%abc
\n%%abc-alias Joseph Barnes MS
\n%%abc-creator ABCexplorer 1.5.0 [11\/04\/2012]
\n%Transcribed to ABC for www.village-music-project.org.uk
\n%VMP C.Graebe, 2002
\n%Revised 26\/4\/2004
\n%Revised again 11\/2008
\n%Revised again 12\/2009<\/p>\n
X:1
\nT:Count F…?’s March. JBa.01
\nM:C|
\nL:1\/4
\nQ:1\/2=100
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.march
\nO:England
\nA:Carlisle
\nN:1 – grace note shown as a crochet
\nZ:vmp.C.Graebe.
\nK:G Major
\n“_sh = shake. See pages 1 – 11″\\
\nB\/c\/ | d2e2 | d\/c\/B\/c\/ dg | G2A2 | B\/A\/G\/F\/ Gd |!
\ne\/d\/c\/e\/ eg | d\/c\/B\/c\/dg |c2 “sh”B>c | “_NB1 sh”{B}”sh”A3 :|!
\n|:f\/g\/ | a2d2 | ^c2 d f\/g\/ |a2d2 |^c\/d\/e\/c\/ AA |!
\nd (d\/4e\/4f\/) e (e\/4f\/4g\/) |\\
\nf (f\/4g\/4a\/) g (g\/4a\/4b\/) | ad{f}e d\/”_Cnat in ms””2″^c\/ | {c}d3g |!
\ne\/d\/c\/d\/ eg | d\/c\/B\/c\/ dg | c2″sh”B2 | A\/G\/F\/E\/ DD |!
\nG (G\/4A\/4B\/) A (A\/4B\/4c\/) | B (B\/4c\/4d\/) c (c\/4d\/4e\/) |\\
\ndG”1″{B}A G\/F\/ | “1”{F}G3 |]<\/p>\n
X:2
\nT:Sir Charles’s Sedley’s(?) Minuet. JBa.02
\nM:3\/4
\nL:1\/4
\nQ:3\/4=60
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Minuet
\nO:England
\nA:Carlisle
\nN:Probably Sedley. Sir Charles Sedley. I found it in one of Gina’s
\nN:books, but lost it again.
\nN:Not clear if B music has repeat marked…CGr
\nZ:vmp.C.Graebe.
\nK:D Major
\nd f\/d\/ f\/d\/ | def | A B\/c\/d\/B\/ | AGF |!
\nD3\/2 F\/E\/G\/ | F D\/F\/E\/G\/ | F G\/F\/E\/D\/ | A3 :|!
\n|:A\/F\/D\/F\/A\/c\/ | {c}”qu”B A\/B\/G |\\
\nB\/G\/E\/G\/ “^cr”B\/”^cr”d\/ | {d} c B\/c\/ A |!
\ne\/c\/A\/c\/e\/g\/ | f\/d\/ e\/c\/ d | A3\/4g\/4 f “sh”e | “min”d3 \ud83d\ude10<\/p>\n
X:3
\nT:Crooked Yew,The. JBa.03
\nT:Crooked Ewe,The,aka. JBa.03
\nT:Ewe Wi’ The Crooked Horn,aka. JBa.03
\nM:C
\nL:1\/8
\nQ:1\/2=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nN:No key sig in MS, but is in G maj in Joseph . Jackson MS…Bar line
\nN:after bar 11 not in MS…CGr. Known as Strathspey ‘the Ewe Wi’ the
\nN:Crooked Horn’ in modern Highland piping..P.Roberts..
\nZ:vmp.C.Graebe.
\nK:G Major
\n“_No key\/time sig. in MS”\\
\nDGGB FGAF | DGGB cABG |\\
\ncBAG FGAG | DGGB AF G2 :|!
\nGefg af ge | defg af g2 | Gefg af ge | defg af g2 |!
\ngd eB cA BG |DGGB cABG |\\
\ncBAG FGAF”NB” |DGGB AF G2 |]<\/p>\n
X:4
\nT:Cackling Of Ye Hens. JBa.04
\nT:Hen’s March to the Midden,aka. JBa.04
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nN:No key signature given. Version in Walsh MS 1730 is in Dmajor..NB –
\nN:the
\nN:marks above the notes are shown as short vertical dashes above the
\nN:stave…CGr.
\nZ:vmp.C.Graebe.
\nK:D major
\n“No Key Sig in MS,see note”\\
\nd2A2 defg | a2 gf efde | “_Unclear” A2A2 dcde |\\
\nfgfg “sh”g3 g|!
\na4-agfa | gfeg fede | A3A dcde | fagf “sh”e4 | d8 :|!
\n|:.”NB”d2.d2.d2.d2 | .d2 .d.d (f3a) | .d2 .d.d (bg3)|\\
\n.d2 .d.d (f3a) |!
\n.d2 .d.d (b”^cr”g3) | .d2 .d.d (f3a) |\\
\n(f3a) a4-|agfa gfeg |!
\nfede A3A | d2 de fagf | “sh” e4d4 |]<\/p>\n
X:5
\nT:Minuet,A. JBa.05
\nM:3\/4
\nL:1\/4
\nQ:3\/4=60
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.minuet
\nO:England
\nA:Carlisle
\nN:No key signature given – various possibilities – Dorian mode – G Major
\nN:- D major – A music in Dmaj and B music in G maj. Your
\nN:choice!..Different writing from Nos 1 – 4?…CGr…I’d go for G
\nN:major..I think the handwriting issue needs looking at before we can say
\nN:it is a different person…CGP
\nZ:vmp.C.Graebe.
\nK:None
\n“_No Key Sig in MS,see note”\\
\nd2g | f\/e\/ dg | B2 g | B\/A\/G\/A\/B\/c\/ |\\
\nd2g | f e\/f\/d | edc | d3 :|!
\n|:A2d | c B\/c\/A | Bc\/B\/A\/G\/ | F E\/F\/D |\\
\nd2g | B2 g | B\/A\/GF | G3 \ud83d\ude10<\/p>\n
X:6
\nT:Minuet. JBa.06
\nM:3\/4
\nL:1\/4
\nQ:3\/4=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.minuet
\nO:England
\nA:Carlisle
\nN:Key Signature is given as two flats, given in the approximate
\nN:neighbourhood of B and E.
\nN:NB 1 – shown as a sharp – this is an old style relative not absolute
\nN:accidental -in modern terms, a natural.NB 2 – not shown as
\nN:dotted..CGr.
\nZ:vmp.C.Graebe.
\nK:Bb
\n“_NB re key sig.”Fff | f e\/d\/ c | dcB | A G\/A\/ F | CFF |\\
\nF\/G\/A\/B\/ c |!
\nCFF | F\/G\/A\/B\/ c |fed |gcd | e\/d\/ cB | c3 :|!
\n|:Aaa | ag\/f\/e | f g\/f\/e\/d\/ | A2 a |bag | ad”_NB1″=e |!
\nf g\/f\/e\/f\/ |d2 d\/e\/ |fed | cBA | Ggf | e2d |!
\nc f-f | f\/g\/a\/f\/g\/e\/ | c f-f | f\/g\/a\/f\/ g |bag | “_NB2″f3 |]<\/p>\n
X:7
\nT:Reels of Boggie,The. JBa.07
\nM:C
\nL:1\/8
\nQ:1\/2=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nN:Re: title. The only words I’m sure of is ‘The’..Only visible bar
\nN:lines are the double bars and the first…Ist, 2 and 3 are written
\nN:above the double bars.. I am still major league unhappy about the A
\nN:music. If any one can identify this tune maybe we can work out what
\nN:was intended here…CGr..Reel of Bogie is a well known Scotch
\nN:reel..P.Roberts..
\nZ:vmp.C.Graebe.
\nK:E minor
\n“No key\/time sigs.or bar lines in MS”
\nEEE GA B\/B\/d D\/D\/D ADFDAD E\/E\/E GABBg g>ed>f e\/e\/e e2 :|!
\n|:”1st”e>fg>e b>ga>f (g\/f\/e\/d\/) df\\
\nc\/B\/A\/G\/ GB e>fg>e bgaf g>ed>f e\/e\/e\/ e2 :|!
\n|:”2nd”G>BE>B G>BE>B F>AD>A F>AD>A\\
\nG>BE>B G>BE>B g>ed>f e\/e\/e\/ e2 :|!
\n|:”3rd”g>eb>e g>eb>e (g\/f\/e\/d\/) df (g\/f\/e\/d\/) df\\
\ng>eb>e gebe g>ed>f e\/e\/e e2 ||!
\nzzzz|zzzz|!
\nK:Em
\n“Edited version”|:E\/E\/E GA BBd2| D\/D\/D AD FDAD |\\
\nE\/E\/E GA BBg2| g>ed>f e\/e\/e e2 :|!
\n|:e>fg>e b>ga>f | (g\/f\/e\/d\/) df c\/B\/A\/G\/ GB |\\
\ne>fg>e bgaf | g>ed>f e\/e\/e e2 :|!
\n|:G>BE>B G>BE>B | F>AD>A F>AD>A |\\
\nG>BE>B G>BE>B | g>ed>f e\/e\/e e2 :|!
\n|:g>eb>e g>eb>e | (g\/f\/e\/d\/) df (g\/f\/e\/d\/) df |\\
\ng>eb>e gebe | g>ed>f e\/e\/e e2 \ud83d\ude10<\/p>\n
X:8
\nT:Lads and Lasses. JBa.08
\nT:Whitby Abbey,aka. JBa.08
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nN:No time or key signature – but there is a very similar version in
\nN:Peter Kennedy’s Fiddler’s Tune Book series – unfortunately sources are
\nN:not given for the tunes..NB2 unclear note lengths aand not marked as
\nN:triplets in MS…CGr..similarity to Whitby Abbey (Vickers ms) pointed
\nN:out by Paul Roberts..
\nZ:vmp.C.Graebe.
\nK:G Major
\n“_No key\/time sig,see note”g |\\
\ndBAG FAAc | BGBd g2 fe | dBAG FAAc |\\
\nBGAF G2G2 :|!
\n|: g2 (g\/a\/b) afed | g2 (g\/a\/b) a2d2 |\\
\n“_unclear pitch”g2 (g\/a\/b) afed | “_NB2″((3efg) ((3fga) g2g2 |]<\/p>\n
X:9
\nT:Sir John Fenwick. JBa.09
\nM:3\/4
\nL:1\/4
\nQ:3\/4=60
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nN:Great Version..No Time signature.. Key signature is 3 sharp, though
\nN:not necessarily
\nN:the right three, even if it were A major, which it isn’t…NB Notes
\nN:marked ” have two little dashes – ” – written either under or over
\nN:them. 2 and 3 are written in the MS to indicate parts…
\nZ:vmp.C.Graebe.
\nK:D major
\n“_As Writ,see note”
\nDDF | AAd | AAd | F>ED | EEG | B2d |\\
\ne\/f\/g\/f\/e\/d\/ | B2A |!
\nDDF |AAd | AAd | F>ED | G2 A\/B\/ |\\
\nB\/4d\/4 A\/4F\/4 “”(NB)”E>D | “””B2 A :|!
\n|:”^Part 2″d”””DF | d”””DF | d”””DF |\\
\n“””F2 E\/D\/ | e”””EF | e”””EF|\\
\ne\/f\/g\/f\/e\/d\/ | B2 A |!
\nd”””DF | d”””DF | d”””DF | “””F>ED |\\
\nG2 A\/B\/ | B\/4d\/4 A\/4F\/4 “””E>D | “””B2 A ||!
\n“^Part 3” dD\/E\/F\/D\/ |\\
\nd A\/B\/c\/A\/ | d B\/c\/d\/B\/ | A F\/G\/A\/F\/ | eE\/ “””F3\/2 |\\
\neE\/ “””F3\/2 |!
\ne\/f\/g\/f\/e\/d\/ | B2A | d D\/E\/F\/D\/ | d A\/B\/c\/A\/ |\\
\nd B\/c\/d\/B\/ | A F\/G\/A\/F\/ |!
\nG2 A\/B\/ | B\/4d\/4 A\/4F\/4 “””E>D |\\
\n“””B2 A | D\/B\/,A,\/B,\/ D | A\/F\/E\/F\/ A | d\/B\/A\/B\/ d |!
\n“””F2 E\/D\/ |\\
\nEEG| “””B2d | e\/f\/g\/f\/e\/d\/ | “””B2A || D\/B\/,A,\/B,\/ D |!
\nA\/F\/E\/F\/ A | d\/B\/A\/B\/ d | “””F2 E\/D\/ | G2 A\/B\/ |\\
\nB\/4d\/4 A\/4F\/4 “””E>D | “””B2 A|]<\/p>\n
X:10
\nT:Maggy Lowther. JBa.10
\nT:Maggy Lowder,aka. JBa.10
\nT:Maggie Lauder,aka. JBa.10
\nM:4\/4
\nL:1\/8
\nQ:1\/4=80
\nC:unedited
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nN:No time signature,no key signature, number of beats in a bar very
\nN:variable. Time signature chosen because I have to put something in.
