((3c’ba)|g4:|!
|:a>b|((3c’af) ((3dfa) ((3c’af)|((3bgd) ((3Bdg) ((3bgd)|\
((3afd) ((3Adf) ((3afd)|((3gdg) ((3bgb) ((3d’bg)|!
((3c’af) ((3dfa) ((3c’af)|((3bgd) ((3Bdg) ((3bgd)|\
((3adf) ((3ac’a) ((3c’bg)|({a2}g4:|

X:46
T:Di Tanti Palpita. CJF.046
R:Air
C:Rossini
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The triplets are no marked as such in the MS – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=60
K:G
“mf”B4 B2B2|(B>A)(B>c) d2z2|((3cdc) ((3BcB) A2d2|\
((3BcB) ((3ABA) G2z2|B4 B2B2|(B>A)(Bc) d2z2|\
((3cdc) ((3BcB) A2d2|G6z2||!
A4(^GA)(cA)|(F4D2)z2|G4B2d2|A4({cB}A2)z2|\
A4(^GA)(cA)|(F4D2)z2|G4B2d2|A6^A2|]

X:48
T:Oh no we never mention her. CJF.048
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=60
K:G
D2|G3F G2A2|B3B d2B2|A3^G A2c>B|G4z2D2|\
G3F G2A2|B3B d2B2|A3^G “~”A2c>B|G4z2||!
d2|d3F F2A2|A3G G3E|DG3 “~”G3A/B/|A4z2D2|\
G3F G3A|B3B d2B2|” ad lib:”A2-A/c/f/e/ d3F|G4|]

X:51
T:King!God bless him,The. CJF.051
R:Air
C:Braham
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=60
K:D
” f”A|d>cd fed|gBB B2B|A>BA dAf|e3a2A/A/|\
f>”p”ed dcB|A^Gee2e|{A/}(aec) (fe^G)|\
(Ace)a2″ f”A|!
d>cd {A/}fed|gBBB2B|A>BA dAf|eaaa2A/A/|f>ed dcB|\
A^Gee2e|{A/}(a/^g/f/e/d/c/) (fe)^G|A(c/A/)(e/c/)a2||!
B”p”|Bc^d e>fg|A>Bcd2A/F/|EGB eg>e|\
” ff” (dc) aa2″mf”A/A/|BAA eAA|f>ed {c}B2HB/B/|!
c.dfa2c|eddd2a|fd ff2d|cB BB2HB/B/|A.dfa2c|eddd2|]

X:52
T:Cendrillon,La. CJF.052
T:La Cendrillon. CJF.052
R:march
C:Caraffa
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
N:Cinderella in French.
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/8
Q:1/4=120
K:G
“$”b2ag|fed2|g2ab|bc’a2|\
c’2ba|gfe2|d2ef|a2gz:|!
“tr”a2^ga|c’^ga2|b2=gb|a2d’2|\
a2^ga|c’^ga2|b2=gb|a2d’2|!
a2^ga|c’^ga2|_b2a_b|(ad’).d’.d’|\
a2^ga|c’^ga2|_b2gb|ad’^c'”$”=c’|]

X:53
T:Duchesse,La. CJF.053
T:La Duchesse. CJF.053
T:Brunswick Quadrill No.1. CJF.053
R:quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:On page. CJF.029 appears a title –
N:(No.s 1, 2, 3, & 5 From the Brunswick Quadrills);
N:this tune appears to be one of these.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=90
K:G
“$”.d2(Bc) .d2.g2|.d2(Bc) .d2.g2|\
(fg^ga =gfed)|(gdef gbd’g’)|\
.d2(Bc) d2g2|(b2c’b agfe)|\
d^dfe =dcBA|(GBdg) G2z2||!
defg abc’^c’|d’=c’af d4|^cdfa cdfa|gabc’ d’bgd|\
e2(c’b agfe)|d2(ba gfed)|e2ee a2a2|d4zcBc”$”||!
K:C
.c2EG c2(^fa)|.g2(EG c2)fa|.g2(eg c’gc’e’)|(d’c’ba gfed)|\
.c2(EG c2)^fa|g2^g2a2b2|c’2e’d’ c’bag|^fedc ” D.C. $”BABc|]

X:55
T:Innocent,L’. CJF.055
T:L’Innocente. CJF.055
T:Brunswick Qudrill No.2. CJF.055
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:On page. CJF.029 appears a title –
N:(No.s 1, 2, 3, & 5 From the Brunswick Quadrills);
N:this tune appears to be one of these.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:D
(FAd) (FAd)|(FAd)f2c|(cegb2a)|(fad’f’2d’)|\
(FAd) (FAd)|(FAd)f2d|e^ef gbc|e3d3||!
” f”^deAa2g|fedd’2a|(^ga=g fed)|(ced cBA)|\
(bd’b gdB)|(ad’b afd)|(ged cB^A)|B3-“~”B2=c|!
” f”c^AF fec|dcB bfd|B^GE edB|cBA aec|\
f2dg2d|a2db2_c’|agf fed|dcB ” D.C.”BAG|]

X:56
T:Poule (La). CJF.056
T:La Poule. CJF.056
T:Brunswick Quadrill No.2. CJF.056
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:F
“$”c|caa egf|c3-c2d|c2Ac2A|c2BG2c|\
caa egf|d3dcB|Acc BGE|(G3F2)” Fine”||!
A|BGEc2B|Acfa2f|bgec2B|(cd)cc2A|\
BGEc2B|Acfa2f|egb d’c’e|g3f2″$”||!
A|d3f3|e3ge^c|dfa bge|d3^c2A|\
d3f3|B3e2g|f2de2^c|d3″$”z2|]

X:57
T:Hibernie (L’). CJF.057
T:L’Hibernie. CJF.057
T:Brunswick Quadrill No.2. CJF.057
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:On page. CJF.029 appears a title –
N:(No.s 1, 2, 3, & 5 From the Brunswick Quadrills);
N:this tune appears to be one of these.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:G
” f”D|dBd dBd|dBd (gab)|dBd dBd|dBd (FED)|!
dBd dBd|dBd (gab)|dBd gdB|e2fg2h||!
“p”d|Bgg {a/}gfg|bag bag|Bgg {a/}gfg|bag fed|!
Bgg {a/}gfg|bag bag|c’ba bag|agf gfe|!
” f”dBd {e/}dBd|{e/}dBd (gab)|\
dBd {e/}dBd|{e/}dBd {G/}(FED)|!
dBd {e/}dBd|{e/}dBd (gab)|dBd gdB|\
eABc2^c|”sf”(ded) (dfd)|d(ad)c’2a|!
“p”(bag) (bc’d’)|(adb) (afd)|”sf”(ded) (dfd)|\
(dad)c’2a|(bag ge” p”^c)|(df” D Capo”e) ddd|]

X:58
T:Marie,La. CJF.058
T:La Marie. CJF.058
R:misc
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/8
Q:1/4=100
K:G
(G/B/)|.d.d.d f/g/|d(^a/b/) g(^c’/d’/)|\
bg (a/g/f/g/)|.a.a.a (G/B/)|\
.d.d.d (f/g/)|d(^a/b/) g(^c’/d’/)|\
b>g (f/g/a/f/)|gggh||!
(d/e/)|.f.f.g.g|.a.b.a (f/g/)|\
.a.a.b.b|c’/b/a/g/ f/e/d/c/|\
BBcc|ddea|g>(b a/g/a/” D Capo”b/)|.g.g.g|]

X:59
T:Brunswick (La). CJF.059
T:La Brunswick. CJF.059
T:Brunswick Quadrill No.5. CJF.059
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The notes marked with asterisks are shown in the
N:manuscript as chords with these notes and their upper
N:octaves. On page CJF.029 appears a title –
N:(No.s 1, 2, 3, & 5 From the Brunswick Quadrills);
N:this tune appears to be one of these.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=90
K:D
” f”a2|d’3d’ a3a|(fgfe) f2d2|(gAag fAgf)|(e^def) (eabc’)|!
d’3d’ a3a|(gfga bfge)|(dAdf)(agef)|(dfaf) d2h:|!
|:”p”e2|^deae c3a|^gac’a e3c’|\
(e’^d’=d’b ^gefg)|(ac’e’c’ aecA)|!
^deae c3a|^gac’a e3c’|be^de =f^fg^g|{b}a^gab a2=g|!\
f2 “*”f4 e’2|(d’e’f’e’ d’bfd)|e2 “*”e4 d’2|(c’d’e’d’ c’aec)|!
A2 ((3ABc) d2 ((3Acd)|e2 ((3Ace) f2 ((3Adf)|\
g4zAce|gfef gabc’|!
” f”d’3d’ a3a|(fgfe) f2d2|(gAag fAgf)|(efg^g ab=c’^c’)|!
” ff”d’3d’ a3a|(gfga bfge)|(dAdf agef)|(dfad’) d2F2|!
“p”Bcd^A B2F2|Bcd^A B2G2|\
^AB=c^c d^de^e|fc^ac F2f2|!
gfeg fedf|edce dcBd|”sf”g3f edcB|(cdef” D.C.” gabc’)|]

X:60
T:Piocris,La. CJF.060
T:La Piocris. CJF.060
R:Quadrille
C:C Nicholson
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:G
d2dd2d|(f2e)d2z|gfa({d’}c’2b)|(b2ag3)|!
d2dd2d|(f2e)d3|(a3b2)^c|(e3d3)||!
.d.e.f .g.a.b|(c’2a)(b2g)|(fe).d .g.a.b|^g3a2d|!
(de).f (ga).b|.e.f.g .a.b.c’|(d’b).g (de).f|(a3g3)h||!
(g3^d3)|e3.f.g.a|(gf).e (ba).g|(g3f3)|!
(g3^d3)|(ef).g (ab).c’|(ba).g (fa).g|(f3″ D.C.”e3)|]

X:61
T:Marina,La. CJF.061
T:La Marina. CJF.061
R:Quadrille
C:C Nicholson
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:1/4=120
K:G
d|(d>^c).d(e2f)|(g2ab3)|(ba).^g .a(ea)|(g3f2)e|\
{e}(d>^cd)(e2f)|!
g2ab3|1(ba).f (ag).^c|\
e3d2:|2(df).e (de).f|a3g2||!
d|f2ga2d|c’2ba2d|f2g eba|(g3f2)e|\
{e}d^cde2f|g2ab3|.c'(ea) (ga).f|a3g2d|!
b3f3-|fgag3|^d3(e^f).g|(d^c=c)B3|\
e3^g3|a2bc’3|”~”(d^cd) “~”f3|g3-g2h|]

X:62
T:Quadrill. CJF.062
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:I have added a natural in bar 2 of the 2nd section,
N:just before the second g in that bar. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=90
K:G
{e2}d^c|d2{e2}d^c d2{e2}d^c|d2g4dg|b3a gfed|d4c2c>B|!
c2{d2}c>B c2{d2}c>B|c2f4d2|defg abc’f|a4g2||!
d2|g4agfg|^gaba =gfed|fgag fgag|b4a2d2|!
b3a gfed|e2c’b agfe|d2ed ^cdef|a4g2″ D.C.”||!
B2BB G2G2|d6g2|g2g2f2e2|{e2}d6d2|\
d4defg|a6d2|d2^d2 fecA|G4F4|!
B2BB G2G2|d6g2|g2g2f2e2|{e2}d4z2d2|\
d4defg|a4z2d2|dbgd dd’c’a|g2″ D.C.”b2g2|]

X:63
T:Quadrill. CJF.063
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The 1st bar is split in two with a bar line in the MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=90
K:G
bc’^c’d’2g|a2bg2g/g/|c’2c’ ac’b|a/g/f/e/d/c/ dfa|!
bc’^c’d’2g|a2bg2g/g/|c’2g fd’f|a3g2||!
A/A/|Aff fed|d^ccc2A/A/|Agg gfe|eddd2d/d/|!
d’dd’ d’ed’|d’fd’ d’fd’|f’2f’ e’d’e’|d’c'” D.C.”e’ d’c’a||!
B/B/|g2g gfe|e^ddd2b|c’2b^a2b|agfe2B|!
g2g gfe|e^ddd2B|G2G GFE” D.C.”|B2B2|]

X:64
T:Pythia,La. CJF.064
T:La Pythia. CJF.064
R:Quadrille
C:Berbiguier
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Last bar of 1st-time repeat – a2 was a4 in MS. All the
N:bars between the asterisks have been added, according to
N:instructions in the MS, from bars added at the end of the
N:tune – “Play these notes at the beginning of the second
N:part.” – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=100
K:D
“$”.f2.f2 (edcd)|e2e2a4|(gfed) (B2e2)|(d4{ed}c)(cde)|\
.f2.f2 (edcd)|!
e2e2d’4|1c’2c’2 babc’|b4a2z2:|2\
f2f2 {f/}(edef)|e4d2″*”z2||!
(^defe)c4|(^gaba)f4|g3ef3d|{f/}e>de>fe4″*”|!
(^defe) c2e2|(^gaba) e2a2|c’bac’ ba^gb|a^gab a=gf” $”e|]

X:65
T:Cynthia,La. CJF.065
T:La Cynthia. CJF.065
R:Quadrille
C:Berbiguier
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The asterisk note is e2 in the MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:D
“$”d/f/|a2a (ba).^g|(a3f2)d|e2e {e/f/}gfe|d3-dd’c’|\
b2g gab|(a3f2)a|(eb).a (gf).e|d3-d2h||!
e|(e3a2)”*”e|(e3c’2)c’|b2b {a}(^gf).g|a3-abc’|\
d’2d’ d’c’d’|d’2c’ c’d’c’|b^ab d’b^g|a3″ $”a2||!
K:G
z|b3″~”g3{f/g/}|d3-d.B.c|(de).f (gd).B|(d3c)(ab)|\
.c’ (fg) .a (AB)|c3-cc’b|(ab).c’ ” D Capo $”(de).f|(a3g2)|]

X:66
T:Quadrill. CJF.066
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:To get the tune sounding better, try putting a natural
N:before the last d in bar 4. Also, try playing the sections
N:ABAC etc. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:D
d2|{e}dcd {e}dcd|f3d2d|{e}dcd {e}dcd|^d3e2d|!\
{e}dcd {e}dcd|f3d2d|b2a gfe|d2fd2||!
d|ced cBA|d2fa2d|ced cBA|d2fA2d|\
ced cBA|d2fa2a|^gbg efg|gfb” D.C.” age||!
B|d2cB2^A|Bcde2f|gfe cfe|d2cB2c|\
d2cB2^A|Bcde2f|ged cf^A|” D.C.”B3B2|]

X:67
T:Quadrill. CJF.067
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:ABC2Win does not cope with beaming triplets with a
N:preceding note, but the ABC for this tune has been written
N:as if it could. – PJ
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=100
K:G
((3ded)|B2((3ded) B2g2|b4g2 ((3cdc)|\
A2((3cdc) A2f2|a4fdef|\
gabc’ d’bgd|fegf agfe|dBcA BGAF|G2B2G2||!
((3ded)|c2((3ABA) F2d2|B4G2 ((3ded)|\
c2((3ABA) F2d2|B4G2 ((3ded)|!
g2((3ded) a2((3ded)|bagf agfe|d^cAc eage|d4z2((3ded)|!
c2((3ABA) F2d2|B4G2 ((3ded)|\
c2((3ABA) F2d2|B4G2 ((3ded)|!
g2((3ded) a2((3ded)|bagf agfe|d^cAc eage|d4z2|]

X:68
T:Quadrill. CJF.068
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Penultimate note should be A3. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:C
ef|g2c’ c’ba|g3e2c|d2de2e|g2f def|\
g2″*”c’ c’ba|g3e2d|dfag2B|c3zh||!
Bc|d2g ^fef|g2b d’2d’|d’c’b bag|g2^f c’af|\
dedd2c’|b3ec’a|g2g ^fef|g3zef|!
g2c’ c’ba|g3e2c|d2de2e|g2f def|\
g2c’ c’ba|g3e2c|dfag2B|c3z||!
ec|A2a^g2a|e2c ABc|d2ec2d|c2^G Eec|\
A2a^g2a|e2cf2d|ecA dB” D.Capo”^G|A2A|]

