{"id":42,"date":"2015-12-11T23:26:27","date_gmt":"2015-12-11T23:26:27","guid":{"rendered":"http:\/\/www.village-music-project.org.uk\/?page_id=42"},"modified":"2016-03-05T13:06:25","modified_gmt":"2016-03-05T13:06:25","slug":"atkinson-abc","status":"publish","type":"page","link":"https:\/\/www.village-music-project.org.uk\/?page_id=42","title":{"rendered":"ATKINSON ABC"},"content":{"rendered":"

Cut and paste into your ABC software.<\/p>\n

%abc
\n%%abc-alias Henry Atkinson MSS 1695
\n<\/span>%%abc-creator ABCexplorer 1.6.1 [30\/10\/2015]
\n<\/span>%Henry Atkinson’s MS Tunebook, 1694
\n<\/span>%Transcribed to ABC for www.village-music-project.org.uk
\n<\/span>%by C.Partington & N.Brookes,2004
\n<\/span>%Revised 11\/2008
\n<\/span>%Revised 12\/2009
\n<\/span>%First tune illegible, HA.001 missed out of transcription.
\n<\/span>%Revised 9\/9\/2015, mostly adjusting title formats and line ends<\/span><\/p>\n

X:1
\nT:Chicken & Sparrow Grass. HA.002
\nT:Chicken & Asparagus,aka. HA.002
\nM:6\/4
\nL:1\/8
\nQ:3\/4=70
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:This tune is interesting in the way it moves from 3 beats in the bar
\nN:for the first three bars ( 3\/2 ) in the A strain, to 2 beats ( 6\/4 ) in
\nN:the Bstrain…cf Pills to Purge Melancholy,1719..CGP.
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:G
\nB2G2G2 Bcd2d2|c2A2A2 cde2e2|\\
\nB2G2G2 Bcd2B2|e2c2d2G6:|
\n|:g2gfed e2efge|a2agfe fefgaf|g2gfed e3fg2|a2f4 g6:|<\/p>\n

X:2
\nT:Jocko’s Carvatt. HA.003
\nT:Jenny Come Tie My Cravatt,aka. HA.003
\nM:6\/4
\nL:1\/8
\nQ:3\/4=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:B strain might be open to rhythmical
\nN:interpretation.cf Playford eds 7A(1687) onwards.Also Apollo’s
\nN:Banquet,1687..CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\nA2|(F2D2)F2 (A2F2)A2|(E2C2)E2 G4E2|\\
\n(F2D2)F2 (A2F2)A2|(f2g2a2) f2d4||
\ne2|(fg)a2f2 (ef)g2f2|”^qu’s”(e2c2)e2 g4e2|\\
\n(fg)a2f2 (ef)g2f2|”^qu’s”(c2A2)c2 d4|]
\nW:qu=2 quavers in MS.<\/p>\n

X:3
\nT:Untitled. HA.004
\nM:6\/4
\nL:1\/8
\nQ:3\/4=80
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“^unedited”d4e2 f2e2d2|(ed)(ef)(ef)|d4e2 f2e2d2|e4||
\na4g2 f2e2d2|g4f2 e2^c2d2|e2f2g f2ed2|
\na4g2 f2e2d2|g4f2 e2^c2d2|e4e2e4||
\nzzz|zzz|zzz||
\nM:9\/4
\n“^Edited By CGP”d4e2 f2e2d2 (ed)(ef)(ef)|d4e2 f2e2d2 e6||
\nM:6\/4
\na4g2 f2e2d2 |g4f2 e2^c2d2|e2f3g f3ed2|
\na4g2 f2e2d2| g4f2 e2^c2d2| e4e2e6|]<\/p>\n

X:4
\nT:Untitled. HA.005
\nM:C
\nL:1\/8
\nQ:1\/2=75
\nC:Same as #HA.017
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Same as #017.
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“_No Key Sig in MS”d2^c2(de)f2|g2e2^c2A2|f2e2(fg)a2|b2g2e4||
\n“^cr”e3d (ef)g2|”^cr”g3f gagf|edec fefg|”^cr”g3ff4|
\nc2(cB) ABcA|f2d2B4|”^Music runs out, but see #HA.017″g2(gf) efge|zzzzz|]
\nW:cr=crotchet in MS.<\/p>\n

X:5
\nT:Gigg. HA.006, A
\nM:6\/4
\nL:1\/8
\nQ:3\/4=60
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Jigg
\nO:England
\nA:Hartburn,Northumberland
\nN:Hmmm…Have a go?CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“_As Writ, unedited”a2|(ga) f2 (ge) f2|e4 d2 (ge) f2|\\
\n^c4 A4 a2|(ga) f2 (ge) f2|e2d2(ge)f2| c4 d4||
\nF2|E4 F2 (GE) D2|C4 B,4 F2|F4 F2 (G2E2) G2|\\
\n(FG) A2 f2 (cd) e2 (dc) d4 D4|]<\/p>\n

X:6
\nT:King’s Jigg. HA.007, The
\nT:Within a Furlong of Edenborrow Town. HA.164
\nT:Painted Chamber,aka. HA.007
\nM:6\/4
\nL:1\/8
\nQ:3\/4=70
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Jigg
\nO:England
\nA:Hartburn,Northumberland
\nN:NB=looks like a missing note has been added here, by the original pen.
\nN:Not plain Mr. King, by the way, but THE King,(which one?). See Playford
\nN:editions 6A(1679) – 13(1709)..CGP.
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\nG2|”^cr”A3Bc2 B4c2|d4d2 “^NB”d3ef2|e3dc2 (d2B2)G2|c4c2 c4:|
\n|:g2|e3fg2 a2d’2c’2|g4g2 “^cr”f4e2|”^minim”a6 (g2e2)c2|d4d2 d4e2|
\nf3ga2 (g2e2)g2|(c2A2)e2 f4g2|e3dc2 d2B2G2|c4c2 c4:|
\nW:cr=crotchet in MS<\/p>\n

X:7
\nT:Untitled. HA.008
\nM:6\/4
\nL:1\/8
\nQ:3\/4=70
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Jigg
\nO:England
\nA:Hartburn,Northumberland
\nN:NB=Probably meant to be a minim and a half, but not in need of an
\nN:editorial dispute.HA has a tendency to not dot leading crotchets when
\nN:he should. I have let it lie when, as here, confusion doesn’t result
\nN:for PlayQabc. CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“_as writ”f2gf2 e2dc2|d2ed2 c2BA2|”^NB”d4A4|
\nd2ed2 c2BA2|B2cd2 G2FE2|F4c4||
\nB2cB2 A2B2c2|d2ed2 g2a (gf)|e4c4|
\na2g”^qu”a2 b2ab2|f2gf2 e2d2c2|f6F6|]
\nW:qu=quaver in MS<\/p>\n

X:8
\nT:Bonny Cate Of Edenbrough. HA..009
\nM:C
\nL:1\/8
\nQ:1\/2=60
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:NB=funny looking to my eyes, but may be a matter of opinion, so it
\nN:stays as it is.CGP..
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:D
\n“_No Key Sig in MS”(AB) (AF) A2 (de)|”^cr”e3d “^cr”B3A|\\
\n(Bc) (BA) (Bc) (BA)|(Bd) (AF) “^cr”E3E|
\n(AB) (AF) A2 (de)|”^cr”e3d “^cr”B3A|\\
\n(Bd) (ef) (ec) (BA)|B2d2d4||
\n(fg) (ag) a2b2|(af) (ed) g2d2|\\
\n(Bc) (dB) g2G2|(GA) (BG) (Bc) (dB)|
\n(AB) (cA) “^NB.sic”a2e c2 “_as written”(BA) A2AG2|(FG) (AF) B2A2|
\n(Bd) (AF) E2E|(AB) (AF) d2 (dG)|F2 (ED)D4|]
\nW:cr=crotchet in MS<\/p>\n

X:9
\nT:Rood House Rant. HA.010
\nT:Reed House Rant,aka. HA.010
\nT:Cheshire Round,aka. HA.010
\nM:6\/4
\nL:1\/4
\nQ:3\/4=70
\nC:Reed….
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Rant
\nO:England
\nA:Hartburn,Northumberland
\nN:I may have it wrong as “Rood” not “Reed”, but that’s what it looks like
\nN:to me.Editorially not a disaster, and a well enough known tune, so I
\nN:let it stand for you to work on the interesting bits toward the end.
\nN:Aka.Old Lancashire Hp..Appears as”Cheshire Round a jig divided 12 ways”
\nN:in Apollo’s
\nN:Banquet,1693..CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:D
\n“_As Writ, but should be in 3\/2″BAG F>ED|\\
\nfede2E|BAG F>ED|fe(d\/c\/) d2D2||
\nBAG F>ED|(a\/g\/)ae2E|BAG FED|fe(d\/c\/)d2D||
\nBAG AD2|BAG cE2|BAG (F\/G\/)A|Bcd (c\/d\/)e|d2D|]<\/p>\n

X:10
\nT:Roger The Cavalaye. HA.011
\nT:Roger De Coverley,aka. HA.011
\nT:Sir Roger De Coverley,aka. HA.011
\nM:9\/4
\nL:1\/4
\nQ:3\/4=120
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:AARGL Scordatura, ADAE, tune bottom string up a tone, though it doesn’t say
\nN:so. All I’ve done is put in a couple of barlines which you may find
\nN:useful. see Playford eds 9(1695)+ .CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\n“_As Writ, No Key in MS Sig””^Scordatura ADAE”G,A,B,CCB(AF)D|E2EEF\/DB,2 |\\
\nG,A,B,CCB(AF)A|d2 DDECB,2G,||
\n(AF)A (BG)B (AF)C|E2E “^cr”E>FD B,2G,|\\
\n(AF)A (BG)B (AF)A|d2D “^cr”D>EC B,2G,||
\na(ba) (gf) g(ag) (fe) f(gf) e(de)|EEF\/EB,2G,|\\
\na(ba) (gf) g(ag) (fe) f(gf) (ed) d2|]<\/p>\n

X:11
\nT:Northern Nanny. HA.012
\nT:Northern Nancy,aka. HA.012
\nM:6\/4
\nL:1\/8
\nQ:3\/4=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Jigg
\nO:England
\nA:Hartburn,Northumberland
\nN:There is no Key Sig in the MS and only the F notes shown are
\nN:sharpened,
\nN:which makes editorial intervention tricky. However, Bb seems possible,
\nN:and conforms with other versions. Other versions can be
\nN:got,eg Northern Nancy, Playford\/4th ed. 1670 and all subsequent
\nN:eds..CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:Bb
\nG2|”^cr”G3″_No Key Sig in MS”AG2 ^F4G2|\\
\nA4B2c4A2|B2c2d2 ^F4G2|A4″_#?”F2 G4||
\n“^cr”f3ed2 “^cr”c3BA2|B4c2 d4A2|B2c2d2 “_#?”F4G2|A6 G4|]
\nW:cr=crotchet in MS<\/p>\n

X:12
\nT:Such A Wife As Willie Had. HA.013
\nM:C
\nL:1\/4
\nQ:1\/4=150
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“_No Key Sig in MS”Adde|f2ed|f2ed|e2c2|
\nAdde|f2ed|e(f\/g\/) (a\/g\/)(f\/e\/)|”^cr”d2A2||
\naa(b\/a\/)(g\/f\/)|gg(a\/g\/)(f\/e\/)|ff(g\/f\/)(e\/d\/)|e2c2|
\naa(b\/a\/)(g\/f\/)|gg(a\/g\/)(f\/e\/)|e(f\/g\/) (a\/g\/)(f\/e\/)|d2A2|]<\/p>\n

X:13
\nT:Sweetnors Jigg. HA.014
\nT:Gee Woe Dobbin,aka. HA.014
\nT:Swaggering Boney,etc,aka. HA.014
\nT:Rummer,aka. HA.014, The
\nM:6\/4
\nL:1\/4
\nQ:3\/4=70
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Jigg
\nO:England
\nA:Hartburn,Northumberland
\nN:Editing this if required, seems fairly straightforward, so
\nN:I’ve provided a parallel version.AKA Swaggering Boney,Longborough. Old
\nN:Frog Dance,Oddington, How Do You Do Sir?Sherborne, and Gee Woe
\nN:Dobbin.CGP..
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“_As Writ, No Key Sig in MS”c|AGF (A\/B\/) c\/A|\\
\nB\/(c\/d\/) B c2c|fe\/d e\/(f\/g\/) e|f2F F2||
\nf|fga gab|ag\/f efg|fe\/f dg\/f|ec2 c2c|
\ndef ccf|BBf AAf|dg\/f ed\/e|fFF F2||
\nzzzz|zzzz|zzzz||
\n“^Edited version by CGP”c|AGF (A\/B\/) cA|\\
\nB\/(c\/d) B c2c|f>ed e\/(f\/g) e|f2F F2:|
\nf|fga gab|a>gf efg|f>ef d>gf|ec2 c2c|
\ndef ccf|BBf AAf|d>gf e>de|fFF F2|]<\/p>\n

X:14
\nT:Jigg,A. HA.015
\nM:6\/4
\nL:1\/4
\nQ:3\/4=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Jigg
\nO:England
\nA:Hartburn,Northumberland
\nN:The ends of the phrases are minims, and should possibly be played as
\nN:dotted minims, but don’t need editing to make sense,CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nc|ABc f2d|(cA)F E2D|EFG C2c|
\nBcd b2a|(gc)f “^cr”f>ge|”^min”f3F2||
\nf\/g\/|(af)d (ge)c|(d\/e\/)fA GAB|”^min”c3f3|
\n“^cr”e>dc dcB|bdg “^cr”e>dc|”^min”f3F2|]
\nW:cr=crotchet, min=minim in MS<\/p>\n

X:15
\nT:Untitled. HA.016
\nM:6\/4
\nQ:100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Superfluous “Natural” signs above all the E notes. A most beautiful
\nN:tune, easily edited.CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nc”^#NB”ef\/ ga\/g|f”^#”e2 d\/c\/d\/”^#”e\/ d|c”^#”ef\/ gag|f”^#”e2d2||
\ndB2 “^#”e2d|(c\/B\/)(c\/d\/)(c\/B\/) A2-A|fdc BA\/B\/c|dd2c2||
\nzzz|zzz|zzz|
\n“^Edited by CGP”ce>f g>ag|fe2 d\/c\/d\/e\/ d|ce>f gag|fe2d3||
\ndB2 e2d|(c\/B\/)(c\/d\/)(c\/B\/) A2-A|fdc BA\/B\/c|dd2c3|]<\/p>\n

X:16
\nT:Untitled. HA.017
\nM:C
\nL:1\/4
\nQ:1\/2=90
\nC:Same as #HA.005
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Same as #005.
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“_As Writ”dc(d\/e\/)f|gecA|fefga|bge2||
\ne(e\/d\/) (e\/f\/)g|g\/f g\/a\/g\/f\/|e\/d\/e\/c\/ f\/e\/f\/g\/|gf\/f2|
\ncc\/B\/ A\/B\/c\/A\/|fdB2|g(g\/f\/) e\/f\/g\/e\/|”^The End”acd2||
\nzzzz|zzzz|zzzz|
\n“^Edited By CGP”dc(d\/e\/)f|gecA|fef\/g\/a|bge2||
\ne(e\/d\/) (e\/f\/)g|gfg\/a\/g\/f\/|e\/d\/e\/c\/ f\/e\/f\/g\/|g>f f2|
\ncc\/B\/ A\/B\/c\/A\/|fdB2|g(g\/f\/) e\/f\/g\/e\/|acd2|]<\/p>\n

X:17
\nT:Young Jamy. HA.018
\nT:Young Jemmy,aka. HA.018
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:see Playford eds 7(1686) and all subsequent, but not identical..
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“_No Key Sig in MS”\\
\nA2|F2(ED) (FG) A2|d4f4|(ef)(ed) (cd)(cA)|G4A2A2|
\nF2(ED) (FG) A2|d4f4|a2 (gf) (ef)(ed)|d4D2||
\nA2|”^cr”d3e (fe)(fc)|A2c2c2 (BA)|d2 (ef) (gf)(gf)|f4a4|
\n“^cr”A3G (AB)c2|”^cr”c3BA2(Bc)|d2 (ef) (gf)(ed)|d4D2|]
\nW:cr=crotchet in MS<\/p>\n

X:18
\nT:Hey Boys Up Go We. HA.019
\nM:C
\nL:1\/4
\nQ:1\/2=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:The minims at the ends of the phrases should perhaps be dotted. See
\nN:Playford eds 6A(1679) and all subsequent,(where the rhythm is
\nN:significantly different).CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\nC|CcBA|(A\/G\/) F(E\/F\/)G|FEDC|”^NB.sic”c2C|
\nCcBA|(A\/G\/) F(E\/F\/)G|FEDC|c2G|
\ncd(e\/f\/)e|(d\/B\/)cAG|cBA>G|G2d|
\ngf(e\/d\/)c|f(e\/d\/) B(A\/G\/)|cEDB|c2G|]<\/p>\n

X:19
\nT:Sandy & Jockey. HA.020
\nM:6\/4
\nL:1\/8
\nQ:3\/4=50
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:There are no time signatures or key signatures to most of the tunes,
\nN:but this tune in particular doesn’t give many other clues either. I
\nN:don’t think an interpretation by me would be anything but vain. First
\nN:appears in print that I have found in The Scots Musical Museum, #3, of
\nN:1790.. CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\n“_As Writ”(GB)d2 g4f2|d2cB2 (cA)F2|(G2B2)d2 g4f2|(bf)d2 (dB)G2||
\nG2|B2c d2f4|c2e4 d2g4|(fb)f2 d4g2|(fd)(cB) c4B2|
\n(dB)(dB) (cA)(cA)|(BG)(BG) (AF) D2|\\
\nG2B2d2 g4f2|(bf) d2 (dB) G2|]<\/p>\n

X:20
\nT:Black Mare’s Anticks. HA.021, The
\nM:6\/4
\nL:1\/4
\nQ:3\/4=80
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Jigg
\nO:England
\nA:Hartburn,Northumberland
\nN:Somebody has added in pencil the words “Gee Woe Doddin”, But it’s not
\nN:the same as the “Dobbin” I’ve got.(See #014).CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:Bb
\nfga b2a|”^cr”g>fg fd2|”^cr”e>dc fBc|c2B “^cr”B3||
\nBFE DB,2|”^cr”E>F (G\/F\/) GC2|DEF GAB|B2A “^cr”B3|]
\nW:cr=crotchet in MS<\/p>\n

X:21
\nT:Untitled. HA.022
\nM:6\/4
\nL:1\/8
\nQ:3\/4=70
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:The two sharps shown in the MS are disconcertingly placed at the top
\nN:and the bottom of the stave. CGP.
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:D
\n“_As Writ, No time sig. in MS”A2|F2G2A2 D4B2|(AF)A2 A,2C2D2|E4A,2A2|
\nF2GA2D4f2|f2(e\/f\/) g2(e\/d\/)A2|d2D4||
\n(de)|f2gf2 (ec)d2|e2fg2 g2(gf)(ed)|e4A4|
\nf2(e\/f\/) g2(ec)A2|c2(B\/c\/) d2(AF)A2|d4D4||
\nzzzz|zzzz|zzzz||
\n“^Edited by CGP”\\
\nA2|F3GA2 D4B2|(AF3)A2 A,2C2D2|E6A,4A2|
\nF3GA2D4f2|f2(ef) g2(ed3)A2|d6D4||
\n(de)|f3gf2 (ec3)d2|e3fg2 g2(gf)(ed)|e6A6|
\nf2(ef)g2 (ec3)A2|c2(Bc) d2(AF3)A2|d6D4|]<\/p>\n

X:22
\nT:Jigg,A. HA.023
\nM:6\/4
\nQ:3\/4=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Jigg
\nO:England
\nA:Hartburn,Northumberland
\nN:Two random sharps in MS, but see edited version.
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:D
\nF2A2F2 c2A2c2|f2d2g2 e2f2g2|c2A2d2 B2G2c2|d2B4c4||
\n(ef)|g2e2c2 f2d2g2|g2e2a2 g2a2b2|a2g2a2 d2e2f2|g2e4f4||
\nK:F
\nzzzz|zzz|zzz||
\n“^Edited By CGP”\\
\nF2A2F2 c2A2c2|f2d2g2 e2f2g2|c2A2d2 =B2G2c2|d2=B4c4||
\n(ef)|g2e2c2 f2d2g2|g2e2a2 g2a2b2|a2g2a2 d2e2f2|g2e4f4|]<\/p>\n

X:23
\nT:Untitled. HA.024
\nM:C|
\nL:1\/8
\nQ:1\/2=75
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Although there are two sharps in the MS, they are on top F and bottom
\nN:F.CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:G
\n(dB)|”^cr”G3A B2(AG)|A2e2e2g2|\\
\n“^cr”d3B (dB) (AG)|(AB) (AF) D2(dB)|
\n“^cr”G3A B2(AG)|A2e2e2f2|\\
\n(ga) (ba) (ae) (e\/f\/g)|B2d2d2||
\ng2|”^cr”e3d (ef) (ga)|b2a2g2G2|\\
\nA2A2 (cB) (cd)|e2A2 A2 (A\/B\/c)|
\n(BA) (BG) (ge) (dB)|(AB) (AG) “^cr”E3d|\\
\n“^cr”D3d (AB) (cd)|B2G2G2|]<\/p>\n

X:24
\nT:Have Ye Any More On’t? x025
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\n“^cr”G3A G2E2|D2C2A4|G2(AB) c2(GE)|G4c4||
\nc2″^NB”e2e2(de)|(fe)(dc) d2G2|c2″^NB”e2e2 (de)|\\
\n(fe)(dc) (ef)(ge)|
\n(fg)(ag) (ag)(fe)|(fe)(dc) d2(cd)|\\
\ne2(de) g2(GE)|G4c4|]<\/p>\n