\nN:Key signature because the begining of this appears to be a relative
\nN:of the song “Maggy Lowther” (see Maggie Lauder in J.Aird,HSJJackson)
\nN:Other than that, transcribed as written because otherwise it would not
\nN:be
\nN:editing, it would be rewriting.
\nN:Actually it makes a lot of sense if you play it. Numbers at begining of
\nN:sections are given in MS. NB”*” – Does the handwriting change here
\nN:NB# – impossible to tell duration…CGr
\nZ:vmp.Cherri Graebe
\nK:D major
\n“_See note re lack of Key\/time sigs and bar lines,otherwise as written”
\nA2 | d>fd>f d>ed>f | ef g\/f\/e\/d\/ c2 e2 |\\
\nd>ed>f d>ed>f | a\/b\/ abag f2a2 |!
\ng>ag>b f>g f>a | e\/f\/ gfed | c2 e2 |\\
\nd\/c\/B\/A\/ B\/A\/G\/F\/ G\/F\/E\/D\/| Dg (fg)a ef d2 D ||!
\n“Part 2” f\/g\/a da fga dfef f\/e\/d\/c\/ c2e2 |\\
\nf\/g\/a d2a2 f\/g\/a df\/g\/ |a\/g\/a\/b\/ a\/b\/a\/g\/ f2a2 |!
\ng\/f\/g\/a\/ a\/b\/a\/g\/ f\/e\/f\/g\/ f\/a\/g\/f\/ | ef g\/f\/e\/d\/ c2e2 |!
\nd\/c\/B\/A\/ B\/A\/G\/F\/ G\/F\/E\/D\/ Dg | fga de d2 D2 ||!
\n“Part 3″DEDg f\/g\/a\/ df|e\/f\/ g\/f\/e\/d\/ c2e2 |DEDg f\/g\/a\/ df |!
\na\/g\/a\/b\/ a\/b\/a\/g\/ f2a2 | g\/f\/g\/a\/ a\/c’\/a\/g\/ f\/e\/f\/g\/ f\/a\/g\/f\/ |!
\ne\/d\/e\/f\/ g\/f\/e\/d\/ c2e2 |d\/c\/B\/A\/ B\/A\/G\/F\/ G\/F\/E\/D\/ Dg |\\
\nfga df d2 D2 :|!
\n|: “4th” a\/f\/d\/f\/ d\/f\/a\/f\/ a\/f\/d\/f\/ d\/f\/a\/f\/|\\
\ne\/d\/e\/f\/ g\/f\/e\/d\/ c2 e2|\\
\na\/f\/d\/f\/ d\/f\/a\/f\/ a\/f\/d\/f\/ d\/f\/a\/f\/| a\/g\/a\/b\/ a\/b\/a\/g\/ f2a2 |!
\ng\/d\/B\/d\/ B\/d\/g\/d\/ e\/c\/A\/c\/ A\/c\/e\/c\/| “poss”e>f g\/f\/e\/d\/ “#”c2e2 |\\
\nd\/c\/B\/A\/ B\/A\/G\/F\/ G\/F\/E\/D\/ Dg |\\
\nf\/g\/a\/ de d2 D2 |]<\/p>\n
X:11
\nT:Dumfries Bowling Green. JBa.11
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.jig
\nO:England
\nA:Carlisle
\nN:See No. 55 No key signature. Page very blotted. Possibly edge of
\nN:page missing – no bar line at end. Above the tune, after the first
\nN:double bar with repeats, it is possible that the figure 3 is
\nN:written, followed by several illegible words including poss”….Mr
\nN:Barnes ‘ piping….” A figure two is written over the tune after the
\nN:next double bar, and ‘end’ after the final double bar. ..CGr
\nH:See comments elsewhere regarding this tune..
\nZ:vmp.C.Graebe.
\nK:G major
\n“_No Key sig. in MS””‘1st.'”
\ng2|e\/c\/e c2 c | (B\/c\/d\/B) c2g | edB c2c | ecA A2g |!
\ned\/e c2c | (B\/c\/dB) B2 e | d2B2G2c2A | dBG G3:|!
\n|:”‘3rd.’ ‘……Mr Barnes’ piping.. etc..’ (illegible)”cGE cGE |\\
\nBGEc2 e | cGE cGE cGE |!
\ndDDD B | cGE cGE | cGE c2e | dGE c2 A | dBG G2 :|!
\n|:”2nd”B2 | c2 (gfege) gec | (e\/f\/ge) c2g | (e\/f\/ge) acA A2 B |!
\nB2g (e\/f\/ge) | agf efg | edc B2 A | dBG G2 ||!
\nzzzz|!
\n“^Edited Version.CGr.”|:g|\\
\ne>ce c2 c | (B\/c\/dB) c2g | edB c2c | ecA A2g |!
\ne>de c2c | (B\/c\/dB) B2 e |dBG c2A | dBG G2:|!
\n|:d|cGE cGE | BGE c2 e | cGE cGE | dDD D2B |!
\ncGE cGE | cGE c2e | dGE c2 A | dBG G2 :|!
\n|:B | c2 g\/f\/ ege | gec (e\/f\/ge) | c2g (e\/f\/ge) | acA A2 B |!
\nc2g (e\/f\/ge) | agf efg | edc B2 A | dBG G2 \ud83d\ude10<\/p>\n
X:12
\nT:Over Ye Moor to Betty. JBa.12
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nZ:vmp.C.Graebe.
\nK:G major
\n“_No key\/time sig in MS” DG BG cA (cB) | Fc AB c2 A-A |\\
\nDG BG G-G fg | (gf) e2 dc B2 G2-G2 ||!
\nd2 dg BG (cB) | c2 cf AF (cB) |\\
\nGB Ac BG g2 | (gf) e2 dc B2 G2-G2 |]<\/p>\n
X:13
\nT:Boniest Las in Ye World. JBa.13
\nM:4\/4
\nL:1\/4
\nQ:1\/4=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nN:1768 1769 1769 written at bottom of page. ‘ – there is a short vertical
\nN:line over this note. It looks deliberate. The last note – G – in each
\nN:part looks smaller than the others.CGr.
\nZ:vmp.C.Graebe.
\nK:G major
\n“_No key\/time sig. in MS”Bd | dDGB | A\/B\/A\/G\/ ED |\\
\nGgf\/4g\/4a\/4b\/4 ag | !
\n“‘”e2d g\/a\/ |\\
\nb\/a\/g\/e\/ gB | (A\/B\/)(A\/G\/) E D\/E\/ | Gg (d\/e\/)(g\/B\/) (A2G) ||!
\ng\/g\/f\/ e\/f\/g\/e\/ | a a\/g\/”sh” f e\/d\/ | g g\/a\/ (f\/g\/)(a\/b\/) (ag) | !
\ne2d ga | b\/a\/ g\/e\/ gB | A\/B\/A\/G\/ E D\/E\/ | Gg (d\/e\/) (g\/B\/) (A2G) ||!
\nzzzz|!
\n“^Edited Version”
\nB\/d\/ | dDGB | A\/B\/A\/G\/ ED | Ggf\/4g\/4a\/4b\/4 a\/g\/ |!
\ne2d g\/a\/ |\\
\nb\/a\/g\/e\/ gB | (A\/B\/)(A\/G\/) E D\/E\/ | Gg (d\/e\/)(g\/B\/)| (A2G) ||!
\nz|gg\/f\/ e\/f\/g\/e\/ | a a\/g\/”sh” f e\/d\/ | g g\/a\/ (f\/4g\/4)(a\/4b\/4) (a\/g\/) |!
\ne2d g\/a\/ | (b\/a\/) (g\/e\/) gB | A\/B\/A\/G\/ E D\/E\/ | \\
\nGg (d\/e\/) (g\/B\/)| (A2G) ||!<\/p>\n
X:14
\nT:Heart of Oak.2voices. JBa.14
\nM:C|
\nL:1\/8
\nQ:1\/4=100
\nC:Dr. William Boyce,1759
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nN:Composed for ‘Harlequin’s Invasion’ at the Garrick Theatre in 1759..
\nN:Two part arrangement – second part in bass clef..the standard words
\nN:are
\nN:included with this tune..Words of first verse written under stave..u
\nN:and d are in the ms.. At “symphony” “Sy” is written under the
\nN:stave..symphony = the West Gallery Music term for an instrumental
\nN:break..NB2 – could be a bar line here. Rest added by me to make bar
\nN:add up and match bass line. Z,X,Y,# as written.CGr
\nZ:vmp.C Graebe.
\nV:1 name=primo
\nV:2 clef=bass name=bass
\n%%staves [1 2]
\nK:C major
\n[V:1]z\/ G|c2 c c c2 e d|c2 B A G2 z G|A2 A B c2 c d|e2 f d e2 z G|!
\n[V:2]z\/ G,|C2 C C C2E D|C2 B, A, G,2 z “6”E,|\\
\nF,2 z2 “6,qu”E,2 z G,|C2 G,2 C,2 z G,|!
\n%
\n[V:1]c2 E F G2 A B|c2 E F G2 z d|e2″u”d “^d”c g2 B c|d2 d D G2|!
\n[V:2]C2 E, F, G,2 A, B,|C2 E, F, G,2 z “X”D|\\
\nE2 D C G2 B, C|D2 DD, “6”G,2|!
\n%
\n[V:1]”‘Symphony'”z\/ G\/^F\/E\/ D\/C\/B,\/A,\/B,2 “^Chorus” d>d|\\
\nd2 B c d2 e>e|e2 c>d e2 z e|!
\n[V:2]z\/ G,\/^F,\/E,\/ D,\/C,\/B,,\/A,,\/G,,2 “cr”z2|G,2 z2 G,,2 z2|\\
\nC2 z2 C,2 z2|
\n%
\n[V:1](dc) B e c A z2|c<c G2 E<C z G|(AB) c d e2 d>c|g2 G B c2|]
\n[V:2]”Y”D,2″#” E,2 A,,2z2|C<C G,2 E,<C, z G,|\\
\nA,B, C D”Z”E2 D>C|G2 G, B, C2|]<\/p>\n
X:16
\nT:Haymakers. JBa.15
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.jig
\nO:England
\nA:Carlisle
\nN:As usual, no time or key signature,Not many bar lines either and not
\nN:much resemblence to the Playford Haymakers. Fortunately it does bear a
\nN:strong resemblance in the MS of John Miller of Perth, 1799..and the
\nN: version in Vicker’s MS… photocopy
\nN:very unclear Do I hear faint echoes of ‘Off she goes’ – ‘Pop goes the
\nN:Weasel’.. Edited with reference to version in John Miller, Perth MS
\nN:1799..CGr.
\nZ:vmp.C.Graebe.
\nK:C major
\n“_No key\/time sig,see note”GB AcA cB G2 AFD G2B2 AcA BdB G2 ||!
\nG2g2 gf d2 efg dBG G2g2 gf d2 efg d2 ||!
\nc2e2 dBG AcA cBG ce dBG AcA G2 |]!
\nK:G major
\nM:6\/8
\n“^Edited version – see note”
\nG2B AcA | cBG AFD| G2B AcA | BdB G3 ||!
\nG2g gfd | efg dBG |G2g gfd | efg d3 ||!
\nc2e dBG | AcA cBG | c2e dBG | AcA G3 |]<\/p>\n
X:17
\nT:O….? ?….? Wedding. JBa.16
\nM:7\/8
\nL:1\/4
\nQ:1\/8=90
\nC:HAVE FUN!
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nN:No key or time signature given. The photocopy and writing are
\nN:exceptionally clear
\nN:1 – duration of these four notes unclear – cf next 2 bars…CGr.
\nN:Note on facing page says “The 4th part must be played but once
\nN:over”,therefore I have felt justified in making repeat marks for all
\nN:the other bits where none were shown in the MS..CGP
\nH:See note elsewhere..
\nZ:vmp.C.Graebe.
\nK:A minor
\n“_as written,see note,no key\/time sig in ms”
\ncA\/e(d\/c\/) | B G\/ d (c\/B\/) | cA\/e (d\/c\/) | A f e\/ d :|!
\n|:c\/d d\/f\/ g | g\/Bc (e\/e\/) | (f\/g\/) aa\/A :|!
\n|: a b\/ (a\/g\/) (g\/f\/) | e g g\/ B | ab\/ (a\/g\/) (g\/f\/) | e a a\/ A :||!
\n“^’play this part but once'”ab\/ (a\/g\/) (g\/f\/) |\\
\nab\/ (a\/g\/) (g\/f\/) | ab\/ (a\/g\/) (g\/f\/) | g2 f\/ g |!
\naa\/4g\/ f e\/4d\/ ||:\\
\nc\/A\/ a\/c\/ B\/G | d\/B c\/A\/ a\/c\/ | Af\/ed :|!
\n|: cc”1″c\/c\/4 c\/c\/4|B B B\/B\/4 B\/B\/4|cc c\/c\/4 c\/c\/4|Af\/ed :|!