X:69
T:Coryphee,La. CJF.069
T:La Coryphee. CJF.069
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=100
K:D
A|(f2e) gBc|d3{e/}dcd|(Bef) (gfe)|(d3c2)A|\
f2e gBc|d3dcd|B2g (bac)|d2fd2:|!
|:A|(ece)a2g/e/|(fdf)a2f/a/|(g2e)(f2d)|(cd^d)e2A|\
(ece)a2g/e/|(fdf)a2d’|(c’ba) (^ga” D Capo”b)|a2c’a2:|

X:70
T:Automne,L’. CJF.070
T:L’ Automne. CJF.070
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=90
K:D
ag|f2a2e2a2|f2a2 d’2d’c’|b2ba g2gf|e2e2 e2ag|\
f2a2e2a2|f2a2 d’2d’c’|bagf egec|d2d2d2h” Fine”||!
gf|e2ef g2a2|f2a2 d2d’a|c’2c’a e’2e’c’|d’2d’2 a2gf|\
e2ef g2ga|f2a2 d’2d’c’|bagf egec|d2d2d2||!
F2|B2Bc {e}d2cB|f2f2 {g}f2ed|c2cc cdec|d2B2B2F2|\
B2Bc {e}d2cB|f2ff {g}f2ef|gefd ecdB|A2c2f2b2|!
B2a2 a2gf|g2ba gfed|c2ce a2e2|f2ag fedc|\
B2c2d2e2|f6ge|fdec dBc^A|B4″ $”z2|]

X:71
T:Leporella,La. CJF.071
T:La Leporella. CJF.071
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=90
K:G
“p”.g2.g.g .b.g.g2|d2dd g2dd|B2″ f”(Bc) (ed).d2|d2efg4|\
g2″p”gg bgg2|d2dd gdd2|B2″ f”(Bc) (ed).d2|d2e” Fine”fg4||!
” p”g2(ab) a2f2|(efga) f2d2|a2^g2=g2f2|(edef) d2d’2|\
” f”a2(fb) (af)d’2|a2(fb) (gf)d’2|a2^g2=g2f2|(ed” D.C.”ef)d4|]

X:72
T:Virginie,La. CJF.072
T:La Virginie. CJF.072
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=75
K:D
“$”(f>e)|(d>c)(d>c) (d>e)(f>g)|(^g>a)(b>a) A2 (=g>f)|\
(e>d)(c>d) (B>e)(g>e)|(d4{ed} c2) f>e|!
d>cd>c d>ef>g|^g>ab>a A2 ^g>f|e>dc>d B>eg>e|d2c2d2h||!
AB|cdef gfed|cded cBAG|F>Ad>f E>GB>e|d4 {ed}c2 AB|!
cdef gfed|c>de>d cBAG|F>Ad>f E>GB>e|d2c2d2||!
F2|B4d4|f6ed|cdef gecB|ABcA F2F2|!
B4d4|f6ed|cdef agec|” $”B6|]

X:73
T:Etrangére,L’. CJF.073
T:L’ Etrangére. CJF.073
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:F
c|(ca).a (ag).g|gff fga|(c’g).g (ba).f|a3g2c|\
caa c’ee|gff fag|egf dfe|c3c2|!
|:c|cbg {f/}edc|(c’2a) .f(fa)|.g(g_b) (af).c’|c’3g2c|\
(cbg) {f/}edc|(c’2_a) ffg|_agf _d’c’=b|c’3c’2:|!
c|.caa agg|(gf).g fga|(c’b).g (ba).f|(a3g2)c|\
(dgf ec’e)|g3 {g/}fed|.c(fa b).d.e|(e3f2)h|]

X:74
T:Nightingale,The. CJF.074
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/8
Q:1/4=60
K:G
D|”p”G>B AF|GBd2|G>B (B/A/).G/.F/|(G/A/).B/.c/d2|\
BBc2|BBc2|BdcB|AAA:|!
|:d|d3A|d3A|df (a/g/).f/.e/|ddd f|g3d|B3d|BGBd|ggg:|!
|:c|.B.c.d.e|d^cdB|\
ABcd|.c.B.c.A|.B.c.d.e|d^cdB|=ccAA|Ggg:|!
|:(d/e/)|.d(d/e/) .d(d/e/)|.d(d/e/) .d(d/e/)|.d.d.d.d|\
“~”d4|!
(G/B/).d/.B/ (G/B/).d/.B/|(G/B/).d/.B/ (G/B/).d/.B/|\
(c/A/).F/.A/ (c/A/).F/.A/|Ggg:|

X:75
T:Brighton Waltz. CJF.075
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”C J Fox” is on the stave at the end of the tune. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/8
Q:1/8=120
K:A
(A/c/)|.e(ec)|.e(ec)|(ag).f|e2B/c/|\
.d(dB)|.d(dB)|(edB)|A2:|!
|:a|(gbd)|(ce)a|gbd|(ce) e|\
.f(af)|.e(ae)|(e/f/).e/.d/(c/B/)|A2:|!
|:e|(ec)a|fdB|GBe|dc B|.c(B/c/).e|.d(d/e/).f|\
(e/a/)(e/c/)(d/B/)|A2:|

X:76
T:Waltz by W Allen. CJF.076
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:On title line is “from Watson’s”. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:G
(3G”~”FG|g4(3G”~”FG|D4G2|(FG)(AB)(cd)|c2B2(3g”~”fg|\
d2d2(3g”~”fg|e2e2 g2|fgabc’d’|g6:|!
|:d2^c2=c2|c2B2G2|FGABcd|e2d2d2|\
d2^c2=c2|c2B2G2|FGABcA|G4:|!
|:{c2}d2{c2}d2{c2}d2|g4d2|b4g2|d4B2|\
{c2}d2{c2}d2{c2}d2|B4G2|(DEFGAB)|G4:|

X:78
T:Quadrill. CJF.078
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:On title line is “From Watson’s Book – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=110
K:C
G|”pia”e>dc dAB|c2A G2E|F>GA Gce|edd d2G|\
” for”e>dc dAB|c2A G2E|F>GA Gce|ed” Fine”B c2h||!
|:g|dBd G2g|ece G2g|f2f e2e|edd d2g|\
dBd G2g|ece A2a|g^fe def|g3- g2:|

X:79
T:Cornwall’s Sett. CJF.079
T:Miss Ellison’s. CJF.079
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Title line is “From Miss Ellison’s, Cornwall’s Sett.” The
N:note marked with an asterisk is A2 in MS. On the stave at
N:the end of the tune is “C J Fox 1829”. A second tune
N:appears on this page, with no further title. See
N:Cornwall’s Sett. CJF.080 – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:G
(G/A/)|B3-BAG|g3-gdB|Aed cBA|(^A3B) GA|\
B3-BAG|g3-gdB|(Ae)d {d}cBA|G2BG2h||!
(F/G/)|A3-A dc|B3-B ef|gfa ge^c|(ed)d d (FG)|\
A3-“*”Ad^c|B3-B ef|agf ed^c|dgf ed=c”$”||!
B|e2Bg2e|b3-bag|ac’b agf|gfge2B|\
e2Bg2e|b3-b ag|ac’b agf|e2g edc|]

X:80
T:Cornwall’s Sett. CJF.080
T:Miss Ellison’s. CJF.080
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:See notes on Cornwall’s Sett. CJF.079.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:G
D|G2AB2c|d3B2G|A2AE2A|F3DEF|\
G2AB2c|d3B2g|e2a {g/}fef|g3-g2h||!
d|ABAA2c|B2dg2g|{g/}fef def|g2b dBG|\
FAFD2d|B2dg2g|fed ^cde|d3-d2^d|!
e2e EF^G|A2Bc2e|d2d DEF|G2AB2d|\
c2BA2G|F2GA2B|AdF AGE|DE^C DE” $”F|]

X:81
T:Tho’ Love is warm awhile. CJF.081
R:Air
C:Braham
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/8
Q:1/4=60
K:D
” Andante”d2ef|A>FA2|B2(e/f/).g/.e/|(d2{e/d/}c)z|\
d2ef|A>FA2|Be (d/c/)(B/A/)|”<“(A2d)z||!
e2ee|e>cA2|f2g>f|f>dA2|A2df|a>fd2|\
B>e {e/}d/c/ {c/}B/A/|(A2d)^d|!
e2ee|^d/4e/4f/4e/4 (=d/4c/4d/4B/4)A2|f2g>f|\
f/g/4f/4 e/4d/4c/4B/4A2|!
a2fd|A{cB}Az2|”>”g>f (f/e/d/c/)|”>”(e2{f/e/}d2)|]

X:83
T:Marriage of Rosina – Finale. CJF.083
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/8
Q:1/4=60
K:D
(A/G/)|F/G/F/E/ Dd|Be cA|B/A/B/c/ dB|AFGE|\
F/G/F/E/ Dd|Be cA|df f/e/d/c/|d2zH||!
(c/d/)|ec/c/ dB/B/|cA/A/ BG/G/|Ac Be|cA A c/d/|\
ec dB|cA BG|Ac Ae|A2z||!
d|.c.B .A.G|.F.E .D.d|c/c/ B/B/ A/A/ G/G/|\
F/F/ E/E/ DF|GB Ec|d/c/d/e/ fA|Be d/c/B/A/|d2|]

X:84
T:Quadrill from Watson’s Book. CJF.084
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:A
“$”e/d/|cAe dBe|cAa ecA|Bfe dcB|AGF Eed|!
cAe dBe|cAa ecA|Bfe dcB|Ace A2||!
g|fga bge|^def eBg|fga bge|ecf B2g|!
fga bge|^def eBg|fga cf^d|egb e2″$”||!
K:D
A|fdA geA|fdA afd|Bgf fed|dcB Aag|!
fdA geA|fdA afd|Bge cBc|” D Capo”dfe d2|]

X:86
T:Carnival de Venise, Le. CJF.086
T:Le Carnival de Venise. CJF.086
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=80
K:A
“$”e|f2ed2c|e2dB3|c2df2e|c3c2e|\
a2ed2c|e2dB3|c2df2e|A3-” Fine”A2h:|!
|:e|(ed)c (cB)A|G2Bd2B|f2e^d2e|(c3A2)e|\
edc cBA|G2Bd2B|f2e^d2e|A3-A2″$”:|!
K:D
|:A|d2ef2g|(a3b2)a|^g2a=g2a|(f3d2)A|\
d2ef2g|a3b2a|^g2a=g2e|d3-” $”d2|]

X:87
T:Matilda (La). CJF.087
T:La Matilda. CJF.087
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The note asterisked is ^c2 in MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:F
“$”c|f2a f2c|A2c B2c|A2c cBA|GGG G2c|\
f2a f2c|c2d b2g|(f2e) (c’2e)|(g3 f2)h||!
a|(b2g) efg|a2f fga|(g2c) (cde)|(f2c) (a2f)|\
b2g efg|a2f fga|gc’e gfd|c2 {d/c/=B/}cdE”$”||!
A|{G/}FED D2D|D2F A2F|d2A f2d|^c2e a2A|\
{G/}FED d2A|f2d a2f|b2g e2″*”^c|d3″$”z2|]

X:88
T:deux amis, Les. CJF.088
T:Les deux amis. CJF.088
R:jig
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:D
” $”A|d3- dec|d3- dec|(a2^g )(a2g)|(ba).g (ag).e|\
d3- dec|d3- dec|(ba).f (ag).e|d2″ Fine”f d2h||!
c/d/|e2a c’2a|a2^g b2b|ba^g fed|(d3 c).A.A|\
ABc def|ea^g baf|eac edB|B3 A||!
K:F
b/a/|a2f age|d3 Adf|(ag).g (gf).f|(fe).e e2a|\
a2^c’ d’2f|(ag).g bag|fag fed|a3 A/c/=B/d/^c/” $”e/|]

X:90
T:Lepine,La. CJF.090
T:La Lepine. CJF.090
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=90
K:G
ded|\
(^ab)g2zded|^abg2zgfg|efg^g abc’a|(g4 f) ded|!
^abg2zded|(^ab)g2zgfg|efg^g abc’f|(a4 g)h||!
aba|fa(d2 d)def|gbg2 gfe^d|(fe)(gf) (ag)(ba)|(g4 f)aba|!
fa(d2 d)def|gbg2zfe^d|(fegb) d2^c2|(e4 d) “*”aba|!
fa(d2 d)def|gb(g2 g)fe^d|fegf agba|(g4 f)aba|!
fa(d2 d)fef|gb(g2 g)fe^d|fegb d2^c2|(e4″$”d)|]

X:91
T:Pantalon,La. CJF.091
T:La Pantalon. CJF.091
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Title line says “From Watson’s Book” – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:C
g|”$”e3{g./}fed|c2B A2B|c2c d2d|eag dgf|\
e3 {g/}fed|c2B A2B|c2c d2g|ced c2||!
e|edc cBB|A2B (BA) e|edc cBA|GA^F G2e|\
edc cBB|A2B (BA) e|edc cBA|GA^F G2″$”||!
e|fed cBA|^GAB A2c|Bfe dcB|A3 ^Gze|\
fed cBA|^GAB Ace|Bdf fe^G|(B3 ” D.C.”A2)|]

X:92
T:Quadrill from Watson’s Book. CJF.092
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:D
A|”$”d2f afd|{f/}e2cd2c|B>cd Adf|efg Bec|\
d2f afd|{f/}e2cd2c|B>cd Adf|eBcd2||!
f|e>f^g aee|{^g/}fee eae|e>f^g afe|dcBB2A|\
e>f^g aee|{^g/}fee eae|e>f^g afe|dcBA2″$”||!
f|f>gf f>gf|f^g^ab2f|{a/}g2ec2B|^ABcF2f|\
f>gf f>gf|f^g^ab2=a|gfe dc^A|(” D.C.”c3B2)|]

X:93
T:Berri,La. CJF.093
T:La Berri. CJF.093
R:misc
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=90
K:D
((3AAA)|\
A2Bc defg|a4 f2f2|g2e2 f2d2|(3efe (3dcB A2A2|!
(B3A)(B3A)|(c3B)(d3c)|edfe gfed|(f4e2)h||!
(3AAA|A2Bc defg|a4 f2f2|g2e2 f2d2|\
(3efe (3dcB A2A2|!
f4 fedc|Bcd^d efgb|dfba ^ga=ge|e4 d2||!
(3AAA|A2 (3fg^g a2 (3AAA|\
A2 (3^def g2 (3AAA|Afed bfge|(d4c2) (3AAA|!
A2 (3fg^g a2 (3AAA|A2 (3^def g2 (3AAA|\
(3cBA (3edc (3gfe (3bge|(e4″ $”d2)|]

X:94
T:Biondiana,La. CJF.094
T:La Biondiana. CJF.094
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The note marked with an asterisk is ^c2 in the MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:G
dc|”p”B2B Bcd|e2dzdB|Aed cBA|A3B dc|\
B2B Bcd|(e2d)zdB|Aed cBA|G3-G2||!
d|d2″ cres”DD2d|(d3^c2)=c|c2DD2c|(c3B2)d|\
d2″*”^cg2h^c|d3hd2(d/c/)|”p”B2B Bcd|\
(e2d)zdB|Aed cBA|!
(A3B) dc|B2B Bcd|e2dzdB|Aed cBA|G3G|]

