%abc
\n%%abc-alias Dixon(2) MS
\n%%abc-creator ABCexplorer 1.6.0 [29\/12\/2012]
\n%Anonymous MS in the Dixon Papers, dated 1811
\n%#Dixon 21\/1\/6 Lincolnshire Archives
\n%www.village-music-project.org.uk
\n%Transcribed by Ruairidh Greig, 2010<\/p>\n
X:01
\nT:Mrs Macintyres Strathspey. 2 Voices. Dix.01
\nM:C
\nL:1\/8
\nQ:1\/4=90
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:Strathspey
\nN:Repeat marks added at start and end
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:F
\n[V:1]|:f|(F>G)B>F c>FA>f|a\/g\/f\/e\/ f>F {FG}BGGA|F>GA>G c>FA>f|a\/g\/f\/e\/ f>d c<AA:|
\n[V:2]|:z|F,2F,2G,2F,2|F,2F,2C2C,2|F,2F,2F,2F,2|[C2A,2F,2][C2A,2F,2]F,2F,,:|
\n[V:1]|:c|f>gf>e c>af>d|d<f{c}c{B}<A AGGc|{g}f\/e\/f\/g\/ a\/g\/f\/e\/ f>cd>f|c\/f\/f\/d\/ c\/a\/a\/g\/ c>fA>f|
\n[V:2]|:z|C2D2C2C2|D2C2C2C,2|F,2F,2C2D2|F,2B,2A,2F,2|
\n[V:1]a\/g\/f\/e\/ f>F {FG}A>GG>A|F>GA>B d>ef>g|a\/g\/f\/e\/ f>d c<AA<f:|
\n[V:2]C,2F,2C2C,2|D,2A,2B,2C,2|D,2B,2F,2G,,2:|<\/p>\n
X:02
\nT:Neil Gow’s Reel. 2voices. Dix.02
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:Reel
\nN:Repeat marks added at start
\nN:First note in final bar of second voice moved back to previous bar
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:Eb
\n[V:1]|:c|B<Ge<B c<FF<c|B<Ge<Bc2ce|B<Ge<B c<FF<d|e\/d\/c\/B\/ eEE2E:|
\n[V:2]|:z|E,2G,,2A,,2B,,2|E,2G,2A,2F,2|E,2G,,2A,,2B,,2|E,2B,,2E,,2E,,:|
\n[V:1]|:F|E<EG<E F<CC<F|E<EE<E e<Bc<e|B<eG<E F<CC<d|e\/d\/c\/B\/ eGE2E:|
\n[V:2]|:z|E,2E,2A,,2A,,2|E,2E,2[F,2D,2][B,2E,2]|E,2E,2G,2B,,2|B,,2E,2E,2E,,:|<\/p>\n
X:03
\nT:Lady Montgomery. Dix.03
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:Reel
\nC:’A Reel’ by 12th Earl of Eglintoun (Col. Hugh Montgomerie)
\nN:Repeat mark added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:C
\n|:c2cG EFGE|c2cA Bcde|c2cA EFGE|Dddd Bcde:|!
\n|:c\/c\/c g2ecg2|c\/c\/c ge dfga|c\/c\/cg2ecg2|fedc Bdde|!
\nc\/c\/cg2ecg2″^bar line added”|c\/c\/cge dfga|gefd ecdB|cAGE DddB:|<\/p>\n
X:04
\nT:Italian. 2voices. Dix.04
\nT:Go Tell Aunt Rhody,aka. Dix.04
\nT:Rousseaux’s Dream,aka. Dix.04
\nM:2\/4
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:quick step
\nN:Repeat marks added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:F
\n[V:1]|:A2BG|F2F2|GFGB|(A2G2)|A2BA|F2F2|GFGA|F4:|
\n[V:2]|:F,A,CA,|D,F,A,A,,|B,,D,G,B,,|C,E,G,C|F,A,CE,|D,F,A,A,,|B,,D,C,F,,|F,,A,,C,A,:|
\n[V:1]|:[AF][GE][AF][BG]|c2c2|dcdc|c2c2|AGAB|c2c2|dcdB|c4|
\n[V:2]|:F,CA,C|F,CA,C|F,DCD|F,CA,C|F,CA,C|F,CA,C|F,DB,D|F,CA,C|
\n[V:1]A2BG|F2F2|GFGB|(A2G2)|A2BG|F2F2|GFGA|F4:|
\n[V:2]F,A,CA,|D,F,A,A,,|B,,D,G,D,|C,E,G,C|F,A,CE,|D,F,A,A,,|B,D,C,C,,|F,,4:|<\/p>\n
X:05
\nT:Ap Shenkin. 2voices. Dix.05
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:jig
\nN:Repeat marks added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:F
\n[V:1]|:(c\/B\/)|A2A Afe|d2d def|cdc cBA|AGG G2{d}c\/B\/|
\n[V:2]|:z|F,3-F,2A,|B,3B,3|(A,3-F,3)|(G,3C,2)z|
\n[V:1]A2A Afe|d2d def|cdc BAG|F2AF2:|
\n[V:2]F,3-F,2A,|B,3B,3|C3C,3|F,3F,,2:|
\n[V:1]|:f\/g\/|a2fg2e|{g}fef cBA|B>cd (cf)A| [AF][GE][GE][G2E2](f\/g\/)|
\n[V:2]|:z[D3F,3][C3C,3]|[A,3D,3][F,3A,,3]|[G,3E,,3][F,3F,,3]|C,,3C,2z|
\n[V:1]a2fg2e|fed gfe|agf efd|”8vo”cfe dcB|
\n[V:2][C3F,3][C3E,3]|[=B,3D,3][C3E,3]|[C3F,3][=B,3G,3]|[C3C,3]z2z|
\n[V:1]A2A Afe|d2d def|cdc cBA| AGG G2c\/B\/|
\n[V:2]F,A,C F,A,C|F,B,D F,B,D|F,A,C F,A,C|E,A,C C,A,C|
\n[V:1]A2A Afe|d2d def|cdc {c}BAG|”_repeat marks added”F2AF2:|
\n[V:2]F,A,C F,A,C|F,B,D F,B,D|F,A,C E,G,C|F,A,C A,2:|<\/p>\n
X:06
\nT:Italian Dance. 2voices. Dix.06
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:Italian dance
\nN:Repeat marks added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:E
\n[V:1]|:”$””qu in MS”G2|[GE][AF][AF][BG][B2G2][GE][BG]|[AF][GE][AF][FD] E\/D\/E\/F\/ EG|[GE][AF][AF][BG][B2G2][GE][BG]|[AF][GE][AF][FD]E2:|
\n[V:2]|:”$”z2|E,,G, E,,G, E,,G, E,,G,|D,,B,, D,,B,, E,,E, E,,E,|E,,G, E,,G, E,,G, E,,G,|B,,B, B,,B, E,E,,:|
\n[V:1]|:B2|[BF]z [AF][G2E2]z2B|[A2F2]z[A2F2][GE]z G|[GE][AF][AF][BG][B2G2][GE][BG]|[AF][GE][AF][FD]E2:|
\n[V:2]|:z2|zB,B,,z F,E,,z2|zB,B,,z F,E,,z2|E,,E, E,,E, E,,E, E,,E,|D,,B,, D,,B,, E,E,,:|
\n[V:1]|:”qu in MS”B2|edcB [B2G2]GB|AGAF E\/D\/E\/F\/ EB|edcB B2 GB|AGAF”$”E2:|
\n[V:2]|:z2|CB,A,G,G,2z2|B,2B,,2E,2E,,2|CB,A,G,G,2z2|B,2B,,2″$”E,E,,:|<\/p>\n
X:07
\nT:Mrs Garden (of Troops) Strathspey. 2voices. Dix.07
\nM:C
\nL:1\/8
\nQ:1\/4=110
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:strathspey
\nC:(Robert Petrie 1767-1830)
\nN:Repeat marks added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:F
\n[V:1]|:C|F>GFd cFdF|ECC>F E\/F\/G\/E\/ CE|F>GFd cFAf|c>f a\/g\/f\/e\/ f2f:|
\n[V:2]|:z|F,2F,,2A,,2B,,2|C,2A,,2C,2B,,2|A,,2F,,2A,,2F,,2|A,,2C,2F,,2F,,:|
\n[V:1]|:c|f>ca>c b>ca>c|A>f b\/a\/g\/f\/ egga|f>ca>c b>ca>c|b\/a\/g\/f\/ e\/f\/g\/f\/ f2f c\/\/d\/\/e\/|
\n[V:2]|:z|A,2F,2E,2F,2|A,2F,2E,2C,2|A,2F,2E,2F,2|C2C2F,2F,2|
\n[V:1]f>ca>c b>ca>c|[cA]>f b\/a\/g\/f\/ eggf\/e\/|dBdf cAcf|[cA]f a\/g\/f\/e\/”tr”f2fa”$”:|
\n[V:2]A,2F,2E,2F,2|F,2C,2E,2C,2|B,,2B,2A,2G,2|F,2C,2F,,2F,,2:|<\/p>\n
X:08
\nT:Colonel Baird. 2voices. Dix.08
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nC:Mrs Oswald
\nR:jig
\nN:Repeat marks added at start
\nN: ‘The dull jig Colonel Baird was first published in Niel Gow’s Fourth Collection.
