{"id":696,"date":"2016-03-05T13:33:27","date_gmt":"2016-03-05T13:33:27","guid":{"rendered":"http:\/\/www.village-music-project.org.uk\/?page_id=696"},"modified":"2016-03-05T13:36:49","modified_gmt":"2016-03-05T13:36:49","slug":"sands-thomas-ms-abc","status":"publish","type":"page","link":"https:\/\/www.village-music-project.org.uk\/?page_id=696","title":{"rendered":"SANDS, Thomas ms ABC"},"content":{"rendered":"

%abc
\n%%abc-alias none
\n%%abc-creator ABCexplorer 1.5.0 [30\/04\/2012]
\n%’Thomas Sands’s Book, March 12th 1810′ Lincolnshire
\n%added to for a number of years in the same hand,
\n%plus a handful of tunes added c1840 in two further hands.
\n%From a private collection
\n%Transcribed to ABC for www.village-music-project.org.uk
\n%by Ruairidh Greig October 2011
\n%revised 30\/3\/12
\n%revised 30\/4\/12<\/p>\n

X:001
\nT:Dame Durden TS.001
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:glee
\nN:Repeat indications in MS often erratic
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Am
\ne| e2ee2g| c2cc2c| eee e2c| d3z2d|
\ne2ee2e| c2BA2^G| A2A^G2B| A3z2:|
\n|:c| e2ee2g| c2cc2c|\\
\neeee2 c| d3z2d|
\ne2ee2e| c2BA2^G| A2A^G2B| A3z2|
\n|:z| z2z(e>g)z| z2ze>gz| z2ze>gz| z2ze>g g|
\neeee2e| d3z2d| e2ee2e| c2BA2^G|
\nAAA^G2B| A3z2d| e2ee2g| g2ec2e| fffd2d| e3z2:|]<\/p>\n

X:002
\nT:To all good Lasses. TS.002
\nM:2\/4
\nL:1\/8
\nQ:1\/2=50
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:glee
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nGA|BG cB|AG Bc|dB ed|cB dd|
\ndd ee|dc cc|cd\/e\/ dc|cB d>d|
\ne>e d>F|G2d>d|ee dF|G2:|
\n|:dd|d4-|d4-|d4-|d4|
\nd2ee|dB cA|G2de|cAz2|
\nz2de|cAz2|z2dd|dd ed|
\ndc cc|c(d\/e\/) dc|cB d>d|ee dF|
\nG2d>d|ee dF|G3:|]<\/p>\n

X:003
\nT:Oh Dear what can the matter be. TS.003
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:glee
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nd3d3|dBg dBG|c3c3|cAB cBA|
\nd3d3|dBg dBG|EAc BcA|G3G3:|
\n|:dBc dBc|dBg dBG|cAB cAB|cAB cBA|
\ndBc dBc|dBg dBG|EAc BcA|G3G3:|]<\/p>\n

X:004
\nT:God Save the King TS.004
\nM:3\/4
\nL:1\/4
\nQ:1\/4=140
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:song
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\ndde|c>de|ffg|f>ed|ed”tr”c|d2:|
\n|:aaa|a>gf|ggg|g>fe|fg\/f\/e\/d\/|f>ga|(3b\/a\/g\/ f”qu. in ms”e|d2:|<\/p>\n

X:005
\nT:Nancy Dawson TS.005
\nT:Piss on the Grass,aka TS.005
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nN:I’m afraid that the coarser title is the more correct one CGP.
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nG2GG2B|d2BG2B|A2AA2B|A2G FED|
\nG2GG2B|d2BG2B|A2GF2E|D3D3:|
\n|:A2BA2B|A2G FED|B2cB2c|d2BG2B|
\nc2Bc2d|e2fg2f|”undotted in ms”e3(d\/c\/B\/) (A\/G\/F\/)|G3G3:|]<\/p>\n

X:006
\nT:Moll in the Wad TS.006
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nN:Additional bar at bar 13 to complete tune
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Dmix
\nd|BAB G2F|E2FG2A|BABc2B|AFDD2d|
\nBAB G2F|E2FG2A|BABc2B|AFDD2:|
\n|:c|BABd2d|BAB d2d|BAB de=f|ecAA2c|
\n“_bar added”BABd2d|BAB def|gfe dcB|AFDD2:|]<\/p>\n

X:007
\nT:Balance a Straw TS.007
\nT:Lads A Bunchum,aka TS.007
\nT:Wearing of the Green,aka TS.007
\nT:Tulip,The,aka TS.007
\nM:C
\nL:1\/8
\nQ:1\/2=60
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:country dance
\nO:England;Lincolnshire
\nN:Notated as written.
\nC:James Oswald,1747
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nGA|B2BBB2d2|”^sic”cBA2AAA2|Bcd2cBc2|BAG2GGG2:|
\n|:ge|d2ddd2GA|B2BBB2ge|d2ddd2cB|AGFED2B2|
\nBBB2g2dB|A2AAA2Bc|d2cBc2BA|G2GGG2:|]<\/p>\n

X:008
\nT:I will gang no more to yon Town TS.008
\nT:Devil in a Bush,The,aka TS.008
\nT:England’s Glory,aka TS.008
\nT:Mayday,aka TS.008
\nT:Duke of Sussex’s Reel,aka TS.008
\nT:Mr.Small’s Favourite Reel,aka TS.008
\nM:2\/4
\nL:1\/8
\nQ:1\/2=60
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\neaaec2A2|ceAc dBB2|agaec2A2|ceBd cAA2:|
\n|:cAeA fAeA|cAeA dBB2|cAeA fAeA|ceBd cAA2:|]<\/p>\n

X:009
\nT:Fishers Hornpipe TS.009
\nT:Egg Hp,aka TS.009
\nT:Lord Howe’s Hp,aka TS.009
\nT:Peckhover Walk Hp,aka TS.009
\nT:China Orange Hp,aka TS.009
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nz2″rest added”|fcAc BdcB|AcAc BdcB|AFAF BGBG|AFAF GEDC|
\nfcAc BdcB|AcAc BdcB|Acfa bgfe|f2f2f2:|
\n|:z2″rest added”|gece gebg|afdf afc’g|gece geba|gfedc4|
\ndBGB dBfd|cAFA cAec|dBfd cBAG|F2F2F2:|]<\/p>\n