X:25
\nT:Portsmouth,aka. HA.026
\nM:C
\nL:1\/8
\nQ:1\/2=100
\nC:Untitled in MS
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:This appears in Playford eds 11(1701) and all subsequent.CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nC2|”^cr”F3G “_2sharps in MS”(AG) (FE)|\\
\nD4 d2e2|”^cr”f3c (dc) (BA)|”^Min.”G6C2|
\n“^cr”F3G (AG) (FE)|D4 d4|(cd) (cA) (GF) (GA)|”^Min”F6||
\nc2|”^cr”f3g (ag) (fe)|”cr”f3c A2(GF)|f2c2 (dc) (BA)|”^min.”G6C2|
\n“^cr”F3G (AG) (FE)|D4 d4|(cd) (cA) (GF) (GA)|”^min”F6|]
\nW:cr=crotchet,min=minim, in MS<\/p>\n

X:26
\nT:Black Ewe. HA.027, The
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:G
\ng2|d3B (dB) (AG)|G4D4|E2G2B2 (AG)|”^min.”A6 g2|
\nd3B (dB) (AG)|G4D4|E2G2B2d2|”^min.”g6||
\nB2|c3d (ed) (ef)|”^cr”f3ed2(ef)|(ge)g2 B2 (AG)|”^min.”A6 g2|
\nd3B (dB) (AG)|(Bc)d2D4|E2G2B2d2|”^min.”g6|]<\/p>\n

X:27
\nT:Untitled. HA.028
\nM:3\/4
\nL:1\/8
\nQ:1\/4=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:G
\nG2|”^cr”B3Bc2|dcded2|edefga|f2f2G2|
\nBABcd2|edefg2|”^NB”f4ef|g4||
\ng2fefgab|a2a2d2|g2f2e2|d4B2|
\nedefg2|fefga2|g2f2e2|e4(dc)|
\nBABcde|d2d2G2|c2c3B|A2A2g2|
\nfefga2|gfgab2|c2A3G|G4|]
\nW:NB=(f2e\/2f\/2) in MS<\/p>\n

X:28
\nT:Untitled,fragment. HA.029
\nM:C
\nL:1\/8
\nQ:1\/2=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Not enough left to reconstruct.
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\n“_No Key Sig”B2G2G2g2|(gf)(ed) B4|\\
\n(fg)(fd) (Bd)(fc)|(AB)(cA) f2 f2|
\nG2b2a2B2|(fg)(af) “^cr”g3g|\\
\n(fe)(fd) ef g2|(c2Bc) d4||
\n“_sic”b(ag) (ad)|g2a2b4|(ba)(gf) (ed)(cB)|
\n(de)f2 A3 A|”_sic”(Ac)(dB) (de) (fd)|”_music runs out”zzzz||<\/p>\n

X:29
\nT:Flower Of Yarrow. HA.030, The
\nT:Mary Scott,the…,aka. HA.030
\nT:Sir John Fenwick,aka. HA.030
\nM:6\/4
\nL:1\/8
\nQ:3\/4=55
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:aka Sir John Fenwick’s The Flower Among Them All..CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\n“_No Key or Time Sigs”G4B2 d4g2|d4g2 B3AG2|\\
\nA4B2 e4g2|e4d2 e4g2|
\nG4B2 d4g2|”^cr”d4g2 B3AG2|\\
\nc2 (dc)(BA) B2(cB)(AG)|A4G2 e4d2||
\ng6 g6|g6 B3AG2|A4c2 e4ga|b4a2 e4g2|
\nG4B2 (dB)(dB)(dB)|d6 B3AG2|\\
\nc2 (dc)(BA) B2(cB)(AG)|A4G2 e4d2||
\ng2G2B2 g2G2B2|g2G2B2 g2G2B2|\\
\ng2A2B2 g2A2B2 |g2A2B2 e4d2|
\ng2G2B2 g2G2B2|g2G2B2 g2G2B2|\\
\nc2 (dc)(BA) B3AG2|A4G2 e4d2|]<\/p>\n

X:30
\nT:London’s Loyalty. HA.031
\nM:3\/2
\nL:1\/8
\nQ:1\/2=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Scordatura ADAE. Tune bottom string up a tone. This you may compare
\nN:with the more understandable version in Playford
\nN:13th edition, 1706..For this reason I have only straightened out the
\nN:(usual) crotchets.. CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“^Scordatura ADAE”D4 (dc)(dA) G2F2|E2F2 (GF)(GE) =B,4|\\
\nD4 (dc)(dA) G2F2|(EF)(ED) E2B,2 D4||
\nc4 e2c2 (ef)g2|c2g2 g2c2 g4|\\
\ndefg a2d2 “^cr’s”fga2|d2a2 a2d2 a4|
\ngfed c2f2 (AB)(cB)|(GF)(ED) B,2c2 E4|\\
\nF2E2 F2G2 A2A2|B2c2 d2″^cr”dc d4|]<\/p>\n

X:31
\nT:Cock Up Thy Beaver,Jemme. HA.032
\nT:Johnny,Cock Thy Beaver,aka. HA.032
\nM:6\/4
\nL:1\/4
\nQ:3\/4=70
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:cf Playford Division Violin
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nd|c2FA>GF|G>AGB2d|c2FA2G|FfBABc|
\n“^qu’s”dcd”^qu’s”fcA|G>AGB2f|c2BA2G|FfcA2F||
\nFfc(A\/B\/)cA|GgdB2G|Ffc(A\/B\/)cA|FfBABc|
\nB\/A\/B\/c\/d\/e\/fFA|G>AGB2f|c2BA2G|FfcA2F||
\ncA Fc (A\/B\/c\/A\/)|(dB) Gd\/c\/B\/A\/G|\\
\n(cA) Fc\/B\/A\/B\/c\/A\/|c\/B\/A\/B\/c\/A\/ c\/B\/A\/B\/c\/A\/ |
\nd\/c\/B\/c\/d\/B\/ c\/B\/A\/B\/c\/A\/|G\/F\/G\/A\/B\/c\/ d2f|\\
\nc>dc\/B\/ A>BA\/G\/| Ffc A2F||
\nF>GA\/B\/ c(d\/c\/B\/A\/)|(GAG) B2D|\\
\nF>GA\/B\/ c(d\/c\/B\/A\/)|c (d\/c\/B\/A\/) c (d\/c\/B\/A\/) |
\nf (g\/f\/e\/d\/) c (d\/c\/B\/A\/)|”^qu”F (A\/B\/c\/A\/) d (B\/c\/d\/B\/)|\\
\nc (A\/B\/c\/A\/) B (G\/A\/B\/G\/)|Ffc A2 G||
\nF\/E\/F\/G\/A\/B\/ c\/B\/A\/B\/c\/A\/|d\/c\/B\/c\/d\/B\/ G\/F\/G\/A\/B\/c\/ |\\
\nd\/c\/B\/c\/d\/B\/ F\/E\/F\/G\/A\/B\/| c\/B\/A\/B\/c\/A\/ c\/B\/A\/B\/c\/A\/ |
\nc\/B\/A\/B\/c\/A\/ d\/c\/B\/c\/d\/B\/ |c\/B\/A\/B\/c\/A\/ G\/F\/G\/A\/B\/c\/ |
\nd\/c\/d\/e\/d\/f\/ c\/B\/c\/d\/B\/d\/ |A\/B\/c\/A\/B\/G\/|FfcA2F||
\nFFf FFf|GGgfe\/f\/g|FFf AAf|ccd c\/B\/A\/B\/c\/A\/|
\nB\/A\/B\/c\/d\/e\/ fFA|GgG B\/A\/B\/c\/d|fg\/f\/e\/d\/ cd\/c\/B\/A\/ |\\
\nFfc A2(G\/F\/)||
\nf(fF) A(AG)|(gg)G (BB)d|(ff)c (dd)G|(cc)F A(AG)|
\nB(BG) A(AF)|G>AG B2f|c2B A2G|Ffc A2(G\/D\/)||
\nF3A3|G>AG B2D|F3A3|FfB ABc|
\n(dc)d (fc)A|G>AG B2G|F3A3|Ffc A2(G\/F\/)|]<\/p>\n

X:32
\nT:Trumpett’s Tune. HA.033
\nM:3\/4
\nQ:90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\ngg\/g\/g|ggg|ee(e\/4f\/4g\/)|c2G|\\
\ncce|ddg|e c\/d\/e\/f\/|g3||
\ndB\/c\/d|dGd|B\/c\/dG|d2G|\\
\nc\/d\/e\/f\/g|c’>ae|”cr’s”g\/d\/cB|c3|]<\/p>\n

X:33
\nT:Bor\u00e9. HA.034
\nM:C
\nL:1\/4
\nQ:1\/2=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Bour\u00e9e
\nO:England
\nA:Hartburn,Northumberland
\nZ:vmp.Chris Partington.Jan.2004
\nK:Bb
\n“_No Key Sig.”G|GA\/B\/Ad|BA\/G\/^FE\/E\/|GA\/B\/Ad|B2G||
\nA|Bc\/d\/cf|dc\/B\/cF|BA\/G\/ed|c2B2|
\nAA\/B\/cA|dGF>f|d(c\/B\/) (A\/B\/) c|B2G|]<\/p>\n

X:34
\nT:Untitled. HA.035
\nM:6\/4
\nL:1\/4
\nQ:3\/4=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:–Or Barlines.
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“_No Key or time Sigs in MS”b|a>fe e\/f\/gc|f>ed c>BA|”^min”B3d2f|
\ne>dc d\/e\/fB|A>Bc G>AB|”^min”A3″cr”F2||
\nF|E2D E\/F\/ GG| A\/B\/ cc d\/e\/ ff| “^min”e3 g2a|
\nb>ag c’ag\/a\/|bfd gec|”^min”f3F2|]<\/p>\n

X:35
\nT:White Hall. HA.036
\nT:White Hall End,aka. HA.036
\nT:New Dance Call’d White-hall,aka. HA.036, A
\nM:C
\nL:1\/8
\nQ:3\/8=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:See Playford eds 5(1675) and all subsequent..CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nC|F>GA B>cd|e>fg a>ba|g3 c3|
\nB>cB A>BA|G>AG E>DC|F3A2||
\nA|B>cd Ggf|e>dc g>a (g\/f\/)|e3 c3|
\nB>cB A>BA|G>AG E>DC|F3 A3|]<\/p>\n

X:36
\nT:Roger Coverley,New Way. HA.037
\nM:9\/4
\nL:1\/8
\nQ:3\/4=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Slip Jig
\nO:England
\nA:Hartburn,Northumberland
\nN:Just as written first time through, then edited by me.cf Playford DM
\nN:eds 9+(1695)CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“_as Writ, unedited”f4c2 (c2A2)c2 |(c2A2) F2 G4g2| “sic”gagf e2d2c2|
\nf4c2 (c2A2)c2 |(c2A2)F2 D3EF2| F2A2G2 G4F2||
\nB2f2f2 B2f2f2 |B2f2f2 c2g2g2| c2g2g2 c2g2g2|
\nB2f2f2 B2f2f2 B2f2f2 D3EF2 |F2A2G2 G4F2||
\nc2 AcA c3Ac2 |AB c2F2|d2BdB| dBd|Bcd G2|
\nc2 AcA |c3Ac2|(AB) c2F2|D3EF|F2A2G2 G4F2||
\nf2 gag |f2 gag |f2 gag|g2aba| g2 aba|g2aba|
\nf2 gag|f2 gag|(f2c2)d2 (c2A2)F2|F4a2|g6f2||
\nzzzz|zzzz||
\n“^Version edited by CGP”\\
\nf4c2 (c2A2)c2 (c2A2)F2|G4g2 gag2f2 e2d2c2|
\nf4c2 (c2A2)c2 (c2A2)F2|D3EF2 F2A2G2 G4F2||
\nB2f2f2 B2f2f2 B2f2f2|c2g2g2 c2g2g2 c2g2g2|
\nB2f2f2 B2f2f2 B2f2f2|D3EF2 F2A2G2 G4F2||
\nc3AcA c3Ac2 AB c2F2| d3BdB d2B2d2 Bcd2 G2|
\nc3AcA c3Ac2 (AB) c2F2|D3EF2 F2A2G2 G4F2||
\nf3 gag f3 gag f3 gag|g3aba g3 aba g3aba|
\nf3 gag f3 gag (f2c2)d2| (c2A2)F2 F4a2 g4f2|]<\/p>\n

X:37
\nT:Minoway. HA.038
\nT:Minuet?aka.x038
\nM:3\/4
\nL:1\/4
\nQ:1\/4=150
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Could the title “Minoway” be a rendition of “Minuet” in a French
\nN:accent? Which would be a very early date for a minuet in England, but
\nN:not the only one in this collection. CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\ncg2|e2f|ga\/g\/f\/e\/|d2c|cg2|e2f|ga\/g\/f\/e\/|d3||
\nd>ef|ga\/g\/f\/e\/|fg\/f\/e\/d\/|e3|d3|c>de|f\/e\/d>c|B>AG|
\nd>ef|ga\/g\/f\/e\/|fg\/f\/e\/d\/|e3|d3|c>de|f\/e\/d>c|c2|]<\/p>\n

X:38
\nT:My Father Left Me Ware Enough. HA.039
\nM:3\/4
\nL:1\/4
\nQ:1\/4=150
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:G
\ngd2|”^perhaps 9\/4?”Gc A\/G\/|AEE|gd2|Gc A\/G\/|cGG||
\ngd2|G B\/c\/d\/B\/|cEE|gd2|GB\/c\/d\/B\/|
\nd2G|B\/c\/d\/B\/ c\/B\/|c\/d\/e\/d\/c\/B\/|AEE||
\nGg>a|gab|ggG|g2a|ga>b|AAE|
\ng2a|g>ab|(a\/g\/)a(g\/f\/)|ef>g|fg\/f\/d\/B\/|AEE||
\nDGd|”^e\/ in MS”e>dc\/B\/|AFF|EGd|B\/c\/d\/B\/d|GB\/c\/d\/B\/|
\nc>Bc|”^qu’s”cBc|de\/d\/c\/B\/|AEE||
\ng3|f3|e3|d3|c3|B3|AEE|]<\/p>\n

X:39
\nT:Jenny Come Down To Jocko. HA.040
\nT:Hey,Jennie Come Down…. HA.040
\nM:3\/4
\nL:1\/8
\nQ:1\/4=90
\nC:or
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:…Or Jemy
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:G
\n“_As Writ. No Key Sig.in MS”D|G>AB(B\/G\/)|\\
\nBd(B\/c\/)A|DGAB|(B\/G\/)Bgf|e2||
\nde>fg|feag|fdefg|(d\/B\/)BcA|GE|]
\nzzzz|zzzz||
\n|:”^Version as Edited by CGP,perhaps 9\/4?”D|G>AB|(B\/G\/)Bd|\\
\n(B\/c\/)AD|G>AB|(B\/G\/)Bg|fe:|
\n|:d|e>fg|fea|gfd|e>fg|(d\/c\/)Bc|AG:|<\/p>\n

X:40
\nT:Mr Thomas Tollate’s Grounds,p.1\/3. HA.041
\nT:Irish Ground,The,aka. HA.041
\nM:9\/4
\nL:1\/4
\nQ:3\/4=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:This will not fit on the page in ABC2WIN, and you will get various
\nN:error messages if you try it. I have split it up into three
\nN:separate tunes and done it as pages 1,+2,+3. cf PLFD DM ed.11 (1701).
\nN:CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“^1″B|A>Bc d<cf e2c|A>Bc d>cf g2c|
\nA>Bc d<cf d2a|bag g2ff2:|
\n|:”^2″e|dcB AGF GAB|AGE DEF G2B|
\nABc cde def|edc fge g2:|
\n|:”^3″c|f>ga\/g\/ f>ga\/g\/ g\/f\/e\/d\/c|f>ga\/g\/ f>ga\/g\/ g2c|
\nf>ga\/g\/ f>ga\/g\/ bdb|g\/f\/e\/d\/c g\/f\/e\/d\/c g2:|
\n|:”^4″c\/B\/|AFc\/B\/AFB\/A\/GF c\/B\/|AF c\/B\/AF G\/A\/BGc\/B\/|
\nAF c\/B\/ AF G\/A\/ BDG\/F\/|DC G\/F\/ DC D\/E\/ FA,:|
\n|:”^5″f|cfc fcf ece|cfc fcf g>fe\/d\/|
\ncfc fcf bdb|gcg cge f2:|
\n|:”^6″c|(f\/c\/) (f\/c\/) (f\/c\/) (f\/c\/) (f\/c\/) (f\/c\/) (ece)|\\
\n(f\/c\/) (f\/c\/) (f\/c\/) (f\/c\/) (f\/c\/) (f\/c\/) g2g|
\n(f\/c\/) (f\/c\/) (f\/c\/) (f\/c\/) (f\/c\/) (f\/c\/) bdb|\\
\n(g\/c\/) (g\/c\/) (g\/c\/) (g\/c\/) (g\/c\/) (g\/c\/) g2:|
\nM:6\/4
\n|:”^7″c|A2A G\/F\/Ec|A2A “^cr’s”G\/F\/Gc|A2A G\/F\/Bc\/d\/|”^Cont’d….”cd\/e\/fef:|<\/p>\n

X:41
\nT:Mr Thomas Tollate’s Grounds,p.2\/3. HA.041
\nM:6\/4
\nL:1\/4
\nQ:3\/4=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Second page of previous item.CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“^8…Cont’d”G|fag fe(d\/c\/)|fag fgc|fag fc’d|e\/d\/cf efF:|
\n|:”9″(A\/F\/) (A\/F\/) (A\/F\/) (A\/F\/) GE|(A\/F\/) (A\/F\/) (A\/F\/) (A\/F\/) BG|
\nc\/A\/ c\/A\/ c\/A\/ c\/A\/ dB|(e\/c\/) (e\/c\/) (e\/c\/) (e\/c\/) fF:|
\nM:9\/4
\n|:”^10″c\/B\/|AFF AFF GEE|AFF AFF BGG|
\nAFF AFF dDD|ECC ECC FA,A,:|
\n|:”^11″A3\/2F\/4G\/4A A3\/2F\/4G\/4A G3\/2E\/4F\/4G|\\
\nA3\/2F\/4G\/4A A3\/2F\/4G\/4A B3\/2G\/4A\/4B|
\nA3\/2F\/4G\/4A A3\/2F\/4G\/4A B3\/2c\/4d\/4d|c3\/2c\/4d\/4e c3\/2d\/4e\/4f4:|
\n|:”^12″c|f2f f>gf e2c|f2f fga g2c|f2f f>ef d2b|g2c cde f2:|
\n|:”^13″d\/e\/|f2F F>GF E2d\/e\/|f2F F>GA A2d\/e\/|\\
\nf2F F>GF F”^min.”D G\/F\/|E2C C>DE F2:|
\n|:”^14″d\/e\/|fFF F\/E\/F\/G\/F BGG|fFF F\/E\/F\/G\/F BGG|
\nfFF F\/E\/F\/G\/F BDD|ECC C\/B,\/C\/D\/C AA,A,:|
\n|:”^15″f\/g\/a\/g\/f\/e\/ f\/g\/a\/g\/f\/e\/ g\/a\/g\/f\/e\/g\/|\\
\nf\/g\/a\/g\/f\/e\/ f\/g\/a\/g\/f\/a\/ g\/f\/g\/a\/b\/g\/|
\nf\/e\/f\/g\/a\/g\/ f\/e\/f\/g\/a\/g\/ b\/a\/g\/f\/e\/d\/|\\
\nc\/B\/A\/G\/F\/A\/ G\/F\/E\/D\/E\/C\/”^Cont’d…” FCB,:|<\/p>\n

X:42
\nT:Mr Thomas Tollate’s Grounds,p3\/3. HA.041
\nM:3\/2
\nL:1\/4
\nQ:1\/2=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Third page of previous item.CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“^…Cont’d ,16″f2a2g2|fd2e\/f\/gc|f2c2d2|BG2A\/B\/cF:|
\n|:”^17″A2F2G2|FD2E\/F\/GF\/E\/|\\
\nFE\/D\/ CB,\/A,\/ B,\/C\/D|EC2″^crs” D\/E\/ FA,:|
\nM:9\/4
\nQ:3\/4=100
\n|:”^18″g2f dd>e “^cr”c2c| f2f ddg (e\/f\/)ge|
\ng2f dd>a dd>e |cce c\/d\/e\/c\/ f2F:|
\n|:”^19″af\/g\/a\/f\/ af\/g\/a\/f\/ ge\/f\/g\/e\/|af\/g\/a\/f\/ af\/g\/a\/f\/ bg\/a\/b\/g\/|
\naf\/g\/a\/f\/ af\/g\/a\/f\/ ge\/f\/g\/e\/|fd\/e\/f\/d\/ ec\/d\/e\/c\/ f2F:|
\nM:8\/4
\nL:1\/4
\n|:”^20″c2-c\/ c\/ AA BGG|c2-c\/ c\/ AA B2G|
\nc2-c\/ c\/ AAd BB|e\/cc e\/ccf2F:|
\nM:9\/4
\n|:”^21″A F\/G\/A\/F\/ A F\/G\/A\/F\/ G E\/F\/G\/E\/|\\
\nA F\/G\/A\/F\/ A F\/G\/A\/F\/ B G\/A\/B\/G\/|
\nA F\/G\/A\/F\/ A F\/G\/A\/F\/ G E\/F\/G\/E\/|F D\/E\/F\/D\/ E C\/D\/E\/C\/ ACA,:|
\n“^Ground”F3F3E3|F3F3G3|F3F3D3|E3E3F3|
\nd3d3A3|d3d3c3|c3d3G3|A3A3D3|]<\/p>\n