\nN:It was written by Mrs Oswald of Auchincruive, born Mary Ramsay, the heiress of a
\nN:slave trader from Jamaica who married Richard Oswald, a slaver from the
\nN:West of Scotland’ (J.Campin)
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:F
\n[V:1]|:c|(cf).c (cf).d|c2=cc2d|(cA).F (BG).E|F2FF2c|
\n[V:2]|:z|(F,A,).C F,B,.D|G,A,C G,A,C|G,A,C C,G,C|F,A,CF,3|
\n[V:1](cf).c (cf).d|c2=cc2d|(cA).F (BG).E|F3F2:|
\n[V:2](F,A,).C F,B,.D|G,A,C G,A,C|G,A,C C,G,C|F,C,A,,F,,2:|
\n[V:1]|:B|{AB}c2c AFA|{c}B2B GEG|(FG).A (FG).A|{c}B2AG2B|
\n[V:2]|:z|F,A,C F,A,C|E,G,C C,G,C|G,A,C G,A,C|C,G,C C,G,C|
\n[V:1]{AB}c2c AFA|”tr”B2B GEG|F>GA BGE|F3F2:|
\n[V:2]F,A,C F,A,C|E,G,C C,G,C|F,A,C C,G,C|F,C,A,,F,,2:|<\/p>\n
X:09
\nT:Welch Air. 2voices. Dix.09
\nM:6\/8
\nL:1\/8
\nQ:3\/8=80
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:air
\nN:Repeat marks added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:D
\n[V:1]|:{de}[f2d2A2][ec] {e}dcd|[B3G3]”rest added”z2[AF]|d2Ad2d|[e2A2][fA][d2A2F2][ec]|
\n[V:2]|:D,F,A, D,F,A,|D,F,A, D,F,A,|D,F,A, D,F,A,|C,E,G, D,2A,,|
\n[V:1]{de}[f2d2][ec] {e}dcd|[B3G3]”rest added”z2[AF]|d2Ad2d|e2fd2[ec]:|
\n[V:2]D,F,A, D,F,A,|D,G,B, D,F,A,|D,F,A, D,F,A,| C,E,A, [B,3B,,3]:|
\n[V:1]|:[f2d2][ec][f2d2][ge]|[a3f3]abc’|[d’b][ac’][gb] [af][ge][fd]|[ec][fd][ge] [f2d2]d|
\n[V:2]|:z6|D,F,D,A,,3|A,3 D,3|A,3F,3|
\n[V:1][f2d2][ec][f2d2][ge]|[a3f3]abc’|[d’b][ac’][gb] [af][ge][fd]|[f3d3]{ef}[e3c3]:|
\n[V:2]z6|D,F,A, A,,2A,|G,3D,3|A,B,A, !D.C.!G,F,E,:|<\/p>\n
X:10
\nT:Waltz. Dix.10
\nM:3\/8
\nL:1\/16
\nQ:1\/8=80
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:waltz
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:Bb
\n“$”d>e|f2f2 bg|gf f2 df|feedef|d4 d>e|
\nf2f2 bg|gf f2 df|fegecA|B4|
\nf2f2 bg|gf f2 df|feedef|d4 d>e|
\ngf f2 bd’|d’c’d’c’ac’|b4:|
\n|:bd’|d’c’e’d’ac’|{a}babc’bd’|d’c’e’c’ac’|b4 bd’|
\nd’c’e’d’ac’|{a}babc’bd’|d’c’e’c’ac’|”$”b4:|<\/p>\n
X:11
\nT:New Claret. Dix.11
\nM:9\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:jig
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:G
\nG2GB2G B\/c\/dB|G2GB2G B\/c\/dB|E2EC2C E\/F\/GE|D2DF2D F\/G\/AF:|
\n|:G2Gg2G B\/c\/dB|G2Gg2G B\/c\/dB|c2ce2c e\/f\/ge|d2df2d f\/g\/af|
\ngdB gdB gdB|gdB gdB gdB|ece ece ece|fdf fdf fdf:|<\/p>\n
X:12
\nT:Duncan Davidson. 2voices. Dix.12
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:strathspey
\nC:a Strathspey
\nC:an extremely rude song by Robbie Burns
\nN:Repeat marks added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:E
\n[V:1]|:E>GB>c BGBc|E2{d}e>c BGFG|E>GBc BGBa|g>af>g eee2:|
\n[V:2]|:E,2E,2E,2z2|E,2E,2E,2B,,2|E,2E,2E,2E,2|E,2B,2E,2E,2:|
\n[V:1]|:{a}gf e\/f\/g\/a\/ bg”tr”fe|d”tr”Bf”tr”B g”tr”Bf”tr”B|{a}gf e\/f\/g\/a\/ bgfe|caf”tr”g {ef}eee2:|
\n[V:2]|:E,2E,2E,4|B,,2B,,2B,,4|E,2E,2E,2G,2|A,2B,2E,2E,2:|<\/p>\n
X:13
\nT:Laurette. Dix.13
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:jig
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:Bb
\nF|B2B BAB|f2e c2c|dfB BAB|cdB cAF|
\nB2B BAB|f2e c2c|dfB cBc|B2c”tr”B2:|
\n|:F|F3FDF|[B3D3]BAB|c2c cBc|d3B2F|
\nF3 FDF|[B3D3]Bcd|dcA BG=E|FAG F2:|<\/p>\n
X:14
\nT:Lady Mary Ramsays Reel. 2voices. Dix.12
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:reel
\nN:Repeat marks added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:D
\n[V:1]|:F|D3B A<FF>B|A<FB>G AFFd|D3B A<FF>G|B<DA>F E\/E\/E E:|
\n[V:2]|:z|D,2D,2D,2D,2|F,2G,2F,2D,2|D,2D,2D,2F,2|G,2F,D,A,2A,,:|
\n[V:1]d\/e\/|(fd)d>f (ec)c>e|(dB)B>d AFFd\/e\/|fddf e>cd>A|B>dA>F E\/E\/E ED\/E\/|
\n[V:2]z|D,2D,2A,2A,2|B,2G,2F,2D,2|D,2D,2A,2F,2|G,2D,2A,2A,,2|
\n[V:1](fd)d>f (ec)c>e|d>fB>d AFFA|.d.f.c.e .B.d.A.B|F>dA>F E\/E\/E E|]
\n[V:2]D,2D,2A,2A,2|B,2G,2F,2D,2|D,2A,,2G,,2F,,2|D,,2D,2A,,2A,,|]<\/p>\n
X:15
\nT:Heres the Bower. Dix.15
\nM:2\/4
\nL:1\/8
\nQ:1\/4=80
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:Song
\nC:T. Moore
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:C
\nd e\/ cz\/ G\/|A F c z|A B> c ({B\/}A\/)z\/ G\/|Gc2z|!
\nw:Here’s the bower she loved so much, A-nd the tree she plant-ed.
\nd> e cz\/ G\/|A F c\/z\/Hc2|{c}B> A B G|G c2z|!
\nw:Here’s the harp she used to touch, Oh how that touch en-chant-ed!
\n~F G\/ A A|G E c2|d> c (B{dc}) A\/|AG2z|!
\nw:Ro-ses now un-heed-ed sigh, Where’s the hand to wreathe them?
\nA> ^G Az B\/|c< d {d}e z|d> B {d}c> A|AG2z|!
\nw:Songs a-round neg-lect-ed lie, Where’s the lip to breathe them?
\nd> e c z\/G\/|A F\/c\/ c z|B> c {B}Az\/ G\/|Gc2z|!
\nw:Here’s the bower she loved s-o much, And the tree she plant-ed.
\nd> e c z\/G\/|A F c\/ z\/Hc|B> A B G|Gc2z||
\nw:Here’s the harp she used to touch. Oh how that touch en-chant-ed.<\/p>\n
X:16
\nT:Miss Johnson’s Reel. 2voices. Dix.16
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:reel
\nN:Repeat marks added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:G
\n[V:1]d\/c\/|:Bcde dBBe|dBgd bdgd|Bcde dBBd|cAag {g}”tr”fefd:|
\n[V:2][K:G clef=bass]z|:[D2B,2G,2][D2B,2G,2][D2B,2G,2][D2B,2G,2]|[D2B,2G,2][D2B,2G,2][D2B,2G,2][D2B,2G,2]|[D2B,2G,2][D2B,2G,2][D2B,2G,2]”rest added”z2|[C,2C,,2][^C,2C,,2][D,2D,,2][D,2D,,2]:|
\n[V:1]|:{c}BABd G<DB<A|GBDB GBDB|B2AG BB{B}AG|FGAB cAec|
\n[V:2]|:G,,2G,2G,,2G,2|G,,2G,2G,,2G,2|G,,2G,2G,,2G,2|D,2D2D,2F,2|
\n[V:1]BABd G<G”tr”B>A|GBDB GB DB|dBcA BGAF|DEFG ABcd:|
\n[V:2]G,2G,2G,,2G,2|G,,2G,2G,,2G,2|[B,2B,,2][A,2A,,2][G,2G,,2][F,2F,,2]|[D,2D,,2][D,2D,,2][F,2F,,2][F,2F,,2]:|
\n[V:1]|:Bcde dBBe|dGgd bcgd|B>”tr”cde dBBd|cAag f”tr”efd:|
\n[V:2]|:[G,2G,,2][G,2G,,2][G,2G,,2][G,2G,,2]|[G,2G,,2][G,2G,,2][G,2G,,2][G,2G,,2]|[G,2G,,2][G,2G,,2][B,,2B,,,2][B,,2B,,,2]|[C,2C,,2][^C,2C,,2][D,2D,,2][D,2D,,2]:|
\n[V:1]|:babd’ g<gba|gbdb gbdb|”tr”b2ag gg {b}ag|fgab c’ae’c’|
\n[V:2]|:G,,2G,2 G,,2G,2|G,,2G,2G,,2G,2|G,,2G,2G,,2G,2|D,2D2F,2F2|
\n[V:1]babd’ g>g “tr”b>a|gbdd’ gbdd’|d’bc’a bgaf|defg abc'”$”d’:|
\n[V:2]G,2 G2 G,2G2|B,2G2G,2G2|[B,2B,,2][A,2A,,2][G,2G,,2][F,2F,,2]|[D,2D,,2][D,2D,,2][F,2F,,2]”$”[F,2F,,2]:|<\/p>\n
X:17
\nT:Caro Dolce. 2voices. Dix.17
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:air
\nN:Repeat marks added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:Bb
\n[V:1]|:{c}BA|BEdB|GEcB|Acfe|{e}d2{c}BA|BFdB|GEcB|AFGA|B2:|
\n[V:2]|:z2|B,,,2B,,2|E,,2E,2|F,,2F,2|B,,2z2|B,,,2B,,2|E,,2E,2|F,,2F,2|[D,2B,,2]:|
\n[V:1]|:d’c’|b2df|e2cg|fgfe|d2d’c’|b2df|e2eg|f2A2|B2:|
\n[V:2]|:z2|B,,,2B,,2|E,,2E,2|F,,2F,2|B,,2z2|B,,,2B,,2|E,,2E,2|F,,2F,2|[B,,2D,2]:|<\/p>\n
X:18
\nT:Waltz. 2voices. Dix.18
\nM:3\/8
\nL:1\/8
\nQ:1\/8=100
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:waltz
\nN:Repeat signs added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:F
\n[V:1]|:F\/G\/|[AF][AF][BG]|[c2A2][f\/d\/][d\/B\/]|[cA][cA] [d\/B\/][B\/G\/]|[AF][AF] F\/G\/|
\n[V:2]|:z|F,A,C|F,A,C|F,A,C|F,A,C|
\n[V:1][AF][AF][BG]|[c2A2]f|f\/e\/d\/c\/d\/e\/|f2:|
\n[V:2]F,A,C|F,A,C|C,G,C|F,F,,:|
\n[V:1]|:c|[bg][bg] c|[af][af] f|ee\/g\/f\/a\/|[ge][ge] c|
\n[V:2]|:z|[CC,][CC,]z|[F,F,,][F,F,,] A,|[CG,][CG,][CG,]|[CG,E,][CG,E,]z|
\n[V:1][bg][bg] c|[af][af]f|{a}ge\/c\/d\/e\/|[f2A2]:|
\n[V:2][CC,][CC,]z|[F,F,,][F,F,,]A,|B,\/G,\/CC,|F,F,,:|
\n[V:1]|:c|c2 A|A2F|{A}GG\/F\/G\/A\/|FF\/G\/A\/B\/|
\n[V:2]|:z|F,,A,,C,|F,,A,,C,|C,,G,,C,|F,,A,,C,|
\n[V:1]c2A|A2F|{A}GG\/F\/G\/A\/|[F2A,2]:|
\n[V:2]F,,A,,C,|F,,A,,C,|C,,B,,D,|F,,F,:|<\/p>\n
X:19
\nT:King Roberts Address. Dix.19
\nT:Scots Wha Ha,aka. Dix.19
\nM:4\/4
\nL:1\/16
\nQ:1\/8=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:song
\nC:
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:C
\nG3 G G3 A G2 A2 c4|A3 A A3 G A2 B2 (c2d2)|
\nw:Scots, wha ha wi’ Wal-lace bled; Scots wham Bruce has af-ten l-ed
\ne3 g d3 e c3 d He2 e d|c2 A2 A2 G G4z2:|
\nw:Wel-come to your go-ry bed or to glor-i-ous vic-tory
\n|:e3 e e3 d e2 f g4|d3 d d3 c d3 e f4|
\nw:Now’s the day, and now’s the hour! See the front of Bat-tle lowr!
\n(gf) (ef) e3 d c3 d e2 e d|c2 A2 A3 GG4z2:|
\nw:S-ee a-ppr-oach proud Ed-ward’s pow’r! Ed-ward, Chains and Sla-ver-y!
\nW:%
\nW:Wha will be a traitor-knave?
\nW:Wha can fill a cowards’ grave?
\nW:Wha sae base as be a Slave?
\nW:Let him turn and flee.-
\nW:Wha for Scotland’s King and law,
\nW:Freedom’s sword will strongly draw,
\nW:Freemen stand, or freeman fa’,
\nW:Caledonian! on wi’ me-
\nW:%
\nW:%
\nW:By Oppression’s woes and pains!
\nW:By your sons in servile chains!
\nW:We will drain our dearest veins,
\nW:But they shall be, shall be free!
\nW:Lay the proud oppressers low!
\nW:Tyrants fall in every blow,
\nW:Liberty s in every blow!