\n|: c (e\/e\/) e\/d\/c\/ |Bcd\/B | c (e\/e\/) e\/d\/c\/ | Af\/ed \ud83d\ude10<\/p>\n
X:18
\nT:S………?. JBa.17
\nM:4\/4
\nL:1\/4
\nQ:1\/2=90
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nN:photocopy very faint.
\nZ:vmp.C.Graebe.
\nK:Ddor
\n“_No key\/time sig”e d\/c\/ c\/G\/c\/G\/ |\\
\n“_Bars 2, 3, 4 edited – see below”d\/c\/ e f\/g\/a |\\
\ne d\/c\/ c\/G\/c\/G\/ | A\/B\/G\/E\/ D D |!
\nc\/4c\/4c\/ g\/a\/ g\/e\/g\/a\/ |\\
\nc\/4c\/4c\/ g\/a\/ g\/e\/c\/e\/ | c\/4c\/4c\/ g\/a\/ g\/e\/c\/e\/ |\\
\nf\/4g3\/4f3\/4e\/4 d\/4d\/4d\/d\/ :|!
\n“^bars 2,3, 4 as in MS”d\/c\/ e f\/4g\/4a\/ | e d\/c\/ c\/G\/ c\/G\/ A\/4B\/4|\\
\nG\/E\/ D D |]<\/p>\n
X:19
\nT:Militia March for Cumberland Militia,A. JBa.18
\nT:Cumberland Militia March. JBa.18
\nT:Lads A Bunchum,Adderbury,aka. JBa.18
\nM:4\/4
\nL:1\/4
\nQ:1\/2=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.march
\nO:England
\nA:Carlisle
\nN:The bar lines are one crotchet to the left in MS.
\nZ:vmp.C.Graebe.
\nK:D major
\n“_No key\/time sig in ms,see note re bar lines”
\nA\/G\/| F F F\/A\/G\/F\/| E\/D\/E\/F\/ E G|\\
\nF\/A\/G\/F\/ E\/G\/F\/E\/| D D\/D\/ D :|!
\n|:d\/4c\/4B\/| A A\/B\/ A D\/4E\/4F\/|\\
\nG\/E\/G\/A\/ G d\/4c\/4B\/| A A\/B\/ Ad\/F\/| E\/D\/E\/F\/ E G|!
\nF F\/F\/ F d\/F\/| E\/D\/E\/F\/ E G|\\
\nF\/A\/G\/F\/ E\/G\/F\/E\/| D D\/D\/ D \ud83d\ude10<\/p>\n
X:20
\nT:Prince of Orange’s March,The. JBa.19
\nT:Bonny Broom,aka. JBa.19
\nT:Broom,Broom,etc,aka. JBa.19
\nM:4\/4
\nL:1\/4
\nQ:1\/2=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.march
\nO:England
\nA:Carlisle
\nN:
\nZ:vmp.C.Graebe.
\nK:D Major
\n“_No key\/time sg in ms”F\/G\/ | AA A>B | A\/G\/F\/E\/ D2 | d\/c\/d\/e\/ f2 |\\
\ne\/d\/c\/B\/ A G\/A\/ |!
\n(c\/B\/) (A\/B\/) B\/c\/d\/B\/ |AA (B\/A\/)(G\/A\/) | (c\/B\/) (B\/c\/) B\/c\/d\/B\/ |!
\nAA (B\/A\/) (G\/A\/) | G G\/B\/ A\/G\/F\/E\/ | D>E D\/G\/F\/E\/ | D3 :|!
\n|:”‘1st'”f e\/d\/ c\/d\/ e | (e\/f\/) e\/d\/c\/B\/ A | f e\/d\/ c\/d\/ e |\\
\n(e\/f\/) e\/d\/c\/B\/ A |!
\ng “tr”f ((3e\/f\/g\/) “tr”f | ((3e\/f\/g\/) “tr”f ((3e\/f\/g\/) “tr”f | \\
\ne d ((3c\/d\/e\/) d |\\
\n((3c\/d\/e\/) “^crots in ms” d\/c\/B (f\/g\/) |!
\na\/g\/f\/e\/ d\/f\/d\/c\/ | c (B\/c\/) B B\/c\/ |d d A\/B\/c\/A\/ |B G G c\/d\/ |!
\ne e B\/c\/d\/e\/ | (d\/c\/)(B\/c\/) A G\/A\/ | (c\/B\/) (A\/4B\/4)”sq”c\/ B\/c\/d\/B\/ |\\
\nA A (B\/A\/)(G\/A\/) |!
\n(c\/B\/)(B\/c\/) B\/c\/d\/B\/ | A A (B\/A\/)(G\/F\/) |\\
\nG G\/B\/ A\/G\/F\/E\/ | D>E D\/G\/F\/E\/ | D>E D2 |]<\/p>\n
X:21
\nT:Fox Hunter. JBa.20
\nT:Balby a Rieving? JBa.20
\nT:Buckle My Shoe,aka. JBa.20
\nM:6\/8
\nL:1\/8
\nQ:120
\nC:”Balby a Rieving”?
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.jig
\nO:England
\nA:Carlisle
\nN:Key signature shown as F sharp in lowest space and a second sharp in
\nN:the top space the figure 6 is then written – old style of writing
\nN:6\/8..CGr
\nN:Balby a Rieving is a very uncertain attempt to decypher what appears to
\nN:be an alternative title in a different hand.
\nH:See Paul’s notes elsewhere.
\nZ:vmp.C.Graebe.
\nK:D major
\n“_See Note re key\/time sig”def g2e | faf f2e | dBB B2A | dBB B3 | !
\ndef g2e | faf g2e | cAA A2B | cAA A3 ||!
\nagf gfe | fgf f2e | dBB B2A | dBB B3 |!
\nagf gfe | fag f2e | cAA A2B| cAA A3 |]<\/p>\n
X:22
\nT:Donkin Gray. JBa.21
\nT:Duncan Gray,aka. JBa.21
\nM:2\/2
\nL:1\/8
\nQ:1\/2=120
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nN:Quite different from the version in J.Aird.
\nH:See elsewhere for Paul’s comments
\nZ:vmp.C.Graebe.
\nK:G Major
\n“_No key\/time sig.” \\
\nG2 BG F2G2 | A2B2F4 |G3B ABcA | B2G2G4 :|!
\n|: (B2d2d2) cB | (A2c2c2) BA |G2B2 cBAG | FGAF D2 Bc |!
\nd2ed c2 dc | B2 cBA2 GF |G3 B ABcA | B2G2 G4 :|!
\n|: GFED EDCB, | CA,DB,G,2 B2 |G3B ABcd | B2G2G4 :|!
\n|:BcdB cdec | BcdB ABcA |EFGE cBAG | FGAF D2 (ef) |!
\ngfed edcB | cABd (F2 ED) |G3 B ABcA| B2G2 G4 :|!
\n|: {(E\/F\/)} G2G,2D2A,2 | cBAG F2 EF | G3B ABcA | B2G2G4 :|!
\n|:ecAc gcAc |dBAB fBAB | DBAB cBAG |FGAF (D2ef) | !
\ngfed edcB | cABd (F2 ED) |\\
\n(G\/A\/B) (A\/B\/c) (B\/c\/d) (A\/B\/c) | B2G2G4 |]<\/p>\n
X:23
\nT:Minuet. JBa.22
\nM:3\/4
\nL:1\/4
\nQ:3\/4=60
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.minuet
\nO:England
\nA:Carlisle
\nZ:vmp.C.Graebe.
\nK:G major
\n“_no key sig” G d\/d\/d\/d\/ | B e\/e\/e\/e\/ | d d\/a\/f\/a\/ | g2d |!
\ne c\/c\/c\/c\/ | B G\/G\/G\/G\/ | c d\/c\/B\/c\/ | A3 ||!
\nA D\/D\/D\/D\/ | FAc | B G\/G\/G\/G\/ | ceg |!
\nf d\/d\/d\/d\/ | gab | e e\/g\/f\/a\/ | g3 |]<\/p>\n
X:24
\nT:Neopolitan,The. JBa.23
\nM:3\/4
\nL:1\/4
\nQ:3\/4=60
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.minuet?
\nO:England
\nA:Carlisle
\nN:No time signature. There is what appears to be a sharp in the lowest
\nN:space (F) but in G this sounds wrong . Photo copy very faint..CGr.
\nN:Neapolitan? could this be evidence of the first ice-cream van?.
\nZ:vmp.C.Graebe.
\nK:C major
\n“_see note”E\/D\/ | CEF | G2 A\/B\/ | c B\/A\/ f\/d\/|\\
\ncBc | e\/c\/ e\/f\/ g |!
\nd\/B\/c\/A\/B\/G\/ | e\/c\/e\/g\/ g |\\
\nd\/B\/c\/A\/B\/G\/ | (e\/4d\/4c\/) BA | G2 ||!
\nB\/A\/ | GBc | d2e | f f\/d\/e\/c\/ | B\/c\/d\/B\/ G |!
\nABc | GBc |A\/4G\/4F\/ ED | C2 :|!
\n|: D | E-E E | F-F E\/F\/ | GFE |D\/C\/B,\/A,\/ G, |!
\nE-E E | F-F F | (A\/4G\/4F\/) ED | C2 :|!
\n|:z|D D\/D\/ D | E\/F\/G\/E\/ C | c-c c | B\/c\/d\/B\/ G |!
\nE-E E | F-F F | (A\/4G\/4F\/)ED | C2 |]<\/p>\n
X:25
\nT:Scotch Tune,A. JBa.24
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.snap!
\nO:England
\nA:Carlisle
\nN:No time signature. Key signature very faint. Photocopy very faint. 1 –
\nN:there is a spare “g” at the end of this bar, half a beat too many,so it
\nN:has been disappeared by CGP…CGr..
\nZ:vmp.C.Graebe.
\nK:E major
\n“_see note”B2 E\/F\/G B>GE>G | A>FD>F d>FD>F |!
\n“1”B>GE>G e2 g\/a\/b |g>ef>d e\/e\/e e2 :|!
\n|: e>gf>e B\/B\/B ec | d>ef>d d\/d\/d fd |!
\negf>e d>BA>F | G>BA>F E\/E\/E E2 \ud83d\ude10<\/p>\n
X:26
\nT:Captain Rosses(?) Gigg. JBa.25
\nM:4\/4
\nL:1\/4
\nQ:1\/2=100
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nN:Very difficult to read..No key signature.. Duration of notes tricky to
\nN:read –
\nN:rest at start of Bstrain is editorial..The Csharp in bar 12 is a
\nN:problem..CGr.
\nZ:vmp.C.Graebe.
\nK:D major
\n“_no key sig”A | F>EDc | d\/c\/B\/A\/ ” cr”c2 | ECCE | cEEA |!
\nFEDc | d\/c\/B\/A\/ d2 | FDD” crs”B\/c\/ | dAA :|!
\n|:z|d>efd | gefd | ecc e\/f\/ | (g\/f\/)(e\/d\/) ” ?”^c>e |!
\ndefg | abg>f | fdae | d\/d\/ dd |]<\/p>\n
X:27
\nT:Black Joak,The. JBa.26
\nM:6\/8
\nL:1\/8
\nQ:3\/8=50
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.joke,ha ha
\nO:England
\nA:Carlisle
\nN:1 – this note added by me 2 – In the MS these notes come in sets of 8
\nN:not 6..CGr…
\nH:See elsewhere for Paul’s notes.
\nZ:vmp.C.Graebe.