X:010
\nT:Wright’s Hornpipe TS.010
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nN:A faint echo of Morpeth Rant?
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\n(BA)|B2(FE) DBFB|GABc BAGF|GABc dBfB|bBfB BAGF|
\nBGFE DBFB|GBFB EBDB|DFBd EGce|dBcAB2:|
\n|:ga|bfdB bfdB|fdcd BAGF|ecec dBdB|A2F2F2(B_A)|
\nGBEB edcB|AFAc fedc|Bbab fdBf|d2B2B2:|]<\/p>\n

X:011
\nT:Worster Hp,The,aka TS.011
\nT:Worcester Hp,aka TS.011
\nT:Navy Hp,The,aka TS.011
\nT:New Bridge Hp,The,aka TS.011
\nC:untitled(‘Hornpipe’) in MS
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Eb
\nGF|EB,G,B, EGEG|cBcd fedc|BGEG BGEG|FDB,D FDB,D|
\nEB,G,B, EGEG|cBcd fedc|BGEG FDB,D|E2E2E2:|
\n|:”qu. rest omitted”BA|GBEB “as writ”GBGB|AcFA AcFA|GBEB GBEB|DFB,F DFB.F|
\nGBEB GBEB|cBcd fedc|BGEG FDB,D|E2E2E2:|]<\/p>\n

X:012
\nT:March by Dobney TS.012
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:march
\nC:Dobney
\nC:”a favorite Scotch Air”
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\n(A\/B\/c\/)|d2 (d>d)d3(c\/d\/)|e2e>ee3(f\/g\/)|f>fd>d e>ec>c|d2d>dd2f>g|
\na3g b>ag>f|g2e>ee2e>f|g3e gfed|f2d>dd2A2|
\nB2(gf) fe dc|c2″sic”c>cc2::(c>d)|e2(e>e)e2(d>e)|f2d>dd2(e>f)|
\ng2f2e2d2|e2(e>e)e2f>g|a>af>f g>ge>e|f>fd>de2(f>g)|
\na>af>f g>ge>e|f>fd>de2f>g|f>ef>gf2e2|d2d>dd2:|]<\/p>\n

X:013
\nT:March TS.013
\nM:C|
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:march
\nC:Prefixed as ‘No.1′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\n(cd\/e\/)|f>cA>c F>ag>f|g>fe>dc2B>A|B>cd>c B>AG>F|E>FG>EC2″_p”(c>B)|
\nA>cf>c B>df>d|e>cg>ef2d2|(3ege (3cec (3dfd (3=BdB|c2c>cc2:|
\n|:(g\/f\/e\/d\/)|c2g>g g>eb>g|a>fg>ef2f>e|d2(e>f) g>ab>d|
\n^c2A>AA2(f\/e\/f\/g\/)|a2f>dg2e>^c|a2f>dg2e>^c|d>ef>g f>ed>^c|
\nd2d>d”_f”d2 (g\/f\/e\/d\/)|c2c>c c>fc>A|B2B>B B>dB>G|A2F>A d>cB>A|
\nG2G>GG2(CD\/E\/)|”_ff”FF\/F\/ FF AA\/A\/ AA|cc\/c\/ ccf2c2|”triplet signs added”(3def (3gab a2″tr”g2|f2f>ff2:|]<\/p>\n

X:014
\nT:Waltz TS.014
\nM:3\/8
\nL:1\/8
\nQ:3\/8=50
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:waltz
\nC:Prefixed as ‘No.2′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nF\/A\/|ccf|c2A\/c\/|BB G\/B\/|AF F\/A\/|ccf|c2A\/c\/|BBG|F2:|
\n|:d|c\/e\/g\/e\/g\/e\/|c\/f\/a\/f\/a\/f\/|c\/g\/b\/g\/b\/g\/|a2f|”_f”c\/e\/g\/e\/g\/e\/|c\/f\/a\/f\/a\/f\/|(g\/\/a\/\/b\/\/g\/\/) fe|f2:|
\n|:”_p”e|fAB|c2d|cB\/A\/B\/G\/|AFc|fAB|c2f\/c\/|db\/g\/f\/e\/|f2||”repeat added”[e2B2G2]z:|[f2c2F2]|]<\/p>\n

X:015
\nT:Minuet TS.015
\nM:3\/4
\nL:1\/8
\nQ:3\/4=40
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:minuet
\nC:Prefixed as ‘No.3′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nD2|G2B2d2|g2(d\/e\/d\/c\/) B\/c\/B\/A\/|G2(D\/E\/D\/C\/) B,\/C\/B,\/A,\/|
\nA,2B,2d2|ecGcec|dBGBdB|c>d c2[B2D2]|[B2D4]A2:|
\n“_f”DF|A2A2A2|A4(G\/F\/G\/A\/)|B2B2B2|B4″_p”d2|
\nd2B2g2|d2B2g2|d2edcB|BAGFED|
\nF2B2d2|g2(d\/e\/d\/c\/) (B\/c\/B\/A\/)|G2D\/E\/D\/C\/ B,\/C\/B,\/A,\/|
\nA,2G,2″_p”d2|ecGceg|dBGBdg|f\/e\/d\/c\/B2A2|{A}G4|]<\/p>\n

X:016
\nT:Andante TS.016
\nM:2\/4
\nL:1\/8
\nQ:1\/4=80
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nC:Prefixed as ‘No.4′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Gm
\nd|{^f\/}g{f\/}g dd|{c}(Bd\/B\/) GA|.B.c.d.e|(B2A)”_p”d|
\n{^f\/}g{f\/}g dd|{c}(Bd\/B\/) GA|.B.A.G.^F|(^F2G):|
\n|:A|[B2D2][c2F2]|[d3F3]”_p”e|dg^fg|”_f”[^f3A3D3]”_p”d|
\ng(g\/a\/ b)B|(cc\/d\/)He2z\/e\/|dG B\/A\/G\/^F\/|”sharp added”(^F2G):|]<\/p>\n

X:017
\nT:Giga TS.017
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nC:Prefixed as ‘No.5′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\n“_p”d2c BGB|d2B GAB|c2AB2G|FGAA3|
\n“_f”dedg2d|efeg2e|dBGA2B|[B2G2][BG][B2G2]”rest added”z:|
\n|:g2g gd=f|e2cc3|a2e efg|f2 d def|
\ng2b def|g2dB2G|cec dBG|A2GG2:|
\n|:BdG BdG|BdGA2G|BdB ^cde|(d\/e\/f)dd3|
\n{ef}”dot added””_f”g3fdB|{cd}e3dBG|(B\/c\/d)B A\/B\/cG|B2[BG][B2G2]”rest added”z:|]<\/p>\n