\nW:Onward let us do or die.<\/p>\n
X:20
\nT:Caledonia Dix.20
\nM:6\/8
\nL:1\/8
\nQ:1\/4=60
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:air
\nC:
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:D
\nF|B (d\/c\/) (B\/^A\/) B F F |F d c d F|F B (d\/c\/) (B\/^A\/) B F d|E F ^A B2 F|
\nw:Their groves o-f sw-eet thyst-les let for-eigh lands reck-on, When bright beam—ing sum-mers ex-hale their per-fume; Far
\nB (d\/c\/) (B\/^A\/) B F F |F d c d F F\/ F\/|G (A\/G\/) (F\/E\/) F (G\/F\/) (E\/D\/)|E F ^A B2 d|
\nw:dear–er t-o me yon lone glen of green Breck-en, Wi’ the burn steal—ing un–der th-e lang yell-ow broom. Far
\nA\/B\/ d d d2A|(d\/c\/) (d\/e\/) (f\/g\/) (af) d\/ d\/|g (a\/g\/) (f\/e\/) f d B|A F A B2d|
\nw:dear–er to me yon hum—ble br-oom bow-ers, Where the blue–bell a-nd gow-an lurk low-ly un-seen for
\n(A\/B\/) d d d d A|(d\/c\/) (d\/e\/) (f\/g\/) af d|g (a\/g\/) (f\/e\/) f d B|A F A B2:|
\nw:th-ere light-ly tripp-ing a–mang th-e w-ild flow-ers A-list-en-ing th-e linn-et oft wan-ders my Jean-<\/p>\n
X:21
\nT:Tekeli. 2voices. Dix.21
\nM:6\/8
\nL:1\/8
\nQ:1\/4=100
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:jig
\nN:Repeat sign added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:F
\n[V:1]|:c|f2f ede|d2f c2c|cde fga|b2ge2c|!
\n[V:2]|:z|F,,2F,F,2F,|F,,2F,F,2F,|B,3 A,G,F,|D2C,C2z|!
\n[V:1]f2f ede| d2fc2c|cde fga|bgef2:|!
\n[V:2]F,,2F,F,2F,|F,,2F,F,2F,|B,3A,G,F,|C2C,F,2:|!
\n[V:1]|:f2ga3|aba g2f|{a}g2f{a}g2f|{a}g2fg2a|!
\n[V:2]|:[A,2F,2]B,[C3F3]|[C3F,3]B,2A,|[B,2F,2]A,[B,2F,2]A,|[B,2C,2]A,[B,2C,2]C|!
\n[V:1]f2ga3|aba g2f|{a}g2f g2a|f3-!D.C.!f3:|
\n[V:2][A,2F,2]A,[C3F,3]|[C3F,3]B,2A,|[A,2C,2]A, A,2C|[A,3F,3][A,3F,3]:|<\/p>\n
X:22
\nT:Lord Moira’s Welcome to Scotland. 2voices. Dix.22
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:strathspey
\nC:Duncan MacIntyre
\nC:Athole Collection credits A. Duff
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:F
\n[V:1]C2|:F<F F<F A<c~c2|B>G A>F {EF}G>F EC|F<F F<F Ac~c2|d>f .e\/.f\/.g\/.e\/ .f\/.g\/.a\/.g\/ f<a:|
\n[V:2]z2|:F,,2 F,2F,,2F,2|E,2F,2C2A,2|A,2F,2F,2A,,2|B,,2C,2F,,2F,2:|
\n[V:1]f<f a<f g>f ec|d<d {e}f>d “tr”c>B AF|f<f a<f “tr”g>f ec|~d>f e\/f\/g\/e\/f2f g\/a\/|
\n[V:2]F,2F,2C,2C,2|B,,2D,E,F,2F,,2|F,2F,2C,2C,2|B,,2C,2F,2F,,z|
\n[V:1]b>g a>f “tr”g>f df|d\/c\/B\/A\/ f>A B\/A\/G\/F\/ G>A|F<F F<F B<d ~d2|c>f .e\/.f\/.g\/.e\/ .f\/.g\/.a\/.f\/ f<a:|
\n[V:2]E,2F,2C2B,2|A,2F,2C,2B,,2|A,,2F,,2B,,2B,,2|E,2 E,,2F,,2F,2:|
\n[V:1]|:{B}A>F c>F (d\/c\/)B\/A\/ cf|AFcF “tr”G>ABd|A>Fc>F “quavers in ms”d\/c\/B\/A\/ c<g|d~>f .e\/.f\/.g\/.e\/ .f\/.g\/.a\/.g\/ .f<a:|
\n[V:2]|:[F,2F,,2][F,2F,,2][F,2F,,2][F,2F,,2]|[F,2F,,2][F,2F,,2][C,2E,,2][C,2E,,2]|[F,2F,,2][F,2F,,2][F,2F,,2]A,,2|[B,,2B,,,2][C,2A,,,2]F,,2F,2:|
\n[V:1]|:”rests omitted”f<a f<a e<g c2|~d>e fd c>BAF|(3fga (3fga (3fga ~c2|d>f e\/f\/g\/e\/ “tr”f2 f g\/a\/|
\n[V:2]|:F,2A,2C2C,2|B,,2D,E,F,2F,,2|F,2A,2C2C,2|B,,2C,2F,,2F,z|
\n[V:1](.d.b) (.c.a) (.B.g) (.A.f)|{ce}c>B A>F {EF}G>F EC|(3FGA (3GAB (3ABc (3Bcd|”tr”B>f a\/g\/f\/e\/ {g}f\/e\/d\/c\/B\/A\/G\/”f added”F\/:|
\n[V:2]B,2A,2G,2F,2|E,2F,2C,2B,,2|A,,2E,,2F,,2B,,2|C,2E,,2F,,2F,,2:|<\/p>\n
X:23
\nT:Up in the Morning Early Dix.23
\nM:6\/8
\nL:1\/8
\nQ:1\/4=110
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:Song
\nC:’Scotch’, Burns
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:Bb
\nD|G2AB2c|(d>=e) fF2F|(G>A) (B\/c\/) (d>c) (B\/A)|G3d2D|!
\nw:Cauld blaws the win’ frae nor-th to south an dr-ift i-s dr-iv–ing fair-ly, the
\nG2A B2-c|(d>=e) fF2F|(G>A) B (d>c) (B\/A\/)|G3d2:|!
\nw:Sheep is cour-ing i-n the heugh, & s-irs it’s win—ter fair-ly.
\n|:F|B> c B B2B|(c>d) c c3|d> e f (g>f) e|d3f2B|!
\nw:Now up in the morn-ings n-o for me, up in the morn–ing ear-ly; I’d
\nB> c B c> d c|(d>=e) f Hg2(f\/e\/)|d> c B (A>G) ^F| G3d2:|
\nw:rath-er go supp-er-less t-o my bed th-an rise in the morn–ing ear-ly
\nW:%
\nW:Ruder airs the blast amang the woods
\nW:The branches tirlin’ barely;
\nW:Amang the chimney tops it thuds,
\nW:An’ frost is nippin sairly.
\nW:Now up in the mornings, no for me,
\nW:Up in the morning early,
\nW:To sit a’ the night wad better agree,
\nW:Than rise in the morning early.
\nW:%
\nW:The sun peeps o’er the southlan hills
\nW:Like ony timorous carlie,
\nW:Just blinksa wee, then sinks again
\nW:An that we fin’ severely;
\nW:Now up in the morning’s no for me,
\nW:Up in the morning early
\nW:When snaw blaws in to the chimley cheek
\nW:Wha’d rise in the morning early.
\nW:%
\nW:%
\nW:Nae linties lilt on hedge or bush
\nW:Poor things they suffer sairly;
\nW:In caudrife quarters a’ the night
\nW:A’ day they feed but sparely
\nW:Now up in the morning’s no for me,
\nW:Up in the morning early
\nW:No fate can be war’, in the winter time
\nW:Than rise in the morning early
\nW:%
\nW:A cosey house an’ a canty wife
\nW:Keep s ay a body cheerly;
\nW:An’ pantry stow’d wi’ meal &maut
\nW:It answers unco rarely.
\nW:But up in the Morning, Na Na Na
\nW:Up in the morning early
\nW:The gowans maun glint on bank an’ bra’
\nW:When I rise in the morning early<\/p>\n
X:24
\nT:Burn’s Farewell to Ayrshire Dix.24
\nM:2\/4
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:Song
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:D
\nd2(Ad)|e2A2|(fe) (fg)|f2ez|!
\nw:Scenes o-f woe and sc-enes o-f pleas-ure
\nd2 (cB)|(ce) (ef)|c2B2|A4|!
\nw:scenes th-at form—er thoughts re-new
\na2(gf)|g2f2|(ef) (de)|c2Az|!
\nw:Scenes o-f woe and sc-enes o-f pleas-ure
\n(dc) (de)|d2e2|(fe) (fg)|f3z|!
\nw:N-ow a-a sad and l-ast ad–ieu
\n(gf) (ed)|c2(de)|f2e2|d4:|
\nw:N-ow a-a sad a-nd last a-dieu.<\/p>\n
X:25
\nT:Lady Lucy Ramsays Reel Dix.25
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:reel
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2010 <https:\/\/www.village-music-project.org.uk>
\nK:C
\nf|egg>a g>ec>a|g>ec>a edd>f|egg>a g>ag>e|f>dB>g ecc:|!
\n|:f|G>cE>c “tr”d>cd>e|c<c {cd}e>d cAAc|G<cE<c “tr”d>cde|cG A\/B\/c\/G\/ ECC>c|!
\nG>cE>c “tr”d>cde|c<c {cd}e>d cAAc|GcEc FdEc|Daa>f ecc:|<\/p>\n
X:26
\nT:Song of Death,The. Dix.26
\nM:6\/8
\nL:1\/8
\nQ:3\/8=40
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:song
\nC:Words by Burns
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:Bm
\nA|B> A (B\/d\/) e e a|f> e {f e}d {d}B2g|f {g}a ({g}f\/e\/) d d (F\/^G\/)|A3-A2 (B\/d\/)|!
\nw:Fare-well thou f-air day thou green earth and ye skies, Now gay with th-e broad sett–ing S-un! Fare
\nB> A (B\/d\/) e> f g|{g} f e d\/ {d}B2g|(f\/g\/) ({f g}a\/g\/) (f\/e\/) d d (F\/^G\/)”bar line added”|A3-A2:|!
\nw:well loves a-nd friend-ships ye dear ten-der ties; our r-ace o-f ex–ist-ence i-s run
\n|:(f\/g\/)|a a d’ b b (b\/=a\/)|b> a g B2g|f> e (fa) b\/ b2 f|{f} a3-a2 a|!
\nw:Th-ou grim king of ter-ror, th-ou life’s gloom-y foe, Go fright-en th-e co-ward and sl-ave! Go
\nb> a g a a g|f> e {f e} d B2g|f< a (f\/e\/) d d (F\/^G\/)|A3-A2:|
\nw:teach them to trem-ble, fell ty-rant but know, No ter-ror h-ast thou to th-e br-ave.
\nW:%
\nW:Thou strik’st the dull peasant, he sinks in the dark
\nW:Nor saves even the wreck of a Name:
\nW:Thou strikest the young hero, a glorious mark!
\nW:He falls in the blaze of his fame.
\nW:In the field of proud honour, our swords in our hands,
\nW:Our King and our country to save,
\nW:While victory shines on life’s last ebbing sands,
\nW:O, who would not die with the brave.<\/p>\n
X:27
\nT:Farewell to Lochaber Dix.27
\nM:3\/4
\nL:1\/8
\nQ:1\/4=90
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:Song
\nO:England;Lincolnshire;Holton le Moor
\nN:This ballad was first published in Tea Table Miscellany (1724).
\nN:The words are by the poet Allan Ramsay (1686-1757).
\nN:The tune is usually attributed to the Irish Harper, Thomas Connellan (c.1640\/45-1698).
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:G
\nG>A|B2B2B>c|B2>A2 Bd|e2A2A>B|{B}A4G>A|!
\nw:Fare–well to Loch–ab-er a-nd fare-well m-y Jean, Wh-ere
\nB2cB AG|(D2>E2) G A|B2AG GA|G4G> A|!
\nw:heart-s-ome w-ith th-ee I ha mon–y d-ays been; For Loch-
\nB2B2Bc\/d\/|({c}B2>A2) Bd|e2A2AB\/c\/|(B2A2)GA|!
\nw:ab-er n–o m-ore, L-och-ab-er n–o m-ore, We’-ll
\nB>d cB AG|D2dc BA|B2AG GA|G4:|!
\nw:m-ay b-e re–turn t-o L-och-ab–er n-o more.
\n|:G2|B>c d2d2|d>e dc BA|G2g2f2|g4G2|!
\nw:These t-ears that I sh-ed th-ey a-re a for my de-ar
\nB>c d2d2|ed cB AG|G2g2 ga|g4d2|!
