%abc
\n%%abc-alias T.J.Dixon MSS
\n%%abc-creator ABCexplorer 1.3.7 [05\/07\/2010]
\n%T.J.Dixon MSS 1&2,Holton le Moor,Lincolnshire,1798
\n%www.village-music-project.org.uk
\n%Transcribed by Ruairidh Greig, 2010<\/p>\n
X:01
\nT:God Save the King. TJD.01
\nM:3\/4
\nL:1\/4
\nQ:1\/4=120
\nS:T.J.Dixon MS1,Lincolnshire 1798
\nR:Air
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.[CGP1]R.Greig 2010
\nK:D
\ndde|{d}”tr”c>de|ffg|”tr”f>ed|e{d}c>d|d2::aaa|a>gf|!
\nggg|”tr”g>fe|fg\/f\/e\/d\/|”tr”f>ga|bf<e{d}|d3:|<\/p>\n
X:02
\nT:There Was a Jolly Miller. TJD.02
\nM:6\/4
\nL:1\/4
\nQ:1\/4=160
\nS:T.J.Dixon MS1, Lincolnshire,1798
\nR:Air
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:D
\nF|B>cB^A>GF|d>edc2e|d>cBcB^A|BFDB2F|!
\nB2B^A2F|d2dc2e|d2B(^A^G)A|B3-B2F|B2B^A2F|!
\nd2dc2e|d2B^A^GA|B3-B2\\|:d\/e\/|f2ff2d|e2ee2c|!
\nd2Be2d|c3Hc2F|B2B^A>GF|d2dc2e|(d>c)B^A^GA|B3-B2:|<\/p>\n
X:03
\nT:Tit for Tat. TJD.03
\nM:6\/8
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:Jig
\nN:Strange barring, half a bar to one side.
\nN:e changed from crotchet to quaver in bar 8
\nN:dot added to final crotchet
\nA:Lincolnshire, Holton le Moor
\nZ:Vmp.R.Greig2010
\nK:C
\nc2c|G2G ABA|G3c2c|def e2d|c3:|!
\n|:efg|”^dot added”g3efg|
\ng3 efg|a2gf2e|”^rep’t mark added”d3:|<\/p>\n
X:04
\nT:Spectre Song. TJD.04
\nM:3\/4
\nL:1\/4
\nQ:1\/4=140
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:Air
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:A
\ne>cA|B>GA|cec|B2F|!
\nA>Bc|dBe|c>dB|A2]<\/p>\n
X:05
\nT:Blue Bell of Scotland. TJD.05
\nM:4\/4
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:Air
\nA:Lincolnshire, Holton le Moor
\nN:As written. There are one or two minor inconsistences which aren’t worth fixing.
\nZ:vmp.R.Greig2010
\nK:D
\n[fD]|[f2D2][cA][BG][A2F2](3[BG][cA][dB]|[FD]>[FD] [GE][EC]D3 [dF]|\\
\n“$”[d2F2][cA][BG][A2F2]z [DF]>BG|!
\n[FD]>[FD][GD][EC]D3″$”[dF]|[d2F2][cA][BG]A2(3Bc d|F>FGED2|!
\nw:Oh where and oh where i-s your High-land Lad-die gone
\n[dF]|{e}[d2F2][cA] [cA] [BG] [AF] (3[BG]cc d|[FD]> [FD][GE][E2C2]D3|!
\nw:Oh where a-nd oh where i–s your High-land lad-die gone
\nA|F> D F Ad2(3Bc d|c >A [eB] G A2 (3AB c|!
\nw:He’s gone to fight the French f-or King George up-on the Throne and its
\ne\/d2c\/BA2GB\/G\/|F F G E D3 A|!
\nw:O in m-y Heart I wi- sh him safe at Ho-me He’s
\nF> D F A[d2F2] (3[B\/F\/] c\/ d\/|c >A B ^G A2 (3A\/B\/c\/|!
\nw:gone to fight the French f-or King George up-on the Throne and i-ts
\ne\/d2[cA] [BG][A2F2D2][GE]B\/G\/|[FD] [FD] [GE] [EC] D2 A2:|]!
\nw:O in m-y Heart I wi- sh him safe at Ho–me<\/p>\n
X:06
\nT:Rule Britannia. TJD.06
\nM:4\/4
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:Air
\nN:As written, not edited, available in regular versions elsewhere.
\nA:Lincolnshire, Holton le Moor
\nZ:Vmp.R.Greig2010
\nK:C
\nG|c2c2c\/d\/e\/f\/ g c|d2d2 de\/f\/e3G|c\/d\/c\/d\/ e\/f\/e\/f\/g2d e B|!
\nw:When Brit-tain f—-irst at Heav-ens co—mmand a———rose from out the
\ncd\/e\/ dc B2zG|B G g ^f\/e\/ d\/c\/ B\/A\/G2A G3|c2c G A F|!
\nw:a—-zure Main a-rose a-rose fro-m ou-t th-e a-zure Main This was the chart-er
\nf e d c B2zA2|g2f2e\/c\/e\/B\/g2f|e2d2c4|!
\nw:Chart-er of the land & Guard-ian ang—–le sung this strain
\n|:[e2c2G2][ec]ffze2|f e d c B2z G g2 f e\/d\/e\/f\/ g f e2d2c4:|]
\nw:Rule britann-ia Brit-ann-ia rules the waves for Brit-tains ne—–ver will be slaves<\/p>\n
X:07
\nT:Tink a Tink. TJD.07
\nM:2\/4
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:country dance
\nN:Final G in A and B parts changed from crotchet to minim
\nN:Repeat mark added in final bar
\nA:Lincolnshire, Holton le Moor
\nZ:Vmp.R.Greig2010
\nK:G
\nG2 d>B|G2d>B|c>d c>B|A>GF2|G2d>B|G2d>B|c>A GF|G4:|!
