%abc
\n%%abc-alias Bennet MS
\n%%abc-creator ABCexplorer 1.3.8 [07\/09\/2010]
\n%Thomas Bennet MS,1718,VWML
\n%Transcribed to ABC for www.village-music-project.org.uk
\n%VMP, 25\/04\/2004, Cherri Graebe.
\n%Revised 11\/2008
\n%Revised 12\/2009<\/p>\n
X:1
\nT:Prelude by Dean(01). TBe.001
\nM:4\/4
\nL:1\/16
\nQ:1\/4=120
\nC:Mr. Thomas Dean.
\nS:Thomas Bennet MS,1718, VWML
\nR:.misc.
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:G minor
\n“Gamut flat=Gminor.No time sig.” A4B4d4A4 |\\
\nB4G4g4d4 | e4c4a4=e4 | ^f4d4 gfec ABcA |!
\ndcBA GABG cdec ABcA | abag ^f=efd gabg cdec |!
\nfgaf BcdB efge ABcA | d2A2 B2G2 g2d2 e2c2 |!
\na=e^fg fefd gdec dABG |\\
\nDg^fg aga=e g6 f2 |g2G2B2d2 g8 |]<\/p>\n
X:2
\nT:Prelude by Dean(02). TBe.002
\nM:4\/4
\nL:1\/8
\nQ:1\/4=120
\nC:Mr. Thomas Dean
\nS:Thomas Bennet MS,1718, VWML
\nR:.misc.
\nO:England
\nN:1 – two more or less horizontal dashes over the note – like a
\nN:slightly slanted equal sign, meaning a “Backfall”..see Playford…
\nH:1718
\nZ:vmp.C. Graebe..
\nK:G Major
\n“^Gamut sharp=G major.No time sig.”\\
\nG2B2d2B2 | g2d2e2B2 |\\
\nc2A2d2A2 | B2G2gfed |!
\ncBcA dedc | BABG ceae |\\
\n^cafd gdeB | ^ceac gb dg |!
\nBd GB DG B,D | G,gfg “^=NB”g3 f | gGBd g4 |]<\/p>\n
X:3
\nT:Prelude by Dean(03). TBe.003
\nM:4\/4
\nL:1\/16
\nQ:1\/4=120
\nC:Mr. Thomas Dean
\nS:Thomas Bennet MS,1718, VWML
\nR:.misc.
\nO:England
\nH:1718
\nZ:vmp.C. Graebe.
\nK:A minor
\n“^Are natural=A minor.No time sig.”\\
\nA4B4c4A4 | ^G4B4e4B4 | c4A4a4e4 | ^d4B4b4^f4 |!
\n^g4e4 E2F2G2E2 | e2E2G2E2 A2B2c2A2 | a2A2c2A2 B2A2^G2E2 |!
\na2g2f2d2 g2f2e2c2 | f2e2d2B2 e2d2c2A2 | d2c2B2G2 c2B2A2F2 |!
\nB2A2^G2E2 agfd gfec | fedB edcA dcBG cBAF |!
\nagfe defd gfed cdec | fedc BcdB edcB ABcA |!
\nBcBA ^G^FGE ABcA BcdB |\\
\ncdec defd efge fgaf |!
\n^g6 ^fg a2A2c2e2 | a8 |]<\/p>\n
X:4
\nT:Prelude by Dean(04). TBe.004
\nM:4\/4
\nL:1\/16
\nQ:1\/4=120
\nC:Mr. Thomas Dean
\nS:Thomas Bennet MS,1718, VWML
\nR:.misc.
\nO:England
\nN:Key signature shows F and G sharp in higher and lower octaves.
\nH:1718
\nZ:vmp.C. Graebe..
\nK:A major
\n“^Are sharp=A mojor.No time sig.”\\
\nA4c4e4B4 | g4e4a4e4 | f4e4c4A4 |\\
\ne2(EF)G2E2 A2B2c2A2 |!
\na2(AB) c2A2 e2f2g2e2 | b2(Bc) ^d2B2 “^s\/q’s in ms”e2f2g2e2 |\\
\nBcBA GAGE ceag aeag |!
\nfedc Bdgf gdgf edcB |Acfe fcfe dcBA GBed |!
\neBed cBAG ceae ceae |^dgbf dfbf egbg egbg |!
\nceae ceae aAcA eEGE | \\
\nz2B2 (=c2B2) z2B2 (=c2B2) | A,2A2C2E2 A8 |]<\/p>\n
X:5
\nT:Prelude by Dean(05). TBe.005
\nM:4\/4
\nL:1\/8
\nQ:1\/4=120
\nC:Mr. Thomas Dean
\nS:Thomas Bennet MS,1718, VWML
\nR:.misc.
\nO:England
\nN:Heading ‘Bmi Flat’ The other prelude on the page is ‘Bmi Sharp’
\nN:(TBe.006). This appears to be Bb major, and TBe.006, ‘Bmi
\nN:sharp’ appears to be B major. There also appears to be very little
\nN:difference between commas , and full stops . in this typeface.
\nH:1718
\nZ:vmp.C. Graebe..
\nK:Bb major
\n“^Bmi flat.see notes.No time sig.”\\
\nB2F2D2B,2 | DFBD EGEC | EGcG AcAF |\\
\nBd GB ce Ac | df Be eg AF |!
\nfb df zc (_dc) |\\
\nAFzc (_dc) AF | “^d flat in ms”dc fb df Bd | BB,DF B2 |]<\/p>\n
X:6
\nT:Prelude by Dean(06). TBe.006
\nM:4\/4
\nL:1\/8
\nQ:1\/4=120
\nC:Mr. Thomas Dean
\nS:Thomas Bennet MS,1718, VWML
\nR:.misc.
\nO:England
\nN:Heading is ‘Bmi Sharp’. With all the accidentals it appears to be in
\nN:B major, but I have left the key signature and accidentals as shown, as
\nN:otherwise I have to put a lot of naturals in and it is better to leave
\nN:it as it is.
\nH:1718
\nZ:vmp.C. Graebe..
\nK:D major
\n“^Bmi sharp.see notes.No time sig.”\\
\nB2c2d2B2 | f2^g2a2b2 | ba^gf edcB |\\
\n^Acfc dfgd |!
\neG cB ^Acfe | ^db dB d\/f\/b\/f\/ d\/f\/b\/f\/ |\\
\ngdec ^AF^DF | BB,DF B4 |]<\/p>\n
X:7
\nT:Prelude by Dean(07). TBe.007
\nM:4\/4
\nL:1\/16
\nQ:1\/4=120
\nC:Mr. Thomas Dean
\nS:Thomas Bennet MS,1718, VWML
\nR:.misc.
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:C Major
\n“^C faut natural= Cmaj.No time sig”\\
\nc4e4g4e4 | B4d4g4B4 | A4c4f4A4 |!
\nc2e2g2e2 a2g2f2e2 |\\
\ng2f2e2c2 f2e2d2B2 |e2d2c2A2 d2c2B2G2 |!
\nagfe defd gfed cdec | fedc BcdB edcB ABcA |!
\ndcBA GABG cege cege | c2C2E2G2 c8 |]<\/p>\n
X:8
\nT:Prelude by Dean(08). TBe.008
\nM:4\/4
\nL:1\/8
\nQ:1\/4=120
\nC:Mr. Thomas Dean
\nS:Thomas Bennet MS,1718, VWML
\nR:.misc.
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:C minor
\nc2d2e2c2 | g2d2e2c2 | ^F2A2d2A2 | B2G2g2d2 |!
\ne2c2 cGAF | agfd gfec | fedB cege |!
\nBdgB AcfA |^FAdA gdec | CDEC GG,B,G, |!
\nccec gGBG | gdec dABA | cCEG c4 |]<\/p>\n
X:9
\nT:Prelude by Dean(09). TBe.009
\nM:4\/4
\nL:1\/16
\nQ:1\/4=120
\nC:Mr. Thomas Dean
\nS:Thomas Bennet MS,1718, VWML
\nR:.misc.
\nO:England
\nH:1718
\nZ:vmp.C. Graebe.
\nK:D minor
\n“^D solre natural=Dmin.No time sig”\\
\nd4f4a4f4 | b4g4f4d4 | dfaf dfaf ^ceae ^ceae |!
\ndfbf dfbf DFAF DFAF | agfe defd gfed cdec |!
\nfedc BcdB edcB ABcA | dcBA GABG cBAG FGAF |!