\nw:A-nd no for th-e d-ang–ers at-tending o-n weir Tho’
\n=f2>g2 fg|{=f}e2d2eg|a2A2 AB\/c\/|{B}A4 G>A|!
\nw:borne on r-ough seas to a-a far blood—y sh–ore
\nB2cB AG|D2>e2 dB|B2AG GA|G4:|
\nw:May be to re-t-urn to L-och-a–ber n-o m–ore.
\nW:%
\nW:Tho’ hurricanes rise, and raise every wind
\nW:They’ll ne’er make a tempest like that in my mind;
\nW:Tho’ loudest of thunders on louder waves roar
\nW:That’s naething like leaving my love on the shore;
\nW:To have thee behind me my heart is sair pain’d
\nW:But by ease that’s inglorious no fame can be gain’d
\nW:But beauty and love’s the reward of the brave,
\nW:And I maun deserve it before I can crave.
\nW:%
\nW:Then glory, my Jenny maun plead my excuse,
\nW:Since honor commands me, how can I refuse?
\nW:Without it I ne’er can have merit for thee,
\nW:And losing thy favour, I’d better not be.
\nW:I gae then, my lass to win glory and fame
\nW:And if I should chance to come gloriously hame,
\nW:I’ll bring a heart to thee with love running o’er,
\nW:And then I’ll leave thee and Lochaber no more.<\/p>\n
X:28
\nT:Prince of Wales Strathspey,The. 2voices. Dix.28
\nM:C|
\nL:1\/8
\nQ:1\/4=110
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:strathspey
\nN:Repeat signs added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:Bb
\n[V:1]|:D\/E\/|F>GF>D B,D\/E\/ FD|F>GF>D G\/F\/E\/D\/ CD\/E\/|F>GF>D F>G B>c|dB e\/d\/c\/B\/ FBB:|
\n[V:2][K:Bb clef=bass]|:z|B,,2B,2B,,2B,2|D2B,2C2C,2|D,2B,,2D,2D,2|B,2F,2D,2B,,:|
\n[V:1]|:f>B e\/d\/c\/B\/ F>B D>g|fB e\/d\/c\/B\/ FB Dg|cd\/e\/ Fe dBBg|cd\/e\/ Fe dBBg|
\n[V:2]|:D,2B,,2D,2B,2|D2B,2E2C2|D2B,2D,2B,2|F,2A,2B,2B,,2|
\n[V:1]fB e\/d\/c\/B\/ FBDB|f>B e\/d\/c\/B\/ g>cc>g|d>fe>g d>fc>d|F>GB>c dBB:|
\n[V:2]D,2B,,2D,2B,,2|D,2B,2E2C2|B,2E,2B,2F,2|D,2F,2B,,2B,,:|<\/p>\n
X:29
\nT:Miss Vearie Hay’s Reel. 2voices Dix.29
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:reel
\nN:Repeat signs added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:A
\n[V:1]|:c|A2EC B,>BB>c|A2EC ECcB|A>FE>C B,DCB,|A,>EC>E EAA:|
\n[V:2]|:z|A,,2A,,2 B,,2B,,2|A,,2A,,2A,,2A,,2|A,,2A,,2B,,2E,2|A,,2E,2A,,2A,,:|
\n[V:1]|:f|.e.A.c.A .e.A.d.f|.e.A.c.e .f.B.B.a|eAcA ceaf|e>cB>A FAAf|
\n[V:2]|:z|A,,2A,,2C,2D,2|A,,2A,,2B,,2B,,2|A,,2A,,2A,,2A,,2|E,2E,2A,,2A,,2|
\n[V:1]eAce Aece|dfce fBBd|cAEC EAec|fdBd cAA:|
\n[V:2]A,,2A,,2A,,2A,,2|F,2E,2D,2E,2|A,,2A,,2A,,2A,,2|D,2E,2A,,2A,,:|<\/p>\n
X:30
\nT:Laura and Lenza Dix.30
\nM:2\/4
\nL:1\/8
\nQ:1\/4=80
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:Air
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:Bb
\nd\/c\/|B\/F\/d B\/F\/d|cf fd\/c\/|B\/F\/d B\/F\/d|cF Fd\/c\/|!
\nB\/F\/d B\/F\/d|cf “^all s-q in ms”fd\/c\/|B\/F\/d c\/F\/d|dBB:|!
\n|:=A\/B\/|c\/=B\/c\/B\/ c\/d\/e\/f\/|d_B Bc\/B\/|A\/B\/c\/B\/ A\/F\/G\/A\/|Bd BA\/=B\/|!
\nc\/=B\/c\/B\/ c\/d\/e\/f\/|d_B “^all q in ms”Bc\/B\/|A\/B\/c\/B\/ A\/F\/G\/A\/|B\/d\/f\/b\/ B:|<\/p>\n
X:31
\nT:Marquis of Huntly’s Favourite,The. 2voices. Dix.31
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:reel
\nN:Repeat marks added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:A
\n[V:1]|:A,2> C2 E\/E\/E E>F|A>B {AB}c>B {c}Ac Ac|A,2>C2 E\/E\/E E>c|”tr”B>c d\/B\/c\/A\/ {F}F2 FA|
\n[V:2]|:A,,2A,,2A,,2A,,2|A,,2A,,2A,,2A,,2|A,,2A,,2A,,2A,,2|B,,2A,,2G,,2E,,2|
\n[V:1]A,2>C2 E\/E\/E EF\/G\/|A>B {AB}c>B {c}B>A Ac|d2> e2 {f}ed\/c\/ {d}cB\/A\/|B>c c\/B\/c\/A\/ GEE:|
\n[V:2]A,,2A,,2A,,2A,,2|A,,2A,,2A,,2A,,2|D,2D,2C,2C,2|B,,2A,,2E,,2E,:|
\n[V:1]|:e|f\/e\/d\/c\/ a>c bc a2|f\/e\/d\/c\/ a>c “tr”fe”tr”dc|f(bb)f b\/a\/g\/f\/b2|fbbf “tr”ag”tr”fe|
\n[V:2]|:z|A,2A,2A,2A,2|A,2A,2A,2A,2|B,,2B,2B,,2B,2|B,,2B,2B,,2B,2|
\n[V:1]f\/e\/d\/c\/ a>A b>ca2|f\/e\/d\/c\/ a>c (“tr”fe)(“tr”dc)|.d\/.e\/.f\/.g\/ .a\/.g\/.f\/.e\/ .f\/.g\/.a\/.g\/ .f\/.e\/.d\/.c\/|”tr”B>c d\/B\/c\/A\/ {G}F2FA:|
\n[V:2]A,2A,2A,2A,2|D,2D,2C,2C,2|B,,2A,,2E,,2E,2|B,,2A,,2E,,2E,2:|<\/p>\n
X:32
\nT:Waltz. 2voices Dix.32
\nM:3\/8
\nL:1\/8
\nQ:3\/8=60
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:waltz
\nN:Repeat marks added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:Bb
\n[V:1]|:z|[d2F2][cF]|[B2D2](B\/d\/)|(c\/e\/)(A\/c\/)(B\/d\/)|FFF|[d2D2][cE]|[B2D2]B\/d\/|c\/e\/A\/c\/e\/c\/|[B2D2]:|
\n[V:2]|:z|B,,B,F,|B,B,,B,|[CA,F,][CA,F,][DA,F,]|[CA,F,][CA,F,][CA,F,]|B,B,,B,|B,B,,B,|E,F,F,,|B,,B,:|
\n[V:1]|:B\/d\/|c\/e\/A\/c\/B\/d\/|c\/e\/A\/c\/B\/d\/|c\/e\/A\/c\/B\/d\/|FFF|[d2F2][cE]|[B2D2] B\/d\/|c\/e\/A\/c\/B\/d\/|[B2D2]:|
\n[V:2]|:z|[CA,F,][CA,F,][DA,F,]|[FA,F,][CA,F,][DA,F,]|[FA,F,][CA,F,][DA,F,]|[CA,F,][CA,F,][CA,F,]|B,B,,B,|B,B,,B,|E,F,F,,|[B,2B,,2]:|
\n[V:1]|:F|B\/A\/B\/c\/d\/e\/|fdf|{a}g\/f\/g\/a\/b\/g\/|{g}fd\/f\/g\/f\/|{f}ec\/e\/g\/e\/|{e}dB\/d\/f\/d\/|c\/d\/e\/c\/B\/A\/|[B2D2]:|
\n[V:2]|:z|B,,D,F,|B,,D,F,|B,,D,F,|B,,D,F,|A,,E,G,|B,,D,F,|F,,C,F,|B,,2:|
\n[V:1]|:[d\/B\/]f\/|e\/f\/c\/f\/e\/f\/|d\/f\/B\/f\/d\/f\/|e\/f\/c\/f\/e\/f\/|d\/f\/B\/f\/d\/f\/|e\/f\/c\/f\/e\/f\/|d\/f\/b\/a\/g\/^f\/|{f}”note added”ge\/c\/B\/A\/|”DC”B2:|
\n[V:2]|:z|F,[CE][CE]|F,[B,D][B,D]|F,[CE][CE]|F,[B,D][B,D]|F,[CE][CE]|[C2A,2]z|DEF,|B,B,,:|<\/p>\n
X:33
\nT:Waltz. 2voices Dix.33
\nM:3\/8
\nL:1\/8
\nQ:3\/8=60
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:waltz
\nN:Repeat marks added at start
\nN:Crotchets in last line replaced by quavers
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:D
\n[V:1]|:A|d2f\/a\/|d2f\/a\/|a\/g\/f\/g\/e\/c\/|dfa|d2(f\/a\/)|d2f\/a\/|a\/g\/f\/g\/e\/d\/|d2:|
\n[V:2]|:z|D,F,A,|D,F,A,|C,E,A,|D,F,A,|D,F,A,|D,F,A,|A,,E,A,|D,D,,:|
\n[V:1]|:f\/a\/|gec’|d’af|a\/g\/b\/g\/e\/c\/|(d\/c\/d\/e\/f\/g\/)|{a}gec’|d’af|a\/g\/b\/g\/e\/c\/|[d2F2]:|
\n[V:2]|:z|A,,E,A,|F,A,F,|G,A,A,,|D,\/C,\/D,\/E,\/F,\/G,\/|D,F,A,|D,F,A,|G,A,A,,|D,D,,:|
\n[V:1]|:f\/a\/|{a}[ge][ge] e\/g\/|{g}[fdA][fdA] d\/f\/|f\/e\/g\/b\/a\/c\/|(d\/c\/d\/e\/f\/g\/)|{a}[ge][ge] e\/g\/|{g}[fdA][fdA] d\/f\/|f\/e\/g\/b\/a\/d\/|[d2F2]:|
\n[V:2]|:z|[A,A,,] [A,A,,]z|[D,D,,] [D,D,,]z|G,A,A,,|D,\/C,\/D,\/E,\/F,\/G,\/|A, A,z|[D,D,,] [D,D,,]z|A,A,A,,|D,2:|<\/p>\n
X:34
\nT:Waltz. 2voices Dix.34
\nM:3\/8
\nL:1\/8
\nQ:3\/8=60
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:waltz
\nN:Repeat marks added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:F
\n[V:1]|:[cA]|[A\/F\/][B\/G\/][cA][cA]|[d\/B\/][e\/c\/][fd][fd]|[G\/E\/][A\/F\/][BG][BG]|[B2G2][AF]|G\/g\/f\/e\/d\/c\/|f\/a\/c’c’|[cA][dB][ec]|[f2F2]:|
\n[V:2]|:z|F,,F,F,|B,,B,B,|C,CC|F,B,,F,,|C,,C,C,|F,,F,F,|A,,B,,C,|F,F,,:|
\n[V:1]|:c|c’\/b\/gg|g\/e\/cc|c’\/a\/ff|c\/f\/aa|c’\/c’\/gg|g\/e\/cc|c’\/a\/ff|[f2F2]:|
\n[V:2]|:z|[CB,G,][CB,G,][CB,G,]|[CB,G,][CB,G,][CB,G,]|[CA,F,][CA,F,][CA,F,]|[CA,F,][CA,F,][CA,F,]|[CG,][CG,][CG,]|[CG,][CG,][CG,]|[CA,F,][CA,F,][CA,F,]|[C2A,2F,2]:|
\n[V:1]|:[cA]|[cA][=BG][AF]|[fdA][e^cG][fdA]|[dF][^cE][dF]|[B2G2][GE]|[AF]>[BG][cA]|[cA]>[BG][AF]|GG\/F\/G|A2F|
\n[V:2]|:z|F,A,C|F,B,D|F,A,C|C,G,C|F,A,C|F,A,C|C,G,C|F,A,C|
\n[V:1][cA]>[BG][AF]|[fd][e^c][fd]|[dB][^cA][dB]|[B2G2][GE]|[AF]>[BG][cA]|[cA]>[BG][AF]|GG\/F\/G\/A\/|F2:|
\n[V:2]F,A,C|F,B,D|G,B,C|C,G,C|D,A,C|D,A,C|C,G,C|F,F,,:|<\/p>\n
X:35
\nT:Behind yon hills. Dix.35
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:song
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:Em
\n(G>A)|B2E2B2>A2|G2″tr”(F>E)E2 (DE)|G2>A2 (B>AB) d|e2(A>B)A2!