\n|:d2g>f|e>d c>B|A>B cd|B2G2|d2g>f|e>d cB|A>c F>A|G4:|<\/p>\n
X:08
\nT:Royal Quick Step,The. TJD.08
\nT:Boys and Girls Come Out to Play,aka TJD.08
\nM:6\/8
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:quick step
\nN:First d changed from crotchet to quaver
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nd|B2gc2e|d2BA2B|(ABA)c2A|”^all crotchets in MS”d2BG2d|!
\nB2gc2e|d2BA2B|AcB AGF|G3G3:|!
\n|:d|gag fef|gfe def|gag fef|(g3g2)d|!
\ngag fef|gfe def|gag fef|g3 g2:|<\/p>\n
X:09
\nT:Chapter of Kings. TJD.09
\nM:6\/8
\nL:1\/8
\nQ:1\/4=90
\nS:T.J.Dixon MS1, Lincolnshire 1798
\nR:Air
\nA:Lincolnshire, Holton le Moor
\nZ:Vmp.R.Greig2010
\nK:C
\n[G2D2]|[GD][cG][cG] [cG][BF][cG]|[d2A2][BF][G2D2][G\/D\/][G\/D\/]|\\
\n[GD][dA][dA] [dA][eB][fc]|[g2d2][eB] [c2G2][g\/d\/][f\/c\/]|!
\n[eB][fc][gd] [gd][fc][eB]|[a2e2][fc][d2A2]|\\
\n[fc][eB][fc] [fc][eB][dA]|[g2d2][eB][c2G2][GD]|!
\n[GD][cG][cG] [BF][dA][dA]|[eB][cA][cA] [gc][dA][dA]|\\
\n[eB][fc][gd] [fc][eB][dA]|[c3G3]-“Symph”[cG][G2D2]|!
\n[GD][cG][cG] [FB][dA][dA]|[eB][cG][cG] [fc][dA]d|\\
\n[eB][fc][gd] [fc][eB][dA]|[c3G3]-[c2G2]:|]<\/p>\n
X:10
\nT:Good Queen Bess. TJD.10
\nM:2\/4
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:Air
\nN:Dots added to G in bars 3 and 7
\nN:Triplet signs added in line 2
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nd\/c\/|BGGG|G2B|AGFG|ABcd|BGGG|G2B|cBAB|(AB)c2:|!
\n|:(3Bcd dd|e2>e2″^bar line added”| edcB|ABc2|(3Acc cc|c2c2|dcBA|Bcd2|!
\nGGGG|FFFF|EEEE|D2D2|cdec|BcdB|AGAB|G2G2:|]<\/p>\n
X:11
\nT:Sions House. TJD.11
\nM:3\/8
\nL:1\/8
\nQ:3\/8=50
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:Waltz
\nN:Dots added to crotchets in bars4,8 and 12
\nN:crotchet d in final bar changed to quaver
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nBdB|cec|BdB|A3|BdB|cec|BcA|G3|!
\ngbg|faf|ege|d3gbg afd|ge^c|dzc”^Da Capo”|]<\/p>\n
X:12
\nT:Richmond Hill. TJD.12
\nM:2\/4
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire,1798
\nR:quick step
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nD|”^As Written”GG2D|AA2c|Bd EA|F DD|GA2D|GA2D|AA2c|(Bd)DF|G2:|!
\n|:dBgB|cAac|BGEA|FD2B\/c\/|dBgB|cAaA|BGDF|G2:|]<\/p>\n
X:13
\nT:Lord Yarborough’s March. TJD.13
\nM:2\/2
\nL:1\/4
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:march
\nN:Dot added in final bar
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:D
\nddfa|ddfa|ggff|e\/d\/e\/f\/dz|ec\/d\/e e\/f\/|a\/a\/ a\/f\/|!
\ne\/f\/ e\/d\/|cB”_As writ in MS” A\/A\/A\/\/A\/::ec\/d\/ee\/e\/|a\/g\/f\/e\/fa|B\/d\/e\/f\/ g\/f\/e\/d\/|!
\nca\/a\/\/aa|ddfa|bbgg|f\/e\/f\/g\/fe|dd\/>d\/d:|]<\/p>\n
X:14
\nT:Lass a Way. TJD.14
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:jig
\nN:D in bars 8 and 16 changed to dotted crotchets
\nA:Lincolnshire, Holton le Moor
\nZ:Vmp.R.Greig2010
\nK:D
\nDED “^As writ”FG2|A2DA2F|G2AB2G|A2F GGE|DED F2G|!
\nA2dA2F|G2AB2G|A2FD3::d2ef2d|egf edc|d2ef2d|!
\necA A2A|d2ef2d|egf edc|d2AB2G|A2FD3:|]<\/p>\n
X:15
\nT:Rose,The. TJD.15
\nM:6\/8
\nL:1\/8
\nQ:1\/4=100
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:jig
\nN:Dots added to final d in bars 4 and 8
\nN:Repeat mark added at start of B part
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:D
\ndddd2e|ffff2g|afd gec|dddd3:|!
\n|:aba afd|efe ecA|Bcd efg|fddd3:|<\/p>\n
X:16
\nT:Go to the Devil and Shake Yourself. TJD.16
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:T.J.Dixon MS1,Lincolnshire, 1798
\nR:jig
\nN:dot added to final c
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:C
\nGcc cBA|GEG GEG|c2c dcd|ecAA3|Gcc cBA|!
\nGAG GEG|c2c dcd|eccc3::gec cBc|AFF F3|!
\nafd ded|BGGG3|Gcc cBA|GAG GEG|cBc dcd|ecc c3:|]<\/p>\n
X:17
\nT:Soldier’s Joy. TJD.17
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:.hornpipe
\nA:Lincolnshire, Holton le Moor
\nZ:Vmp.R.Greig2010
\nK:D
\n(FG)|AFDF AFDF|A2d2 d2cB|AFDF AFDF|G2E2 E2FG|!
\nAFDF AFDF|A2d2 d2fg|afdf gece|d2d2d4::!