X:018
\nT:Moderato TS.018
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:march
\nC:Prefixed as ‘No.6′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\n[c3E3](e\/d\/) cGEC|e3(g\/f\/) ecGE|g2e\/c\/e\/g\/f2d\/B\/d\/f\/|ecge dBAG|
\n[c3E3]e\/d\/ cc “tr”c2|[d3G3](f\/e\/) dd “tr”d2|(3ece (3geg (3c’ge (3fdB|c2c>cc2″rest added”z2:|
\n|:(d3c\/B\/\/A\/\/) .G.G.G.G|(g3f\/e\/\/d\/\/) .c.c.c.c|.c’.c'(.c’b) .a.a(ag)|.f.e.d.c .B.A.G.F|
\n“_f”[c3E3]e\/d\/ cege|[d3G3]f\/e\/ dfaf|”tr added”(3ec’g {b}ag\/f\/e2″tr”d2|cc’gec2z2:|]<\/p>\n

X:019
\nT:Siciliano TS.019
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:siciliano
\nC:Prefixed as ‘No.7′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\n“_p”E2F GFE|D2E FED|E2F GFE|DDDD2f|
\ne2f gfe|d2e fed|ege fdB|[cE][cE][cE] [c3E3]:|
\n|:[d2D6]c BAB|[c2D6]BA2c|[BD6]dBA2d|[B2D2][GB,][G2B,2](c\/\/d\/\/e\/\/f\/\/)|
\ng2g efg|f2f def|egc’ efd|c2cc2:|]<\/p>\n

X:020
\nT:Allegretto TS.020
\nM:2\/4
\nL:1\/16
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nC:Prefixed as ‘No.8′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\n(cB)|c2e2c2e2|g6fe|fgag fedc|Bcdc BAGF|
\nE2G2c2e2|g6fe|(^ga)(fe) c2B2|(B4c2):|
\n|:”_p”(cd)|e2e2e2a2|e6e2|fedc B2e2|c2A2A2 cd|
\ne2a2e2a2|e4 fedc|dcBA ^G2e2|c2A2A2 “_f”(cB)|
\nc2e2 cdef|g6fe|a2f2d2c2|BcdB G2(GF)|
\nE2G2c2e2|g6(fe)|^gafd c2B2|(B4c2):|]<\/p>\n

X:021
\nT:Andante TS.021
\nM:2\/4
\nL:1\/8
\nQ:1\/4=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nC:Prefixed as ‘No.9′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nB>df>g|.f.d.c.B|c>d e\/d\/e\/c\/|.B.A.G.F|B>df>d|.b.g.d.B|e>gfA|(A2B)”rest added”z:|
\n|:”_p”ff”_f”b2|”_p”gg”_f”e2|(f>d)(d>B)|A\/B\/c\/d\/ c>e|d\/e\/f\/d\/ e\/f\/g\/e\/|fdHb\/ zg\/|(f>d) c>d|B3z:|
\n|:”_f”B\/F\/D\/F\/ B\/c\/d\/B\/|c\/A\/F\/A\/ c\/d\/e\/c\/|d\/B\/d\/f\/ e\/d\/c\/B\/|A\/B\/c\/d\/ cF|”_p”B\/F\/D\/F\/ B\/c\/d\/B\/|c\/A\/F\/A\/ c\/d\/e\/c\/|d\/=e\/f\/d\/ e\/f\/g\/e\/|f3z:|
\nL:1\/16
\n|:”_p”fdBd fdbd|geBe gebg|fdBd fdbf|edcB BAGF|”_f”EGBe g2g2|DFBd f2f2|gbag fedc|B2d2B2z2:|
\n|:B2F2D2B2|c2A2F2c2|.B2.d2.e2.d2|.d2.B2.A2 (3GFE|(3DFB (3DFB d2>B2|(3EGc (3EGc e2>c2|(3dfd (3BdB (3cec (3AcA|A4B2z2:|
\n|:”_p”f2 (3fdf “_f” b2f2|g2 (3geg b2g2|f2 (3fdf b2f2|(e<c)(d<B) “tr”d2c2|B2>d2 c2>e2|d2>f2 e2>g2|fdcB egfe|dgfA {A}B2z2:|]<\/p>\n

X:022
\nT:Minuet TS.022
\nM:3\/4
\nL:1\/8
\nQ:3\/4=40
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:minuet
\nC:Prefixed as ‘No.10′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\n(3FGA|B2B2B2|B4df|fedcBA|B2B,2″s-q in ms””_p”(BA)|
\nG2F2B2|E2D2B2|ABcded|d2c2″s-q in ms””_f” de|
\nf2f2f2|”tr”f^g\/\/a\/\/ gfed|e2e2e2|”tr”ef\/\/g\/\/ fedc|
\ndBfdbf|f2 ecAc|[B2D2][B2D2][B2D2]|[B4D4]:|
\n|:(AB)|c2c2d2|dcBAGF|c2c2d2|e4(Bc)|
\nd2d2e2|edcBAG|c\/d\/e\/c\/B2″tr”A2|G4(F\/E\/D\/E\/)|
\nF2B2B2|B2ABcd|e2e2d2|d2c2″_p”de|
\nf>gfdbg|f>gfdbg|(f\/g\/f\/e\/)d2c2|”tr”c2B2:|]<\/p>\n

X:023
\nT:Giga TS.023
\nM:6\/8
\nL:1\/8
\nQ:3\/8=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nC:Prefixed as ‘No.11′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nf|f>gf bfe|def [B2D2]F|GBB FBB|EcE(D2f)|
\nfdf bfb|geg bgb|a(f\/g\/a\/f\/) g=e\/f\/g\/e\/|[fA][fA][fA][f2A2]:|
\n|:”_p”(f\/e\/)|dfd ege|cec dfd|”_f”B(B\/c\/d\/c\/) c(c\/d\/e\/c\/)|
\nA(A\/B\/c\/A\/) (F2f)|[gB][gB][gB] [ac][ac][ac]|[bd][bd][bd]H[f2A2]e|d\/f\/e\/d\/c\/B\/ c\/e\/d\/c\/B\/A\/|[BD][BD][BD] [B2D2]:|]<\/p>\n

