{"id":596,"date":"2016-03-04T22:53:53","date_gmt":"2016-03-04T22:53:53","guid":{"rendered":"http:\/\/www.village-music-project.org.uk\/?page_id=596"},"modified":"2016-03-04T22:53:53","modified_gmt":"2016-03-04T22:53:53","slug":"moore-j-ms-abc","status":"publish","type":"page","link":"https:\/\/www.village-music-project.org.uk\/?page_id=596","title":{"rendered":"MOORE, J ms ABC"},"content":{"rendered":"

%abc
\n%%abc-alias John Moore,Tyneside
\n%%abc-creator ABCexplorer 1.3.8 [30\/08\/2010]
\n%%abc-edited-by www.village-music-project.org.uk
\n%VMP, John Adams & Chris Partington, 1999
\n%Revised 18\/7\/2005
\n%Revised again #11\/2008
\n%Revised again 12\/2009<\/p>\n

X:1
\nT:Swiss Boy,The. JMT.001
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:John Moore,Tyneside,1841,(01a)
\nR:.Country dance
\nO:England
\nA:Northumbria
\nH:1841
\nZ:vmp.John Adams
\nK:C
\nEF | G2E>F G2E>F | G2e>d c2 G2 | A2f>e d2e>d | c4 E3F |!
\nG2E>F G2E>F | G2e>d c2 G2 | F2f>d d2e>d | ” cr”c6 ||!
\nG2 | F2d>c B2 G2 | G2e>d c2 G2 | F2d>c B2 G2 | G2e>d c2 EF |!
\nG2E>F G2E>F | G2e>d c2 G2 | G2f>e d2e>d |” cr” c6|]<\/p>\n

X:2
\nT:Quadrille,A. JMT.002
\nT:Favourite Italian Dance,aka. JMT.002
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:John Moore,Tyneside,1841. (01b)
\nR:.Quadrille
\nO:England
\nA:Northumbria
\nN:See Staffs MS.CGP
\nH:1841
\nZ:vmp.John Adams
\nK:D
\nA | f2 A f2 A | fgf efe | d2 c def | e3 a2 A |!
\nf2 A f2 A | fgf efe |dcB dcB | f3 f2 :|!
\n|: A | ABc def | a2 g e2 d | cde ABc | e2 d f2 g | !
\nABc def | f2 e c2 d | cde ABc | e3 d2 \ud83d\ude10<\/p>\n

X:3
\nT:Quadrille,A. JMT.003
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:John Moore,Tyneside,1841. (02a)
\nR:.Quadrille
\nO:England
\nA:Northumbria
\nH:1841
\nZ:vmp.John Adams
\nK:D
\nA | def dcB | A2 G F2G | A2 d A2 d | cee e2A |!
\ndfe dcB | A2G F2A | f2dedc | ddd d2 :|!
\n|: g | f2g agf | agf agf | e2f gfe | gfegfe |!
\nf2a agf | e2f gfe | fed edc | ddd d2 \ud83d\ude10<\/p>\n

X:4
\nT:Waltz,A. JMT.004
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:John Moore,Tyneside,1841 (02b)
\nR:.Waltz
\nO:England
\nA:Northumbria
\nH:1841
\nZ:vmp.John Adams
\nK:D
\nA2 | d2 d-ef-d | A2F2A2 | G2E2A2 | F2D2F2 |!
\nd2d-ef-d | A2 F2 A2 | G2 E2 A2| D4:|!
\n|: d2| c2cdec | d2 defd | e2 efge | f2d2A2 |!
\nB2BcdB | A2 d2 f2 | agfaec| d4 :|!
\n|: A2 | B2 BcdB | A2 f2 A2| B2BcdB | A4 A2 |!
\nB2 BcdB | Ad f2 a2 | agfeec | d4 \ud83d\ude10<\/p>\n

X:5
\nT:Pit Lad,The . JMT.005
\nT:Bonny Pit Laddie,The,aka. JMT.005
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:John Moore,Tyneside,1841. (03a)
\nR:.jig
\nO:England
\nA:Northumbria
\nH:184
\nZ:vmp.John Adams
\nK:D
\nA | d<fd cAc | d<fd cAc | e3 c2 A | e<fd cAc | def gec | d3 D2 :|!
\n|:A | def g2e | f2d faf | e3c2A | def gfe | faf gec | d3 D2:|!
\n|:A | dcB AGF | GAB cAc |e3c2A | dcB AGF | GAB Adc | d3D2 \ud83d\ude10<\/p>\n

X:6
\nT:Scotch Reel,A. JMT.006
\nT:Fairy Dance,The,aka. JMT.006
\nM:C
\nL:1\/8
\nQ:1\/2=100
\nS:John Moore,Tyneside,1841. (03b)
\nR:.Reel
\nO:England
\nA:Northumbria
\nH:1841
\nZ:vmp.John Adams
\nK:D
\nA | f2fd f2fd | (gf)ed (cd)eg | f2 fd (gf)ed | (cA)Bc d2d :|!
\n|:f| a2 af b2 ba | g2 ge a2 ag | f2 fd (gf)ed | (cA)Bc d2 d:|<\/p>\n

X:7
\nT:John’s Favourite Hornpipe,aka. JMT.007
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nC:untitled in MS
\nS:John Moore,Tyneside,1841.(04a)
\nR:.Hornpipe
\nO:England
\nA:Northumbria
\nH:1841
\nZ:vmp.John Adams
\nK:D
\nA2 | d2 df (gf)ed | e2 ef (dc)BA | B2 Bc (dc)dB | (Ad)gf f2 e2 |!
\nd2 df (gf)ed | g2gf (ga)ba | (gf)ed Adce | d2d2d2 :|!
\n|: de | (fd)dd (Ad)dd | (fd)dd (Ad)dd | (fd)AF (DFA)d | (fd)gf f2e2 |!
\n(Ad)FA (AG)FG | (FA)df (ga)ba | (gf)ed (Ad)ce | d2d2d2 \ud83d\ude10<\/p>\n

X:8
\nT:Charles Stewards Reel. JMT.008
\nM:C
\nL:1\/8
\nQ:1\/2=100
\nS:John Moore,Tyneside,1841. (04b)
\nR:.Reel
\nO:England
\nA:Northumbria
\nN:Charles Mcxxxx’s Reel..JA..
\nH:1841
\nZ:vmp.John Adams
\nK:D
\ndB | (GE)FD G2 GB | (AF)FD E2 EF | (AF)FD (GA)Bd | .A.G.F.E D2 :|!
\n|:Ac | d2fd (eg)fc | d2 (fd) edBc | d2 fd eafe | (fa)ef d2 \ud83d\ude10<\/p>\n

X:9
\nT:Tench’s Hornpipe,aka. JMT.009
\nT:Hornpipe by Tench,A. JMT.009
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nC:by Tench?
\nS:John Moore,Tyneside,1841. (05)
\nR:.Hornpipe
\nO:England
\nA:Northumbria
\nH:1841
\nZ:vmp.John Adams
\nK:D
\nAG | (FG)EF DFAd | (cd)(Bc) Aceg | (fg)(ef) (de)(cd) | (Bc)(AB) GBAG |!
\n(FA)(EF) DFAc | (cd)(Bc) Aceg | (fa)ge fdec | d2d2d2 :|!
\n|:de | (fed).f (edc).e | (dcB).d (cBA).c | (BAG).B (AGF).A | GEFD ECCG |!
\n(FG)(EF) DFAc | (cd)(Bc) Aceg | fage fdec | d2d2d2 \ud83d\ude10<\/p>\n

X:10
\nT:Tant Tivey. JMT.010
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:John Moore,Tyneside,1841. (06)
\nR:.Jig
\nO:England
\nA:Northumbria
\nH:1841
\nZ:vmp.John Adams
\nK:D
\nA| d2d B2G | F2G A2d | B2d ceg | f3 e2A |!
\nd2d f2d | B2B e2d | c2c BAB | A3 zcd |!
\ne2c A2A |f2d A2A | f2d A2d | cd\/2e\/2 f a2 f |!
\nf3 e2A |FGA Bcd | efg afd | B2e d2c | d3 d2 A\/2A\/2 |!
\nA3 A3 |A-d2 d2 A\/2A\/2 | AFA AFA | (Ad)d d2(c\/2d\/2) |!
\ne3 e3| (e-a).a .a2 c\/2d\/2|ece ece | (ea)a a2a|!
\nfdd d2f | eAA A2a | fdd d2f | eAA A2 B\/2c\/2 |!
\nd2f d2f | d3 z2 A\/2A\/2 | d2f d2f | a3 z2 (A\/G\/) |!
\nFGA Bcd | efg afd | B2e d2c | d3 a3 |!
\nf2f ede | a3 g3 | f2f ede | ddd d2|]<\/p>\n

X:11
\nT:Liverpool Hornpipe,aka. JMT.011
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nC:untitled in MS
\nS:John Moore,Tyneside,1841. (07)
\nR:.Hornpipe
\nO:England
\nA:Northumbria
\nH:1841
\nZ:vmp.John Adams
\nK:D
\nAG | (FD)FA (df)af | (gf)ed (dc)BA | GBGB FAFA | EBA.G (GF)ED|!
\n(FD)FA (df)af | (gf)ed (dc)BA | (af)ed B-gec | d2d2d2 :|!
\n|:A2|(de)fd cdec|Beed (dc)BA|GBGB FAFA|EBA.G .GFED|!
\n(FD)FA (df)af|(gf)ed (dc)BA|afed (Bg)ec|d2d2d2:|<\/p>\n

X:12
\nT:Rory O’More. JMT.012
\nM:6\/8
\nL:1\/8
\nQ:3\/8120
\nS:J.Moore,Tyneside,1841. (08)
\nR:.Jig
\nO:England
\nA:Northumbria
\nN:Unusual setting
\nZ:vmp.John Adams
\nK:G
\ng\/e\/|\\
\n(dG).G AG.G | (dG).G (Gg)e | (d>cB) (BA)G | FAA A2B | !
\n(cd).e (de).f | .g.f.e d2c | (Bc).d (eg).^c | ddd “qu”d2 :|!
\ng\/e\/|\\
\n(dG)G (AG)G | (dG)G G(ge) | (d>cB) (B>AG) | (FA)A A2 B\/c\/|!
\n(dG)G AGG | dGGHe2 d\/c\/ | (B>c)d. .d.e.f| (gG)G ” cr”g3|!
\n(g>fe) (eB).B | {d}c-BA G2A |(E>FA) GAB | (Be)d d2 e\/f\/|!
\n(g>f)e (eB)B | cBA G2 F | (E>FG) (GA).B| (Bd)d “DC”d2|]<\/p>\n

X:13
\nT:Waltz,A. JMT.013
\nM:3\/8
\nL:1\/8
\nQ:3\/8=50
\nS:J.Moore,Tyneside,1841. (09)
\nR:.Waltz
\nO:England
\nA:Northumbria
\nH:184
\nZ:vmp.Chris Partington
\nK:G
\nG\/B\/|dd B\/d\/|ee g\/e\/|d d\/B\/c\/A\/|BG G\/B\/|!
\ndd B\/d\/|ee g\/e\/|d d\/B\/c\/A\/|G2:|!
\n|:g|f\/a\/ dd|g\/b\/ gg|f\/a\/ dd|g2G\/B\/|!
\ndd B\/d\/|ee g\/e\/|d d\/B\/c\/A\/|G2:|!
\n|:D|(G\/F\/G\/)A\/B\/c\/|ddB|ccA|BGD|!
\n(G\/F\/G\/)A\/B\/c\/|ddB|ccA|G2:|<\/p>\n

X:14
\nT:Waltz,A, JMT.014
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:J.Moore,Tyneside,1841.(10a)
\nR:.Waltz
\nO:England
\nA:Northumbria
\nH:1841
\nZ:vmp.Chris Partington
\nK:F
\nc\/B\/|(A\/c\/)f\/c\/a\/c\/|(A\/c\/)f\/c\/a\/c\/|(c\/B\/)A\/B\/g\/B\/|B\/A\/ A c\/B\/|!
\n(A\/c\/)f\/c\/a\/c\/|(A\/c\/)f\/c\/a\/c\/|(c\/d\/)e\/f\/g\/a\/|f2:|!
\n|:c|cde| fga|b2a|agc|cde|fga|g\/a\/b\/g\/e\/g\/|f2:|!
\n|:c|c=B_B|A2f|(e\/f\/)g\/e\/c\/g\/|f\/g\/ac|c=B_B|A2f|(e\/f\/)g\/e\/c\/g\/|f2:|<\/p>\n

X:15
\nT:Kitty O’Linch. JMT.015
\nT:Kitty O’Lynn,aka. JMT.015
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1841. (10b)
\nR:.Jig
\nO:England
\nA:Northumbria
\nH:1841
\nZ:vmp.Chris Partington
\nK:D
\nf\/e\/|dAA AFA|BGB Afe|dAA AFA|g3f2e|!
\ndAA AFA|Bdgb2a|aba agf|e3d2:|!
\n|:g|fgab2a|fgab2a|fga fga|e2f gfe|!
\nfgab2a|fgab2a|aba agf|e3d2:|<\/p>\n