X:95
T:Cherry Ripe. CJF.095
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:C|
L:1/8
Q:2/4=60
K:G
B<dd2(ed)d2|d3g/a/g2f2|g3fe2d2|c(d/c/) B(c/B/)A2dz|!
(B<d)d2(e<d)d2|g2bag2{ag}f2|\
g3g (ag)(ec)|B<d cAG2z2||!
d3dd3d|g3f{fg/f/}e2z2|A3(B/^c/)d2zd|cBfe^c4|a3fg3e|!
d3(e/d/)A2z2|a3f{a}g3{f}e|d3(e/f/)A2z2|d3^c Bcde|!
d3^chd2d”Sym:”e/f/ (g/a/b/c/’) (d’/c’/b/a/) (b/a/g/f/)g2e2c2A2″$”||!
g3gf3(e/d/)|e3(ed)2z2|c3(d/c/)B2g2|A3(c/B/)A2z2|!
f3f (fe)e2|g3g(g2f2)|g3g (ge) (cA)|Fedc{c}B2z2|\
e3f (gf) (cB)|BAGFG2z2|!
Bdd2ecce|e2(dc)(c2B)z|g3g agec|\
B>d cAG2z2|g2fe edcB|HA2z2hd2z2|G6|]

X:96
T:Pleyel’s Rondo. CJF.096
T:Rondo. CJF.096
R:Rondo
C:Pleyel
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”From Watson’s” is in title line – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=100
K:G
” Allegretto”{a}(gf/g/) (dd’).b.g|{g}(fe/f/) (dc’).a.f|\
(gb).g.d(ea)|(Bd).g.B(Af)|(gf/g/) (db).g.d’|(fe/f/) (da).f.c’|!
(bg).ea.(Af)|(Gg).d.BG2z2|(a^g/a/) (fdcA)|\
(Gb)(Ac’)(Bd’)|(cc’).c’.a(ea)|g4f2|!
{a}(gf/g/) (db).g.d’|(fe/f/)\
(da).f.c’|(bg).e.a(Af)|g2z2(ge)|d2z2(ec)|B2z2(db)|!
(ca)(Bg)(Af)|g2z2(ge)|d2z2(ec)|B2z2(db)|.c.a.B.g.A.f|hz6|!
g(f/g/) dbgd’|f(e/f/) (da).f.c’|(bg).d.B(Aa)|g4f2|\
g(f/g/) (db).g.d’|f(e/f/) (da).f.c’|!
(bg).e.a(Af)|g6|(gd’).b.g(af)|g6|\
(gd’).b.g(af)|(gd’).d’.d’ c'(b/c’/)|!
.b.b.b.b a(g/a/)|(gd’).d’.d’ c'(b/c’/)|\
.b.b.b.b a(g/a/)|.g(gb).g.d.B|(G2g2).g2|g6|]

X:98
T:German Waltz. CJF.098
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”From Watson’s” is in title line. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/4
L:1/8
Q:1/4=120
K:D
A2|(A2f2).d2|A2(AB)A2|(A2g2).e2|A2(AB)A2|\
(df)a2a2|b2b2(ge)|(dcBABc)|{e}d2z2:|!
|:f2|(fefgfe)|.d2.B2z2|(f2^a2a2)|b4e2|\
(e^defe=d)|.c2.A2z2|(e2^g2).g2|a4A2|!
(A2f2)d2|A2(AB)A2|(A2g2).e2|(dcBc)A2|\
(df)a4|(eg)b4|(abc’d’e’c’)|d’2z2:|!
|:” dol:”a2|a3(bc’d’)|(d’c’bagf)|(a2g2)g2|e3(fg^g)|\
a3(bc’d’)|(d’c’bagf)|(ag)e2e2|d2z2:|!
|:” f”a2|_b2a2(^g|a2)e2(=g2|=f2)d2(^G2|A2)z2(df)|\
“p”a3(bc’d’)|(d’c’bagf)|(ag)e2(ef)|d2z2:|

X:101
T:Waltz. CJF.101
R:waltz
C:”From J.Johnson.C J Fox 1829″
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”From J.Johnson.” is in title line. The 3rd note of 2nd
N:bar was d2, not d1. No triplets are marked in the MS.
N:Note marked * was d4. Last notes of 2nd & 3rd sections
N:were G6 and e6 in MS. “C J Fox 1829” is written on the
N:stave at the end. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:G
d>c|B>dg>fa>g|b>gdzB2|((3cde) ((3fga) b>d’|c’>ba>gf>e|\
d>gf>ga>g|b>gdzB2|(3cec (3AcA D>F|G4:|!
|:G2|FAGABc|B>d d3g|gfedcB|BA A3G|\
FAGABc|B>d d3g|gfagfe|d^cc2=c2|!
B>dg>fa>g|b>g “*”dzB2|((3cde) ((3fga) b>d’|\
c’>ba>gf>e|d>gf>ga>g|b>gdzd2|(3cec B>AG>F|G4:|!
|:ga|b3agf|fe e2g2|fa^dfBd|e^defga|\
b3agf|fe e2g2|(3faf (3^dfd B>d|e4:|!
|:Bc|{e}d6|f2g2e2|^c2d2d2|d4c|\
.c.d.e.f.g.a|edc2B2|B6{cB}|A4Bc|!
{e}d6|egfagfe|d2^c2=c2|B2A2c2|\
Bdgfed|cBAedF|F4EF|G4|]
W:This shows why waltzes are written in 3/4 nowadays.

X:102
T:There’s nae luck about the House. CJF.102
T:Nae Guid Luck,with var., aka. CJF.102
R:schot
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/8
Q:1/4=100
K:A
g|a>f ec|.d.d dg|a>f ec|”~”B3g|\
a>f ec|d>e fa|.e.d.c.B|A3h||!
B|.c.c (cA)|.d.d (dB)|.c.c (cA)|B3A/B/|\
.c.c (cA)|d>e fa|.e.d (cB)|A3A/B/|!
L:1/16
Q:1/4=100
(cBcB c).ABc|(dcdc d).B.c.d|(ceag f).e.d.c|(c2B2).B2 AB|
(cBcB c).A.B.c|d>cd>e f>ga>f|(e>fd>e c>d” D Capo”B>c)|A6|]

X:103
T:Kemmies awa’. CJF.103
T:Hexham Races, aka. CJF.103
R:Jig
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:G
B/A/|”$”(G>A).B .g.d.B|d2d(d2e)|G>AB .g.d.B|{A}A2AA2B|!
G>AB .g.d.B|d>efg2f/e/|{e}d>cB {d}c>BA|G2GG2h||!
f|(g2d) (ed).B|d>edd2f|g2d (ed)B|A2AA2f|!
(g2d) (ed)B|defg2f/e/|d>cB c>BA|G2GG2″$”||!
K:D
d|c>de A>Bc|d>faa2b|(c’>ba) (g>fe)|(f>ga)e2d|!
(c>de) (A>Bc)|(d>fa)a2d’|(c’>ba) (g>fe)|dec e” $”c|]

X:104
T:Bugle Waltz No.1. CJF.104
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:This is the first of four Bugle Waltzes. The title is “Four Bugle
N:Waltzes from J. Johnson’s Copy”. The notes * are c3/2 in the MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
de|f2f2f2|f2g2e|d2{e}dc{e}dc|d4d2|e2e2e2|a3gfe|d2d2 e>c|d4:|!
|:((3A>df)|a2d2d2|e3A/”*”cf/|a2d2d2|f3A/”*”cf/|\
a2f2f2|g3ab2|a>ba>fg>e|d4:|!
K:A
|:d2|”Minore”e6|d2c2c2|a2g2f2|f4e2|c2dcdf|e2ecdB|A2AcBG|A4:|

X:105
T:Bugle Waltz No.2. CJF.105
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:See note on Bugle Waltz No. 1. CJF.056
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
((3ABc)|d2d2d2|f4d2|g4e2|c2A2 cd|\
e2e2e2|g4b2|bagfge|d4:|!
|:A2|g2Aceg|f2dfa2|gfgabc’|d’c’bagf|\
g2Aceg|f2dfa2|b^abgec|d4:|!
” Bugle Solo”A2|\
|:A2F2d2|d2A2f2|f2e2d2|d2c2d2|\
B2^d2e2|g2f2e2|d6{ed}|c4A2|!
A2F2d2|d2A2 df|a3gfe|dcB AGF|G4B2|A3Bc2|c6|d4:|!
|:a2|^gaba=ge|c3ABc|dcdefg|a4a2|\
d’c’bagf|bagfed|cdecdB|A4((3ABc)|!
d2{e}(dc)d2|e2{f}(ed)e2|f2fdba|a4g2|\
f2fgf2|e2efe2|d2dfe2|d4:|

X:106
T:Bugle Waltz No.3. CJF.106
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:See note on Bugle Waltz No. 1. CJF.056.
N:On the stave after the tune is “J Fox”.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
A2|d4f2|a2afd2|c2cea2|bagfge|\
d4f2|a2afd2|ceagec|d4:|!
|:cd|e3c’ba|a^g d’2b2|a^gaecA|cBB2 cd|\
e3c’ba|^gbd’bge|aefdcB|A4:|!
|:” Bugle Solo”A2|d4e2|d2c2c2|e4f2|e2d2d2|\
dcdefg|a2f2d2|A3Bc2|d4:|!
|:a2|ag e2e2|e3gce|df a2a2|ad’fadf|\
ag e2e2|e3gce|dfafge|d4h:|

X:109
T:Cottage Waltz,The. CJF.109
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/8
Q:1/8=120
K:C
G|ccG|\
e2c|AcA|G2d/e/|ffd|eec|dBG|c2:|!
|:G|G(ec)|G(fd)|G(ge)|d2G|\
cc/d/e/c/|AA/B/c/A/|GAB|c2|]

X:111
T:Queen of Prussia’s Waltz. CJF.111
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 200
M:3/4
L:1/8
Q:1/4=120
K:C
“p”c2|{B}” Allegro”c2{B}c2{B}c2|{B}c2{B}c2″mf”.g2|\
g4e2|c4.c.d|efgabc’|g2z2a2|g4f2|d4{a}g^f|!
({a}g^fgabc’)|d’2z.G.A.B|{d/}(cBc).e.g.e|({g/}fef).a.d’.c’|\
{a/}(bab).g.a.b|c’4:||:g2|c’2(ce).g.c’|(af).f.f(fe)|!
d2(GB).d.g|(ec).c.c(eg)|c’2(ce).g.c’|(gd’).d’.d’d’c’|\
{a/}(bab).g.a.b|c’4:||:.^f.g|(agfef).d|(cB).e(Bc).A|!
(GABcdB)|(cdef^fg)|agfefd|(cB).e(Bc).A|(GABcd).B|c4:|!
|:” f”e>e|e2e>e|e2e>e|e2e2e2|e2e2″p”e2|\
” f”g4″p”e2|” f”g4″p”e2|” f”g4″p”e2|g4.^” f”f.g|!
(agfef).d|(cB).e(Bc).A|(GABcd).B|(cdef^fg)|\
(agfef).d|(cB).e(Bc).A|(GABcd).B|c4:|

X:112
T:My Ain kind Deary,with vars. CJF.112
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Sounds like small-pipes veriations on “The Lollipop Man” – PJH
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=120
K:G
BA|{GA}B3DD3E|G3AG3B|A3B (cBAG)|{GA}B3EE2 (BA)|\
{GA}B3DD3E|G3AG2 (gd)|e3d efge|B2G2G2:|!
|:d|edef g2B2|cBcd e2G2|AGAB cBAG|{GA}B3EE2 (BA)|\
{GA}B3DD3F|G3AG2 (gd)|e3d efge|B2G2G2:|!
|:BA|g2d2B2G2|G2D2B2D2|GDBD cBAG|{GA}B3EE2 BA|\
g2d2B2G2|d2G2 g2G2|gfed BdAc|B2G2G2:|!
|:(d2ef)|gdBd edBd|gdBd edBd|gfed cBAG|{Ga}B3EE2 BA|\
gdBd edBd|gdBd edBd|gfed BdAc|B2G2G2:|!
|:BA|G2BG D2GD|B2dB G2B2|AGAB cBAG|{Ga}B3EE2 BA|\
GdBG dgdB|BdBg G2gf|e3d efge|B2G2G2:|!
|:d2|e2ge d2gd|c2ac B2gB|AcBd cBAG|{GA}B3EE2 BA|\
GdBG dgdB|BdBG G2gf|edef gedc|B2G2G2:|

X:113
T:Veritable Chasse,La. CJF.113
T:La Veritable Chasse. CJF.113
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:On the title line is “From Wm Hodgson’s Book” -PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=60
K:G
“TS 2/4 in MS”AAA|d2de2e|f3efe|d2df2f|e3AAA|\
d2de2e|f3(efe)|d2d efe|d3||!
d3|f3gea|f2d (ade)|f3(age)|d3d3|f3gea|f2d ade|\
f3age|d3a2a|f2fd2d|A3abc’|d’ag fed|a3a2a|!
f2fd2d|A3abc’|d’ag fed|a3AAA|d2de2e|f3efe|\
d2df2f|e3AAA|d2de2e|f3efe|d2d efe|!
dDE FGA|BGE EAG|FDE FGA|BFG ABc|\
d2e =fga|_b2a^g2a|=fde fga|_b2ab2g|!
_b3-bac’|d’ad’ d’ac’|d’d’d’ d’d’d’|c’c’c’ c’c’c’|\
d'(a/g/f/e/) d(f/e/d/c/)|\
B(g/f/e/d/) caa|.f(a/g/f/e/) .d(f/e/d/c/)|.B(g/f/e/d/) caa|d’3|]

X:114
T:Waltz. CJF.114
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:G
d^c|d2g4|d2b4|a(gegaf)|g<b d2 d^c|\
d2g4|d2b4|abc’afa|g4:|!
|:BA|B2e4|B2g4|(fe^def)d|e<g b2 B<A|\
B2e4|B2b4|fgagfg|e4:|!
dc|.B.d.g.d.b.g|.B.d.g.d.b.g|cfafcf|gbafdc|\
Bdgdbg|Bdgdbg|^ga=gfed|g4:|!
|:B2|B^ABcdB|{f}e2A2A2|{a}gfefge|{^a}b2B2B2|\
efgfeg|fgagfa|gfegf^d|e4:|!
|:d2|b4a2|g2f2g2|^g2a2b2|c’>ba>gf>e|\
d4{g}f>e|d4{g}f>e|d2e2f2|g4:|

X:119
T:Beethoven Waltz. CJF.119
R:Waltz
C:”Beethoven”
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Just “Waltz” in MS…but “Beethoven” is in the Title line.
N:The asterisked notes were 2 1/4’s in the MS.
N:The repeat marks are as in the MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/4
L:1/4
Q:1/4=140
K:G
G3|g3|fed|cBA|Gg/g/g|\
ee/e/e|d/B/G/B/A/F/|G3:|!
|:dd/d/d|def|gg/g/g|dBG|ee/e/e|\
dBG|A/B/c/d/e/f/|”*”g3h:|!
|:GBd|g2f|e3|d2z|FAc|e2d|BdB|GBG|!
Bdg|bag|gfe|edc|B>cd|dcA|A3|G2z:|!
EGB|e2d|c3|A3|DFA|\
d2c|B3|G3|!
Bdg|bag|gfe|edc|B>cd|dcA|A3|”*”G3|]

X:120
T:Waltz. CJF.120
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”C J Fox 1830″ is in the stave at the end.
N:The triplet is not marked as such in the MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
e2|f3ed2|dAdf a2|g3fe2|eAce g2|\
f3ed2|dAdf a2|ba^gaga|d4:|!
|:a2|d’2d’d.g.b|a2adfa|g2gAce|ed d2 fa|\
d’2d’dgb|a2adfa|g2gAce|d4:|!
|:((3fgf)|eAce g2|fadf a2|eAce g2|fAdf a2|\
d’2d’dgb|a2adfa|g2gAce|d4h:||