X:43
\nT:Camp Jigg. HA.042, The
\nT:Hey to The Camp,aka. HA.042
\nT:Mask,aka. HA.042, The
\nM:6\/4
\nL:1\/4
\nQ:3\/4=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Jigg
\nO:England
\nA:Hartburn,Northumberland
\nN:cf Playford eds 7B(1688)+CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\n(c\/d\/)ec dBG|(A\/B\/)cE D2C|(E\/F\/)GE G2G|(c\/d\/)ec d2d|
\n(c\/d\/)ec dBG|(A\/B\/)cE D2C|(E\/F\/)GG (A\/B\/)cc|(e\/f\/)ge c3:|
\n|:(e\/f\/)ge (ge)c|(f\/g\/)af a2a|(e\/f\/)ge (ge)c|dGd d3|
\n(e\/f\/)ge “^qu’s”(ge)c|(f\/g\/)af agf|(e\/f\/)ge (dB)G|(A\/B\/)cE C2:|<\/p>\n

X:44
\nT:Hunsup. HA.043
\nT:The Hunt Is Up,aka. HA.043
\nM:6\/4
\nL:1\/4
\nQ:3\/4=120
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Jigg
\nO:England
\nA:Hartburn,Northumberland
\nN:Most of the notes preceding the quavers are shown as plain crotchets
\nN:but the intention seems clear for them to be dotted.CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:G
\nG2d B>cd|G2d B>cd|c>dc B>cB|A>BA F>ED|
\nG2d B>cd|G2d B>cd|cgc BgB|A3-A2A|
\nc>de edc|B>cd dcB|(AB)G AF2|G3-G2|]<\/p>\n

X:45
\nT:Borey. HA.044, A
\nT:Bourree,aka. HA.044
\nM:C
\nL:1\/4
\nQ:1\/2=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Bour\u00e9e
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\nG|cdef|g\/f\/ g\/a\/gG|cde”^#”f|g3||
\nd\/e\/|f>ede|^c>BAd|GcB>c|d\/c\/ d\/e\/ d e\/f\/|
\n“^qu’s”f>ede|c>BAd|GcdB|c3|]<\/p>\n

X:46
\nT:Minuet. HA.045
\nM:3\/4
\nL:1\/8
\nQ:3\/4=60
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Minuet
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\nef efg2|g3fe2|f2d2g2|ef edc2|
\nef efg2|g3fe2|f2d2g2|e6||
\nef edc2|d4G2|c2d2e2|cB cd cd|
\nef ed c2|d4G2|c2d2B2|c6|]<\/p>\n

X:47
\nT:Farinell’s Ground. HA.046
\nT:Faronell’s Division on a Ground,aka. HA.46
\nT:La Folia,aka. HA.046
\nM:3\/4
\nL:1\/4
\nQ:80
\nC:Division on a ground
\nC:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Some editing required.
\nN:The Tune in the MS is covered in cryptic signs, which I have attempted
\nN:to represent with a cunning misuse of the abc chord symbols. You must
\nN:interpret them for yourself, for I cannot.Somewhere under this you
\nN:will
\nN:find a very satisfying tune, if you play it back a few times on
\nN:PlayQabc or whatever..PFD Division Violin.v1.CGP
\nN:Format it yourself, by the way
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“_Unedited””^A”dd”^u”e|”^#”c”^#”c”^#”c|”^d”d”^#”d”^u”(c\/4d\/4)|eee|”^d”f”^#”f”^u”g\/|\\
\n“^=”eef\/e\/|dd>e|”^#”c”^#”c”^u”c\/|”^#”c”^#”c”^#”c|d”^-“d”^u”(c\/4d\/4)|\\
\neee|”^d”f”^=”f”^u”g\/|eef\/e\/|f\/d\/”^=”d”^#”c\/4|dd2||
\ndD”^u”d|”^#”cA”^#”c|dDdd|eE”^u”e|fF\/f\/e\/d\/|eE\/e\/f\/e\/|dD\/”^u”d”^#”c\/B\/|\\
\n“^#”cA\/”^#”B\/”^#”c\/A\/|dAD\/d\/|”^#”cAE\/”^#”c|dAD\/d\/|ecG\/e\/|\\
\ngec\/g\/|f\/e\/”^ll”ed\/|d2||
\nd\/”^#”c\/4d\/e\/4d\/e\/4|”^ll”c\/B\/4″^#”c\/d\/4″^#”c\/e\/4|\\
\nd3\/4″^#”c\/4d3\/4″^#”e\/4d3\/4f\/4|\\
\n“^ll”e3\/4d\/4e3\/4f\/4e3\/4g\/4|f3\/4e\/4f3\/4g\/4f3\/4g\/4|\\
\n“^=”e3\/4d\/4e3\/4f\/4e3\/4f\/4|\\
\nd3\/4c\/4d3\/4e\/4d3\/4e\/4|”^#”c\/”^#”B\/4″^#”c\/d\/4″^#”c\/e\/4|\\
\nd3\/4″^#”c\/4 d3\/4e\/4 d3\/4e\/4|”^#”c\/B\/4 “^#”c\/d\/4 “^#”c\/e\/4|\\
\nd3\/4c\/4 d3\/4e\/4 d3\/4f\/4|”^#”e\/d\/4 e\/f\/4 e\/g\/4|\\
\nf3\/4e\/4 f3\/4g\/4 f3\/4g\/4|”^#”e\/d\/4 e\/f\/4 g\/a\/4|f3\/4e\/ “^#”ed|d2||
\nff”^u”g\/|”^d”eee|f”^#”f(e\/4f\/4)|ggg|aa”^u”b\/|gg>g|f(g\/a\/) (g\/f\/)|”^du”eee|\\
\n“^d”ff>a|”^#”eee|ff”^u”(e\/4f\/4)|ggg|a(c’\/a\/) g\/f\/|g(a\/g\/) (f\/e\/)|”^d”f\/d\/”^=”
\nd”^=”c\/|\\
\ndd2||(df)e “^#”c2A|fa\/”^-“g\/f\/4 “^=”e2e|ab\/a”^-“ga\/”^-“g\/f\/4||”^-“ed\/e\/c\/f2||
\nfga efg|df\/e “^#”c>BA|”^b”cBA Bcd|GF\/E F2E|FGA “^#”B”^#”cd|efg fga|\\
\nba\/g agf|”^-“ed\/”^#”cd2|]<\/p>\n

X:48
\nT:Mackay’s March. HA.047
\nM:C
\nL:1\/4
\nQ:1\/2=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:G
\n“^Unedited”GEDE|GAB(A\/G\/)|AG\/A>G|cGEG|EDEG|”^sic”e2|deA\/B\/|cB2AG||
\ngede|gaba|gedB|AGE(D\/E\/)|G(A\/B\/)”^sic”g3\/2|de(A\/B\/)c|BAG2||
\nzzzz|zzzz|zzzz||
\n“^Edited by CGP”\\
\nGEDE|GAB(A\/G\/)|A>GA>G|cGE2|GEDE|G2e2|deA\/B\/c|BAG2||
\ngede|gaba|gedB|AGE(D\/E\/)|G2(AB)|g2-g2|de(A\/B\/)c|BAG2|]<\/p>\n

X:49
\nT:Buff Coat Has No Fellow. HA.048, The
\nT:She Wants A Fellow,aka. HA.048
\nT:Retreat,aka. HA.048, The
\nM:6\/4
\nL:1\/4
\nQ:3\/4=120
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Title has been added in pencil in a later hand.cf Playford DM eds
\nN:4+(1670).CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:D
\n“^u”(B\/c\/)|d2A “^cr”F>ED|Eed “^ii”c2(B\/c\/)|d2AF2E|FD2D2||
\n“^d”B\/c\/|dcd Bcd|ede c>BA|dcd ede|f3a3|
\nf>ef Bcd|ede c>Bc|d2AF2E|FD2-D2|]<\/p>\n

X:50
\nT:Treble Mr Condiff.2voices. HA.049
\nM:3\/4
\nL:1\/4
\nQ:3\/4=60
\nC:in Hand B
\nC:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n[V:1]|:fed|a”#”cd|efd|e\/d\/e\/f\/e|
\n[V:2]|:def|eef|gaf|g\/a\/g\/f\/e|
\n%
\n[V:1]fed|a”^#”cd|”^illegible inserted notes in MS”zzz|zzz:|
\n[V:2]def|eef|e”^#”c2|d3:|
\n%
\n[V:1]|:aga|bag|f\/e\/f\/g\/f\/g\/|a\/g\/a\/b\/a\/b\/|
\n[V:2]|:fef|gfg|a\/g\/a\/b\/a\/g\/|f\/e\/f\/g\/f\/g\/|
\n%
\n[V:1]aga|bag|a3\/4b\/4g3\/2a\/|a3:|
\n[V:2]fef|gfe|f3\/4g\/4 e>f|f3:|<\/p>\n

X:52
\nT:Boyne,The. HA.051
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nC:”….A New ..(?) ..(?)”
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.March
\nO:England
\nA:Hartburn,Northumberland
\nN:Battle of the Boyne,July 1690.
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:G
\nd|B2BB G2GG|D2DD A3A|B2G2 G3G|GABG c4|
\nc2cc B2BB|A2A2 F3F|G2G2 E2E2|(F3 E\/F\/) G3:|
\n|:A|F2D2D3D|D2DDA3A|B2AG G3G|GABG c4|
\nc2cc B2BB|A2A2 Bcd2|g2d2 edcB|ABcd B2G2:|
\n|:g2G2g2G2|gfed g2G2|G2GG F3F|E2E2c4|
\nc2c2B3B|A2A2(f3e\/f\/)|g2d2 edcB|ABcd B2G2:|<\/p>\n

X:53
\nT:Mr Franks’ Minuet. HA.052
\nM:3\/4
\nL:1\/8
\nQ:1\/4=120
\nC:in Hand B
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Minuet
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nf2f2c2|gfgag2|a2bagf|gfgag2|
\nf2f2c2|gfgag2|a2bagf|g6:|
\n|:g2gfe2|agaba2|c2d2e2|gfgag2|
\nc2d2e2|fefga2|gfe3f|f6:|<\/p>\n

X:54
\nT:A New War Like Tune of Mr Purcell. HA.053
\nT:New Warlike Tune of Mr Purcell. HA.053
\nT:By Moonlight on the Green,aka. HA.053
\nM:3\/4
\nL:1\/4
\nQ:3\/4=75
\nC:in Hand B
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\nc|ece|g3-|g2g\/f\/|e>dc|A2e|a>ga|fdc|
\nBGz|zzd|g(g\/a\/) (g\/f\/)|e>dc|ffg|a2A\/A\/|ddd|
\nBBd\/d\/|ggg|eee\/d\/|cA(d\/A\/)|(B\/c\/)A>G|GG||
\nd\/c\/|B(A\/G\/)d|e>dc|f>ge|f2g|adg|”#”cea|
\nf>ed|d2d|g\/a\/g(g\/f\/)|e2(e\/d\/)|cAf|
\nd2(d\/c\/)|BGg\/f\/|eca\/g\/|fdg|e>fd|c3|]<\/p>\n

X:55
\nT:A R..?F..?of Mr. Purcelle.? HA.054
\nM:C
\nL:1\/8
\nQ:1\/2=80
\nC:in Hand B
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nF3A FA(cA)|F2f2 d3e|(fd)(fd) (cA)(cA)|G2g2 e3e|
\nf3g (ga)(gf)|(ab)(ag) c3f|(df)(ba) (ge)(ce)|f2a2 f4||
\nd’2a2fa (ba)|g2e2 (ce)(fe)|(fd)(cB) (Ac)(dc)|d2g2 e3e|
\n(eg)(ag) (ab)(ag)|(Bf)(gf) (ga)(gf)|(cd)(_ed) (cA)(cA)|A2F2 F4|]<\/p>\n

X:56
\nT:Untitled. HA.055
\nM:3\/4
\nQ:1\/4=120
\nC:in Hand B
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:Bb
\nd2|:g^fgagd|g^fgagd|g^fgaga|b=efgf2|
\nfgabag|f2g2a2|f2gf=ef|d6:|
\ndcdede|d2g2f2|e2d2c2|B4B2|
\n(BA)(GA)(Bc)|B2GAB2|B2(GA)(BG)|c2A2A2|
\ndcdede|d2g2ab|f2d2B2|B4B2|
\nBAGABc|dcd=efd|g2a2^f2|g4|]<\/p>\n

X:57
\nT:Untitled. HA.056
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nC:in Hand B
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:Bb
\nG2g2 (fe)(dc)|B2f2 (AB)(cA)|(dc)(BA) GABG|(AB)(AG) ^F2D2|
\nG2g2 (fe)(dc)|B2f2ABcA|(dc)(ed) (cB)(cA)|B2^F2 G4||
\ng2g2gab2|(gf)(ed) (de)f2|c2c2 (ed)(cB)|(AB)(AG) ^FGAF|
\n(BA)(GF) (Ec)z(e\/d\/)|(ed)(cB) (Af)z(g\/f\/)|\\
\n(gf)(ga) (ba)(gf)|(=ef)(ga) ^f2d2|
\n(ed)(cB) (Ad)(cB)|A4G2a2|bagf (=eb)(ag)|a2^f2g4|]<\/p>\n

X:58
\nT:Untitled. HA.057
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nC:Back to original Hand
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nc2|”^cr”f3ga2b2|”^cr”g3fe2f2|g2f2 edef|efed c2c2|
\nf2g2a2b2|g3fe2f2|g2fed2e2|f6||
\nA2|”^cr”B3c d2ef|gagf e2fg|agfe d2ef|gfed c2A2|
\nB3c d2ef|gagf e2fg|a2f2g2e2|f6|]<\/p>\n

X:59
\nT:Untitled. HA.058
\nM:6\/4
\nL:1\/4
\nQ:3\/4=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nd|B>AB GAB|c>de ABc|B>AB Ggf|eg2 d2:|
\ne|fcA fcA|fcA fcA|gdB gdB|gdB gdB|
\nfcA fcA|fcA fcA|gdg ece|dg2 d3|]<\/p>\n

X:60
\nT:Untitled. HA.059
\nM:3\/4
\nL:1\/8
\nQ:3\/4=60
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nd^cdefg|e2e2a2|d2e2^c2|dcde”^qu”d2|
\nd^cdefg|e2e2a2|d2e2^c2|d4A2:|
\n|:agab”^qu”a2|f4c2|f2g2e2|fefgfg|
\nagab”^qu”a2|A4a2|g2e4|d6:|<\/p>\n

X:61
\nT:Untitled. HA.060
\nM:3\/4
\nL:1\/8
\nQ:1\/4=120
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:No B Strain.
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:D
\n“^cr”d3A (dA)|B2F2(ED)|d2(fd) (af)|e2c2B2|
\nBF Bc de|f2d2A2|FA BA dA|F2D2D2|]<\/p>\n

X:62
\nT:Untitled. HA.061
\nM:6\/4
\nL:1\/4
\nQ:3\/4=80
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Mystery glyphs
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\nG|c>de (ge)a|”^ii”g>fe def|e>dc (dA)c|”^ii”B2(A\/G\/) G2G|
\ncde (ge)a|g>fe def|”^ii”e>dc (gd)f|”^ii”e2(d\/c\/) c2:|
\n|:c|c>dc (cG)”^=”B|A2(G\/F\/) F2″^x”e|”^x”e3 Ade|e2d d2e|
\n(fa)f (ge)f|e>dc g2d|B>AG g(d\/e\/)f|”^=”e2(d\/c\/)c2:|<\/p>\n

X:63
\nT:Untitled. HA.062
\nM:6\/4
\nQ:3\/4=50
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:G
\ngab gef|g3 d>ec|cA2G3|
\nBcd edg|e2a a>gf|ge2 d3||
\nABc cde|e>dc efg|ABA F2d|
\necc dBB|cAf gGA|A2G G2|]<\/p>\n

X:64
\nT:Untitled. HA.063
\nM:3\/4
\nL:1\/4
\nQ:3\/4=60
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:G
\na|a2e|fdg|af2|g\/f\/g\/a\/g\/a\/|a2e|fdg|af2|g2||
\ne|d2B|c(B\/A\/)d|eA2|B\/A\/B\/c\/B\/c\/|d>cB|cAd|eA2|G2|]<\/p>\n

X:65
\nT:Untitled. HA.064
\nM:6\/4
\nL:1\/4
\nQ:3\/4=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:There is a note in the margin, in pencil in a modern hand, suggesting
\nN:that it may be more sensicle as 3\/4. This would, however, result in
\nN:twelve bars for each half of the tune, which would be very long for a
\nN:3\/4 tune of this date..CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\n“_2 sharps in MS”g\/f\/|e>dc e\/f\/ge|f>ga Adc|B3 G2c\/B\/|
\nA\/B\/cA f>ge|d>ec B>AG|c3C2||
\nG|E>FG GEG|cAd d(A\/B\/)c|B3d2e|
\nf>ef gec|(a\/g\/)(f\/e\/)(d\/c\/) dGB|”min”c3 C2|]<\/p>\n

X:66
\nT:Untitled. HA.065
\nM:6\/4
\nL:1\/4
\nQ:3\/4=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nc|f>gf cfg|a>gf efg|c3 ABc|
\nd>cB A>GF|EFG c3\/2d\/c\/B\/|A3 F2||
\ng|g>fe def|ABc c>dB|c3 g2a|
\nbag fdB|c>BA G2a|g3f2|]<\/p>\n

X:67
\nT:Illegible Title. HA.066
\nM:C
\nL:1\/8
\nQ:150
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:3 sharps in MS, but I think include both top and bottom F.
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:D
\nd3A (dA)(GE)|F2(ED) D2FG|A3B (AB)(AF)|E2f2 e2(dc)|
\n“^cr”d3e (fd)(ef)|(eE) (EF\/G\/) F2(ED)|\\
\n“^cr”B3A (dc)(de)|e3d d2||
\ndf\/g\/|”^cr”a3f (ec)(BA)|(ec)(BA) “^cr”e3f|\\
\n(gf)(ed) (BF)Bc|”^cr”c3B “^cr”B3d|
\n(AB)(AF) (EF)(ED)|(AB)(cA) d3f|\\
\n(df)(ce) (Bd)(AF)|D2d2″^cr”d4|]<\/p>\n

X:68
\nT:Untitled. HA.067
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Various notes have been sharpened or naturalised in the MS. Sometimes I
\nN:have obeyed this and at other times I have merely indicated it above
\nN:the staff, according to my judgement.CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:Bb
\nd2|c3B A2G2|^F3G A2F2|D2G2G2A2|B4f4||
\n(cd)(cB) (AB)(AG)|^F3G A2e>f|g2d2 f2A2|G6||
\nd2|B2f2 B2f2|(gf)(ed) (cd)(cA)|B2f2 B2f2|(gf)”^#”(ed) (ef)(gf)|
\n(gf)”^#”(ed) e”^#”dcB|(cB)(AG) F2″^#”e>f|g2d2 f2A2|G4 d4|]<\/p>\n

X:69
\nT:New Ballopp. HA.068, The
\nT:Scotch Tune,A. HA.068
\nM:C
\nL:1\/8
\nQ:1\/2=100
\nC:”A Scotch Tune”, in a different hand
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:…..is a trouserflap
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\nABc2 c3G|E4 C4|Bcd2 d2c2|A4 G4|
\nABc2 c2G2|E4 f4|efg2 e3d|c4-c4||
\ngfga g3f|edef e3d|efg2″^#”f3e|e4-e4|
\ngfga g2f2|edef e2ce|g2a2 e3d|c4-c4|
\ngfga g2f2|edef e2c2|efg2 f3e|d4-d4|
\nABc2 A2cA|E4f4|efg2 e3d|c4c4|]<\/p>\n

X:70
\nT:Untitled. HA.069
\nM:C
\nL:1\/8
\nQ:1\/2=80
\nC:Hand ‘A’
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:A little tweak with the barlines and one or two note lengths is all I
\nN:have done in the edited version.CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“^As Writ”D4|E2F3GA2|d3e dcd4|e2f2c2d2c3|(BA) (GF) FG|”u”G4A4:|
\ng2a2 g2fe|dcf2A2G4|(AB) c2d2c2|(BA) (GF) G2″u”E2F2|
\ng2a2g2|(fe) (dc)|f3e2 fga|(fe)d2e2d2|c2(BA) c2d4||
\nzzzz|zzzz|zzzz||
\nM:3\/4
\nQ:3\/4=60
\n“^Edited by CGP”\\
\nz2|D4 E2|F3GA2|d3e dc|d4 e2|f2c2d2|c2 (BA) (GF) |FGG4|A4:|
\ng2|a2 g2fe|dc f2A2|G4 (AB)| c2d2c2|(BA) (GF) G2|E2F2g2|
\na2g2 (fe)| (dc) f3e| fga2 (fe)|d2e2d2|c2(BA) c2|d4|]<\/p>\n

X:71
\nT:How Blest Are Shepherds. HA.070
\nM:3\/4
\nL:1\/4
\nQ:1\/2=70
\nC:Purcell
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Air
\nO:England
\nA:Hartburn,Northumberland
\nN:cf Apollo’s Banquet, 1691.CGP.
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\ncge|ade|f(g\/f\/) (e\/d\/)|e2(d\/c\/)|gc’g|ecG|ce(d\/c\/)|g3:|
\n|:dBe|d>ef|g(a\/g\/) (f\/d\/)|e2d|eae|d>ef|(B\/c\/) (d\/c\/) (B\/A\/)|A3|
\ncde|f(e\/d\/)g|efg|a2a|gab|c’ea|dg(c\/d\/)|d2c|]<\/p>\n

X:72
\nT:New Minnet. HA.071, A
\nM:3\/4
\nL:1\/4
\nQ:3\/4=60
\nC:in a different Hand, C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.minuet
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\nc>Bc|dd3\/2(c\/4d\/4)|e\/d\/e\/f\/e|d2c|dd2|c\/B\/c\/d\/c\/G\/|
\nc>Bc|dd3\/2(c\/4d\/4)|e\/d\/e\/f\/e|d2c|dd2|c3:|
\n|:g3|agf|de\/f\/g|e2c|fe2|d\/c\/d\/e\/f\/d\/|
\ng3|agf|ee\/f\/g|d2c|fe2|c3:|<\/p>\n