\nag|f2f2 fagf|e2e2 egfe|f2f2 fagf|edcB A2g2|!
\nf2f2 fagf|e2e2 egfe|fafd egec|d2d2d4:|]<\/p>\n
X:18
\nT:Favourite March in Volentine, A. TJD.18
\nM:4\/4
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1
\nR:march
\nA:Lincolnshire, Holton le Moor
\nZ:Vmp.R.Greig2010
\nK:G
\nG2 (d>d) (3ded (3cBA|B2(g>g)g2f2|e2d2c2B2|A2(A>A) A>cB>A|!
\nG2 (d>d) (3ded (3cBA|B2(g>g)g2f2|(fe)(ge) (ed)(dc)|d2(d>d)d2:|!
\n|:D2|d2(c>c)c2D2|c2(B>B)B2(cd)|E2FG A>B c\/B\/A\/G\/|\\
\nF2(D>D)”_bar line missing in MS” DDEF|!
\nGGBG EEcA|FFdB GGec|B\/g\/f\/g\/ f\/e\/d\/c\/B2A2|G2(G>G)G2|]<\/p>\n
X:19
\nT:Dusty Miller,The. TJD.19
\nM:6\/8
\nL:1\/8
\nQ:1\/4=100
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:slip jig
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nN:As written in MS but usually barred as 9\/8. Some errors but other versions are easily available.
\nK:G
\nBcd BAG|FAA cBA|Bcd BAG DGG BAG:|!
\n|:Bcd efg|aAA cBA|Bcd eg\/f\/e\/f\/|f2 gag BAG:|]<\/p>\n
X:20
\nT:White Cockade,The. TJD.20
\nM:C
\nL:1\/4
\nQ:1\/4=140
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:Scots measure
\nN:Bar line 6 added
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\n(G\/A\/)|BBB (A\/G\/)|BBBg|dBAG|!
\n(FG\/A\/)Dz|BBB (A\/G\/)|Bdga|b\/a\/g\/f\/ e\/f\/g\/f\/|!
\ndBB::(B\/c\/)|dBgB|dBB(B\/c\/)|dBgB|!
\naAA (G\/A\/)|BBB (AG)|Bdg>a|b\/a\/g\/f\/ e\/f\/”_bar line added”g\/e\/| dBB:|]<\/p>\n
X:21
\nT:Hull Dock Company’s March,The. TJD.21
\nM:2\/2
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:march
\nN:Note values changed in final bar of A part
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:C
\n(G\/A\/B)|c2ccc2(de\/g\/)|e2(e>e)e2fg\/a\/|g2(ec)f2(df)|ecBc d2(g>f)|
\nd2(d>d)d2(e>c)|B2(B>B)B2(cd\/e\/)|(3dg^f (3edc B2A2″^bar line added”|G2G>GG2:|
\n|:(G\/A\/B\/c\/)|d2(ef\/g\/) A>cB>d|cBcdc2 (de\/f\/) ecfd geac|!
\n“^as writ”B2G2(GG)G2de\/f\/|e2c>cc2 a\/(g\/f\/e\/)|d2ddd2 (ef)|egec AgdB|c2(c>c)c2|]<\/p>\n
X:22
\nT:Dusty Miller,The. TJD.22
\nM:6\/8
\nL:1\/8
\nQ:1\/4=100
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nN:Identical to TJD.19 except for omission of crotchet in final bar.
\nR:slip jig
\nA:Lincolnshire, Holton le Moor
\nZ:Vmp.R.Greig2010
\nK:G
\nBcd BAG|FAA cBA|Bcd BAG|DGG BAG:|!
\n|:Bcd efg|aAA cBA|Bcd eg\/f\/e\/f\/|gag BAG:|]<\/p>\n
X:23
\nT:Sodiac. TJD.23
\nT:Zodiac,aka. TJD.23
\nM:3\/8
\nL:1\/8
\nQ:1\/8=120
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:waltz
\nN:Note values changed and bar lines added in line 2
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:Bb
\nF|BcB|Ffd|ce\/c\/A|ce\/c\/A|BcB|Ffd|ce\/c\/A|B2||!
\nA\/B\/|cAc|AF2|dBd|BF2|ecA|fdB|cAc|AF2|dBd|BF2|!
\nec”^bar line added”A|B2||f\/g\/a\/|bag|fdd|ecc|dBF|bag|fdd|ecA|B2||!
\nd\/e\/|fdg|e2c|A2f|d2B|fdg|e2c|A2f|B2|]<\/p>\n
X:24
\nT:Sally Kelly. TJD.24
\nM:2\/2
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:reel
\nN:First bar line moved forward by one note
\nA:Lincolnshire, Holton le Moor
\nZ:Vmp.R.Greig2010
\nK:F
\n“Qu’s in MS”E\/D\/|d2^c2d2(df)|edcd efga|fde^cd2(AF)|GBAG FD-D:|!
\n|:E|F>GAc F\/F\/FA2|FGAc BGGg|fde^cd2″^bar line added”(AF)|GBAG FDD:|]<\/p>\n
X:25
\nT:French in Confusion,The. TJD.25
\nM:2\/4
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:country dance
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nGBdg|”_quaver in MS”d’2ag|fdcB|”_quaver in MS”c2AA|GBdg|d’2ag|ecBA|G2g2|!
\n“_quaver in MS”B2dg|Bdgd|BdcB|cAA2|Bdgd|Bdgd|agdf|gGG2|]<\/p>\n
X:26
\nT:Hannaverion Waltz. TJD.26
\nM:6\/8
\nL:1\/8
\nQ:3\/8=50
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:waltz
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:C
\nGceg2″_crotchet in MS”e|fdg ecc|Gceg2e|f”_undotted in MS”dg c3:|!
\n|:.e.e.e .f.f.f|ddd eee|ccc ddd|gfe “_both qu’s in MS”e2d|!