X:121
T:Waltz. CJF.121
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Asterisked notes were G3 in MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/8
Q:1/8=120
K:G
B/c/|dd/e/d|bag|gfe|d2B|\
GG/A/G|AA/B/A|BcB|A2B/c/|!
dd/e/d|bag|gfe|d2B|GG/A/G|Aed|{d/}cBA|”*”G2:|!
|:F/G/|AA/B/A|dd/e/d|ede|f2d|g2b|ad’f|{a/}gfe|dc/B/c|!
dd/e/d|bag|gfe|d2B|GG/A/G|Aed|{d/}cBA|”*”G2:||

X:122
T:Valentine’s Tempo di Minuetto. CJF.122
R:minuet
C:Valentine
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”by Valentine” is in title line. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/8
Q:1/8=120
K:G
d\
|g2d|dBB|BGG|G2(d/c/)|Bdg|cea|DcB|(BA) d|!
g2b|gea|fdd|d2A|ddd|d2A|dd/d/d/d/|d2:|!
|:a|d’2a|d’2a|fda|fd d|g2d|g2d|BGd|BG B|!
e2B|e2B|GEB|GE B|E/F/G/F/G/E/|BGE|BGE|B2g|!
bbb|b2B|cc/c/c/c/|c2c|aaa|a2A|BB/B/B/B/|B2d|!
g2d|BGB|d2A|FDD|GGG|G2D|GG/G/G/G/|G2:|

X:123
T:Waltz. CJF.123
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:G
d” $”c|:B>c(d2g2)|B>c(d2g2)|f>g(a2b2)|g2b2d>c|\
B>cd2g2|B>cd2g2|fgac’fa|g4h:|!
|:g2{fg}|a>fd2a2|b>gd2b2|ge^c2g2|afd2 ad’|\
(d’^c’)(c’b)(ba)|(ag)(gf)(fe)|egfed^c|” D Capo”d^cdcd=c|]

X:125
T:Waltz. CJF.125
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 200
M:3/8
L:1/16
Q:1/8=120
K:D
fa|ge c2 af|d2d2f2|ecAgfd|ecAgef|\
ge c2 af|.d2.d2f2|(Ag) (Af) (Ae)|d4:|!
|:cd|ec A2A2|fd A2A2|gfegfd|ecABcd|\
(ec).A.A.A.A|(fe).A.A.A.^G|A^AB=c^cd|^dez2||!
fg|a3(fga)|(bagfed)|(cefage)|fagefg|\
a3(fga)|bagfed|(cefa)(ge)|d4:|

X:126
T:Waltz. CJF.126
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Last bar of each section is g6 in MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 200
M:3/8
L:1/16
Q:1/8=120
K:G
dc|Bcdefg|d2d2 bg|d2d2 bg|d4dc|\
Bcdefg|a2a2a2|gfedef|g4:|!
|:d2|defgab|c’4b2|a2agfe|d4bg|\
g2f2g2|^g2a2a2|gfedef|g4:|!
|:d2|d2b2g2|e2c’2a2|gfedef|\
gabc’d’2|d2b2g2|e2c’2a2|gfedef|g4:|

X:127
T:Polacco. CJF.127
R:misc
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:There is a lead note of A in the MS – it has been omitted
N:to allow correct playing. The note asterisked is f2 in the
N:MS. The grace notes are between beamed notes in the MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 200
M:3/4
L:1/16
Q:1/8=140
K:D
d2d2 d2ed cdef|g2B2 B2A2B2c2|\
d2d2 d2ed cdBc|A2a2 abga fgef|!
d2d2 d2ed cdef|g2B2 B2A2B2c2|\
d2d{ed}c d2f2e2a2|d2d{ed}c d2f2d2z2:|!
|:f2f2 fgfe d2f2|e2e2 egfa g2z2|\
e2e2 efed c2e2|d2d2 dfeg “*” f2z2″ D.C.”||!
d4A2d2d2d2|e4a2a2a2a2|a4a2f2d2f2|d2f2A2d2 f2A2|!
d4A2d2d2d2|e4a2a2a2a2|a4a2f2d2f2|efed cdcB A4|!
g2gf e2ed c2cB|AcBd cedf egfa|g2gf e2ed c2cB|\
AcBd cedf egf” D.C.”a|]

X:128
T:Waltz. CJF.128
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 200
M:3/8
L:1/8
Q:1/8=140
K:G
d|B(d/e/)d|(gd).d|a(a/b/)a|bgg|B(d/e/)d|\
(gd).d|a(a/b/)a|g2:|!
|:g|f{f/}(f/e/)d| f{f/}(f/e/)d|gbd’|gbd’|\
f{f/}(f/e/)d|f{f/}(f/e/)d|gbd’|g2:|!
|:d’|d’2b|b2g|(f/g/).a.a|(f/g/).a.a|\
d’2b|b2g|(f/g/).a.a|g2:|

X:129
T:Atkins Menagerie (Air from). CJF.129
T:Air from Atkins Menagerie. CJF.129
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:I have added the leading d2 to allow the tune to play correctly.
N:The asterisked note is g2 in MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 200
M:2/4
L:1/16
Q:1/8=140
K:G
d2|”>”g4″>”^g4|”>”a4″>”^a4|b2a2 g2f2|\
g2g2g2 Bc|dedc d2g2|b4 a4|!
^gaga =gfed|g2d’2d’2 Bc|dedc d2g2|\
“>”b4″>”^g4|a2a2 gfef|g4 z2:|!
|:d’d’|d’2f2g2^g2|aba^g a2 d’d’|\
d’2f2 g2^g2|aba^g a2 d’d’|!
d’2f2 g2^g2|a2f2 a4|g2g2 e2e2|\
f4z4|agfe a2a2|f4.b2(ge)|!
.a2(fd) .A2(Bc)|dedc d2g2|b4 g4|\
^gaga =gfed|g2b2 d’2 Bc|dedc d2g2|!
b4g4|fac’a gfef|”*”g4 z2H:||:”Trio”d2|c’2b2 a2g2|!
{g}f2e2 f2d2|.g2.a2 .b2.c’2|d’2c’e’ d’2b2|\
.c’2b2 a2g2|f2(eg) f2d2|g2(fa) g2(fa)|g4” Da Capo”z2:|

X:132
T:Waltz, A. CJF.132
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The note marked “a” here is also so marked in the MS,
N:where the stave shows a c2, – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
(fg)|(af) d2(db)|(af) d2(af)|(ge)cAag|\
g2f2 (fg)|af d2db|afd2 af|gecAge|d2d2:|!
|:cd|ecAceg|fdAdfa|b2b2b2|^gagacd|\
ecAceg|fdAdfa|b2bg ec|d4:|!
|:A|d2f2a2|(ab).a.gf2|e2d2e2|f2d2A2|\
d2f2a2|abagf2|fed2e2|d4:|!
|:A2|cAEAcA|dAFAdA|e2edcB|” a “A2cgfe|\
d2f2a2|(ab).a.gf2|!
e2d2e2|f2d2A2|\
d2f2a2|(ab).a.gf2|fed2e2|d4:|

X:134
T:Cheltenham Waltz,The. CJF.134
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:There is a letter “B” written in the stave, after
N:the end of the tune in the MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
A2|f4e2|d4 (d<f)|(e<g) (c<e) (d<f)|A2A2A2|\
f4e2|d4 (d<f)|(e<g) (c<e) (A<c)|d4:|!
|:(d<f)|(e<g) (c<e) (d<f)|(e<g) (c<e) (d<f)|\
(c<g) (c<e) (d<f)|A6|f4e2|\
d2(d<f)|(e<g) (c<e) (A<c)|d4:|!
|:A2|dcdefg|a2f2a2|babc’d’b|a2faba|\
g2egag|f2dfaf|e2edef|d4:|!
|:(fa)|gaeaga|fadafa|gaeaga|fadafa|\
gaeaga|fad’c’ba|babgec|d4|]

X:135
T:Waltz. CJF.135
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:G
dc|Bdgbaf|gfedcB|e2c2e2|d4(dB)|\
GBdBgd|bagfed|c2A2d2|G4:|!
|:(bg)|c’bagfe|dedcBA|BGBdgb|a4ab|\
c’bagfe|dfdcBA|Bdgbaf|{a}g4:|

X:136
T:Swiss Waltz, A. CJF.136
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The asterisked triplet is not given as a triplet in the MS. – PJH
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
((3ABA)|f4e2|d4((3ABA)|g4f2|e4((3ABA)|\
” cres”.d2.f2 ((3ABA)|.e2.g2 ((3ABA)|(a2g2).e2|d4:|!
|:((3ABA)|g4f2|e4((3ABA)|”p”=f4e2|d4((3ABA)|\
a2f2 ((3ABA)|” f”.b2.g2 “*”(3efe|(a2g2).e2|d4:|!
|:A2|” f”(DF).A.d(fa)|(DF).A.d(fa)|\
(gf).g.f(ed)|(cB).A.G(FE)|\
(DF).A.d(fa)|(DF).A.d(fa)|(gf).g.e(ce)|d4:|!
|:a2|(d’c’).b.a(fd)|(d’c’).d’.a(fd)|(gf).e.d(cd)|(ef).g.a(bc’)|\
(d’c’).d’.c'(af)|(d’c’).d’.c'(fd)|(gf).g.e(ce)|d4:|

X:137
T:Waltz. CJF.137
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The key signature is given as an e-flat followed by a
N:B-flat in the MS. The note marked with a letter “c” is
N:also marked thus in the MS. – PJH
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:Bb
F2|B2BABA|B2d2f2|f2^f2a2|c4(cd)|\
edgfed|cdedcB|A>gf>ed>c|{c2}B4:|!
|:dB|AcecAc|BABcde|fgabag|{g2}f4(gf)|\
ede” c “cdc|e>gf>ed>c|BdfecA|{c2}B4:|

X:138
T:Reed Waltz,The. CJF.138
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:This tune will not play quite correctly because the first
N:two sections do not use lead-notes. There are repeat-mark
N:dots after the last bar line in the MS. – PJH
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
” f”.D2.F2.A2|.d2.f2.a2|d’2a2f2|d4f2|\
.g2(g2e2)|.f2(f2d2)|(efedcB)|A6:|!
|:A2c2e2|g4e2|b2g2e2|c4A2|\
d2f2a2|d’2F2G2|A2A2A2|d4:|!
|:a2|gafaea|fadafa|gafaea|f2d’2 f2|\
gafaea|fadafa|g2e2c2|d4:|!
|:a2|(d’c’b).a.g.f|(ed).c.B(AG)|F2A2d2|(f2e2) a2|\
(d’c’).b.a(gf)|(ed).c.B(AG)|(FB).A.G(FE)|D6:|

X:139
T:Mrs Bullengards Waltz. CJF.139
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:Bb
F2|B2B2d2|f4b2|B2B2d2|cBAGF2|\
B2B2d2|f4b2|fgfdec|B4:|!
|:c2|c2f2f2|a4f2|b2bg=e2|fafac2|\
c2f2f2|a4f2|=egegc2|f4:|!
|:cd|” f”._e2″p”.e2 cd|” f”e2″p”e2 cd|” ff”(edede)d|\
e4(de)|f2f2 dB|c2c2 eg|B2B2 cd|B4:|

X:140
T:Quadrille. CJF.140
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Marked “No. 3” above start of first stave. “C J Fox”
N:written in stave, at end of tune. The note marked “e” is a
N:G on the stave, with the letter “e” written below in the MS. – PJH
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:C
“$”c2(d edc)|(d>G)G GAB|{d/}cBc {e/}dcd|eagd2e|\
c2d edc|(d>G)G GAB|(ca)gd2e|.c.G.EC2zh||!
d3-dbg|g3^fga|(b2g)(d2B)|(d2A) ABc|d3dbg|\
g3-g.^f.e|(dBG) DE^F|(A3G2)G”$”||!
(A3E2)C|A,3-A,B,C|D2EF2E|” e”EDCB,3|\
a3e2c|A3ABc|G3GFD|C3C2z”$”||

X:141
T:Wertenburg Waltz. CJF.141
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:In the MS, the third section begins with the
N:two lead-notes shown. – PJH
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:G
D2″$”|G2G2B2|d2d2g2|efgfge|d4B2|\
cBcdec|BABcdB|ABcAGF|G4:|!
|:FG|A2A2d2|B2B2d2|^c2c2d2|d4de|\
f2d2d2|g2f2e2|abagfe|dedcBA”$”||!
GA|B2B2B2|BABGAB|cdedcB|BAGDGA|\
B2B2B2|BABcdB|cdecAF|G4:|

X:142
T:Waltz. CJF.142
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
((3ABc)|d2D2D2|d2D2D2|e4ge|(dcB).A.B.c|\
d2D2D2|d2D2D2|efgedc|d4:|!
|:fd|edcBAG|FAdAfd|cAecg”*”e|f4fd|\
edcBAG|FAdAfd|cAecge|d4:|!
|:f2|^efefef|f2.c2.c2|f2.d2.d2|e4f2|\
^efefef|f2.c2.c2|f2″ D. Capo”.d2.d2|B4:|

X:143
T:Waltz. CJF.143
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:G
G2g2f2|G2e2d2|D2F2A2|GFGAG2|\
G2g2f2|G2e2d2|D2F2A2|G4:|!
|:d2e2e2|d2e2e2|dedcBA|\
GFGABc|d2e2e2|d2e2e2|dedcBA|G4:|!
|:DFAFAF|EGBGBG|DEFGAB|cBAGFE|\
DFAFAF|EGBGBG|DcBAGF|G4:|

X:144
T:Sunset Waltz,The. CJF.144
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”From Harts Gallopades” on title line. – PJ
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/8
Q:1/8=120
K:D
“p”D|DFA|dcB|ABA|F2F|\
A2G|E2G|B2A|F2D|!
DFA|dcB|ABA|F2A|B2A|EGF|DAc|d2D|!
” f”DAc|dcB|ABA|F2F|A2G|E2G|B2A|F2D|DAc|!
dcB|ABA|F2A|A/G/B/A/G/F/|E/G/A/B/c/A/|\
DD/F/A/F/|d2h||!
“p”A|A2G|E2E|B2A|F2d|cBA|GBA|A2F|d2A|!
A2G|E2E|B2A|F2A|GFE|EFG|A” D Capo”a/a/a/a/|a2|]

X:145
T:Brunswick Waltz. CJF.145
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:G
(GA)|B2B2c2|d4(ge)|d2(de)(dc)|B4(GA)|\
B2B2c2|d4gb|a2agab|g4:|!
|:D2|c2c2D2|B2B2G2|F2FAGB|A2A2 D2|\
c2c2D2|B2B2G2|GFEDEF|G4:|!
|:(Bc)|d2d2g2|d4(Bd)|c2c2A2|B4(Bc)|\
d2d2g2|d4g2|(gf)(ed)(ef)|g4:|

X:146
T:Evening-star Waltz,The. CJF.146
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:C
“p”G2|G2E2F2|G4GG|A2c2 BA|A2G2G2|\
Gd d2G2|Gc c2B2|A3Bcd|c2B2″ f 8va” G2|\
“..”G2″..”E2″….”F2|”..”G4″..”G”..”G|!
A2c2 BA|A2G2 G2|Gd d2G2|c4cB|A3dBG|G2c2||\
“p”GG|d2G2 GG|e2c2G2|f2edcB|c2G2 GG|!
Gd B2 GG|Ge c2 cc|d3cBA|A2G2G2|\
G2E2F2|G4GG|A2c2 BA|A2G2 G2|!
” f”Gd B2 GG|Ge c2 cc|g3fed|f2e2 GG|\
Gd B2 GG|Ge c2c2|g^fg=fed|c4|]

X:147
T:Gondola Air. CJF.147
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
AG|”p”(Fd) A2 (FA)|(GE) C2 (Ac)|(dGdf)af|(ag) e2 (AG)|\
(Fd) A2 (FA)|(BG) E2 (ge)|dcBABc|{e}d4h:||!
” f”(fa)|(gecAec)|(dfdAdf)|(agecdf)|(ec) A2 (fa)|\
(gecAec)|(dfdAdf)|(agecdf)|e” D.C.”cA2|]