\nw:Be–hind you hills where Lu–gar flows, m-ang mu-irs a–nd moss-es man-y, O
\n(GA)|B2{B}{c} d2cB (AG)|A2B2Hg2>f2|(e>ge) d (B>AB) ^d|e2(E>F)E2:|!
\nw:Th-e wint-ry s-un th-e day has closed, and I–‘ll a—wa to Nann–ie, O.
\n|:B>c|d2>e2 {e}d2(cB)|g2 (d>e)d2 (gf)|e2>d2 (e>fg) a|b2(e>f)e2 (dc)|!
\nw:Th-e west-lin winds bl-aw loud a-nd shrill; th-e Night’s baith m–irk and rain–y, O. I’ll
\nB2f2 (dB) (AG)|A2B2Hg2>f|(f>gf) d (B>AB) ^d|e2 (E>F)E2:|
\nw:get my pl-aid, a-nd out I’ll steal and o–er the h–ill to Nann–ie, O.<\/p>\n
X:36
\nT:Highland Mary to the tune of Kathrine Ogie. Dix.36
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:Song
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:Bm
\nBA|F2(Bc)”undotted in ms”B2>c2|d2(cB)B2(cd)|e2> f2 (ec) (Bc)|A3 Bc2(BA)|
\nw:Y-e banks and braes, and streams, a-round the cas-tle o’ Mon-gom-er-y, Green
\nF2(Bc)B2>c2|(d>e) c>d B2 (ag)|f2e\/d\/c d>e c>d|B4f2:|
\nw:be y-our woods, and f-air y-our flowers! Y-our wat—ers nev—er drum-lie:
\n|:Bc|def g a2>b2|af efa2ed|c2 af ec Bc|”undotted in ms”A2>B2c2BA|
\nw:Th-ere sim–mer first un-f–aulds h-er robes, A-nd there th-ey l-ang–est tarr–y; I-n
\nd2cBB2>F2|B>cd e {d}{e}f2(ed)|e>fa b (af) (ec)|B4d2||
\nw: there I– took the l–ast fare-well o-f m–y dear H-igh–land Mar-y.
\nW:%
\nW:How sweetly bloom’d the gay green birk,
\nW:How rich the hawthorn’s blossoms,
\nW:As underneath their fragrant shade,
\nW:I clasped her to my bosom!
\nW:The golden hours, on angel wings,
\nW:Flew o’er me and my dearie;
\nW:For dear to me, as light and life
\nW:Was my sweet Highland Mary.
\nW:%
\nW:Wi’ mony a vow, and lock’d embrace,
\nW:Our parting was fu’ tender;
\nW:And pledging aft to meet again,
\nW:We tore ourselves asunder:
\nW:But O’, fell deaths untimely frost,
\nW:That nip’t my flower so early!
\nW:Now green’s the sod, and caulds the clay,
\nW:That wraps my Highland Mary!
\nW:%
\nW:0 pale, pale now, those rosy lips
\nW:I aft ha kissed so fondly!
\nW:And closed for aye, the sparkling glance,
\nW:That dwelt on me so kindly!
\nW:And mouldering now in silent dust,
\nW:That heart that loed me dearly!
\nW:But still within my bosom’s core
\nW:Shall live my Highland Mary.<\/p>\n
X:37
\nT:Soldiers Return,The. Dix.37
\nM:C
\nL:1\/8
\nQ:1\/4=100
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:Song
\nC:Burns
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:D
\nde {d}f2A>B {B}A2>d2|{=c}(BA) (Bd) {f}e2de|f2A2 gf (ed)|{c}B2>^c2 d2(de)|!
\nw:Wh-en wild w-ars dead-ly bl-ast w-as blawn a-nd gent-le p-eace re–turn–ing, And
\nf2A>BA2>d2|BA Bde2(de)|{d}f2A2(gf) (ed)|{=c}B2>^c2d2||!
\nw:eyes a–gain mid pl-eas–ure beam’d, th-at had been bl-ear’d wi– mourn–ing;
\nzA|de fg {g}a2>a2|(ba) (gf) e2>A2|de fg ab ag|f2>g2a2zA|!
\nw:I l-eft th-e lines and tent—ed fields, Where l-ong I-‘d b-een a– l-odg-er; My
\n(de) (fg) a2(fa)|ba gfe2de|f2A2(gf) (ed)|{=c}B2>^c {e}d2||
\nw:h-um-b-le knap–sack a’– m-y wealth, A– poor but hon—est sod–ger.
\nW:%
\nW:A leal, light heart was in my breast,
\nW:My hand unstain’d wi’ plunder;
\nW:And to dear Scotia hame again,
\nW:I cheerly on did wander:
\nW:I thought upon the banks o’ Coil,
\nW:I thought upon my Nancy,
\nW:I thought upon the witching smile
\nW:That caught my youthful fancy.
\nW:%
\nW:3
\nW:At length I reached the bonny glen,
\nW:Where early life I sported;
\nW:I passed the mill and trysting thorn,
\nW:Where Nancy oft I courted:
\nW:Wha’ spied I but my ain dear maid,
\nW:Down by her mother’s dwelling!
\nW:And turn’d me round to hide the flood
\nW:That in mine eye was swelling.
\nW:%
\nW:4
\nW:Wi’ alter’d voice, quoth I, “Sweet lass,
\nW:Sweet as yon hawthorn blossom,
\nW:O! happy, happy may he be,
\nW:That’s dearest to thy bosom!
\nW:My purse is light, I hae far to gang,
\nW:Fain would I be thy lodger;
\nW:Ive served my King and country lang-
\nW:Tak’ pity on a sodger.”
\nW:%
\nW:5
\nW:Sae wistfully she gaz’d on me,
\nW:And lovelier was than ever;
\nW:Quo’ she, “A sodger ance I lo’ed,
\nW:Forget him I shall never:
\nW:Our humble cot, and hamely fare,
\nW:Ye freely shall partake it;
\nW:That gallant badge-the dear cockade,
\nW:Ye’re welcome for the sake o’t.”
\nW:%
\nW:6
\nW:She gaz’d-she redden’d like the rose-
\nW:Syne pale like only lilly;
\nW:She sank within my arms, and cried,
\nW:Art thou my ain dear Willie!
\nW:By him who made yon sun and sky
\nW:By whom true love’s regarded-,
\nW:I am the man!- and thus may still
\nW:True lovers be rewarded.
\nW:%
\nW:7
\nW:The wars are o’er, and I’m come hame,
\nW:And find thee still true-hearted;
\nW:Tho’ poor in gear, we’re rich in love,
\nW:And, mair, we’se ne’er be parted.”
\nW:Quo’ she, “My grandsire left me gowd,
\nW:A mailen plenish’d fairly;
\nW:Come then, my faithfu’ sodger lad,
\nW:Thou’rt welcome to it dearly!”
\nW:%
\nW:8
\nW:For gold the merchant ploughs the main,
\nW:The farmer ploughs the manor;
\nW:But glory is the sodgers prize,
\nW:The sodger’s wealth is honor:
\nW:The brave poor sodger ne’er despise,
\nW:Nor count him as a stranger;
\nW:Remember he’s his country’s stay,
\nW:In day and hour of danger.<\/p>\n
X:38
\nT:Lass in Yon Town,The. Dix.38
\nM:C
\nL:1\/8
\nQ:1\/4=100
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:Song
\nC:(Burns)
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:D
\nF|D> d d> A {G}F2D> A|F A D A F> E E> d|!
\nw:I wat ye wha’s in yon town, Ye see the e’en-ing sun up-on? The
\nd> c d> A {G}F2 D> A|F> A E> G F D D|!
\nw: dear-est maids in yon town his sett-ing beams do shine up-on.
\nA|F D A D B D A> D|F D B D F> E E> G|!
\nw: Now hap-ly down yon gay green shaw she wan-ders by that spread-ing tree How
\nF D A D B D A> D|F A E G F D D A|!
\nw:blest ye flowers that round her blaw ye catch the glanc-es o’ her ‘ee. How
\nF D A D B D A> D|F D A D F> E E> G|!
\nw:blest ye birdsn that round her sing and wan-tons in the bloom-ing year. But
\nF D A D B G Hd> B|A> F E> G F> D D||
\nw:doub-ly wel-come be the Spring, the sea-son to my Jean-nie dear.
\nW:%
\nW:The sun blinks blithe in you town,
\nW:Amang the broomy braes so green
\nW:But my delight’s in yon town,
\nW:And dearest pleasure is my Jean.
\nW:Without my fair, not a’ the charms
\nW:Of paradise could yield me joy.
\nW:But gie me Jenny in my arms
\nW:And welcome Lapland’s dreary sky.
\nW:My cave would be a lovers bower,
\nW:Tho’ raging Winter rent the air;
\nW:And she a lovely little flower,
\nW:That I wad tent and shelter there.
\nW:%
\nW:O sweet is she in yon town,
\nW:The sinkin suns gaun down upon;
\nW:The dearest maids in yon town,
\nW:His setting beams e’er shone upon.
\nW:If angry fate be sworn my foe,
\nW:And suffering I am doom’d to bear,
\nW:I’d careless quit aught here below,
\nW:But spare! O spare my Jeanie dear!
\nW:For while life’s dearest blood runs warm,
\nW:My thoughts fra’ her shall ne’er depart;
\nW:For as most lovely is her form
\nW:She has the kindest truest heart.<\/p>\n
X:39
\nT:Lovely Jean Dix.39
\nM:C
\nL:1\/8
\nQ:1\/4=90
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:Song
\nC:Burns, 1790
\nN:Last bar missing in MS
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:C
\nG|c> c c> c c> A c> a|g> e d> c A2z G\/A\/|!
\nw:Of a’ the airts the wind can blaw, I dear-ly like the West, F-or
\nc> c c> c c> A c> a|g> a c’> e g2za|!
\nw:there the bonn-ie lass-ie lives, the lass that I loe best Tho’
\ng> a c’> e g> e d> c|d d\/ e\/ fe dc {B}A2z G\/A\/|!
\nw:wild woods grow and riv-ers row Wi mon-ie a h-ill be–tween. Baith
\nc> c c> c c A c> a|g> e d> e c2z||G\/F\/|!
\nw:day and night my fan-cys flight is ev-er wi’ my Jean. I-
\nE> G c G A> G c> G|e> g f\/e\/ d\/c\/ {B}A2z G\/F\/|!
\nw:see her in the dewy flow-er, Sae love-ly sw-eet a-nd fair I-
\nE> G c> G A> G c> d|e> f g\/a\/b\/ c’\/ g2z a\/b\/|!
\nw:hear her voice in il-ka bird, Wi’ mus-ic ch–arm the air, Th-eres
\nc’> b a> g a> g f> e|d> e (f\/e\/) (d\/c\/) A2 z G|!
\nw:not a bonn-y flower that springs by fount-ain sh-aw o-r green, Nor
\nc> c c> c c> G c> a|g> e d> e c3||
\nw:yet a bonn-y bird that sings but minds me o’ my Jean.
\nW:%
\nW:On the banks of flowing Clyde,
\nW:The lasses busk them braw,
\nW:But when their bestt they ha put on,
\nW:My Jeanie dangs them a’;
\nW:In hamely weeds she far exceeds
\nW:The fairest o’ the town;
\nW:Baith grave and gay confess it so,
\nW:Tho’ dressed in russet gown.