\neee fff|ddd eee|ccc ddd|”_crotchet in MS”g (g\/f\/e\/d\/)c2:|]<\/p>\n
X:27
\nT:Three Captains,The. TJD.27
\nM:6\/8
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:jig
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\n“^unedited version”G3BGB|c2AF2D|G3BGB|d2BG2B|c3ecA|B3dBG|!
\nA2Bc2B|ABG FED::AcB AGF|G2G2::g3d c|B3A2G2|!
\ng3gfg|g2f2d2d2|gbge|f3gfd|egf ed^c|d3-d3|!
\n=c3ecA|B3Bef|gfe dcB|ecA FED:|!
\nzzzz|!
\n“^edited version by CGP”G3BGB|c2AF2D|G3BGB|d2BG2B|!
\nc3ecA|B3dBG|A2Bc2B|ABG FED|!
\nG3BGB|c2AF2D|G3BGB|d2BG2B|!
\nc3ecA|B3dBG|AcB AGF|G3G3||!
\ng3d2 c|B3A2G|g3gfg|a2fd2d|!
\ng2bg2e|f3gfd|egf ed^c|d3-d3|!
\n=c3ecA|B3Bef|gfe dcB|ecA FED|!
\nG3BGB|c2AF2D|G3BGB|d2BG2B|!
\nc3ecA|B3dBG|AcB AGF|G3G3|]<\/p>\n
X:28
\nT:Girl I Left Behind Me,The. TJD.28
\nM:2\/4
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:quick step
\nN:Initial quaver is crotchet in MS
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\ng|d>cBA|G\/A\/B\/G\/ EE|GG G\/A\/B\/c\/|d>cBg|dcBA|!
\nG\/A\/B\/G\/ EG|G\/F\/E\/D\/ EF|G2G::change to d|Bdef|gdBG|Gg g\/f\/e\/d\/|!
\ne>fge|d>cBA|G\/A\/B\/G\/ EG|G\/F\/E\/D\/ EF|G2G:|]<\/p>\n
X:29
\nT:Roving Boys of Pleasure,The. TJD.29
\nM:2\/4
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:Air
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\n“^cr in MS”G|Bd ef|gd ec|BG AF|GG Gg|!
\nfa ge|(fd\/c\/) Bd|ee (ed\/c\/)”^bar line added”| BdHg2:|!
\n|:g|fa ge|ed\/c\/ Bd|ee (ed\/c\/)”^Bar line added”| Bd “_both crotchets in MS”Hg G|!
\n“^all quavers in MS”Bc\/d\/ ef|gd ec|BG AF|GGG2:|]<\/p>\n
X:30
\nT:O Dear What Can the Matter Be. TJD.30
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nN:Key signature incorrectly given as D in MS
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:jig
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\n“^Key D in MS”d3d3|dBg dBG|c3c3|cAB cBA|d3d3|dBg dBG|EGc BcA|”^as writ”G2z2:|!
\n|:d2|(dBc) dBc|dBg dBG|cAB cAB|cAB cBA|dBc dBc|dBg dBG|EGc BcA|G4:|<\/p>\n
X:31
\nT:Jenny Bawbee. TJD.31
\nT:Polly Put The Kettle On,aka. TJD.31
\nM:2\/4
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:quick step
\nN:Repeat mark added at end
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:D
\na>bag|fdd2|Bged|dcBA|a>bag|fdd2|Bgec|d2d2:|!
\n|:fdge|fdge|B\/B\/B ed|cAAg|fdge|fdge|B\/B\/B ec|d2d2:|<\/p>\n
X:32
\nT:Lads and Lasses. TJD.32
\nM:2\/2
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:reel
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\n“^quaver in MS”g2|dBAG FAAc|BGBdg2fe|dBAG FAAc|BGAFG2:|!
\n|:z2|g2g\/a\/b agfe|g2g\/a\/ba2d2|g2ab agfe|(e\/f\/g) f\/g\/ag2:|<\/p>\n
X:33
\nT:Belle,La. TJD.33
\nT:Davy Davy Knick Knack,aka. TJD.33
\nM:2\/4
\nL:1\/16
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:quick step
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nGFGA .B2.B2|GFGA .B2.B2|dcBc .A2.A2|dcBc .A2.A2|!
\nGFGA .B2.B2|GFGA .B2.B2|dcBc A2B2|G4-“^quaver in MS”G4:|!
\n|:dcBc B2B2|{f}g4d4|dcBc .A2.A2|dcBc .A2.A2|!
\ndcBc B2d2|{f}g4d4|dcBc A2B2|G4-G4:|]<\/p>\n
X:34
\nT:Welch Bard. TJD.34
\nT:Men of Harlech,aka. TJD.34
\nM:2\/4
\nL:1\/8
\nQ:1\/4=80
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nN:Tune used for ‘Men of Harlech’
\nR:Air
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nG> F E E|A >G F D|E2F2|G2z2|!
\nw:you would fain with vows pers-uade me
\nG >F E E|A >G F D|E2 F2|G2z2|!
\nw:that my faith-ful swain had left me
\nc B c d|e d c B|c B A G |B A G F|!
\nw:that my faith-ful heart would alt-er ere he thinks his love to falt-er
\nG >F E E|A >G F D|E2F2|G2z2|]
\nw:ere he thinks his love to alt-er<\/p>\n
X:35
\nT:Jigg. TJD.35
\nM:6\/8
\nL:1\/8
\nQ:1\/4=110
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:jig
\nN:Repeat mark added at end
\nC:(Miller)
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nG2G GFG|[A2F2][AF][A3F3]|B2B Bcd|edc BcA|!
\nG2G GFG|[A2F2][AF][A3F3]|BcB AGF|G2GG3:|!
\n|:ddd ddd|dgbd3|ccc ccc|cfac3|!