\ndfaf ^ceae dfaf ^ceae | d2D2F2A2 d8 |]<\/p>\n
X:10
\nT:Prelude by Dean(10). TBe.010
\nM:4\/4
\nL:1\/16
\nQ:1\/4=120
\nC:Mr. Thomas Dean
\nS:Thomas Bennet MS,1718, VWML
\nR:.misc.
\nO:England
\nN:Key signature has F# in both octaves…
\nH:1718
\nZ:vmp.C. Graebe..
\nK:D major
\n“^Dsolre sharp=Dmaj,No time sig.”\\
\nd4f4a4f4 | c4e4a4e4 | d2f2a2f2 c2e2a2e2|\\
\na2g2f2d2 d2f2a2f2 |!
\nF2A2F2D2 ceag aeag | fedc Bdgf gdgf edcB |!
\ndfaf ceae dfaf ceae | d2D2F2A2 d8 |]<\/p>\n
X:11
\nT:Prelude by Dean(11). TBe.011
\nM:4\/4
\nL:1\/16
\nQ:1\/4=120
\nC:Mr. Thomas Dean
\nS:Thomas Bennet MS,1718, VWML
\nR:.misc.
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:E minor
\nE4F4G4E4 | e4B4G4E4 | b2f2g2e2 f2e2^d2B2 |\\
\ne2B2c2A2 B2F2G2E2 |!
\nfgfe ^d^cdc efed cBcA |!
\nBcBA GFGE ^d6 cd | e2E2G2B2 e8 |]<\/p>\n
X:12
\nT:Prelude by Dean(12). TBe.012
\nM:4\/4
\nL:1\/16
\nQ:1\/4=120
\nC:Mr. Thomas Dean
\nS:Thomas Bennet MS,1718, VWML
\nR:.misc.
\nO:England
\nN:Key signature is shown as 3 sharps – F,C and G, and every D has an
\nN:accidental sharp, so I have shown the key signature in the conventional
\nN:way…
\nH:1718
\nZ:vmp.C. Graebe..
\nK:E major
\n“^NB re key”e4B4G4E4 | f2g2f2e2 d2c2d2B2 |\\
\ne2f2e2d2 c2B2c2A2 | e2g2b2e2 d2f2b2f2 | !
\nb2f2g2e2 G2F2G2E2 | egbg dfbf egbg dfbf | egbg egbg E8 |]<\/p>\n
X:13
\nT:Prelude by Dean(13). TBe.013
\nM:4\/4
\nL:1\/16
\nQ:1\/4=120
\nC:Mr. Thomas Dean
\nS:Thomas Bennet MS,1718, VWML
\nR:.misc.
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:F major
\nF4A4c4A4 | f4c4a4f4 | A2B2c2A2 F2G2A2F2 |\\
\nB2c2d2B2 G2A2B2G2 |!
\ng2a2g2f2 e2d2e2c2 |fefc dcdB BABG AcAF |!
\nagfe defd gfed cdec | f2F2A2c2 f8 |]<\/p>\n
X:14
\nT:Prelude by Dean(14). TBe.014
\nM:4\/4
\nL:1\/8
\nQ:1\/4=120
\nC:Mr. Thomas Dean
\nS:Thomas Bennet MS,1718, VWML
\nR:.misc.
\nO:England
\nN:F minor has 4 flats, B,E,A, and D. Key signature is shown as two
\nN:flats and multiple accidentals, so transcribed as shown, except that
\nN:(relative) sharps in the MS are shown as (absolute) naturals. See
\nN:notes. The word ‘Finis’ is written at the end.
\nH:1718
\nZ:vmp.C. Graebe..
\nK:Bb major
\nf2c2_A2F2 | c2f2=e2_a2 | g2d2e2=B2 |!
\nc2d2=e2c2 | fc_dB cG_AF |bfgd =ecfc |!
\ncfec cG_AF | (_d2c2)(f2c2) | (_d2=E2) F8 |]<\/p>\n
X:15
\nT:Tom Tinker’s My True Love,aka. TBe.015
\nM:3\/4
\nL:1\/8
\nQ:1\/4=140
\nC:titled only “Minuett” in MS
\nS:Thomas Bennet MS,1718, VWML
\nR:.Minuet
\nO:England
\nN:Title supplied in margin in F.Kidson’s hand..
\nH:1718
\nZ:vmp.C. Graebe..
\nK:G major
\nd3 efd | g2d2d2 | B2G2G2 | G4 D2 |\\
\nGFGABc | d4 A2 | F2D2D2 | D6 ||!
\nB3 cBA | G2E2E2 | BABcBA | G2E2E2 |\\
\nc3 d c2 | B2e2A2 | A4G2 | G6 |]<\/p>\n
X:16
\nT:Minuet,A. TBe.016
\nM:3\/4
\nL:1\/8
\nQ:1\/4=100
\nS:Thomas Bennet MS,1718, VWML
\nR:.Minuet
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:G major
\nd2d2d2 | d2 edcB | c2B2A2 | B2G2d2 |!
\ng2 fe d2 |d2e2^c2 | d2 cBAG | F2 G4 ||!
\nd2d2d2 | B2B2B2 | cBAG D2 |GABc d2 |!
\ne2f2g2 | gfedcB | AG F3 G | G6 |]<\/p>\n
X:17
\nT:Bass Minuet. TBe.017
\nM:3\/4
\nL:1\/4
\nQ:1\/4=100
\nS:Thomas Bennet MS,1718, VWML
\nR:.Minuett
\nO:England
\nN:This is titled “Bass Minuet” but is written in the treble clef and it
\nN:is not clear to which, if any of the minuets, this is the bass.C.Gr.
\nN:Perhaps it’s for Bass Viol? It certainly doesn’t fit under any of the other minuets.
\nH:1718
\nZ:vmp.C. Graebe..
\nK:F major
\nC | F\/E\/F\/G\/ F | C F2 | GAB | A d\/c\/ d |\\
\nc F2 | B B,A, | G,GE | F3 ||!
\nc | f\/e\/f\/g\/f\/g\/ | ea2 | d b\/a\/ b | g c’2 |\\
\ndbd | ca2 | d g\/f\/g\/e\/ f3 |]<\/p>\n
X:18
\nT:Bass Rigadoon. TBe.018
\nM:6\/8
\nL:1\/8
\nQ:3\/8=80
\nS:Thomas Bennet MS,1718, VWML
\nR:.Rigadoon
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:F Major
\nc | A>GA B2 B, | c2C d2D | e>de fAB | c2CF2 ||\\
\ng\/f\/ | e>de f2F |!
\ng2G a2A | a>ga b2a | g>ag\/f\/ e>dc |\\
\ndef f2e | f3-f2 |]<\/p>\n
X:19
\nT:Minuet. TBe.019
\nM:3\/4
\nL:1\/8
\nQ:1\/4=160
\nS:Thomas Bennet MS,1718, VWML
\nR:.minuet
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:A major
\ncec | A2E2C2 | A,4 a2 | g2e2g2 | a4 e2 | \\
\ncecece | F4 d2 |!
\nBdBdBd | E3 faf | \\
\ng2e2g2 | f2b2e2 | f2^d4 | e3 :||:!
\ngbg | e2B2G2 | E4 b2 | gbgbgb | c4 a2 |\\
\nfaf afa | B3 faf |!
\ngegege | f2b2e2 | f2 ^d4 |\\
\ne3 cec | ececec | F3 BdB |!
\ndBdBdB | \\
\nE3 cec | d2f2d2 | e2a2c2 | B2 G4 |\\
\nA3 ag2 |!
\nf2e2d2 | c3Bc2 | d2 B4 | A6 |]<\/p>\n
X:20
\nT:Minuet. TBe.020
\nM:3\/4
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Bennet MS,1718, VWML
\nR:.minuet
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:F major
\nc2d4 | c6 | B2 (cB)AG | ABAG F2 | \\
\nc2f2c2 | AB c2c2 | dcBAGF | E6 ||!
\ng2a4 | g6 | f2 (gf)ed | efed c2 | \\
\nf2 _e4 | d3 c B2 | AB G3 F | F6 |]<\/p>\n
X:21
\nT:Gavot. TBe.021
\nM:2\/2
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Bennet MS,1718, VWML
\nR:.Gavot
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:D minor
\nF2c2A2d2 | c2f2e2c2 | fefc dgfg | efge f4 |!
\na2z2g2z2 | f2z2e2z2 | fedc =B2 c2 | “^=”c3″^#”=B c4 ||!