X:024
\nT:Allegretto TS.024
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nC:Prefixed as ‘No.12′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nB|AFG AFG|A3Adc|B2Ag2f|efd cBA|
\n“_f”AFG AFG|A3 AdA|Bge {d}cBc|d3-d2:|
\n|:”_p”(f\/g\/)|a3 afd|ged cBA|Bcd efg|fed cBA|
\na3afd|ged cBA|Bge {d}cBc|d3-d2:|
\n|:”_p”(A\/\/G\/\/F\/\/E\/\/)|DFA DFA|dfaa2 (G\/\/F\/\/E\/\/D\/\/)|
\nCEA CEA|cegg3|”_f”f\/d\/d\/d\/d\/d\/ g\/e\/e\/e\/e\/e\/|a\/f\/f\/f\/f\/f\/ b2a|
\nacd g2f|efd cBA|Gbb bge|Faa afd|Bba gfe|
\ndcB ABG|[F3A,3]EDE|DDD DEF|[G3A,3] FEF|[EA,][EA,][EA,] EFG|
\n“_p”A3AFd|A3AFd|ABA AGF|[F3A,3]H[E2A,2]B|
\nAFG AFG|A3Adc|B2Ag2f|efd cBA|
\nAFG AFG|A3 AdA|Bge {d}cBc|d3-d2:|]<\/p>\n

X:025
\nT:Andantino TS.025
\nM:2\/4
\nL:1\/16
\nQ:1\/4=80
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nC:Prefixed as ‘No.13′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Dm
\nA2|d4e4|(f2ef) d2e2|f2g2a2b2|d4^c2z “_f” A|
\nd>^cd>f e>de>”^f in MS”g|f>ef>a g>fg>b|a2d2 (fed^c)|(^c4d2):|
\n|:(f\/e\/f\/g\/)|a4b4|g2(gf) e2(d^c)|(d2ef) gfed|(d4^c2) z “_f”A|
\nd>Af>d e>Ag>e|f>da>f [b2d2] z b|a2d2 fed^c|d2A2D2 AG|
\n“Bass Solo”FEFD GABA &F2z2 G2z2|GFEC FGAF &G2z2 F2z2|BcBA GAGF|E2EE E2z “_Tuto”A|
\n“^sq’s in MS”d3A f3d|gfed “^sq’s in MS”^c2A2|defg fed^c|d2A2D2:|]<\/p>\n

X:026
\nT:Minuet TS.026
\nM:3\/4
\nL:1\/8
\nQ:3\/4=40
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:minuet
\nC:Prefixed as ‘No.14′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nd2A2F2|D2DDDD|f2d2A2|[A2F2][AF][AF][AF][AF]|
\n“_p”dAdfed|eAegfe|fdfagf|fedcBA|
\nd2A2F2|D2DDDD|f2d2A2|[A2F2][AF][AF][AF][AF]|
\n“_p”a2f2d’2|a2f2d’2|abagfe|{e}d6:|
\n|:”_p”A4B2|c4d2|ede2f2|g4z2|
\nd4e2|f4g2|aga2b2|a4a2|
\nbgdB Gb|afdA Fa|gecA Eg|fdAF D2|
\nGFGABc|dcdefg|(3aba g2f2|f2e2 “_f”(3ABc|
\nd2A2F2|DFAdfd|e\/f\/g\/e\/d2c2|(c4d2):|]<\/p>\n

X:027
\nT:Allegro Moderato TS.027
\nM:C|
\nL:1\/16
\nQ:1\/4=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nC:Prefixed as ‘No.15′ in MS
\nN:Bar 15 is problematical
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\nC4 E2G2 cccc eeee|gggg c’c’c’c’ g4>e4|(g2>f2) (d2>f2) (f2>e2) (c2>e2)|(e2>d2) (c2>d2) c2B2A2G2|
\nC2(DE) FGAB cdef gabc’|g2g2a2a2 g4^f4|(3g2d2g2 fedc B4″tr”A4|”rest added”z2″_p”(G2B2d2)z2 (G2c2e2)|
\nz2(G2B2d2) z2 (G2c2e2)|”_f”de^fg fedcB4″tr”A4|G2>G2 D2>D2 B,2>B,2 D2>D2|G,2G,G, B,2D2 G4z4:|
\n|:G4 B2>d2 f4 z4|f4 d2>B2 F4z4|EEEE “sic–“\/\/E4 \/\/c4 \/\/c4 \/\/e4 \/\/e4 \/\/g4 \/\/g4|c’4>b4 a4 z4|
\na4>g4 f4z4|f2>a2g2>f2 f2>e2d2>c2|g4G2>G2G4z4|{gefg} d4d4d8|
\n{fede} c4c4 “tr”c8|A2>B2c2A2 G2F2E2D2|”_f”C4E2G2 \/\/c4 \/\/e4|\/\/g4 \/\/c’4 g4>f4|
\nf2e2d2c2 e2d2c2B2|c2CC E2G2 c2CC E2G2|c4c4c4 z4:|]<\/p>\n

X:028
\nT:Largetto TS.028
\nM:3\/4
\nL:1\/8
\nQ:3\/4=30
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nC:Prefixed as ‘No.16′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\n“_p”G>F|[E4G,4](F>E)|[D4G,4]E>D|C2{B,}A,2D>C|
\n“_crots in MS”B,A,G,2G>F|[E4 G,4]F>E|[D4G,4]”_F”G>c|A>d [c2E2][B2D2]|[B2D2][c2E2]:|
\n|:”_p”(e>f)|g4(c’>g)|e2c2e2|f2d2(A>d)|{c}B2{A}G2(e>f)|
\n“_f”g2e2c’2″bar line added”|{b}g2 fedc|(3def A2B2|[1[B2D2][c2E2]:|
\n[2[B2D2][c2E2]G2||[F6G,6]|[E6G,6]|[d2F2][c2E2][B2D2]|[B2D2][c2E2]|]<\/p>\n