\nK:A major
\nA||: EGA (Ad\/c\/B\/A\/) | Bcd (d\/c\/B\/A\/G) | cde (a\/g\/f\/g\/a\/f\/) |\\
\n(ed\/c\/B\/A\/) (dc\/B\/A\/G\/) |\\
\n(A\/B\/c\/d\/e) (F\/G\/A\/B\/c) | EFG ” cr”A3 :: (d\/c\/B\/c\/d) (e\/d\/c\/B\/A) |\\
\n(a\/g\/f\/g\/a) edc | d\/c\/B\/A\/B\/c\/ d(dc) | fga edc |\\
\n(d\/e\/f\/g\/a) (c\/d\/e\/f\/g) |\\
\nBcd (d\/c\/B\/A\/G) | cde a\/g\/f\/f\/g\/a\/ | (e\/d\/c\/B\/A) (dc\/B\/A\/G\/) |\\
\n(A\/B\/c\/d\/e) (F\/G\/A\/B\/c) |EFG ” cr”A3 ::\\
\nE2A AA,A | BcB BB,B | cdc cCc | BcB BA,B\\
\n| (A\/B\/c\/d\/e) (F\/G\/A\/B\/c) | EFG ” cr”A3 ::\\
\n(d\/c\/B\/c\/d) (d\/c\/B\/c\/d) | fga (ed\/c\/B\/A\/) | (d\/c\/B\/c\/d) (d\/c\/B\/c\/d) |\\
\nfga edc | d\/e\/f\/g\/a (c\/d\/e\/f\/g) |\\
\nBcd (d\/c\/B\/A\/G) | cde (a\/g\/f\/g\/a\/f\/)|\\
\n(e\/d\/c\/B\/A) (d\/c\/B\/A\/G) | (A\/B\/c\/d\/e) (F\/G\/A\/B\/c) | EFG ” cr”A3 ::\\
\neac’ eac’ | ebd’ ebd’ | ec’e’ ec’e’ | ed’f’ ed’f’ | eaa g2f |\\
\nefg ” cr”a3 ::\\
\n(e\/d\/c\/B\/A) (e\/d\/c\/B\/A) | fga ecA |\\
\n(e\/d\/c\/B\/A) (e\/d\/c\/B\/A) | fga ecA |\\
\n(d\/e\/f\/g\/a) (c\/d\/e\/f\/g) | Bcd (d\/c\/B\/A\/G) | cde (a\/g\/f\/g\/a\/f\/) |\\
\n” bar almost illegible”\\
\n(e\/d\/c\/B\/A) (d\/c\/B\/A\/G) | (A\/B\/c\/d\/e) (F\/G\/A\/B\/c) | EFG ” cr”A3 ::\\
\naae aea |bc’b bab | c’d’c’ (c’d’\/c’\/b\/a\/) | bc’b bab | eaa ” 1″ agf |\\
\nefg ” cr”a3 ::(e\/c\/)(e\/c\/)(e\/c\/) (f\/d\/)(f\/d\/)(f\/d\/) |\\
\n(e\/c\/)(e\/c\/)(e\/c\/) (f\/d\/)(f\/d\/)(f\/d\/) |\\
\n(a\/c\/)(a\/c\/)(a\/c\/) (g\/B\/)(g\/B\/)(g\/B\/) | agf edc |\\
\nBcd (d\/c\/B\/A\/G) | (A\/B\/c\/d\/e)( F\/G\/A\/B\/c) |\\
\nEFG ” cr”A3 ::” 2″ (a\/A\/)(a\/A\/)(a\/A\/) (b\/A\/)(b\/A\/)(b\/A\/) |\\
\n(c’\/A\/)(c’\/A\/)(c’\/A\/) (b\/A\/)(b\/A\/)(b\/A\/) | eaa g2d | efg ” cr”a3 |]<\/p>\n
X:28
\nT:Goodnight and God be with you. JBa.27
\nM:4\/4
\nL:1\/8
\nQ:1\/4=100
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nN:Very like Buttered Peas\/Stumpie
\nH:See Paul’s notes.
\nZ:vmp.C.Graebe.
\nK:A major
\n“_MS has time sig as 6\/8, Key sig Gmaj”\\
\nAc a2 ag\/f\/ fa | Ac a2 ac\/B\/ Bc |\\
\nAc a2 ag\/f\/ fa | ca ed\/c\/ fBBf :|!
\n|:Ac ed\/c\/ ac ed\/c\/ | Ac ed\/c\/ fBBf | Ac e(d\/c\/) ac ed\/c\/ |\\
\nca ed\/c\/ acBc :||: !
\nAc e2 ed\/c\/ ca | Ac e2 ed\/c\/ Bc | Ac e2 ed\/c\/ ca | ca ed\/c\/ fBBf \ud83d\ude10<\/p>\n
X:29
\nT:Queen Ru…? House. JBa.28
\nT:Down the Bank,aka. JBa.28
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nN:1 – not shown as triplet in MS
\nZ:vmp.C.Graebe.
\nK:D major
\nB | AFED (G2 GB) | AFED E\/E\/E EB | AFED BcdB |\\
\nAFdF D\/D\/D D :|!
\n|: e | defd gfed | defd ecBA | defd gfeg |\\
\n“1”((3fga) Ac d3d |]<\/p>\n
X:30
\nT:Horrock’s(?) Rant. JBa.29
\nM:C|
\nL:1\/8
\nQ:1\/2=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.strathspey
\nO:England
\nA:Carlisle
\nN:”1″ shown as 3 semi-quavers but see bar 8
\nH:See Paul’s notes.
\nZ:vmp.C.Graebe.
\nK:Amix
\nf | e>cAc e>fed | d>fed B\/B\/B Bf | e>cAc e>fec | d>fec A\/A\/A A2 :|!
\n|:{fg} | a\/g\/f\/e\/ ac ec ac | ec ac B\/B\/B “1”(Bf\/g\/) |\\
\na\/g\/f\/e\/ ac ec ac |\\
\nd>fec A\/A\/A (Af\/g\/) |!
\na\/g\/f\/e\/ acec ac | d>fed B\/B\/B B>f |e>cAc e>fec | d>fec A\/A\/A A2 |]<\/p>\n
X:31
\nT:Scotch Reel,A. JBa.30
\nM:2\/2
\nL:1\/8
\nQ:1\/2=90
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nZ:vmp.C.Graebe.
\nK:D Major
\n“_no key sig”defa efdA | BdAF E\/E\/E E2 | defa efdA |\\
\nB\/d\/e\/c\/ AF D\/D\/D D2:|!
\n|:D2 DF D\/D\/D AF | E2 EB E\/E\/E BA |\\
\nD2 DF defd | dBAF D\/D\/D D2 :|!
\n|:abaf abaf | ge be ge be | abaf abaf | geaf d\/d\/d d2 :||!
\nzzzzzzzzzzzzz|!
\n“^First line as in MS”\\
\ndefa efdA | BdAF E\/E\/E E2 | defa efdA | Bdec | AF D\/D\/D D2 \ud83d\ude10<\/p>\n
X:32
\nT:Dear Betty Brown. JBa.31
\nM:4\/4
\nL:1\/8
\nQ:1\/4=100
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nN:Is it possible the mixture of beamed and unbeamed quavers indicates a
\nN:song tune?
\nN:Very difficult to decide which are quavers and which crochets 1 – end
\nN:of line, unclear if bar line intended – bars often run over line end
\nN:3 – possibly a quaver 2 – bar line dotted
\nN:4 – probably dotted..CGr.
\nZ:vmp.C.Graebe.
\nK:C major
\n“_No key\/time sig.As written – See note” D D | G2 B d c2 AE |\\
\n(DE) A F G>”3″ A | B2G B A2 B g |fe d c d2 d |!
\ng2 d f e2 c e dB A “4”G A3 d | B2 cd e2 fg |B2 c A G2 “1” |!
\ng2 f e d4 | e2 d c B> “3”c | dB AG e2 f g | B2 c A G4 “2” |\\
\ndg dB g2 dB AB DF G3 ||!
\nzzzz|!
\n” With minimal editing”
\nK:G major
\nDD | G2 Bd c2 AE |(DE) AF G3 A | B2 GB A2 Bg |\\
\nfe d^c d2 d2 |!
\ng2 df e2 ce | dB AG A3 d | B2 cd e2 fg |B2 cA G4 |!
\ng2 fe d4 | e2 dc B3 c |\\
\ndB AG e2 fg | B2 cA G4 |dg dB g2 dB | AB DF G3 |]<\/p>\n
X:33
\nT:Lass in ye Yellow Coat,The. JBa.32
\nT:Lass with the Yellow Cottie,aka. JBa.32
\nM:2\/2
\nL:1\/8
\nQ:1\/2=90
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nN:Key signature is two sharps, but both F – low and high. 1 – note added
\nN:- see bar 2..CGr
\nZ:vmp.C.Graebe.
\nK:E minor
\n“_no time sig.See note”B | G2(GB) defd | edgd edef |\\
\nG2 GB def”1″d | (e\/f\/g) dB AG F2 :|!
\n|:gabg afge | (Bddf) fged | gabg afge | (e\/f\/g) dB AF E2 \ud83d\ude10<\/p>\n
X:34
\nT:Minuet,A. JBa.33
\nM:3\/4
\nL:1\/4
\nQ:3\/4=60
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.minuet
\nO:England
\nA:Carlisle
\nN:sh?- is the squiggle under this note the sign for a shake. Or just a
\nN:hair on the photocopy?
\nZ:vmp.C.Graebe.
\nK:G Major
\nG\/A\/ Bc | dgg | e\/d\/ cB | “sh?”A2 G |!
\nD\/E\/ B-B |D\/G\/ c-c | B\/d\/ cB | BAA :|!
\n|: D\/F\/ G d | c(B\/A\/)B | G\/B\/ dd |F2E |!
\nD\/F\/ A d | c (B\/A\/ B) | G\/c\/B\/A\/G\/F\/ | G3 \ud83d\ude10<\/p>\n
X:35
\nT:Dukes Reel. JBa.34
\nM:2\/2
\nL:1\/8
\nQ:1\/2=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nH:See Paul’s notes..
\nZ:vmp.C.Graebe.
\nK:A minor
\n“_No key\/time sig.-but A minor feels OK”\\
\nG\/A\/B\/c\/ dc BGGB | G\/A\/B\/c\/ dc AFFA |\\
\nG\/A\/B\/c\/ dc ecdB |cAgd AFFA :|!
\n|: (B\/c\/d) gd BGGB | (B\/c\/d) gc AFFA |\\
\n(B\/c\/d) gd ecdB | cA fd AFFA \ud83d\ude10<\/p>\n
X:36
\nT:Honley(??) at(?) Cricketers,The. JBa.35
\nM:C|
\nL:1\/8
\nQ:1\/2=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nN:Very difficult to make sense of the title,except that Cricketers is
\nN:certainly right..CGP
\nZ:vmp.C.Graebe.
\nK:D Major
\nd2 | AFDF AFDB | AFde d2 (E\/F\/G) |\\
\nAFdF AFDf | e>d ef d\/d\/d d2 :|!
\n|:(d\/e\/f) afbg af | f>ed>f (e\/e\/e) ef |\\
\n(d\/e\/f) afbg af | ed ef d\/d\/d d2:|<\/p>\n
X:37
\nT:Quakers Hornpipe,The. JBa.36
\nM:3\/2
\nL:1\/4
\nQ:1\/2=90
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Double HP
\nO:England
\nA:Carlisle
\nN:Makes good sense in 9\/8,too..CGP.
\nH:See Paul’s notes.
\nZ:vmp.C.Graebe.
\nK:G major
\n“_No time sig.Key sig.given as two #’s, upper and lower G”
\nG2 G\/A\/ G F E\/D\/ | G2 G\/A\/ B c\/B\/ A |\\
\nG2 G\/A\/ GFD | E\/C\/ E D\/B,\/ D G2 :|!
\n|:B\/d\/ c B\/G\/ B A\/F\/ A | B\/d\/ c B\/G\/ B g\/d\/ B |\\
\nB\/d\/ c B\/G\/ B A\/F\/ A | E\/C\/ E D\/B,\/ D G2 :|!
\n|:g2 g\/a\/ g f d | e2 e\/f\/g a\/f\/ d | g2 g\/a\/ gf d |\\
\ne\/c\/e f\/d\/f g2 :|!
\nzzzz|!
\n” bar 9 in ms”g2 g\/a\/ g f>e d||\\
\n” last bar as in MS” e\/4c\/4e\/ f\/4d\/4f\/ g2 |]<\/p>\n
X:38
\nT:Unidentified Fragments. JBa.37
\nM:4\/4
\nL:1\/4
\nQ:100
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Misc.
\nO:Carlisle
\nA:England
\nN:This is the last line of the page with Dukes Reel at the top.It is in a
\nN:different writing to the other 3 tunes.It has no clef, key or time
\nN:signature or bar at endAnd, other than clef, key, time signatures and
\nN:double bar added because the program requires them, is as it appears.2-
\nN:the number is written above the note, which could be either F or G,
\nN:but this probably refers to a 2nd-finger G..Frag2 This is the last line
\nN:of the page with Jacks Lattin at the top.As above re writing which
\nN:appears to match the above fragment. This has a clef but nothing else.
\nN:See notes above re addenda.CGr..
\nZ:vmp.C.Graebe.
\nK:C Major
\n” Fragment 1 – See note.”DGGGA B\/c\/ (c\/d\/)\\
\nc\/B\/ A3\/2 B\/ c\/e\/ A (B\/c\/) d c\/ B\/G\/ F\/ G3\/2 |!
\nGGgf “2” gab a\/g\/f\/ e f g b e (f\/g\/)ag f dcd |\\
\n(A\/B\/c\/) ddg|| !
\n” Fragment 2 – see note”ABc ((2c\/B\/A\/) G (G\/F\/) (D\/E\/F\/)\\
\nG A\/B\/c\/ (c\/d\/)G G A\/B\/c\/ d g ((2cBA) G |]<\/p>\n
X:39
\nT:Minuet. JBa.38
\nM:3\/4
\nL:1\/4
\nQ:3\/4=60
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.minuet
\nO:England
\nA:Carlisle
\nN:1 – this bar as written has an extra beat, and the B music has 15 bars
\nN:Could this bar as written be the begining of one bar and the end of
\nN:the next? 2- bar inserted – highly speculative rewrite. See end of
\nN:tune..CGr.