X:16
\nT:Waltz,A. JMT.016
\nM:3\/8
\nL:1\/8
\nQ:3\/8=50
\nS:J.Moore,Tyneside,1841.(11a)
\nR:.Waltz
\nO:England
\nA:Northumbria
\nZ:vmp.John Adams
\nK:G
\nD | GG ((3B\/A\/F\/) | G\/B\/ d B\/G\/ | F\/A\/ c A\/F\/ | G\/B\/ DD |!
\nGG ((3B\/A\/F\/) | G\/B\/ d B\/G\/ | F\/A\/ c A\/F\/ | G2:|!
\n|:G | (F\/A\/c\/)A\/F\/A\/| (G\/B\/d\/)B\/G\/B\/ | (F\/A\/c\/)A\/F\/A\/| .G\/.A\/.B\/.c\/d |!
\n(F\/A\/c\/)A\/F\/A\/| (G\/B\/d\/)B\/G\/B\/|(F\/A\/c\/)A\/F\/A\/| G2 \ud83d\ude10<\/p>\n

X:17
\nT:My Love Is But A Lassie Yet,aka. JMT.017
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nC:untitled in MS
\nS:J.Moore,Tyneside,1841.(11b)
\nR:.Reel
\nO:England
\nA:Northumbria
\nH:184
\nZ:vmp.John Adam
\nK:D
\nB\/c\/| dDFD| dDD B\/c\/| dDFD| eEE B\/c\/| dDFD|!
\ndgfe| (d\/c\/B\/A\/) Bc| dDD:|\\
\n|:f\/g\/| afge| fd d\/e\/f\/g\/|!
\nafge| bee f\/g\/| afge| fdec| (d\/c\/B\/A\/) Bc| dDD:|<\/p>\n

X:18
\nT:Humours Of Glen,The. JMT.018
\nM:6\/8
\nL:1\/8
\nQ:3\/8=50
\nS:J.Moore,Tyneside,1841.(12)
\nR:.Air
\nO:England
\nA:Northumbria
\nN:What a lovely tune
\nH:1841
\nZ:vmp.Chris Partington
\nK:D
\nF|B(d\/c\/B\/^A\/) BFF|Fdc dFF|B(d\/c\/B\/^A\/) BFD|EF^A B2F|!
\nB(d\/c\/B\/^A\/) BFF|Fdc dFF|.G(A\/G\/F\/E\/) .F(G\/F\/E\/D\/)|EF^AB2:|!
\n|:d\/B\/|Addd2f\/e\/|dfa afd|g(a\/g\/f\/e\/) fdB|AF^AB2:|!
\n|:d\/B\/|AFF dFF|AFd (B\/A\/G\/F\/E\/D\/)|AFF dFD|EF^A B2d\/B\/|!
\nAFF dFF|AFd (B\/A\/G\/F\/E\/D\/)|g(a\/g\/f\/e\/) fdB|AF^AB2:|!
\n|:B|Bbb afd|g(a\/g\/f\/e\/) fdB|Bbb (b\/a\/g\/f\/e\/d\/)|AF^AB2B|!
\nB\/b\/b\/b\/b\/b\/ B\/a\/a\/a\/a\/a\/|g(a\/g\/f\/e\/) fdB|dcd (B\/A\/G\/F\/E\/D\/)|EF^AB2:|!
\n|:d\/B\/|A\/F\/A\/F\/A\/F\/ d\/F\/d\/F\/d\/F\/|A\/F\/A\/F\/d\/c\/ (B\/A\/G\/F\/E\/D\/)|\\
\nA\/F\/A\/F\/A\/F\/d\/F\/d\/F\/d\/F\/|EF^AB2d\/B\/|!
\nA\/F\/A\/F\/A\/F\/ d\/F\/d\/F\/d\/F\/|A\/F\/A\/F\/d\/c\/ (B\/A\/G\/F\/E\/D\/)|\\
\ng(a\/g\/f\/e\/) fdB|AF^AB2:|!
\n|:B|dfa b2b|(b\/a\/g\/f\/e\/d\/)a2a|g(a\/g\/f\/e\/) fdB|AF^AB2:|<\/p>\n

X:19
\nT:Durham Rainger,The. JMT.019
\nM:4\/4
\nL:1\/8
\nQ:1\/2=110
\nS:J.Moore,Tyneside,1841.(13b)
\nR:.Rant
\nO:England
\nA:Northumbria
\nH:184
\nZ:vmp.Chris Partington
\nK:D
\nFG|(AB)AF A2de|(fg)efd2Ac|(de)dB (AB)AF|F2E2E2FG|!
\n(AB)AFA2de|(fg)efd2Ac|(de)dB (AB)AG|F2D2D2:|!
\n|:ag|(fe)fg (af)de|(fe)fg afdf|g2bgf2af|f2e2e2FG|!
\n(AB)AFA2de|(fg)efd2Ac|(de)dB (AB)AF|F2D2D2:|<\/p>\n

X:20
\nT:London March,The. JMT.020
\nM:C
\nL:1\/8
\nQ:1\/4=140
\nS:J.Moore,Tyneside,1841.(14a)
\nR:.March
\nO:England
\nA:Northumbria
\nN:Irregular (bar missed out in the B music?
\nZ:vmp.John Adam
\nK:D
\n|:F2 FF F2 E2| DFAc B2 A2 | Bd Ad Gd Fd | E>DEF E4 |!
\nF2 FF F2 E2 | DFAdB2 A2 | Bd Ad FA dg | f2 e2 d2 :||:!
\n(3agf | efge f2 e2 “?”| d2 de f2 fa | a2 (3 agf f2 e2 | f2 ff f2 e2 |!
\ndf Ad B2 A2 | Bd Ad Gd Fd | E>DEF E4 | F2 FF F2 E2 |!
\nDFAd B2 A2 | Bd Ad FA dg | f2 e2 d4 \ud83d\ude10
\nW:Try repeating the first bar.<\/p>\n

X:21
\nT:I Lie With My Mammy Nae Mare. JMT.021
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1841.(14b)
\nR:.Jig
\nO:England
\nA:Northumbria
\nH:184
\nZ:vmp.Chris Partington
\nK:Bb
\nF\/E\/|DFFF2E|DFFF2F|GAGG2F|Bcd dcB|!
\ndef gab|fdfB2c|dgfd2c|BGGG2:|!
\n|:e|dfff2e|dfff2e|dff fdB|Bgg gfe|!
\ndef fab|fdfB2c|dgf edc|BGGG2:|<\/p>\n

X:22
\nT:Soldier’s Joy,The. JMT.022
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nS:J,Moore,Tyneside,1841.(15a)
\nR:.Hornpipe
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:D
\nc\/B\/|AFDF AFDF|A2d2d2cB|AFDF AFDF|G2E2E2F-G|!
\nAFDF AFDF|A2d2d3g|fafd egec|d2D2D2:|!
\n|:g2|fefg fagf|edefg2eg|fefg fagf|edcBA3g|!
\nfefg fagf|edefg2eg|fafd egec|d2D2D2:|<\/p>\n

X:23
\nT:Flower Of Edinburgh,The. JMT.023
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:J.Moore,Tyneside,1841.(15b)
\nR:.Reel
\nO:England
\nA:Northumbria
\nN:or raant or oornpipe etc
\nH:184
\nZ:vmp.Chris Partington
\nK:G
\nE|D2DEG2GA|(BG)(Bd) cBAG|(GF)(GE) DEFA|(AF)(dF)E2EF|!
\nD2DEG2GA|(BG)(Bd) efgf|dcBA (GF)GA|B2G2G2:|!
\n|:d2|gfga (gb)ag|fefg (fa)gf|edef gfed|B2e2e2fg|!
\ndBGBd2cB|(ed)(ef) agfe|dcBA (GFG)A|B2G2G2:|<\/p>\n

X:24
\nT:Keel Row,The. JMT.024
\nM:4\/4
\nL:1\/8
\nQ:1\/4=110
\nS:J.Moore,Tyneside,1841.(16&17)
\nR:.Air
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\ndc|B2GBc2Ac|B2GB AFDc|B2GBc2Ac|BGAFG2:|\\
\n|:dc|(Bd)(dg)e2dc|\\
\nB2GB AFDc|(Bd)(dg)e2dc|BGAFG2:|\\
\n|:dc|B>dG>B c>eE>G|F>AD>F G>Bd>c|\\
\nB>dG>B c>eE>G|F>AD>FG2:|\\
\n|dc|Bdgf edcB|cBAG FGAB|Bdgf edcB|\\
\ncedF GABc|Bdgf edcB|cBAG FAAc|\\
\n“DC at end of phrase”Bd^ce dfeg|fba”play as written”\\
\n^cd2^c2=c2:|\\
\n|:dc|B\/G\/B\/d\/ gB c\/A\/c\/f\/ aB|A\/D\/F\/A\/ dc B\/G\/B\/d\/ gd|\\
\nB\/G\/B\/d\/ g\/d\/B\/d\/ c\/A\/c\/f\/ a\/f\/e\/d\/|\\
\nB\/g\/e\/c\/ B\/d\/c\/A\/G2:|\\
\n|:dc|Bdde\/f\/ g\/f\/g\/a\/ bB|AA\/B\/ c\/B\/A\/G\/ F\/G\/A\/B\/ Ad\/c\/|\\
\nB\/G\/A\/B\/ c\/d\/e\/f\/ g\/f\/e\/d\/ c\/B\/A\/G\/|A\/c\/e\/d\/ c\/B\/c\/A\/ G2dc|\\
\nBdde\/f\/ g\/f\/g\/a\/ bB|\\
\ncA\/B\/ c\/B\/A\/G\/ F\/G\/A\/B\/ AA|\\
\n“DC at end of phrase”Bd^ce dfeg|fba”play as written”^cd2^c2=c2:|\\
\n|:dc|Bg\/f\/ gb Aa\/^g\/ ab|Af\/e\/ fa Bg\/f\/ gb|\\
\nBg\/f\/ gb ca\/^g\/ ab|Af\/e\/ fag2:|\\
\n|:dc|(3Bdg (3GBd (3cea (3ABc|(3Bdg (3GBd (3FAc (3DFA|\\
\n(3Bdg (3GBd (3cea (3ABd|\\
\n(3Bed (3cBA G2:|\\
\n|dc|(3BGB (3dBd (3gdc (3BAG|(3FDF (3AFA (3cAG (3FED|\\
\n(3BGB (3dBd (3gdc (3BAG|(3Eed (3cBA G>AB>c|\\
\n(3BGB (3dBd (3gdc (3BAG|(3FDF (3AFA (3cAG (3FED|\\
\n“DC at end of phrase”(3EFG (3FGA (3GAB (3ABc|\\
\n(3B^cd”play as written” (3cde d2^c2=c2:|\\
\n|:dc|B\/G\/B\/d\/ g\/d\/B\/d\/ c\/A\/c\/e\/ a\/f\/d\/c\/|\\
\nB\/G\/B\/d\/ g\/d\/B\/d\/ c\/A\/F\/A\/ D\/F\/A\/c\/|\\
\nB\/G\/B\/d\/ g\/d\/B\/d\/ c\/A\/c\/f\/ a\/f\/d\/c\/|B\/g\/e\/c\/ B\/d\/c\/A\/ G4|]<\/p>\n

X:25
\nT:Up Shinking. JMT.025
\nT:Ap Shenkin,aka. JMT.025
\nT:Tempest,The,aka. JMT.025
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1841.(18)
\nR:.Jig
\nO:England
\nA:Northumbria
\nH:184
\nZ:vmp.Chris Partington
\nK:G
\n(d\/c\/)|B2B Bgf|e2e efg|ded dcB|(BA)AA2d\/c\/|!
\nB2B Bgf|e2e efg|ded cBA|(AG)GG2:|!
\n|(g\/a\/)|b2ga2f|gfe dcB|cdc BgB|(BA)AA2g\/a\/|!
\nb2ga2f|gfe agf|bag fge|dgf edc|!
\nB2B Bgf|e2e efg|ded dcB|(BA)AA2d\/c\/|!
\nB2B Bgf|e2e efg|ded cBA|(AG)GG2|]<\/p>\n

X:26
\nT:Spotted Bitch,The. JMT.026
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nC:”James Hill”
\nS:J.Moore,Tyneside,1841.(19)
\nR:.Reel
\nO:England
\nA:Northumbria
\nN:Accredited to James Hill in the MS…CGP…
\nH:184
\nZ:vmp.Chris Partington
\nK:A
\ncB|(AE)Ac (BE)Bd|(ce)dfe2ef|(fa)ce (df)Bd|(cA)dcc2Bc|!
\n(AE)Ac (BE)Bd|(ce)dfe2ef|(ea)ce (df)Bd|(cB)AGA2:|!
\n|:(GA)|(BA)Bc (dc)BA|(Bd)FB (AF)ED|(CE)Ac (ec)fd|(cA)dcc2Bf|!
\n(ag)bg (ag)fe|(fe)af (ed)cB|(Ad)fe (dc)BA|(cB)AGA2:|<\/p>\n