\nc2g2e2a2 | g2 fe f4 | fgef dfef | “^+”f2 (ed) d4 |!
\nd2 (d\/e\/f) B2d2 | e2 (e\/f\/g) c2 e2 |\\
\n“^+”f2 (f\/g\/a) d2 g2 | “^+”e4 f4 |]<\/p>\n
X:22
\nT:Jigg. TBe.022
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Thomas Bennet MS,1718, VWML
\nR:.jigg
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:F major
\nFAc c>dc | def edc | d2z c2z | B2 A GEC |!
\nFAc c>dc | def e2 d | _efe ded | cdc =B2 g |!
\n=Bcd GAB | cdc cdc |cdc Gc=B | c3-c3 ||!
\ncdg gag | gec cde | fgf def | f>ed d3 |!
\ndef cdc | BcA GcB | A d c Bed | cfe dgf |!
\ne>dc f2 g |agf edc | f3g3 | agf ede | f3-f3 |]<\/p>\n
X:23
\nT:Jigg. TBe.023
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Bennet MS,1718, VWML
\nR:.jigg
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:F major
\nc3d3 | c2B A\/B\/cF | FfF FfF | E2FG2C |!
\nc3d3 | c2B A\/B\/cF | FfF FfF | e>de f3 ||!
\nG3A3 | G2 F E\/F\/GC | CcC CcC | CcB A3 |!
\nA3B3 | A2 G F\/G\/AD | DdD DdD | Dd^c d3 |!
\nd3f3 | A2B cCC | D3 B3 | E2F GEC |!
\nc3d3 | c2 B A\/B\/cF | FfF FfF | Ffe f3 |]<\/p>\n
X:24
\nT:Fill Every Glass. TBe.024
\nM:3\/4
\nL:1\/4
\nQ:3\/4=70
\nS:Thomas Bennet MS,1718, VWML
\nR:.Air
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:F major
\n(A\/B\/) A (G\/A\/) | F2 c | d\/e\/ f c | d A B | \\
\ncFG | “^=”A2 B | c C2 | HF3 ||!
\nfe f\/e\/ | “^=”d2 c | f “^=”d2 | c3 | A\/B\/ “^=”A G\/A\/ |\\
\nF2G | “^=” A2 B | c\/B\/c\/d\/ c2 |]<\/p>\n
X:25
\nT:Gavatt. TBe.025
\nM:C|
\nL:1\/4
\nQ:1\/2=80
\nS:Thomas Bennet MS,1718, VWML
\nR:.Gavot
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:G major
\ngeb2 | ^d>e f2 | BEc2 | B^de2 |!
\ngebz | ^d>efz | g>f e\/d\/^c\/d\/ | d ^c\/B\/B2 ||!
\ndBe2 | fdg2 | gea g\/f\/ | ^d>e f2 |!
\ngeb>c’ | bea>g | f\/e\/^d\/e\/ Bg | e>^de2 |]<\/p>\n
X:26
\nT:Minuet. TBe.026
\nM:3\/4
\nL:1\/4
\nQ:1\/4=100
\nS:Thomas Bennet MS,1718, VWML
\nR:.minuet
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:D major
\nA2 d | A G\/F\/E\/D\/ | A2d | A G\/F\/E\/D\/ |\\
\nA2d | c B\/A\/ d | ef>g | e3 ||!
\neaa | a g\/f\/g | Ggg | gf\/e\/ f | F e\/f\/e\/d\/ | c B\/A\/ d |\\
\ne c2 | d3 |]<\/p>\n
X:27
\nT:Trumpet March,A. TBe.027
\nM:2\/2
\nL:1\/8
\nQ:1\/2==65
\nS:Thomas Bennet MS,1718, VWML
\nR:.march
\nO:England
\nN:+ shown above the note is in the MS
\nH:1718
\nZ:vmp.C. Graebe..
\nK:D major
\nd2 dd d2d2 | d2A2 d3e | f3ga2 gf | edef egfe | !
\nd2 dd d2d2 |d2A2 d3e | f3ga2 gf | e8 ||!
\ne2A2 a3g | “^+”f3ed2e2 | fefg abag | fgfe d2 f2 |!
\ne2 A2 a3g | fgfe defg | a2 gf e3 d | d8 |]<\/p>\n
X:28
\nT:Minuet. TBe.028
\nM:3\/4
\nL:1\/8
\nQ:1\/4=140
\nS:Thomas Bennet MS,1718, VWML
\nR:.minuet
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:G major
\nB2 | ef e2 ^d2 | e4 f2 | gfefge | f2 B2 e^d |!
\ne2E2 fe | f2F2 e^d | e2 BAGF | E4 ||!
\nF2 | GA G2D2 | G4A2 | BF GE Be | ^d4 B2 |!
\ne2f4 | gdBG Bd | eBGE GB | e8 |]<\/p>\n
X:29
\nT:Minuett. TBe.029
\nM:3\/4
\nL:1\/4
\nQ:1\/4=100
\nS:Thomas Bennet MS,1718, VWML
\nR:.minuet
\nO:England
\nN:”+” are shown in the MS.
\nH:1718
\nZ:vmp.C. Graebe..
\nK:D Major
\n(d d\/)(f\/e\/)d\/ | “^+”c2d | B (d\/c\/)B\/A\/ | d2 A |\\
\nAGF | ECC |D\/B,\/EE | A,3 ||!
\nagf | “^+”e2 f | g (a\/g\/)f\/e\/ | f3 | DCB, |\\
\nF\/G\/F\/E\/F\/D\/ | E F2 | B,3 | eee |!
\nc (B\/c\/) A | d (d\/e\/)f\/g\/ | a2 a | f (f\/g\/)a\/f\/ |\\
\nbef | g “^+”e2 | d3 |]<\/p>\n
X:30
\nT:Rigadoon. TBe.030
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Thomas Bennet MS,1718, VWML
\nR:.rigadoon
\nO:England
\nN:Illegible comment in pencil under this tune.
\nH:1718
\nZ:vmp.C. Graebe..
\nK:G major
\nd | g2dg2d | B2 A\/B\/ G2 d | e2d c2B | A3-A2 ||!
\nd | d2G G2e | e2A A2 f | f2B B2g | g2 G G2d |!
\ndcB A2 G | G3-G2 d |dBG ecA | fdB g2d |!
\ndBG ecA | fdB gfe | dcB A2 G | G3-G2 |]<\/p>\n
X:31
\nT:Hunting The Hare,aka. TBe.031
\nM:3\/4
\nL:1\/8
\nQ:1\/4=200
\nC:untitled in ms
\nS:Thomas Bennet MS,1718, VWML
\nR:.minuet
\nO:England
\nN:= and ‘ are as shown in MS. E represents something like a backwards
\nN:’3’ skewered on the leger line.
\nN:.CGP
\nH:1718
\nZ:vmp.C. Graebe..
\nK:D major
\n“_see notes”d4 A2 | B2 g2 (fg) | “^=”e4 d2 |\\
\nedcB A2 | d4 A2 | B2g2f2 | “^'”e2d2 “^=”c2 | d6 ||!
\n“^=”f4 g2 | a2e2a2 | “^=”f4g2 | “^E”a2 e2 a2 |\\
\n“^=”f4 g2 | “^E”a2 (gf)(ed)| (cd) (“^=”d3 c\/d\/) | e6 |]<\/p>\n
X:32
\nT:Hunting The Hare,aka,var. TBe.032
\nT:Second Strain Divided,The. TBe.032
\nM:3\/4
\nL:1\/8
\nQ:1\/4=100
\nN:I pasted in TBe.31 as the first line to compare.
\nN:TBe.32 works as a variation, not as a harmony.
\nS:Thomas Bennet MS,1718, VWML
\nR:.minuet
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:D major
\n||f4 g2 | “^TBe.31 original”a2e2a2 | f4g2 | a2 e2 a2 |\\
\nf4 g2 | a2 (gf)(ed)| (cd) (d3 c\/d\/) | e6 |]
\n||fefgfg | “^TBe.32 variation”agaeag | fefgfg | agaeag |\\
\nfefgab | agfefd | (cd)(d3 c\/d\/) | e6 |]<\/p>\n
X:33
\nT:Collins Complaint. TBe.033
\nM:3\/4
\nL:1\/4
\nQ:1\/4=100
\nS:Thomas Bennet MS,1718, VWML
\nR:.Air
\nO:England
\nN:Illegible comment in pencil after tune, (in FK hand?)….