X:73
\nT:New Lesson. HA.072, A
\nM:6\/4
\nL:1\/4
\nQ:3\/4=100
\nC:in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\n“^As Writ”eaga|g2g3\/2(f\/4g\/4) ad|eAd aga|g2g3\/2(f\/4g\/4) ad|”^#”c2:|
\n|:abc'(b\/a\/)|b(a\/g\/)a bg>f|gef2 g3\/2(f\/4g\/4)|a”^#”d(e\/f\/)ed|e2:|
\nzzzzzz||
\nM:3\/2
\n|:”^Edited by CGP”ea ga g2|g3\/2 (f\/4g\/4) ad eA|\\
\nea ga g2|g3\/2 (f\/4g\/4) ad c2:|
\n|:ab c'(b\/a\/)b(a\/g\/)|ab g>f ge|f2 g3\/2 (f\/4g\/4)ad|ef ed e2:|<\/p>\n

X:74
\nT:Though You Make No Return… HA.073
\nM:6\/4
\nL:1\/4
\nQ:3\/4=90
\nC:Purcell,.in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Air
\nO:England
\nA:Hartburn,Northumberland
\nN:…To My Passion.Apollo’s Banquet, 1693 .Sharps and naturals at your
\nN:discretion.CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nf\/e\/|f>ga g>fe|fe2 a3|d>ef =B>Bd|”^#”c3-c>ag|
\nf>ga b>ag|ec2-c2c|A>Bc d>fe|f3-f2:|
\n|:G\/A\/|c>dc cAc|f>ge fdd|g3\/2a\/ (b\/4a\/4g\/)”^#”f>ef|
\ng3-g>fe|a>ef “^#”c>de|f>Ad “^#”B2e\/f\/|
\ng>fe f>ga|b2z g>ba|g>fe f>ed|d3-d2:|<\/p>\n

X:75
\nT:To Thee,To Thee. HA.074
\nM:C
\nL:1\/4
\nQ:1\/2=80
\nC:in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Air
\nO:England
\nA:Hartburn,Northumberland
\nN:Repeats could be fixed.
\nN:Comments in pencil in the margin which I can’t make out.CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\ng\/|ee\/e\/ cc\/c\/|GG\/G\/ d>d|ec c>c|c\/d\/e\/c\/ f2|
\nff\/f\/ ee\/e\/|dd B>B|cc AA|(B3\/2A\/4B\/4B3\/2):|
\n|:d\/|BG G>G|GG\/G\/ d>d|ed\/c\/ c>c|c\/d\/e\/c\/ f2|
\nff\/f\/ ee\/e\/|dd”^qu’s”ef|c’g a\/g\/f\/e\/|d\/e\/f\/g\/ ec:|
\n|:c’c c’c|c’\/b\/a\/g\/ c’c|cc\/c\/ B>B|GAf2|
\nff e>e|dd (b3\/2a\/4b\/4)|c’g a\/g\/f\/e\/|d\/e\/f\/g\/ ec|]<\/p>\n

X:76
\nT:Why Are My Eyes. HA.075
\nM:3\/4
\nL:1\/8
\nQ:3\/4=60
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Air
\nO:England
\nA:Hartburn,Northumberland
\nN:Pills To Purge Melancholy, 1719
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:Bb
\n“_No Key Sig in MS”c2d2f2|d4B2|(c>Bc>d) d>c|B4B2|
\nc2(cB) (cG)|(A2B2)c2|(d2c2)(c\/d\/e)|c6:|
\n|e2f2g2|g2(fe)(dc)|e2(fe)(dc)|d6|
\ng2(a2g2)|f2e>dc>d|d3cd2|e6|
\nA2B2c2|(f2d2)c2|e2(fe) (dc)|B6|
\nc2d2e2|(c3B) (AB)|B3AB2|c6|]<\/p>\n

X:77
\nT:Untitled. HA.076
\nM:3\/4
\nL:1\/4
\nQ:3\/4=70
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\nc2e|g2a|(ge)(d\/c\/)|a3|
\nc’ce|f>g (a\/f\/)|ge(d\/c\/)|B2G|
\nc2e|g2a|(ge)(d\/c\/)|a3|
\nc’ce|(d\/e\/)fd|gAB|c3-|c2:|
\n|:g|(c’g)c|f2a|d’ac’|b2(a\/g\/)|
\nc’ga|”^#”fdB|(Gg)^f|g>a (b\/g\/)|
\nc’ge|e>f (g\/d\/)|(fe)(d\/c\/)|B2(A\/B\/)|
\ngde|fga\/b\/|c’ge3\/4d\/4|c3:|<\/p>\n

X:78
\nT:Liliburlero,aka. HA.077
\nM:6\/4
\nL:1\/4
\nQ:3\/4=110
\nC:in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:A topical marching tune at the time and since.cf Playford DM eds
\nN:8+(1690).CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\nc>dc e2e|d>ed f3|egc f2e|dcB c3:|
\n|c’2b c’2g|b2b a2g|abc’ c’2g|age d3|
\n(ag)f (ef)g|(ag)f (ef)g|age f2e|dcB c3|]<\/p>\n

X:79
\nT:Lawson’s Delight. HA.078
\nM:3\/4
\nL:1\/4
\nQ:3\/4=70
\nC:Back to Original Hand
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:We seem to be back to the original hand, but with the variation of
\nN:modern repeat marks, (sometimes).CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\nccd|eec|e”^#”f3\/2(e\/4f\/4)|g2(f\/e\/)|
\nffg|aag\/e\/|fe>d|d2G:|
\n|”^u”gge|ffe|dd\/e\/ d\/c\/|B>AG|
\neef|^fg^g|af>e|e2f|
\nggf\/e\/|ffe|dd\/e\/d\/c\/|B>A G\/A\/|
\n“^b”BB>c|AAd\/B\/|cc>B|c3|]<\/p>\n

X:80
\nT:Farther Be In The Welcomer. HA.079, The
\nM:C
\nL:1\/8
\nQ:1\/2=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Although grammatically challenging, the tune is strong, and clearly not
\nN:in need of any interference from an editorial angle.cf John Young,
\nN:Scotch Tunes, 1720.CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:G
\n“_As Writ..No Key Sig in MS”\\
\n(DE\/F\/) D4A2|BAFA c2C2-C2|(D\/E\/F\/) D4A2|BAFA (GF) (ED) d2|
\n(cB) ABcdefde c2C2-C2|(FE) DEFGABGA “#”F2 D2-D2:|
\n|:Bcd2D2A2D2 c2C2-C2|Bcd2D2A2D2|d2D2A2D2|
\nd2D2A2D2c2C2-C2|(FE) DEFGABGA “#”F2 D2-D2:|
\n|:(FE)D2a2 fgaf|eg cg ec ge|defdefge|
\nagfe defd ABcdefde c2 C2-C2|(FE) DEFGABGA “#”F2D2-D2:||
\nzzzz|zzzz|zzzz||
\n“^Version edited by CGP”\\
\n(DE\/F\/)| D3A BAFA| c2C2-C2 (DE\/F\/) |D3A BAFA| (GF)(ED) d2(cB)|
\nABcd efde| c2C2-C2 (FE)| DEFG ABGA| F2D2-D2:|
\n|:Bc|d2D2A2D2| c2C2-C2 Bc|d2D2A2D2|d2D2A2D2|
\nd2D2A2D2|c2C2-C2 (FE)| DEFG ABGA| F2D2-D2:|
\n|:(FE)|D2a2fgaf|egcg ecge|defd efge|agfe defd |
\nABcd efde| c2 C2-C2 (FE)| DEFG ABGA |F2D2-D2:|<\/p>\n

X:81
\nT:Claw Her Weam. HA.080
\nT:Lass Of Livingston,aka. HA.080
\nT:Highland Laddie,aka. HA.080
\nM:C
\nL:1\/8
\nQ:1\/2=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Aka Cockleshells..Translates roughly as “Tickle On The Tum”, if you get
\nN:my meaning. I
\nN:considered re-beaming to conform with modern expectations, as it would
\nN:not require altering the tune in any way, only it’s graphic
\nN:presentation. However, the original beaming, as here given, is graphic
\nN:and very suggestive of performance practice..CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“^Original Beaming”CD|F3G A3f|cAcfcA GF|A3G G3F\/G\/|A3G G3F\/D\/|
\nF3G A3d|cA GFGA c2|d2D2 D2CD|F2D2 D2:|
\n|:ag|fcfgfgag|fcdfcA GF|A3G G3″^#”F|A3G G3F\/D\/|
\nfgagfafd|cAcdcd fg|a2D2 D2CD|F2D2 D2:|<\/p>\n

X:82
\nT:Untitled. HA.081
\nM:3\/4
\nL:1\/4
\nQ:3\/4=60
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\ndAG|F2E|FD\/E\/F\/G\/|A\/G\/A\/B\/c\/A\/|
\ndAG|F2E|FD\/E\/F\/G\/|A3:|
\n|:f\/g\/aa|a>ba|g\/f\/ g\/a\/ g|ga2|
\na(b\/a\/)(g\/f\/)|ea2|f(g\/f\/)(e\/d\/)|^c>BA|
\nf\/g\/aa|a>ba|g\/f\/g\/a\/g|ab2|
\na(b\/a\/)(g\/f\/|ea2|f(g\/f\/) (e\/f\/)|d2:|<\/p>\n

X:83
\nT:Untitled. HA.082
\nM:3\/4
\nL:1\/4
\nQ:3\/4=60
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Key arrived at by implication, likewise E naturals in B strain by
\nN:preceding E being flattened in MS..CGP.
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:Bb
\n“_No Key Sig. in MS”ggd|g2a|b\/a\/”^qu”gb|a\/g\/a\/b\/”^qu”a|
\nggd|Bed|cA2|G3:|
\n|:AdA|BGe|gd”^b”e|=ece|
\na=eg|”^sic”fdc’|”^cr””_e flat f nat in ms”=e^f2|g3:|<\/p>\n

X:84
\nT:Minuet,A. HA.083
\nM:3\/4
\nL:1\/4
\nQ:3\/4=70
\nC:in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\ne>fe|de2|fga|ged|\\
\ne>fe|de2|cd2|B3:|
\n|:g>fe|f>ga|def|e2d|\\
\ndef|g2g|g>ag|g3|
\ngfe|f>ga|def|e2c|\\
\ng2a|gec|c2B|c2|]<\/p>\n

X:85
\nT:Untitled. HA.084
\nM:3\/4
\nL:1\/4
\nQ:3\/4=70
\nC:in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Erratic barlines could mean 6\/4 or 3\/4.CGP.
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\ne2d|cGc|cc\/d\/e\/c\/|dd\/e\/f\/d\/|
\ne2d|cGc|dd2|c3:|
\n|:e2f|gcd|e2f|g3|
\ne\/d\/c\/d\/e\/f\/|e\/d\/c\/d\/e\/f\/|e\/d\/c\/d\/e\/f\/|ga\/g\/f|
\ne2d|cGc|c\/B\/c\/d\/e\/c\/|dd\/e\/f\/d\/|
\ne2d|cGc|dd2|c3:|<\/p>\n

X:86
\nT:Untitled. HA.085
\nM:3\/4
\nL:1\/4
\nQ:3\/4=60
\nC:in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:I can’t work this one out.CGP
\nH:1\/4
\nZ:vmp.Chris Partington,Jan.2004.
\nK:F
\n“_As Writ. No Key or Time Sigs.”\\
\nfg\/f cf\/g|ag\/f e\/fg|c3A|B\/c\/d\/ cBAGFE|\\
\nFGABBAA2F:|
\n|:f\/g\/a\/ gfe|fgfedcGAcg|\\
\nabagfga(c\/A\/)GAgg2f2:|<\/p>\n

X:87
\nT:Untitled. HA.086
\nM:3\/4
\nL:1\/8
\nQ:3\/4=40
\nC:in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:Bb
\n“_As Writ”g3g a>b|d3d d>e|c3c c>d|B3F\/G\/F2|
\ng3g a>b|f3g (f\/d\/) “^cr”g|(fd)B3c|d4c2:|
\n|:A3A B>c|B3AG2|e2fd c>B|f6|
\ne3fg2|a2b2c’2|b>ag2^f>g|^f6|
\n(g^f) (gd) (cB)|(f=e) (fB) (AG)|e>dc>B (F\/G\/)E|F4(A\/B\/c)|
\nc3c c>d|e>dc>BA2|B>c A3G|G6:|<\/p>\n

X:88
\nT:Untitled. HA.087
\nM:C
\nL:1\/4
\nQ:1\/2=100
\nC:in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:Bb
\nd\/e\/|dcBA|B2^F2|GB,DF|E2Dd\/e\/|
\ndcBA|B2c2|d(c\/B\/) A^F|G3:|
\n|:a\/b\/|adg\/f\/=e|fffe\/f\/|dAc\/B\/A|B2BD\/F\/|
\nF>G G\/D\/G|^F>FFA\/B\/|c>c c\/A\/d|^F2Fd\/=e\/|
\nf>f f\/d\/g|=e>e eb\/a\/|^fga\/g\/f|g2g:|<\/p>\n

X:89
\nT:Untitled. HA.088
\nM:3\/2
\nL:1\/4
\nQ:1\/2=90
\nC:in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:Bb
\nB2d2g2|fd2cc(B\/A\/)|B>A (B\/c\/) d(c\/d\/)e|fd2c\/B\/AG:|
\n|:g2ga\/b\/ag\/f\/|g(dcB)g2|Bc2de2|(d\/c\/)(d\/A\/)BG”^#”ED|
\nDA2(B\/c\/)(B\/A\/)(B\/G\/)|ce2fd2|(g\/f\/)(g\/d\/)cBcd|BA2G^F2:|<\/p>\n

X:90
\nT:Untitled. HA.089
\nM:C
\nL:1\/8
\nQ:1\/2=75
\nC:in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:Bb
\nB>A|F2e>dc2(B>c)|d2d4g>f|=e2a>bg2^f>g|^f6d>e|
\nB2g2d3d|e6c>G|A2f>c c3B|B6:|
\n|:g>a|b2a2g3a|b2d4=ee|f2g2g3f\/g\/|a2f4c>d|
\ne2d2c3B|c2A4Bc|d>f=e>gf3b|a2g4:|<\/p>\n

X:91
\nT:Untitled. HA.090
\nM:6\/4
\nL:1\/8
\nQ:3\/4=60
\nC:in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:Bb
\nG2|:B3AF2 e2d4|c3d B>c A4F2|B3AF2 e2d4|g3a =e>g^f6:|
\n|:A3AB2 c2d4|e3f c>d c4B2|d3d=e2 ^f2g4|a3b =e>f e4d2|
\nf2c3d e4d2|c2A3G ^F6|e2f3g =B3cd2|cBA3G G6|]<\/p>\n

X:92
\nT:Untitled. HA.091
\nM:3\/4
\nL:1\/8
\nQ:1\/4=135
\nC:in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:Bb
\n^f2|g4d2|b4(ag)|(fg)(fe)(dc)|c4(BA)|
\n(ga)(g^f)(gd)|b4(ag)|(fg)(fd)(Bc)|d4d2:|
\n|:f4(ed)|g4f>e|d>ec2=B>c|=B6|
\ncd ef ga|f2d3B|c6|
\nA2B2c2|d2ed=e2|f2gfg2|a4d2|
\nb2(ag)(fe)|d2(fd) c>A|ABA3G|G6|]<\/p>\n

X:93
\nT:Untitled. HA.092
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nC:in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:Bb
\nd2|g2g2g2(ab)|(fd)(cB) c2(BA)|B2B2c>de2|^F4F4|
\ng2g2g2(ab)|(fd)(cB) c2(BA)|B>cd2 ^F>GA2|B2G4:|
\n|:B>c|d2c>de2d>e|f2g>dA2(AF)|F>Gd2B>cB2|c4(Bf)(ga)|
\nb2a>b g2c’>f|=e2f>g^f2d2|g2c>ed2c>A|A4G2:|<\/p>\n

X:94
\nT:Untitled. HA.093
\nM:C|
\nL:1\/8
\nQ:1\/2=70
\nC:in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:I don’t feel as if I’ve quite got this one.CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nA3B=B3A\/B\/|c3cc4|d3dd3e\/f\/|e2(dc)f3f|
\ng3gg3(f\/g\/)|a6f>e|d3db3b|b3c’a3a|
\na3fa3a|g3a^f3e\/f\/|a3d_e3e|
\ne3fd3c|=B3Ac4-|c3dd3c|c8|]<\/p>\n

X:95
\nT:Untitled. HA.094
\nM:6\/4
\nL:1\/4
\nQ:3\/4=45
\nC:in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nf>ga de2|fc3\/4_e\/4d B2A|f>ga de2|f3\/4A\/4c>d =B3\/2A\/4B\/4c:|
\n|:g>gga3\/2b\/ c3\/4e\/4|f3\/4g\/4e3\/2d\/d3|b>bb a>a a3\/4d\/4|g3\/4c\/4f>ef3:|<\/p>\n

X:96
\nT:Untitled. HA.095
\nM:6\/4
\nL:1\/4
\nQ:3\/4=100
\nC:in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“_No Key Sig in MS”c|f>ge fc_e|d>cB ABc|G3 g2a|
\nb>c’a bgc’|a>gf gc>a|g3f2:|
\n|:c|c>AG B2c|(dG)d g>af|e3c2g|
\nc’>ba gab|af>e dc>g|g3f2:|<\/p>\n

X:97
\nT:Untitled. HA.096
\nM:6\/4
\nL:1\/4
\nQ:3\/4=85
\nC:in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:Bb
\nb|d>ef g>ag|fge d>cB|Ac2-c2F|
\nB>AG FAD|E>FE F>GF|DB,2-B,2:|
\n|:B,|D2B D>FA|C2c c>dc|AF2-F>GA|
\nB2b a>gf|g2d e>fe|dB2-B2:|<\/p>\n

X:98
\nT:Untitled. HA.097
\nM:6\/4
\nL:1\/4
\nQ:3\/4=90
\nC:in Hand C
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:NB=two bars of curious symbols.CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\na|f2e f2g|e3-e2f|d2^cd2e|^c3-c2a|
\nb2a b2c’|a3g3|f2ee2d|d3-d2:|
\n|:f|e2d e2f|g3-g2a|f2e f2g|e3-e2d\/e\/|
\nf2cd2A|B2B B2c|A2B G2A|A3-A2|
\n“^NB”egd cec|cecAcb\/a\/|g2f e2d|c3-c2(B\/A\/)|
\nB2(c\/A\/) A2(d\/c\/)|=B2e^c2(B\/c\/)|d2e e2d|d3-d2:|<\/p>\n

X:99
\nT:Scotch Tune. HA.098, A
\nM:C
\nL:1\/4
\nQ:1\/2=130
\nC:Back to original Hand
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\n“^As Writ”G3d df>ed|(c\/d\/) (c\/A\/) (G\/F\/)F2GA2|\\
\nG3d df>ga|F3G (Ac)G2:|
\n|:d(e\/d\/) (c\/A\/) f2|(e\/d\/) g (e\/d\/) a2|\\
\n(g\/e\/) d (e\/d\/) (c\/A\/)|f3 g\/a\/ F2G (A\/c\/) G2:|<\/p>\n

X:100
\nT:Untitled. HA.099
\nM:3\/4
\nL:1\/4
\nQ:3\/4=60
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\nGGE\/F\/|G>AG|cdB|c\/B\/c\/d\/c|
\nGGE\/F\/|G>AG|cdB|”^min”c3:|
\n|:c\/d\/e\/f\/e\/d\/|c\/B\/A2|B\/c\/d\/e\/d\/c\/|B\/A\/G2|
\nA\/B\/cc|B\/c\/dd|c\/d\/ef\/e\/|d\/e\/c2:|<\/p>\n

X:101
\nT:Where Will Our Goodman Lie. HA.100
\nT:Black & Grey,aka. HA.100
\nT:Duke of Hamilton’s Reel,aka. HA.100
\nT:As She Pissed She Paddled In It,aka. HA.100
\nM:C
\nL:1\/4
\nQ:1\/2=80
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:cf James Oswald Pocket Companion, 1760..Walsh’s Caledonian Country
\nN:Dances.. 1754 .Aka Lady Hamilton’s Rant, As She Pissed She Paddled In
\nN:It..CGP.
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\nGGBA|B>AGc|A>GFf|A>GFF|
\nGGBA|B>AGc|A(G\/F\/) (A\/B\/)(c\/A\/)|G2d2||
\ngd(B\/c\/)(d\/B\/)|gd(B\/c\/)(d\/B\/)|fc(A\/B\/)(c\/A\/)|fc(A\/B\/)(c\/A\/)|
\ngd(e\/f\/)(g\/f\/)|(g\/f\/)(e\/d\/) (e\/d\/)(c\/B\/)|A(G\/F\/) (A\/B\/)(c\/A\/)|G2d2|]<\/p>\n