X:27
\nT:Silver Street Lasses. JMT.027
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nS:J.Moore,Tyneside,1841.(20)
\nR:.Hornpipe
\nO:England
\nA:Northumbria
\nH:184
\nZ:vmp.Chris Partington
\nK:C
\nE2|(A^G)AB (A=G)EG|(A^G)AB (cB)cd|(ef)ge dedc|B2G2G2E2|!
\n(A^G)AB (A=G)EG|(A^G)AB (cB)cd|(ef)ge (de)dB|c2A2A2:|!
\n|:eg|(a^g)ab (a=g)eg|(a^g)ab (a=g)eg|(gf)ga (ge)dc|B2G2G2eg|!
\n(a^g)ab (a=g)eg|a^gaba2AB|(cB)cd (eg)de|c2A2A2eg|!
\n(a^g)ab (a=g)eg|a^gaba2ef|(ga)ge (de)dc|B2G2G2cB|!
\n(A^G)AB (cBc)e|(dc)BA (GA)BG|(A^G)AB cBcd|e2A2A2:|<\/p>\n

X:28
\nT:Sicilian Dance. JMT.028
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:J.Moore,Tyneside,1841.(21)
\nR:.Jig
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:F
\nC|F2F (AG)F|c2cc2B|(cf)ac2B|(AB).GF2C|!
\nF2F (AG)F|c2cc2f|efe dc=B|(c3c2)|!
\n|e\/f\/|g2cb2a|gfef2e\/f\/|g2cb2a|(gf)ef2c|!
\n(db)b (ca)a|(Bg)g (Af)f|(BA)Gc2E|F3F2|!
\n|F|A3GFG|F2F (FA)c|c3BAB|(BA)AA2f|!
\nf2ee2d|d2cc2B|ABc cBA|A3G2|!
\n|e|f2f (fe)=B|c2cc2g|b2b (bg)e|f2ff2c|!
\nf2ed2c|d2cB2A|BAGc2E|F3F2|]<\/p>\n

X:29
\nT:Lord Harwick’s March. JMT.029
\nM:4\/4
\nL:1\/8
\nQ:1\/4=130
\nS:J.Moore,Tyneside,1841.(22)
\nR:.March
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:D
\nA>F|F2F>F FF3|F3A dAGF|E2E>E EE3|E3F GBAG|!
\nF2f>f ff3|f3a bagf|ebag fedc|d2d>dd2:|!
\n|:f>f|a2a>aa2a>a|f2d2a2A>A|A2A>AA2A>A|F2D2A2a>a|!
\na2A>AA2a>a|a2A>AA2a>a|aaaaa4|a2a2a2A>G|!
\nF2F>F FF3|F3A dAGF|E2E>E EE3|E3F GBAG|!
\nF2f>f ff3|f3a bagf|ebag fedc|d2d>dd2:|!
\n|:z2|F4D3F|A2d>AF2A>F|D2F>DG,2g2|f2(d\/e\/f\/g\/) aaaa|!
\nf2(d\/e\/f\/g\/) aaaf|f>fa>a f>f d>d|a2a>aa2:|!
\n|:z2|AA\/A\/ AAA4|g4e2z2|AA\/A\/ AAA4|a4f2z2|!
\nAA\/A\/ AAA4|g2zfg2zf|.g.g.f.f .e.e.d.d|.c.c.B.B .A.A.G.G|!
\nF2F>F FF3|F2A2dAGF|E2E>E EE3|E3F GBAG|!
\nF2f>f ff3|f2a2bagf|ebag fedc |d2d>dd2:|<\/p>\n

X:30
\nT:Lady Mary Ramsey’Reel. JMT.030
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nS:J.Moore,Tyneside,1841.(23)
\nR:.Reel
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:D
\nF|D3B A<FF>B|A<FB<G A>FFd|D3B AFFB|A<DAF E\/E\/E E:|!
\ng|fddf ecce|dBBd AFF e\/g\/|fddf ecdA|(Bd)AF E\/E\/E E e\/g\/|!
\nfddf ecce|dfBd AFFc|dfce BdAB|FdAF E\/E\/E E|]<\/p>\n

X:31
\nT:Blow The Wind Southerly. JMT.031
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:J.Moore,Tyneside,1841.(24a)
\nR:.Air
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:D
\nd\/e\/|f>ed AFA| BGB AFd\/e\/|f>ed AFA|Bdcd2:|!
\n|:a|f2ae2a|dedc2a|f2ae2a|^gfga2a|!
\nb2ba2a|g>fg~f2d\/e\/|fed Bgb|a2cd2:|<\/p>\n

X:32
\nT:Quadrille,A. JMT.032
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:J.Moore,Tyneside,1841.(24b)
\nR:.Quadrille
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:D
\na|aef df-e|A3ABc|def gab|^g3a2a|!
\naef dfe|A3ABc|dfb aef|d3d2:|!
\n|:A|Aeg bag|g3f2f|fed dcB|BA^GA2A|!
\nAeg bag|g3f2d|d>cB BA^G|A3a2:|<\/p>\n

X:33
\nT:Le Pitit Tambour. JMT.033
\nT:Le Petit Tambour. JMT.033
\nT:Grand Old Duke Of York,aka. JMT.033
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:J.Moore,Tyneside,1841.(25)
\nR:.March
\nO:England
\nA:Northumbria
\nH:184
\nZ:vmp.Chris Partington
\nK:C
\ne\/d\/|cGEG|c3B\/c\/|dddd|d>e dc\/d\/|!
\neeee|.e(f\/e\/) .d(e\/d\/)|cc (B\/c\/)d\/B\/|c3||!
\nc\/B\/|AABc|d>c .B(c\/B\/)|AABc|d3c\/B\/|!
\nAABc|.d.d\/.d\/ .c.c\/.c\/|.B.B\/.B\/ .A.A\/.A\/|G4|!
\ncc\/c\/ cc|c3G|cGEC|G,GzG|cc\/c\/ cc|c3e|!
\n(d\/e\/).d\/.c\/ B\/c\/B\/A\/|G\/-A\/.B\/.c\/”DC” d\/e\/f\/d\/|]<\/p>\n

X:34
\nT:Ships Are Sailing,The. JMT.034
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1841.(26a)
\nR:.Quadrille
\nO:England
\nA:Northumbria
\nN:Fifes and Drums
\nW:B strain bar 5 not in MS,supposed mistake..
\nZ:vmp.Chris Partington
\nK:A
\nd|c2Ac2d|f2cA2g|a2ef2d|cecB2e|!
\nc2Ac2d|e2cA2g|a2ef2d|c3A2:|!
\n|:c|(AcA)E2c|(AcA)E2d|c2ef2d|c3B2c|!
\n(AcA)”?”E2c|(AcA)E2d|c2ef2d|c3A2:|<\/p>\n

X:35
\nT:Henslem’s Waltz. JMT.035
\nM:3\/8
\nL:1\/16
\nQ:3\/8=50
\nS:J.Moore,Tyneside,1841.(26b)
\nR:.Waltz
\nO:England
\nA:Northumbria
\nH:184
\nZ:vmp.Chris Partington
\nK:C
\nG2|c2ceg2|G2fdB2|c2cege|dBG2AB|!
\nc2ceg2|G2fdB2|ceegfd|c4:|!
\n|:ec|G2fdB2|G2gec2|G2fdec|dBG2AB|!
\nc2ceg2|G2fdB2|ceegfd|c4:|<\/p>\n

X:36
\nT:Pielschmann’s Waltz. JMT.036
\nM:3\/8
\nL:1\/16
\nQ:3\/8=50
\nS:J.Moore,Tyneside,1841.(27a)
\nR:.Waltz
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:C
\n(G2|c2)c2(G2|e2)e2(c2|g2)g2g2|g4g2|\\
\n(g2e2).e2|(e2g2).e2|(c2e2).d2|c4:|!
\n(G2|d2)d2(G2|e2)e2G2|f2(fe)(fe)|f4f2|\\
\na2a2g2|f2f2e2|(d2g2)B2|c4:|!
\n|:Be|(gfedcB)|(fedcBc)|d2d2d2|d4Be|!
\n(gfedcB)|(fedcBA)|G2B2B2|c4:|<\/p>\n

X:37
\nT:I’ll gang nae mair to yon town. JMT.037
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nS:J,Moore,Tyneside,1841.(27b)
\nR:.Reel
\nO:England
\nA:Northumbria
\nH:184
\nZ:vmp.Chris Partington
\nK:F
\nG|Fffc A2.F.c|(A\/B\/).c FA BGGf| (a\/g\/f\/e\/) fc A2 .F.c| \\
\n(A\/B\/).c GB AFF:|!
\nc| AFcF dFcB| AF (d\/c\/B\/A\/) BGGc| AFcF dFcB|(A\/B\/).c GB AFFc|!
\nAFcF dFcB| AF (d\/c\/B\/A\/) BGGe| fafd gbge| fdcB AFF|]<\/p>\n

X:38
\nT:Choeur des Montagnards. JMT.038
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:J.Moore,Tyneside,1841.(28a)
\nR:.March
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:C
\ng|(g3e)zg|(g3e)ze|d2d (ded)|c3Gzg|!
\n(g3e)zg|g3eze|d2d (ded)|c3c2:|!
\n|:c|(dg).G (dg).G|(ce).G (ce).G|(dg).G (dg).G|c3ezc|!
\n(dg).G (dg).G|(ce).G (ce).G|(dg).G (dg).G|c3c2:|<\/p>\n

X:39
\nT:Monfrina. JMT.039
\nT:Italian Monfrina,aka. JMT.039
\nT:Ducks Dang etc,aka. JMT.039
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1841.(28b)
\nR:.Jig
\nO:England
\nA:Northumbria
\nH:184
\nZ:vmp.Chris Partington
\nK:A
\nE|ABc cdB|(BA)AA2c|Bcd GAB|(BA)AA2E|!
\nABc cdB|BAA Ace|ecA GAB|(BA)AA2:|!
\n|:a|agb bge|(cd).ee2a|agb bge|cdee2a|!
\naga aga|fdf agf|efe dcB|(BA)AA2:|<\/p>\n

X:40
\nT:May Moon,The. JMT.040
\nT:Young May Moon,aka. JMT.040
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J,Moore,Tyneside,1841.(29a)
\nR:.Jig
\nO:England
\nA:Northumbria
\nZ:vmp.J.Adam
\nK:D
\nA|d2A AFA|d2A AFA|d2d ede|f2d def|!
\ng2g f2f|efd cBA|BAG FGA|B2A A2:|!
\n|:f|aba fdf|aba fdf|aba fdf|g2e e2f|!
\nafa geg|fed cBA|BAG FGA|B2A A2:|<\/p>\n

X:41
\nT:Rob Roy’s Reel. JMT.041
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:J.Moore,Tyneside,1841.(29b)
\nR:.Reel
\nO:England
\nA:Northumbria
\nH:184
\nZ:vmp.Chris Partington
\nK:D
\nA|(FA)BA FABA|(FA)de (fe)ef|(FA)BA (dc)BA|(Bc)de (fd)d:|!
\ne|(fd)ge (af)ed|(Bc)de (cA)Ag|(fd)ge afed|(Bc)de (fd)dg|!
\n(fd)ge (af)ed|Bcde (cA)Ag|(fa)gb (af)ed|(Bc)de (fd)d|]<\/p>\n

X:42
\nT:Anna Bolena. JMT.042
\nM:4\/4
\nL:1\/8
\nQ:1\/4=135
\nC:Unedited!
\nS:J.Moore,Tyneside,1841.(30)
\nR:.March
\nO:England
\nA:Northumbria
\nN:Bar lines all over the place ! Very suitable for the village band to
\nN:play at the garden fete for visiting pompousness’s
\nH:184
\nZ:vmp.Chris Partington
\nK:C
\nezcz|G3(c\/d\/) ezcz|G3(A\/B\/) czd2z|ef2|^cde2B|!
\n(c2G)zezcz|G3(c\/d\/) ezcz|(G3A\/B\/) czez|dg^fe d^c=cA|G2z2|!
\n|”cres.”G2G2|(d3^c\/)d\/(e3^d\/)e\/|(f2G)zG2G2|\\
\nc>GE>G c>ea>g|(g2d)z”soft”G2G2|!
\nd3^c\/d\/”cres”e3^d\/e\/|(f2G)zG2G2|c>Bc>d e>de>c|\\
\n“hold”g2z2ez”*”cz|G3(c\/d\/) “*”ez”*”ez|!
\n(e2A)z ABcd e(a2g) “pia”d(a2g)|g2ez ABcd|(ea2g) da2g|c2z2|]
\nW:These 3 notes are crotchets in the MS<\/p>\n

X:43
\nT:Jack’s Alive. JMT.043
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:J.Moore,Tyneside,1841.(31)
\nR:.Jig
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nD|G2G (GA)B|A2A (AB)c|d2Bc2A|B2G (FE)D|!
\nG2G G2B|A2AA2c|BdB cAF|G3G2:|!
\nd|g2g gbg|f2f (fa).f|e2e (ef).g|a2g (fe).d|!
\ng2g (gb).g|f2f (fa).f|ege faf|(g3g2)d|!
\ngbg gbg|faf faf|efe efg|fag fed|!
\ng3dBd|e3cAc|BdB cAF|G3G2|]<\/p>\n