X:029
\nT:Roslin Castle TS.029
\nM:C|
\nL:1\/8
\nQ:1\/2=45
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Em
\n“_Slow”(GF)|E2(Bc)”tr”B2AB|{AB}cBAG{G}”tr”F2GF|E2efg2fe|^def^d”tr”B2(AB)|
\n{AB}cBAG”tr”F2(GA)|BGFE e^def|a\/g\/f\/e\/ g\/f\/e\/d\/ eB (d\/c\/)(B\/A\/)|G2F2E2:|
\nB2|eBef {ef}g2fe|b2agf2e^d|eBef”tr”g2fe|ba (g\/b\/a\/g\/)Hf3(AB)|
\n{AB}cBAG”tr”F2(GA)|BGFE e^def|(a\/g\/f\/e\/) (g\/f\/e\/d\/) eB (d\/c\/B\/A\/)|G2F2″tr”E4|]<\/p>\n

X:030
\nT:Plato’s Advice TS.030
\nM:C|
\nL:1\/8
\nQ:1\/2=50
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\n“_Slow”(GA)|”tr”B2AG “as written”d2cB|{ef}g2=feHd2e|edcB{d}”tr”c2>B2|
\nA2dcc2B2|A2AdHd2^c2|defgHa2g|fed=cB2G2|F2A2d4:|
\n|:d|(d\/e\/=f) ed{d}”tr”c2>B2|(c\/B\/A) (dc)”tr”B2>B|~e2>d2 “tr”c2>B2|(A\/e\/d) (c\/B\/A\/G\/) {G}”tr”F2>e2|
\nd2>F2HG2>e2|dcBAB2 (e\/f\/g)|fedcHd2(d\/e\/f)|edcB {d}”tr”c2>B2|
\nAGFE HD2d\/e\/f|”tr”g3c2BAB d\/c\/B\/A\/|G2A2G4:|]<\/p>\n

X:031
\nT:Bower Waltz, The. TS.031
\nM:3\/8
\nL:1\/8
\nQ:3\/8=50
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:waltz
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nA|d2f|d2f|(ged)|(cBA)|d2f|d2f|eac|d2:|#
\n|:A|e2f|(agf)|fed|ceA|e2f|(agf)|eac|d2:|
\n|:A|(Ag).g|(gf).f|(fe).e|e2a|(fda)|(fda)|gec|d2:|]<\/p>\n

X:032
\nT:Life let us Cherish TS.032
\nM:6\/8
\nL:1\/8
\nQ:3\/8=60
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\n{c}”tr”B3″as written” (c\/B\/c)|d2g{a}g3z|HG3(AGA)|(BcB)”tr”A2z|
\n{c}”tr”B3 (c\/B\/c)|d2g{a}g3z|{c}B3(A\/G\/A)|G3:|
\n|:d2|d2BABc|d2BG2d|d2B ABc|d2BG2d|
\ne2cg2g|d2Bg2-g|ded dcB|{c}”tr”B3 {B}”tr”A3|
\n{c}”tr”B3(cB) .c|d2gg2z|HG3(AGA)|(BcB){B}”tr”A2z|
\n{c}B3(cBc)|d2g {a}”tr”g3z|{c}”tr”B2 AGA|G3|]<\/p>\n

X:033
\nT:My Wife foolish young thing TS.033
\nM:C|
\nL:1\/8
\nQ:1\/2=60
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nN:No.21 in MS
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Gm
\nd\/c\/|BGGG DGGA|BGGBd2dc\/B\/|BGGG DGGA|AFFAc2B\/A\/:|
\n|:Bcdd gddd|Bcdd ga ga\/b\/|B\/A\/B\/c\/ d\/c\/d\/e\/ fccB|AFFAc2B\/A\/|
\nBcdd gddd|B\/A\/B\/c\/ dd gdga|b>g a>f ge fc|AFFA c2B\/A\/:|]<\/p>\n

X:034
\nT:Bonny Charley TS.034
\nT:King of the Fairies,aka TS.034
\nT:King William of Orange,aka TS.034
\nM:C|
\nL:1\/8
\nQ:1\/2=70
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nC:Prefixed as ‘No.22′ in MS
\nR:country dance
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Em
\nE2(EF)G2(GA)|BcBAG2(Ac)|B2E2E2G2|FGAFD2D2|
\nE2EFG2GA|BcBAG2Ac|B2E2GFED|E2e2E4:|
\n|:efedB2B2|efedB4|fgafd2d2|fgafd2(ga)|
\nb2(gb)a2(fa)|g2egf2df|e2(de) gfed|e2f2Hg4|
\nfedcB2B2|g2b2B4|dcBA cBAG|FGAFD4|
\nGFGA BABd|edef gfed|dcBA BAGF|E2e2E4:|]<\/p>\n

X:035
\nT:I’ll be Marri’d on Tuesday TS.035
\nT:Greensleeves?aka TS.035
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nC:Prefixed as ‘No.23′ in MS
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Gm
\nG2AB2G|A3F3|G2G[G2g2]a|f3d3|f2f fed|cBAF2F|G2AB2G|A3G3:|
\n|:g2dg2d|B3G3|g2dg2a|f3d3|f2f fed|cBAF2F|G2AB2G|A3G3:|]<\/p>\n

X:036
\nT:Sylph,The. TS.036
\nT:Plymouth Lasses,aka TS.036
\nT:Hark to the Wittendale Hunt,aka TS.036
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nN:John Abraham Fisher wrote the stage production
\nN:’The Sylph’ as a work for the Covent Garden theatre in the 1770’s
\nC:Prefixed as ‘No.24′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nA|AFA dfa|agf e2g|faf fed|ceee2A|
\nAFA dfa|agfe2g|fad egc|eddd2:|
\n|:A|FAd dcB|BAGF2D|FAD FAD|C>DE A,>A,A|
\nFAd dcB|BAG F2D|FAD AGC|EDDD2:|]<\/p>\n

X:037
\nT:Michael Wiggins TS.037
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nC:Prefixed as ‘No.25′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nA|f>gf fed|dcBA2A|f>gf fed|geee2A|
\nf>gf fed|d<>cB AFA|ABA ABc|ed”cr.rest added”zz2:|
\n|:B\/c\/|dBA ^Gcd|ecA Ace|fdB ^Ged|cezz2e|
\na2ea2e|aec Ace|fdB ^Ged|cA”rests added”zz2:|]<\/p>\n