\nBBB Bcd|AAA ABc|BAA dcB|[B3G3]”^Da Capo”[A3F3]:|]<\/p>\n
X:36
\nT:Easy Aair. TJD.36
\nT:Shepherd’s Hey,aka. TJD.36
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:air
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:C
\negf2|egd2|egfd|gfc2::ec fd|ecd2|ec fd|gec2:|]<\/p>\n
X:37
\nT:Jigg. TJD.37
\nM:6\/8
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, early 19thC
\nR:jig
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:C
\ne\/f\/|geg fdf|efe d2c|geg fef|ece d2:|!
\n|:c\/d\/|ece d2c|ece d2c|geg fdf|efd c2:|]<\/p>\n
X:38
\nT:Little Sixpence. TJD.38
\nM:2\/4
\nL:1\/16
\nQ:1\/4=110
\nS:T.J.Dixon MS1, Lincolnshire, early 19thC
\nR:quick step
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:D
\nDEFD A2A2|BcdB A2A2|G2GG F2d2|E2c2d4:|!
\n|:ded2 ccc2|BcdB AAA2|GABG FGAF|E2ed d4:|]<\/p>\n
X:39
\nT:As Sure As the Devil’s in Lincoln. TJD.39
\nM:6\/8
\nL:1\/8
\nQ:1\/4=110
\nS:T.J.Dixon MS1, Lincolnshire, 1798
\nR:jig
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:F
\n[V:1]C|F>EF DEF|GAF EFG|ABc BAG|F\/ F\/z2z2C|!
\n[V:2]z|F,2A,,B,,2B,,|C,2C,,C,2D,|F,2A, B,D,C,|F,z2z2z|
\n[V:1]F>EF DEF|GAF EFG|ABc BAG|F\/ F\/z2z2||!
\n[V:2]F,2A,,B,,2B,,|C,2C,,C,2D,|F,2A, B,D,C,|F,z2z2||!
\n[V:1]A|BABD2D|GAGE2C|BABD2D|GAF E2C|!
\n[V:2]z|B,,2B,,B,,2B,,|C,2C,,C,2E,|B,,2B,,B,,2B,,|B,,G,,C,z2z|!
\n[V:1]F>EF DEF|GAF EFG|ABc BAG|F\/ F\/z2z2|]
\n[V:2]F,2A,,B,,2B,|C,2C,,C,2E,|F,2 A, B,CC,|D,z2z2|]<\/p>\n
X:40
\nT:God Save the King. TJD.40
\nM:3\/4
\nL:1\/4
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:Air
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nGGA|F>GA|BBcB>AG|AGF|FG2:|!
\nddd|d>cB|ccc|c>BA|Bc\/B\/A\/G\/|B>cd|eA2|FG2|]<\/p>\n
X:41
\nT:Tink a Tink. TJD.41
\nM:2\/4
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:quick step
\nN:Repeat mark added at end
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nG2(dB)|G2(dB)|cdcB|AFD2|G2dB|G2dB|cAGF|G2G2:|!
\n|:dgfg|edcB|ABcd|B2G2|dgfg|edcB|AcAF|G2G,2:|]<\/p>\n
X:42
\nT:Grand March in Bluebeard,The. TJD.42
\nM:C
\nL:1\/4
\nQ:1\/4=170
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:march
\nN:Spelling in MS title is ‘Blueberd’
\nN:Repeat mark added at end
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nd>cBA|G2A2|B\/>A\/B\/>c\/ e\/d\/c\/B\/|A(A\/>A\/)Az|!
\nd>cBA|G2A2|B\/>A\/B\/>c\/BA|G(G\/>G\/)Gz:|!
\n|:A>GFG|A2B2|c>d e\/d\/c\/B\/|A(A\/>A\/)Az|!
\nA>GFG|AAAd|AGFE|D(D\/>D\/)”^Da Capo”Dz:|]<\/p>\n
X:43
\nT:Allemand,The. TJD.43
\nM:3\/8
\nL:1\/4
\nQ:3\/8=50
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:waltz
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\ngd\/|Bd\/|c\/A\/F\/|G\/B\/d\/|gd\/|Bd\/|c\/A\/F\/|G3\/:|!
\n|:”^minim in MS”AD\/|AB\/|c\/B\/A\/|B\/c\/d\/|AD\/|AB\/|c\/A\/F\/|G3\/:|]<\/p>\n
X:44
\nT:March. TJD.44
\nM:2\/2
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:march
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nd2(dc)B2(BA)|G2D2G2A2|B2(Bc) edcB|A2(A>A)A4|!
\nd2dcB2(BA)|G2D2G2A2|B>dg>G AGAB|G2(G>G)G4:|!
\n|:A2(A>B)A2(A>B)|dcBAB2G2|B2(Bc)B2(Bc)|edcBA2D2|!
\ng2>f2 edcB|A^GABc2e2|d>fgG AGAB|G2(G>G)G4:|]<\/p>\n
X:45
\nT:Sions House. TJD.45
\nM:3\/8
\nL:1\/8
\nQ:3\/8=50
\nS:T.J.Dixon MS1, Lincolnshire, early 19thC
\nN:This is identical to tune #11
\nR:waltz
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nBdB|cec|BdB|A3|BdB|cec|BcA|G3:|!
\ngbg|faf|ege|d3|gbg|afd|ge^c|”^Da Capo”d3|]<\/p>\n
X:46
\nT:Bellisle March. TJD.46
\nT:Monks’ March,aka. TJD.46
\nM:2\/2
\nL:1\/8
\nQ:1\/4=140
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:march
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nD|G2(G>B)A2(A>c)|B2 (g>e)d2>c2|B2(3dBG A2(3cAF|G2(G>G)G2z:|!
\n|:A|d>edc B2B2|c>dcBB2A2|d>edc Bdgf|edcBB2 (A>D)|!
\nG2(G>B)A2(A>c)|B2(g>e)d2>c2|B2(3dBGA2(3cAF|G2(G>G)G2z:|]<\/p>\n
X:47
\nT:Little Gipsee,The. TJD.47
\nM:2\/4
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:quick step
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nDGGG|FAAA|GBBB|ABcc|BcdB|cAGF|EcAF|G2G2:|!