X:44
\nT:Devil Among The Tailors,The JMT.044
\nT:Devil’s Dream,aka. JMT.044
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:J.Moore,Tyneside,1841.(32)
\nR:.Reel
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:A
\ne2|(eaga) (eaga)|(eaga) fedc|dfBf dfBf|dfba agfe|!
\n(eaga) (eaga)|(eaga)fedc|defg aefd|c2A2A2:|!
\n|:ed|ceAe ceAe|ceag fedc|dfBf dfBf|dfba gfec|!
\nceAe ceAe|ceag fedc|defa gefd|c2A2A2:|<\/p>\n

X:45
\nT:Morpeth Rant. JMT.045
\nM:4\/4
\nL:1\/8
\nQ:1\/2=110
\nS:J,Moore,Tyneside,1841.(33)
\nR:.Rant
\nO:England
\nA:Northumbria
\nZ:vmp.J.Adams
\nK:G
\n(DF)|G2 DC B,G,B,D|ECEG FDFA|BGcA dBAG|F2 A2 A(cBA)|!
\nG2 .D.C B,G,B,D|ECEG FDFA| BGcA dBAG| D2 G2 G2:| !
\n|:df| gdBG FAce|dBAG GFED| cecA BdBG| F2 D2 D2 (GF)|!
\nECEG cBAG| FDFA dcBA| Bgfe dcBA| B2 G2 G2 \ud83d\ude10<\/p>\n

X:46
\nT:Paddy’s Rambles. JMT.046
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1841.(34a)
\nR:.Jig
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:D
\nF|A>BA AFD|d>ed cBA|afd afd|ceee2(F\/G\/)|!
\nA>BA AFD|d>ed cBA|afd gec|dddd2:|!
\n|:A|dfa dfa|cea cea|dcd Bed|cAAA2(G\/F\/)|!
\nGBd GAd|FAd FAd|GFG EAG|FDDD2:|<\/p>\n

X:47
\nT:Wearmouth Lasses. JMT.047
\nT:Yarmouth Lasses,aka. JMT.047
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1841.(34b)
\nR:.Jig
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nd|gfg d^cd|=cBc dBG|DGBB2A|Acee2d|!
\ngfg d^cd|=cBc dBG|DGBB2d|dcAG2:|!
\n|:D DGBB2A|Acee2d|DGBB2A|Acee2d|!
\ngfg d^cd|=cBc dBG|DGB ced|cBAG2:|<\/p>\n

X:48
\nT:Charlie Is My Darling.2voices. JMT.048
\nM:4\/4
\nL:1\/8
\nQ:1\/2=60
\nS:J.Moore,Tyneside,1841.(35)
\nR:Air
\nO:England
\nA:Northumbria
\nN:There are grace notes={c\/e\/d\/c\/B\/A\/c\/B\/A\/G\/} adorning
\nN:the F# in bar 8.
\nZ:vmp.Chris Partington
\nK:Bb
\nV:1
\n[V:1](G>A)(B>c) d2(g>e)|e2(g>e)(d2g)(d\/B\/)|(G>A)(B>c) d2(g>a)|!
\n[V:2](G>^FG>A) B>GG2|(c>G)G2(B>G)G2|G>^FG>A B>GG>F|!
\n[V:1]b2(a>g)g2z(g|^f)>(d=e>f) (g>a) (ba\/g\/)|^f>(d”NB”=e)>(fg3)a|!
\n[V:2]G2(c>B)B2z2|d2d>c (B>A) (G>B)|d2(d>c) (B>A) GB|!
\n[V:1](b>ab>g) (f<d) (Bc\/d\/)|e>c d>B d3^F|G>(AB>cd2)(g>d)|!
\n[V:2]d>ed>A B>^FG2|^F2G2D2Fz|G>FG>A (B>G)G2|!
\n[V:1](e2g)>(ed2)g(B\/A\/)|(G>A)(B>c)d2(g>a)|(b2{c’}a>g{bc’}g2)|]
\n[V:2]c>GG2B>GG2|G>FG>A B>GG>F|G2{d}c>BB2|]
\nW:NB.presumed Enatural from previous bar<\/p>\n

X:49
\nT:Sir Sidney Smith’s March.2voices. JMT.049
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:J.Moore,Tyneside,1841.(36)
\nR:.March
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:Bb
\n[V:1]|:de|f2f2f2f2|g2f2e2d2|e2dec2fd|decdB2fe|!
\n[V:2]|:Bc|d2d2d2d2|e2d2c2B2|c2A2F2GA|B2F2B,2F2|!
\n[V:1]dfdf cfcf|BfBfA2fe|defgf2=e2|f6:|!
\n[V:2]B2B2A2A2|G2G2F2F2|” crotchets in MS”AGAB c2C2|F6:|!
\n[V:1]cB|AFAc fcde|d6fe|dBdf bfga|g6ba|!
\n[V:2]z2|z8|B6z2|z8|
\n[V:1]gbgb fbfb|ebeb dbdb|gbgb fbfb|ebeb dbdb|!
\n[V:2]e6z2|e2e2d2d2|c2c2B2B2|e2e2d2d2|!
\n[V:1]g2f2e2d2|g2f2e2d2|g2f2e2d2|c6de|f2f2f2f2|!
\n[V:2]c2c2B2B2|e2d2c2B2|e2d2c2B2|e2d2c2B2|F6Bc|d2d2d2d2|!
\n[V:1]g2f2e2d2|e2dec2fe|decdB2fe|dfdf cfcf|!
\n[V:2]e2d2c2B2|B2A2F2GA|B2F2B,2F2|B2B2F2F2|!
\n[V:1]BfBf AfAf|GfGf AfAf|” supposed”BfBf cfcf|dgfe d2c2|B6|]
\n[V:2]G2G2F2F2|C2C2E2E2|F2F2A2A2|B2DEF2F2|B,6|]<\/p>\n

X:50
\nT:Shield’s Fair. JMT.050
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:J.Moore,Tyneside,1841.(37)
\nR:.Reel
\nO:England
\nA:Northumbria
\nH:184
\nZ:vmp.Chris Partington
\nK:A
\n(e\/f\/g)|a2Ac (ec)Ac|d2c2c2eg|a2Ac (ec)Ac|c2B2B2(e\/f\/g)|!
\na2Ac (ec)Ac|d2c2f2fe|(dc)BA (GB)ed|c2A2A2:|!
\n|:BA|(GE)Ec (BE)Ec|(BE)Ecd2dc|(cA)Ac (dB)Bd|(ec)cef2fd|!
\n(ca)ac (Bg)gB|(Ac)ec f2fe|(dc)BA (GB)ed|c2A2A2:|<\/p>\n

X:51
\nT:Delvinsides. JMT.051
\nM:4\/4
\nL:1\/8
\nQ:1\/2=70
\nS:J.Moore,Tyneside,1841.(38)
\nR:.Reel
\nO:England
\nA:Northumbria
\nH:184
\nZ:vmp.Chris Partington
\nK:D
\nBe (d\/c\/B\/A\/) dGBG|Be (d\/c\/B\/A\/) dDAD|Be (d\/c\/B\/A\/) dBBg|fdec dDAF:|!
\n|:dEBE dEEe|dEBE dDDf|dEBE dEEg|(f\/g\/a\/f\/) (e\/f\/g\/e\/) dDAF:|!
\n|:Bece Bece|Bece dAFD|Bece dBBg|(f\/g\/a\/g\/) (e\/f\/g\/e\/) dDAF:|!
\n|:e2Bc\/d\/e2Bc\/d\/|e2Bc\/d\/ dAFD|e2Bc\/d\/ eeeg|fdec dDAF:|<\/p>\n

X:52
\nT:Irish Washerwoman. JMT.052
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1841.(39a)
\nR:.Jig
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nd\/c\/|BGG DGG|BGB dcB|cAA DAA|cAc edc|!
\nBGG DGG|BGB dcB|cBc Adc|BGG G2:|!
\n|:g\/a\/|bgg dgg|bgb bag|afd Adg|fdf agf|!
\n(eg)g (dg)g|(cg)g (Bg)g|d\/c\/Bc Adc|BGGG2:|<\/p>\n

X:53
\nT:College Hornpipe. JMT.053
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:J.Moore,Tyneside,1841.(39b)
\nR:.Hornpipe
\nO:England
\nA:Northumbria
\nN:MS has crotchets here,and semi quavers at the bar end,but they don’t ad
\nN:d up.
\nZ:vmp.Chris Partington
\nK:D
\ndc|d2D2D2AG|FAd2d2(3fed|e2E2E2ed|”NB”cea4ga|!
\nbagf agfe|(gf)ge dcBA|Bdce dfeg|f2d2d2:|!
\n|:AG|FAdA FAdA|B2G2G2BA|GBec GBed|c2A2A2dc|!
\nd2(b2b)agf|g-fge dcBA|Bdce dfeg|f2d2d2:|<\/p>\n

X:54
\nT:Hawk,The. JMT.054
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nC:”A Hornpipe by James Hill”
\nS:J.Moore,Tyneside,1841.(40)
\nR:.Hornpipe
\nN:It says in brackets alongside the title “A Hornpipe By James Hill”
\nZ:vmp.Chris Partington
\nK:E
\n(B\/c\/d)|e2ge (ce)gf|(eg)fa (gb)ag|f2af (df)ag|(fe)dc (Bc)dB|!
\ne2ge (ce)gf|(eg)fa (gb)ag|(fe)fg|(bB)cd|(eB)gfe2:|!
\n|:GA|(Ba)ge (Ba)gd|(Ba)gf (ed)cB|(cB)dc (ed)ge|(ge)agg2fg|!
\n(gb).g.a (fg)ef|(db)ca (Bg)Af|(de)fg (bB)cd|(ec)gfe2:|<\/p>\n

X:55
\nT:Green Hills Of Tyrol. JMT.055
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:J.Moore,Tyneside,1841.(41)
\nR:.Waltz
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\n(3DGB|B2BGBc|d2deBe|dcAFAe|dBGDGA|!
\nB2BGBc|d2dede|dcADFA|G3:|!
\nz2|G2g2fe|edd2ed|dcc2dc|cBB2G2|!
\ng2g2fe|edd2ed|^c2c2BA|”NB”d2dAfA|e2eAfA|!
\nd2dAfA|e2ec^cA|d\/e\/^c\/e\/d\/e\/ =c\/d\/B\/d\/A\/d\/|\\
\nG2GDGA||!
\nB2B^FdF|B2BcBA|G2GDBD|G2G^FGA|!
\nB2B^FdF|B2BcBA|G2GEBD|G4G2|!
\ng2g2fe|edd2e2|dcc2d2|cBB2G2|!
\ng2g2fe|edd2e2|dcc2f2|g4|]
\nW:NB=possible bar missing here.<\/p>\n

X:56
\nT:Gloomy Winter. JMT.056
\nM:C
\nL:1\/8
\nQ:1\/4=60
\nS:J.Moore,Tyneside,1841.(42a)
\nR:.Air
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:C
\nA>A A>B AGE2|c>c c>e d>cB2|A>A eA A>G EC|D>DE>^G AA,A,2:|!
\n|:C>C CE DC C2 |C>A, A,>C B,E E2|c>c c>e d>c Bd|cA (c\/B\/A\/G\/) E>AA2|!
\nc>c g>c B>cd2|(A\/c\/)(B\/e\/) (c\/B\/)(A\/G\/) A>ee2|\\
\nE>G (G\/F\/E\/D\/) EG Bd|cA (c\/B\/A\/G\/) E>AA2:|<\/p>\n

X:57
\nT:Rachel Reay’s Rant. JMT. 057
\nM:C
\nL:1\/8
\nQ:1\/2=100
\nS:J.Moore,Tyneside,1841.(42b)
\nR:.Rant
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:D
\nA,|D2FAd2Ac|d2fde2cA|d2AF (BA)GF|(EF)GA (FD) D:|!
\n|:A|d2fd (fa)fd|g2bge2cA|d2fd (fa)fd|(eg)fe (fd)dA|!
\nd2fdf2af|g2bge2cA|d2Ad (BA)GF|(EF)GA (FD) D:|<\/p>\n

X:58
\nT:Harvest Cany A Coming?. JMT.058
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nS:J.Moore,Tyneside,1841.(43a)
\nR:.Reel
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:D
\nA,|D2FA DAFD|A,A,CE A,ECA,|D>DFA DAFA|(3Bcd (3efg fd d:|!
\n|:A| d2fd adfd|B>B ed cGAc|d2fd adfd|(3Bcd (3efg fd dA|!
\nd2fd adfd|B>B ed cAAg|(3fag (3fed (3dcB (3AGF|\\
\n(3GAB (3ABc (3dAG (3FGD:|<\/p>\n

X:59
\nT:Triumph,The. JMT.059
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:J.Moore,Tyneside,1841.(43b)
\nR:.Rant
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nge|d-BBG (cA)AF|(Gg)fg (ef)ge|(dB)BG (cA)AF|G2B2G2:|!
\n|:B2|A2d2B2d2|A2d2B2d2|A2d2B2d2|(dc)BAG2:|!
\n|:B2|B2d2(dc)c2|A3c (cB)B2|(GA)Bc (ef)ge|(dc)BAG2:|<\/p>\n