\nH:1718
\nZ:vmp.C. Graebe..
\nK:F major
\nA | d^cd | fed | e2 A | fea | f>ed | d3 ||!
\ng | aad | ba(g\/f\/) | g2 a\/g\/ | f>ef | dgf | e2 “^sic”AA |]<\/p>\n
X:34
\nT:Gavott. TBe.034
\nM:2\/2
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Bennet MS,1718, VWML
\nR:.gavotte
\nO:England
\nN::S: is in the MS. As it is, the tune has 8 bars in the A music (no
\nN:repeat shown) and 16 in the B music. Repeating from the sign doesn’t
\nN:make musical sense – does it mean something else? The naturals are
\nN:shown as # – see note to tune ???
\nZ:vmp.C. Graebe..
\nK:C minor
\nG2 | c2e2d2g2 | e2g2d2g2 | c2e2d2e2 |\\
\nfedc =B=ABG | c2e2d2g2 |e2a2f2ba |!
\ngedc B2d2 | e6 || ga | b2g2 egbg | \\
\na2f2 dfaf | g2d2e2 dc | =B2B3 Bcd |!
\ne2G2c2F2 | BGFE DC B,2 | E3FG2F>E |\\
\nE2-E3 FG=A | B2 =B6 | c6 d2 |!
\ne2 de fedc | =B2-B3 “^:S:” def |\\
\ng2c2e2z2 | g2G2c2z2 |g2 (fe) (dedc) | c6 |]<\/p>\n
X:35
\nT:Minuet. TBe.035
\nM:3\/4
\nL:1\/4
\nQ:1\/4=100
\nS:Thomas Bennet MS,1718, VWML
\nR:.minuet
\nO:England
\nZ:vmp.C. Graebe..
\nK:C major
\nc (e\/d\/)c\/B\/ | c2 G | e (g\/f\/)e\/d\/ | e2c |\\
\ne\/f\/g\/a\/ g | a2 g | f e2 | d3 ||!
\nGdg | Gdf | Gce | d3 | gc’2 | a2g | fe2 | a2d | ed2 | c3 |]<\/p>\n
X:36
\nT:Rigadoon. TBe.036
\nM:C|
\nL:1\/4
\nQ:1\/4=200
\nS:Thomas Bennet MS,1718, VWML
\nR:.rigadoon
\nO:England
\nH:1718
\nZ:vmp.C. Graebe.
\nK:C major
\ncdef | g (f\/e\/)dG | g (f\/e\/) dc | “^+”B”^+”c d2 |!
\ndefg | a (g\/f\/) “^+”ef | g (f\/e\/) dc | d”^+”Bc2 ||!
\ngfe (d\/c\/) | fga2 | gag (f\/e\/) | fe”^+”d2 |!
\nGcAd | Becf | dge (d\/c\/) | d”^+”Bc2 |]<\/p>\n
X:37
\nT:Minuett. TBe.037
\nM:3\/4
\nL:1\/8
\nQ:1\/4=130
\nS:Thomas Bennet MS,1718, VWML
\nR:.minuet
\nO:England
\nH:1718
\nZ:vmp.C. Graebe.
\nK:C major
\ngfgagf | edefef | g2 ag”^+”fe | “^+”d4G2 |!
\ngfgagf | edefef | g2 (ag)”^+”fe | d6 ||!
\ndcdede | fefgfg | a2 (ba) “^+”gf | “^+”e4d2 |!
\ngfgagf | edefge | a2 “^+”d4 | c6 |]<\/p>\n
X:38
\nT:Minuett. TBe.038
\nM:3\/4
\nL:1\/4
\nQ:1\/4=140
\nS:Thomas Bennet MS,1718, VWML
\nR:.minuet
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:C major
\nc\/d\/ ed | c\/d\/ ed | c\/d\/ ed | cag | a>ag |\\
\na>ag | a a\/g\/f\/e\/ | “^+”d3 ||!
\nd\/e\/fe | d\/e\/fe | dgf | “^+”e2d | cc’b |\\
\nagf | e (f\/e\/)d\/e\/ | c3 |]<\/p>\n
X:39
\nT:Rigadoon. TBe.39
\nM:C|
\nL:1\/4
\nQ:1\/2=160
\nS:Thomas Bennet MS,1718, VWML
\nR:.rigadoon
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:Bb major
\ndefe | d2B2 | def(e\/d\/) | c4 || efgf | e4 |!
\nefgf | e4 | defe | d4 |defe | d4 |!
\ndcd e\/d\/ | cBcc | dcd e\/d\/ | c4 | fgag |f4 |!
\nfgag |f4 | fgfe | dcde | d2c2 |!
\nBcde | fgfe | dcde | d2c2 | B4 |]<\/p>\n
X:40
\nT:Sarabrand. TBe.040
\nM:3\/4
\nL:1\/4
\nQ:1\/4=140
\nS:Thomas Bennet MS,1718, VWML
\nR:.saraband
\nO:England
\nN:dotted in MS…
\nH:1718
\nZ:vmp.C. Graebe..
\nK:Bb major
\nBd>e | f>e d | gf>e | d>cB | f g>a | b>ag | g g2 | f3 ||!
\nfb>a | g>fe | e\/f\/ f>e | e3 |\\
\ng f>e | d>c d\/e\/ | f g\/f\/e\/d\/ |c3 |!
\nf f>f | g>fg\/a\/ | b a>a | b f>f | g e>e |\\
\ne>fd | (d\/c\/) (e\/d\/) c | B3 |]<\/p>\n
X:41
\nT:Minuett. TBe.041
\nM:3\/4
\nL:1\/4
\nQ:1\/4=140
\nS:Thomas Bennet MS,1718, VWML
\nR:.minuet
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:E minor
\nB | e\/f\/ e^d | e2 f | g\/f\/e\/f\/g\/e\/ | fBe\/^d\/ |!
\neEf\/e\/ | fFe\/^d\/ | e B\/A\/G\/F\/ | “E3 in MS”E2 || !
\nF | G\/A\/ GD | G2 A | B\/F\/ G\/E\/ B\/e\/ | ^d2 B |!
\nef2 | g\/d\/B\/G\/ B\/d\/ | e\/B\/G\/E\/ G\/B\/ | “E3 in MS”e2 |]<\/p>\n
X:42
\nT:Rigadoon.2voices. TBe.042
\nM:C|
\nL:1\/4
\nQ:1\/2=100
\nS:Thomas Bennet MS,1718, VWML
\nR:.rigadoon
\nO:England
\nN:E naturals are shown as E# – see notes
\nN:1 – shown as a double bar
\nN:2 – written on the stave as D but ‘e’ written above stave
\nN:3 – shown as dotted minim g, double bar, semibreve g, double bar.
\nH:1718
\nZ:vmp.C.Graebe.
\nK:G minor
\n[V:1]|:G2d2 | B>AGd | gd g\/a\/ b | f f f (d\/=e\/) |!
\n[V:2]|:B2B2 | d>c BB | B>c dd | AAA (B\/c\/) |!
\n%
\n[V:1]fff (c\/d\/) | eee (B\/c\/) | d(d\/e\/) c>d |1 d4 :|2 d3 |!
\n[V:2]ddd (e\/d\/) |ccc (f\/e\/) | d (B\/c\/) A>G |1 ^F4 :|2 ^F3 |!
\n%
\n[V:1]|:z|fdg (g\/f\/) | =e>d cc | ff (c\/d\/) “^2″e | d>cBf |!
\n[V:2]|:f | dBd (=e\/f\/) | g>d =e e | fA (A\/B\/) c | B>A G d |!
\n%
\n[V:1]dg=ea | ^f>gad | g (g\/a\/) a>g |1 g3 :|2 g4 |]
\n[V:2]BBcf | A>A B (B\/c\/) | d (g\/f\/) ^f>g |1 g3 :|2 g4 |]<\/p>\n
X:43
\nT:Air. TBe.044
\nM:C|
\nL:1\/8
\nQ:1\/4=130
\nS:Thomas Bennet MS,1718, VWML
\nR:.air
\nO:England
\nN:1 – tune in MS is written out with 1st and 2nd time bars – shown in
\nN:full so it will play right. 2 – first time through as written, this
\nN:time written in a way which is slightly easier to read. 3 = quavers
\nN:shown as crochets (in CG’s transcription. I’ve changed them back to original)
\nH:1718
\nZ:vmp.C. Graebe..