\n|:gggg|ffff|e(f\/g\/) fe|e2d2|bbbb|aaaa|gfge|e2d2|!
\necce|dBBd|cBAG|Bcd2|BcdB|cAGF|EcAF|G2G,2:|]<\/p>\n
X:48
\nT:La Bell. TJD.48
\nT:Davy Davy Nicknack,aka. TJD.48
\nM:2\/4
\nL:1\/16
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:country dance
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nGFGA B2B2|GFGA B2B2|dcBc A2A2|dcBc A2A2|!
\nGFGA B2B2|GFGA B2B2|dcBc A2B2|G4G4:|!
\n|:dcBc B2B2|g4d4|dcBc A2A2|dcBc A2A2|!
\ndcBc B2d2|g4d4|dcBc A2B2|G4G4:|]<\/p>\n
X:49
\nT:Lango Lee. TJD.49
\nT:Banks of the Dee,aka. TJD.49
\nM:6\/8
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:jig
\nC:’Single Bow’
\nN:Repeat mark added at end
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nD|DEF GAB|ced cBA|BGE DEG|BcA G2D|!
\nDEF GAB|ced cBA|BGE DEG|BcAG2:|!
\n|:B|B2cd2d|edc dBG|Bcd efg|GAG FED|!
\ncec BdB|AGA BGE|GFE Ddc|BcAG2:|]<\/p>\n
X:50
\nT:Lowland Lasses,The. TJD.50
\nT:Kate Dalrymple,aka. TJD.50
\nM:4\/4
\nL:1\/8
\nQ:1\/4=140
\nS:T.J.Dixon MS1, Lincolnshire, early 19thC
\nR:reel
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nG2>B2 A2>B2|G2(3GAB A2>B2|G2g2edcB|ABcAB2G2|!
\nd2>e2d2(Bc)|d2>e2d2(Bc)|d2g2d2g2|dgfe edcB|!
\nc2>e2B2>d2|A2B2 dcBA|G2g2edcB|ABcAB2G2|]<\/p>\n
X:51
\nT:Royal Quick Step,The. TJD.51
\nT:Boys and Girls Come Out to Play,aka. TJD.51
\nM:6\/8
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, early 19thC
\nR:quick step
\nN:Repeat mark added at end
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nd|B2gc2e|d2BG2B|”_triplet in MS”ABA c2A|d2BG2d|!
\nB2gc2e|d2BG2B|AcB AGF|G3G2:|!
\n|:d|gag fef|gfe def|gag fef|g3-g2d|!
\ngag fef|gfe def|gag fef|”^Da Capo”g3-g2:|]<\/p>\n
X:52
\nT:Jigg,A. TJD.52
\nM:6\/8
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:jig
\nC:Miller
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nG2G (GF).G|A2AA3|B2B Bcd|edc BcA|!
\nG2G (GF).G|A2A A3|BcB AGF|G2GG3:|!
\nddd ddd|dgbd3|ccc ccc|cfac3|!
\nBBB Bcd|AAA ABc|BAG dcB|B3″^Da Capo”A3|]<\/p>\n
X:53
\nT:Favorite March in Volentine,A. TJD.53
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:march
\nN:Repeat mark added at end
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nG2d>d (3ded (3cBA|B2(g>g)g2f2|e2d2c2B2|A2(A>A) A>cB>A|!
\nG2(d>d) (3ded (3cBA|B2(g>g)g2f2|(fe)(ge) (ed)(dc)|d2(d>d)d2:|!
\n|:D2|d2(c>c)c2D2|c2(B>B)B2cd|E2(FG) A>B c\/B\/A\/G\/|F2(D>D) DDEF|!
\nGGBG EEcA|FFdB GGec|B\/g\/f\/g\/ f\/e\/d\/c\/B2A2|G2(G>G)G2:|]<\/p>\n
X:54
\nT:London March,The. TJD.54
\nM:C
\nL:1\/8
\nQ:1\/4=140
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:march
\nN:Repeat mark added at end
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nB2B>BB2A2|G>Bd>ge2d2|e>gd>g c>gB>g|A2A>A A>cB>A|!
\nB2B>BB2A2|G>Bd>ge2d2|e>gd>g c>gB>g|b2a2g4:|!
\n|:d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>BB2A2|!
\nd>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>B “^Da Capo”B2A2:|]<\/p>\n
X:55
\nT:New Lango Lee. TJD.55
\nT:Banks of the Dee,aka. TJD.55
\nM:6\/8
\nL:1\/8
\nQ:1\/4=90
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:Song
\nC:Song
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nD>EF G>AB|c>ed cBA|BGE DEG|BcAG2:|!
\nc|B2cd2d|e>dc dBG|Bcd efg|G>AG FED|!
\ncec BdB|A>GA BGE|G>FE Ddc|BcAG2|]<\/p>\n
X:56
\nT:True Courage. TJD.56
\nM:3\/8
\nL:1\/8
\nQ:1\/4=60
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:Song
\nC:(Charles Dibdin)
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nG\/A\/|Bdd|cee|e\/d\/c\/B\/ A\/G\/|FAA|BGG|GEE|AFF|!
\nG2(G\/A\/)|Bdd|cee|e\/d\/c\/B\/ A\/G\/|FAA|dBB|gee|^cAc|!
\nd2d|gfe|e\/d\/c\/B\/ A\/G\/|GFG|AFE|gfe|e\/d\/c\/B\/ A\/G\/|!
\nGFG|BAD|G>AB|DGB|A>Bc|DAc|B d\/e\/f\/|gdc|!
\nBAG|FED|Cee|e2C|B,dd|d2(d\/>d\/)|gBd|dcB|AGF|G3:|<\/p>\n
X:57
\nT:Maid of the Mill,The. TJD.57
\nM:6\/8
\nL:1\/8
\nQ:1\/4=90
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:song
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nD|DGG GBG|FGA d2F|EEE EFD|G3G2:|!