X:038
\nT:Beggar Girl, The TS.038
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nC:Prefixed as ‘No.26′ in MS
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\n+fermata+d>cB+fermata+ d>cB|A>GA “tr”B(G\/A\/B\/c\/)|+fermata+d>cB+fermata+ d>cB|A>GAG3|
\n+fermata+d>cB +fermata+d>cB|AGA Bcd|+fermata+d>cB+fermata+ d>cB|AGAG3:|
\n|:DGB DAc|DcB AGA|DGF “tr”E2c\/c\/|BAG+fermata+d3|
\n+fermata+d>cB +fermata+d>cB|AGA Bcd|+fermata+d>cB ef+fermata+g|BcA G3:|]<\/p>\n

X:039
\nT:Untitled TS.039
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nC:Prefixed as ‘No.27′ in MS
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\n(A\/G\/)|FGA GBc|dcB A2G|FGA dcd|eEE E2(A\/G\/)|
\nFGA ABc|dcB A2G|FAd fge|fddd2:|
\n|:c\/d\/|ecA ABA|ecAA2(B\/c\/)|dcB AGF|GEEE2(c\/d\/)|
\necA ABA|ecA A2G|FAd edc|dd>dd2:|
\n|:(d\/e\/)|f2d BdB|e2c ABc|dcB AGF|GEEE2(d\/c\/)|
\ndfd BdB|cec ABc|dcB ABG|FDDD2:|]<\/p>\n

X:040
\nT:Wood’s Hornpipe TS.040
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nC:Prefixed as ‘No.28′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\n(E\/F\/G)|A2AAA2(cd)|ecea ecBA|(fe)(dc) (dc)(BA)|GABcB2E2|
\nA2AA”tr”A2cd|ecea ecBA|fedc dcBA|E2G2{B}”tr”A4:|
\n|:(cd)|ecea ecea|fdfa fdfa|fedc dcBA|GABc”tr”B2cd|
\necea ecea|fdfa fdfa|fedc dcBA|E2G2″tr”A4:|]<\/p>\n

X:041
\nT:Minuet TS.041
\nM:3\/4
\nL:1\/8
\nQ:3\/4=40
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:minuet
\nC:Prefixed as ‘No.29′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\ng2(3bag (3fed|d2″tr”c2B2|g2(3bag (3fed|d2″tr”c2B2|
\nGDADBA|B2″tr”c2d2|GDADBD|B2″tr”c2d2|
\n(3def (3gfe (3dcB|{B}A6::(bg)(fe)(fg)|(af)(ed)(^cd)|
\n(ef)(gf)(ed)|{d}^c2(Bc)A2|aAgAfA|eAfAgA|
\naAgAfA|eAfAgA|aA(B^c)(de)|fdgdad|
\n(3bag f2″tr”e2|d4z2|g2 (3bag (3fed|d2″tr”c2B2|
\ng2(3bag (3fed|d2″tr”c2B2|GDADBD|GBdgbg|
\nGDADBD|GBdgbg|(f\/e\/d\/c\/)B2″tr”A2|G6:|]<\/p>\n

X:042
\nT:Minuet TS.042
\nM:3\/4
\nL:1\/8
\nQ:3\/4=40
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:minuet
\nC:Prefixed as ‘No.30′ in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\ndcdefg(|”tr”a3f)ga|ba”tr”gfed|(c3B)A2|
\ndAeAfA|gAfAeA|dAeAfA|gAfAeA|
\na2A2^c2|d6::f2(gf)(ed)|”tr”e3dc2|
\ne2(fe)(dc)|”tr”d3cB2|ecfd^ge|a2(^gf)(ed)|
\ncd”tr”B3A|A6|afdafd|gecgec|
\nfdBfdB|(“tr”c3B)A2|dAeAfA|gAfAeA|
\ndAeAfA|gAfAeA|a2A2^c2|d6:|]<\/p>\n

X:043
\nT:New so Bell TS.043
\nM:C|
\nL:1\/8
\nQ:1\/2=75
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\n[V:1]|:c4e3f|efedc2ef|g2g2c2d2|e8:|
\n[V:2]|:z8|z8|z8|z8:|
\n[V:1]|:z8|z8|z8|z8|
\n[V:2]|:A,2E,2F,2C,2|D,E,D,C,B,,2C,2|D,C,D,B,,E,2E,,2|A,,8|
\n[V:1]”sic”g2|agfg gfeg|fedf edce|g2g2g2ag|f2efg4|
\n[V:2]z2|z8|z8|z8|z8|
\n[V:1]z8|c2cde2c2|z8|d2def2d2|
\n[V:2]A,,2A,,B,,C,2A,,2|z8|B,,2B,,C,D,2B,,2|z8|
\n[V:1]z8|c2cde2c2|f2d2g2B2|c8|
\n[V:2]A,,2A,,B,,C,2A,,2|z8|D,2B,,2E,2E,,2|C,8|
\n[V:1]g2ggg4|z8|a2aaa4|z8|
\n[V:2]z8|A,,2A,,B,,C,2A,,2|z8|B,,2B,,C,D,2B,,2|
\n[V:1]g2ggg4|z8|f2d2g2B2|c8:|
\n[V:2]z8|A,,2A,,B,,C,2A,,2|D,2B,,2E,2E,,2|[A,,8C,8]:|<\/p>\n

X:044
\nT:Draught,The. TS.044
\nM:6\/8
\nW:Should have been in 9\/8 time
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\nG|(EF\/G\/)Ec2G|E2C (EF\/G\/)E|FDDD2G|(EF\/G\/)Ec2G|
\nE2C (EF\/G\/)F|ECCC2::c|Bcd edc|B2G Bcd|
\ndBG G2c|Bcd edc|B2G GBc|B(c\/d\/)Bc2:|]<\/p>\n

X:045
\nT:Russian Dance,The TS.045
\nT:Opera Hat,aka TS.045
\nM:2\/4
\nL:1\/8
\nQ:1\/2=80
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:country dance
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nDG|B2DG|B2DG|cdBc|A2DF|A2DF|A2DF|Bc AB|G2:|
\n|:dc|B2BA|G2gf|e2e2|e2cB|A2AG|FA dF|GFGF|G3:|<\/p>\n

X:046
\nT:Duke of Sussex’s Reel TS.046
\nT:Mayday,aka TS.046
\nT:England’s Glory,aka TS.046
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nfefc BAGF|AcBA BGG2|fefc BAGF|AcGB AFF2:|
\n|:AFcF dFcF|AcBA BG”tr”G2|AFcF dFcF|AcGB AFF2:|]<\/p>\n