\nK:C minor
\ng2 | g4 “^3″g>gf>g | e2g2d2g2 | c2g2=B2g2 | edce dc=Bd | c2-c3 def |!
\ng2b2e2c2 | fafa d2B2 | e2g2c2A2 | dfdf B2G2 |cdeG F2 d2 | e6 c\/d\/e\/f\/ “^1” |!
\ng4 g>gf>g | e2g2d2g2 | c2g2=B2g2 | edce dc=Bd | “^2” c4-cdef |!
\ng2b2e2c2 | fafa d2B2 | e2g2c2A2 | dfdf B2G2 | cdeG F2 d2 | e6 ||!
\nga | bagf efga | b2e2e2g2 | agfe defg | a2 d2d2f2 |!
\ngfed cdef | g2e2e2g2 | agfe dedc | =B2-B3 def |!
\ng2G2F2g2 | f2F2E2G2 | DEFD C2 =B2 | c6 |]<\/p>\n
X:44
\nT:Minuett. TBe.045
\nM:C|
\nL:1\/4
\nQ:1\/4=120
\nS:Thomas Bennet MS,1718, VWML
\nR:.minuet
\nO:England
\nN:1 – see earlier note re naturals. 2 – shown dotted in M
\nH:1718
\nZ:vmp.C. Graebe.
\nK:C minor
\n“^1″g f\/g\/ e | d e\/d\/ c | dc=B | c2 G | c\/d\/e\/d\/ c | f>ga |!
\ng (f\/e\/)d\/c\/ | =B\/c\/ d G | g\/a\/f\/g\/ e |\\
\nd\/e\/c\/d\/ =B | cG=B | c2 d |!
\ne\/f\/gc | =Bdg | f d2 | c3 ||\\
\ng3\/4a\/4|b2 g |!
\nege | a a\/g\/f\/e\/ | dfd | g g\/f\/e\/d\/ | cde |\\
\nf (d3\/2 c\/4d\/4) |!
\ne2 g\/a\/ | b\/(a\/g\/)f\/e\/d\/ | c\/d\/ e (f\/g\/) |a\/g\/f\/e\/d\/c\/ | !
\n=B3\/4c\/4 d e3\/4f\/4 | g2 c | G2 g | f d2 | c3 |]<\/p>\n
X:45
\nT:Minuett Round O. TBe.046
\nM:3\/4
\nL:1\/4
\nQ:1\/4=140
\nS:Thomas Bennet MS,1718, VWML
\nR:.minuet
\nO:England
\nN:See notes re +. 2 – last note illegible. The only place I’ve found
\nN:where it works as a round is A music against B music. Does ‘Round’
\nN:refer to the dance? When was ’round’ first used for a Frere Jacques
\nN:type tune? – (Ed. Round O refers to the dance. CGP)
\nH:Before 1718
\nZ:vmp.C. Graebe..
\nK:G major
\nggg | g (f\/e\/)d\/c\/ | BBB | B (G\/A\/)B\/c\/ |\\
\nddd |!
\nd c\/B\/A\/G\/ | “^+”FDF | G3 ||\\
\nA\/B\/ cc | “^+”c2c | B\/c\/ dd |!
\nd2d | ggg |”^+”f>ga | (g\/f\/)e>d | “^2″d3 |]<\/p>\n
X:46
\nT:Rigadoon.3voices. TBe.047
\nM:C|
\nL:1\/4
\nQ:1\/2=80
\nS:Thomas Bennet MS,1718, VWML
\nR:.rigadoon
\nO:England
\nH:Before 1718
\nZ:vmp.C. Graebe..
\nK:G major
\n%needs checking against MS again.
\n[V:1]|G2d2|B>cdB|e (d\/c\/) d (c\/B\/)|Bgfg||!
\n[V:2]|B2A2|G>A BG|c (B\/A\/) B (A\/G\/)|d (c\/B\/) AG||!
\n[V:3]|zzzz|G,,G,F,D,|G,2G,,2|C,2G,A,||!
\n%
\n[V:1]d2g2|f\/e\/f\/g\/ f\/g\/f\/g\/|a (g\/f\/) ed|g\/f\/g\/d\/ e\/d\/c\/B\/|d c\/B\/ A G|]
\n[V:2]B2d2|d d\/e\/ d\/e\/d\/e\/|f (e\/d\/) ^cd|e\/d\/e\/B\/ c\/B\/A\/G\/|B A\/G\/ FG|]
\n[V:3]G,\/F,\/G,\/A,\/B,C|D2 D,2|F,,G,,A,,D,|B,,G,,C,2|G,,c,,D,G,,|]<\/p>\n
X:47
\nT:Minuett. TBe.050
\nM:4\/4
\nL:1\/4
\nQ:1\/4=80
\nS:Thomas Bennet MS,1718, VWML
\nR:.minuet
\nO:England
\nN:Are minuets usually in 4\/4? 1 – I know the beats don’t add up – it’s
\nN:up the the user to decide which one to lose.
\nH:Before 1718
\nZ:vmp.C. Graebe..
\nK:E minor
\nB | e2f2 | g f\/e\/^d B | c\/B\/A\/G\/ F\/G\/F\/E\/ ||!
\n“^1″d | B2d2 | g f\/e\/ ^dB | ^c2e2 | a (f\/e\/) dB |\\
\ne\/d\/e\/f\/ B\/e\/ ^d\/f\/ | e3 |]<\/p>\n
X:48
\nT:Gavot.2voices. TBe.051
\nM:3\/4
\nL:3\/4=100
\nQ:80
\nS:Thomas Bennet MS,1718, VWML
\nR:.gavot
\nO:England
\nH:Before 1718
\nZ:vmp.C. Graebe.
\nK:Bb major
\n[V:1]g2 f|egG|cde|d3|f2e|d=Bc|B (c3\/2 B\/4c\/4)|d3||!
\n[V:2]e2d|c\/e =B3\/2|G=Bc|=B3|d2c|=BG_A|G_A=B\/c\/|=B3||!
\n%
\n[V:1]g2f|gez|f2e|fdz|e2d|cdB|cA2|G3|!
\n[V:2]e2d|ec=B|d2c|d=BG|c2 =B|G2G|_A^F2|G3|!
\n%
\n[V:1]g2f|gez|f2e|fdz|e2d|c=Bc|dd2|c3|]
\n[V:2]e2c|ec=B|d2c|d=BG|c2B|edc|=BB2|c3|]<\/p>\n
X:49
\nT:Jigg.2voices. TBe.053
\nM:6\/8
\nL:1\/8
\nQ:3\/8=85
\nS:Thomas Bennet MS,1718, VWML
\nR:.jigg
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:Bb major
\n[V:1]g | g>fe e>dc | B3 “^qu”G2 e | d2ef2g | e3-e2 g | !
\n[V:2]e | e>dc c>B_A | G3-G2 c | =B2cd2G | G3-G2 e |!
\n%
\n[V:1]g>fe e>dc | =B3 G2e | (def) e2 d\/c\/ | c3-c2 ||!
\n[V:2]e>dc c>B_A | G3-G2 c | =B>cd c2 B | c3-c2 ||!
\n%
\n[V:1]g\/_a\/ | g2_a g2B | B3-B2 B |=B>AG F2E | E3-E2 g\/_a\/ |!
\n[V:2]e\/f\/ | e2f d2G | E3G2F | E3DE2 | E3-E2 e\/f\/ |!
\n%
\n[V:1]g2_af2B | B2BB2B | c>de e2 d | e3-e2 d\/e\/ |!
\n[V:2]e2fd2G | E3 G2F | E3G2B | B3B2B |!
\n%
\n[V:1]d2g e>dc | d2g e>dc | =BGc dcB | c3-c2 d\/e\/ |!
\n[V:2]=B2cc2c | B2GG2G | =BGc_A2G |G3-G2B\/c\/ |!
\n%
\n[V:1]d2g e>dc | d2g e>dc | =BGc cdB | c3-c2 |]
\n[V:2]=B2cc2c | =B2GG2G | =BGc _A2G | G3-G2 |]<\/p>\n
X:50
\nT:Country Dance. TBe.055
\nM:2\/2
\nL:1\/4
\nQ:1\/4=170
\nS:Thomas Bennet MS,1718, VWML
\nR:.!
\nO:England
\nH:1718
\nZ:vmp.C. Graebe.
\nK:F major
\ncff(e\/d\/) | (e\/f\/)gg2 | a “^+”ffc | “^+”A2F2 ||!