X:102
\nT:Highland Pibroch. HA.101, A
\nT:Irish Gilicrankey. HA.101
\nT:Killicrankie,aka. HA.101
\nM:C
\nL:1\/4
\nQ:1\/2=120
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:”Irish Gilicrankey” is written at the end of the tune. Then it says
\nN:–“Erse formerly used instead of Gaelic” and signed “J.M.W.”
\nN:Easily tidy it up yourself.CGP.
\nD:
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\n“_As Written..No Key or Time Sig. in MS”G2cG\/E| G2cG\/E|G2cG\/E G3|\\
\nB3A\/G\/ A\/B\/ A|
\nB3A\/G\/ A\/B\/ A|Bc3d\/e\/d\/c\/B\/A\/ A|d\/e\/a(g\/e\/) g(e\/d\/)e(d\/c\/)d2|
\n(c\/A\/)c(A\/G\/) (c\/a\/) (G\/E\/)|G3|c\/AG\/Ac3\/2B\/c\/d3|\\
\n(c\/d\/)ec2(A\/G\/)|c3EDC||
\ng3ag\/a\/g\/e\/ g\/e\/g\/a\/ g\/a\/g\/e\/ g\/e\/d\/c\/ d\/c\/d\/e\/a2-a2|
\n(e\/g\/)ab|\\
\na\/b\/a\/e\/a3b\/ a\/b\/a\/e\/ g\/e\/d\/c\/ d\/c\/d\/e\/ a3|
\n(e\/g\/)a(g\/e\/)|g(e\/d\/)e(d\/c\/)d2(c\/A\/)|c(A\/G\/) c\/A\/ (G\/E\/)G2|
\nc3A3\/2 G\/A\/ c3\/2 B\/c\/ d|c\/d\/e|(d\/c\/)c3 (A\/G\/) c3 ED3\/2C3|]<\/p>\n

X:103
\nT:Shonburg’s March. HA.102
\nM:3\/4
\nL:1\/8
\nQ:3\/4=60
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Friedrich Hermann Von Shonberg, German soldier of fortune, was
\nN:commander of William lll’s army at the Battle of the Boyne, 1690, and
\nN:was killed there, at the age of 75.CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\n“_No Key or Time Sig in MS”\\
\nGc3dc3AGG|”^As Writ”GAc3c2d|Gc3dc3AGG|GAc2c2:|
\n|:d(e\/4f\/4g\/) (e\/4f\/4g\/) g3ed|Gc3d2e3|
\nd(e\/4f\/4g\/) (e\/4f\/4g\/) g2ed|GAc3c3:|<\/p>\n

X:104
\nT:Deol Gae With Him…. HA.103, Ye
\nT:Devil Go With Him,aka. HA.103
\nM:C
\nL:1\/4
\nQ:1\/2=100
\nC:”….his tayl flies up”
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:There’s a tune in there if you’re patient with it.CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\n“_As Writ. No Key or Time Sig in MS”DF3c3cAc|G3dd|\\
\nDF3c3cAcF2cc|
\nAB\/A\/B\/c\/d\/e\/e2|c\/A\/G2dd|ef3edc\/A\/c|F3c2c2:|
\n|:DF2f(f\/c\/) AG2ff(e\/4f\/4g\/)|F3f3 f\/e\/f\/g\/f\/ f\/c\/ dc\/A\/F|
\nB\/A\/B\/c\/d\/e\/f3G\/A\/G2dd|ef3 e\/d\/ c\/A\/c|F2c2c3:|<\/p>\n

X:105
\nT:To Thee,To Thee. HA.104
\nM:3\/4
\nL:1\/4
\nQ:3\/4=80
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:WYSIWYG.
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\n“_No Key or Time Sig. in MS”\\
\nd|c3(A\/G\/)GGD\/E\/F\/G\/A|”^Unedited..(able)”c3GGG(G\/A\/) (B\/A\/) c3|
\nc3(c\/d\/) c2B|AAG3FG2GE\/A|G3(E\/D\/)G2|
\ndc3(A\/G\/)DD D\/E\/F\/G\/A|c3GGG(G\/A\/) (B\/G\/)c3|
\nc3(c\/d\/)c2BA\/A|B\/c\/d\/ g3d e\/d\/c\/B\/ A\/B\/c\/d\/ c3G3||
\ng2Gg2Gg\/f\/e\/d\/g2GGG\/A\/G2GEE|
\nc3c3(c\/d\/)c3B\/AAB\/c\/d\/|g3d e\/d\/c\/B\/ A\/B\/c\/d\/ c2G2|]<\/p>\n

X:106
\nT:Over The Hills And Far Away. HA.105
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:cf Pills To Purge Melancholy,1719.also Walsh CD, 1719.CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\nGA|c3d cded|c2A2-A2GA|c3d cdec|f2d2-d2GA|
\nc3d cded|c2A2A2c2|G3A GABc|e2d2-d2||
\nef|g3a gede|c2A2-A2ef|g3a gedc|a2d2-d2ef|
\ngfga gede|c2A2A2c2|G3A GAcd|e2d2-d2|]<\/p>\n

X:107
\nT:Untitled. HA.106
\nM:C
\nL:1\/8
\nQ:1\/2=80
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:G
\nG2g2 (ef)(ge)|(dB)(AG) FGA2|B2e2 e2(ag)|f2(ed) d4|
\nG2g2 (ef)(ge)|(dB)(AG) (FG)A2|B2e2 e3d|B2(AG) G4:|
\nG2g2 (ef)(ge)|(dB)(AG) FGA2|B2e2 e2(ag)|f2(ed) d4|
\nG2g2 (ef)(ge)|(dB)(AG) (FG)A2|B2e2 e3d|B2(AG) G4||
\nF3G A2(Bc)|B2e2 ^d2(cB)|e2f2g Be2|e3d e4|
\ndedc Bc d2|e2(fg) f2 ed|gfed (Be)(dc)|B2(AG) G4|]<\/p>\n

X:108
\nT:England’s Lamentation… HA.107
\nM:3\/4
\nL:1\/8
\nQ:1\/4=80
\nC:”..for the late Queen Mary”
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Queen Mary ll, wife of William lll, died in 1694. She was instrumental
\nN:in the fashion for china-ware displays and chintz furnishings.CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nD2F2(F\/G\/A)|F2(ED)A2|B2A2d>e|^c4(BA)|
\nc2(c>d) (c\/G\/)A|B2(B>c) (B\/F\/)G|A2D2G>A|F4E2|
\nF2G2A2|=B>d ^c>e d>f|e(d\/c\/)=B3A|A6:|
\n(A\/B\/)c c2c>d|c2(BA) (GF)|(A\/B\/c) c2 (f\/g\/a\/f\/)|g3fe2|
\nd2d2(e\/f\/g)|e2(dc) (fc)|(d<c) (B<A) (G<F)|F6|
\n(A\/B\/c) c2 c>d|c2(BA) (GF)|(A\/B\/c) c2 (f\/g\/a\/f\/)|g3a (g\/a\/b)|
\na2(ac)d2|e2(e\/f\/g) (f\/g\/a)|(g>f) e3d|d6|]<\/p>\n

X:109
\nT:King’s Delight. HA.108, The
\nM:6\/4
\nL:1\/4
\nQ:3\/4=120
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:NB – = are marks above the notes?cf Playford DM ed 3B(1665) only. also
\nN:cf Apollo’s Banquet,1670..CGP.
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:D
\nd2d a2a|(fe)f d2d|(ef)e (ag)a|”^-“f3 “^-“e3:|
\nd2d a2a|(fe)f (de)f|(ga)g (fe)d|
\n(ed)e A2A|”^S”e2f (gf) (e\/d\/)|”-“e3 d3|]<\/p>\n

X:110
\nT:King Shall Enjoy His Own Again. HA.109, The
\nM:C
\nL:1\/8
\nQ:1\/2=75
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:cf Caledonian Pocket Comanion,1760..CGP.
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:D
\nA2A2 d2d2|efga f2ef|g2B2 c2de|e4 d4||
\n“^u”e2cd e2f2|ed cd e2f2|g2B2 cd ec|B4 A4|
\n“^S”ab ag f2(ed)|efga f2(ef)|g2B2c2(de)|e4 d4|]<\/p>\n

X:111
\nT:Ur Hornpipe,aka. HA.110, The
\nT:Untitled. HA.110
\nM:C
\nL:1\/8
\nQ:1\/2=96
\nC:Untitled in MS
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Is this the earliest true hornpipe? Hence my name for it.CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:A
\nAB|c2(BA) e2A2|cdef ecAc|defe dcBA|G2B4 cd|
\necde fdef|geac dfed|cABG AceB|c2A4:|
\n|:fg|abae cAec|dfBA GBeB|cAec afbf|g2e4fg|
\naecf ecAc|dBFB GEFG|ABcd edeB c2A4:|<\/p>\n

X:112
\nT:Babylon Hornpipe,aka. HA.111, The
\nM:C
\nL:1\/8
\nQ:1\/2=96
\nC:Untitled in MS
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Clearly a companion piece to #109, and a great pair of tunes they
\nN:make.I have taken the liberty of naming them both, as their true names
\nN:seem to have been forgotten .CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\nAB|c2(BA) e3a|gede c2(ef)|gega gedc|B2d4AB|
\ncBcd efge|gfda ^g3e|fedc dBGe|c2A4:|
\n|:AB|c2(cd) e2(dc)|efgf e3c|(dB)(dB) (dB)(ge)|dcBA B2(AG)|
\nAGAB cAdB|ecge a3e|fedc dBae|c2(BA)A2:|<\/p>\n

X:113
\nT:Aber Geldie. HA.112
\nT:Birks of Abergeldie,aka. HA.112
\nT:Devonshire Lass,aka. HA.112
\nM:C
\nL:1\/8
\nQ:1\/2=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Aka, Scotch Ayr. cf Playford eds 12-18(1703-28). also as Birks of ..in
\nN:Walsh CD 2 1735..CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nF3G A2c2|”^-“f4″^=”e2d2|”^-“f4″^=”e2d2|efga g2a2|
\nF3G A2c2|f2g2 a2g2|f2d2c2(BA)|G4d4:|
\nF3G A2f2|c2F2 A2f2|c2F2 A2f2|dcBA G2A2|
\nF3G A2f2|c2F2 A2fg|agfd fdcA|G4 d4||
\nF3G A2B2|cAFA cAFA|cAFA cAFA|dcBA GABG|
\nFEFG AGAB|cAcd cdfg|agfd fdcA|G4d4|]<\/p>\n

X:114
\nT:Country Dance at The Jubilee. HA.113, A
\nT:Edinburgh Castle,aka. HA.113
\nT:Trip To The Jubilee,aka. HA113
\nM:9\/4
\nL:1\/4
\nQ:3\/4=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:PLFD ed 9b(1698) #376..CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:D
\n“^u”D|:FA2 A2B (AF)D|GB2 (Bc)d E2E|
\nFA2 A2B (AF)D|GB2″^b”c2B (AF)D:|
\n“^d”Ad2 d>e f\/e\/ d2D|F\/G\/AA B\/c\/dF E2d|
\n^ce2 e>f g\/f\/ e2E|G>A B\/c\/ d2e fed|
\nBG2 B\/c\/de (d\/B\/)”^cr”G2|AF2 A>BA E>F G\/A\/|
\nB3A3d3|F2G A2B (AF)D|]<\/p>\n

X:115
\nT:Minuet. HA.114
\nM:3\/4
\nL:1\/8
\nQ:3\/4=60
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nc2|f2edc2|d2cBA2|B2G2c2|A2F2c2|
\nf2edc2|d3ef2|g2e3f|g4:|
\n|:c2|g2agfg|e2c2e2|f2gfef|d4c2|
\ndcdede|f2F2G2|A2BAGF|G4c2|
\nA2FGAF|GFGAGA|BABcd”^b”e|c4c2|
\nc2f2d2|g2e2a2|f2g2e2|f4:|<\/p>\n

X:116
\nT:Woe Is Me,What Can I Do? HA.115
\nT:Epsom Wells,aka. HA.115
\nT:Waa is me, What Mun I do?aka. HA.115
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nC:Purcell,1693
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:cf Playford eds 9A(1696) onwards. Henry Purcell staged the piece “Epsom
\nN:Wells” in1693, for which he presumably wrote the song of the title.
\nN:Playford had it by 1696, calling it simply Epsom Wells..CGP.
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nc3f cA|c2A2F2|d3f dB|d2B2G2|
\ncf2a gf|g2c2A2|Bc dc BA|GF fef2:|
\naf ca gf|g2c2A2|fdAfdA|=B2(B\/c\/d)G2|
\nge cg ec|d=B dB Gg|dg eg dg|(e\/d\/e) (f\/e\/)(d\/c\/)c2|
\nf>e fgfe|f3gf2|g>f gagf|g3ag2|
\na>g abag|abagf2|f>g (f\/g\/a) (gf)|fgfcf2|]<\/p>\n

X:117
\nT:Milking Pale. HA.116, The
\nM:C
\nL:1\/8
\nQ:1\/2=80
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\n“_No Key Or Time Sig. in MS”c2|G2e2d2B2|c3de2A2|G2E2F3G|(AB) (cA)B3c|
\n(de) (fd)e3f|(gf) (ed) (cB) (AG)|”-“G6:|
\n|:d2|(Bc) d2d2e2|(GA)B2B2(cd)|e2E2E2c2|”-“A6(Bc)|
\nd2G2G3F|E2G2c3B|A2c2f3e|
\n(de) (fd)g3f|(ed) (cB) (AG) c2|c3:|<\/p>\n

X:118
\nT:Irish Trott. HA.117, The
\nM:6\/4
\nL:1\/4
\nQ:3\/4=120
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:G
\nd|e>fg g>ag|e>fg g>ag|f>gf e>fe|d>ed f2:|
\n|:d|ece ece|ece ece|fdf e(d\/c\/) (B\/A\/)|d2d f2:|<\/p>\n

X:119
\nT:Allen Water. HA.118
\nT:Duke Of Albanie’s Tune,aka. HA.118
\nM:C
\nL:1\/8
\nQ:1\/2=80
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:cf PFD Coll. of Scotch Tunes, full of the Highland Humours,1700..also
\nN:cf Duke of Albanie’s Tune, Apollo’s Banquet,1687..CGP.
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nF3G A2 (fd)|(cA)(GF) G2 (FD)|(FD)(FG) (AG)(Ac)|(dc)(dF) A2f2|
\nF3G A2 (fd)|(cA)(GF) G2 (FD)|(FD)(FG) (AG)(Ac)|(dc)(dF) A2″^S”(fg)|
\n(ag)(fd) (cA)(ag)|(fd)(cA) G2 (FD)|fgfd cAfd|cAcF A2|(fg)|
\n(ag)(fd) (cA)(ag)|(fd)(cA) G2 (fd)|(cA)(GF) C3D|1F3GA2:|2F3Gf2|]<\/p>\n

X:120
\nT:From Aberdeen To Edinburgh. HA.119
\nM:C
\nL:1\/8
\nQ:1\/2=80
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:cf Playford DM eds 9D(1698)+.CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:D
\nD2|(FG)A2 A3B|A2(GF) E2(FG\/A\/)|F2(ED) (FG)A2|d6:|
\nfe|d2f2 d2f2|(ef)(ed) B3c|d3B (AF)(dF)|”^NB”A6(Bc)|
\nd3B A2(GF)|(EF)(GA) B3d|(AB)(AF) (EF)(ED)|
\nG4 A4|(Bc)(dB) (cd)(ef)|d6|]
\nW:NB=dotted crotchet in MS<\/p>\n

X:121
\nT:Lass In The North Country. HA.120, A
\nM:3\/4
\nL:1\/8
\nQ:1\/2=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Works very well with a strong first beat in the bar. cf Kingsley
\nN:MS,1795 (USA).. CGP.
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:G
\n“_Perhaps 9\/4?”BAG2D2|G4B2|AGABE2|BAG2D2|G4A2|(Bc)(dB)G2:|
\nefg4|e2(fe)(dB)|d2e2f2|efg4|e2(fe)(dB)|
\nd2(ef)d2|efg4|e2(fe)(dB)|d2e2f2|efg2G2|
\nG4B2|AGABE2|BAG2D2|G4A2|(Bc)(dB)G2|]<\/p>\n

X:122
\nT:Green Sleaves. HA.121
\nT:Green Sleaves and Pudding Pies,aka. HA.121
\nM:6\/4
\nL:1\/4
\nQ:3\/4=60
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:cf Playford DM eds 7(1686)+.CGP..
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:Bb
\nB2B B>cd|c2A F3|B2G G>AG|^FD2-D3|
\nB2B B>cd|c2A FGA|BAG A^F2|G3-G3:|
\n|:f2f f>ed|c2A F3|Gga bag|f2d d>c d\/e\/|
\nf2f f>ed|c2A FGA|BAG A^F2|G3-G3:|<\/p>\n

X:123
\nT:Weeks(?) Me,I Gotten Shutt On Her. HA.122
\nM:6\/4
\nL:1\/4
\nQ:3\/4=120
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\ng3 e3|G>AB dBG|g3 e3|c>dc ecA|
\ng3 e3|G>AB dBG|c2A- A>BA|c>de ecA|
\nc2A- A>BA|G>AB dBG|c2A- A>BA|c>de- ecA|
\nc2A- A>BA|G>AB dBG|g3 e3|g>ag ecA|]<\/p>\n

X:124
\nT:Untitled. HA.123
\nM:3\/4
\nL:1\/8
\nQ:3\/4=45
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\nA>A|c2e2e2|g4dc|B2d2d2|f4(ed)|
\n(ed)(ef)(ef)|d2B2e2|^c2A2A2|A4:|
\n(A\/B\/c)|B2G2G2|d4d2|d3e^c2|d4B2|
\nc2(AB)(cd)|e3d (e\/f\/g)|(fe)(dc)c2|c4d2|
\ne2(e\/f\/g) (fe)|c4c^c|d2(df) (ed)|_B4(cd)|
\ne3fe2|e2(dc) (Be)|^c2(BA)A2|A6|]<\/p>\n

X:125
\nT:New Road To Berwick. HA.124, The
\nT:Go To Berwick,Billy. HA.124
\nM:3\/2
\nL:1\/4
\nQ:1\/2=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\ncF Fc d\/c\/B\/A\/|BG GG Bd|cF Fc d\/c\/B\/A\/|cF Fc Ad||
\nf>g fF A\/B\/c\/A\/|g>a gG Bd|f>g fF A\/B\/c\/A\/|f>g fF Ad||
\nc\/A\/F\/A\/ c\/A\/F\/A\/ c\/A\/F\/A\/|d\/B\/G GG Bd|\\
\nc\/A\/F\/A\/ c\/A\/F\/A\/ c\/A\/F\/A\/|c\/A\/F\/A\/ c\/A\/F\/A\/ cd||
\nF2 C2 F2|g>a gG A\/B\/c\/A\/|F2 C2 F2|g>a gG A\/B\/c\/A\/||
\nf\/c\/f\/g\/ f\/g\/a\/g\/ f\/g\/f\/c\/|dg2GBd|
\nf\/c\/f\/g\/ f\/g\/a\/g\/ f\/g\/f\/c\/|cf2FAc||
\nb(a\/g\/) a(g\/f\/) g(f\/e\/)|dg2G Bd|b(a\/g\/) a(g\/f\/) g(f\/e\/)|cf2FAc||
\nAF fA gA|BG2G Bd|AF fA gA|cA fA cd|]<\/p>\n

X:126
\nT:Prince Eugene’s March. HA.125
\nM:C
\nL:1\/8
\nQ:1\/4=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Prince Eugene of Savoy,1663-1736, Field Marshal and Commander of the
\nN:Austrian Army in the wars against France in late 17th – early 18thC.
\nN:Big pal of the Duke of Marlborough, Queen Ann’s C-in-C .There is
\nN:tablature above the tune that I don’t understand and any way can’t
\nN:represent. cf Walsh, Musica Bellicosa,1733..CGP.
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:D
\n“Written for two parts”[F4A4] A4|[F3d3]e defg|a2f2[d2f2]gf|edef e2A2|
\n[F4A4] A4|[F3d3]e defg|fga2^g3a|a8||
\nee\/e\/ ee ee e2|[df][d\/f\/][d\/f\/] [df][df] [df][df] [d2f2]|\\
\naa\/g\/ ff\/e\/ [df][df] AA|a\/b\/a\/g\/ f\/g\/f\/e\/ [df][df] AA|
\nDD\/D\/ D[DF] DD\/D\/ Df\/g\/|\\
\nad\/e\/ f\/e\/f\/g\/ ad\/e\/ f\/e\/f\/g\/|ag\/f\/ e>d d4|]<\/p>\n

X:127
\nT:Scotch Tune. HA.126, A
\nT:Friday Night,aka. HA.126
\nT:Nowill Hills,aka. HA.126
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:PLFD ed 11(1701) #439..Aka Love Neglected.Peggy In Devotion…CGP
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:D
\nF>E|D2F2A2d2|A4F4|G3A BAGF|EDEF E2FE|
\nD2F2A2d2|A4f4|(ef)(ec) (Bc)(BA)|A6||
\nc>B|A2c2e2a2|e4c4|d3e fedc|BABc B2cB|
\nA2d2 (AB)(AF)|A4B4|(AB)(AF) (EF)(ED)|D6|]<\/p>\n

X:128
\nT:Purcell’s Trumpet Voluntary,aka. HA.127
\nT:Temple,The,aka. HA.127
\nM:C
\nL:1\/8
\nQ:1\/4=180
\nC:..or J.Clarke’s Untitled in MS
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nN:I’ve removed two redundant barlines. cf “The Temple” in Walsh CD 2,
\nN:1731..CGP.
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\nc4d4|e3f e2d2|c2d2e2dc|d2G2G2G2|
\nc4d4|e3fe2d2|cdcd d3c|c4||
\ne4 (f3e\/f\/)|g3a g2f2|e2c2c2G2|c2G2E2C2|
\ne4 (f3e\/f\/)|g3a g2f2|e2c2 cdec|d4|]<\/p>\n

X:129
\nT:Happy Groves. HA.128
\nM:C|
\nL:1\/4
\nQ:1\/2=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:cf The Beggar,s Opera.
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:C
\n“^v”g2″^u”a”^u”g|g\/f\/e\/d\/ cd|(ed) (fe)|d\/c\/d\/e\/ d2|
\n“^v”g2″^u”a”^u”g|g\/f\/e\/d\/ cd|e\/d\/c\/e\/ dB|c2||
\n(ed)(fe)|(ed)(fe)|dcBA|e3e|
\nagfe|d\/e\/f B”^crs”b\/a\/|”^sic”gff>e|e2|]<\/p>\n