X:148
T:Gentle-moon Waltz,The. CJF.148
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Note marked “*” is B2 in MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:C
“p”E>F G2c2|E>F G2e2|d>c A2F2|A2G2G2|\
G>^F G2A2|B>c d2d2|d2A2B2|c2G2 G2|!
” f”E>F G2c2|E>F G2e2|d>c A2F2|A2G2 G2|\
{A}G^F G2A2|Bc d2d2|dcBAG^F|A2G2||!
” f”G2|{A}G^FGB d2|{e}dcec G2|GfedcB|\
c2G2 G2|{A}G^FGB d2|{A}G^FGcGc|!
“*”B3AG^F|A2G2 ^F=F|” f”E>F G2c2|\
E>F G2e2|d>c A2F2|A2G2G2|!
GBd4|Gc eGce|g3fed|f2e2d2|
GBd4|GceGce|g3fed|c2c2z2|]

X:150
T:Cotillion. CJF.150
R:cotillion
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”C J Fox” is on the stave at the end of the tune. – PJH
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/4=60
K:G
“p”Bc d2d2|Bc d2d2|ef g2g2|fe d2c2|\
Bc d2d2|Bc d2d2|ef g2g2|fa g2g2|!
Bc d2d2|Bc d2d2|ef g2g2|fe d2c2|\
Bc d2d2|Bc d2d2|ef g2g2|fa g2g2||!
” f”fg a2a2|ab g2f2|ef g2g2|ab f2d2|\
ab a2a2|ba g2gf|e2edef|d4d2|!
” f”fg a2a2|ab g2f2|ef g2g2|ab f2d2|\
ab a2a2|ba g2gf|e2ed ef|d4 d2|]

X:152
T:Quadrille. CJF.083a
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:1/4=90
K:G
B/c/”$”|(d3g2)f|(fe).e {f/}e/d/c/B/A/G/|\
(FG).A Ded|{d/}cBc B (G/A/B/c/)|!
d3{G/}g2f|(fe).e e/d/c/B/A/G/|F>GA DEF|G3G2h||!
d|(BG) d (BG) d|c (AF) D2d|\
(BG) d (BG) d|cd/c/B/c/A2d|!
BG d BG g|ecc cde|dBG D>EF|G2BG2″$”||!
(B/A/)|^GEE AEE|cAd cBA|\
(FD).D (GD).D|(AD)cB2D|!
(EG)c FGA|(GBd) gdB|(ABc) edc|c^c” D Capo”d A2|]

X:153
T:Quadrille. CJF.153
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The notes marked ** were cd in the MS, not c2d2. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=60
K:A
cd|f<ec2 e<dB2|d<cA2 A4|\
(GABc) (dc)(fe)|e>dc2 “**”c2d2|!
f<ec2 e<dc2|d<cA2 A4|(GABc) dBAG|B4 A2h||!
GA|B<GE2 A<F^D2|EFGA Bc^de|fe^dc BAGF|G6 F2|!
B<GE2 e<^dB2 b<ge2|c<BB<A A<FF<E|^D4″ D.C.”E2|]

X:154
T:Hunt’s Quadrille. CJF.154
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Just Quadrille in MS…”from Hunts 9th Oct”
N:is on title line. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=100
K:D
a2aa a2a2|a2f2 f4|e2ee e2e2|f2d2 d4|\
a2aa a2a2|a2f2 f2de|f2f2 {f}edef|d2d2 d4h||!
AA|g2ee fe^de|b2a2 fdfa|d’2aa f2dd|A2a2 z2AA|\
g2ee fe^de|b2a2 f2 de|f2f2 edef|d2f2 d2z2″$”||!
a2aa a2a2|g6 f2|e2d2 c2d2|e2A2 A4|\
a2aa a2a2|g6 f2|e2d2 c2d2|e6″ $”A2|]

X:155
T:Waterloo. CJF.155
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:I added a rest at * to make the tune scan. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:F
c|c2d A2B|{d}c2c caf|ebg ecG|BAA A2B|\
c2d A2B|{d}c2c caf|dBG EcE|G3F”*”zh||!
F|E2G c2B|A2c F2c|^cdA ^cBG|F3 E2F|\
E2G c2B|A2c Fag|geg fd=B|d3 c2||!
A|d2f afd|{d}^c2c c2b|bag gfe|gef e2A|\
d2f d2A|B2^F GAB|Ac=F ” D Capo”AGE|D3z2|]

X:157
T:Thema. CJF.157
R:march
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Each of the beamed groups of grace notes are intrespersed
N:among beamed notes in the MS. I have added the rest marked
N:* to make the tune scan.
N:Attributed to “Pleyel” on the title line. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=80
K:G
” Andante non troppo”g3(f/e/) d2d2|\
(d3c)A4|(B>G)(c>A) (d>B)(e>g)|(g2{agfg}a2 f2)z2|\
(g3f/e/) d2d2|(d3c)A4|(B>d)(e>a) g2f2|(a4g2)”*”z2:|!
|:a7/2f d2c2|B3{cBAB}c d2^d2|e4e{fed}efg|(g4 f2)z2|\
g3(f/e/) d2d2|d^dec A3c|(B>d)(e>a) g2f2|{f}a4 g2z2:|

X:159
T:Slow broke the light. CJF.159
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”C J Fox” is on the stave after the tune. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/8
Q:1/4=60
K:C
c|c2c>d|e2ze|e2{g/}fe|e2(ce)|\
g2g>g|a2bc’|(egfd)|c2z:|!
|:d|d2e^f|gbzd|d2cB|B2zd|\
(e^fga)|bgze|(d>g)(^fa)|g2zg|!
(ac’)(ba)|g2ec|ac’ba|g2ce|\
g2gg|a2bc’|(g/^f/a/g/) (=f/e/f/d/)c2z:|

X:160
T:Young Love once dwelt. CJF.160
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The beamed grace notes are as in the MS, but ABC cannot
N:tie the note before them to the note following them. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=60
K:C
c|c2d e<c’b|{b/}a2ge2e|f2g afd|cBa gfd|!
c2d ec’b|bag {f/}e2e|f2g {b}a{g}f{e}d|cBdc2g|!
c’2b ac’a|g2c’ b<gg|abc’ c’ba|\
g2{b/a/g/^/f/a/}(g=fd)|!
c2d (ec’b)|bag {f/}e2e|f2g (afd)|(cBd)c2|]

X:161
T:Oh!say not Woman’s Heart is bought. CJF.161
T:say not Woman’s heart is bought,Oh!. CJF.161
T:Woman’s heart is bought,Oh! say not. CJF.161
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The triplets do not have 3’2 over them in the MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=60
K:G
G2|Bd3 ce3|d3B G2d2|e3fg3e|fd3z2d2|ec3eg3|\
(d2B2)(G2^G2)|A2e2d3A|B3Gz2d2|!
d3dd3^c|d2ef A2A2|B3d d^c<e|fd3z2D2|\
E2G2{d}c3B|{B}A2G2{G}F2E2|F2A2d3c|!
B2A2HB2d2|g2zB e2zG|dc3z2D2|\
((3BAB) ((3dcA) G3A|BG3g3e|dB3z2d2|!
(cA3)(BG3)|(FA3)z2d2|\
e3ef3f|g3gHa3A|B2d2 G A2 d|BG3z2|]

X:162
T:Roslin Castle. CJF.162
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:C|
L:1/8
Q:2/4=60
K:F
FE|D2A>BA2GA|BAGFE2F>E|D2d>ef2ed|^cdecA2FG|!
BAGFE2FG|AFED^c2de|fde^c dAGA|F2E>DD2:|!
|:A2|d2de{g}f2ed|a>gfge2d^c|dAdef2ed|agfge2GA|!
BAGFE2FG|AFEDHd2de|fde^c dAGA|F2E>DD2:|

X:163
T:Sun that lights the Roses,The. CJF.163
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The bars beginning * have a peculiar arrangement – the
N:grace notes are interspersed among the main notes in a
N:manner I haven’t seen before. To attempt to convey this,
N:if I use hyphens to indicate beaming, and use M for main
N:notes and g for grace notes, it would look like this:
N:M-g-g-M g-g M- g- -M -g-g | M- g- -M -g-g M M-M | – PJH
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=60
K:C
G|.e2.d2.c2zG|.e2.d2.c2zg|{g}f3ea2d2|d2{f}e2d2zG|!
(e>f)(d>e) c2zG|e>fd>e c2ze|(dafd) c2zB|d2c2z2ze|!
e3ee3e|b3e e2ze|e3e fedc|c3Bz2ze|!
e3ee3e|{e}d3dHa2Hc’2|(bg)(ea) d2c^f|a2Hg2z2gf|!
e2g2c2a2|g3fd2zf|(egc’b) (agfe)|e2d2z2d2|!
“*”e3{fe}e {dc}f3{g}f{ed}|g3{a}g{fe} a2 c’b|\
(agfe) (d2g) B|(d2c2)z4|]

X:164
T:Waltz. CJF.164
R:Waltz
C:”from Mr Campbell”.
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:On the title line “from Mr Campbell”. On the stave
N:after the tune, “C J Fox”. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:1/8=120
K:D
A2|FAdAdA|FAdAdA|g2e2c2|(df) A2A2|\
FAdAdA|FAdAdA|g2e2c2|d4:|!
|:A2|a4(fd)|A2A2A2|g4(ec)|A2A2A2|\
a4(fd)|A2A2A2|gfedce|d4:|

X:165
T:Soldier’s Gratitude. CJF.165
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The MS has a barline in the middle of this bar. “C J Fox” is on the
N:stave after the tune. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:C
L:1/8
Q:2/4=60
K:C
G|G3e {e/}d>cd>e|c2G2G2c2|d2d2d2{edc}cd|e4g2zG|!
G3e d>cd>e|c2G2G2e2|dg2B cAd^F|G4G2 G/A/G/F/|!
EG3c2c/d/c/B/|Ac3c2c2{dc}|B2G2c2e2|e4{fe}d2zd|!
e3fg2B2|c3dHe2G2|A>Bc2c2ed|c6{dc}B2G/A/|\
B>cd2d2a>g|!
f4{gf}e2G2|A>GA>B”*” c>Bc>d|\
e>de>fHg2c2|BA gf edcB|c6|]

X:166
T:Faithless Emma. CJF.166
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:C
L:1/8
Q:2/4=60
K:C
e4d>cd>e|c2cd/e/G2zG|A3Bc3d|{e}e2dcd2z2|\
e4d>cd>e|c2cd/e/G2zG|A>Bc>de2fd|c2d>cc2z||!
A|G>AG>AG3G|c2d2{cd}e2zc|f3ed3c|d>^cd>ed2z2|\
e4d>cd>e|c2cd/e/G2zG|!
A>Bc>de2f>d|c2d>cc2ze|\
d2BG Gcze|d2BG GczG|G>c ceHg2zc|d^cdg ecz2|]

X:168
T:House that Jack built,The. CJF.168
R:Jig
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:I have added the final rest to allow repeats to scan.
N:”C J Fox” is written in the stave, after the tune. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:C
G|(Ge).dc2B|(AB).cG2G|G<ccd2G|(Bd)dd2G|!
(Ge).dc2c|ABcG2G|Adc {c/}BAB|d3-c2||!
d|dcB BAG|c2d e2g|gfe fAd|c3-B2d|!
(dc).B (BA).G|c2de2g|gfe fdB|(B3c2)||!
G|e2c {d/}cBc|f2d {e/}d^cd|B2g {a/}g^fg|e2c cBc|!
e2c {d/}cBc|f2d {e}d^cd|dedB2G|e3cz|]

X:169
T:Greek,Dance,The. CJF.169
T:Lord Byrons. CJF.169
R:misc
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The comma in the title is in the MS. There is a quaver
N:rest in the MS after the note marked * .The notes marked @
N:are given as grace notes in the MS. The note marked & is a
N:crochet (e2) in the MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=60
K:C
g|{a/}(g^f).g ecg|{a/}g^fg =fdg|\
{a/}g^fga2g|fdg d”*”c:||!
G|GEc cBe|(d/e/d/c/B/A/) Gce|g3a3|d3ze2|!
fef dag|g3gfe|def agB|(d2″@”e/”@”d/)c2||!
g|g2″&”ec’2b|a2gf2e|def afd|c3{d/c/}B2g|!
.g.e.g .g.a.b|(c’b).a (ga).f|(eg).g (dg).g|c3-c2|]

X:170
T:Pantaloon Quadrille, aka. CJF.170
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Just “Quadrille” in MS, but Very like Pantaloon Quadrille from the
N:Thomas Hardy collection, – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=100
K:D
d2d|{e}dcde2e|d3f2f|g2ge2e|a2fd2d|!
dcd f/e/d/e/f/e/|d3f2f|agf edc|d3||!
a2a|gfef2f|e3d2e|d2e Bcd|cBAa2a|!
gfe g/f/^e/f/g/f/|e3dfd|cec BAB|A2″$”||!
f2d|Bcde2c|AcA FGA|Bcd {e}dcB|^A2Ff2e|!
dfgg2g|efg fge|dec Bc^A|” $ D Capo””G3|]

X:172
T:Smile again my Bonnie Lassie. CJF.172
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The first beamed grace notes interrupt a beamed quartet.
N:The markings “a” and “e” appear in the MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=60
K:D
d3ef3e|” a”dG3BA3|Be3g3f|{f2}e4z4|!
d3″ e”d{de}f3e|d3AcB3|d2b2a3f|{e}d4z4|!
e3ca3g|e3dcB3|B3Be3d|{d}c4z4|!
e3ca3f|e3dd3c|\
B4{g}f2He2{G2}|{B2}HA4z4{(ABcdef)} {(gfagec)}|!
d3ef3e|dA3BA3|B3e{a}g3f|{f}e4z2A2|!
B3cd3B|AF3Ad3|eb3Ha3c|{e}d4z4|]

X:173
T:Fly away pretty Moth. CJF.173
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”?” is in the MS, presumably indicating that the barline is not needed.
N:- PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=60
K:G
GG|B2BB d2dd|g6GG|A2ee d2cc|B4z2GG|!
B2BB d2dd|g2GG G2FG|A2ed d2cA|G6FG|!
A2AA A2GA|c2BB B2AB|c2eg f2ed|(c2B2)z2GG|!
B2BB d2dd|g2GG G2FG|\
A2ed df/” ?”e/|dc|{c}B6GG|!
Bc/B/ ^AB d2c>d|g f/e/d/c/ B/A/ G2FG|A2ed d2FG|G6|]

X:174
T:Royal Charlie. CJF.174
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The note marked “*” is c3 in the MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:C
E|c2Bc2d|e2fe2d|c2Bc2d|e3E3|!
c2de2a|g2e{c/}d2e|{B/}c2A AGE|A3-A2B|!
c2cc2d|e2ee2d|c2cc2d|{c/d/}e3E2B|!
c2de2a|g2ed2e|c2A AGE|A3-A2||!
B|c2A AGE|c2A AGE|c2A AGE|G3-G2B|!
“*”c2de2a|g2ed2e|c2A AGE|A3-A2B|!
c2A AGE|c2A AGE|edc dcB|cBA GFE|!
c2de2a|g2ed2e|c2A AGE|A3-A2|]

X:175
T:Last Rose of Summer,The. CJF.175
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The grace notes in the first and last bars interrupt
N:beamed pairs in the MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/4
L:1/8
Q:1/4=120
K:G
“(Andante)”(G3/2{A/G/F/G/}A/)|B2g2{f}(e>d)|\
(dB3)G>A|B2{d}(c>B) {B}(A>G)|!
G4(G>A)|B2g2(e>d)|(dB3)G>A|B2{d}(c>B) {B}A>G|G2z:|!
|:(d>B)|g2(g>f) {f}(e>d)|d2B2(d>B)|g2(gf) (e>^d)|\
e2( {f/e/^d/e/)} ({fa)}Hg2(G>A)|!
B2g2(f>e)|(dB3)”~”G>A|B2{d/}(c>B) “tr”A{G/A/}G|G4:|