\nfc”^+”A2 | (A\/B\/)cG2 | “^+”AFFG | “^+”A2c2 |]<\/p>\n
X:51
\nT:Prince Eugene’s March. TBe.056
\nM:2\/2
\nL:1\/4
\nQ:1\/2=100
\nS:Thomas Bennet MS,1718, VWML
\nR:.march
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:D major
\nF2 A2 | d3 (f\/g\/) | afdf | e\/d\/e\/f\/ e A |!
\nF2 A2 | d3 (d\/e\/) | (f\/g\/) a (^g3\/2f\/4g\/4) | a4 ||!
\ne e\/e\/ ee | e2 z2 | f f\/f\/ ff | f2 z2 | !
\na a\/g\/ f f\/e\/ | ddAA | a a\/g\/f f\/e\/ | ddAA |!
\nD D\/D\/ DF | D D\/D\/ D f\/g\/ | a d\/e\/ f f\/g\/ | !
\na d\/e\/ f f\/g\/ | a g\/f\/ e>d | d4 |]<\/p>\n
X:52
\nT:Minuett. TBe.057
\nM:3\/4
\nL:1\/4
\nQ:1\/4=80
\nS:Thomas Bennet MS,1718, VWML
\nR:.minuet
\nO:England
\nH:Before 1718
\nZ:vmp.C. Graebe..
\nK:C major
\n“_as written”[ec] gd | G c\/d\/e\/g\/ | BGc | fgg | g\/f\/e\/d\/c\/B\/ |!
\ncd”^+”d | c c2 ||\\
\ng a\/g\/f\/e\/ | d c\/B\/c\/d\/ | “^+”d [ec] [ec] |]<\/p>\n
X:53
\nT:Mr. Wildbore’s Far(e)well. TBe.058
\nM:3\/4
\nL:1\/8
\nQ:1\/4=120
\nC:Charles Roe
\nS:Thomas Bennet MS,1718, VWML
\nR:.air
\nO:England
\nN:1. Not shown as triplets..
\nH:Before 1718
\nZ:vmp.C. Graebe..
\nK:Eb major
\nF2 | A2A2″^1” ((3B=AB) | c4 d2 | e2 ^c2 e2 | f4 e2 | \\
\n_d2 “+”d3 c | c4B2 | (Ac)(BG) F2 | E3 F G2 |!
\nA>B c2 (c\/d\/e\/d\/) | e2c2 d>e | f2 “^1″((3f=ef) g>a |\\
\nb>ag>f =e2 | f2B2e2 | c4B2 | A>B B2c2 | c6 ||!
\nc2 | e2 e2 “^+” d>c | _d3cB2 | g2c2e2 |\\
\nf2 B2 d>e | f>efc_dB | e>deBcA | _d>cBA BG | \\
\n=E4 g2 |!
\nc2 a2 (gf) | b3 (=abe) |\\
\n(_ag\/a\/) (bg)(af)| =e3fg2 | c2f2 (B\/c\/d) | \\
\ne3_dc2 | (g\/f\/g\/a\/) gd =e2 | f6 |]<\/p>\n
X:54
\nT:Minuett. TBe.059
\nM:3\/4
\nL:1\/4
\nQ:1\/4=140
\nS:Thomas Bennet MS,1718, VWML
\nR:.minuet
\nO:England
\nH:Before 1718
\nZ:vmp.C. Graebe..
\nK:Eb
\nF | AAF | ccA | _ddB | ee_d | ccB | AAG |!
\nA\/B\/ “^+”B3\/2=A\/\/B\/\/ | “^dotted in MS”c2 ||\\
\nc | eec | _ddB | ee_d | cAc |!
\nBGA | F_dc | “^+”B2 A | A3 | \\
\nG (G\/4A\/4B\/)=A | BBc |!
\n_dBe | cfe | dgf | cag | g2f | f3 |]<\/p>\n
X:55
\nT:Boree. TBe.060
\nM:2\/2
\nL:1\/4
\nQ:1\/4=180
\nS:Thomas Bennet MS,1718, VWML
\nR:.bourree
\nN:Time signature given as 2\/
\nK:C minor
\n“_Time sig. 2\/3 in ms”f2a2 | g\/a\/ b =e g | f2 cB |\\
\nA\/B\/ cFc :||: f>gfc | _dBec |!
\n_d>e f\/e\/_d\/c\/ | B2A2 |\\
\n(G\/F\/)(G\/A\/) BG | (=E\/D\/)(E\/F\/) G =e | \\
\nf>c (_d\/B\/)(c\/G\/) G2F2 |]<\/p>\n
X:56
\nT:Bore. TBe.061
\nM:C|
\nL:1\/4
\nQ:1\/4=120
\nS:Thomas Bennet MS,1718, VWML
\nR:.bourree
\nO:England
\nN:1 – shown as a natural in the MS, but it sounds wrong, and it seems to
\nN:me this is ‘actually’ in Eb – all the other ‘A’s are flattened
\nH:1718
\nZ:vmp.C. Graebe..
\nK:Bb major
\nB>ed>c | B\/_A\/G\/F\/ G\/F\/4G\/4 E\/F\/ |\\
\nG\/E\/ _A\/F\/ B\/G\/ c\/A\/ | d\/B\/d\/e\/ f2 ||!
\nf>g f\/e\/d\/c\/ | Be\/f\/ g>f | \\
\ng\/e\/”^1” _a\/f\/ b\/g\/ c’\/c\/ | B\/e\/e\/d\/ e2 |]<\/p>\n
X:57
\nT:Round O Jigg,A. TBe.062
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Thomas Bennet MS,1718, VWML
\nR:.jigg
\nO:England
\nN:1 – ?last bar missing – edge of page missing? Something appears to
\nN:have
\nN:been written on the very edge of the page between the two staves
\nH:1718
\nZ:vmp.C. Graebe..
\nK:Bb major
\nB | B2cB2″^cr”_A | G\/A\/BG E2 e | c2fd2e | fdB B2B |!
\nB2cB2_A | G\/A\/BG Eed | cfe dcd | e3-e2 ||!
\ng | g2_ag2f |e2d c>de | “^dotted in MS”f2e d>ec |!
\n=B2d g3-|g>fe f3-|f>ed e3-|e>fe d2c | c3-c2 g |!
\ng2_a bag |_a3-a2 f | f2g _agf | g3-g2 f | g2_a ba”1″g |] !
\nzzzz | zzzz | zzzz ||!
\n“^Tune with possible ending.C.Gr.” B | B2cB2″cr”_A | \\
\nG\/A\/BG E2 e | c2fd2e | fdB B2B |!
\nB2cB2_A | G\/A\/BG Eed | cfe dcd | e3-e2 ||!
\ng | g2_ag2f |e2d c>de | “^dotted in MS”f2e d>ec |!
\n=B2d g3-|g>fe f3-|f>ed e3-|e>fe d2c | c3-c2 g |!
\ng2_a bag |_a3-a2 f | f2g _agf | g3-g2 f | g2_a bag |!
\n^ f2g _agf | cfe dcd | e3-e2 |]<\/p>\n
X:58
\nT:Eccho Minuet. TBe.063
\nM:3\/4
\nL:1\/4
\nQ:1\/4=120
\nS:Thomas Bennet MS,1718, VWML
\nR:.minuet
\nO:England
\nN:The style of writing out music on this and the following tune, both on
\nN:one page, appear to be different from the others. This tune has a
\nN:convention 3\/4 not the 3 squiggle used elsewhere. There are = used
\nN:instead of + probably to indicate ornaments, a sort of Greek E in
\nN:front
\nN:of notes marked “E” and short dashes on the stave joining the notes
\nN:marked “1”. So far this is the only one with grace notes? Grace
\nN:notes are shown as quavers
\nH:1718
\nZ:vmp.C. Graebe..
\nK:D major
\nf\/g\/ “^1″(ag | dBG) | B A\/G\/F\/E\/ | D\/C\/D\/E\/F\/D\/ |!
\nf\/g\/a\/g\/f\/e\/ | d AG | B A\/G\/F\/E\/ | D3 ||!
\n“^E”{f\/g\/}a “^=”gf | G”^=”FE | {e\/f\/}g”^=”f e | F”^=”ED |!
\nd\/c\/d\/e\/d\/e\/ | f\/e\/f\/g\/f\/g\/ | agf | GFE |!