\nZ:vmp.C.Graebe.
\nK:G major
\n“_Key sig. unclear”
\nG2 A | B\/A\/G d | e\/f\/ gf | g G\/A\/B\/c\/ |!
\ndgf | e\/d\/ cB |c e\/d\/c\/B\/ | A\/G\/A\/c\/B\/A\/ |!
\nG2 A | B\/A\/ G d | e\/f\/ g f |g G\/A\/B\/c\/ |!
\ndgf | e\/d\/ cB | c\/A\/B\/G\/A\/F\/ | G3 :|!
\n|:G2c | B\/A\/ BG | e\/f\/g\/e\/f\/d\/ | “tr”e2 f |!
\ng a\/f\/e\/d\/ | “1”e\/f\/ a\/f\/g\/e\/ | “2”d e\/f\/e\/d\/ | e2 f |!
\ng e\/d\/c\/B\/ | e\/d\/c\/B\/A\/G\/ | d\/B\/c\/A\/B\/G\/ | F E\/F\/ D |!
\nf2 g | f\/e\/f\/d\/ f| c\/A\/B\/G\/A\/F\/ | G3 :||!
\nzzzzzzzz | “1 – as in MS” e\/f\/ a\/f\/g\/e\/f\/d\/|]<\/p>\n
X:40
\nT:New Way of Wooing,The. JBa.39
\nM:C|
\nL:1\/4
\nQ:1\/2=100
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Country-dance
\nO:England
\nA:Carlisle
\nZ:vmp.C.Graebe.
\nK:D major
\n“_Key sig is two #s-upper and lower E’s”
\nD | F>GAB | AF-FB | A F (G\/F\/)(E\/D\/) | E2E2 |!
\nF>GAB | AFdG | AF(G\/F\/)(E\/D\/) | D2″minim”D :|!
\n|:d\/e\/ | f f (g\/f\/)(e\/d\/) | f f (g\/f\/)(e\/d\/) |\\
\nf f (g\/f\/)(e\/d\/) | e2E2 |!
\nF>G AB | A F d B |A F (G\/F\/)(E\/D\/) | D2″minim”D \ud83d\ude10<\/p>\n
X:41
\nT:Bonny Lass of Aberdeen. JBa.40
\nM:2\/2
\nL:1\/8
\nQ:1\/2=90
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nZ:vmp.C.Graebe.
\nK:D major
\n“_No time sig.Key sig 1# – low E..Dmaj sounds best”
\nB2 | AFED AFED| BABc d2 B2 | AFED AFED| EDEF G2B2 |!
\nAFED AFED | BABd GFED | d2 cB BcdB | AGFE D2 :|!
\n|:f2 | edBA ecBA | d2 cB c2 BA | BABc dcde | gagf e2 g2 |!
\nfgaf ecBG |BcdB AFED| d2 cB BcdB | AGFE D2 \ud83d\ude10<\/p>\n
X:42
\nT:Jack Lattin. JBa.41
\nM:2\/4
\nL:1\/16
\nQ:1\/2=70
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nH:See Paul’s notes..
\nZ:vmp.C.Graebe.
\nK:G major
\n(GABc) d2g2 | d2B2B2g2 | d2B2B2g2 | d4B4 | !
\nGABc d2g2 | d2B2B2g2 | f2A2A2B2 | c4A4 :|!
\n|:GABc d2B2 | e2dc d2B2 | GABc d2B2 | d4B4 | !
\nGABc ” crs”d2B2 | e2dc d2e2 | f2A2A2B2 | c4A4 :|!
\n|:g2d2 BcdB | g2d2 BcdB | g2d2 BcdB | d4B4 |!
\ng2d2 BcdB | g2d2 BcdB | g2A2A2B2 | c4A4 |]<\/p>\n
X:43
\nT:March. JBa.42
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.march
\nO:England
\nA:Carlisle
\nN:1 – shown as grace notes.2 – for repeat needs to be a crochet
\nZ:vmp.C.Graebe.
\nK:E Minor
\n“_No time sig”
\n“See note”f>e |d3BA3G | F2E2D4 | f2f2d2f2 |edef e2 fg |!
\na2a2a2 gf | g2g2g2 “sh” f>e | (de)(fg) a2 gf | e6 ||!
\n“1”fg | a4f4 | gagf e2 fg | a2f2 b2a2 | g2f2 efge |!
\ne4 A4 |(de)(fg) a2 gf | “tr” e3 d “2”d4 \ud83d\ude10<\/p>\n
X:44
\nT:Parson in the Suds,The. JBa.43
\nT:May Day,aka. JBa.43
\nT:England’s Glory,aka. JBa.43
\nM:2\/4
\nL:1\/8
\nQ:1\/2=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nN:No key signature given, but version from Rutherford is in G
\nZ:vmp.C.Graebe.
\nK:G major
\n“_no key sig in MS,See note – tune as in ms”g\/f\/e\/f\/) gd cBAG\\
\nFGAB cA A2 (g\/f\/e\/f\/) gd cBAG FGAc BG G2 :|!
\n|:B2 DG BG AG BG DG BG cAA2 cd ef ge dB cA dc BG G2 ||!
\nzzzz|!
\nK:G major
\n“^Edited by ref. to Country Dances, Pub.Rutherford 1758”
\n|:z|(g\/f\/e\/f\/) gd cBAG| FGAB cA A2 | (g\/f\/e\/f\/) gd cBAG| FGAc BG G :|!
\n|:B| DGBG AGBG |DGBG cAAB | cdef gedB| cAdc BG G:|<\/p>\n
X:45
\nT:Spread Eagle,The. JBa.44
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.march
\nO:England
\nA:Carlisle
\nN:This is clearly written and a clear photocopy. No doubt about what is
\nN:written.However….CGr.
\nZ:vmp.C.Graebe.
\nK:C major
\n“_No key sig.”
\n“^See note”Bc | dAG F2D | dAG F2D | dAG F2 D | G2BF2A |!
\nBGE E2 B\/c\/ | dAG F2 D | dAG F2 D | G2BF2A |!
\nAFD D2 :: Bc | d2g2 fed | c3 G| GBF A BAG E2 |!
\nBcd ” cr”g3 |fed c2 A | G2BF2A | AFD D2 ||!
\nzzzz|!
\nK:D major
\n“^Edited version.CGr.”B\/c\/ | dAG F2D | dAG F2D | G2BF2A |\\
\nBGE E2 B\/c\/ |!
\ndAG F2 D |dAG F2 D | G2BF2A | AFD D2 :|!
\n|: B\/c\/ | d2g fed | c3 G3| GBF A3 | BAG E3 |!
\nBcd g3 |fed c2 A | G2BF2A | AFD D2 \ud83d\ude10<\/p>\n
X:46
\nT:More for Beauty than(?) Gear. JBa.45
\nM:4\/4
\nL:1\/8
\nQ:1\/4=120
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Country-dance
\nO:England
\nA:Carlisle
\nN:I don’t know what key signature to choose It seems to vary between 5\/4
\nN:and 7\/4. Or so. 1 – written over this bar is”note down” and the bar is
\nN:written a note above the transcription, so it has been written a note
\nN:down..CGr…I,ve had a go at this, but beware that it is only my
\nN:guess..CGP.
\nH:See Paul’s notes.
\nZ:vmp.C.Graebe.
\nK:C major
\n“_No time\/key sig,see note”
\nd2 (3(fga) f2d2 (fg)(af) | d2 (fga) e2c2 (ef)(ge) |!
\nd2 (fga) f2d2 (fg)(af) | g2 (ag)f2 (gf) | “1”ec (ef)(ge)||!
\nfd Ad fd (fg)(af) | fd Ad ec (ef)(ge) |!
\nfd Ad fd (fg)(af) |g2 (ag) f2 (2(af) e2c2 (ef)(ge) ||!
\nd2 a2 (fg)(af) ad (fg)(af) |d2 a2 (fg)(af) ec (ef)(ge) | !
\nd2 a2 fgaf ad (fg)(af) | g2 (ag) f2 (gf) ec efge ||!
\nzzzz|zzzz||!
\n“^Suggested interptetation-CGP”
\nM:4\/4
\nd2 (f\/g\/a) fd (f\/g\/)(a\/f\/) | d2 (f\/g\/a) ec (e\/f\/)(g\/e\/) |!
\nd2 (f\/g\/a) fd (f\/g\/)(a\/f\/) | g(a\/g\/) f(g\/f\/) ec (e\/f\/)(g\/e\/)||!
\nfd Ad fd (f\/g\/)(a\/f\/) | fd Ad ec (e\/f\/)(g\/e\/) |!
\nfd Ad fd (f\/g\/)(a\/f\/) |g(a\/g\/) f(a\/f\/) ec (e\/f\/)(g\/e\/) ||!
\nda (f\/g\/)(a\/f\/) ad (f\/g\/)(a\/f\/)|da (f\/g\/)(a\/f\/) ec (e\/f\/)(g\/e\/)|!
\nda (f\/g\/)(a\/f\/) ad (f\/g\/)(a\/f\/) | g(a\/g\/) f(g\/f\/) ec (e\/f\/)(g\/e\/) |]<\/p>\n
X:47
\nT:Kendal Gill. JBa.46
\nT:Candle Gill,aka. JBa.46
\nT:Kendal Ghyll,aka. JBa.46
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.jig
\nO:England
\nA:Carlisle
\nZ:vmp.C.Graebe..
\nK:D major
\n“_No time\/key sig”
\nd2e f2g | fed cBA | d2e f2g | agf edc |!
\nd3 def | A3 AGF | G2B A2F | FDD D3 ||!
\nF2F A2F | (A\/B\/c)A cAF | G2G B2G | (B\/c\/d)B dBG|!
\nF2F A2F | (d\/e\/f)d cAF | G2B A2F | EDD D3 |]<\/p>\n
X:48
\nT:Drops of Brandy. JBa.47
\nM:9\/8
\nL:1\/8
\nQ:3\/8=130
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.slip jig
\nO:England
\nA:Carlisle
\nN:Key signature – three sharps shown but I think they are high and low
\nN:F’sand a G. Time signature is given as 6\/8.. CGr…The penultimate
\nN:note in each part may possibly be shown as a dotted crotchet,but since
\nN:there is boubt,I have put it as a crotchet,which makes more sense(to
\nN:me!)..CGP
\nH:See Paul’s notes..
\nZ:vmp.C.Graebe.
\nK:G major
\n“_see note”G>AB B>AB B>AB | G>AB dBG d2g |\\
\nG>AB B>AB B>AB | GAB gdB c2e :|!
\n|:”2nd” G>AB gdB gdB | G>AB gdB d2g |\\
\nG>AB gdB gde | fga cAF c2″^End”e |]<\/p>\n
X:49
\nT:Major,Ye. JBa.48
\nT:Moincoin Jig,aka. JBa.48
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Jig
\nO:England
\nA:Carlisle
\nN:This is the first half of each line of the Moincoin Jig(Not necessarily
\nN:implying that it was the Mooncoin Jig first,of course) Or just what a
\nN:working musician uses to remind him\/her of how the tune goes.(On this
\nN:basis I have added a complete set of repeat marks to stop it playing
\nN:right through..CGP) Key
\nN:signature given as 3 sharps, but two of them are F’s. I think the
\nN:squiggle over the F in the 3rd bar is the shake sign. I’m not sure.
\nN:”1″ Bar line added..CGr….CGP
\nH:See Paul’s Notes..
\nZ:vmp.C.Graebe.
\nK:D Major
\n“_See note”c2A AcA “1” | AcA Bcd | c2A AcA “1” | dBG Bcd :|!
\n|:”2nd” cde efg | (“sh”f2e) fga | cde e(fg) “1” | f2d (Bc)d :|!
\n|:”3rd” c(BA) g3 | (ec)A Bcd | cBA g3 | dBG Bcd :|!
\n|:”4th” e2Ac2A | e2A Bcd | e2Ac2A | dBG Bc” End”d \ud83d\ude10<\/p>\n
X:50
\nT:Kiss her Sweetly. JBa.49
\nT:Kiss Me Sweetly,aka. JBa.49
\nM:C|
\nL:1\/8
\nQ:1\/2=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nZ:vmp.C. Graebe.
\nK:C major
\na\/g\/f\/e\/ cg egce | a\/g\/f\/e\/ cg edde |\\
\n“q’s” a\/g\/f\/e\/ cg eg ce | cA GE C\/C\/C C2 :|!
\n|:EG cG AG cG | EG cA dDDd |\\
\nEG cG EG ga | gede c\/c\/”sq’s”c ” End”c2|]<\/p>\n
X:51
\nT:Welcome here again. JBa.50
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Calisle
\nN:No time or key signature. D major seems logical,- it is in D in the
\nN:Joseph ua Jackson MS 1 – Note added ..CGr.
\nZ:vmp.C.Graebe.