\nW:The gamesome lamb that sucks its dam,
\nW:Mair harmless can na’ be,
\nW:She has na faut, (if sic we ca’t)
\nW:Except her love for me:
\nW:The sparkling dew, of cleanest hue,
\nW:Is like her shining e’en;
\nW:In shape and air, wha can compare
\nW:Wi’ my sweet lovely Jean.
\nW:%
\nW:%
\nW:O blaw ye westlin winds, blaw soft
\nW:Amang the leafy trees;
\nW:Wi gentle breath, fra muir an’ dale,
\nW:Bring hame the laden bees;
\nW:And bring the lassie back to me,
\nW:That’s aye so neat and clean,
\nW:A blink o’ her wad banish care,
\nW:So lovely is my Jean.
\nW:What sighs and vows, amang the knows
\nW:Hae past atween us twa!
\nW:How fain to meet! How wae to part!
\nW:That day she gaed awa:
\nW:The Powers aboon can only ken,
\nW:To whom the heart is seen,
\nW:That nane can be, sae dear to me,
\nW:As my sweet lovely Jean<\/p>\n
X:40
\nT:Poortith Cauld,O. Dix.40
\nM:3\/4
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:song
\nC:Burns, to the tune of “I had a horse”
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:G
\nD|G< G G2g> e”^bar line added”| d> B A2> B2|G< G G2>A2″^bar line added”|B E2 “s-q in ms”DE|!
\nw:O poor-tith cauld and rest–less love, Ye break my peace be-tween ye! Yet
\nG> G G2 g e|d> B A2> B B\/|G\/ GG2 A\/ B2<E2 B|c c {B}{d}c2> c2|!
\nw:poor-tith a’ I could for–give, If t’were na for m-y Jean-ie. O why should f-ate
\nB B B2> G2″^bar line added”| A< A A2>B2|B2< e2z g|d> e g2 g\/a\/”^bar line added”| b a g e3 g|d\/B\/ A\/G\/ G2> A2 B2<E2||
\nw:sic pleasure have, Love’s dear-est hand un-twin-ing! O why so sweet a– flow-er as love de-p-end o-n for-tunes shin-ing.
\nW:%
\nW:The world’s wealth, when I think on’t,
\nW:It’s pride and a’ the lave o’t;
\nW:Fie, Fie on silly coward man,
\nW:That he should be the slave o’t!
\nW:O whyshould fate &c.
\nW:%
\nW:Her e’en, sae bonie blue, betray
\nW:How she repays my passion;
\nW:But prudence is her o’erword ay,
\nW:She talks o’ rank and fashion.
\nW:O why, &c.
\nW:%
\nW:%
\nW:O wha can prudence think upon,
\nW:Wi’ sic a lassie by him?
\nW:O wha can prudence think upon
\nW:Wi’ sic a lassie by him, (2)
\nW:And sae in love as I am. (1)
\nW:O why, &c.
\nW:%
\nW:How blest the humble cotters fate!
\nW:He woos his simple dearie;
\nW:The silly bogles, wealth and state,
\nW:Can never make him eerie,
\nW:O why, &c.
\nW:%
\nW:Then why should fate sic pleasure have,
\nW:Loves pleasant hand untwining,
\nW:Or sic a tender flower as love,
\nW:Depend on fortunes shining.
\nW:O Why &c<\/p>\n
X:41
\nT:Tam Glen Dix.41
\nM:3\/4
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:song
\nC:Burns
\nN:Possibly a bar missing in the second part
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:Bm
\nfe|d2B2B2|B2> d2 BA|B2d2 e2|f2> e2d2|!
\nw:M-y heart is a break-ing, de-ar tit-tie, Some coun–sel
\nd2>e2 de\/f\/|A4fe|d2B2B2|B2> d2 BA|!
\nw:un-to m—e c-ome l-en’. To ang-er them a’
\nB2d2e2|f2>e2 B2|e2>d2 ef|d2B4||!
\nw:tis a pity But what maun I do w-i’ Tam Glen?
\nag|f2a2b2|a2f2e2|d2>e2f2|f2>g2a2|!
\nw:I’m think-ing wi’ sic’ a braw fal-low, In poor-tith I myght
\nf2> e2d2|d2>e2f2|f2>g2a2|f2>e2 d2|!
\nw:a’ fin, What care I rich-es to wall=ow
\nA4fe|d2B2B2|efB4||
\nw:If I– mau-na marry Tam Glen
\nW:%
\nW:There’s Lowrie the Laird o’ Dummeller-
\nW:Gude day to you, brute he comes ben;
\nW:He brags and he blaws o’ his siller,
\nW:But when will he dance like Tam Glen!
\nW:%
\nW:My minnie does constantly deave me,
\nW:And bids me beware o’ young men;
\nW:They flatter, she says, to betray me,
\nW:But wha can think sae o’ Tam Glen!
\nW:%
\nW:3
\nW:My Daddie says, gin I’ll forsake him,
\nW:He’ll gie me gude hunder marks ten;
\nW:But, if it’s ordain’d I maun tak’ him,
\nW:O wha’ will get but Tam Glen?
\nW:%
\nW:%
\nW:Yestreen at the Valentine’s dealing,
\nW:My heart to my mou’ gied a sten’;
\nW:For thrice I drew ane without failing,
\nW:And thrice it was written Tam Glen
\nW:%
\nW:4
\nW:The last Halloween I was waukin
\nW:My drouk it sark-sleeve, as ye ken,
\nW:His likeness came up the house staukin,
\nW:And the very grey breeks o’ Tam Glen!
\nW:%
\nW:Come, counsel, dear Tittie, don’t tarry;
\nW:I’ll gie ye my bonie black hen,
\nW:Gif ye will advise me to marry
\nW:The lad I lo’e dearly, Tam Glen.<\/p>\n
X:42
\nT:Whistle and I’ll come to you. Dix.42
\nM:6\/8
\nL:1\/8
\nQ:1\/4=70
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:song
\nO:England;Lincolnshire;Holton le Moor
\nC:Burns
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:C
\n(c\/d\/)|e c A G>F E|D d d d2 (c\/d\/)|e c A G>E G|A c c c2 (c\/d\/)|!
\nw:O– whist-le and I’-ll come to you my lad O–whist-le and I’-ll come to you my lad Tho’–
\ne c A G> F E|D f e {e}d2 (g\/f\/)|e c A G>E G|A c c c2||!
\nw:fath-er and moth-er and a’ should go mad O– whist-le and I’-ll come to you my lad.
\n(e\/d\/)|c e g c e g|c e g gf (e\/d\/)|c e g c e g|c c’ a Hg2g\/f\/|!
\nw:C-ome down the back stairs when you come to court m-e; C-ome down the back stairs and let no-bod-y see, a-nd
\ne c A G>F E|D d d d2 g\/f\/|e c A GE G”bar line adde”|A c c c2||
\nw: come as you w-ere na’ com-ing to me A-nd come as you w-ere na’ com-ing to me.
\nW:%
\nW:O Whistle, an’ I’ll come to ye, my lad,
\nW:O whistle, an’ I’ll come to ye, my lad,
\nW:Tho’ father an’ mother an’ a’ should gae mad,
\nW:O whistle, an’ I’ll come to ye, my lad.
\nW:At kirk, or at market, whene’er ye meet me,
\nW:Go by me as tho’ ye carE’d na’ a flee;
\nW:But steal me a look o’ your bonny black e’e,
\nW:Yet look as ye were na lookin’ to me,
\nW:Yet look as ye were na’ looking at me.
\nW:O Whistle , &c. &c
\nW:%
\nW:%
\nW:O Whistle, an’ I’ll come to ye, my lad,
\nW:O whistle, an’ I’ll come to ye, my lad,
\nW:Tho’ father an’ mother an’ a’ should go mad,
\nW:O whistle, an’ I’ll come to ye, my lad.
\nW:Ay vow and protest that ye care na’ for me,
\nW:An’ whyles ye may lightly my beauty a-wee;
\nW:But court na’ anither, tho’ joking ye be,
\nW:For fear that she wyle your fancy frae me,
\nW:O Whistle &c. &c<\/p>\n
X:43
\nT:Banks and Braes o’ Bonnie Doon Dix.43
\nM:6\/8
\nL:1\/8
\nQ:3\/8=70
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:song
\nO:England;Lincolnshire;Holton le Moor
\nC:Burns
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:D
\nA|”qu in ms”d2 d ed e|(fg) f (ed) e|(fe) d dB A|(AB) d e2 A|!
\nw:Ye banks and br-aes o’ bon–y D-oon how c-an you bl-oom so fr-esh and fair, how
\nd2d (ed) e|fg f (ed) e|{d}{e}fe d dB A|AB dd2:|!
\nw:can ye s-ing ye litt–le b-irds while I-‘m so w-ear-y f-u’ o’ care?
\n|:f|a2b af d|a2b af d|af d af d|{b}Ha2 g\/f\/ {f}e2 A|!
\nw:You’ll break my h-eart ye litt-le b-irds that warb–le o-n the flow’–ry thorn; It
\nd2″qu.omitted” d ed e|{d}{e}(fg )f (ed) e|{d}{e}fe d dB A|AB dd2″rpt sign added”:|
\nw:minds me o-‘ De-part–ed j-oys. De-part–ed, nev–er t-o re-turn
\nW:%
\nW:Aft ha I stray’d by bonny Doon
\nW:To see the rose and woodbine twine
\nW:And hear ilk bird sing of its love,
\nW:As fondly so did I of mine;
\nW:Wi’ lightsome heart I pu’d arose,
\nW:So sweet upon its thorny tree;
\nW:But my fause love has stou’n the rose,
\nW:And left the sharpest thorn to me
\nW:%
\nW:3
\nW:O blaw ye flowers, your bonny blooms,
\nW:And draw the wild birds by the Doon!
\nW:For Lumon promised me a ring,
\nW:And ye maun rid me, shou’d I mourn,
\nW:O na! na! na, ye need na’ bloom,
\nW:My e’en are dim an’ drawing worn
\nW:Ye bonny birds ye need na’ sing
\nW:For Lumon never will return.
\nW:%
\nW:4
\nW:My Lumon’s love, in broken sighs,
\nW:At closing day by Doon ye’se hear
\nW:And Mid’ day by the Willow green
\nW:For him I’ll shed a silent tear
\nW:Sweet birds! I ken ye’ll pity me
\nW:An’ join me wi a plaintive sang
\nW:While echoes wake, an’ pour the mane
\nW:I make for him I lo’ed so long.<\/p>\n
X:44
\nT:Peggys Daughter. 2voices. Dix.44
\nM:3\/8
\nL:1\/8
\nQ:3\/8=60
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:waltz
\nN:Repeat signs added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:G
\n[V:1]|:BGG|ced|cBA|{G}FED|BGG|”tr”e2d|cBA|[G3D3B,3]:|
\n[V:2]|:G,G,,B,,|C,CB,|A,D,D,|D,A,F,|G,G,,B,,|C,CB,|CDD,|G,D,G,,:|
\n[V:1]|:gg\/a\/g\/a\/|ff\/a\/g\/a\/|ee\/f\/g\/e\/|d2d|g\/f\/g\/a\/g\/a\/|f\/e\/f\/g\/f\/g\/|e\/d\/e\/f\/e\/f\/|H[d2B2]e\/\/d\/\/c\/\/B\/\/|
\n[V:2]|:G,2G,|D,2D,|G,A,A,,|D,\/E,\/F,\/E,\/F,\/D,\/|G,2G,|D,2D,|G,A,A,,|HD,2z|
\n[V:1]BGG|c\/d\/e\/d\/c\/B\/|A\/B\/c\/B\/A\/G\/|”tr”F>E D\/\/E\/\/F\/\/G\/\/|BGG|”tr”e2d|cBA|G3:|
\n[V:2]”pia”G,G,,B,,|C,CB,|A,D,D,|D,A,F,|G,G,,B,,|C,CB,|CDD,|G,D,G,,:|<\/p>\n
X:45
\nT:Trip to the Ferry. 2voices Dix.45, A
\nM:6\/8
\nL:1\/8
\nQ:1\/4=110
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:jig
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:G
\n[V:1]|:d|gdd “tr”B2A|GDG “tr”G2A|BGB BdB|cAA “tr”A2d|!