\n{e\/f\/}g f e |FED | f g\/f\/e\/f\/ | d3 |]<\/p>\n
X:59
\nT:Minuet. TBe.064
\nM:3\/4
\nL:1\/4
\nQ:1\/4=120
\nS:Thomas Bennet MS,1718, VWML
\nR:.minuet
\nO:England
\nN:See notes to 063, Eccho Minuet .. E – Funny greek E before the note…
\nH:Before 1718
\nZ:vmp.C. Graebe..
\nK:D major
\nf\/g\/ ad | “^=”c2 d | (e\/f\/) “^=”f2 | e\/d\/e\/f\/e\/g\/ |\\
\nf\/g\/ ad | “^=”c2d | (e\/f\/) “^=”f2 | e3 ||!
\nf\/g\/ “^E”aa | aB2 | e\/f\/”^E”gg | gA2 |\\
\nf\/g\/”^1″aa | a>gf\/e\/ | f\/g\/ “^=”e2 | d3 |]<\/p>\n
X:60
\nT:Jigg. TBe.065
\nM:9\/8
\nL:1\/8
\nQ:3\/8=90
\nS:Thomas Bennet MS,1718, VWML
\nR:.jigg
\nO:England
\nH:1718
\nZ:vmp.C. Graebe..
\nK:C minor
\nC2G FGE DEC | AGF EDC =B,2G, | CEG =B,DF CDE | FGA G2G, C3 ||!
\nc2g fge dec | agf edc =B2d | ceg =Bdf ceg | (g\/f\/)(e\/d\/)c =BGB c3 ||!
\nE2G GFE GBE | D2F FED FBF | C2E EDC FGA | GFE B2B,E3 ||!
\ne2g gfe g>be | d2f f>ed fad | c2e e>dc fga | gfe dBd e2 g\/a\/ ||!
\nb2g ece ecA | a2f dBd dBG | g2e cAc cAF | f2e ded\/c\/ =B2d ||!
\ng2z e2z cfg | a2zd2c =B>AG | c>de f>ga gfe | dec =BGB c3 |]<\/p>\n
X:61
\nT:An der Berollo. TBe.066
\nM:C|
\nL:1\/4
\nQ:1\/2=100
\nS:Thomas Bennet MS,1718, VWML
\nR:.air
\nO:England
\nH:171
\nZ:vmp.C. Graebe.
\nK:G major
\nB | GEEe | ^d>e fg | Be^d e\/f\/ | e3 d\/c\/ | B\/A\/ G\/A\/ B\/A\/B\/c\/ | \\
\nd3 c\/B\/ |!
\nA\/G\/F\/G\/ A\/G\/ A\/B\/ | c3 B | A\/G\/F\/G\/ A\/G\/F\/E\/ | B3 e\/f\/ | \\
\ng ^cc d\/e\/ | f2 FB | ^AB d\/^c\/B\/^A\/ | B3 ||!
\nf | f>g f\/e\/d\/e\/ | \\
\n^d2 e | fB (B\/A\/)(G\/F\/) | G3 A | \\
\nB>c Bc | d>ede |!
\nAg b\/a\/g\/f\/ | g3 B | B e (e\/d\/)(c\/B\/) |\\
\nc3 ^c | cf f\/e\/d\/^c\/ | ^d2 z b | beea | a^dzg | g^ccd | fBze |!
\nde g\/f\/e\/^d\/ | e2zb | beea | a^dzg | \\
\ng^ccf | fBze | ^d e\/f\/ (g\/f\/)(e\/^d\/) | e3 |]<\/p>\n
X:62
\nT:Divisions. TBe.067
\nM:C|
\nL:1\/4
\nQ:1\/4=120
\nC:untitled in MS
\nS:Thomas Bennet MS,1718, VWML
\nR:.misc.
\nO:England
\nN:
\nH:171
\nZ:vmp.C. Graebe..
\nK:G minor
\nGdGd | GdB (A\/B\/) | GgGg | Gg f (e\/f\/) |!
\nBfBf | cg A (G\/^F\/) |G (A\/B\/) c (B\/A\/) | A2 G2 ||!
\n“^2 Strain”GgGg | Ggf (e\/f\/) | BbBb | Bb a (g\/a\/) |!
\ndfdf | df d (c\/B\/) |c (c\/4d\/4e\/) dg | ^f2g2 ||!
\n“^3 Strain”BbBb | Bba (g\/a\/) | dfdf | df d (c\/d\/) |!
\nBfBf | Bf A (G\/^F\/)|G (A\/B\/) c (B\/A\/) | A2 G2 ||!
\n“^4th Strain”(B\/d\/) f (B\/d\/) f | (B\/d\/) f (B\/d\/) f |\\
\n(A\/c\/) f (A\/c\/) f| (A\/c\/) f (A\/c\/) f |!
\n(B\/d\/) f (B\/d\/) f | (B\/d\/) f (B\/d\/) f |\\
\n(A\/B\/)(c\/A\/) d (c\/B\/) | A2 G2 ||!
\nL:1\/8
\n“^5th strain”(Bd)(fd) (Bd)(fd) | (Bd)(fd) (Bd)(fd) |\\
\n(Ac)(fc) (Ac)(fc) | (Ac)(fc) (Ac)(fc) |!
\n(Bd)(fd) (Bd)(fd) | (Bd)(fd) (Bd)(fd) | \\
\n(AB)(cA) d2 (cB) | A4 G4 |]<\/p>\n
X:63
\nT:Corante. TBe.068
\nM:3\/4
\nL:1\/8
\nQ:1\/4=130
\nS:Thomas Bennet MS,1718, VWML
\nR:.courante
\nO:England
\nN:1 -Shown as flat, but see note – I think this is just making sure you
\nN:know it isn’t sharp as in previous bar. 2\/3Page is much blotted – I
\nN:think the book must have been closed before the ink dried –
\nN:possibilities for 2 are [dc cb AorB B] and for 3 are [BA AorB c or d
\nN:d]
\nN:…CGr..
\nH:171
\nZ:vmp.C. Graebe..
\nK:G major
\ne | e3 e^d^c | B2 e”^1″dcB | cBAG FB | G3 FEF | !
\nG2 BGBc | d2 DGAG | F2 AFAB |c2 CFGF |!
\nE2 GEGA | B3 Bef | gfed^cB | ^A^cdefF |!
\nB^c c3B | BF\/E\/ ^DF B,F | B4 ||!
\n^d | ^d3 deB | c6- | cBcedc | B3 ddd |!
\n(dc) (cB) “^2″AB | “^3″(BA) Ad dd | cB A3G | G2 BG dG |!
\nF2 AF cF | Ee ge be | ^d3 def | (gf) gB Ae |!
\n(fe) (fA) GB | edeGFg | (fe) e3 ^d | e3 ^def |\\
\n(gf)(gB) Ae |!
\nfefA GB | e^deGFg | fe e3 ^d | eB\/A\/ GB EB | e6 |]<\/p>\n
X:64
\nT:Untitled. TBe.069
\nM:C|
\nL:1\/8
\nQ:1\/4=100
\nS:Thomas Bennet MS,1718, VWML
\nR:.air
\nO:England
\nN:No title – not a continuation of previous tune, as different time
\nN:signature, also it has his end of tune squiggle. I think this is a
\nN:complete but untitled tune.
\nN:1 – Shown as D flat, but flat is probably to
\nN:make it this is not sharp – see general notes re accidentals.
\nN:2 – Shown as
\nN:flat, but see preceding
\nH:171
\nZ:vmp.C. Graebe..
\nK:E minor
\nB | efg^d eB zc | BA G>”^qu” F GE zE |\\
\nA>B cA FG Ad | cB e>”qu” f ^d3 f |!
\ngf b^d e3 f | gf\/e\/ dc B3 c | dc\/B\/ e2 fe\/d\/ g2-|g\/b\/a\/g\/ f>g g3 f |\\
\n(fe) (ed) (dc) (cB) |!
\nef\/g\/ f>e ^d3 || f | f2 g^d e3e | e”^1″d fe c3e |\\
\neA Ad d^G G>”^qu”G | A\/B\/A\/B\/ B>A A3 B |!
\ncA Fd\/c\/ B3b | bg e\/g\/f\/g\/ a3a | af ^d\/f\/e\/f\/g3f |\\
\ned ^c>B B3 “^2″=c | !