X:177
T:Oh!Balmy breeze that fans the Seas. CJF.177
T:Balmy breeze that fans the Seas,Oh!. CJF.177
R:air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=60
K:Bb
” Andante”F|B2d (def)|ecA FGE|DFB BAB|d2c c3|\
ecA fed|dBb gec|B2B {B/}AGA|B3- B2″$”|!
|:”p”F|”Song”B2d d2f|e2c c2A|B2d e>fg|(d3 c)zF|\
e2d cde|fdb gec|B2B (c<fA)|B3- B2:|!
|:(A/B/)|c2c f=ed|dcc c2A|B2c (dc)B|(B3 A2)(A/B/)|\
c2c f=ed|c2b b2g|{f/}=edc cde|Hf3 z2F|!
B2d d2f|e2c c2A|B2d e>fg|(d3c)zF|\
e2d cde|(fd).b (ge)c|B2B (c<f)c|B3- B2:||!
“Sym:”d|ecA fec|(dB).b (ge).c|B2B {B/}AGA|B3- B2|]

X:178
T:Maid of Orleans,The. CJF.178
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:G
G>AG G>AG|G>GG B2d|cdd dBG|FAA A2B|\
G>AG G>AG|G>AG B2d|c>de dBG|DGG G2zH||!
gbg faf|ege def|gdB {c/}BAB|(d^c=c)A2d|\
gbg faf|ege def|gdd ecc|dBB cAA|!
G>GG B2d|g3 d2B|A>BA c2f|a3 f2a|\
bgg {a/}gfg|efg a2g|(fd).g (ec).f|\
(dB)e|” D Capo”(cA).d|]

X:179
T:Anacreon in Heav’n. CJF.179
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Note marked “*” is f/4 in MS. I suspect we will find
N:similar tunes in USA MSs. – PJH…? sounds more like 3/4
N:to me, 18thC opera etc.. CGP.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/4
L:1/4
Q:1/4=120
K:D
D/D|DFAd2f/e/|dFGA2A|fedc>Bc|d2A/G/F/D3/2D|!
DFAddf|dFGA2A/A/|f>edc2B/c/|d<dAFD”*”f/2|!
f<gaa2g/f/|efgg2(f/e/)|fedc>Bc|dFGA2A/A/|dddB<BB|!
eg/f/ e/d/{d}c2A|d>e f/g/afd|d/e/fe/d/d2A/A/|!
dddBBB|e>fe{d}c2A|d>e f/g/afd|d<fe/d/d3|]

X:180
T:Love’s Delightful Hour. CJF.180
R:air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:In the title line is “Harts 12th Set”.
N:”C J Fox 1830″ is in the stave, after the tune. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=100
K:G
B3cd2g2|e2g2d4|e2(ba) (gfed)|(d4g2)H||
” f”A2|{^c}d2{c}d2{^d}e2{d}e2|f2(af) (d2^d2)|e2(fe) (d^c)(BA)|\
e2(fe) d2A2|!
{e}d>^cd>f {f}e>^de>g|f>ga>f (d2^d2)|\
e>fg>b {b}a>g{g}f>e|{e}d>^cd>e (d=c)(BA)|!
“p”B2c2g4|d3B {d}c>Bc>A|B2g2 (agfe)|d3B {d}c>Bc>A|
B2g2 (agfe)|d>gb>g {b}a>g” D Capo :$:”a>b|g6d2|]

X:181
T:Waterloo Medal,The. CJF.181
R:Air
C:”by T.H.Bayly”
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:In the title line is “by T.H.Bayly Esq.” and in the
N:stave at the end of the tune is “C J Fox”. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:C
L:1/8
Q:2/4=60
K:G
G>B|d2e>dg2Be|d2(d/c/) B/c/B3B|\
(BA) G (e/d/) dc2B|A2ABA3G3/4B/4|!
d2ed gB2e|d2dcB2BB|A2fe ed cB|(BA) GFG2zA|!
d2ddd^c2c|=c2dcB3B|B2^c ddA3|fe d ^cHd3d|!
e2dcB2dd|{f}e2dcB2Bd|d2ed cB2B|Ae dcB2B>B|!
d2ed dc2(B/A/)|” ad lib:”GB BA G3z|]

X:183
T:Market Chorus in Masaniella,The. CJF.183
R:air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:None of the Triplets are marked with a figure 3 in the MS. The two
N:latter sections are like “Davy, Davy Knick-knack”. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=100
K:D
A2″$”|A2f2 f2ef|e2ce d2cd|c2B2 B2cd|(f2e2).A2.A2|!
A2f2 f2ef|e2fe d2c2|\
(3B^AB (3gfe (3dcB (3ABc| (3dcd (3f^ef d4″ for”||!
A2|A4d2f2|A4d2f2|agfg cded|agfg cded|!
A4d2f2|A4d2f2|agfg egfe|d2f2d2″$ for”||!
D2|D4GABG|D4GABG|d=cBc ^GABA|d=cBc ^GABA|!
D4G2B2|D4GAB=c|d=cBc AcBA|G2B2G2|]

X:184
T:Rose that’s ceas’d to Blow,The. CJF.184
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The last two bars really do have all those notes. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=60
K:Bb
“Moderato”(de)|f3de3c|B3cd3e|f2b2 (agec)|\
B3dcB A2c2|d3d=e3e|f3ga2f2|d2g2 c2d=e|f4||!
de|.f2.b2.f2.b2|(f/g/f/e/ d/e/d/c/) B2f2|\
e(c’/b/ a/g/f/e/) d(b/a/ g/f/e/d/)|(c/d/c/B/ A/B/A/G/) F2de|!
(fdba) (gfed)|(ecag) (fedc)|Bdfd Acec|d2e2{de}f2g2|\
.f.f.f.f .a.a.a.a|bz gz fz az|bz gz fz az|!
bz gz” Ad lib:”Hf4(g/f/e/d/) (c/B/A/G/ F/^F/G/A/)\
(B/c/d/e/) Hf2=e2_e2d2 hc2 B2dc|B4z4|]

X:185
T:Quadrille. CJF.185
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The note marked “?” has no dot on it – the rising stick ends
N:at B, but I have used the same three notes as bar 4.
N:The note marked “*” has a mark on its tail, and COULD just be
N:interpreted as a dotted quaver (c’3/2).The lead note for the
N:last section has been left as in the MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=65
K:C
(c/” $”d/)|(e>”?”dc) Gcd|e>dc Gcd|e>dc g>fe|\
dfed2(c/d/)|!
(e>dc) g>fe|c’bag2(e/f/)|\
g (f/^f/g/f/) gab|”*”c’3c’2H||!
(B/c/)|\
ded dgb|ded dgb|dgb dgb|d’^c’=c’a2(A/B/)|!
c>dc c^fa|c>dc cag|^fed def|.g(ba) g^f” $”=f||!
e|(a2e)(c’2b)|a^ga ea=g|fed dcB|^GABE2e|!
a2ed’2b|a^ga e=fe|cBf fe^GA3A2|]

X:186
T:Quadrille. CJF.186
R:Quadrille
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=120
K:D
A” $”|f2f d2d|A2A d2c|B2B e2d|cBc Ade|!
f2f d2d|A2A d2c|Bed cBc|e3 d2||!
c/d/|e2e ede|f2f fdc|B2B e2d|cBc Acd|!
e2e ede|f2f fdc|B2B e2e|” D. Capo $”A2B cde|]

X:188
T:Allice Gray. CJF.188
R:misc
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:In the bar mrked ‘ritard’, the triplet is beamed
N:with the F2 quaver. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/16
Q:1/4=80
K:G
“(Moderato)”Bc|d3Bg3e|d2B2 B2B2|A2ag fedc|\
c4B2 dB|G3A B3c|d2g4g2|f2e2 d2^c2|d4z2||!
d2|d3e d3c|B3ce3f|g3B {B2}A3G|”ritard”G4F2(3(dcA)|\
G3A B3c|dd3z2cB|A2ag fedc|c4B2dd|!
efge fgaf|ghb3 g2g2|a3ga3b|g4z2″Sym:”dd|\
efge fgaf|g3ab3d’|b2b2 {b}a2b2|gdBdG4|]

X:190
T:Marian Gray. CJF.190
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”Companion to Alice Gray” is in the title line. It is not
N:clear in the MS whether the notes under “ad lib” are grace
N:notes. The second bar marked with a tilde (~) sounds
N:better with the c notes sharpened. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:C
L:1/8
Q:2/4=85
K:D
D|F3GA3d|f3ed2B2|A2F2G2E2|”~”(F3G)A2zD|\
F3GA3d|f3e{e}d2{c}B2|!
A2F2G2C2|D3{FE}Dz4|G3F E DzF|B2(AB)e2zB|\
c3c”~”B2(cd)|A2{c}B2A2HA2″ ad lib.”{^G=G}|!
F3GA3d|(fe) (dc){c}HB2(cd)|\
(dF) F”~”>G{B}A2{G/F/}E2|D3{F/E/}Dz4|]

X:191
T:Waltz. CJF.191
R:Waltz 48
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=60
K:G
d4g2|b4g2|f2e2f2|g2b2d’2|\
d4g2|b4g2|f2e2f2|g4:|!
|:g2|fad’a fa|gbgd Bd|dcBc AF|GBdg ag|!
fac’a fa|gbgd Bd|dcBc AF|G4:|!
|:b2|(d’2c’2).a2|(d’2b2).a2|(d’2c’2).a2|d’4a2|!
(d’2c’2).a2|(d’2b2).a2|bac’afa|g4:|

X:192
T:Glasses sparkle on the Board,The. CJF.192
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”C J Fox” is in the stave after the tune. The grace note
N:run two bars from the end is written over a Quaver rest in
N:the MS. The first four notes in bar 6 are semiquvers in
N:the MS (e/d/)(c/B/). I have inserted the bar line just
N:before the “cresc” marking. In the bar marked “p”, the
N:beamed notes were quavers in the MS (ed). – PJH
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:C
L:1/8
Q:1/4=100
K:D
” Bold f”A2|d2A2f3e|{e}d2cBA2dc|B2d2(ag)(fe)|!
d3(e/d/)c2A2|f2(ed)e2A2|”6″(ed)(cB)c2ac|B3f edcB|A6|!
a2|” cres”A3B cdef|g2G2F2zA|B2d2(ag)(fe)|d3(e/d/)c2z”p”A|
d3cB2cd|e3dc2de|f3ed2ef|g2f2He2A2|” f”.d2.c2.B2.A2|!
((3GAG) ((3FGF)E2B2|e2d2c2B2|((3ABA) ((3GAG)F2A2|\
a3gf2e2|!
d3c (dHb) ({a/g/f/e/}{d/c/B/A/)} F|\
(GF).G.E”tr”A3A|D6|]

X:193
T:Pilot,The. CJF.193
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The last two notes of the first bar are shown as beeamed
N:quavers [DB] in the MS, but there are clear signs of an
N:attempt to erase the beam, so they are given here as
N:crotchets [D2B2].
N:The last note of the tune is G4 in the MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:C
L:1/8
Q:2/4=100
K:G
D2|D3D D2B2|B3A G2zG|EG3 (AG) (FE)|\
D6 zD|D3D (G2B2)|B3A G2B2|A2(DE )(F2E) D|D6 zD|!
A3G F>E D>C|B,3C D2zG|(E2G2) {d}c2(BA)|\
(G4 F2)D2|D3D D2B2|B3A G2B2|D3D E2F2|G6|]

X:194
T:Waltz. CJF.194
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”from Walton” is in the title line. – PJH
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=75
K:Eb
g2^f2g2|b4g2|f2=e2f2|g4e2|\
g2^f2g2|b4g2|f2b2d2|e4||!
g2|g2g^fgf|g2e2d2|c2e2d2|c2G2G2|\
g2g^fgf|gagfed|c=BcedB|c4||!
G2|G2(G=Bdf)|G2(G=Bdf)|=e2d2c2|c2e2d2|\
G2(G=Bdf)|G2(G=Bdf)|c2d2_e2|=e2=f2^f2|]

X:195
T:Waltz. CJF.195
R:Waltz jig
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/8
Q:3/8=45
K:G
“p”(B/c/)|d2d|d(gf)|{f}e2e|.e(c’b)|\
{b}a2a|.a(d’f)|(ag).g|g2:|!
|:B|(e^d).d|(fe).e|(gf).f|(ag).g|\
.e.f.g|d2B|(dc).A|G2h:|!
|:d|.g.f.g|.b.a.^g|.a.b.c’|\
(e’d’).b|.g.a.b|.a.b.c’|.d'(df)|g2:|!
|:” f”d|(a^ga)|(^ab).g|(ac’).f|.g.b.d’|\
.a.b.c’|”p”(^c’d’).b|” D Capo”(d’c’).a|g2:|

X:196
T:Waltz. CJF.196
T:Mozart Waltz. CJF.196
R:Waltz
C:Mozart
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:You will need to add your own lead-notes to the A &
N:B musics to get the scansion correct. “Mozart” is in the
N:title line. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/4
L:1/8
Q:3/4=80
K:G
“p”{e/}(d2^c2d2)|{d/}b4g2|{a}(g2f2g2)|(^g4a2)|\
{d}(c2B2c2)|{c/}c’4f2|{a/}(f2e2f2)|g4:|!
|:{a/}g2f2e2|f2^d2b2|{a/}g2f2e2|f2^d2B2|\
{a/}g2f2e2|.=d2(g2b2)|(d’2c’2f2)|g4:|!
|:” f”(Bc)|(dBbagf)|(ecc’bag)|(fdd’c’ba)|\
(^ab)(fg)(Bc)|(dBbagf)|ecc’bag|fdd’c’ba|g4:||!
(AB)|”p”(dc)A2(Bc)|(e2d2)(AB)|dcA2(Bc)|\
(e2d2)(Bc)|(dBbagf)|(ecc’bag)|(fdd’c’ba)|g4|]

X:197
T:French Waltz, A. CJF.197
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”C J Fox” is written in the stave at the end of the tune. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/32
Q:3/8=55
K:F
(cf3a)|c’6 (bg3a)|f4 z3cf3a|(g3f)(e3f)(b3a)|a3g z3cf3a|!
a6 (bg3a)|f4 z3cf3a|g3fe3dc3=B|c4z3:||!
ce3g|b3az3cf3a|(c’3b)z3ce3g|(b3a)z3cf3a|c’3b z3ce3g|!
b3a z3cf3a|b3ag3fe3d|c3=Bc3de3c|f4″ Fine”z3:||!
“Minore”Ad3f|a4a4a4|.b4(b4a4)|^g8a4|e4 z3A=B3^c|!
d4d4d4|_e6bg3_e|d4d3f e3^c|d4 z3:|!
|:fe3d|^c3c z3gf3e|d2d2 z3fg3a|b4a4^g4|a4 z3A=B3^c|!
d4d4d4|_e7bg3e|d4d3ge3^c|d4” D.C.”z3:|

X:199
T:Villager’s Waltz,The. CJF.199
R:Waltz
C:Carl Maria von Weber
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”(Der Freischutz)” is written on the title line. “C J Fox
N:1831″ is on the stave after the tune. – PJH
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/4
L:1/8
Q:1/4=90
K:G
(DGB|edB)(DGB|edB)(DGB|dcA)(DFA|cBG)(DGB|\
edB)(DGB|edB)(DGB|dcA)(DFA|G3)||!
K:D
(Ade|baf)(Adf|baf)(Adf|ag)e(Ace|gfd)(Adf|\
baf)(Adf|baf)(Adf|age)(Ace|d3)||!
(dgb|e’d’b)(dgb|e’d’b)(dgb|d’c’a)(dgb|c’bg)(dgb|\
e’d’b)(dgb|e’d’b)(dgb|d’c’a)(dfa|g3)(GBd)|!
g3{(a/g/f/g/)}(dgb|d’c’ad’c’a)|\
d3{(e/d/^c/d/)}(dfa)|(c’bgc’bg)|\
d3(dgb)|(d’c’ad’c’a)|(dcAdcA)|G3|]