X:047
\nT:Princess Royal TS.047
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Gm
\n“^as written”
\ndcB2ABG2|dcB2ABG2|d2e2dec2|fed2cdB2|
\ndc BdcB A\/c\/B\/A\/|GBAG ^F2D2|d3c BG A^F|D2^F2G4:|
\n|:d2|gfga gfga|b2B2B2ba|gfed edcB|A2^F2F2B2|BBc2ccd2|
\nd2g2fBe2|dGc2B3A|GBAG^F2D2|d3c BABG|D2^F2G2:|]
\nzzzz||
\n“^Version edited by Chris Partington”
\ndc|B2AB G2dc|B2AB G2d2|e2dec2fe|d2cd B2dc |
\nBdcB AcBA|GBAG ^F2D2|[M:3\/2] d3c BGA^F D2^F2|[M:4\/4]G4-G2:|
\n|:d2|gfga gfga|b2B2B2ba|gfed edcB|A2^F2F4|B2BBc2cc|
\nd2d2g4|f2B2e4|d2G2c4|[M:3\/2]B3A GBAG^F2D2|d3c BABG D2^F2|[M:4\/4]G4-G2:|<\/p>\n

X:048
\nT:Miss Brown’s Reel TS.048
\nT:Scotch Mary,aka TS.048
\nT:Heart of the Roll,The,aka TS.048
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\ncB|:AFcF dFcF|AFcFB2(3dcB|AFcF dFcF|BGGAB2″as writ”(d\/c\/)B:|
\n|:f2a\/g\/f\/e\/ fcAc|f2a\/g\/f\/e\/ fage|f2a\/g\/f\/e\/ fcAc|BGGAB2 (d\/c\/)B:|]<\/p>\n

X:049
\nT:Stoke Hornpipe,aka TS.049
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nC:untitled ‘Hornpipe’ in MS
\nN:Title from The Boat Band
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\ndc|BFDF Bcdc|BFDF BcdB|ABcd edcB|A2c2c2dc|
\nBFDF Bcdc|BFDF Bcdc|egfe dcBA|B2B2B2:|
\n|:fe|defd gfed|e2c2c2ed|cdec fedc|d2B2B2dc|
\nBFDF BcdB|efga bagf|gfgd ecBA|c2B2B2:|<\/p>\n

X:050
\nT:Hornpipe TS.050
\nM:C|
\nL:1\/8
\nQ:1\/2=88
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nFE|DFBF dFED|EGBG ecBA|Bdfd gecB|AcF2F2FE|
\nDFBF dFED|EGBG ecBA|Bdfd gecB|BAcAB2:|
\n|:cB|Acc2Acc2|Bdd2Bdd2|egg2egg2|fgaaa2FE|
\nDFBF dFED|EGBG ecBA|Bdfd gedc|BAcA B2:|]<\/p>\n

X:051
\nT:Hornpipe TS.051
\nM:C|
\nL:1\/8
\nQ:1\/2=88
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\n“s-qu. in ms”(FE)|DB,DF Bgfe|dcBA B2cd|ecBA dBAG|FDB,D (3EGF (3EDC|
\nB,DFA Bgfd|edcB g2ga|bagf df=eg|f2f2f2:|
\n|:(3fga|bfed e2ef|gedcd2df|gaba gfed|cBAG FEDC|
\nB,DFA Bgfd|edcB gabg|edcB GBAc|B2B2B2:|]<\/p>\n

X:052
\nT:Persian Dance,The TS.052
\nT:Galopede,aka TS.052
\nM:2\/4
\nL:1\/16
\nQ:1\/4=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:country dance
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\ndc|B2Bc A2AB|G2G2G2 AB|c2cd B2Bd|A2A2A2 dc|
\nB2Bc A2AB|G2G2G2 AB|cBAG FGAB|G2G2G2||
\ndc|B2gf e2ed|(dcBc) A2 dc|B2gf edcB|A2A2A2 dc|
\nB2gf e2ed|(dcBc) A2 dc|BdcB AcBA|G2G2G2||
\nBc|d2d2d2g2|d2d2d2g2|d2d2 edcB|c2A2A2 Bc|
\nd2d2d2g2|d2d2d2g2|d2Bc dcBA|G2G2G2|]<\/p>\n

X:053
\nT:Morgiana in Ireland TS.053
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nD2DG2G|AGAB3|D2DG2G| AGA BGE|
\nD2DG2G|AGAB2d|edc BAG|AGA BGE||
\nd2d dcB|e2fg3|ded dcB|e2fg3|
\nd2d dcB|e2e efg|dec BcA|G2A BGE||
\nGAG Bdz|ABA cez|GAGG2A|B2c BGE|
\nGAG Bdz|cez Bdz|egz Bdz”bar line added”|G2A BGE|]<\/p>\n

X:054
\nT:Lord Cathcart’s Fav’t TS.054
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nF|FBd f2f|fed c2e|dBf ecg|B3A2F|
\nFBd f2f|fed c2d|edB dcA|(c3B2):|
\nf|fga b2b|bag ^f2f|ged ceg|(B3A2)B|
\ncde fga|d3b2a|agf efg|fge fga|
\nbfd Bdf|fed c2e|(dB).f (ec),g|(B3A2)c|
\nBdff2f|fed c2e|edB dcA|(c3B2)|]<\/p>\n

X:055
\nT:Waltz TS.055
\nM:6\/8
\nL:1\/8
\nQ:3\/8=50
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:waltz
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\n(F\/G\/)|AABc2f|ccB {B}”tr”A2 F\/G\/|AAB c2f|bge”tr”f2:|
\n|:bbg aaf|dgf edc|bbg aaf|dge”tr”f3:|
\n|:(A\/B\/)|ccdc2A|BBG”tr”A2 (A\/B\/)|ccdc2A|BGEF3:|]<\/p>\n