X:60
\nT:Irish Jigg,An. JMT.060
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1841.(44a)
\nR:.Jig
\nO:England
\nA:Kent
\nZ:vmp.Chris Partington
\nK:C
\nA2Bc2d|egec3|B2dg2e|dBGG2B|!
\nA2Bc2d|egec3|B2dg2e|dBGA3:|!
\n|:a3efg|a2ec3|B2dg2e|dBGG2B|!
\na3efg|a2ec3|B2dg2e|dBGA2e|!
\na3efg|a2ec2e|c2eg2e|dBGG2B|!
\nA2Bc2d|egec3|Bd2g2e|dBGA3:|<\/p>\n

X:61
\nT:Off She Goes. JMT.061
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1841.(44b)
\nR:.Jig
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:D
\nz|F2AG2B|ABAd3|F2AG2B|AFDE2D|!
\nF2AG2B|ABAd3|f2dg2f|edcd2:|!
\n|:e|fafd2f|egec2e|fafd2f|edcd3|!
\nfafd2f|egec2e|f2dg2f|edcd2:|<\/p>\n

X:62
\nT:Roy’s Wife Of Aldivallock. JMT.062
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:J.Moore,Tyneside,1841.(45a)
\nR:.Strathspey
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:D
\nA<F F>E FE FB|A>F F>D E>DEF|\\
\nA>F E>D d>ef>e|d>B A>F E>D EF:|!
\n|:A>B d>f e\/d\/e\/f\/ dB|AB\/c\/ d>A E>DEF|\\
\nAB\/c\/ d>f e\/d\/g\/f\/ {f}ed\/e\/|f>e d>F FE Fd\/B\/:|<\/p>\n

X:63
\nT:Bonny Gordie. JMT.063
\nT:Bonny Geordie. JMT.063
\nM:C
\nL:1\/8
\nQ:1\/2=100
\nS:J.Moore,Tyneside,1841.(45b)
\nR:.Reel
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:A
\n(eg)ae (fd)ec|(Aa)ac e2f2|eaae fdec|B=ggBd2f2:|!
\n|:(eA)cA (eA)ce|(Aa)ace2f2|(eA)ce (ae)cA|B=ggB d2f2:|<\/p>\n

X:64
\nT:White Cockade. JMT.064
\nM:2\/4
\nL:1\/8
\nQ:1\/4=90
\nS:J.Moore,Tyneside,1841.(45c)
\nR:.S.Measure
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\ng|dB BA\/G\/|BB Bg|dB BA\/G\/|FA AG\/A\/|!
\nBB (c\/B\/)(A\/G\/)|Bd ga|b\/a\/g\/f\/ a\/g\/f\/e\/|dB B:|!
\n|:B\/c\/|dB gB|dd dB\/c\/|dB gf\/g\/|aA AG\/A\/|!
\nBB (c\/B\/)(A\/G\/)|Bd ga|b\/a\/g\/f\/ a\/g\/f\/e\/|dB B:|<\/p>\n

X:65
\nT:Orange And Blue. JMT.065
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:J.Moore,Tyneside,1841.(46a)
\nR:.Rant
\nO:England
\nA:Northumbria
\nN:Rant in the 18thC Scottish sense.
\nZ:vmp.Chris Partington
\nK:C
\n“*”gf|e2cc Gcc2|ec (e\/f\/g\/f\/) ecce|fdd2 Addc|BG (B\/c\/d\/c\/) BGGg|!
\necc2 Gcc2|ec (e\/f\/g\/f\/) eccg|a>fg>e f>de>c|(B\/c\/d\/c\/) GBc2:|!
\n|:gf|egg2 eggf|ec (e\/f\/g\/f\/) ecce|faa2 faag|fd (f\/g\/a\/g\/) fddf|!
\negg2 eggf|ec (e\/f\/g\/f\/) eccg|a>fg>e f>de>c|(B\/c\/d\/c\/) GBc2:|<\/p>\n

X:66
\nT:Torryburn Lasses,aka. JMT.066
\nT:Seymour’s Reel,aka. JMT.066
\nM:C
\nL:1\/8
\nQ:1\/2=110
\nC:untitled in MS
\nS:J.Moore,Tyneside,1841.(46b)
\nR:.Reel
\nO:England
\nA:Northumbria
\nN:Titled “A Reel” in MS..CGP…
\nZ:vmp.Chris Partington
\nK:G
\nD|G2BG (Gd)dB|c2ec egg2|G2BG (Bd)dg|(ed)cBA2G:|!
\n|:d|(ga)bg (ag)fd|(ef)ge (dc)BG|(ga)bg (ag)fd|(eg)fag2ga|!
\n(ba)gf (gf)ed|(ef)ge (dB)GB|(cB)cd (ef)ge|(dB)gBA2G:|<\/p>\n

X:67
\nT:Kitty Of Colerain. JMT.067
\nM:6\/8
\nL:1\/8
\nQ:3\/8=80
\nS:J.Moore,Tyneside,1841.(47a)
\nR:.Jig
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:D
\nA\/G\/|FAd dfa|efd ceA|dfa dgb|(b\/a\/g\/f\/e\/d\/) (f\/e\/d\/c\/B\/A\/)|!
\nFAd dfa|efd ceA|dfa dgb|ABcd2:|!
\n|:f\/g\/|afd ecA|(b\/a\/g\/f\/e\/d\/) (f\/e\/d\/c\/B\/A\/)|afd ecA|Ba^g a2A\/G\/|!
\nFAd dfa|e(g\/f\/e\/d\/) cec|dfa dgb|ABcd2:|<\/p>\n

X:68
\nT:Blanchland Races. JMT.068
\nT:Timour The Tartar,aka. JMT.068
\nM:C
\nL:1\/8
\nQ:1\/2=100
\nS:J.Moore,Tyneside,1841.(47b)
\nR:.Reel
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:A
\nE|A2(c\/B\/)A eAcA|eAaA gAfA|eA (c\/B\/)A eA (c\/B\/)A|BEcE dEBE|!
\nA2(c\/B\/)A eAcA|eAaA gAfA|efec eaec|BABcA3:|!
\n|:A|E2(G\/F\/)E BEGE|BEdE cEBE|A2(c\/B\/)A eAcA|eAaA gAfA|!
\neA (c\/B\/)A aAfA|eA (c\/B\/)A aAfA|ecfe dcBA|GABA GEFG:|<\/p>\n

X:69
\nT:Speed The Plough. JMT.069
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:J.Moore,Tyneside,1841.(48)
\nR:.Reel
\nO:England
\nA:Northumbria
\nW:C.G.P
\nK:A
\nE|(AB)(Ac) efec|eaec efec|dedB cdcA|FBBA GBBc|!
\n(AB)(Ac) efec|eaec efec|decd BcAE|FAGBc2A”NB”:|!
\n|:e|aaaA aAeA|aAgA fAeA|dedB cdcA|FBBA GBBd|!
\n(cBA)e aece|fdBf ecAc|decd BcAE|FAGBc2A:|
\nW:MS has an extra A quaver at the end of each strain.<\/p>\n

X:70
\nT:Earl Moira’s WelcomeTo Scotland. JMT.070
\nM:4\/4
\nL:1\/8
\nQ:1\/4=130
\nS:J.Moore,Tyneside,1841.(49)
\nR:.Strathspey
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:F
\nC|:F<FF<F Ac~c2|B>GA>F E\/F\/G\/F\/ EC|F>FF>F Ac~c2|d>feg f\/g\/a\/g\/ fa:|!
\n|:f>gaf gfec|d>e {de}fd c\/d\/c\/B\/ AF|f>gaf gfec|d>f e\/f\/g\/e\/ f2-(3fga|!
\nbgaf gfdf|d\/c\/B\/A\/ fA B\/A\/G\/F\/ GA|F<FF>A Bd~d2-|c>fe>g f\/g\/a\/g\/ fa:|!
\n|:AFcF d\/c\/B\/A\/ Bf|AFcF GABd|AFcF d\/c\/B\/A\/ cf|d>fe>g f\/g\/a\/g\/ fa:|!
\n|:fafa eg c2|d>efd c\/d\/c\/B\/ AF|f\/g\/a f\/g\/a e\/f\/g c2|d>fe>gf3f|!
\ndbca BgAf|”qu’s”A\/B\/c\/B\/ AF E\/F\/G\/F\/ ED|(3FGA (3GAB (3ABc (3Bcd|\\
\nc>fe>g f\/g\/a\/g\/ fa:|<\/p>\n

X:71
\nT:Miss Hope’s Reel. JMT.071
\nM:4\/4
\nL:1\/8
\nQ:1\/4=140
\nS:J.Moore,Tyneside,1841.(50a)
\nR:.Strathspey
\nO:England
\nA:Northumberland
\nN:A little difficult to read the lower note
\nZ:vmp.Chris Partington
\nK:D
\nA,|D<C C>F E>D B,<D|G<GG>A B>AFd|A<F FD GBAG|EB,B,C (ED2):|!
\n|:A|d<d Ad FdAc|d>f (g\/f\/e\/d\/)B2-Bc|dfdA BdAF|GBAc (3dAG (3FED|!
\nd<d Ad FdAc|d>f (g\/f\/e\/d\/)B2-Bc|dfdA BdAF|EB,B,C (ED2):|<\/p>\n

X:72
\nT:Cammel’s Rondeau. JMT.072
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nS:J Moore,Tyneside,1841.(50b)
\nR:.Rondeau
\nO:England
\nA:Northumberland
\nZ:vmp.Chris Partington
\nK:D
\n“Key F in MS”G>AG2g2f2|G>AG2e2d2|Gdcd BdAd|BGEA GFED|!
\nG>AG2g2f2|G>AG2e2d2|BG=cA dBe=c|B2A2G4:|!
\n|:dafd Bgec|dafd Bgec|” e in ms”dAeA fAgA|afed dcBA|!
\nd2df ecBA|d2dfe4|fdge afbg|” Da Capo”f2e2e2d2:|<\/p>\n

X:73
\nT:Cylph Dance,The. JMT.073
\nT:Sylph,The,aka. JMT.073
\nT:Plymouth Lasses,aka. JMT.073
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:J.Moore,Tyneside,1841.(51a)
\nR:.Jig
\nO:England
\nA:Tyneside
\nN:a.k.a. The Selph,Self,et
\nZ:vmp.Chris Partington
\nK:D
\nA|AFA d(fa)|(ag)fe2g|(fe)d (fe)d|(ce)e”NB”e2A|!
\nAFA dfa|agf efa|(f\/g\/)ad gec|dddd2:|!
\n|:A\/G\/|(FA).d (dc).B|(BA).G (GF)D|(F\/G\/A)G F\/G\/AD|CEEE2A\/G\/|!
\nFAd dcB|BAGF2D|(F\/G\/A)D GEC|EDDD2:|
\nW:NB=Crotchet E missing from MS<\/p>\n

X:74
\nT:Maid of Anachar,The. JMT.074
\nM:6\/8
\nL:1\/8
\nQ:3\/8=80
\nS:J.Moore,Tyneside,1841.(51b)
\nR:.Air
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:D
\nD\/E\/|F>ED F>ED|FAAA2d\/e\/|f>ed f>ed|f>edB2A\/G\/|!
\nF>ED F>ED|FAAA2d\/e\/|fdB AFD|E>DED2:|!
\n|:A\/G\/|FAB FAB\/c\/|dd\/e\/g\/f\/ dBA\/G\/|FAB FAd\/e\/|f>(e\/d\/c\/) BA\/B\/c\/A\/|!
\ndfa fdA|(B\/A\/B\/c\/d\/c\/) (B\/A\/G\/F\/E\/D\/)|{D}d2B\/4c\/4d\/4B\/4 AFD|GDG D2:|<\/p>\n

X:75
\nT:Lord McDonald’s Reel. JMT.075
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:J.Moore,Tyneside,1841.(52)
\nR:.Reel
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nB\/c\/|d3e dBgB|dB gf\/g\/ aAAB\/c\/|d3e dBgB|A\/B\/c BA BGG:|!
\nG|DGBG AGBG|DGBG AGEG|DGBG AGBG|DEDC B,G,G,G|!
\nDGBG AGBG|DGBG AGEc|BAGF GFED|EFGA BGG|]<\/p>\n

X:76
\nT:Tullock Gorum, JMT.076
\nM:4\/4
\nL:1\/8
\nQ:1\/4=100
\nS:J.Moore,Tyneside,1841.(52b)
\nR:.Strathspey
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nc|B<Gd<G c<FAc|B<GdG Bcdg|\\
\nB<Gd<G c=FAB|Ggd>c {c}B2A:|!
\n|:B|G>gd>e =fFA2|G<gd>g B>gd>g|\\
\nG>gd>e =fF (d\/c\/B\/A\/)|G>gd>g {d}c2B>A|!
\nG>gd>e =fF (d\/c\/B\/A\/)|G>gd>e =f>g {fg}a>g|\\
\n=f>ef>d c>FA>f|g>d (g\/-a\/.b)g2d|]<\/p>\n

X:77
\nT:4th Dragoons March. JMT.077
\nM:4\/4
\nL:1\/8
\nQ:1\/2=70
\nS:J.Moore,Tyneside,1841.(53)
\nR:.March
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nDF|G2G>GG2Bc|d>BGGG2cd|ecg2dBg2|(gf)ag fedc|!
\n(B\/c\/).d AG (A\/B\/).c AF|GBcd efga|bgfa fed^c|d2d>dd2:| !
\n|:fg|a2a>a ac’ba|g2g>g gbag|fedg fedc|B2A2 (dc)BA|!
\nG2G>G G>Bd2|eca2fdg2|Bdce AcFA|G2G>GG2:|!
\n|:DG|B4A4|G4FGAB|(dc)cc (cB)BB|(BA)AA ABce|!
\nd4c4|B4ABcd|(ec)(cA) (AG)(GF)|A4G2:|!
\n|:g2|f>fa>af2d2|g>gb>bg2G2|GABc defa|g4fedc|!
\nB4A4|d4c4|B2c>AG2F2|A4G2:|<\/p>\n