\nK:D major
\n“_no key\/time sig,See note”
\nD2 AF Ac Bd | D2 AF EC CE |\\
\nD2 AF AB de | fd ef d\/d\/d “1”d2 :|!
\n|:”qu’s in ms”(g\/f\/)(e\/d\/) ef afed | cA eA fA eA |\\
\n“qu’s”(g\/f\/)(e\/d\/) ef gf ed | cd ef d2d2 |]<\/p>\n
X:52
\nT:Old Wife K(?)ist and Pa??al?,The. JBa.51
\nM:3\/2
\nL:1\/8
\nQ:1\/2=80
\nC:Hmmm…
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.misc
\nO:England
\nA:Carlisle
\nN:Assigned key signature is an average,(using one of the three
\nN:mathematical definitions of ‘average’)Some difficulty in determining
\nN:note duration..CGr. ..Works better as 3\/2..PR..OK, done.CGP
\nZ:vmp.C.Graebe.
\nK:C major
\n“_No time\/key sig,as writ,see note”
\nc2B E A2 (GF) | d2D2 D | c2B E A2 (GF) E2 C2 (C2 C2) :|!
\n|:c2 Bc Ac (BcdB) | Dc (BcdB) A2 (GF) E2 CC | c2 Bd Ac BcdB |\\
\nA2 (GF) GB FA E2 (CC) :|!
\n|: g2 fd e2(dc) d2 (DD) | g2 fd e2 (dc) E2 (CC)|\\
\ng2 fd e2 dc BcdB | A2 (GF) GB FA E2 CC :|!
\n|:D2 (3(EFG) A2 (G\/F) Fc | D2 (G\/F) A2 (G\/F) EC CE |\\
\nD2 (3(EFG) A2 (G\/F) Fc | D2 (G\/F) A2 (G\/F) GB FA (CC) \ud83d\ude10<\/p>\n
X:53
\nT:Oughterside Rant. JBa.52
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Country-dance
\nO:England
\nA:Carlisle
\nN:Oughterside near Aspatria,Maryport, near Cockermouth, near
\nN:Carlisle..CGr.
\nN:Oughtiside is written at the end of the book as the home of John
\nN:Allison.one of the owners of the book,but not I believe, the copier of
\nN:this tune, which is why I think Joseph Barnes might also have come
\nN:from Oughtiside..CGP..
\nH:See Paul’s notes..
\nZ:vmp.C.Graebe.
\nK:C major
\n“_No key sig,time sig given as 3\/4″
\ng2 fd ec dB | (cB) (AG) GB A2 | (Bc) d2 (EE) |!
\ngfd ec dB | (cB) (AG) GB A2 | (Bc) d2 (DD) ||!
\n(GF2) (AA) (cB) (G2G2) |(FE2) (ee) (dc2) (AA) |!
\n(fgaf) ge fd | ec df (gf)(ec) | d2 (D2D2) |]<\/p>\n
X:54
\nT:Weel take her away without leave of her Minny. JBa.53
\nM:6\/8
\nL:1\/8
\nQ:3\/8=80
\nC:”December 30th 1762”
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Gigg
\nO:England
\nA:Carlisle
\nZ:vmp.C.Graebe.
\nK:F major
\n“_No time\/key sig”
\ne | f>cA cFA | f>cA cag | fcA cFA | (d\/c\/)(B\/A\/)G Bdg :|!
\n|:”‘1st'”c(e\/f\/)(g\/e\/) g(e\/f\/)(g\/e\/)|gec Aag|c(e\/f\/)(g\/e\/) ge\/f\/g\/e\/|!
\ndBG Bdg|ce\/f\/g\/e\/ ge\/f\/g\/e\/|gec Aag |\\
\nfed edc| “qu’s”(d\/c\/)(B\/A\/)G Bdg |]<\/p>\n
X:55
\nT:Stir ye Girls. JBa.54
\nT:Go to Berwick,Johnny?aka. JBa.54
\nM:3\/2
\nL:1\/8
\nQ:1\/2=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.?
\nO:England
\nA:Carlisle
\nN:Although the paired D notes are clearly quavers in th MS, simply
\nN:changing only these as I have done into crotchets, has removed a lot of
\nN:room for misinterpretation, I hope…perhaps the c in bar1 should be
\nN:c#?..CGP
\nH:See Paul’s notes
\nZ:vmp.C.Graebe.
\nK:D major
\n“_No key\/time sigs”(d2 de) (d”?”cBA) (GFED) |\\
\nd2(df) (efge) (fgaf) |!
\n(d2 de) (dcBA) (GFED) |E2(C2C2)E2c2 (cA) :|!
\n|: d2 “qu’s in ms”(D2D2) (EF) AF ED | d2 “qu’s”(D2D2) (EF) ef ge |!
\nd2 “qu’s”(D2D2) (EF) AF ED | E2 C2 C2 E2 c2 (cA) |]<\/p>\n
X:56
\nT:Dumfries Bowling Green. JBa.55
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nC:Here be beasties….
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.jig
\nO:England
\nA:Carlisle
\nN:I’ve assigned it as 6\/8 with ref. to JBa.11…CGP
\nZ:vmp.C.Graebe.
\nK:None
\n“_No key\/time sig,as writ,bar lines wonky,see note” f2 ecA c2 |\\
\n(Bc)(dB) c2 | f ecA c2 d | ecA A2f |!
\necA c2 |(Bc)(dB) c2 | f ecA c2 | d dBG G2 :|!
\n|:c2 (e2e)fg gec efg | c2 (e2e)fg acA A2 |!
\nc2e2 efg gec efg c2 e2 efg | dBG G2 :|!
\n|:AB cGE cGE | cGE G2 AB | cGE cGE AFD D2 |!
\nAB cGE cGE | cGE c2A2 | dBG c2A2 dBG G2 |]<\/p>\n
X:57
\nT:Gigg,A. JBa.56
\nT:Oldham Rant?aka. JBa.56
\nM:4\/4
\nL:1\/8
\nQ:1\/2=120
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.jig
\nO:England
\nA:Carlisle
\nN:1 – At least I think the squiggle in the slur is the sign for a
\nN:shake..CGr…PR suggests ‘Oldham Rant’ from Kershaw..
\nZ:vmp.C.Graebe.
\nK:D Major
\n“_No key\/time sig.Barred as written”
\nf2 (dd) (dc) d2 eg| f2d2d2f2 | g2 (“1″g”sh”fe) |\\
\nf2 d-d (dc) d2 e2 (fg) | af ge d2d2 :|!
\n|:A2 A BA (F”sh”ED) | A2 (Bcd) d2 d2 |\\
\nA2 A2 BA (F”sh”ED) af ge d2d2 |]<\/p>\n
X:58
\nT:I will have a Wife of my Own. JBa.57
\nT:I Have a Wife of my Own,aka, JBa.57
\nM:9\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.slip jig
\nO:England
\nA:Carlisle
\nH:See Paul’s notes
\nZ:vmp.C.Graebe.
\nK:G major
\n“_no key\/time sig”(EFGE) G2 A2(“sh”cB) | (EFGE) G2 B AFD |\\
\n(EFGE) G2 A (c2B2) | AFD D2 B AFD :|!
\n|:G2 cAc BdB | BGE G2 B AFD | G2 cAc BdB |\\
\nAFD D2E AFD :|!
\n|: g2G2 B g2 | (gfe) G2 B AFD |\\
\ng2 G2 B (cB) | AFD D2 B2 AFD ||!
\nzzzzzzzz|zzzzzzzzz||!
\n“^Edited version.CGr”
\n|:(4(EFGE) G2 A(“sh”c2B) | (4(EFGE) G2 B AFD |\\
\n(4(EFGE) G2 A (c2B) | AFD D2 B AFD :|!
\n|:G3 cAc BdB | BGE G2 B AFD | G3 cAc BdB |\\
\nAFD D2E AFD :|!
\n|: g3G2 B g3 | (gfe) G2 B AFD |\\
\ng3 G2 B (c2B) | AFD D2 B AFD \ud83d\ude10<\/p>\n
X:59
\nT:Willie is a Wanting Wag. JBa.58
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nN:Regrettably this bears almost no resemblance to ‘Willie is a wanten
\nN:wag’ in Kerr’s Merry Melodies..CGr.
\nZ:vmp.C.Graebe.
\nK:C major
\n“_No key\/time sig”
\nD\/D\/D AG FG Ac | D\/D\/D AF GE CE |\\
\nD\/D\/D AG FG Ac | dB cA GE CE :|!
\n|:d\/d\/d fd ge fd | d\/d\/d fe ge ce |\\
\nd\/d\/d fd ge fd | e (ag) f ed ce |]<\/p>\n
X:60
\nT:Untitled. JBa.59
\nM:4\/4
\nL:1\/8
\nQ:125
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Country-dance
\nO:England
\nA:Carlisle
\nN:Not sure how to edit this, so we won’t. Paul Roberts thinks he can
\nN:play this in 3\/2 with a bit of imagination…CGP
\nZ:vmp.C.Graebe.
\nK:D major
\n“_No key\/time sigs,as written”
\nfd f(a\/f\/) g2 (ee) g | fd f(a\/f\/) g2 (“sh”g\/f\/e\/) |\\
\nfd f(a\/f\/) g2 (ee) c | B2 A Bc d2 (“sh”cBA) :|!
\n|:dA BG AF (F\/E\/) D | dA Bc (“sh”dcBA) |\\
\ndA BG A2F2 (F\/E\/) D | E>D EF G2 (“sh”FED) |]<\/p>\n
X:61
\nT:March. JBa.60
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.march
\nO:England
\nA:Carlisle
\nN:You’ll have to work it out yourself!
\nZ:vmp.C.Graebe.
\nK:D major
\n“_No key\/time sig,as written”
\n(BA) G2 F2 DF | A2 FA d2 Bd | f2 df a2 gf e2 eee2 |(BA) G2 F2 DF |!
\nA2 FA B2 ge (dc) | A2B2 ag f2 ge | cA d2 dd d2 | A2 (de) fd BcdB |!
\nAF dc AG F2 FA dc BA GF | E2 EF E2 (BAG) (F2 DF) |!
\nA2 FA B2 (dc) (ed3) (cBA) B a gf ge | cA d2 ddd ||!<\/p>\n
X:62
\nT:John’s Friends is Never Pleas’d. JBa.61
\nT:Jack’s Friends is..etc,aka. JBa.61
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nZ:vmp.C.Graebe.
\nK:Gmix
\n“_No key\/time sig”
\n(ef) | gd ec Bg eG | G2 (c\/B\/)(A\/B\/) c2 E2E2 |\\
\n(ef) gd ec Bg eG G2 (cBA) A2 D2D2 :|!
\n|:G2 (cB) G(B\/c\/) dB | G2 (cB) c2 E2 E2 |\\
\nG2 (cB) GB dB | D2 A2 (G\/F\/) D2D2 ||!
\nzzzz|zzzz||!
\n“^edited version,CGP”
\n(e\/f\/) |: gdec BgeG | G2 (c\/B\/)(A\/B\/) cE E(e\/f\/)|\\
\ngdec BgeG| G2 (c\/B\/A) AD D2 :|!
\n|:G2 (cB) G(B\/c\/) dB | G2 (cB) cE E2 |\\
\nG2 (cB) GBdB | D2 A(G\/F\/) ADD2 \ud83d\ude10<\/p>\n
X:63
\nT:Minuet,A. JBa.62
\nM:3\/4
\nL:1\/8
\nQ:3\/4=60
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.minuet
\nO:England
\nA:Carlisle
\nN:1 – shown dotted 2 – bar line here 3 – not shown as grace notes
\nZ:vmp.C.Graebe.
\nK:None
\n“_No key\/time sig”
\n(ef) | g2 gggg | d2 dddd | G2 GGGG | GA “1”D4 |!
\nG2 GB Ac | B2 GB “2” (AB\/c\/) | d2 ed cB | {B}A4 :|!
\n|:(fg) | a2 aaaa | a2g2f2 | “3”{ga} b2 bbbb | b2a2g2 |!
\nde dc Bc | de dcBg | “sh”(cB) A2 G2 |”_bar added” A4 \ud83d\ude10<\/p>\n
X:64
\nT:Guinea Corn. JBa.63
\nM:7\/4
\nL:1\/8
\nQ:1\/2=115
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.misc.
\nO:England
\nA:Carlisle
\nN:Guinea Corn = Sorghum Wheat
\nH:See Paul’s notes..
\nZ:vmp.C.Graebe.
\nK:D major
\n“_No key\/time sig,as writ”
\nd2 (f2f2) (d c2) (e2e2) c2 | d2 (f2f2) d2 c2 (A2A2) |\\
\nd2 (f2f2) d c2 (e2e2) | (BcdA) B2 G2 F2 (D2D2) :|!