X:130
\nT:Madame Coblenie’s(?) Minuet. HA.129
\nM:3\/4
\nL:1\/8
\nQ:3\/4=60
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:G
\nz\/d\/e\/f\/|g2f2g2|d4d2|e2d2c2|B2A2G2|\\
\nB2A2G2|B2A2G2|B4c2|d4z\/d\/e\/f\/|
\ng2f2g2|d4d2|e2d2c2|B2A2G2|\\
\nBcBABG|Bcd2e2|A4G2|G4||
\nB2|c2dcBA|B2G2B2|c2dcBA|B4B2|\\
\nefgfed|”^first strain again”cBA2a2|(gf)e4|d4||
\nB2|e3fg2|f2B2B2|A2BAGF|GFE2B2|\\
\ne3fg2|f2B2f2|
\n(gf)f4|e4f2|\\
\ne2f2g2|a2gfed|g2f2g2|a4|]<\/p>\n

X:131
\nT:Scotch Tune. HA.130, A
\nM:C|
\nL:1\/8
\nQ:1\/4=140
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:G
\n“_3 sharps in MS”G2B>c d3e\/f\/|gdcB A3B|c2c>d Bddg|B2(AG) G4||
\nB2d2 g3f|e2a2 f3f|(g\/f\/g\/e\/ g\/f\/g\/e\/) (g\/f\/g\/e\/ g\/f\/a\/e\/)|\\
\ne3d d3g|
\negdg cgBg|egdg cgBg|e2d>c B2(B\/c\/d)|B2(AG) G4|]<\/p>\n

X:132
\nT:Milk(?) Pudding. HA.131
\nM:6\/4
\nL:1\/4
\nQ:3\/4=80
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nF\/G\/|A>GF f>ga|c2A F2(a\/g\/)|f2c f\/e\/f\/g\/a|cd\/c\/B\/A\/ G2F\/G\/|
\nAB\/A\/G\/F\/ f>ga|c2F Aag|f2c A\/B\/cA|F3 F2:|
\n|:c|c\/A\/c\/d\/c c\/A\/c\/d\/c|c\/A\/c\/d\/c\/d\/ c2c|\\
\nf\/e\/f\/g\/f g\/f\/g\/a\/g|a\/g\/a\/b\/a\/g\/ f2c|
\nc\/A\/c\/d\/c c\/A\/c\/d\/c|cfg a2g|f2c A\/B\/c\/B\/A\/G\/|F3 F2:|
\n|:f|(cf)a (cf)a|(cf)a c2a\/g\/|fca\/g\/ fca\/g\/|(fc)A G2f|
\n(cf)a (cf)a |(cf)a (g3\/2f\/4g\/4) “^sic”a>g|f2c A\/B\/c\/B\/A\/G\/|F3 F2:|<\/p>\n

X:133
\nT:Untitled. HA.132
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:Bb
\nF2|BABc B2c2|d2B4c2|def2 f2ed|c6f2|
\ngfga g2a2|b2f2-f2ba|gfed c3B|B6:|
\n|:AB|cBcd c2f2|c2AB c2fe|dcBA G2AB|A2GF f3f|
\nd2g2=e3f|gfga g2a2|b2a2 bagf|f6ba|
\ng2e2 g2ag|f2d2 f2gf|e2c2 A2fe|d4B2F2|
\nGAB2 ABc2|Bcd2 cde2|d2(cB) (Bc)(BA)|B6:|<\/p>\n

X:134
\nT:Three Crowdeys In A Day. HA.133
\nM:C
\nL:1\/4
\nQ:1\/4=120
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:”Crowdey once, crowdey twice,three crowdeys in a day, if ye crowdey any
\nN:more, ye’ll crowdey all the ……?(illegible) away.”
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:F
\nFA c2|FA f2|FA cf|(d\/c\/)(B\/A\/) G2|
\nFA c2|FAf>g|a\/g\/f\/d\/ f\/d\/c\/A\/|c\/A\/G\/F\/ G2||
\nf2 f\/g\/a|cA c2|f2 f\/g\/a|cAG2|
\nf2 f\/g\/a|cAf>g|a\/g\/f\/d\/ f\/d\/c\/A\/|c\/A\/G\/F\/ G2|]<\/p>\n

X:135
\nT:Ranting Roaring Willie. HA.134
\nT:Rattlin’ Roarin’ Willie,aka. HA.134
\nM:9\/4
\nL:1\/4
\nQ:3\/4=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Many inconsistencies in the MS, but I have refrained from editing as it
\nN:is a tune commonly found elsewhere.CGP
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:D
\n“_Unedited”(B\/c\/)|A2D F2D (FA)B|\\
\ncdc (cG)EG(AB)|A2D F2D (F\/A\/) |
\n(B\/c\/) (d\/c\/)(d\/c\/)(d\/c\/)”^sic barlines”|(d\/c\/)(B\/A\/)(G\/F\/) A2(B\/c\/)|
\n(d\/c\/)(d\/c\/)(d\/c\/) (d\/c\/)(B\/A\/) (G\/F\/) A2B|
\ncdc (c\/G\/)E GAB|A2F B2A d2(c\/B\/)| ADF ECE D2||
\nD|DA,D DA,D DA,D|EDE CEC (E\/F\/G)E|
\nEA,D DA,D DA,D|FEF CFC F\/G\/AF|
\nEDE CEC (E\/F\/)GE|A2F B2A d2(c\/B\/)| ADF ECE D2||
\nA|d>ef f>ef d2A|c>de e>de c2A|
\ncAB Adc\/B\/|A\/D\/F E\/C\/ED2||
\nA|AFD AFD AFD|cGE cGE cGE|AFD AFD|
\ndAF dAF dAF|dAF dAF dAF|cGE cGE G>AB|
\nA2F B2A dc\/B\/| ADF FCE D3-|D2|]
\nW:See notes re editing<\/p>\n

X:136
\nT:Untitled. HA.135
\nM:9\/4
\nL:1\/8
\nQ:3\/4=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Chris Partington.Jan.2004
\nK:G
\n“_3 sharps,No Time Sig., Barring as in MS”d3ef2 f3ef2 f3ef2|\\
\nf3ef2 f3ef2 d4A2|c3de2 e3de2 c4A2|
\nd3ef2 e3fg2| f2 gfed|edcBA2|
\ndcdefd|edefge|fgagfe|e4d2:|
\n|:agfga2|agfga2|a2bagf|e4A2|
\nagfga2|agfga2|a2bagf|e4d2:|<\/p>\n

X:137
\nT:Read House Rant. HA.136, The
\nT:Old Lancashire Hp,aka. HA.136
\nT:Cheshire Hornpipe,aka. HA.136
\nM:6\/4
\nL:1\/4
\nQ:3\/4=90
\nC:see #HA.010
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Chris Partington.Jan.2004
\nK:D
\n“^A”B>”^*”AG|”^*”F>”^*”ED f>ed|eE-E B>”^*”AG|\\
\n“^*”F>ED f>”^*”e”^*”c|dD-D:|
\n|:”^2″B>”^*”AG|F>GA F>ED|CE-E B>”^*”AG|\\
\nF>GA F>”^*”ED|A,D-D:|
\n|:”^3″B>”^*”AG|(“^*”FA)G B>”^*”AB|=cE-E B>”^*”AG|\\
\n(“^*”FA)(GB)”^*”A”^crs”(B\/c\/)|dD-D:|
\n|:”^4″B>”^*”AG|AD-D B>”^*”AG|=cE-E B>”^*”AG|\\
\n“^*”AFB G”^*”c3\/2(B\/4c\/4)|dD-D:|
\n|:”^5″B>”^*”AG|F>ED b”^*”af|”^*”eE-E B>”^*”AG|\\
\nF>ED f”^*”e(d\/c\/|dD-D:|
\n|:”^6″B>”^*”AG|”^*”FAG B”^*”AB|”^*”=cE-E B>”^*”AG|\\
\n“^*”FAG B(A\/B\/)(c\/A\/)|dDD:|
\n|:”^7″B>”^*”AG|F>E (D\/E\/) (F\/G\/) (A\/B\/) (c\/d\/)|\\
\neE-E B>”^*”AG|”^*”F>E (D\/E\/) (F\/G\/) (A\/B\/) (c\/A\/)|dD-D:|
\n|:”^8″B>”^*”AG|”^*”AD-D B>”^*”AG|”^*”=cE-E B>”^*”AG|\\
\n“^*” AFB G”^*”^c(B\/c\/)|dD-D:|
\nW:Mysterious double marks on stems of these ‘*’ notes. Bagpipe decoration?<\/p>\n

X:138
\nT:Gingling Geordy. HA.137
\nT:Wylam Away,aka. HA.137
\nM:6\/4
\nL:1\/8
\nQ:3\/4=80
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:In addition to conventional dotted crs, some notes appear to have dot
\nN:in front of note, possibly as a staccato effect (i.e as if dot should
\nN:be over note).
\nN:It is difficult to distinguish which note the dot belongs to at
\nN:timesNBr
\nN:cf PFD Scotch Tunes,1700..CGP.
\nH:1\/8
\nZ:vmp.Neil Brookes,Jan,2004.
\nK:G
\n(ef)|g3d”=”.B2g2A2.B2|”=”g2dG3A4″=”B2|\\
\n“=”g3d”=”.B2g2A2″=”.B2|”=”g3d”=”.B2″=”.G4:|
\n|:(Bc)|d2(BcdB) d2(BcdB)|d2(BcdB)”=”A4″=”B2|
\nd2(BcdB) d2(BcdB)|d2(BcdB)G4:|
\n|:(ef)|g2d2″=”.B2g2d2″=”.B2|\\
\ng2d2″=”.B2″=”.A4″=”.B2|g2d2″=”.B2g2d2″=”.B2|\\
\ng2d2″=”.B2″=”.G4:|
\n|:(dc)|B3AG2A2.B2d2|e2g2.B2A2a2A2|\\
\n.B3AG2A2.B2d2|e2d2.”=”B2″=”.G4:|<\/p>\n

X:139
\nT:Gingling Geordy,another way. HA.138
\nT:Wylam Away,aka. HA.138
\nM:6\/4
\nL:1\/8
\nQ:3\/4=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:In MS the only repeat signs are at end of tune.
\nN:Preceding tune “Gingling Geordy” repeats each part. NB
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:G
\nef|g3dB2g2G2B2|g2d2B2A2 fgaf|g3dB2g2G2B2|g3dB2G4||
\nd2|d3 B\/2c\/2d2e3c\/2d\/2e2|d3B\/2c\/2d2A4d2|\\
\nd3 B\/2c\/2d2e3c\/2d\/2e2|d3B\/2c\/2d2G4||
\nd2|B2d2g2B2d2g2|B2d2g2a2A2d2|\\
\nB2d2g2B2d2g2|B2d2g2G4||
\nd2|B3AG2e3dB2|g3dB2a2A2c2|B3AG2e3dB2|g3dB2G4||
\nef|gfed B2d2 efgf|gfed B2A2 fgaf|
\ngfed B2d2 efgf|gfed B2G4:|<\/p>\n

X:140
\nT:Lad That Keeps The Cattle. HA.139, The
\nM:6\/4
\nL:1\/8
\nQ:3\/4=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\nG3AG2e4c2|d2B2G2c2A2F2|G3AG2e4c2|d2B2G2c4A2|
\nG3AG2e4c2|d2B2G2c2A2F2|G2A2B2A2B2c2|d2B2G2c4A2||
\nG2g2d2e2d2e2|d2B2G2c2A2F2|G2g2d2e2d2e2|d2B2G2c4A2|
\nG2g2d2e2d2e2|d2B2G2c2A2F2|G2A2B2A2B2c2|d2B2G2c4A2||
\nd2B2G2d2B2G2|d2B2G2c2A2F2|d2B2G2d2B2G2|d2B2G2c4A2|
\nd2B2G2d2B2G2|d2B2G2c2A2F2|G2A2B2A2B2c2|d2B2G2c4A2|]<\/p>\n

X:141
\nT:Milkmaid’s Dance. HA.140, The
\nM:C
\nL:1\/8
\nQ:1\/2=110
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:G
\nG2B4AG|d4g4|d2B2e2A2|”^=”F4D4|
\nE2C2E2(AG)|F2A2d2(gf)|(ed)(cB) (AB)(AG)|G4B4:|
\n|:d3B\/2c\/2d3B\/2c\/2|d2B2G2B2|\\
\nA3c\/2B\/2″^undotted in MS”A3c\/2B\/2|A2d2F2A2|
\nd2efe2fg|f2d2g2B2|A2B2A3G|G4B4||
\nB2G4d>c|”^=”B4G4|A2D4A>G|”^=”F4D4|
\nE2C4AG|”^=”F4d4|e2A4dc|”^=”B4G4:|
\n|:g2d2g2gf|e2c2e2dc|d2B2G2B2|E2A2F2D2|
\nE2C2E2AG|F2A2d2(gf)|(ed)(cB) (AB)(AG)|G4B4|]
\nW: Repeats shown as in MS.<\/p>\n

X:142
\nT:I Was Young And Lustey…. HA.141
\nM:3\/2
\nL:1\/8
\nQ:1\/2=100
\nC:”… When I Had Ye”
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:”…When I Had Ye” It seems that HA has missed repeat signs in places.
\nN:However, this may be
\nN:deliberate to fit a specific dance. I have therefore left repeats as in
\nN:Key sig (one flat) with root note G suggests dorian mode. NBr.
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:GDor
\n“^tr”Td2(ef) gfed f2B2|d2g2 fdcB f4|
\n“^u”d2 ef gfed f2B2|c2g2c4f4||
\n“^undotted in MS”d3BG2B2f2B2|d3BG2B2f4|
\nd3BG2B2f2B2|c2g2c4f4:|
\n|:defd efge defd|BcdB defd f4|
\ndefd efge defd|c2g2c4g4:|
\n|:d2G2f2B2g2B2|fdcd fdcB f4|
\nd2G2f2B2g2B2|c2g2c4g4:|<\/p>\n

X:143
\nT:Love Is Ye Cause of My Mourning. HA.142
\nM:3\/4
\nL:1\/8
\nQ:3\/4=40
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Deviation from 3\/4 (in 2 bars) is probably intended .NBr
\nN:cf Music for Alan Ramsay,1724..CGP.
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:F
\nF>G A3 A>c|A>cG>AF2|f2g2a2|A4c2|
\nd2(df) (cA)|c2(dc) (Ac)|(ag)(fd)(cA)|GAG>F D2|
\nF>G A2 A>c|A>cG>A F2|f>g (“^=”gf\/2g\/2) a2|A4c2|
\ndcA2cA|GF G3F|Gf dc A2 (A\/2c\/2d\/2c\/2)|A3GF2||
\nf3g ag|f3dc2|G2 Acdf|dfdc A2|
\nc2 Acdf|cdAcGA|agfdcA|GAGF D2|
\nf>g a2 ac’|ac’ ag f2|f>g (“^=”gf\/2g\/2a2)|A4c2|
\ndc A2 (Ac\/2A\/2)|GF G3F|Gf dc A2|\\
\n(A\/2c\/2d\/2c\/2)”^=”A3GF2|]<\/p>\n

X:144
\nT:Bonnay Wattered Meggy(?). HA.143
\nT:Farewell my pretty,witty Peggy,aka. HA.143
\nM:C
\nL:1\/8
\nQ:1\/4=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:B music a bit odd, but sounds OK as is. NBr
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:F
\nc|f2(f\/2g\/2a) (fd) (cA)|G>FG>A (FD)F2|
\nf2(f\/2g\/2a) (fd)(cA)|(GF)(GA) F3||
\nc|c3d (cA)c2|f2(f\/2g\/2a)”^=”g3f|\\
\nd2(d\/2e\/2f) (cA)(GF)”_barline missing in MS”|D2B2G2F|
\nFCFG A2 (fe)|d3c defg|a3g (fc)(df)|(cA)(GF) F3|]<\/p>\n

X:145
\nT:Lass She Lost Her Maidenhead. HA.144, Ye
\nM:C
\nL:1\/8
\nQ:1\/2=110
\nC:”..for all her fine petticotes”
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Some dots appear to be missing in MS. Also in line 3 a qu. should
\nN:probably be
\nN:a dotted cr. I have made these changes to make more sense of tune.
\nN:The title continues, but not legibly NB
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:Amin
\nB2|c4B3A|c4E4|G4G2 Bc|dcBA G2B2|
\nc4B3A|e4E4|A4″^cr”e3d|”^=”c3BA2:|
\n|:B2|c3de2f2|”^cr”g3ag2e2|d2B2g2e2|dcBA G2B2|
\nc3de2g2|”^cr”a3ba2e2|^c2A2a2e2|”^=”c3BA2B2|
\n“^qu”c3 d e2f2|gfgag2e2|d2B2g2e2|dcBA G2B2|
\nc4″^cr”B3A|e4E4|A4e3d|”^cr”c3BA2:|<\/p>\n

X:146
\nT:Leshly’s March. HA.145
\nT:Leslie’s March,aka. HA.145
\nM:6\/4
\nL:1\/8
\nQ:3\/4=80
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Flat signs over f notes in line 5 bar one are strange, but possibly
\nN:gives the
\nN:player a feel of the way the tune turns at this point. NBr
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\ne2c2c2e2G2G2|e2c2c2e2G2G2|efgfed f2A2A2|efgfed f2A2A2|
\ne2c2c2e2G2G2|e2c2c2e2G2g2|”^=”e3dc2A2G2A2|cAcdec d4c2||
\nA2c2c2c4c2|A3GA2c4G2|E3DC2C2D2E2|E2D2C2″^=”D4C2|
\nA2d2d2d3cd2|e3dc2d3cd2|e3dc2A2G2A2|cAcdec “^=”d4c2||
\nc2g2e2g2 efge|c2g2e2c4G2|_B2″^*”f2d2″^*”f2 de”^*”fd|B2f2d2″^=”B4G2|
\nc2g2e2g2 efge|cBcdef g2G2g2|e3dc2A2G2A2|cAcdec “^=”d4c2|]
\nW:Notes marked * have flat sign above them in MS.<\/p>\n

X:147
\nT:Three Sharp Knives No1(?) HA.146
\nT:Three Case Knives,aka. HA.146
\nT:Three Rusty Swords,aka. HA.146
\nT:Rusty Gully,aka. HA.146
\nM:6\/4
\nL:1\/8
\nQ:3\/4=80
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:A key sig. of Gmaj results in a version very like
\nN:”Three Case Knives (or Three Rusty Swords)”.
\nN:The Gmix setting (G root; no sharps), however, would be interesting,
\nN:whether or not intended NBr
\nN:Aka Lady Susan Montgomery Hp, Jock & Tam, Punchanello’s Hp, Risty
\nN:Gully,.
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:G
\n“_No Key Sig in MS”GABc d2G2d2G2|F2A4c2B2A2|\\
\nGABc d2G2d2D2|D2G4B2A2G2:|
\n|:g2 ag f2 gf e2 ag|f2d4f2e2d2|c2 dc B2 cB A2 dc|B2G2-G2B2A2G2:|<\/p>\n

X:148
\nT:French March. HA.147
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\nc4B3A|G4G2G2|ABcA BcdB|c4G4|
\nc4B3A|G4G2G2|ABcA BcdB|c8||
\n(ef)g2(ef)g2|”^=”f3ed2G2|c4d2e2|”^=”e4d4|
\n(ef)g2(ef)g2|”^=”f3ed2G2|A4B4|c8|]<\/p>\n

X:149
\nT:Sodger Laddie. HA.148
\nT:Soldier Laddie,aka. HA.148
\nM:3\/4
\nL:1\/4
\nQ:3\/4=80
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Tune appears to be incomplete. NBr. cf Walsh CD 1731..CGP.
\nH:1\/4
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\n“^u”g|e3\/2d\/2c|cGA|d2d|dag|e3\/2d\/2c|gGA|
\nc2c|cag|e3\/2d\/2c|cGA|d2d|dag|e2c|
\ne\/2f\/2 gc|e2c|cag|f2c|e\/2f\/2gc|d3\/2e\/2d|
\ndag|e3\/2d\/2c|gGA|”_tune incomplete”c2c|cag|]<\/p>\n

X:150
\nT:Glory of the West. HA.149, The
\nM:6\/4
\nL:1\/8
\nQ:3\/4=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:A 6\/4 version of the Playford tune. Ed 1 onwards(1651) NBr
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\nc2|B4A2B4A2|G6G4c2|B4A2Bcd2B2|G6G2A2B2|
\nc6c4Bc|d6d4cd|e2d2c2B4A2|A6-A4:|
\n|:g2|e4c2efg2e2|c6c4g2|e4c2ef g2e2|c6c3 def|
\ng4g2g3fe2|d6-d3 efg|a4a2g3fe2|d6-d3 efg|
\na4a2g3fe2|g4g2e3dc2|d3e (dc) B4A2|G6G2A2B2|
\nc6c4Bc|d6d4cd|e2d2c2 B4A2|A6-A4:|<\/p>\n

X:151
\nT:Untitled. HA.150
\nM:6\/4
\nL:1\/8
\nQ:3\/4=60
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Air
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:F
\nF2|A3Bc2f4f2|(f\/g\/)a (gf) (ed) (e\/f\/g) (fe) (dc)|
\nB3A GA (BA) (GF) F2|A3Bc2 f>g fg a2|(g\/f\/e) d3cc4:|
\n|:ee|(e\/2f\/2g)g3g (ga) g2 (fe)|\\
\n(fe) dc d2f4 e>d|c2G2A2B4c2|
\nA2 (GF) G2 (A\/2B\/2c) A2c2|\\
\nd2B2d2(e\/2f\/2g)c2zf|(f\/2g\/2a) f3f f4:|<\/p>\n