\n|:D|Ddd d>ed|dcBc2B|A>BAe2G|(G3F2)D|!
\nE>FEc2A|F>GAd2D|EEE E>FD|G3-G2:|]<\/p>\n
X:58
\nT:Lord Yarborough’s March. TJD.58
\nM:C
\nL:1\/4
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:march
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:D
\n“^Slow”ddfa|ddfa|ggff|e\/d\/e\/f\/dz|!
\ne(c\/d\/)e(f\/g\/)|a\/a\/g\/f\/fe|e\/f\/e\/d\/cB|AA\/>A\/Az:|!
\n|:e(c\/d\/)e(e\/f\/)|a\/g\/f\/e\/fA|B\/d\/e\/f\/ g\/f\/e\/d\/|ca\/a\/az|!
\nddfa|bbgg|f\/e\/f\/g\/fe|d(d\/>d\/)dz:|]<\/p>\n
X:59
\nT:Blue Bell of Scotland. TJD.59
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:song
\nC:(Song)
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:D
\n“^Sym”d|d2(cB)A2(3Bcd|F>FGE D3d|d2cBA2(3GBG|F>FGED3d|!
\n“^Song”d2cBA2(3Bcd|F>FGED3d|{e}d2(cB)A2(3Bcd|F>FGED3A|!
\nF>DFAd2(3Bcd|cAB^GA2(3ABc|{e}d2(cB)A2(3Bcd|F>FGED3″:$:”A|!
\nF>DFAd2(3Bcd|cAB^GA2(3ABc|edcBA2(3GBG|F>FGE”:$:”D3|]<\/p>\n
X:60
\nT:Rose Tree,The. TJD.60
\nM:2\/4
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:quick step
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:D
\nf\/e\/|dBAF|A>BAB|d2f\/e\/d\/e\/|feef|!
\ndBAF|A>BAB|d2f\/e\/d\/e\/|fdd:|!
\n|:d|f>efg|a2gf|ebba|beef|!
\ndBAF|A>BAB|d2f\/e\/d\/e\/|fdd:|]<\/p>\n
X:61
\nT:Grano’s March. TJD.61
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:march
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:D
\nf4e4|d>dd>dd2A2|a4g4|f>ff>ff2d2|f>f (3fga e>e (3efg|!
\nd>d (3def e2A2|(3ded (3efe (3fgf (3efe|(3aba (3gag (3fgf (3efe|d>dd>dd4:|!
\n|:(3fgf (3fgf (3efe (3efe|(3gag (3gag f4|f>f (3fga e>e (3efg|d>d (3def e2A2|!
\n(3fgf (3fgf (3efe (3efe|(3gag (3gag f4|a8-|a8|(3aba (3gag (3fgf (3efe|d>dd>dd4:|]<\/p>\n
X:62
\nT:Blue Bell of Scotland. TJD.62
\nM:C
\nL:1\/4
\nQ:1\/4=140
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:song
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:D
\nd2cB|A3(3B\/c\/d\/|FFGE|D2zA|d2cB|A3(3B\/c\/d\/|FFGE|D2|
\n|:A|F>DFA|d2Bd|cAB^G|A2AA|edcB|A3(3B\/c\/d\/|FFGE|D2:|]<\/p>\n
X:63
\nT:Grand March,The. TJD.63
\nM:2\/2
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:march
\nN:Repeat mark added at end
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:D
\nd2(D>D) F>FA>A|d>cd>ed2e2|f>ef.ga2(g>f)|edcBA2e2|!
\nf2(af)e2(ae)|f2(af)e2(ae)|f>ga>b”tr”^g2>a2|a2(A>A) c>ce>e|a8:|!
\n|:efed dcBA|edefg4|f2(fe)f2c2|d2(cd)B2c2|d2(fd)c2(fc)|!
\nd2(fd)c2(fc)|defg”tr”c2>B2|B4gfg2|a2(gf) egfg|!
\na2(gf) eGFG|A2(GF) EGFG|BAGFE2e2|f2(a>f)e2(a>e)|!
\nf2(a>f)e2(a>e)|fgab”tr”e2>d2|d2(D>D) F>FA>A|d8:|]<\/p>\n
X:64
\nT:Dying March of General Wolfe,The. TJD.64
\nM:C
\nL:1\/8
\nQ:1\/4=100
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:march
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:C
\nG2|c2E>G c2g>f|e>fe>dc2c2|d2(de\/f\/)e2d2|c2c>cc2>e2|!
\nd2(d>d)d2(e>f)|e2(e>e)e2(^f>g)|d2(d>d)d2d2|g2(f>e)d2e2|!
\nB>cd>eB2″tr”A2|G2(G>G)G2::d2|g2(d>d)d2(g=f)|e2(e>e)e2(e>f)|!
\ng2(d>d)d2(g>f)|e2(e>e)e2e2|f2(f>f)f2e2|a2(a>a)a2g2|aagg ffee|!
\nd2(d>d)d2G2|c2(E>G)c2(g>f)|e>fe>dc2c2|d2(de\/f\/)e2d2|c2(c>c)c2:|]<\/p>\n
X:65
\nT:Lady Coventry’s Minuet. TJD.65
\nM:3\/4
\nL:1\/4
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:minuet
\nN:Tunes at opposite end of MS book from here
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\nGG(3G\/A\/B\/|{B\/}”tr”A2G|BB(3B\/c\/d\/|{d}c2B|!
\nd2(g\/>e\/)|d2(g\/>e\/)|(e\/d\/) (d\/c\/) (c\/B\/)|(BA2):|!
\n|:(3d\/e\/d\/dc|Bcd|”no triplet sign in MS”(3d\/e\/d\/dc|B>cd|!
\n(gf)e|dfg|(3e\/d\/c\/ BA|G3:|]<\/p>\n
X:66
\nT:Bugle Horn,The. TJD.66
\nM:2\/4
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:quick step
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:C
\ng|geec|c2GG|GfdB|c\/B\/c\/d\/ cc|geec|c2GG|AfdB|c3:|!