X:78
\nT:Lord Nelson’s Hornpipe. JMT.078
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:J.Moore,Tyneside,1841.(54a)
\nR:.Hornpipe
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:D
\nAF|D2d2d2c>d|ecAce2de|fdfd g>eg.e|a>fd>fe2AF|!
\nD2d2d2cd|ecAce2cd|e>ce>c dBGB|A2A2A2:|!
\n|:f>g|a>gf>e d>cB>A|B2G2G2gg|b>ag>f e>dc>B|c2A2A2fg|!
\nafaf gbgb|afaf gbgb|afaf fedc|d2d2d2:|<\/p>\n

X:79
\nT:Gateshead Hornpipe,aka. JMT.079
\nT:Wind Hornpipe,The,aka. JMT.079
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nC:untitled in MS,but by J.Hill
\nS:J.Moore,Tyneside,1841.(54b)
\nR:.Hornpipe
\nO:England
\nA:Northumbria
\nN:I titled this tune The Wind Hp, as it was untitled. I have since
\nN:discovered that Dixon has The Gateshead Hp, composed by
\nN:J.Hill….CGP..
\nZ:vmp.Chris Partington
\nK:C
\nGB|:c2ecG2AB|c2egc’2ge|fdgf ecge|dcde dfed|!
\nc2ecG2AB|cdef gabc’|c’bd’c’ bag^f|1g^fga g=fed:|2 g2g2g2||!
\n|:gf|eg^fg agfg|c’g^fg agfg|=fgef decd|BcAB GAFG|!
\nEGce gc’bc’|afdc BAGF|EGcf edcB|d2c2c2:|<\/p>\n

X:80
\nT:Queen Of Prussia’s Waltz. JMT.080
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:J.Moore,Tyneside,1841.(55)
\nR:.Waltz
\nO:England
\nA:Northumbria
\nD:C.G.P
\nK:G
\nG2|G2G2G2|G2G2ed|d4B2|G2z2GA|Bcdefg|d4e2|d4c2|!
\nA2z2d^c|\\
\nd^cdefg|a2z2D2|GFGBdB|cBceag|f2f2f2|g4:|!
\n|:d2|g2GBdg|eccccc|A2DFAc|BdGGGd|g2GBdg|!
\neaaaaa|gfedef|g4::d2|edcBcA|GFBFGE|DEFGAB|!
\nGABc^cd|edcBcA|GFBFGE|DEFGAB|G4:|\\
\n|:B>B|B4B>B|!
\nB4B>B|B2B2B2|B2B2B2|d4-B2|d4B|[D4d4][B,2B2]|[D4d4][B,2B2]|\\
\nedcBcA|GFBFGG|!
\nDEFGAB|GABc^cd|edcBcA|GFBFGE|DEFGAB|G4:|<\/p>\n

X:81
\nT:Jenny Nettle. JMT.081
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:J.Moore,Tyneside,1841.(56a)
\nR:.Reel
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:C
\nB|c2(Bc)A2a2|efge dBGB|c2BcA2a2|gef^de2A:|!
\n|:B|cdef gage|gage dBGB|cdef gagf|eaa^ga2A:|<\/p>\n

X:82
\nT:Huntsman’s Chorus. JMT.082
\nM:2\/4
\nL:1\/8
\nQ:1\/2=60
\nS:J.Moore,Tyneside,1841.(56b)
\nR:.Cotillion
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:D
\nA|d2d\/e\/f\/g\/|a2ff|eaea|f\/g\/f\/e\/ dA|d2d\/e\/f\/g\/|!
\na2ff|1 f\/e\/d\/e\/ e|d2:|2eac’b|a3||!
\ne|f2ff|d2dd|g2gg|e2ee|f2ff|d2dd|!
\ng2gg|e2zA|f2ff|g2gg|e2f\/e\/d\/e\/|f2dd|!
\nf2ff|g2ff|f\/e\/d\/e\/ fe|d3A|AA\/A\/ AA\/A\/|AA\/A\/ AA\/A\/||!
\nd2Af|d2Af|{a}ge {a}ge|{a}ge {a}ge||!
\nfd\/f\/ a2|fd\/f\/ a2|fd\/d\/ dd\/d\/|d4|]<\/p>\n

X:83
\nT:Pollacca. JMT.083
\nM:3\/4
\nL:1\/16
\nQ:3\/4=50
\nS:J.Moore,Tyneside,1841.(59)
\nR:.Pollacca
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nG2|:D2G2G2G2F2A2|G2B2B2B2c2e2|d2B2B2G2A2B2|c2E2A2G2F2D2|!
\nD2G2G2G2F2A2|G2B2B2B2c2e2|d2B2B2G2 AcBd|c2E2E2F2G4:|!
\n|:d2g2f2g2d2B2|A2B2c2e2d2^c2|d2g2f2g2f2g2|e2b2a2^c2d4|!
\ne2(e=f) e2d2c2B2|c2E2A2G2F2D2|d3cB2G2 AcBd|c2E2E2F2G4:|!
\nD2G2G2G2 FGAF|G2B2B2B2 ABcA|B2G2d2B2g2d2|e2c2A2G2F2D2|!
\nD2G2G2G2 FGAF|G2B2B2B2 ABcA|BGAB cdef gfge| ecBA BdFAG4:|!
\ndcde defg edcB |cBcd cfag fedc|BGAB cdef gfgd|e2c2A2G2F2D2|!
\nD2G2G2G2 FGAF|G2B2B2B2 ABcA|BGAB cdef gfgd|e^dec BdFAG4:|<\/p>\n

X:84
\nT:All’s Well.2voices. JMT.084
\nM:2\/4
\nL:1\/8
\nQ:1\/2=60
\nC:”Braham”
\nS:J.Moore,Tyneside,1841.(60)
\nR:.March
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nV:1
\n[V:1]” Andante”D|G2G2|G3A|B2{B}A>G|G2zG|B2B2|B3c|dgec|B2Az\/B\/|A>B A>B|!
\n[V:2]z|B,2B,2|B,3D|G2D2|B,2zD|G2G2|G3A|B2cA|G2Fz|”9″F>G F>G|!
\n%
\n[V:1]”9″A>B c>A|B>A B>A|B>c dz\/G\/|g2{f}e>d|d2z2|z4|z2zG|g2{f}e>d|!
\n[V:2]F>G A>F|G>F G>F|G>A Bz|z4|z2zD|D2C>B,|B,2z2|z4|!
\n%
\n[V:1]d2zB|dc BA|G2zG|”21″cccc|BBBB|eeee|dddd|ccBB|!
\n[V:2]z2zG|BA GF|B,2zD|”21″GGGG|GGGG|cccc|BBBB|AAGG|!
\n%
\n[V:1]AABc|gdcB|HB2Az|”29″z4|z4|z2zG|czz2|z2zD|!
\n[V:2]FFGB|dBAG|HG2FD|”29″G2z2|cB zA\/2G\/2|E2z2|z2A2|F2c2|!
\n%
\n[V:1]d2z2|z4|z4|B2{d}c>B|B2z2|(G\/4A\/4B\/4c\/4d\/4e\/4f\/4g\/4)d2|!
\n[V:2]z4|G2A>G|G2z2|G2A>G|G2z2|z2z2|!
\n%
\n[V:1]z2z2|B2A>G|G2zA|B>B c>c|d>d e>c|B2A.G|G2z:|
\n[V:2](d\/4c\/4B\/4A\/4G\/4F\/4E\/4D\/4)C2|\\
\nG2D2|B,2z2|G>G G>G|G>G G>A|G2D>B,|B,2z:|<\/p>\n

X:85
\nT:O Then Dearest Helen… JMT.085
\nM:6\/8
\nL:1\/8
\nQ:50
\nS:J.Moore,Tyneside,1841.(62)
\nR:.Air
\nO:England
\nA:Northumbria
\nN:”…I’l love thee no more
\nZ:vmp.Chris Partington
\nK:D
\na\/-g\/|fdA B<ed|c>BA d<fa\/f\/|g>ag f>ga|bBe\/d\/ {d}cza\/f\/|!
\nfdA B<ed|c>BA dfA|((5B\/c\/d\/e\/g\/) aBg\/e\/|d>ec d2:|!
\n“sic too uncertain to alter”a-d|c>dB Azd\/c\/|\\
\nB\/A\/B\/G\/e\/d\/ c\/B\/c\/A\/f\/e\/|d\/c\/d\/B\/g\/f\/ e\/<A\/ A\/G\/|!
\nF\/<A\/ d\/e\/ f<age|d>ec d2zf|gab azd|c>BA c<eA\/G\/|!
\nF\/A\/d\/f\/a\/f\/ b<Bg\/e\/|d>ec d>a\/b\/a\/ (A\/B\/c\/d\/e\/f\/) d>a\/b\/a\/ |!
\n(A\/B\/c\/d\/e\/f\/) d2za d’\/c’\/b\/a\/g\/f\/e\/ \\
\na\/a\/b\/f\/ g\/e\/d\/c\/|d2g\/f\/d\/e\/c\/d2|]<\/p>\n

X:86
\nT:Staten Island Hornpipe. JMT.086
\nM:4\/4
\nL:1\/8
\nQ:1\/2=980
\nS:J.Moore,Tyneside,1841.(63a)
\nR:.Hornpipe
\nO:England
\nA:Northumbria
\nN:presumably some sort of joke! or ghastly mistake. However, I have not a
\nN:ttempted to correct it as it would have been too large an intervention.
\nZ:vmp.Chris Partington
\nK:D
\nAG|FDFGA2A2|defdc2Ac|B2GBA2FA|G2E2E2AG|!
\nFDFGA2A2|”? sic, see notes”defdc|A2^d2d2|”sic” {e\/f\/g\/e\/}fdd2:|!
\n|:fg|a2fag2eg|f2dfe2A2|=c2c2efge|=c2c2efge|!
\na2fag2eg|f2dfe2A2|d2d2efge|f2d2d2:|<\/p>\n

X:87
\nT:New Corsair,The. JMT.087
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1841.(63b)
\nR:.Jig
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nd2Bd2B|G2G GAB|c2Ac2c|FAFD3|!
\nd2Bg2d|e2cg2e|edc BcA|” crs”G3G3:|!
\n|:FAc cAF|GBd dBG|FAc cAF|GBdd3|!
\nece ege|dBd dgd|edc BcA|G3G2:|<\/p>\n

X:88
\nT:Lord Cathcart. JMT.088
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:J.Moore,Tyneside,1841.(64a)
\nR:.Jig
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nD|DGB d2d|dcBA2c|BGd cAe|(G3F2)D|!
\nDGBd2d|dcBA2c|cBA BAF|(F3G2):|!
\n|:d|defg2a|gfed2d|dcB Ace|(G3F2)A|!
\nAB^c def|B3g3|fed ed^c|de^c de=c|!
\ndef gdB|GBd”as written” dcBA2c|BGd cAe|(G3F2)D|!
\nDGBd2d|dcB”qu”A2c|cBG BAF|F3G2:|<\/p>\n

X:89
\nT:Drops Of Brandy. JMT.089
\nM:9\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1841.(64b)
\nR:.Slip Jig
\nO:England
\nA:Northumbria
\nN:MS had a time signature of 2\/4. However, the tune was actually entered
\nN:with all the “correct” notes in the standard fashion for a slip jig
\nN:except for the bar lines being entered as if it were a 6\/8 tune
\nZ:vmp.Chris Partington
\nK:G
\nGAB BAB BAB|GAB BAB d2g|GAB BAB BAB|A2A ABG FED:|!
\n|:GBd gdB gdB|GBd gdBd2g|GBd gdB gdB|A2A ABG FED:|<\/p>\n

X:90
\nT:Bang Up. JMT.090
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1841.(65a)
\nR:.Jig
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:D
\nA|d2df2f|a2a fed|g2ef2d|cde ABc|!
\nd2df2f|a2a fed|g2ef2d|cBcd2:|!
\n|:A|F2AE2A|F2A cBA|B2dA2d|B2e cBA|!
\nF2AE2A|F2A cBA|Bgf edc|d3d2:|!
\n|:e|f2ed2c|B2AG2F|G2AB2e|cBcA2e|!
\nf2ed2c|B2AG2F|GAB ABG|FGED2:|<\/p>\n

X:91
\nT:Tink,The. JMT.091
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:J.Moore,Tyneside,1841.(65b)
\nR:.Reel
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nG2g2E2e2|dedcB2G2|BcdB cdec|d2f2g4:|!
\n|:BABcd2d2|eccAF2D2|BABcd2d2|egfag4:|<\/p>\n