X:152
\nT:Untitled. HA.151
\nM:9\/4
\nL:1\/4
\nQ:3\/4=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Some bowing style guide given in MS. u\/v = up\/down
\nN:and double slashed notes.NBr
\nH:1\/4
\nZ:vmp.Neil Brookes, Jan.2004
\nK:F
\n“_2 sharps in MS”G3\/2A\/2GB2″^u”g”^=”f3\/2 e\/4f\/4 g|\\
\nG3\/2A\/2G”^u”B2″^u”dc”^u”A”^u”F|
\nG3\/2A\/2G”^u”B2″^u”g”^=”f2d|f2(cc)fdcAF|
\n|:”^v”f2d-dBddBd|”^v”f2ddBdcAF|
\n“^v”f2d-dBd-dBd|c3\/2d\/2cfedc”^u”AF:|<\/p>\n

X:153
\nT:Untitled. HA.152
\nM:C
\nL:1\/8
\nQ:1\/4=140
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:Bb
\nB2 bB b2a2|g2 Gg f2F2|e2 ge gb fd|c2 B>c A2 (GF)|
\nB2 bB b2a2|gG Gg f2F2|e2 gb fd cg|fB (ed\/c\/)c2B2:|
\n|:d\/e\/f\/g\/ fb f\/e\/d\/e\/ fF|g\/f\/g\/a\/ gG g\/f\/g\/a\/ gb|
\nf\/e\/d\/c\/ dc dc df|b\/a\/g\/f\/ e\/d\/c\/B\/ c\/B\/c\/d\/ cF|
\nBf df df gf|b6 b>a|
\ng\/b\/a\/g\/ f\/a\/g\/f\/ e\/g\/f\/e\/ f\/b\/e\/d\/|cf d(c\/B\/) B4:|<\/p>\n

X:154
\nT:Untitled. HA.153
\nM:C
\nL:1\/8
\nQ:1\/4=180
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:B music (11 bars) sounds as if it is incomplete. NB
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\nc3dc2G2|c4e4|d3ed2A2|d4f4|
\ne3f”^=”e2 (dc)|e2 (fe\/2f\/2) g4|d3e (dc)B>c|d4G4:|
\n|:”^u”g2 gg g2 (fe)|f2g2″^=”e4|”^=”e2de (fe)(dc)|B4 A4|
\na2 aa ^f2 ff|d2 dd “^=”B2 BB|g2 gg “^=”e2 ee|
\nc2 (cB) A2AA|f2 ff “^=”e2 e2|A2d2B2 (cd)|”^=”d4c4:|<\/p>\n

X:155
\nT:Take Toast To Thee,.. HA.154
\nM:6\/4
\nL:1\/8
\nQ:3\/4=60
\nC:”….Tippetts,good man (???)”
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:No key sig., but G (i.e. with sharpened F notes)
\nN:sounds more probable than C (Gmix?). The title is a little difficult
\nN:to read and my guess may be incorrect NBr
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:G
\n“_No Key Sig in MS”G2|E2G2G2B2e2d2|\\
\nB2 dB AG A4G2|E2G2G2 efgfed|B2G2G2G4:|
\n|:g2|e2g2f2e2a2g2|e2d2B2A2B2d2|\\
\ne3de2g2d2e2|B2G2G2G4:|<\/p>\n

X:156
\nT:Untitled. HA.155
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\n“_No Key Sig. in MS”gf|e2 (dc) G2 (cG)|E2C4 cd|\\
\ne2(cd) e2 (cd)|e2g4 fg|
\n(ag)(ag) (ag)(ag)|agf>e d2 (ag)|e2 (dc) G2 (cd)|e2g4||
\ndc|B2 (gd) B2 (gd)|B2d4 cd|e2(cd) e2 (cd)|e2g4 fe|
\nf2F2 ABcA|g2G2 BcdB|a2A2 BABG|A2c4|]<\/p>\n

X:157
\nT:Untitled. HA.156
\nM:3\/4
\nL:1\/8
\nQ:1\/4=140
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Final note in A music undotted in MS. NBr
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\nC2 CD E2|E2 EF G2|G2 GABG|c4B2|
\nA2G2F2|”^=”E3DC2|EF G2B,2|”^undotted in MS”C6:|
\n|:c2 cded|c2 cded|c2 cdef|g4g2|
\ne2 ef g2|e2 ef g2|e2 fede|c6:|<\/p>\n

X:158
\nT:Untitled. HA.157
\nM:3\/4
\nL:1\/8
\nQ:1\/4=140
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\n“^u”E2G2G2|c2e2c2|”^=”e2c2e2|dc BA GF|
\nE2G2G2|c2e2c2|”^=”e2c2e2|d6:|
\n|:ef g2B2|A4G2|c2c2 Bc|d2d2 cd|
\nedcdef|g6|G2G2G2|G2E2G2|c2G2A2|
\nG2E2G2|e6|d3ed2|c2 cd cd|c6:|<\/p>\n

X:159
\nT:This Wife of Mine. HA.158
\nM:C
\nL:1\/8
\nQ:1\/4=160
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:Gmin
\nB>c|d3B G2 (AB)|(cd)(cA) F2 f>g|(ag)(fd) (fd)cA|”^=”d3B G2:|
\n|:A>G|F2f2 f3g|(ag)(fd) c4|d2g2 g2a2|”^=”g3f d2 (fg)|
\na2c’2 g2a2|”^=”f3d c2 (f>g)|(ag)(fd) (fd)(cA)|d3B G2:|<\/p>\n

X:160
\nT:Hampton Court. HA.159
\nM:3\/4
\nL:1\/8
\nQ:1\/4=120
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:cf Pills to Purge Melancholy,1719..CGP. A note at the end of the tune
\nN:in the MS appears to read:
\nN:”end on ye 1st strain(??)”. i.e. play first part of tune to finish.
\nN:Flat signs marked in MS (instead of natural).. NBr
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:G
\nB3c (cB\/2c\/2)|d2G2c2|A3Ad2|B3AG2|
\nB3c (cB\/2c\/2)|d2 e>dc>B|A4G2|”$”G6||
\nd>e d>c B2|e2f2g2|f3g (gf\/2g\/2)|a4d2|
\ng2 g>f e>d|c2d3e|e4d2|d3 edc|
\nB3c(cB\/2c\/2)|d2G2c2|A3Ad2|B3AG2|
\nB3c (cB\/2c\/2)|d2 e>d c>B|A4G2|G4G2|
\nA3Ad2|B3Be2|^d2e3f|f4e2|
\nd2g2 (“^*”=fe)|”^*”=f2d2 (cB)|”^DC al segno”c>dB3A|A4A2|]<\/p>\n

X:161
\nT:Mr Banister’s Saraband. HA.160
\nM:3\/4
\nL:1\/8
\nQ:1\/4=140
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:”Saraband” written at end of tune, “Mr Banister” at the beginning.
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:D
\nf2″^=”d3a|e2A3A|d>c “^=”B2e2|”^=”c3BA2|
\na2″^=”f3f|b2B2e2|”=”c2d3e|”=”e4d2:|
\n|:f>ga>b a>b|e>fg>ag>a|d>cB>f g2|”^=”e3dc2|
\nd>ed>AB>=c|B>d g>B c>d|c>d a>c d>e|”^=”e4d2:|<\/p>\n

X:162
\nT:Blyth Jockey,Young and Gay. HA.161
\nM:3\/4
\nL:1\/8
\nQ:3\/4=40
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Saraband
\nO:England
\nA:Hartburn,Northumberland
\nN:cf Scots Musical Museum,1787..CGP.
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:D
\n“^u”F2(AF)(E>D)|B3cB2|(Ad)(AF)(E>D)|E3FG2|
\nF2(AF)(E>D)|B3cd2|(d\/2e\/2f) (ec)B>A|A3Bc2:|
\n|:”^u”c2(ec)(de)|f3gf2|(ea)(ec)B>A|f3gf2|
\nB2(GB)eB|c3BA2|”^tr”Td2(AF)E>D|d3ef2:|<\/p>\n

X:163
\nT:Mr Banister. HA.162
\nT:New Boree of Mr Banister’s,aka. HA.162, A
\nM:C
\nL:1\/8
\nQ:1\/4=140
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:Dmin
\na2 (ag) fgaA|d2c2 d2e2|fgaf b2e2|e4 d4:|
\n|:e2 (ed) cdec|fedc BcdB|edec fedc|B4 A2 A>G|
\nFAdF GBeG|AcfA BdgB|ceaf (ba)(gf)|e4d4:|<\/p>\n

X:164
\nT:Jigg. HA.163, A
\nM:6\/8
\nL:1\/8
\nQ:1\/4=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:u\/v denote bowing; = denotes slashed note.
\nN:. NBr.
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:D
\n“^u”A|(FD)B A2 d|”^=”c3 “^u”cde|d>cB A(G\/2F\/2)(E\/2D\/2)|E3A,2″^u”A|
\n(FD)B A2d|”^=”c3 “^u”ABc|(dA)d c\/2d\/2ec|”^v”d3D2:|
\n|:”^u”E|(CA,)E A2G|(FD)B A2c|d>cB cBA|”^cr”B3B2 B\/2c\/2|”^v”d>cB AGF|
\n(EFD) C2A|(FD)dA2d|”^=”c3 ABc|(dA)d c\/2d\/2ec|”^v”d3D2:|
\nW:u\/v denote bowing; =denotes slashed note<\/p>\n

X:165
\nT:Within a Furlong of Edenborrow Town. HA.164
\nT:Twas Within a Furlong of Edenborough Town,aka. HA.164
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nC:H.Purcell
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:In line 4, bar 1, two of the 3 F notes are sharpened. It is likely that
\nN:l 3 are
\nN:intended to be F#. NBr This is not the same tune as “Within a Mile
\nN:of…”
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:Gmin
\n(GA)|B3c d2(cB)|(cA) (B\/2c\/2)d G2(GA)|\\
\nB>cd>e f2 ed|(cB)fd B2(de)|
\n(fe)(fg) f2 (ed)|(ed)c>B c2 (Bc)|\\
\n(d<B)c<A (B<G)(A<G)|(^FD)(^FA) d2||
\n(de)|f3 g f2 (ed)|(ed)c>B c2 (BA)|\\
\n(BA)(Bc) d2 (cB)|(AG)(^FG) A2 (A\/2B\/2c)|
\n(BA)(BG) c2 (de)|(^fe)(fg) f2 (gf)|\\
\n(g<d)(e<c) (d<B)(c<A)|(B<G)(D^F) G2|]<\/p>\n

X:166
\nT:Minuet Royall. HA.165
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:cf Apollo’s Banquet,1687..CGP.
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\nc2E2c2|D4c2|(cd)B4|cBcd c2|c2E2c2|D4c2|
\n(cd)B4|c6||G2c2e2|g6|g2 ga gf|e3dc2|
\ndcde d2|dcde d2|defedc|B3AG2|G2 (EF) GE|G2 (EF) GE|
\nG2 (EF) GE|g6-|g3 agf|g2G2c2|cd d4|c6|]<\/p>\n

X:167
\nT:Earle of Darwin’s Farewell. HA.166, The
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:HA marks the lower F# in addition to the upper F#.
\nN:i.e the key of D looks like 3# in MS. NBr
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:D
\n(dA)(dA)d2|f2 d2D2|f2 (gf) g2|e3f (e\/2f\/2g)|
\nfed2B2|(ef)(ec)(BA)|d3 f(e\/2c\/2B\/2A\/2)|A6||
\ne>de>fe>f|e>dc>B A2|f>ef>gf>e|f2d2d2|
\ng>fg>ag>f|g2e2a2|b3a^g2|a6|
\na>ga>ba>g|f>ed>cB2|g>fg>ag>f|e>dc>BA2|
\nd>cdFGA|B3g f2|e2a2c2|d6|]<\/p>\n

X:168
\nT:Gavott. HA.167, The
\nT:Mock Match,aka. HA.167, The
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Title looks like ‘Gavatt’ with overwritten spelling correction.
\nN:The minims in MS are undotted. This may be error or deliberate.
\nN:Either sounds OK, but dots make the bars “add up”. NBr
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:F
\nfe|f2F2A2c2|d6c2|defd efgf|e3d c2fe|
\nf2F2A2c2|d6c2|defd efge|f6:|
\n|:ag|a2f2g2a2|b6a2|bagf efef|gfed c2 ag|
\na2f2g2a2|b6a2|gfed c2e2|f6:|<\/p>\n

X:169
\nT:Over The Hills And Far Away. HA.168
\nM:C
\nL:1\/8
\nQ:1\/2=80
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:some illegible comments follow in pencil in MS. NBr
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\nGA|c3d cded|c2A4 GA|c3d cdec|f2d2-d2cA|
\nc3d cded|c2A2 A2c2|G3A GAcd|e2d2-d2||
\nef|gfga gede|c2A2-A2ef|gfga gedc|e2d2-d2ef|
\ngfga gede|c2A2 A2c2|G3A GAcd|e2d2-d2|]<\/p>\n

X:170
\nT:Untitled. HA.169
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:This one line tune follows illegible notes on previous page.
\nN:Metre is variable – certainly not 4\/4.
\nN:Could it be a song air??NBr. A very beautiful tune.CGP.
\nH:1\/8
\nZ:vmp.Neil Brookes.Jan,2004
\nK:C
\n“_As written, No Key Sig. etc”
\nDE|F4(ED)D2 d>B|AFED A,4|G,C DE FA G,2|E3DA,2C2G,2|]<\/p>\n

X:171
\nT:This is ye Webye onte(??) HA.170
\nM:C
\nL:1\/8
\nQ:1\/2=70
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:No key given, though seems to be in D. If it is really in C,
\nN:the Blues was invented here Tune goes a little awry at the end. NBr
\nN:The word “Schott” is written in between the two lines, in a different
\nN:hand. NBr
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:D
\n“_no key sig.in MS ”
\nd2|dBAB defd|efed BdeB|defa fdef |d2 A2-A2 de|
\nfdeB dABF|AFED A,4|A,2 DEFA G,2| E2D2A,2C2| D4|]<\/p>\n

X:172
\nT:Untitled. HA.171
\nM:C
\nL:1\/8
\nQ:1\/2=80
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Hornpipe
\nO:England
\nA:Hartburn,Northumberland
\nN:Dotted cr. makes B music slightly odd, but not certain where the error
\nN:lies. NBr…..Sounds like another hornpipe to me.. CGP.
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:F
\nc>B|A2F4 f>g|g3f dcdf|cAf>d cAGF|E2G4 F>G|
\nA2F4 f>g|g3f dcdf|FGAB cAGF|D2F4:|
\n|:f>g|fcfg agag|fedc A3A|”^cr”B3f cAGF|E2G4 cB|
\nAFcA defd|gagf efge|agb>a gedc|d2f4:|<\/p>\n

X:173
\nT:Sweetness When She’s Smiling(?) HA.172
\nT:Sweetness When She’s Naked,aka. HA.172
\nM:6\/4
\nL:1\/8
\nQ:3\/4=40
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Air
\nO:England
\nA:Hartburn,Northumberland
\nN:No key sig in MS, but sounds OK in Amin.
\nN:One of the crs in bar 2 of B music should possibly be dotted. NB
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:Amin
\nA2e3f(d3c\/2d\/2) e2|A2c2-c2 GEDE G2|A2c4 dcde ga|e3 d cd e2A4:|
\n|:A2d4d3ed2|e2g4g3″^undotted in MS”ag2|gede g2 gede g2|agab abg2e4|
\ne2 fedc dcde ga|gedB AG E2G4|A2c4dcde gd|efed cd e2A4:|<\/p>\n

X:174
\nT:Friends and .(?)….y. HA.173
\nM:6\/4
\nL:1\/4
\nQ:3\/4=80
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:One of the tunes that feels more like 3\/4..CGP.
\nH:1\/4
\nZ:vmp.Neil Brookes, Jan.2004
\nK:F
\nBGgd e\/2f\/2 g|f e\/2f\/2 gfdc|BGgd e\/2f\/2 g|fdBc2d:|
\n|:gddfcc|dBBf2d|gddfcf|dcBc2d:|
\n|:BGBd B\/c\/d\/B\/|d\/c\/B\/c\/d\/B\/ d\/c\/B\/c\/d\/B\/|
\nBGBd B\/c\/d\/B\/|fdBc2d:|
\n|:gddfcc|dBBf2d|gddfcf|dcBc2d:|<\/p>\n

X:175
\nT:Shores Trumpett Tune or Maggott. HA.174
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Signs above notes in MS seem to denote trills.
\nN:Rests denoted by “r” in MS. NBr….cf Playford DM eds 9C(1698)+.CGP..
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\nTE2 (E\/2F\/2G) GEEC|c2 (c\/2d\/2e) eddG|\\
\nTE2 (E\/2F\/2G) GEEC|(e\/2f\/2g) e>dc2 z2||
\nTde dGd2z2|dedG d2z2|gagc gagc|gagc g2z2|
\nTE2 (E\/2F\/2G) GEEC| c2(c\/2d\/2e) eddG|\\
\nTE2 (E\/2F\/2G) GEEC|(e\/2f\/2g) (e>d) c2z2|]<\/p>\n

X:176
\nT:Jig. HA.175, A
\nM:9\/4
\nL:1\/4
\nQ:3\/4=120
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\n“_Barred 6\/4 in MS”c2g (ge)a (ge)c|f2A (AB)c (dB)G|
\nc2g (ge)a (ge)c| d\/2e\/2 fA B\/2c\/2 dB c2G:|
\n|:E2G (GE)c (GE)G |(AF)A (GE)G (FD)F|
\nE2G (GE)c (GE)G |A\/2B\/2cA B\/2c\/2dB c2G:|<\/p>\n

X:177
\nT:Gray Ey’d Morn. HA.176, The
\nT:Bonny Gray Ey’d Morn.aka. HA.176
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Rebeamed for clarity.cf Playford DM eds 9B(1698)+..CGP.
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\nG|(cB)(cd) e2(dc)|(ef)g2 g3a|(ga)(ge) (fe)(dc)|(Bc)d2 d3e|
\n(fe)(dc) B2(AB)|(cB)(AG) F2(ED)|\\
\n(GB)(Ac) (Bd)(ed)|B2(AG) G3||
\nd|dBdB G3g|gege c2e2|(fA)(dB) G2e2|c2(BA) A3F|
\nA>B (c\/2B\/2)(c\/2A\/2) f3e|(eA) (A\/2B\/2)c B2(AG)|\\
\n(ce)(df) (eg)(ag)|e2(dc) c3|]<\/p>\n

X:178
\nT:Cheshire Round,aka. HA.177
\nM:3\/2
\nL:1\/8
\nQ:1\/2=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Version of a tune commonly known as “Cheshire Round”. cfr Playford DM
\nN:eds 11(1701)+..NBr
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:D
\nTf2(ef) (gf)(ed) (fg)a2|c’2e4d2c2A2|
\nf2(ef) (gf)(ed) (fg)a2|A2d4A2F2D2:|
\n|:TB2(AB) (cB)(AG)F4|E2e4d2c2A2|
\nB2(AB) (cB)(AG) F4|D2d4A2F2D2:|<\/p>\n

X:179
\nT:De’il Take The Wars. HA.178
\nM:C
\nL:1\/8
\nQ:1\/4=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:cf Playford DM 9B(1698)+.
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\nTc2 (c\/2d\/2)e d3c|(cG) (A\/2B\/2c) G2E2|\\
\n(EG)(Gc) (cd)(ef)|(ge)(dc) d2d2|
\nTc2(c\/2d\/2e) d3c|(cG) (A\/2B\/2c) G2E2|\\
\n(EG)(Gc) (cd)(ef)|(ge)(dc) c4:|
\n|:Te2 (e\/2f\/2g) (ec)(ec)|B2(B\/2c\/2d) (dB)(dB)|\\
\ne2(ec) d2(dB)|c2 (d\/2c\/2B\/2A\/2) A3G|
\n(GE)G2(G\/2A\/2G) (cG)|\\
\n(GE) (G\/2A\/2G) G3G|A2c2 d3A|
\nd>ed>c B3A|(GE)(G>A) G2(ef)|(ge)(dc) c4:|<\/p>\n

X:180
\nT:Round O. HA.179, A
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Illegible comments in pencil in margin CGP
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:D
\ndc|d2A2B2dc|d2D2E2dc|d2A2 BcdA|F2(ED)D2||
\nFG|A2A2A2Bc|d2d2dedc|B2B2B2cd|efed c2 dc|
\nd2A2B2 dc|d2D2E2 dc|d2A2BcdA|F2(ED)D2 de|
\nfedc B2 (cd)|edcB A2 fe|d2 ef gfed|cdcB B2|]<\/p>\n

X:181
\nT:My Lord Cutts(?) Delight. HA.180
\nT:St.Catherine,aka. HA.180
\nM:C
\nL:1\/8
\nQ:1\/2=110
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\nga|g2c2 c2d2|e6 de|fgfe dedc|Bc d2d2 ga|
\ng2c2 c2d2|e6 de|fedc BcdB|c6||
\nde|d2G2 G2A2|B6 de|d2G2 c2d2|e6 ef|
\ne2e2 a2e2|f6 fe|dedc BcdB|c2A2 A2 ef|
\ne2e2 a2e2|f6 ef|d2d2 g2d2|e6 ga|
\ng2g2 c’2g2|agfe d2g2|agfe fedc|c6|]<\/p>\n

X:182
\nT:Saw Ye Not My Meggy. HA.181
\nM:3\/2
\nL:1\/8
\nQ:1\/2=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Tune clearly 3\/2, re-barred accordingly . Key probably Gdorian.NBr
\nN:cf The Boarding School,(Play) by Charles Coffey (as ..Peggy), 1733.Also
\nN:Margaret
\nN:Sinkler Ms,1710 (as ..Peggy). But not recognisable as the same tune.CGP
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:F
\n“_Barred 4\/4 in MS”d2g2 g3″^*”f d2B2|d2f2 gfed cdec|\\
\nd2g2 g3″^*”f d2B2| cBcd fedc g2g2:|
\n|:B3c d2g2 fdcB| cBcd fdcB g2G2|B3c d2g2 fdcB| cBcd fdcB G2G2 \ud83d\ude10
\nW:notes marked “^*” have an acute accent over them-stress?|<\/p>\n