X:200
T:My own Blue Bell. CJF.200
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=90
K:Eb
E|G2AB2E|G G AB2B|B A A (AG) G|\
(e>c) (A/F/) (ED) (E/F/)|G2A B E F|!
G2AB2e|e d c c B G|(BA) F (G>B) e|\
f e c c B G|BA FE2z||!
G|F2=AB2d|F G =AB2F|e d c d c B|\
(dc) B”tr”B{=AcB}h=A F|f2de2c|!
d d B Hc F F|F =E F f _e d|\
c B cHB2″~”B/ ” ad lib”{c2d2e2f2g2a2f2d2B2A2F2D2B,2\
.f2.e2.d2.c2.B2} ^A/=A/|!
G2A{c/}B2{d/}E|G G A{c}B2B|B A A (AG) G|\
(e>c) (A/F/) (ED) H(E/F/)|G2A BD E|!
G2AB2e|e d c cB G|(BA) F (GB) e|\
f e c c B G|” ad lib:”BHA FE2z|]

X:202
T:Ladies God bless them,The. CJF.202
R:air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=90
K:F
“Vivace”(c/A/)|\
F>GA f>gf|(e>dc )f2c|(df).d (cA).d|G3- G2(A/G/)|
(F>GA) (f>g)a|fdd d2(e/f/)|gec Ged|c3- c2:||!
c|(f>ef) (g>fe)|f>ed c2B|(A>Bc) fcA|AG2 z2G|A>GF cAc|!
fag hf2g|afd cde|\
gf2 z2f|f2f f2f|Ha3{(a/g/)}(b/a/g/f/e/d/)|(c>dc) cde|gf2z2|]

X:203
T:Oh! Then dearest Ellen. CJF.203
R:air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The bar marked with an asterisk has a bar line in the
N:middle, in the MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:6/8
L:1/8
Q:3/8=50
K:D
“p”a/g/|fdA B<ed|c>BA d<f” f”a|g>ag f>ga|\
b>B{f/}e {d}c2a/g/|{g}f{e}dA B<ed|c>BA (d<f)A|!
(B/c/)(d/e/)(f/g/) a<f g/e/|d>ec{e/}d2a|c>dB{B}A2(d/c/)|\
(B/A/)(B/G/)(e/d/) (c/B/)(c/A/)(f/e/)|!
(d/c/)(d/B/)(g/e/) e<HA A/G/|\
(F<A) (d/e/) f<a (g/e/)|d>ec”*”d2d|\
g>abHa2d|d>cB c<He A/G/|F/A/d/f/a/f/ b>HB g/e/|d>ecd2|]

X:204
T:Arrow Waltz,The. CJF.204
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=60
K:C
G2|c2{d’}c’2G2|A2{^g}a2E2|F2D2B2|c2e2 G2|\
c2{b}c’2 G2|A2{^g}a2 E2|(FE).F.G.A.B|c4:|!
|:e2|” cres:”.f2.d’2f2|.e2.c’2 e2|\
d2G2g2|e2c2 e2|.f2.d’2 f2|e2c’2 e2|d2b2g2|c’4:|!
|:g2|.a(cBc).a.c|.g(cBc).g.c|(fe).f.d(cB)|(cdefg^g)|!
.a(cBc).a.c|.g(cBc).g.c|(fe).f.d(cB)|c4:|!
|:” f”c’2|(bd’)(bg)(fd)|(cdef)(ag)|(Bcde)(gf)|\
(^d2e2) c’2|!
(bd’).b.g(fd)|(cdef)(ag)|(fe)(dc)(Bd)|c4:|

X:205
T:Robber’s Waltz,The. CJF.205
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The beamed grace notes interrupt a beamed pair of quavers.
N:The note marked * is given as a semiquaver in the MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=60
K:A
c>B” f”|A2a2 c>B|A2a2 c>B|A2a2g2|f4d>c|\
B2b2 d>c|B2b2 (ab)|.c’2(c’a)(bg)|a4:|!
|:e2|(ed)(dc)(cB)|A2a2g2|(gf) (fe) (ed)|c2{dc}B2 e2|\
(ed) (dc) (cB)|A2a2g2|f2b2g2|a4:|!
|:(ab)|.c’.a.e.cA2|.c’.a.e.cA2|B2f2e2|d2{e>d}c2 (ab)|\
.c’.a.e.cA2|.c’.ae.cA2|.B2(b2g2)|!
“*”a2AAAA|.B2(e2d2)|c2.A.A.A.A|.B2(e2d2)|\
c2A2e2|c2A2e2|c2A2g2|a2A2A2|A4|]

X:206
T:What’s more pleasing to the Eye. CJF.206
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:I do not know why the key signature is not G. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/8
Q:1/4=180
K:C
e2e2|d2d2|c2(ec)|G2z2|\
f2e2|d2c2|B2c2|(d3^d)|!
e2e2|d2d2|c2(ec)|G2z2|\
A2A2|G2c2|(ed) (cB)|c4H||!
B2G2|d3c|B2G2|D2z2|\
c2B2|e2d2|^F2G2|A2z2|!
A2A2|B2B2|c2d2|e2z2|\
d2c2|(Bg) (ec)|(B2″tr”A3/2) G/|” D.C.”G4H|]

X:207
T:I stood amid the glitt’ring throng. CJF.207
R:Air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:C
L:1/8
Q:2/4=80
K:A
E|c2c2 c3e|(B>^A) (B>c)=A2zA|\
{e/}d3c {c}B3A|(G>A) (B>c)B2zE|!
c3c c3e|(B>^A) (B>c)=A2zA|\
A2G2 (F^d/c/ B/A/) (G/F/)|(EcB) ^DE2z|!
G2G> A{c}B3c|{e}d3B {A}G2zE|\
(c>B) (A>G){G}F3F|(Fd2)c Hc2HB(3E/F/G/|!
(A>E) (C/E/A/c/)B2zB|(B>G) (E/G/B/d/){^B}c2zA|\
d2(e>f) e2(A>B)|(c3d/c/) HB> AA2z2|]

X:208
T:My heart is sair. CJF.208
R:air
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:2/4
L:1/8
Q:1/4=110
K:F
C|F> A c> A|G> F G> A|F> F f> c|d> c Az/F/|\
F> A c> A|G> F G z/A/|F> D D>C|c> A F2||!
d2B> d|c> A F2|B2 A> F|G> E C2|\
F> A G> B|A dHc2|F> D D> C|c> AF2|]

X:209
T:Clarence Waltz. CJF.209
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:In the empty stave at the bottom of the page is
N:”C. J. Fox. Beverley”. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
H:CGP..Not sure what’s happening here and don’t have the MS
N:to hand..May be all one tune (sounds all right when played
N:on PlayQ) and that would explain the reurn to K:F at the
N:end, but may be two separate tunes plus a Barfly glitch.
N:J.Adams has a copy to refer to if required..
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=60
K:F
c2|.f2(fe).f2|(c2f2).f2|(b2g2)g2|c’2a2c2|\
.f2(fe).f2|(a2f2).f2|ga(gfed)|c4:|!
|:” cres:”c2|.c2(bg)e2|c2c’af2|.c2(bg).g2|
(f2a2) c2|.c2(bg).e2|.d2(c’a).f2|g2{a}(gf)(ga)|f4:|!
K:Bb
|:f2|f2d2b2|(a2g2f2)|_e2(d2c2)|d2e2=e2|\
(f2d2)b2|(a2g2f2)|(f2e2c2)|B4:|!
|:d2″ f”|e2c2a2|b2d’2 d2|e2c2a2|b4f2|f2d2b2|\
(c’bagfe)|(dB)(ag)(ec)” D Capo”|{A}B4:|

X:210
T:Saxon Waltz,The. CJF.210
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The asterisk-marked note is omitted in the MS. – PJH
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=50
K:C
” Allegro p”(GA)|.G2(c2e2)|.G2(d2f2)|.G2(e2g2)|(f2d2).B2|\
.G2(c2e2)|A2(d2f2)|.B2(d2g2)|c4:|!
|:g2|.c’.g.e.c.G.E|A2a2 A2|B2b2 B2|c2c’2 d2|\
.e’.c’.g.e.c.G|A2 (a/g/f/e/) (d/c/B/A/)|\
G2 (g/f/e/d/ c/B/A/G/)|{G}c4:|!
|:(ef)|.g.c(Bc).g.c|.a.c(Bc).a.c|.g.c(Bc).g.c|.d.B.c.d.e.f|\
.g(cBc).g.c|.a(cBc).a.c|(bab).g.a.b|c’4:|!
|:de|.f(G^FG).=f.B|.e(G^F”*”G).e.G|\
.d.G.e.G.f.G|.e(cBc).d.e|\
.f(G^FG).=f.G|.e(G^FG).e.G|.d(G^FG).d.G|c4:|!
|:g2|(g2c’2).g2|ecGEG_B|(A2a2).c2|(cB)(AG).A.B|\
.c(e/d/) .e(g/^f/) g^G|.A(f/e/) f(a/^g/)aA|.B(g/^f/) .g(ba) b.g|c’4:|

X:211
T:Miss Denison’s Waltz. CJF.211
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:There is a note beneath the stave. “D.C. & Finish
N:with Second part.” – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=50
K:G
“p”(Bc)|.d2(dg) Bc|.d2(dg) (Bc)|(d2g2b2)|a4(de)|!
.f2(fa) (de)|.f2(fa) (df)|g2(gb)(fa)|g4:|!
|:” f”(fg)|.a2(af)(df)|.a2(af)(df)|.g2(gb)(ac’)|b4(^de)|!
“p”.f2(f^d)(Bd)|.f2(f^d)(Bd)|.e2(eg)(f^d)|e4(Bc)|!
” cres:”.d2(dg)(Bc)|.d2(dg) (Bc)|(d2g2b2)|a4(de)|\
.f2(fa) (de)|.f2(fa) (df)|.g2(gb)(fa)|g4h||!
” Dol.”(g2|\
d4)(g2|B4)e2|.A2(e2d2)|(c2{dc}B2)(g2|d4)(g2|\
B4)e2|.A2(e2d2)|G4:||!
” f”g2|f>ga>fd>f|\
(g/f/g/a/ g/f/e/d/ c/B/A/G/)|f>ga>fd>f|g2G2 g2|!\
f>ga>fd>f|(g/f/g/a/ g/f/e/d/ c/B/A/G/)|f>ga>fd>f|!
” Dol.”g4(g2|d4){f}(g2|B4){^d}e2|\
.A2(e2d2)|(c2{dc}B2) (g2|d4){f}(g2|B4){^d}e2|.A2(e2d2)|G4|]
W:”D.C. & Finish with Second part.”

X:212
T:Miss Dering’s Waltz. CJF.212
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”C J Fox” is written after the tune, on the stave. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=60
K:G
(dB)|G2G2 (dB)|G2G2 AF|D2D2D2|G4A2|\
(B2G2).d2|(A2F2).d2|(G2E2)^c2|d4:|!
|:fg|(af).d2.d2|(bg).d2.d2|c’2(c’a)(bg)|a4(fg)|\
(af).d2.d2|(bg).d2.d2|(c’b).c’.a.f.d|g4:|!
|:d2|(gf).g.d.B.d|(gf).g.d.B.d|g2(gb)(ac’)|b2g2 d2|\
(gf).g.d.B.d|(gf).g.d.B.d|.g2(gb).a.f|”*”g4:|!
|:d2|(d2B2).B2|(e2c2).c2|(c2A2).A2|(d2B2).B2|\
.d2.d2 (gf)|e2e2 ag|f2d’2f2|g4:|

X:213
T:Lennox Waltz. CJF.213
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=60
K:D
(Ad)|.f2.f2 (Ad)|.f2.f2 ef|(gf)(ed)(cd)|e2A2 (Ad)|\
.f2.f2 (Ad)|.f2.f2 (ef)|(gf).g.e(dc)|d4||!
(fg)|(af)(ba)(gf)|g2e2 ef|(ge)(ag)(fe)|.f2.d2 (Ad)|\
.f2.f2 (df)|.a2.a2 (AB)|(cd).e.f.g.a|d4||!
A2|(A2d2).c2|(B2e2).d2|(c2a2).g2|(g2f2) A2|\
A2(d2c2)|B2(e2d2)|(dc)(ag)(fe)|{c}d4|]

X:214
T:Liecester Waltz,The. CJF.214
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”C J Fox” is written in the stave at the end of the tune.
N:The spelling of the title is as in the MS. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=60
K:D
“p”A2|(dc)d>ef>e|(dc)d>ef>d|(e^d)e>fg>e|(dc)B>AB>c|\
” f”(dc)d>ef>d|(e^d)e>fg>e|(dc)dfec|d4:|!
|:” f”a2|(a2d’2)f2|d4f2|(ed)c>de>f|.g2.e2 a2|\
(a2d’2f2)|d4f2|(ed)e>fg>e|d4:|!
|:”p”A2|A>GF>GA2|B>AG>AB2|c>BA>Bc2|d>ef>ga2|\
A>GF>GA2|B>AG>AB2|c>BA>Bc>A|d4:|

X:215
T:Waltz. CJF.215
R:Waltz
C:”(Schulx)”
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:In the title line is “(Schulx)”. The last line of the
N:middle section is given as e4 in the MS, but with the
N:letter “c” above it. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=60
K:C
“p”(e4c2)|G>c .e2.g2|(d4B2)|(GB)(df)(ag)|\
(e4c2)|G>ce>cg>e|{e}d2d>cd>e|{d}c4z2:|!
|:”p”(d4B2)|(GBdfa)g|(e4c2)|G>ce>c {G}g2|(^fgab)(c’b)|\
(ag)^fdef|.g2{ag^f}gba^f|(g^g)(ba)(fd)|” f”(e4c2)|!
(G>c) .e2.g2|(d4B2)|(GB)(df)(ag)|(e4c2)|\
G>ce>cg>e|{e}d2d>cd>e|” Fine Dolce”c4|!
|:c2|a3gf2|{efg}f3ed2|.^c2.c2.c2|(^c2d2) (fd)|\
c2_B2A2|(Gd)(c_B)(AG)|F4A” D Capo”G|F4:|

X:218
T:Waltz. CJF.218
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/4
L:1/16
Q:1/4=100
K:G
“p”d2|.d2.d2.d2|.d2(dB)g2|.e2.e2.e2|.e2(ec)g2|\
d2b2a2|g2f2e2|d2c2B2|A4d2|!
.d2.d2.d2|.d2(dB)g2|.e2.e2.e2|e2(ec)a2|\
(fagfed)|cedcBA|GFEDEF|G4H||!
” Fine”AB|c2A2F2|d4c2|(B2G2)f2|(g2b2) AB|\
(c2A2).F2|d4c2|(B2G2).f2|g4ga|!
” f”.b2(ba)(gf)|(e^defga)|b2bagf|e4fg|\
.a2(ag)(fe)|(d^cdefg)|.a2(ag)(fe)” D.C.”|d4|]