\n“rest added”z|c2Ge|c2Ge|cece|c2Gg|geec|c2GG|AfdB|c2c2|!
\nC2CC|C2C2|CECE|C2G,2|geec|c2G,G,|AfdB|c2c2|]<\/p>\n
X:67
\nT:Come Haste to the Wedding. TJD.67
\nT:Haste to the Wedding,aka. TJD.67
\nM:6\/8
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:jig
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:D
\nA|AFG Aaf|ede fdB|AFA BdF|EEEE2A|!
\nAFG Aaf|ede fdB|AFA faf| d”^crotchet added”dd d2:|!
\n|:a|(af)a (af)a|bgb bgb|afa agf|e”^undotted in MS”eee3|!
\na3f3|ede fdB|AFA faf|dddd2:|]<\/p>\n
X:68
\nT:Del Caro’s Hornpipe. TJD.68
\nM:2\/2
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:.hornpipe
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:A
\nAcea gfef|edcB cde2|Acea gfef|edcB A4:|!
\n|:Acea (f\/g\/a) (f\/g\/a)|EGBd (c\/d\/e) (c\/d\/e)|Acea (f\/g\/a) (f\/g\/a)|edcBA2A2:|]<\/p>\n
X:69
\nT:Moll in the Wad. TJD.69
\nM:6\/8
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS1, Lincolnshire, early 19thC
\nR:quick step
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:D
\nc|BAB G2F|E2FG2A|BABG2B|AFD D2c|!
\nBAB G2F|E2FG2A|BcB dcB|AFDD2:|!
\n|:c|BGBd2d|BGBd2d|BGBd2d|ecAA2c|!
\nBGBd2d|BGBd2f|gfe dcB|AFDD2D:|]<\/p>\n
X:70
\nT:Beggar Girl,The. TJD.70
\nM:3\/4
\nL:1\/4
\nQ:3\/4=60
\nS:T.J.Dixon MS1, Lincolnshire, early 19thC
\nR:waltz
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\ndcB|dcB|AGA|Bcd|d>cB|d>cB|AGA|G3:|!
\n|:DGB|DAc|DcB|BAG|DG=F|E2c|BAG|!
\nd\/e\/d\/c\/B\/A\/|d>cB|d>cB|AGA|B>cd|!
\nd>cB|efg|B>cA|G3:|]<\/p>\n
X:71
\nT:Speed the Plough. TJD.71
\nM:2\/2
\nL:1\/8
\nQ:1\/2=80
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:.hornpipe
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:Bb
\nBABd f>gf>d|f>gf>d f>gf>d|e>fe>c d>ed>B|GccB ABcA|!
\nB>AB>d f>gf>d|f>gf>d f>gf>d|e>fe>c d>ed>B|GcBA B2B2:|!
\n|:bBbB bBbB|bBaB gBfB|e>fe>c d>fd>B|GcBAB2B2|!
\nbBbB bBbB|bBaB gBfB|e>fe>c d>fd>B|GcBAB2B2:|<\/p>\n
X:72
\nT:Forest,The. TJD.72
\nM:6\/8
\nL:1\/8
\nQ:3\/8=80
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:air
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:F
\nf|f2eg2f|a3bge|f2f (fga)|d3c3|!
\nf2eg2f|a3bge|f2f g2e|f3F2:|!
\n|:c|ABc ABc|dcB dcB|f2a bge|”^(f\/g\/a\/)f in MS”(f\/g\/a)f c2B|!
\nABc ABc|dcB dcB|g2a bge|f3F2:|<\/p>\n
X:73
\nT:Grinders,The. TJD.73
\nM:9\/8
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:slip jig
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:G
\ngfg edc BAG|gfg efg afd|gfg edc BAG|ABAA2B d2B:|!
\n|:ABAA2BG2E|ABAA2Bd2B|ABAA2BG2E|dBG GBdd2B:|<\/p>\n
X:74
\nT:Marlbrouk. TJD.74
\nM:6\/8
\nL:1\/8
\nQ:1\/4=120
\nS:T.J.Dixon MS2, Lincolnshire, early 19thC
\nR:jig
\nA:Lincolnshire, Holton le Moor
\nZ:vmp.R.Greig2010
\nK:C
\nc|e2ee2d|f3e>fe|d2d d>cd|(e3c2)c|!
\ne2ee2d|f3e2f|e2c “tr”d>cd|c3-c2||!
\ng|g2e a2″^cr in MS”a|g3-g2g|g2ea2a|g3-g2c|!
\ne2ee2d|f3e>fe|d2d (d>cd)|(e3c2)c|!
\ne2ee2d|f3-e2g|e2c “tr”d>cd|c3-c2|]<\/p>\n","protected":false},"excerpt":{"rendered":"
%abc %%abc-alias T.J.Dixon MSS %%abc-creator ABCexplorer 1.3.7 [05\/07\/2010] %T.J.Dixon MSS 1&2,Holton le Moor,Lincolnshire,1798 %www.village-music-project.org.uk %Transcribed by Ruairidh Greig, 2010 X:01 T:God Save the King. TJD.01 M:3\/4 L:1\/4 Q:1\/4=120 S:T.J.Dixon MS1,Lincolnshire 1798 R:Air A:Lincolnshire, Holton le Moor Z:vmp.[CGP1]R.Greig 2010 K:D dde|{d}”tr”c>de|ffg|”tr”f>ed|e{d}c>d|d2::aaa|a>gf|! ggg|”tr”g>fe|fg\/f\/e\/d\/|”tr”f>ga|bf<e{d}|d3:| X:02 T:There Was a Jolly Miller. TJD.02 M:6\/4 L:1\/4 Q:1\/4=160 S:T.J.Dixon MS1, Lincolnshire,1798 R:Air … Continue reading DIXON, Thomas John ms ABC<\/span>