X:92
\nT:Mrs.Gilbert. JMT.092
\nM:6\/8
\nL:1\/8
\nQ:3\/8=127
\nS:J.Moore,Tyneside,1842.(66a)
\nR:.Quadrille
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nD|G2G (GB).d|e2e (ef).g|d2d (de).d|(c3B2)D|!
\nG2G GBd|e2e efg|d2d (de).F|(A3G2):|!
\n|:D|G2Bd2g|b2gd2B|d2ca2c|c3-B2D|!
\nG2Bd2g|b2gd2B|d2^ca2c|” D.C.”e3d2:|!
\n|:” LA POULE”B|e2fg2e|f2ga2f|g2ea2^a|b3b2B|!
\ne2fg2e|f2ga2f|b2bB2^d|” D.C.”e3e2:|<\/p>\n

X:93
\nT:Prince Regent. JMT.093
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1842.(66b)
\nR:.Quadrille
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:D
\nA|d2d def|d2d def|gfg Bcd|ecA ABc|!
\nd2d def|d2d def|gbg ecA|d3d2:|!
\n|:F\/G\/|A2dB2e|cAc cfa|B2d Bgd|”NB”cAcd F\/G\/|!
\nA2dB2e|cAc dfa|A2d Bge|”sic”edcB c2a2a2:|
\nW:NB=too uncertain for me to sort out.But presumably cAc dFG.|<\/p>\n

X:94
\nT:Highland Watch. JMT.094
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:J.Moore,Tyneside,1841.(67a)
\nR:.Reel
\nO:England
\nA:Northumbria
\nN:Key Sig shows G,D,B sharps,but I have assumed three sharps,which is
\nZ:vmp.Chris Partington
\nK:A
\n“_see note re key”A,G,A,B, A,A,A,A,|GEDB, G,\/G,\/G,G,2|\\
\nA,B,CD AGAc|GEDB, A,\/A,\/A,A,2:|!
\n|:a2ab a\/a\/aa2|Egge dBG2|cBcd edea|gedB A\/A\/AA2:|<\/p>\n

X:95
\nT:Duke Of York,s March. JMT.095
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nS:J.Moore,Tyneside,1841.(67b)
\nR:.March
\nO:England
\nA:Northumbria
\nN:There are many versions for comparison, so I have not attempted to edit
\nN:this. See Leadley MS, etc
\nZ:vmp.Chris Partington
\nK:D
\n“_Beware, this is not edited. See notes.”D2 D>D D2|\\
\n[F2A2] [F>A>][FA] [F2A2]|AFAF D2A2|dAdA dAFD|!
\nA2 A>A A2|e2 e>g f2za|a3f fdgf|[c2e2] [c>e>][ce] [c2e2]z2:|!
\n|A2 A>A Aefg|A2 A>A Adea|(ge).e.e (fd).d.d|bagf f2e2|!
\nd3(f\/e\/) dAB=c|=cB B2B2 ^cdef|.g.g.f.f .e.e.d.d|e2 e>e e2z2|!
\nD2D>DD2|F2F>FF2|AFAFD2g2|(fa)(af) gedc|d2d>dd2|]<\/p>\n

X:96
\nT:Small Coals. JMT.096
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:J.Moore,Tyneside,1841.(68a)
\nR:.Reel
\nO:England
\nA:Northumbria
\nN:”….and little money” NB..extra g,b,f,d here in MS, presumed error…
\nZ:vmp.Chris Partington
\nK:G
\nE2BE GABd|D2AD FGAc|E2BE GABd|gfed eEE2:|!
\nedefg2fe|”sic”cdef fafd|edefg2(fe)|efed eEE2|!
\nedefg2fe|defg fafd|”NB”gbfe fafd|efed eEE2|]<\/p>\n

X:97
\nT:Golden Egg. JMT.097
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:J.Moore,Tyneside,1841.(68b)
\nR:.Reel
\nO:England
\nA:Northumbria
\nN:Perhaps from the Panto “Harlequin and the Golden Egg
\nZ:vmp.Chris Partington
\nK:D
\nd2fdB2B2|ceag fedc|d2fdB2ed|cABcd2A2:|!
\n|:f2ffg2gg|abag fede|f2ffg2gg|a2c2d4:|<\/p>\n

X:98
\nT:Paddy O’Carrel. JMT.098
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1842.(69a)
\nR:.Jig
\nO:England
\nA:Northumbria
\nZ:VMP.C.Partington
\nK:D
\n“_G in MS”A\/G\/|FDD FDD|FGF FED|AFF dFF|EFED2A\/G\/|!
\nFDD FDD|FGF FED|AFF dFF|EFED2:|!
\n|:a\/g\/|fdd ecc|BdB AGF|fda eca|dBf a2a\/g\/|!
\nfdd ecc|BdB AGF|AFF dFF|EFED2:|<\/p>\n

X:99
\nT:Miller Of Drone. JMT.099
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nS:J.Moore,Tyneside,1842.(69b)
\nR:.Reel
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nBA|G<EEG DEDB,|D<DGA BABd|GEEG DEDB,|D<DEFG2:|!
\n|:Bc|dBBg dBee|dBBde2eg|dBBg dBAG|BABGE2cd|!
\ndBBg dBee|dBBde2ea|gfed edBG|BABGE2:|<\/p>\n

X:100
\nT:Hen’s Concert,The. JMT.100
\nT:Hens March To The Midden,aka. JMT.100
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:J.Moore,Tyneside,1841.(70)
\nR:.Air
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:D
\n|:A2|d4A3G|FEFGA3d|BdBdg2f2|edefe2A2|!
\nd4A3G|FEFGA3d|Bcde fgab|f2e2d2:|!
\n|:z2|.A2.A.A.A2.A2|A2A-fe2f2|.A2.A.A.A2.A2|A2Afe2f2|!
\nd2ddd2d2|d2dgf2a2|d2ddd2d2|d2dgf2a2|!
\nagfa gfeg|f2ge dcBA|defga2ba\/f\/|f2e2d2:|<\/p>\n

X:101
\nT:Jockey To The Fair. JMT.101
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:J.Moore,Tyneside,1841.(71a)
\nR:.Jig
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nD|G2AB2c|d2gd2c|BdG GFG|(A\/B\/).c.BA2d|!
\nd^cd def|fafe2g|fed Ad^c|d3d2:|!
\n|:d|afd afd|c2cB2c|dgd dgd|c2cB2B|!
\ne2fg2f|e2fB2e|e^deB2A|G2FE2F|G2GG2B|!
\nd3g3|dBGA2B|E2FG2A|B2g BcA|G3G2:|<\/p>\n

X:102
\nT:Paddy Whack. JMT.102
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1841.(71b)
\nR:.Jig
\nO:England
\nA:Northumbria
\nN:An unusual and very nice setting
\nZ:vmp.Chris Partington
\nK:G
\nD|GBd gfa|edc B2A|GBd gfa|fddd2=f|!
\nece efg|dBGA2G|GAB cAd|BGGG2:|!
\n|:B\/c\/|dBd ede|dBGA2G|Bcd gea|fddd2=f|!
\nece (e\/f\/g)e|dBGA2G|GAB cAd|BGGG2:|<\/p>\n

X:103
\nT:O’er The Hills And Far Away. JMT.103
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:J.Moore,Tyneside,1841.(72)
\nR:.Reel
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nDE|G3A GABA|G2E2E2DE|G3A GABG|B2A2A2DE|!
\nG3A GABG|G2E2c4|E2D2DEGA|B2A2A2:|!
\n|:Bc|d3e dcBA|G2E2E2Bc|d3e dBAG|B2A2A2Bc|!
\nd3e dcBA|G2E2c4|E2D2 DEGA|B2A2A2:|!
\n|:DE|GABA GABA|G2E2E2DE|GABA GABA|B2A2A2DE|!
\nGABA GABA|AGFEc4|D2D2DEGA|B2A2A2:|!
\n|:Bc|dgfe dBAB|G2E2E2Bc|dgfe dBAG|B2A2A2Bc|!
\ndgfe dcBA|G2E2c4|E2D2DEGA|B2A2A2:|<\/p>\n

X:104
\nT:Caller Herring,(Scotch). JMT.104
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nS:J.Moore,Tyneside,1841.(73)
\nR:.Reel
\nC:by Nat.Gow
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nD|G2GG F2GA|BEAG FDEF|G2GGF2GA|BcAFG3||!
\n.g|.f.e.d.c .B.A.G.g|.f.e.d.c .B.A.G.g|.f.e.d.c BBcd|eEAG FDEF|!
\nG2GGF2GA|BEAG FDEF|G2GGF2GA|BcAFG3||!
\nz|g2gg gfgf|edcB ABce|d2dd dcde|fgecd3z|!
\nc2cc cBcd|eEAG FDEF|G2GG GFGe\/c\/|BcAFG3|]<\/p>\n

X:105
\nT:Mill Mill O,Duet.2voices. JMT.105
\nM:4\/4
\nL:1\/8
\nQ:1\/2=60
\nS:J.Moore,Tyneside,1841.(74)
\nR:.Air
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:D
\n[V:1]|:d>e|f2A>BA3d|B>ABd{f}e2d>e|{de}f2A2gfed|B3cd2:|!
\n[V:2]|:z2|dAFGF2F2|G>FGB cAFA|dAFA BAGF|G3AF2:|!
\n[V:1]|:c>A|(defg)a3a|bagfe3A|(defg) a>bag|{g}f2fgHa2zA|!
\n[V:2]|:z2|zA de (fefd)|gfedc3A|zA de (fgfe)|{e}d2deHf2z2|!
\n[V:1]defga3g\/a\/|bagf{f}e2d>e|f2A2A2{g}f\/e\/d|B3cHd2:|
\n[V:2]zA def3e\/f\/|gfed cAFA|dAFAA2{B}A\/G\/F|G3E\/A\/HF2:|<\/p>\n

X:106
\nT:Philips’s Hornpipe,aka. JMT.106
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nC:untitled
\nS:J.Moore,Tyneside,1841.(75a)
\nR:.Hornpipe
\nO:England
\nA:Northumbria
\nN:Untittled in this collection, but “Philips’s HP” in J.Moore of
\nN:Shropshire
\nZ:vmp.Chris Partington
\nK:D
\nAc|d2fd (cd)Bc|(AB)AG (FD)FA|(BG)Bd (cA)ce|(df)af (gf)ge|!
\nd2fd (cd)Bc|(AB)AG (FD)FA|(BG)Bd (cA)ce|d2d2d2:|!
\n|:ag|(fa)fd (fa)fd|(gb)ge (gb)ge|(fa)fd (fa)fd|edcBA2ag|!
\n(fa)fd (fa)fd|(gb)ge (gb)ge|(fe)dc (Bg)ec|d2d2d2:|<\/p>\n

X:107
\nT:Highland Reel. JMT.107
\nT:Johnny McGill. JMT.107
\nT:Come Under My Plaidie. JMT.107
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1841.(75b)
\nR:.Jig
\nO:England
\nA:Northumbria
\nN:A.K.A. “The Black Rogue
\nZ:vmp.Chris Partington
\nK:G
\n|:g|dBB BAG|dBBB2g|dBB BAB|GEEE2:|!
\nB|gfg aga|bge dcB|gfg aga|bge ega|!
\nbag agf|gfe dgf|dcc cdc|BGE”DC”E2|]<\/p>\n

X:108
\nT:Irish Fox Hunt. JMT.108
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nS:J.Moore,Tyneside,1841.(76)
\nR:.Air
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nDE|G2GBd2d2|dedBd3z|G2GB (ed)(BG)|A4G2 (3def|g2(fe)f2ed|!
\n(ed)(BG)A2GE|G>ABG (AG)(AB)|G4~G2||DE|G2(GA)B2B2|c2c2B2B2|!
\nc2c2B2BG|A4G2 (3def|g3a (gf)(ed)|(ed)(BG)A2GE|G>ABG (AG)(AB)|!
\nG4G2||z2|G2GBd2g2|e2g2d2g2|G2GB dedB|A4A2 (3def|!
\n(gf)(ga) (gf)(ed)|e2dBA2GE|G>ABGA2G2|G4G2||!
\n“V.S.-Violin Solo?”z2|(DE)(GA) B.G.G.G|A.G.G.G B.G.G.G|\\
\n.A.G .B.G .c.G.B.G|A4G2(3def|!
\ng2(ba) (gf)(ed)|e2dBG2″sic”A2GE|G>ABG (AG)(AB)|G4G2||!
\nz2|A4″(Horns)”GAA4GA|A4GAA4GA|d4cdd4cd|d4cdd4cd|!
\nFEF4FEF4|FEF4FEF4|\\
\nL:1\/16
\nQ:100
\nFDED FDED FDED FDED|FDED FDED FDGD FDED|!
\nfded fded fded fded|fdgd fded fdgd fded|fdgd fded gdfd fded|!
\n.g2.g2.g2z2 .f2.f2.f2z2|.e2.e2.e2z2 .f2.f2.f2z2||\\
\nA4GAA4GA|A4GAA4GA|d4cdd4cd||!
\nM:3\/4
\nL:1\/4
\nQ:3\/4=50
\n||:”Fox’s Lamentation”(3A\/4B\/4c\/4)|dFA|d2 f\/e\/|dFA|\\
\n{e}c2 B\/A\/|BFA|B (d\/c\/)(B\/A\/)|BFA|(B2B\/) A\/|!
\nFdd|F (d\/c\/)(B\/A\/)|(B\/d\/) (c\/B\/) (A\/F\/)|EFA|A2:|!
\n|:d\/e\/|ff (a\/g\/)|fed|(c\/B\/) (c\/d\/) (f\/c\/)|(B2B\/) A\/|Add|!
\nF (d\/c\/)(B\/A\/)|(B\/d\/) (c\/B\/) (A\/F\/)|EFA|A2:|<\/p>\n