\n|:(FG) A2A2 BG (c2A2A2) | FG A2A2 BG F2 (D2D2) |\\
\n(FG) A2A2 BG c2 (A2A2) | (Bc)(BA) AG F2 (D2D2) \ud83d\ude10<\/p>\n
X:65
\nT:Britan. JBa.64
\nM:3\/4
\nL:1\/4
\nQ:3\/4=60
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nN:Well I think it sounds wierd in A major
\nH:Pipes compatible-PR..
\nZ:vmp.C.Graebe.
\nK:A minor
\n“_No key\/time sig”
\nE | AAB | c A\/B\/c\/d\/ | eea | g f\/g\/ e |!
\naaa | eee | d\/e\/f\/e\/d\/c\/ | B3:|!
\n|:g | g a\/g\/f\/e\/ | f g\/f\/e\/d\/ | e f\/e\/d\/c\/ | dGg |!
\ng>a g | ecd | e f\/e\/d\/c\/ | c2 d |!
\ne f\/e\/d\/c\/ | d e\/d\/c\/B\/ | c d\/c\/B\/A\/ | GEA | !
\nA2B | c\/d\/e\/ d\/c\/B>A | A3 \ud83d\ude10<\/p>\n
X:66
\nT:Untitled. JBa.65
\nM:4\/4
\nL:1\/4
\nQ:1\/2=100
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nZ:vmp.C.Graebe.
\nK:A minor
\n“_Time given as 2\/4.No key given”
\nE | cccA | e\/d\/e\/f\/ e f\/g\/ | acBe | cB\/c\/ AE |!
\ncccA| e\/d\/e\/f\/ e f\/g\/ | acBA | A3 ||!
\na a>A a | ggGg | gfed | e4 |e e\/e\/ ea | d4 |!
\nc c\/c\/ ce | B4 | cB A\/B\/c\/d\/ |\\
\ne\/d\/e\/f\/ ea | gabg | a2a2 |]<\/p>\n
X:67
\nT:Brandy Bottle. JBa.66
\nM:4\/4
\nL:1\/4
\nQ:1\/2=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nZ:vmp.C.Graebe.
\nK:G major
\n“_No key or time signature”G(c\/4B\/4)(A\/4G\/4) (B\/d\/c\/B\/) |\\
\nG (c\/4B\/4A\/4G\/4) F\/A\/ F\/D\/ | G (c\/4B\/4A\/4G\/4) B\/d\/ (c\/B\/) |\\
\nc\/A\/ B\/d\/ F\/A\/ F\/D\/ :|!
\n|:”1st” E\/c\/ (c\/4B\/4)(A\/4G\/4) E\/c\/ B |\\
\nE\/c\/ (c\/4B\/4)(A\/4G\/4) F\/A\/ F\/D\/|\\
\nE\/c\/ (c\/4B\/4)(A\/4G\/4) E\/c\/ tr(c\/B\/) | c\/A\/ B\/d\/ F\/A\/ F\/D\/ :|!
\n|:”2nd”(g\/4f\/4)(e\/4f\/4) g\/G\/ (B\/d\/ “tr”c\/B\/) |\\
\n(g\/4f\/4)(e\/4f\/4) g\/G\/ F\/A\/ F\/D\/ |\\
\n(g\/4f\/4)(e\/4f\/4) g\/G\/ B\/d\/ (“tr” c\/B\/) | c\/A\/B\/d\/ F\/A\/ F\/D\/ :|!
\n|:”3rd”(E\/4F\/4G\/4E\/4) C\/E\/ G\/E\/ c\/G\/ | E\/4F\/4G\/4E\/4 C\/E\/ D\/A\/ F\/D\/|\\
\n(E\/4F\/4G\/4E\/4) C\/E\/ G\/E\/ c\/G\/ | F\/A\/ B\/d\/ F\/A\/ F\/D\/ \ud83d\ude10<\/p>\n
X:68
\nT:Jack of Ye Green. JBa.67
\nT:John of the Greeny Cheshire Way,aka. JBa.67
\nM:3\/4
\nL:1\/8
\nQ:1\/4=150
\nC:”December 28th 176…”?
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.misc
\nO:England
\nA:Carlisle
\nN:Last digit of date illegible. This is written under the tune
\nN:1=dotted crotchet in ms
\nZ:vmp.C.Graebe.
\nK:D major
\n“_No key\/time sig,as writ”CE DF EG | F2 A-A EA | (GF) “NB”D4 |\\
\nCE DF Ec | d2 (dd) dA | (GF) D3 :|!
\n|:d2 f ecA | (Bc)(dB) (cde) | E G F2 D2 |\\
\nd2 f eBA |(fg)(af) d2 | E G F2 D2 :|!
\n|: (fg)(af) efge | fgaf {d}e |\\
\nEG F2 D2 | fgaf efge | fgaf d2 | E G F3 \ud83d\ude10<\/p>\n
X:69
\nT:Keely Krankie. JBa.68
\nT:Killiecrankie. JBa.68
\nM:C|
\nL:1\/8
\nQ:1\/4=120
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nN:G mixolydian?
\nZ:vmp.C.Graebe.
\nK:C Major
\n“_No key given”EF | G3A G2 EF | G3A G2 EF |\\
\nGFED CDEF |G8 |!
\nA3B A2G2 | c3 B A2G2 |\\
\nc3d edcB |A6 ef |!
\ng2e2g2c2 | d2c2d2e2 |\\
\nc2A2c2E2 |G4 G3 B |!
\nA4 c4 | d2c2d2e2 | c2A2 c3 E | D4 C3 :|!
\n|:ef | gfga g2 (ef) | gfga g2 ef |\\
\ngfed cdef | g8 |!
\na2b2a2g2| c’2b2a2g2 |\\
\nagfe defg | a4 a2 G2 |!
\ncBcd edef | gfga g2 fe |\\
\nd2 c2 G2 E2 | G4 G3 B |!
\nA4c4 | d3 c d2e2 | (c2A2) c3 E | D4 C \ud83d\ude10<\/p>\n
X:70
\nT:(..?) Married if ye go your way(?). JBa.69
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.misc
\nO:England
\nA:Carlisle
\nN:Title not very legible
\nZ:vmp.C.Graebe.
\nK:None
\n“_No key\/time sig,as writ”E2 DEG | GAB ded | dBG cBA | ABA | GEF G4 :|!
\n(dcB) c2d2 |def gag | gdc Bcd | d2e f2a 2A2A2A2 |!
\n(dcB) c2d2 | def gag |gdc dcB | A2 dc B2 G2 G G4|]<\/p>\n
X:71
\nT:Minuet. JBa.70
\nT:?.aka. JBa.70
\nM:3\/4
\nL:1\/4
\nQ:3\/4=60
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.minuet
\nO:Carlisle
\nA:England
\nN:1 – barline not shown
\nZ:vmp.C.Graebe.
\nK:D Major
\n“_No time or key signature given”
\nA | d (f\/d\/) (f\/d\/) | d e f | A (B\/c\/)(d\/B\/) |\\
\nAGF | D (D\/F\/)(E\/G\/) | “sic”F\/ A\/ GFE :|!
\n|: (A\/F\/) (D\/F\/) (A\/c\/) |”1″BAG|\\
\n(B\/G\/) (E\/G\/) B\/d\/ |\\
\ncBA | (e\/c\/) (A\/c\/) (e\/g\/) | fed | {d\/4e\/4f\/4g\/4} “sic”fed |]<\/p>\n
X:72
\nT:Maidenhead is a Folly. JBa.71
\nM:4\/4
\nL:1\/8
\nQ:1\/4=125
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Country-dance
\nO:England
\nA:Carlisle
\nN:Not really enough to go on for me to reconstruct..CGP.
\nZ:vmp.C.Graebe.
\nK:G major
\n“_No key or time signature,as writ”c | BG AF G2 GB |\\
\nBG AF FA “qu”c2 | BG AF G2 GB | AF DG FA ||!
\nA2 d-d e d2 | A2 d-d e (cdec) | A2 d-d e2 (dc) |\\
\nd D-D (GF) A2|]<\/p>\n
X:73
\nT:Mopping Nelly,Part of. JBa.72
\nM:3\/2
\nL:1\/4
\nQ:1\/2=140
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nN:….this bit is on a spare line at the bottom of the page and I haven’t
\nN:found the other bit yet..CGP
\nZ:vmp.C.Graebe.
\nK:Ador
\n“no key\/time sig”dg Ba AF (AB)(cA) \ud83d\ude10 DG cA BG B2 (dB) |
\nDG cA cF A2 (cA) | DG cA BG B2 (dB) dg Ba AF A2 (cA) |]
\n“^Incomplete, but sounds promising..So…”
\nzzzzzz|zzzzzz|
\n“^Edited by CGP”
\n|:dg Ba AF| (A2B2)(cA) |dg Ba AF| (A2B2)(cA) \ud83d\ude10
\n|: DG cA BG| B2 B2 (dB) |DG cA cF|A2 A2 (cA) |
\nDG cA BG|B2 B2 (dB)| dg Ba AF|A2 A2 (cA) \ud83d\ude10<\/p>\n
X:74
\nT:Grand Turks March,The. JBa.73
\nT:Capt. Brown’s March,aka. JBa.73
\nT:Bodmin Riding March,aka. JBa.73
\nM:C|
\nL:1\/8
\nQ:1\/2=60
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nN:1 – no end bar line, but ‘the End’ written above the stave
\nN:The ‘2’ is not a note, it’s a figure written above the double bar.
\nN:The similarity to Capt. Brown’s\/Bodmin Riding was pointed out by Paul
\nN:Roberts..
\nZ:vmp.C.Graebe.
\nK:D Major
\nA2 dd dgfe | dcde d2 de | f2f2 fagf | fefg f2 fg | a2 AA Aagf |!
\ng2 AA Agfe | fefg fagf | {f} e6 (cd) | edef e2 fe | dcde c2 B2 |!
\nc2 (fg) e2 d2 | c2 (ef) e2 d2 | ((3cBA) ((3dcB) c2 “tr”B2 |\\
\nA2 AAAA A2||!
\n“2” E2 | A2 AA AcBA | A^GAB A2 AB | c2 cc cedc | cBcd “tr”c2 cd |!
\ne2 EE Eedc | d2 EE EdcB | cBcd cedc | {c} B6 fg |!
\na2AA Aagf | g2 AA Agfe |fefg fagf | {f}e6 fg |!
\ngfga (g\/a\/b) ag | fefg (f\/g\/a) ag | fgab “tr”f2e2 |\\
\nd2 d ddd”1” d2 |]<\/p>\n
X:75
\nT:Scotch Song,A, JBa.74
\nM:C
\nL:1\/8
\nQ:1\/2=70
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nW:Ah why did Jockey gang away and leave his love behind him
\nW:So far in distant climes to stray where Jane could never find him
\nW:Where thundring canons they do roar and drums so loudly rattle
\nW:Where verdant fields are all in gore by some most famous battle
\nW:By some most famous battle..
\nZ:vmp.C.Graebe.
\nK:F major
\nF2 | C3D F3G | A2 GF B3d | c<A G<F F2 E<D |!
\nE>FG2 z E<D |C3D F3G | A2 c2 d3 f |!
\nc3 “cr”d (c<A) (G<F) | D2 F2 z2 A>B |c3 d (c<A) (G<F) |!
\nd2 f2 f3 c | f2 c2 B<A G<F | (EF) G2 z2 c2 |!
\n(d<B) (f<d) c<A G<F | d<B f<d {d}c2 C2 | (D<E) (F<G) (B<A) (G<F) |!
\nB2d2 z2 f2 | c3 d c<A G<F | D2F2 z2 |]<\/p>\n
X:76
\nT:Good fellow still,A. JBa.75
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nN:SS – this is as written in the manuscript. Too uncertain to edit.
\nZ:vmp.C.Graebe.
\nK:G major
\n“_No key or time signature”
\nD2 | G2B2A2 Ac | B2 Bc d2 Bc | dc B2c2″SS”d3 |\\
\n|Bc d2 d-d d2 cB | AB cd c2 BA |!
\nG2 (Bd) c2B2A2 |\\
\nD2G2 (BG) A2 (Ac) | B2 (Bc) d2 (ef) | g2 (3(fed) B2A2G3 ||!<\/p>\n
X:77
\nT:I.m.w.t.Fiddle Says JBa.76
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nC:”I am what the Fiddle says”(?)
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Country-dance
\nO:England
\nA:Carlisle
\nN:The title, if that is what it is, is written on the stave at the end
\nN:of
\nN:the tune. 2 – not marked as triplets..CGr. Paul suggests that this is
\nN:early text messaging for I Am.. etc as per S.W.A.L.K.
\nH:PR- pipe compatible
\nZ:vmp.C.Graebe.
\nK:Bm
\n“_time signature given as 6\/8.See note re triplets”
\ne>fe>g f>af>a | e>fe>f (dA) d2 | e>fe>g f>af>a |\\
\ndedc BG B2 :|!