\n[V:2]|:z|G,,2B,, G,2D,|G,2B,G,2D,|G,2B,G,2z|G,2B,D2B,,|!
\n[V:1][gG]dd “tr”B2A|GDG”tr”G2A|Bcd cBA|BGGD2:|!
\n[V:2]G,2B,D2D,|G,2B,G,2D,|G,2B,,A,,2C,|G,D,B,,G,,2:|!
\n[V:1]|:d|gdg “tr”g2a|bgb “tr”a3″dot added”|gag fed|fdd [d2B2]d|!
\n[V:2]|:z|G,2B,G,2D,|G,2B,[D3D,3]|G,2B,G,2D,|DA,F,D,2z|!
\n[V:1]gdd “tr”B2A|GDG[G2D2]A|Bcd cBA|BGG [G2D2B,2]:|!
\n[V:2]G,2B,D2D,|G,2B,G,2D,|G,2B,,A,,2C,|G,D,B,,G,,2:|<\/p>\n
X:46
\nT:I’ll go no more to yon town. 2voices. Dix.46
\nM:C
\nL:1\/8
\nQ:1\/4=110
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:reel
\nC:MS attributes Gow, possibly the arrangement
\nN:Note beneath the tune says:
\nN:The Prince Regent’s Favorite dance at his
\nN:late Fete at Carlton House
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:F
\n[V:1]|:A|Fffc “tr”A2Fc|(A\/B\/)c Fc AGGg|(a\/g\/f\/e\/) fc “tr”A2Fc|(A\/B\/)c GB AF F:|!
\n[V:2]|:z|F,2F,2F,2F,2|F,2A,2C2C,2|F,2F,2F,2A,2|C2C,2F,2F,:|!
\n[V:1]B|A>Fc>F dF cf|AF d\/c\/B\/A\/ BGGB|A>Fc>F dFcF|(A\/B\/c) GB AFFB|!
\n[V:2]z|F,2A,2C2A,2|F,2F,2C2C2|A,2F,2B,2A,2|C2C,2F,2F,,2|!
\n[V:1]A>Fc>F dF cf|AF (d\/c\/B\/A\/) BGGB|A>Fc>F dFcF|A\/B\/c GB AF F:|
\n[V:2]F,2A,2B,2A,2|F,2A,2B,2C2|A,2F,2B,2F,2|C2C,2F,2F,,:|<\/p>\n
X:47
\nT:Fight about the fire side. 2voices. Dix.47
\nM:C|
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:reel
\nN:Repeat signs added at start
\nC:MS attributes Gow
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:C
\n[V:1]|:c|GcEc Dd-dc|GcEc GcEc|FcEc DddB|cGcF ECC:|!
\n[V:2]|:z|C,2C,2D,2D,2|C,2C,2C,2C,2|D,2C,2G,,2G,2|E,2F,2C,2 C,:|!
\n[V:1]|:f|e<cg>c eddf|ecgc acgc|fage dcde|GAcd {f}e2 df|!
\n[V:2]|:z|C2C2G,2G,,2|C,2E,2F,2E,2|D,2C,2G,,2G,,2|C,2G,2C,2G,2|!
\n[V:1]e<cg>c eddf|ecgc acgc|fage “tr”d>cde|GAcd {cd}e2dc”$”:|
\n[V:2]C2C2G,2G,2|C,2E,2F,2E,2|D,2C,2G,,2G,,2|C,2G,,2[C,2C,,2][C,2C,,2]”$”:|<\/p>\n
X:48
\nT:Captain Fleming Dix.48
\nM:2\/4
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:quickstep
\nN:Repeat signs added at start
\nN:Tune incomplete in MS as shown
\nC:MS attributes Gow
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:C
\n[V:1]|:G|ccce|ccce|dfBd|cccG|ccce|ccce|dfBd|c3:|
\n[V:2]|:z|C,2C2|C,2C2|G,,2G,2|C,2C2|C,2C2|C,2C2|G,,2G,2|C,2″cr in ms”C:|
\n[V:1]|:e|g>^fg>f|g2ee|fddg|e”b,b in ms”cce|g>^fg>f|g2e>e|fddB|c3:|
\n[V:2]|:z|C,2C2|C,2E,2|G,2G,,2|C,2C2|E>DE>D|E2C2|B,2G,2|C2C,:|
\n[V:1]|:e|dddg|eccg|a>ga>b|c’gec|dddg|
\n[V:2]|:z|B,2G,2|C2C,2|E,2G,2|CG,E,C,|”^Tune incomplete in MS”B,,2G,,2|<\/p>\n
X:49
\nT:Woo’d and married and a’. 2voices. Dix.49
\nM:9\/8
\nL:1\/8
\nQ:1\/4=90
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:slip jig
\nN:Last bar altered. Ms gives final two bass clef notes as dotted
\nC:MS Attributes Gow
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:F
\n[V:1]|:f|{d}c2B ABG F2B|(A\/B\/c).c cdAc2f|{d}c2B ABG FGA|D2d de^cd2:|!
\n[V:2]|:z|F,3C,3F,,3|A,,3F,3F,,3|F,3C,3F,,3|D,3A,,3D,,2:|!
\n[V:1]|:f|cde fgf edc|(B\/c\/c).c cdA”tr”c2d|cde fgf edc|A2 d- d.e.^c ~d2f|!
\n[V:2]|:z|F,3F,3C,3|A,,3F,3F,,3|F,3F,3E,3|D,3G,,3D,,3|!
\n[V:1]cde fga efg|A\/B\/cA fcAc2f|c>dB ABG FGA|D2d de=c d2:|
\n[V:2]F,,3F,3F,,3|F,3 C,3F,,3|F,3C,3F,2E,|D,3G,,3D,,2:|<\/p>\n
X:50
\nT:Lady Cholmondley’s Reel. 2voices. Dix.50
\nM:3\/8
\nL:1\/8
\nQ:3\/8=60
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:waltz
\nN:Handwritten pencil note “Waltz” next to title in ms
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:D
\n[V:1]|:F\/G\/|AAd|BBe|cA\/B\/c\/A\/|dfa|AAd|BBe|cA\/B\/c\/A\/|[d2F2]:|!
\n[V:2]|:z|D,[B,G,][B,G,]|D,[B,G,][B,G,]|A,,[A,E,][A,E,]|D,[A,F,][A,F,]|D,[A,F,][A,F,]|D,[B,G,][B,G,]|A,,[A,E,][A,E,]|[F,2D,2]:|!
\n[V:1]|:F|ggf|eed|cA\/B\/c\/d\/|eeA|ggf|eed|cA\/B\/c\/A\/|d2:|!
\n[V:2]|:z|A,,A,A,|A,,A,A,|A,,A,A,|A,,A,A,|C,A,A,|C,A,D,|A,,[A,E,][A,E,]|[F,2D,2]:|!
\n[V:1]|:A|A2F|F2D|EE\/F\/G\/A\/|FDA|A2F|d2B|AA\/F\/G\/E\/|D2:|!
\n[V:2]|:A,|A,2F,|F,2D,|A,,A,A,|D,A,A,|D,A,A,|D,[B,G,][B,G,]|D,A,A,,|D,2:|<\/p>\n
X:51
\nT:Bonny Lads. 2voices. Dix.51
\nT:Because He Was A Bonny Lad,aka. Dix.51
\nM:C
\nL:1\/8
\nQ:1\/4=110
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:reel
\nN:Repeat signs added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:A
\n[V:1]|:e|(cBA)a fg\/a\/ ec|dfec dB Be|(cBA)a fg\/a\/ ec|dfed AA\/A\/ A:|!
\n[V:2]|:z|A,2C2D2C2|B,DCA, B,E,”qu. in ms”E,2|A,2C,2D,2C,2|D,B,, C,E,, A,,A,,A,,:|
\n[V:1]|:e|cAec fAec|dfec dBBe|cAeA fAeA|dfec AA\/A\/ A:|!
\n[V:2]|:z|A,2C,2D,2C,2|B,DCA, B,E, E,2|F,2C,2D,2C,2|D,B,, E,E,, A,,A,,A,,:|!<\/p>\n
X:52
\nT:Off she goes. Dix.52
\nM:6\/8
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:jig
\nN:No time sig in ms
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:D
\nF2AG2B|ABAd3|F2AG2B|AGFE3|!
\nF2AG2B|ABAd3|f2dg2f|edcd3:|!
\n|:faf d2f|egec2e|fafd2g|edcd3|!
\nfafd2f|egec2e|f2dg2f|edcd3:|!<\/p>\n
X:53
\nT:Lady Louisa Ramsay’s Strathspey. 2voices. Dix.53
\nM:C
\nL:1\/8
\nQ:1\/4=90
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:strathspey
\nN:Repeat signs added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:C
\n[V:1]|:g|e<gg>a gecg|g>ca>e eddf|e<gg>a gage|(f\/e\/d\/c\/) Bg ecc:|!
\n[V:2]|:z|C,2C2E,2F,2|E,2F,2G,2G,,2|C,2C2E,2C,2|D,2G,,2C,2E,,:|!
\n[V:1]|:z”^rest added”|G<cE<c d>cd>e|c<c{cd}e>d c<AA<c|G<cE<c d>cd<e|cG A\/B\/c\/G\/ ECCc|!
\n[V:2]|:z|E,2C,2F,2G,2|E,2C,2F,2F,,2|E,2C,2F,2G,2|E,2F,2E,2″cr.in ms”C,C,,|
\n[V:1]G>cE>c d>cd>e|c<c{cd}e>c cAAc|G<cE>c F<cG<c|Aa”tr”g>f ecc:|
\n[V:2]”_8vo”E,2C,2F,2G,2|E,2C,2F,2F,2|E,2C,2D,2E,2|F,2G,2C,2″cr in ms”C,:|<\/p>\n
X:54
\nT:Kiss Me Sweetly. 2voices. Dix.54
\nM:C
\nL:1\/8
\nQ:1\/4=110
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:reel
\nN:Repeat signs added at start
\nN:Incomplete in MS
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:C
\n[V:1]|:g|(a\/g\/f\/e\/) cg egcg|(a\/g\/f\/e\/) cg eddg|(a\/g\/f\/e\/) cg egcg|cAGE C\/C\/C C:|!
\n[V:2]|:z|C,2E,2C2E,2|C,2E,2G,2B,2|C2E,2C,2G,2|F,2C,2[C,2C,,2]”cr in ms”[C,C,,]:|
\n[V:1]|:G|EGcG AGcG|EGcE d(DDF)|EGcG EGca|gede c\/c\/c cG|!
\n[V:2]|:z|C,2E,2C,2E,2|C,2C,2B,,2B,,2|C,2E,2C,2F,2|”^Tune incomplete in MS”E,2G,2C,2C,2|<\/p>\n
X:55
\nT:Paddy O’Carrol. 2voices. Dix.55
\nM:6\/8
\nL:1\/8
\nQ:1\/4=115
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nC:Inscription on page “Islington Feby 21st 1811″
\nR:jig
\nN:Repeat signs added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:D
\n[V:1]|:A\/G\/|FDD FDD|F>GF F>ED|AFF dFF|E>FEE2A\/G\/|!
\n[V:2]|:z|D,,2D,D,,2D,|D,,2D,D,,2D,|D,,2D,D,,2D,|A,,2A,A,,2z|!
\n[V:1]FDD FDD|F>GF F>ED|AFF dFF|D>EDD3:|!
\n[V:2]D,F,A, D,F,A,|D,F,A, D,F,A,|D,F,A, D,F,A,|D,2A,,D,,3:|!
\n[V:1]|:a\/g\/|fdd ecc|BdB A>GF|fda eca|dB^ga2{b}a\/g\/|!
\n[V:2]|:z|D,2DC,2C|B,,2B,A,,2A,|[D3D,3][C3C,3]|[B,3B,,3][A,3A,,3]”q rest omitted”|!
\n[V:1]fdd ecc|BdB A>GF|AFF dFF|D>ED D2:|!
\n[V:2]D,2DC,2C|B,,2B,A,,2A,|D,,2D,D,,2D,|D,,F,,A,,D,2:|!
\n[V:1]|:z[FD][FD] d [FD][FD]|f [FD][FD] F>ED|z[FD][FD] d [FD][FD]|[EC]>FE [E3C3]|!