X:109
\nT:Highland Reel,Two. JMT.109
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1841.(78a)
\nR:.Jig
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:C
\nG|cGE cGE|GAG GAB|cGE cGE|Eddd2e|!
\ncGE cGE|GAG Ggf|ede cAG|Accc2:|!
\n|:G|ceg gec|Bcd dBG|ceg gec|eggg2G|!
\nceg gec|Bcd def|ede cAG|Accc2:|<\/p>\n

X:110
\nT:Hexham Races. JMT.110
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1841.(78b)
\nR:.Jig
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nD|GAB gdB|d2dd2B|GAB gdB|A2AA2B|!
\nGAB gdB|def gfe|dcB cBA|G2GG2:|!
\n|:a\/g\/|g2e edB|d2d def|g2e edB|A2A ABd|!
\ng2e edB|def gfe|dcB cBA|G2GG2:|<\/p>\n

X:111
\nT:Miss Johnson’s Reel. JMT.111
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:J,Moore ,Tyneside,1841.(79a)
\nR:.Reel
\nO:England
\nA:Northumbria
\nZ:vmp.J.A
\nK:E
\nE| EBGB EBGB | (ag)fe (fc)ce | EBGB EBGB | fffg e\/2e\/2e :|!
\n|:B | egbe gebe | dBfB dBfB | egbe gebe | Bagf f2 ec |!
\negbe gebe | dBfB gBfB | egfa gbag | fefg e\/2e\/2e e2 \ud83d\ude10<\/p>\n

X:112
\nT:Preston Hornpipe. JMT.112
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nC:Dixon
\nS:J,Moore,Tyneside,1841.(79b)
\nR:.Hornpipe
\nO:England
\nA:Northumbria
\nN:Appears in “the Fiddler Of Helperby” as untitled hornpipe number five
\nZ:vmp.J.A
\nK:C
\nzG | (cB)cd (cd)ef | (ge)ga (ge)dc | (AG)AB (cB)dA | GEcA (GE)CE | !
\n(FE)FG (AG)AB | (cB)cd (ef)ag | (fe)dc (Ac)Bd | c2c2c2 :|!
\n|: gf | egcg egcg | dgBg dgBg | ceAe ceAe | GcEc GcEA |!
\n(FE)FG (AG)AB |(cB)cd (ef)ag | (ae)dc AcBd | c2c2c2 \ud83d\ude10<\/p>\n

X:113
\nT:Ranger’s Frolic. JMT.113
\nT:Whip Her And Gird Her,aka. JMT.113
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:J.Moore,Tyneside,1841.(80a)
\nR:.Jig
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nG2GG2d|BGB c2A|G2GG2d|AFA cBA|!
\nG2GG2d|BGBg2d|ece dBd|AFA cBA:|!
\n|:gfg dcB|gfg dcB|gfg def|AFAc2A|!
\ngfg dcB|gfg d2B|c2aB2g|AFA cBA:|!
\n|:BGG FDD|BGB cBA|BGG FDD|AFAc2A|!
\nBGG FDD|gfe dcB|cac BgB|AFAc2A:|<\/p>\n

X:114
\nT:Reel. JMT.114
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:J.Moore,Tyneside,1841.(80b)
\nR:.Reel
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:C
\nGB|c2ecA2dc|(Bd)gf (ed)cB|c2ecA2dc|BGABc2:|!
\n|:cd|e2egf2fa|(ga)gf fedc|e2egf2fa|gagec2:|<\/p>\n

X:115
\nT:Jennie’s Bawbee. JMT.115
\nM:C
\nL:1\/8
\nQ:1\/2=100
\nS:J,Moore,Tyneside,1841.(81a)
\nR:.Reel
\nO:England
\nA:Northumbria
\nZ:vmp.J.A
\nK:D
\nfg | (ab)ag (fd)df | (gf)ed (cA)Af | (ab)ag (fe)df | Bece d2 :|!
\nde | (fd)ge fddf | (gf)ed (cA)Ag | (fd)ge (fe)df | (Be)ce (de)fg |!
\n(fd)ge (fd)df | (gf)ed (cB)Ag | (fa)gf (gb)ag | fgef d2|]<\/p>\n

X:116
\nT:Waltz. JMT.116
\nM:3\/8
\nL:1\/8
\nQ:3\/8=50
\nS:J.Moore,Tyneside,1841.(81b)
\nR:.Waltz
\nO:England
\nA:Northumbria
\nZ:vmp.J.Adams..
\nK:D
\nd| Af\/e\/d | Ag\/f\/e | Ae\/d\/c\/e\/ | dfa|!
\nAf\/e\/d | Ag\/f\/e | Ae\/d\/c\/e\/ | d2 :|!
\n|:g | (f\/a\/)(a\/g\/)f | (g\/b\/)(b\/a\/)(g\/f\/) |\\
\n(e\/g\/)(g\/f\/)e | (f\/a\/)(a\/g\/)(f\/e\/) |!
\nAf\/e\/d | Ag\/f\/e | Ae\/d\/c\/e\/ | d2:|!
\n|: d | (c\/e\/)(a\/g\/)(e\/c\/) | (d\/f\/)(b\/a\/)(f\/d\/) |\\
\n(c\/e\/)(a\/g\/)(e\/c\/) | (d\/e\/)(f\/d\/)(A\/d\/) | !
\n(c\/e\/)(a\/g\/)(e\/c\/) | (d\/f\/) ((3f\/b\/a\/) (f\/d\/) | (c\/e\/)(a\/g\/)e\/c\/ | d2:|<\/p>\n

X:117
\nT:Vienna Waltz. JMT.117
\nM:3\/8
\nL:1\/16
\nQ:3\/8=50
\nS:J.Moore,Tyneside,1841.(82)
\nR:.Waltz
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\n|:G3(ABc)|B-dbdbd|(Ac)acac|(Bd)gdgd|!
\nG3(ABc)|(Bd)bdbd|(Ac)acac|g4z2:|!
\n|:.g2(GBdg)|(ba^gaga)|.f2(FAcf)|(agfgfg)|!
\nG3(ABc)|(Bd)bdbd|(Ac)acac|g6:|!
\nK:C
\n|:(EG)cGeG|(EG)cGeG|{e}f2{e}f2{e}f2|d4BG|!
\n(EG)cGeG|(EG)cGeG|{e}f2{e}f2dB|c4:|!
\n|:ga|(ga)(gabc’)|g4eg|f2f2dB|ceG2ga|!
\n(ga)(gabc’)|g4eg|{g}f2f2dB|c4:|<\/p>\n

X:118
\nT:Quadrille. JMT.118
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:J.Moore,Tyneside,1841.(83)
\nR:.jog
\nO:England
\nA:Northumbria
\nN:Wrongly annotated as Common Time in mS..
\nZ:vmp.J.Adams..
\nK:A
\nG | A2Bc2f | (e3c2) E| A2B c2f | (e3c2)c |!
\nd2d dcd | d3Bcd | f2f fef |f2e\/d\/c2 ||!
\nc | B(dc) B(dc) | B2e\/e\/ e2c | B(dc) B(dc) | B2 e\/e\/ eee |!
\ne(gf) d(fe) | .c(ed) .B(dc) | A3 A3 | A3 A2 ||!
\nE | A2B c2f | (e3c2) e | A2B c2f | (e3 c2) c |!
\nd2d dcd | d3 Bde | fec edB | A3A2 ||!
\nA | dd\/2d\/2d fdf | a3 a2 A |\\
\nAdA FDF | A3 A2 A |!
\ndd\/2d\/2d fdf | (a3 a2)a | afa afa| d2dd2|]<\/p>\n

X:119
\nT:Gustavus Galloppe. JMT.119
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:J.Moore,Tyneside,1841.(84a)
\nR:.Gallop
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nD|”Pia”GE\/G\/ BG\/B\/|dB\/d\/ gd|dccA|eddD|!
\nGD\/G\/ BG\/B\/|dB\/d\/ gB|dccA|G3:|!
\n|:”Pia”B|d-ccA|e-ddB|d-ccA|eddD|!
\n” For”GD\/G\/ BG\/B\/|dB\/d\/gd|dccA|G3:|!
\n|:”Solo”c|(dd^cd)|.b(b^ab)|.a(a^ga)|=g\/f\/g\/a\/”sic”d2B2|!
\n.d(d^cd)|.b(b^ab)|aa^ga|g3:|<\/p>\n

X:120
\nT:Quadrille. JMT.120
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:J.Moore,Tyneside,1841.(84b)
\nR:.Quadrille
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:G
\nd | (d2g) B2d | (GB)G DGB | (dc)A (dc)A | (e2d) B2d | !
\n” for”(d2g) (B2d) | (GB)G DGB | dcA e2d | G3 G2 :|!
\n|:” pia”B | (cB)A (ed)c | d2B g2g | fed cBA | (Bcd) A2B | !
\n” for”cBA edc | d2B g2g | (fe)d (cB)A | G3 ” DC”G2 \ud83d\ude10<\/p>\n

X:121
\nT:Nonsense Hornpipe,aka. JMT.121
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nC:Untitled in MS, my title
\nS:J.Moore,Tyneside,1841.(85)
\nR:.Hornpipe
\nO:England
\nA:Northumbria
\nN:This tune appears to be written in a very strange version of the same
\nN:hand, and is of course grammatical nonsense,but you may recognise it
\nN:anyway…
\nZ:vmp.Chris Partington
\nK:D
\n” As Written”A2|A (fe)d2B AF|DD2AAd2d|def (ge) ee2|!
\nA2A fed2B|AF DD2g2(fa)|d2(eg)c2e|d2dd2:|!
\n|:g2f|a2aa2fdg2|c’2c’c’2gf2|a2aa2fd c|ecA2gf2a|!
\naa2fdg2c’|c’c’2g2(fa)d2|(eg)c2ed2|dd2:|<\/p>\n

X:122
\nT:Cuckoo Solo. JMT.122
\nM:4\/4
\nL:1\/16
\nQ:1\/4=100
\nS:J.Moore,Tyneside,1841.(86)
\nR:.Air
\nO:England
\nA:Northumbria
\nZ:vmp.Chris Partington
\nK:A
\nc2-B2|A4E2G2 A2A,2 z2A2|B2c2d2e2 c2B2A2e2|\\
\nE2e2E2e2 E2e2 z2e2|E2e2E2e2 E2z2 z2E2|!
\nEFGA B2c2 d2c2 z2e2|ABcd e2a2 a2g2 z2b2|\\
\nb2ec d2b2 d2cB c2b2|c2BA BedB e2d2 z2B2|!
\nceee Beee ceee Beee|dfff Bfff dfff Bfff|!
\nAaaa Baaa caaa Baaa|Aaaa Baaa caaa Baaa|!
\nAaAa BaBa caca BaBa|AaAa BaBa caca BaBa|!
\nAaBa caBa AaBa caBa| Aaca daca BaBa caBa|!
\neagf edcB ABcd efge agaf|f4e4:|!
\n|:g4|a2gf edcBA4z2A2|BAGF EDCA,A,4z2e2|eaga eaga eaga eaga|!
\nebab ebab ebab ebab|ebbb ebbb ebbb ebbb|!
\nec’bc’ ec’bc’ ec’bc’ ec’bc’|ec’c’c’ c’c’c’c’ c’c’c’c’ c’c’c’c’|!
\nec’c’c’ fc’c’c’ gc’c’c’ fc’c’c’|ec’c’c’ fc’c’c’ gc’c’c’ fc’c’c’|!
\nec’ec’ fc’fc’ gc’gc’ fc’fc’|ec’ec’ fc’fc’ gc’gc’ fc’fc’|!
\nec’fc’ gc’fc’ ec’fc’ gc’fc’|gc’fc’ gc’fc’ gc’fc’ gc’fc’|\\
\nc’2c’b bagfe4z2e2|!
\nc2e2B2e2 c2e2B2e2| c2e2B2e2 c2e2B2e2 |dece BeAe dece BeAe |!
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%abc %%abc-alias John Moore,Tyneside %%abc-creator ABCexplorer 1.3.8 [30\/08\/2010] %%abc-edited-by www.village-music-project.org.uk %VMP, John Adams & Chris Partington, 1999 %Revised 18\/7\/2005 %Revised again #11\/2008 %Revised again 12\/2009 X:1 T:Swiss Boy,The. JMT.001 M:2\/4 L:1\/16 Q:1\/4=100 S:John Moore,Tyneside,1841,(01a) R:.Country dance O:England A:Northumbria H:1841 Z:vmp.John Adams K:C EF | G2E>F G2E>F | G2e>d c2 G2 | A2f>e d2e>d | c4 … Continue reading MOORE, J ms ABC<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-596","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/596","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=596"}],"version-history":[{"count":1,"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/596\/revisions"}],"predecessor-version":[{"id":597,"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/596\/revisions\/597"}],"wp:attachment":[{"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}