\n|:(3(Bcd) e2 (3(dcB) a2 | (3(Bcd) ed BG B2 |\\
\n(3(Bcd) e2 (3(dcB) g2 |(3(Bcd) d2 BG B2 \ud83d\ude10<\/p>\n
X:78
\nT:Pilgrim,The. JBa.77
\nT:New Pilgrim,aka. JBa.77
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.march
\nO:England
\nA:Carlisle
\nN:Not clear, may be New Pilgrim
\nZ:vmp.C.Graebe.
\nK:D major
\nd2d e2e | fd z z2 A | Bcd A2 G | FDzz2 c |!
\ndcd ede |f2e “tr” c3 |dfe dcB | A3 A3 :|!
\n|: A | A2 A AGF | G2 B e2G |G2G GFE |F2 A d2F |!
\nGAB AFD | B2cd3 | egf gec | d3 d3 |]<\/p>\n
X:79
\nT:Harmony. JBa.78
\nT:Elsie Marley,aka. JBa.78
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.jig
\nO:England
\nA:Carlisle
\nN:It’s either a variant of Elsie Marley or a harmony to it.
\nZ:vmp.C.Graebe.
\nK:C major
\nB2 A G2G | (gdc) B2A | G2BA2B | c3 B2A |!
\nG2AG2g | (gdc) c2g |B2 g A2B”single crot in ms” |c3c3 ||!
\nB2c d2d | d2g gdc | B2c d2 d | efg f2e |!
\nd2cB2d |(gdB) B2g | B2gA2B”single crot in ms”| c3c3 |]<\/p>\n
X:80
\nT:True Blue. JBa.79
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nW:Come all you brave sportsmen I’d have you draw near
\nW:All to my song you quickly shall hear
\nW:Of a wonderful match which appeared to our view
\nW:That was run by the gallant ……?….? .true blue
\nZ:vmp.C.Graebe.
\nK:E minor
\n“_No time sig”B2 e3 f e2 |\\
\ng3 f e2 d2 | B3 B B4 |\\
\nB2 d3 A2 G2 | F2 A3 A G2 | F2 G2 E6 | !
\nE2 E F2 E\/4 F2 | G2F G2A2 | B2A2 g4 | f2 f g2 f |\\
\ng2 e3 f g2 d2 | B2 G2 E4 |]<\/p>\n
X:81
\nT:Prodsdan Boys(?). JBa.80
\nT:Lillbulero,aka. JBa.80
\nT:Protestant Boys,aka. JBa.80
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.march
\nO:England
\nA:Carlisle
\nN:Also aka Jolly Companions.
\nZ:vmp.C.Graebe.
\nK:G major
\n“_No key\/time sig” GAG c2B | AGA2c4 |\\
\nBdG c2 B | AGF2 G4 :||: gag2g2d | ege2 d2d |!
\ngag2gd |\\
\ne2d2c2 d4 | edc2 Bc d2 | dg G2 cB A2G2F2 G4 ||!<\/p>\n
X:82
\nT:Bonners Maggot. JBa.81
\nT:Byer’s Maggot,aka. JBa.81
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nN:1 – Not shown as triplet..CGr
\nZ:vmp.C.Graebe.
\nK:G major
\n“_No key\/time sig”GDDE GABG | AFED ABcA |\\
\nBGGA BcdB | cA dB G2G2 :|!
\n|:”1″(3(B\/c\/d\/) d2 BcdB |”1” (3(c\/d\/e\/) e2 cdec |\\
\n“1”(3(B\/c\/d\/) d2 (3(e\/f\/g\/) g2 | cAdB G2 G2 \ud83d\ude10<\/p>\n
X:83
\nT:Untitled. JBa.82
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nC:At end is written ‘November 20 1769’
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.march
\nO:England
\nA:Carlisle
\nN:The S and DC markings are in the manuscript 1 – almost illegible
\nH:PR – Could be pipe tune.1st part ok,2nd part is same as 1st.
\nZ:vmp.C.Graebe.
\nK:A minor
\n“_No key\/time sig,as writ,See note”
\nA | dAd fdf | a4g2 | fed faf | e4″S”A | dAd fdf |”DC” a4g2 |!
\nfed fge | “S”d6 |\\
\nfg | afg aba | gef gag | fed faf | e4″1st”A2 :|!
\n|: A,2 DA,D FDF | A3G3 |FED FAF E\/A,\/ |\\
\n“S” DA,D FDF | ” Dacapo”A3G3 | FED FGE |!
\n“S 1″D4 Fg | AFG ABA |\\
\nGEF GAG | FED FAF | E4A,2 |]<\/p>\n
X:84
\nT:Peace and Plenty. JBa.83
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nN:1 – not marked as triplet
\nZ:vmp.C.Graebe.
\nK:F major
\n“_Time given as 6\/8 and 2\/2”
\nFAcf “tr”c2 BA |\\
\nf2 “1” (3(agf) gG G2 | FAcf “tr”c2 BA |BG cA F\/F\/F F2 || !
\nfc fg a2 gf | ecgc acgc | fcfg a2 gf | cfeg f\/f\/f f2 |!
\nfcfg a2 (a\/g\/f) | gfga ba ga | fdcB A2 fd | cABG F\/F\/F F2 |]<\/p>\n
X:85
\nT:Creef Fair. JBa.84
\nT:Crieff Fair,aka. JBa.84
\nM:C|
\nL:1\/8
\nQ:1\/2=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.reel
\nO:England
\nA:Carlisle
\nN:The tune above this one is in F major, and ‘Crief Fair’ in J. Aird
\nN:Vol 3. Pub in the 1780’s is in D minor..CGr.
\nZ:vmp.C.Graebe.
\nK:D minor
\n“_No key\/time sig,see note”AB AG FG A2 | (cdcA) (cd) cA |\\
\nABAG FG Ac |fd ec d\/d\/d d2 ||!
\ndefg af ge | fdcA FGAc | defg afge | fdec d\/d\/d d2 |!
\ndefg afge | fdcA FGAc | AcFc A\/A\/A ag | fdec d\/d\/d d2 |]<\/p>\n
X:86
\nT:Porto Bello. JBa.85
\nM:C|
\nL:1\/8
\nQ:1\/2=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Country-dance
\nO:England
\nA:Carlisle
\nN:’A’ music very similar to Portobellos Rant in Joseph ua Jackson MS
\nN:1798
\nN:B music faintly similar.
\nZ:vmp.C.Graebe.
\nK:G major
\n“_No key\/time sig” G2 GG G2 FE | DCB,A, G,4 |\\
\nA2AB A2 GA | cBAGE4 |!
\nG2 GG G2 FE | DCB,A,G,4 | G2 (BG) D2 c2 | (BG) (AF) G4 :|!
\nB2 d2-d2 c B | cBcd e4 | d2 cB A2 GF | FG (AF) D4 |!
\n“qu’s in ms………..”B,2d2 A,2c2 |\\
\nG,2B2 D2 (EF) | G2 FE D2 CB, | B,CDG, G,4 ||!<\/p>\n
X:87
\nT:Fond Shepherd,The. JBa.86
\nM:3\/4
\nL:1\/8
\nQ:1\/4=90
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Air
\nO:England
\nA:Carlisle
\nN:1 – Shown as two quavers 2 – bar line not shown 3 – bar line shown here
\nW:1 My fond shepherds of late were so blest
\nW:The nymphs were so happy and gay
\nW:That each night they went early to rest
\nW:And they merrily sung through the day
\nW:But Oh what a scene must appear
\nW:Must the sweet rural pastimes be o’er
\nW:Must the taber the taber no more strike the ear
\nW:Must the dance on the green be no more.
\nW:2 Must the flocks from their pastures be led
\nW:And the herds go wild straying abroad
\nW:Must the looms be all stopt in each shed
\nW:And the ships be all moored in each road
\nW:Must the Arts be all scattered around
\nW:And must commerce grow sick of her tide
\nW:Must religion expire on the ground
\nW:And shall virtue sink down by her side.
\nZ:vmp.C.Graebe.
\nK:A minor
\nE c | B2A2G2 |\\
\nA2c2B2 | c4 A e | (ed) c2 B2 |!
\ng3 e d2 |e4 E c | B2A2 ^G2 | A4 “1” c B |!
\nc4 B A |g3 f e2 | (3(cBA) G2 F2 | E4 :|!
\n|: “2”e2 |f4 dc | B2c2d2 | e4 “3” c G |!
\nB2f2e2 |d2c2B2 | c4 e d | c2 B2A2 | d2c2d2 |!
\ne3 A B |c4 d f | (ea) (ec) BA | (3(fed) c2 B2 | A4 |]<\/p>\n
X:88
\nT:Shamtrues. JBa.87
\nT:Gin ye kiss my wife,I’ll tell the Minister,aka. JBa.87
\nT:Sean Triubhas,aka. JBa.87
\nM:4\/4
\nL:1\/4
\nQ:1\/2=80
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.Misc
\nO:England
\nA:Carlisle
\nN:Also aka Devil stick the minister,aka shaun truish willichan.1 – No bar
\nN:line 2 – Not marked as triplet 3 – is it a mistake, a chordor an
\nN:alternative 4 – Starred notes shown as crochets and no bar line.5 –
\nN:Shown as crochets..CGr.
\nH:See ‘The Caledonian Companion’ – two part version. ‘This was originally
\nH:a tune for the Sean Triubhas, an ancient highland dance . . .’ This
\nH:version transposed to same notes as MS would be in F major – or a mode
\nH:having that key signature. Is ‘Shambuco’ a phonetic mishearing of ‘Sean
\nH:Triubhas’?CGr.
\nZ:vmp.C.Graebe.
\nK:None
\n“_No key\/time sig,see note”A,D\/-D\/ (F\/E\/) C |\\
\nF (E\/D\/) G\/E\/ C\/E\/ | A, D\/D\/ (F\/E\/) C “1” |\\
\nF”2″ (3(F\/E\/D\/) C A,\/A,\/ :||:!
\nA\/c\/ A\/F\/ G\/B\/ G\/E\/ |A\/c\/ A\/F\/ G”3″ (E\/E\/) |\\
\nA\/c\/ A\/F\/ G\/B\/ G\/E\/|F (E\/D\/) C A,\/A,\/ ||!
\nA d-d f\/ e A | f (e\/d\/) g\/e\/ c\/e\/ |\\
\n“4”A “*”d\/-“*”d\/ f e\/c\/ | f (“*”e\/”*”d\/) c “*”A\/”*”A\/ ||!
\nf “5”(g\/4f\/4e\/4d\/4) e “5”(a\/4g\/4f\/4e\/4) |\\
\na “5”(b\/4a\/4g\/4f\/4) g (“*”e\/”*”e\/) |\\
\na (“5″b\/4a\/4″*”g\/4″*”f\/4) g (“5″a\/4g\/4f\/4e\/4) |\\
\nf (e\/d\/) A A\/-A\/ |]<\/p>\n
X:89
\nT:Paddy Wack. JBa.88
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nC:Distinctly different hand
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.jig
\nO:England
\nA:Carlisle
\nN:This is definitely in a very much younger\/less literate hand.
\nZ:vmp.C.Graebe.
\nK:G major
\n“_Numbers shown are in MS”
\nGBd gfg | edc BAG | GBd gfg | fdd def |!
\ngfg fdB | cec dBG |BBB cAd | BGG “2”G3 :|!
\n|: (B\/c\/)dB (c\/d\/)ec | dcB {B}A2G |Bcd efg | fdd def |!
\ngfg fdB | cec dBG | BBB cAd | BGG G3 \ud83d\ude10<\/p>\n
X:90
\nT:Haste to the Wedding,aka. JBa.89
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nC:The Different Hand
\nS:Joseph Barnes MS,Carlisle,1762.
\nR:.jig
\nO:England
\nA:Carlisle
\nN:The last tune in the book.
\nZ:vmp.C.Graebe.
\nK:D major
\n“_Untitled in MS”
\nA | AFG Aaf | ede fdB | AFA B\/c\/dF | EEE E2A |!
\nAFG Aaf |ede fdB | AFA B\/c\/dF | DDD D2 :|!
\n|:f\/g\/ | afa afa | bgb bgb|afa agf | eee e2 f\/g\/ |!
\na3 f3 | ede fdB | AFA faf | ddd d2 \ud83d\ude10
\n% Output from ABC2Win Version 2.1 k on 26\/04\/2004<\/p>\n","protected":false},"excerpt":{"rendered":"
%abc %%abc-alias Joseph Barnes MS %%abc-creator ABCexplorer 1.5.0 [11\/04\/2012] %Transcribed to ABC for www.village-music-project.org.uk %VMP C.Graebe, 2002 %Revised 26\/4\/2004 %Revised again 11\/2008 %Revised again 12\/2009 X:1 T:Count F…?’s March. JBa.01 M:C| L:1\/4 Q:1\/2=100 S:Joseph Barnes MS,Carlisle,1762. R:.march O:England A:Carlisle N:1 – grace note shown as a crochet Z:vmp.C.Graebe. K:G Major “_sh = shake. See pages … Continue reading BARNES, Joseph ms ABC<\/span>