\n[V:2]|:[D,D,,]z2 z3|z3[D,3D,,3]|[D,D,,]z2z3|A,E,C,A,,3|!
\n[V:1]z[FD][FD] d [FD][FD]|f [FD][FD] [FD]>ED|z[FD][FD] d [FD][FD]|D>ED D3:|!
\n[V:2][D,D,,]z2z3|[D,D,,]z2z3|[D,D,,]z2z3|D,,F,,A,,D3:|!
\n[V:1]|:z[dAF][dAF]z [dAF][dAF]|z[dAF][dAF]z [dAF][dAF]|z[dAF][dAF]z [dAF][dAF]|[ec]>[fd][ec] [ec]z2|!
\n[V:2]|:[D,3D,,3] [D,3D,,3]|[A,2A,,2]z [F,2F,,2]z|[A,2A,,2]z [D2D,2]z|[A,2A,,2][A,A,,] [A,A,,]z2|!
\n[V:1]fdd ecc|BdB A>GF|AFF dFF|D>EDD3:|!
\n[V:2][D3D,3][C3C,3]|[B,3B,,3][A,3A,,3]|[D,3D,,3][D,3D,,3]|[D,2D,,2][D,D,,][D,3D,,3]:|<\/p>\n
X:56
\nT:Lady Cunningham’s Strathspey. 2voices. Dix.56
\nM:C
\nL:1\/8
\nQ:1\/4=80
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:strathspey
\nN:Repeat signs added at start of A and end of B
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:A
\n[V:1]|:”tr”c\/>B\/|A”tr”A,A,>C E>FEc|”tr”B>c {d}cB\/A\/ GB B”tr”c\/>B\/|AA,A,>C EF<Ed|{d}”tr”c>e {d}cB\/A\/ EAA:|!
\n[V:2]|:”slow”z|A,2A,,2C,2A,,2|G,,2A,,2E,2E,,2″rest omitted”|A,2A,,2C,2A,,2|E,2E,,2A,,2A,,:|!
\n[V:1]|:”tr”c\/>d\/|”tr”efec (agfe)|”tr”fg\/a\/ e\/c\/”tr”B\/A\/”bar line omitted” BG “tr”Bc\/>d\/|e>fec (agfe)|”tr”fg\/a\/ e\/c\/”tr”B\/A\/ EA A”tr”c\/>d\/|!
\n[V:2]|:z|C2A,2F,E,D,C,|D,2A,2E,2E,,z|C2A,2F,E,D,C,|D,2E,2A,,2A,,z|!
\n[V:1].e.c.A.a .f.d.B.b|{d}c\/B\/c\/a\/ e\/c\/”tr”B\/A\/ GB Bc\/d\/|{cd}.e>.d.c.B .A.G.F.E|F\/G\/A “tr”E>C A,AA:|
\n[V:2]A,2A,2A,2A,2|A,2A,,2E,2E,,2|CB,A,G, F,E,D,C,|D,2″qu in ms”E,2 A,,2A,,:|<\/p>\n
X:57
\nT:Morgiana in Ireland. 2voices. Dix.57
\nM:6\/8
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nC:Dated July 18th 1811 at bottom of ms page
\nR:jig
\nN:Repeat signs added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:Bb
\n[V:1]|:F2FB2B|cBcd2F|F2FB2c|d2e dBG|!
\n[V:2]|:B,,D,F, B,,D,F,|A,,C,F, B,,F,E,|D,2C,B,,2A,,|G,,2zD,2z|!
\n[V:1]F2FB2B|cBcd2g|gfe dec|B2c dBG:|!
\n[V:2]D,F,B, D,F,B,|A,G,A, B,B,,E,|E,D,C, B,,C,A,,|G,,2zG,2z:|!
\n[V:1]|:f2f fed|g2ab3|fgf fed|g2a bfd|!
\n[V:2]|:D,F,B, D,F,B,|E,G,B, E,G,B,|D,F,B, D,F,B,|E,G,B, D,F,B,|!
\n[V:1]f2f fed|gag gab|fge dec|BAB dBG:|!
\n[V:2]D,F,B, D,F,B,|E,G,B, E,G,B,|D,2C,B,,2A,,|G,,2z G,2z:|!
\n[V:1]|:BAB d<fz|cBc e<gz|BAB B2c|d2e dBG|!
\n[V:2]|:B,,D,F, B,,D,F,|A,,C,F, A,,C,F,|B,,D,F, B,,D,F,|B,,D,F, B,,D,G,|!
\n[V:1]BAB d<fz|e<gz d<fz|g<bz d<fz|B2c dBG:|
\n[V:2]B,,D,F, B,,D,G,|B,,E,G, B,,D,F,|B,,E,G, B,,D,F,|B,,D,F, B,,D,G,:|<\/p>\n
X:58
\nT:Morgiana. 2voices. Dix.58
\nM:6\/8
\nL:1\/8
\nQ:1\/4=110
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:jig
\nN:Repeat signs added at start
\nN:Tune incomplete in MS
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:F
\n[V:1]|:c|cAc {fg}a2g|fedc2d|cAc fca|bag fed|!
\n[V:2]|:z|[A,3F,3] [C2F,2]B,|[A,2F,2]B, [A,2F,2]B,|[A,3F,3] [A,3F,3]|E,2G, C2B,|!
\n[V:1]cAc {fg}a2g|{g}fedc2d|cAc fga|{a}gfe f2″rpt added”:|!
\n[V:2][A,3F,3] [C2F,2]B,|[A,2F,2]B, [A,2F,2]B,|[F,3D,3][A,3D,3]|G,2[B,C,][A,2F,2]:|
\n[V:1]|:”rpt added”a|fag fed|c2cb2c|”_Tune incomplete in MS”a2c
\n[V:2]|:z|E,G,C D,F,=B,|C,G,C E,G,C|<\/p>\n
X:59
\nT:Fisher’s Minuet. 2voices. Dix.59
\nM:3\/4
\nL:1\/8
\nQ:3\/4=35
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:minuet
\nN:Repeat sign added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:C
\n[V:1]|:[g4e4c4G4]f\/e\/d\/c\/|g>f”tr” d2>f2|eggc’c’e|{f}ed{d}cB{B}AG|!
\n[V:2]|:C,2E,2C,2|D,2B,,2G,,2|C,2E,2C,2|G,2G,,2z2|!
\n[V:1][g4e4c4G4] f\/e\/d\/c\/|g>f “tr”d2>f2|e\/g\/ac2″tr”B2|{c}[c6G6E6]:|!
\n[V:2]C,2E,2C,2|E,2B,,2G,,2|C,2G,2G,,2|C,2G,,2C,,2:|!
\n[V:1]|:[d4B4G4]c\/B\/A\/G\/|^e2c2 e\/c\/e\/c\/|[f2d2]d2 f\/d\/f\/d\/|”tr”g2e\/g\/a\/g\/ c’\/g\/a\/g\/ |!
\n[V:2]|:G,,G,G,,G,G,,G,|G,,G,G,,G,G,,G,|G,,G,G,,G,G,,G,|[C,2C,,2]z2 z2|!
\n[V:1]”tr”g2 e\/g\/a\/g\/ c’\/g\/a\/g\/|g\/e\/a\/g\/ f\/d\/g\/f\/ e\/c\/f\/e\/|e\/d\/G\/A\/ B\/c\/d\/e\/ f\/g\/a\/b\/|c’\/g\/e\/g\/ f\/a\/d\/f\/ e\/g\/c\/e\/|{f}ed{d}cB{B}AG:|
\n[V:2][C,2C,,2]z2 z2 |E,2B,,2C,,2|G,2G,,2z2|e,,2b,,2c,2|A,2G,,2z2:|<\/p>\n
X:60
\nT:Coln McBean’s Reel. 2voices. Dix.60
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:reel
\nN:Repeat signs added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:Gm
\n[V:1]|:d\/c\/|(B\/c\/d) Gd BGdG|(A\/B\/c) Fc AFcA|(B\/c\/d) Gd BGdB|D ^f2ag2G:|!
\n[V:2]|:z|[G,2G,,2][G,2G,,2][G,2G,,2][G,2G,,2]|[F,2F,,2][F,2F,,2][F,2F,,2][F,2F,,2]|[G,2G,,2][G,2G,,2][G,2G,,2][G,2G,,2]|[D,2D,,2][D,2D,,2][G,2G,,2][G,G,,]:|!
\n[V:1]F|Bdf2f>gfe|c2c\/d\/c\/B\/ ABcA|Gg2^f g^fga|gba^fg2>a2|!
\n[V:2]z|[B,2B,,2][B,2B,,2][B,2B,,2][B,2B,,2]|[A,2A,,2][A,2A,,2][F,2F,,2][F,2F,,2]|[G,2G,,2][G,2G,,2][G,2G,,2][B,2B,,2]|[G,2G,,2][D,2D,,2][G,2G,,2][F,2F,,2]|!
\n[V:1]b2fdB2Bd|c2cB ABcG|Gg2^f gdde|dcBAG2G||
\n[V:2][B,2B,,2][B,2B,,2][B,2B,,2][B,2B,,2]|[A,2A,,2][A,2A,,2][F,2F,,2][F,2F,,2]|[G,2G,,2][G,2G,,2][G,2G,,2][G,2G,,2]|D,2D,2[G,2G,,2]z||<\/p>\n
X:61
\nT:Untitled 2voices. Dix.61
\nM:2\/4
\nL:1\/8
\nQ:1\/4=110
\nS:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs.
\nR:polka
\nN:Repeat signs added at start
\nO:England;Lincolnshire;Holton le Moor
\nZ:vmp.R.Greig 2012 <https:\/\/www.village-music-project.org.uk>
\nK:Eb
\n[V:1]|:.Be .Ge|dF\/G\/ A\/G\/F|.B.f A>f|e[G\/E\/][A\/F\/] [B\/G\/][A\/F\/][GE]|.B.e. G.e|
\n[V:2]|:E,[DB,G,] E,[DB,G,]|B,,[CA,F,] [CA,F,][CA,F,]|B,,[A,B,D] B,,[A,B,D]|E,[B,G,] [B,G,][B,G,]|E,[DB,G,] E,[DB,G,]|
\n[V:1]d[D\/F\/][E\/G\/] [A\/F\/][G\/E\/][FD]|d[c’a] .B.a|1e E\/F\/ G\/F\/E:|2[eBG][eBG] [eBG]z||
\n[V:2]B,,[B,A,F,] [B,A,F,][B,A,F,]|B,,[DB,A,] B,,[DB,A,]|1[B,G,E,] E,\/F,\/ G,\/F,\/E,:|2[EB,G,E,][EB,G,E,] [EB,G,E,]z||
\n[V:1]|:.g\/.a\/.b\/.c’\/ .b\/.g\/.a\/.f\/|.g.e .e\/d\/e|.f.c .d.B|ee e\/d\/e|
\n[V:2]|:[EB,G,E,C,]z [B,F,D,B,,]z|E,[EB,G,] [EB,G,][EB,G,]|A,,[FCA,] B,,[DB,A,]|E,[EB,G,] [EB,G,][EB,G,]|
\n[V:1]g\/a\/b\/c’\/ b\/g\/a\/f\/|ge e\/d\/e|.f.c dB|{B}e[eBG] [eBG]z:|
\n[V:2][EB,G,E,C,]z [B,F,D,B,,]z|E,[EB,G,] [EB,G,][EB,G,]|A,,[FCA,] B,,[DB,A,]|[EB,G,E,][EB,G,E,] [EB,G,E,]z:|<\/p>\n","protected":false},"excerpt":{"rendered":"
%abc %%abc-alias Dixon(2) MS %%abc-creator ABCexplorer 1.6.0 [29\/12\/2012] %Anonymous MS in the Dixon Papers, dated 1811 %#Dixon 21\/1\/6 Lincolnshire Archives %www.village-music-project.org.uk %Transcribed by Ruairidh Greig, 2010 X:01 T:Mrs Macintyres Strathspey. 2 Voices. Dix.01 M:C L:1\/8 Q:1\/4=90 S:Anon. MS dated 1811, from Dixon collection, Holton le Moor, Lincs. R:Strathspey N:Repeat marks added at start and end … Continue reading DIXON, (2) ms ABC<\/span>