X:219
T:Cossack Waltz,The. CJF.219
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Nice Balalaika tune…”C J F” is written on the stave at
N:the end of the tune. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=60
K:Bb
“p”d2|(d2g2).g2|(b2g2).g2|(^f2a2).d2|d4d’2|\
” f”(c’b).a.g(^fg)|(.d2.e2.b2)|(.d2.=e2.^f2)|g4:|!
|:” cres:”=f2|f2.d2b2|(b2d’2) e2|(e2c2) d’2|\
c’2e’2 e2|(defgab)|(agfedc)|(BABdc.A)|B4:|!
|:d2|(g^f).g.G(^FG)|(g^f).g.G(FG)|(a^g).a.A(^GA)|\
(a^g).a.A(GA)|(ba).b.B(AB)|\
(c’=b).c’.c(=Bc)|(d’^c’)(d’c’)(d’c’)|!
(d’=c’bag^f)|(g^f).g.G(FG)|\
(g^f).g.G(FG)|(a^g).a.A(GA)|\
(a^g).a.A(GA)|(ba).b.B(AB)|\
(c’=b).c’.c(Bc)|(d’^c’).d’.d(=e^f)|g4|]

X:220
T:Mozart’s Favourite Waltz. CJF.220
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:At the “1” mark, the MS does this:- there is a d crotchet
N:and from the same note-head rises the first of a beamed
N:pair of grace-notes d/^d/. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/4
L:1/8
Q:3/4=40
K:C
” f”(c’bc’)|(e’c’gefd)|(ag)(ecec)|(ag).f(dfd)|g3.c'(bc’)|\
e'(c’gefd)|(ag).ec(ec)|(ag).f(dBd)|c2z:|!
|:.G(ce)|(efd).G.B.d|(dec).G.c.e|BgGgBg|(ce)G.G.c.e|\
(efd).G(Bd)|dec.G.c.e|BgGgBg|” Fine”c2z:|!
|:z2z|.e2(e3f)|(ag)g3e|(gf)f3d|(de)c3″1″d|e2e3f|\
(ag)g3e|(gf)f3d|dcc2z2:||!
” Dolce.”(d’b)b2c’b|(ag)g4|(c’b)(bd’)c’a|(ag)g3f|e2e3f|\
(ag)g3e|(gf)f3d|(dc).c .G(AG)|!
” Cres:”.c.G.e.G(AG)|.B.G.d.G(AG)|.d.G.f.G(AG)|.c.G.e.G(AG)|\
” Dolce.”.c.G.e.G(AG)|.B.G.d.G(AG)|.d.G.f.G(AG)|c3.g(ag)|!
” Cres:”(^fg)(=fg)(eg)|(dg)(cg)(ag)|(^fg)(=fg)(eg)|(dgc).G(AG)|\
.c.G.e.G(AG)|.B.G.d.G(AG)|.d.G.f.G(AG)|c2″ DC..”z2|]

X:221
T:Woburn Waltz,The. CJF.221
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=60
K:G
D2|.g2(bg)d2|(d2c2).A2|.B2(dB)G2|D4A2|\
.B2(BA).B.G|.^c2(cB).c.A|(d^c).d.f.e.c|d4:|!
|:d2|” f”(d’c’).b.f(dc)|B2dgb2|(d’c’).a.f(dc)|B4^d2|\
.e2(e2f2)|.g2(g2a2)|.b2(^d2f2)|e4fg|!
.d2(BG).g2|.e2(cA).g2|.d2(BG).g2|(f2a2) .c2|\
(Bc).de.(fg)|(ba).g.f(ed)|.e2(eg)(fa)|g4″p”Bd|!
.c2.A2.F2|.d2.B2.G2|.c2.A2.F2|G4Bd” Cres:”|\
c2A2F2|d2B2G2|c2A2F2|G4:|

X:222
T:Russell Waltz,The. CJF.222
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/4
L:1/8
Q:3/4=60
K:C
(cd)|(e4c2)|(g4ec)|.B2(Bc).d.B|(c2e2).G2|\
” f”e4c2|g4(ec)|.B2(Bc).d.B|c4:|!
|:de|”p”(f4d2)|B4G2|(cB)(cdef)|.g2.e2.c2|\
” f”f4d2|B4G2|(cB).c.e(dB)|c4:|!
|:g2|” f”(g2c’2)e2|(e2g2)c2|(BcdefB)|(c2e2)g2|\
(g2c’2)e2|(e2g2)c2|(Bcde).f.B|c4:|!
|:e2|.e.a(^ga)(ba)|(d’c’).b.a(^ga)|(fe).d.c(BA)|\
^G2E2e2|.e.a(^ga)(ba)|(d’c’).b.a(^ga)|(=gf).e.d(cB)|!
(A^GABcd)|”p”e4c2|g4ec|.B2(Bc).d.B|\
(c2e2)G2|e4c2|g4ec|.B2(Bc).d.B|!
c4G2″ cres.”|(f4d2)|(B4G2)|(cB).c.d(ef)|\
g2e2c2|f4d2|B4G2|(cB).c.e(dB)|” f”(c2c’2).c’2|!
(b2d2).d2|(a2c2).c2|(g2B2).B2|(c2c’2)c’2|(b2d2).d2|\
(a2c2).c2|(g2B2).B2|(c2e2)(GB)|(c2e2)(GB)|c2e2g2|(C2c4)|]

X:223
T:Spanish Waltz. CJF.223
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=60
K:D
A2|dcdefg|e4AA|dcdefg|(fa^ga=ge)|\
dcdefg|e4cA|(defg)(ef)” Fine”|d4:|!
|:{b}a2|e2c2 {b}a2|e2c2 {b}a2|f2d2 {b}a2|f2d2 {b}a2|\
e2c2 {b}a2|e2c2 {b}a2|defgef|d4:|!
|:(de/f/)|gdBdgb|afdfa=c’|=c’afdef|gfgaba|\
gdBdgb|afdfa=c’|=c’afdef|” D.C.”g4|]

X:225
T:Pantalon Waltz,La. CJF.225
T:La Pantalon Waltz. CJF.225
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/4
L:1/8
Q:1/4=120
K:D
“$”(ac)|(dcdc).b.d|e2e2(ge)|(dc)BABc|d2d2(ac)|\
(dcdc).b.d|e2e2(ge)|(dc)(BABc)|d4:|!
|:ef|(gA)(eA).g.A|fAdfaf|(gA)(eA).g.A|fAdfaf|\
d2d2(bd)|e4(ge)|(dc)BABc|d4:|!
|:de|f2f2e2|d2d2c2|B2{c}(BABc)|defgag|f2f2e2|\
d2d2c2|B2{c}BA” D.C.”Bc|” $”d4:|

X:226
T:Waltz. CJF.226
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/4
L:1/8
Q:1/4=120
K:D
D2|”>”d4A2|FGA2A2|FGA2B2|A2G2e2|\
“>”e4G2|EFG2G2|EFG2A2|G2F2:|!
|:” ff”A|Adcdfd|cBgfed|ceagfe|dfedcB|\
Adcdfd|cBgfed|ceagfe|d4:||!
z2|”p”B>=cd2d2|B>cd2d2|=c2{d}cBcd|=c2B2d2|\
B>=cd2d2|B>=cd2d2|=c2{d}cBcA|G6|]

X:227
T:Waltz. CJF.227
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:On the stave, at the end of the tune is “Charles James Fox
N:61832″. The tune does not scan because of the lead notes
N:to 2nd, 3rd & 4th sections. I have added the f# at mark 1. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/4
L:1/8
Q:1/4=160
K:C
G2G2G2|G2G2G2|G3AG2|c2z2G2|\
G3AG2|d2z2G2|G3AG2|e4e2|!
(d4c2)|B4G2|G3AG2|c2e2G2|G3AG2|\
(d2f2)G2|c3de2|f3ga2|”1″^fg_a=a_b=b|c’6:|!
|:” f”(eg)|c’2(eg)c’2|(c’bd’b)g2|d’2(gb)d’2|(d’c’e’c’)g2|\
c’2(eg)c’2|(c’bd’b)g2|^fg=fedB|c6:|!
|:”p”ed|(cE).G.ce2|(eG).c.eg2|(^fgag=fe)|ed^cded|\
(cE).G.ce2|(eG).c.eg2|^fgagfd|c6:|!
|:”P”g2|^fgag=fd|(^fgagec)|” for”(GfedcB)|cdecGE|\
“p”^fgag=fd|(^fgagec)|G(fedc)B|c6:|

X:228
T:Gaelic Waltz. CJF.228
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Just “Waltz” in MS..my title… CGP
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=40
K:F
c2|f3gag|(f2c2)c2|{e/}d2defe|c4ac’|\
d’b g2g2|ba f2f2|edefge|f4:|!
|:cB|Acfcf2|efgec2|gababg|a2f2f2|\
Acfcf2|efgec2|fefage|f4:|!
|:F2|F4F2|Af3e2|{e/}d4c2|A4A2|\
B4c2|d2B2G2|F2E2d2|c2B2G2|!
F4G2|Af3e2|e2d2c2|{B/}A4A2|B4c2|\
{e/}d2{c/}B2{A/}G2|F2{G/F/}E2G2|F4c2|!
f4e2|cf3d2|c4f2|ec3c2|d4f2|f2e2d2|\
c4B2|c2B2A2|F4G2|Af3e2|!
e2d2c2|{B/}A4A2|B4c2|\
d2B2G2|F2{G/F/}E2G2|F4|]

X:230
T:Bath Waltz, aka. CJF.230
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:At the end, in the stave is “D.Capo – CJFox”. The first
N:two sections are similar to the lovely Bath Waltz in the
N:John Clare collection. The last section does not scan. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=60
K:G
“p”(D2B2).G2|(D2B2).G2|{d2}c4AF|(GA).B.G D2|\
(D2B2).G2|(D2B2).G2|{d}c4AF|G6:|!
|:” f”d2defg|d2d2d2|B2BGce|d^cde d2|\
.d2(de)fg|d2d2d2|B2BdcA|{A2}G6:|!
K:C
|:”p” (3(ccc) c2e2|g2e2c2|cBAGAB|\
cdec G2|(3(ccc) c2e2|g2e2c2|cBAGAB|c6:|!
|:” f”ec|(cB)BGBd|dccGce|eddGdf|fe^deec|\
cBBGBd|dccGce|defdcB|B2c2z:|

X:232
T:Waltz. CJF.232
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:In the stave is “C J Fox 1832″ at the end of the tune. The
N:8vo mark has an extension line covering the second
N:section, except for the last 2 bars. The section is marked
N:”for” (forte). – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/4
L:1/8
Q:3/4=60
K:D
“p”fg|a2a2a2|a2a2a2|”>”b4a2|agg2e”p”f|\
g2g2g2|g2g2g2|”>”a4g2|gff2:|!
|:”8vo for”A>A|Ace2AA|Adf2ed|c2c2c2|d2-d2FG|\
A2A2d2|(BAGFED)|c2c2c2|d4:|!
|:A2|dfdAFA|dfdAFA|egecAc|dfa^g=ge|\
dfdAFA|dfdAFA|egecAc|d4:|!
|:” for”a/a>a|_b3a/a>a|_b3a/a>a|^g2g2g2|\
a4z2|dfdAFA|dfa2a2|gecABc|d4:|

X:233
T:Waltz. CJF.233
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:The tune carries across from lower half of. CJF.137 to the
N:lower half of the facing sheet. CJF.138. A symbol
N:resembling a circled asterisk is used to make this clear
N:in the MS. “Charles James Fox” is written on the stave at
N:the end of the tune. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=75
K:G
“p”g4g2|{a}g2f2g2|b6|b2a2g2|\
a4e’2|d’4c’2|b6|b4z2|!
g4g2|{a}g2f2g2|e4a2|c’4e’2|\
d’2c’2b2|a2g2f2|g6|g4z2:|!
|:” f”A^GBAFA|^cdedcd|efgfba|gfefd2|\
A^GBAFA|^cdedcd|efgfba|d4z2:|!
|:d4b2|g6|{a}g2f2g2|(e’4d’2)|\
(d4c’2)|a4a2|(gfedef)|g4z2:|!
|:B4g2|.e2(Be).g2|.f2(df)b2|(g4e2)|\
.a2(fa).d’2|(b4g2)|d’4(fa)|g4z2|]

X:234
T:Waltz. CJF.234
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”C J Fox” is in the stave, after the tune. At the asterisk
N:position, it seems an extra bar is needed. I added a
N:suggested g4f2| – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/4
L:1/8
Q:3/4=60
K:G
d2|B2″p”c2B2|A2d^cd=c|B2c2B2|A2z2g” f”b|\
bagfge|d4gb|baagaf|g4:|!
|:d2|(gf).g.d.B.G|{B}A2AGA2|(d^c).d.=c.B.A|{A}G2GFG2|\
(gf).g.d.B.G|{B}A2AGA2|d^cd=cBA|G4:|!
|:d2|gdBgba|{a}gfedcB|Adfac’a”*”|g4f2|\
gbagfa|gfedcB|Acfac’a|g4:|!
|:b2|^a2b2=a2|g2g2b2|\
^a2b2=a2|g2z2d2|gdBgba|gfedcB|Adfac’a|g4:|

X:237
T:Waltz. CJF.237
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:Written after the tune is “1833”. I have added
N:the rests at the end of each section. – PJH
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/4
L:1/8
Q:3/4=60
K:G
D|GFGABc|e>dB2B2|d>BA2A2|c>BG2D2|\
GFGABc|e>dB2B2|d>cA2F2|G4z:|!
|:d|efagfe|e>dB2B2|d>cA2A2|d>BG2z2|\
efagfe|e>dB2B2|d>cA2F2|G4z:|!
|:D|GFGABc|d2g2g2|c2a2a2|B2g2g2|\
GFGABc|d2g2g2|c2a2f2|g4z:|

X:239
T:Lady Egermonts Waltz. CJF.239
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:”1833” is written after the tune, on the stave. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=64
K:F
c2|AB c2f2|AB c2f2|efgabg|a2f2c2|\
AB c2f2|AB c2f2|efgabg|f4:|!
|:c2|bg g2b2|ag f2a2|gfedga|f2c2c2|\
ba g2b2|ag f2a2|gfefga|f4:|!
|:AB|c2A2f2|d2B2G2|E2c2B2|B2A2 AB|\
c2A2f2|d2B2G2|E2cBAG|F4:|

X:240
T:Waltz. CJF.240
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
N:In the title line “(from Watson)”. – PJH.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=60
K:G
D2|B3.A.G.F|.E.F.G.^G.A.B|(dc) F2F2|(GB) D2D2|\
B3.A.G.F|.E.F.G.^G.A.B|(dc) F2F2|G4:|!
|:B2|^ABBB^dB|e3fge|^GAAA^cA|d3efd|\
B3AGF|”p”EFG^GAB|(dc) F2F2|G4:|!
|:D2|D2G2B2|d4B2|A3{dc^Bc}Bcd|(^AB).G2 D2|\
D2G2B2|d4B2|”~”A3BcA|G4:|!
|:” f”d2|(dc)A2 e2|(ed)B2 d2|\
dcBced|d4D2|D2G2B2|d4B2|”~”A3BcA|G4:|

X:241
T:Miss Thompson’s Waltz. CJF.241
R:Waltz
S:C.J.Fox MS, 1829/33, Beverley,E.Yorks.
B:Kidson Coll.Mitchell Lib.M1805
O:England
A:East Yorkshire
Z:vmp.P J Headford 2000 & 2008
M:3/8
L:1/16
Q:3/8=60
K:G
D2|G4B2|d2d2d2|d4B2|d4B2|\
e4c2|g2f2e2|d4B2|d4B2|!
c2a2a2|agfedc|Bdg2g2|gfedcB|\
A^GABcd|edcBAG|FGAGFE|D4D2|!
G4B2|d2d2d2|d4B2|d4B2|\
e4c2|(gbagfe)|d4B2|d4B2|!
c2a2a2|agfedc|Bdg2g2|gfedcB|\
A^GABcd|e2c2B2|G2A2F2|G4:|!
|:g2|fdAdfa|gbagfg|ac’baga|bd’c’bag|\
fdAdfa|gbagfg|ac’bagf|g4:|