\ndB ^Ge c3c |cA Fd B3 b |\\
\nbg e\/g\/f\/g\/ a>b a\/g\/f\/e\/ | ^d\/B\/e\/f\/ f>e e3 |]<\/p>\n
X:65
\nT:Untitled. TBe.070
\nM:6\/4
\nL:1\/4
\nQ:3\/4=100
\nS:Thomas Bennet MS,1718, VWML
\nR:.Jigg
\nO:England
\nN:See general note re accidentals Natural is bar 7 shown as sharp..c
\nN:sharp in bar 8 is shown as a crotchet, this is my intervention..cgp…
\nH:1718
\nZ:vmp.C. Graebe.
\nK:G minor
\nD |”_time sig 3\/2 in MS” GAB cde | dcB A2 G | dBGdBG | gfg AG^F |!
\nGABcde | dcBA2G |gf=ef>gA | d”^cr in ms”^c2d3 ||!
\nd2 ef>gf | f>gff2A | B>cdefd | c3B3 |!
\nbfdBdf | bfdBcd | cdedcB | A3″G3 in MS”G2 |]<\/p>\n
X:66
\nT:Mr. Cosgill’s Delight,aka. TBe.071
\nM:C|
\nL:1\/8
\nQ:1\/4=120
\nC:titled only “Gavot” in ms
\nS:Thomas Bennet MS,1718, VWML
\nR:.gavotte
\nO:England
\nN:”=” – as in MS.
\nH:1718
\nZ:vmp.C. Graebe..
\nK:D major
\nf2a2d’2d2 | g>af>g “^=”e2d2 | f2a2e2A2 | d>ec>d “^=”B2 A2 ||!
\ne2a2f2b2 |g>fe>d “^=”c2B2 | a2A2B2d2 | g>af>g “^=”e2d2 |]<\/p>\n
X:67
\nT:Semele,a Song. TBe.072
\nM:3\/8
\nL:1\/8
\nQ:3\/8=60
\nS:Thomas Bennet MS,1718, VWML
\nR:.air
\nO:England
\nN:Semele is a character from Greek mythology, the daugher of Cadmus and
\nN:Harmonia and mother of Dionysus. There was an opera of that name by
\nN:John Eccles, libretto by Congreve, dated either 1705 or 1710. (Also an
\nN:opera or oratorio by Handel in 1743,)
\nN:All E natural and B naturals are shown as sharp in MS – see general
\nN:note
\nN:re accidentals. = is as shown in MS 2 – quaver E appears to have a
\nN:dot after it, quaver f a comma, but see bars 1, 5 7 and 14.
\nN:”Endless pleasure Endless Love Semele enjoys Semele enjoys Semele
\nN:enjoy—-s
\nN:above on her Bosom Jove reclining useless now his Thunder lies his
\nN:Thunder lyes
\nN:to her Arms his Bolts resigning and his Lightening to her eyes”
\nH:1718
\nZ:vmp.C. Graebe..
\nK:Bb major
\n(f\/e\/f)g | (f\/g\/)(f\/e\/)d | e d2 | \\
\nc3 | c\/d\/cd | e3 | e\/c\/dg | “^=” =e3 |!
\nc\/d\/c (d\/=e\/) | f3 | “^2″f\/g\/ e f | f3 | \\
\nc d2 | e\/f\/e\/d\/c | f\/e\/de | =B>AG |!
\ng_a2 | g(f\/e\/)(d\/c\/) | de2 | f2e |\\
\nd\/c\/ “^=”=B2 | c3 | zff | (fB)B |!
\ngfe3\/4d\/4 | “^=”c2c |(de)f |\\
\n“_sic”g3\/2a\/4g\/4 f3\/2g\/4f\/4 (e3\/2f\/4e\/4) | \\
\n(d\/4c\/4B) A3\/2 “_qu”B\/ | B |]<\/p>\n
X:68
\nT:Trumpet Solo,Violino Primo. TBe.073
\nM:12\/8
\nL:1\/8
\nQ:1\/4=50
\nC:”By Senior Nicola” (Matteis?)
\nS:Thomas Bennet MS,1718, VWML
\nR:.air
\nO:England
\nN:1 – what looks like a number 3 written on the stave, followed by a
\nN:crochet rest and two quaver rests. Bar lines as in M
\nH:1718
\nZ:vmp.C. Graebe..
\nK:D major
\nD(F\/E\/D) C(A,D) D(F\/E\/D) C(A,D) | D(F\/E\/D) C(A,D) D(F\/E\/D) C(A,D) | \\
\nM:2\/2
\nD6 z A | d\/e\/f\/e\/ f\/g\/f\/g\/ a\/g\/a\/b\/ fe |!
\n%end of first line
\n(a2a\/)(b\/4a\/4)(b\/4a\/4)(g\/4f\/4).|\\
\ng\/(a\/4g\/4)(a\/4g\/4)(f\/4e\/4) f\/(g\/4f\/4)(g\/4f\/4)(e\/4d\/4e\/4) | \\
\ne6 z2 z\/ A |!
\n%end of second line
\nd\/e\/f\/e\/ f\/g\/f\/g\/.| a\/g\/a\/b\/ aa |\\
\n(a2 a\/)(b\/4a\/4)(b\/4a\/4)(g\/4f\/4).|\\
\ng\/(a\/4g\/4)(a\/4g\/4)(f\/4e\/4) f\/(g\/4f\/4)(g\/4f\/4)(e\/4d\/4)|!
\n%end of third line
\n(e\/d\/e\/f\/) “^=”e>d d2 z\/ (b\/4a\/4)(b\/4a\/4)(g\/4f\/4) |\\
\ng\/(a\/4g\/4)(a\/4g\/4)(f\/4e\/4) f\/(g\/4f\/4)(g\/4f\/4)(e\/4d\/4) (e\/d\/e\/f\/) “^=”e>d|\\
\nd8 |!
\nzA,DD D>FDD | D>A,DD D>FDD |\\
\nD>A,DD D>FDD | D>FAA A>dAA |!
\n“^Piano” A>FAA A>dAA | A>F F>D D>A, A,>D |\\
\nD>F F>A A>d d>f f>a a>f f>a (f>e\/d\/4) | d8 “^1″|”^etc.”z|]
\nW:And so on for four interminable, copied out of a book, totally tedious pages.<\/p>\n
X:69
\nT:Sebella. TBe.074
\nM:2\/2
\nL:1\/4
\nQ:1\/4=100
\nS:Thomas Bennet MS,1718, VWML
\nR:.air
\nO:England
\nN:Sebella is an alternative form of Sibyl. 1 – probably squiggle before
\nN:note. Looks like a sharp but that wouldn’t make musical sense.
\nH:pre-1718
\nZ:vmp.C. Graebe..
\nK:A minor
\nc>c | ddd>c\/2d\/4 |e2 d”^1″B | cdB>c | c2 fe | ddde |!
\nf3 e | ef^d>c\/2d\/4|e2ED | CB,CA, | FEFD | EDEE | !
\nA,2 e>e\/ | f3 z\/ e | d3 z\/g | g>a f>e | d3z\/g | g>a f>e |!
\nd3z\/c | c2CD | EDEC | GABG | G,A,B,G, | e3 e\/4f\/4 g |!
\nf3 e | d3 z g\/ |g>a f>e | ^d3z\/ e\/ |e3e | e2d>c |!
\nB3A | A2CD | EF^GE | A A\/G\/AD |E E\/D\/ CA, | e2 d>c |!
\nB3A | A2 C\/B,\/C\/D\/ | E\/D\/E\/F\/ GE | A\/B\/A\/G\/ F\/E\/F\/D\/ |!
\nE\/F\/E\/D\/ C\/B,\/C\/A,\/ | e2 d>c | B3 A | A4 |]<\/p>\n","protected":false},"excerpt":{"rendered":"
%abc %%abc-alias Bennet MS %%abc-creator ABCexplorer 1.3.8 [07\/09\/2010] %Thomas Bennet MS,1718,VWML %Transcribed to ABC for www.village-music-project.org.uk %VMP, 25\/04\/2004, Cherri Graebe. %Revised 11\/2008 %Revised 12\/2009 X:1 T:Prelude by Dean(01). TBe.001 M:4\/4 L:1\/16 Q:1\/4=120 C:Mr. Thomas Dean. S:Thomas Bennet MS,1718, VWML R:.misc. O:England H:1718 Z:vmp.C. Graebe.. K:G minor “Gamut flat=Gminor.No time sig.” A4B4d4A4 |\\ B4G4g4d4 | e4c4a4=e4 … Continue reading BENNETT, Thos. ms ABC<\/span>