X:183
\nT:Untitled. HA.182
\nM:3\/4
\nL:1\/8
\nQ:3\/4=80
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Two notes in MS are marked with fermata sign (upside down)
\nN:and may therefore be extended in length. NB
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:A
\n“_5 sharps in MS”f4a2|e2 (dcBA)|d2c4|BABcde|
\nf4a2|e2 (dcBA)|(dc)B3A|A6||
\nBAGABc|B2E2E2|BAGABc|HB4B2|
\nedcdef|e2A2A2|edcdef|He6|]<\/p>\n

X:184
\nT:Untitled. HA.183
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:F
\nded2c2|d4e2|fedefg|a4a2|
\nagf2a2|gfe2f2|d2gfed|^c3BA2||
\nf2F2f2|e2E2e2|d2D2d2|cdcBAG|
\nFEFGAB|cdcBAG|ABc2C2|F4fg|
\na2A2a2|g2G2g2|f2F2f2|e3dc2|
\ndcdefg|a3ba2|g2e4|d6|]<\/p>\n

X:185
\nT:I Have A Wife Of My Own,aka. HA.184
\nT:Untitled. HA.184
\nM:9\/4
\nL:1\/4
\nQ:3\/4=120
\nC:Untitled in MS
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Tempo could be anything between an air and a jig (or slipjg)
\nN:Metre is 9\/8 rather than 3\/4 NBr
\nH:1\/4
\nZ:vmp.Neil Brookes, Jan.2004
\nK:F
\n“_re-barred from 3\/4 in MS”G3\/2A\/2G B2g f2d|G3\/2A\/2G B2d cAF|
\nG3\/2A\/2G B2g f2d|f2c cAf cAF||
\nf2d dgd dgd|f2d dfd cAF|
\nf2d dgd Bfd|f2c cAf cAF|]<\/p>\n

X:186
\nT:Untitled. HA.185
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nC:”J.A.”
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:No key sig. Plays OK as writ in C (or Gmix as root note is G) NBr
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:Gmix
\n“_no key sig – see notes”
\nBc|d2g2d2g2|edeg e2g2|d2g2 dedB|ABAG G2:||
\nAB|c2cd e2dc|BABc d2 cB|AGAB cBcd|edege2A2|
\nc2 cde2dc|d2 de f2 ef|g3e gedB|ABAG G2|]<\/p>\n

X:187
\nT:Untitled. HA.186
\nM:C
\nL:1\/8
\nQ:1\/4=180
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:D
\n“_as writ”
\n(Bd)|”^cr”A3F “^cr”D3F|E2e4dB|”^cr”A3F”^cr”D3F|A2d4:|
\n|:de|fedB dBAF|E2e4de|fedB dBAF|D2d4de|
\nfedB dBAF|AFED EFGB|A3F “^cr”D3E|A2d4|]
\nW:cr=crotchet in MS|<\/p>\n

X:188
\nT:Untitled. HA.187
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:Amin
\nE2|AGABcd|e2a4|gagfed|B2g4|
\nefedcB|A2e4|c2dcBc|A4:|
\n|:E2|AGABcd|gfgage|agab a2|e4e2|
\nagfe d2|edcB A2|A2B2G2|A4:|<\/p>\n

X:189
\nT:Untitled. HA.188
\nM:C
\nL:1\/8
\nQ:1\/4=150
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:No key sig. Sounds more ‘comfortable’ in Gmaj
\nN:F crs in line 1 are slashed. NBr
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:D
\n“_No key sig in MS”
\n“^-“f2 AA “^v”g2 fe|”^=”f2 Ag BG ge|
\n“^=”f2 AA “^v”g2 fe|f\/g\/ a e\/f\/ g”^v”d2g2:|
\n|:AB de fd ge|fd ge d\/c\/B\/A\/ G\/A\/B\/G\/|
\nAB de fd ge|f\/g\/ a e\/f\/ g “^v”d2g2:|
\nW: Some bowing downstrokes (“v”) and slashes (- , =) indicated.<\/p>\n

X:190
\nT:Untitled. HA.189
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nC:”J.A.”
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:single(-) and double(=) slashes marked.Minims in line 3 not dotted in
\nN:MS (or maybe too faint)
\nN:Single and double slashes give some indication of style, assuming the
\nN:me
\nN:ing is as
\nN:same as modern usage.
\nN:Numerous marks (may not be original) present above and below notes in
\nN:MS
\nN:but meaning not clear. NB
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:D
\nAB|A2d2A2d2|A4″^-“F2 AB|A2d2B2e2|”^=”c6 ef|
\ne2a2e2a2|e4″^=”c2 ef|e2 dc BcBA|A6:|
\n|:ef|e2a2e2a2|e4″^=”c2ef|e2c2d2e2|”^as writ”f4fg|
\nf2b2a2b2|f2b2a2b2|f2 ed cdcB|”^as writ”B4Bc|
\nd2c2B2A2|G3FE2 ef|e2d2c2B2|”^=”A3GF2 AB|
\nA2d2A2d2|”^=”A3GF2 AB|A2d2A2 (ef)|”^v”d6:|<\/p>\n

X:191
\nT:Brave Wille Forster. HA.190
\nM:C
\nL:1\/8
\nQ:1\/2=120
\nC:”J.A.”
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Several notes are slashed in MS. Also an indication of bowing. NB
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:D
\nd2d2 “^-“f3e|d2d2 “^-“f4|A2A2 “^v”c3B|A2A2 e4|
\nd2d2 “^=”f3e|d2d2 “^=”f3f|gfed cdec|d4 A4:|
\n|:fgag fgag|fgag f2d2|efgf efgf|efgf “^v”e2c2|
\nfgag fgag|fgag “^=”f2d2|gfed cdec|”^v”d4 A4:|<\/p>\n

X:192
\nT:Untitled. HA.191
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nC:”J.A.”
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Some indications of style given in MS.
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\nef|”^v”g2 “^u”e”^u”f “^v”g2 cd|efed c2 “^u”e”^u”f|\\
\n“^v”g2 “^u”f”^u”e d2G2|”^v”c6:|
\n|:”^u”e”^u”f|gegeg3g|agag “^*”a3a|\\
\n“^v”b2 “^u”a”^u”g “^ds”f2 “^u”e”^u”d|”^v*”g6 ef|
\ngagf efed|cdcB A2 “^u”B”^u”c|dedc BcBA|GAGF E2 FG|
\nABAG FGFE|DFEDC2″^u”e”^u”f|g2 “^u”f”^u”e d2G2|”^v”c6:|
\nW: detailed bowing marks in MS.|<\/p>\n

X:193
\nT:Drunk I Was Last Night. HA.192
\nM:C
\nL:1\/4
\nQ:1\/4=200
\nC:”J.A.”
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:”=”=double slash; u & v indicate bowing up and down.NBr. cf Pills to
\nN:Purge Melancholy,1719..CGP.
\nH:1\/4
\nZ:vmp.Neil Brookes, Jan.2004
\nK:Gmin
\ngccd|eddG|Gc (d\/2e\/2)(d\/2c\/2)|”^=”B3B|
\ncGGA|BFFG|_AG\/2A\/2(“^=”F3\/2E\/2F\/2)|.G4:|
\n|:GBB”^u”c\/2″^u”d\/2|eBBe|dff”^u”g\/2″^u”a\/2|bffb|
\ngbfb|gbfb|efBd|”^v”e3g|
\negdf|ceBd|ce(d\/2e\/2)(d\/2c\/2)|”^=”B3g|
\negdf|ceBd|ceG”^=”B|”^v”c4|]<\/p>\n

X:194
\nT:Honsup. HA.193
\nT:Hunt’s Up. HA.193
\nM:6\/4
\nL:1\/4
\nQ:3\/4=120
\nC:”J.A.”
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Neil Brookes, Jan.2004
\nK:G
\nD|G2d”^=”B3\/2c\/2d|G2″^u”d”^=”B3\/2c\/2d|\\
\n“^u”c2″^u”gB2g|”^=”A2G”^=”F3\/2E\/2D|
\n“^u”G2″^u”d”^=”B3\/2c\/2d|”^u”G2″^u”d”^=”B3\/2c\/2d|\\
\ncgcB”^u”g”^u”B|”^=”A3″^u”A2″^u”B|
\nc3\/2d\/2e”^u”e3\/2″^u”d\/2c|”^u”B3\/2″^u”c\/2d”^u”d3\/2″^u”c\/2B|\\
\n“^=”A2″^=”GF3\/2E\/2F|”^v*”G3G2B|
\n“^v”c3\/2d\/2e”^u”e3\/2″^u”d\/2c|B3\/2c\/2d d3\/2c\/2B|\\
\n“^=”A2GF3\/2E\/2F|”^v”G3G2:|
\n|:e\/2f\/2|”^v”g2d”^=”B3\/2c\/2d|”^v”g2d”^=”B3\/2c\/2d|\\
\n“^u”c2″^u”gB2g|”^=”A2G”^=”F3\/2E\/2D|
\n“^u”g2d”^=”B3\/2c\/2d|”^u”g2d”^=”B3\/2c\/2d|\\
\ncgcB”^u”g”^u”B|”^=”A3A2B|
\ncdeedc|BcddcB|”^=”A2G”^=”F3\/2E\/2F|G3G2B|
\ncdeedc|BcddcB|”^=”A2G”^=”F3\/2E\/2F|”^v”G3G2:|<\/p>\n

X:195
\nT:Untitled. HA.194
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Second note clearly C in MS, though could have meant B. NBr
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:D
\na>c’a2f2|d>ed2A2|F>GF2D2|F2″^u”A2″^u”d2|
\nf>gf2b2|g>ag2e2|a>ga2e2|A6:|
\n|:e>f e2f2|g>fg2B2|d>ed2f2|a>ga2A2|
\nb>a”^=”g2f2|ecd2e2|fg”^=”e4|d6:|<\/p>\n

X:196
\nT:Untitled. HA.195
\nM:C
\nL:1\/8
\nQ:1\/2=70
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:”=”indicate double slash; u\/v are bowing ups and downs. NBr
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:D
\n“^u”a”^u”g|f2b2 e2a2|d2g2 c2f2|\\
\nB2″^u”c”^u”d efed|”^=”c3B A2 “^u”B”^u”c|
\nBdcd Bede|cfef dgfg|eaga “^=”f2 “^u”e”^u”d|d6:|
\n|:”^u”f”^u”g|a2f2 d2 AF|D2F2 A2 “^u”d”^u”e|\\
\nfgfg a2 “^u”g”^u”f|”^=”e4 e2 ef|
\ngfeg fedf|edce dcBd|cBAd e2″^=”c2|d6:|<\/p>\n

X:197
\nT:Britton Strike Home. HA.196
\nM:3\/4
\nL:1\/4
\nQ:3\/4=40
\nC:Henry Purcell
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Notes added in MS: after title “(by Henry Purcell G”)
\nN:at foot of page “* First performed in “Boadicea” 1696 G”
\nH:1\/4
\nZ:vmp.Neil Brookes, Jan.2004
\nK:D
\n“^v”d”^u”d”^u”e|”^=”f2a|”^v”de”^=”f|\\
\nef”^v”g|a b\/2a\/2g\/2f\/2|”^=”e3:|
\n|:e2z|eef|.e2z|”^v”f2z|ffg|fga|
\nagf|”^u”g\/2″^u”f\/2 (“^=”e3\/2d\/4e\/4)|”^v”f2z|\\
\n“^v”a2z|a b\/2a\/2g\/2f\/2|”^v”g2z|
\n“^v”g2z|efg|fga|bag|fga|g\/2f\/2 “^=”e2|”^v”d3:|<\/p>\n

X:198
\nT:Galloway Tom. HA.197
\nM:6\/4
\nL:1\/4
\nQ:3\/4=80
\nC:”J.A.”
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Note staccato A minims at end of lines\/phrases in MS. NBr
\nH:1\/4
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\nG|c3\/2d\/2ccde|g “^u”a\/”u”g\/f\/e\/ “^v”d2G|c3\/2d\/2ccde|cAA.A2G|
\nc3\/2d\/2ccde|g “^u”a\/”^u”g\/f\/e\/ d3\/2 e\/f\/g\/|\\
\n“^v”a2g”^=”f2d|c”^u”A”^u”A.A2:|
\n|:g|eagece|g “^u”a\/”^u”g\/f\/e\/ d2g|eagece|c”^u”A”^u”A.A2g|
\neagece|g “^u”a\/2″^u”g\/2f\/2e\/2 d3\/2 e\/2f\/2g\/2|\\
\n“^v”a2g “^=”e2d|c”^u”A”^u”A.A2:|<\/p>\n

X:199
\nT:Table Wants a Frame. HA.198, The
\nT:Queen’s Jig,aka. HA.198, The
\nM:6\/4
\nL:1\/4
\nQ:3\/4=120
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:several dots missing on crs in MS, NBr
\nH:1\/4
\nZ:vmp.Neil Brookes, Jan.2004
\nK:D
\nA|d3\/2c\/2de3\/2d\/2e|f3d2e|f3\/2g\/2f”^u”e2″^u”d|e3-e2A|
\nd3\/2c\/2de3\/2d\/2e|f3d2e|f3\/2g\/2fe2d|d3-d2:|
\n|:f\/2g\/2|a2aa3\/2b\/2a|”^u”g2″^u”gg3\/2a\/2g|\\
\n“^u”f2″^u”ff3\/2e\/2d|e3-e2″^u”f\/2″^u”g\/2|
\n“^u”a2″^u”aa3\/2b\/2a|”^u”g2″^u”gg3\/2a\/2g|f2ff3\/2e\/2d|e3″^u”e2A|
\nd3\/2c\/2de3\/2d\/2e|f3d2e|f3\/2g\/2f”^u”e2″^u”d|d3-d2:|<\/p>\n

X:200
\nT:Scotch Hornpipe. HA.199, A
\nM:3\/2
\nL:1\/4
\nQ:1\/2=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Neil Brookes, Jan.2004
\nK:F
\nFA2FA\/2B\/2c|Ad2cf2|Ad2cAF|”^v”B2A2G2|
\nFA2FA\/2B\/2c|Ad2cf2|fa2″^u”g\/2″^u”f\/2b”^u”a\/2″^u”g\/2|g3ff2:|
\n|:a”^u”c’2″^u”af2|eg2ec2|df2cAF|”^v”B2A2G2|
\n(A\/2B\/2) c\/2B\/2 (A\/2B\/2) c\/2B\/2 AF|\\
\n(B\/2c\/2) d\/2c\/2 (B\/2c\/2)d\/2c\/2 BG|\\
\nAfAf(G\/2A\/2)B|A2″^=”G3\/2F\/2F2:|<\/p>\n

X:201
\nT:Round O Minuet. HA.200, A
\nM:6\/4
\nL:1\/8
\nQ:3\/4=70
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:HA writes key sig with 5# to mark every sharpened note on staff. NBr
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:A
\n“^v”f4 a2e2 (dc)(BA)|d2″^=”c4 BABcde|”^v”f4 a2e2 (dc)(BA)|dc”^=”B3AA4A2|
\n|:BAGABc B2″^u”E2″^u”E2|BAGABcB4B2|edcdef e2″^u”A2″^u”A2|edcdef .e4 e2:|<\/p>\n

X:202
\nT:Uncle John. HA.201
\nM:3\/2
\nL:1\/8
\nQ:1\/2=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Time Sig. Quite clearly 6\/4 in MS, but it equally clearly shouldn’t
\nN:be.CGP..”=” = double slashed note.NBr.
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:D
\n“_Time Sig. 6\/4 in MS”f2d4D2″^=”F4|E2e4(fg)(ag)(fe)|\\
\nf2″^u”d4″^u”D2″^=”F4|D2d4(fg) (ag)(fe)|
\n|:d2″^u”f4″^u”d2″^u”f4|c2e4(fg) (ag)(fe)|\\
\nd2f4d2f4|d2f4d2 efge|
\nd2f4d2f4|”^u”c2e4 (fg) (ag)(fe)|\\
\n(fe)(dc) (dc)(BA) (BA)(GF)|D2d4 (fg) agfe:|<\/p>\n

X:203
\nT:Cheshire Round. HA.202, A
\nM:3\/2
\nL:1\/8
\nQ:1\/2=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:D
\n“_No time sig. in ms”d2 “^u”c”^u”B ABAF “^=”E4|c2e4B2c2 BA|\\
\nd2 cB ABAF “^=”E4|D2d4F2″^=”E2D2||
\nd2f2c2 e2B2c2|A2″^u”e4″^u”B2c2 “^u”B”^u”A|\\
\nd2f2c2 e2B2c2|A2″^u”d4″^u”F2″^=”E2D2||
\nEDCB, A,B,CD “^=”E4|E2A4E2F2ED|\\
\nEDCB, A,B,CD “^=”E4|D2d4F2″^=”E2D2|]<\/p>\n

X:204
\nT:Irish Trott. HA.203
\nM:6\/4
\nL:1\/4
\nQ:3\/4=100
\nC:”The last to be playd first.”
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/4
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\nece ece|ece ece|fdf e(d\/2c\/2)(B\/2A\/2)|”^v”d2d “^=”f2d:|
\n|:efg gag|efg gag|fdf e(d\/2c\/2)(B\/2A\/2)|”^v”d2d “^=”f2d:|<\/p>\n

X:205
\nT:Borey. HA.204, A
\nT:Bourree,aka. HA.204
\nM:C
\nL:1\/8
\nQ:1\/2=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nR:.Bourr\u00e9e
\nO:England
\nA:Hartburn,Northumberland
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:Bb
\nd2|G2A2 BABc|A2G2g2d2|e2B2″^cr”c3(B\/2c\/2)|d4||
\nfg|f2B2e2 dc|d2G4 cB|A2B2c2F2|”^minim”B6 ba|
\ng2f2e2a2|^f2d4 g=e|f2g2″^NB”g3f|g4|]
\nW:NB=dotted Minim in MS<\/p>\n

X:206
\nT:Pritty Poll. HA.205
\nT:Pretty Poll,aka. HA.205
\nM:3\/2
\nL:1\/8
\nQ:1\/2=100
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Problematic time signatureCGP cf PFD Vol 2..
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:Amin
\n“_No Time Sig in MS”A2E2E2A2c4|dcBc A2(cd)e4|
\ne2ae f2e2d2c2|B4A2e2f2e2|d4B4:|
\nz2d2|(ed)(cB) (cd)c2(dc)(BA)|B3B (cB)(AG) (AB)A2|
\nz2e2(fe)(dc) g2G2|c4c4 (ef)(ef)|
\ng2g2 (gf)(ed) c4|(cd)(cd)e2e2 (ed)(cB)|
\nA2e2A2e2(dc)(BA)|A8||A12|]<\/p>\n

X:207
\nT:Rugged Saylor. HA.206, The
\nM:9\/4
\nL:1\/4
\nQ:3\/4=120
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Double slashes on notes marked “=” are marked below note in MS.
\nN:Elsewhere in MS slashes are on note stems. NB
\nH:1\/4
\nZ:vmp.Neil Brookes, Jan.2004
\nK:C
\n“_Barred 6\/4 in MS”D|G3\/2A\/2B gde eBG|ABd e2A A2B|
\n“^cr”G3\/2A\/2B gde dBG|ABd “^=”B2G G2||
\ng|ece dBd ece|dBG “^=”B2A A2g|
\nece dBd ece|dAc “^=”B2G G2g|
\nece dBd ece|dBG B2A A2B|
\nG3\/2A\/2B gde dBG| ABd “^=”B2G G2|]<\/p>\n

X:208
\nT:Parson upon Dority. HA.207
\nT:Shepherds Daughter,aka. HA.207
\nM:C
\nL:1\/8
\nQ:1\/2=100
\nC:”J.A.”
\nS:Henry Atkinson’s original MS,Hartburn,N’umberland,1694.
\nO:England
\nA:Hartburn,Northumberland
\nN:Dotted (minim+cr)in lines 1 and 2 likely errors in MS.
\nN:HA possibly could not decide between min+cr and dotted min
\nN:Tune title at end. cf Playford DM eds 2(1652)+.. NBr
\nH:1\/8
\nZ:vmp.Neil Brookes, Jan.2004
\nK:F
\nBA|G2G2A2F2|”^*”B4-B2d2|c3B (AB)(cA)|B4-B2||
\nd2|c3B (AB)(cA)|B2F2F2d2|c3B (AB)(cA)|”^*”B4-B2d2|
\nc3B (AB)(cA)|B2F2F2d2|c3B (AB)(cA)|”^*”B4B2AB||
\nc2 c2-c2Bc|d2 d2-d2cB|A2G2A2F2|G4G2AB|
\nc2 c2-c2Bc|d2 d2-d2g2|d2g2g3f|g4g2|]
\nW: The minims marked “*” are dotted in MS<\/p>\n","protected":false},"excerpt":{"rendered":"

Cut and paste into your ABC software. %abc %%abc-alias Henry Atkinson MSS 1695 %%abc-creator ABCexplorer 1.6.1 [30\/10\/2015] %Henry Atkinson’s MS Tunebook, 1694 %Transcribed to ABC for www.village-music-project.org.uk %by C.Partington & N.Brookes,2004 %Revised 11\/2008 %Revised 12\/2009 %First tune illegible, HA.001 missed out of transcription. %Revised 9\/9\/2015, mostly adjusting title formats and line ends X:1 T:Chicken & … Continue reading ATKINSON ABC<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-42","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/42","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=42"}],"version-history":[{"count":3,"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/42\/revisions"}],"predecessor-version":[{"id":683,"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/42\/revisions\/683"}],"wp:attachment":[{"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=42"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}