X:056
\nT:Angelic March,The TS.056
\nM:C|
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:march
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nD2|G2BGd2BG|g2d>dd2cB|e2d2c2B2|A>GA>BA2d>c|
\nB2e>d^c2f>e|d2g>fe2a>g|f>ed>eA2^c2|d2d>dd2A2|
\n“pix”B2A2B2A2|d^cdAB2A2|B>cd>ef2e2|d2d>dd2:|
\n|:A2|d3ef3g|a2c>cc2B2|g2B>BB2A2|e2G>GG2F2|
\nA3Bc2 BA|Bcd4 ([ge][f\/d\/][e\/c\/])|[d2B2] ([ec][d\/B\/][c\/A\/])B2 (cB\/A\/)|G2GGG2D2|
\n“pix”E2D2E2D2|G>FGDE2D2|E>FGAB2A2|G2G>GG2:|]<\/p>\n

X:057
\nT:Gavotte by Correlli,A TS.057
\nM:C|
\nL:1\/4
\nQ:1\/2=70
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:gavotte
\nC:Correlli
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nbaba|gfgf|gded|cBAD|d3D|c3B|
\nEAFG|GFG2|gbad|g>ggf|Be^cd|d^cd2|
\ngded|eded|gdeG|c3B|EAFG|GFG2:|
\n|:be^de|be^de|ad^cd|ad^cd|fbgb|f^abd|
\nfe\/d\/^cd|^c2B2|d3c|cBcA|c3B|A>GFD|
\nd3G|c3B|EAFG|GFGe|c2z=c|B2zA|
\nGeFG|GFGe|d2zc|B2zA|GeFG|GFG2:|]<\/p>\n

X:058
\nT:Honest Yorkshireman’s Hornpipe,The. TS.058
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\n%%begintext
\nK:C
\nAn Honest Yorkshireman
\nby Henry Carey (Died 1748)
\nI is i’ truth a coontry youth,
\nNean used to Lunnon fashions;
\nYet vartue guides, an’ still presides
\nOwer all my steps an’ passions.
\nNea coortly leer, bud all sincere,
\nNea bribe shall iver blinnd me ;
\nIf thoo can like a Yorkshire tike,
\nA rogue thoo’ll niver finnd me.
\nThof envy’s tongue, so slimly hung,
\nWould lee aboot oor coonty,
\nNea men o’ t’ earth boast greater worth,
\nOr mair extend their boonty.
\nOor northern breeze wi’ us agrees,
\nAn’ does for wark weel fit us ;
\nI’ public cares, an’ love affairs,
\nWi’ honour We acquit us.
\nSea great a maand is ne’er confaand
\n‘Tiv onny shire or nation,
\nThey gie un meast praise whea weel displays
\nA larned eddication;
\nWhaal rancour rolls i’ laatle souls,
\nBy shallow views dissarnin’,
\nThey’re nobbut wise at awlus prize
\nGood manners, sense, an’ larnin’.
\n%%endtext
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\ncd|ecac ecac|fedc B2cd|ecBA fdBA|GABGE2cd|
\neceg fdfa|gegba2gf|eafd ceGB|”qu. in ms”A2A2A2:|
\n|:GA|BEdE BEdE|cEeE cEeE|fgaf gabd|c3B3 GA|
\nBEdE BEdE|cEeE cEeE|fadf ceGB|A4:|<\/p>\n

X:059
\nT:Waltz TS.059
\nM:3\/8
\nL:1\/16
\nQ:3\/8=50
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:waltz
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nd2d2g2|efgfge|d4B2|cBcdec|BABcdB|ABcAGF|G4:|
\n|:GA|B2B2B2|BABGAB|cdedcB|(BA) (GD) (GA)|B2B2B2|BABGAB|cd ec AF|G4:|]<\/p>\n

X:060
\nT:March TS.060
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:march
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nd4A4|fedc d2″poss qu.in ms”B2|BAGF AGFE|D2D>DD2z2|
\nd4A4|fedcd2cd|e2fdc2B2|A2A>AA2:|
\n|:(A\/B\/c\/d\/)|e3f gfdc|d3fA4|B2gf eBed|d4c2″rest added”z2|
\n“dot added”A3B\/c\/ dABA|AGGFF4|EF\/G\/ A\/B\/c\/d\/ e\/d\/c\/B\/ AG|G3EF3A|
\nBBBd ccce|dddf eeeg|ffged2c2|d2d>dd2:|]<\/p>\n

X:061
\nT:G M TS.061
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:march
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nd>d|g2g>gg2dc|”dot added”B3AG2dc|B2B2dcBc|d2d>dd2(3def|
\ng2f2e2d2|B3c edcB|a3gf2e2|d2d>dd2:|
\n|:z2|d2e2 fdfd|g3d gdgd|agfe dcBA|G2G>GG2d2|
\ndcBA gfed|d3e\/d\/c2B2|B3d dcAF|G2G>GG2z:|
\n|:D>D|”dot added”G3B BAcB|B3d dced|dcBA Geed|d2d\/c\/B\/c\/B4|
\nB2B>BB2c2|d2d>dd2g>g|g2egf2e2|d2d>dd2:|
\n|:z2|d3e fdfd|g3d gdgd|agfe dcBA|G2G>GG2d2|
\ndcBA gfed|d2e>dc2B2|B2d2 dcAF|G2G>GG2:|]<\/p>\n

X:062
\nT:Duke of Perth,The, aka TS.062
\nT:Reel,untitled in MS TS.062
\nM:2\/4
\nL:1\/8
\nQ:1\/2=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nC:Pencil note “Bonum” in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nF|DFAF|dFAF|dFAF|eE E>F|DFAF|dFAF|GEAG|FD D:|
\n|:A|dedB|efec|dedB|fB B>c|dedB|efec|dBAG|FD “cr.in ms”D:|]<\/p>\n

X:063
\nT:Jigg TS.063
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nD|GBG GDG|BdBG2d|efg dBG|cAA AcAQ|
\nGBG GDG|BdB GBd|efg d2c|BGGG2:|
\n|:d|defg2f|edcB2G|BdB dBd|cAAA2d|
\ndefg2f|edc B2d|ede def|gggg2d|
\ndef g2f|edcB2G|BdB dBd|cAAA2d|
\nGBG GDG|BdB GBd|dfgd2c|BGGG2:|]<\/p>\n

X:064
\nT:Hornpipe TS.064
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nD2|G2G2GABc|dBge dBAG|cBce cBAG|FGABA3B|
\ncBcd efge|dBAG FAFD|GBAc BdAc|B2G2G2″rest omitted”:|
\n|:Bc|dBGB defg|dcBcB2z|cBcd efge|afddd3B|
\ncBcd efge|dBAG FAFD|GBAc BdAc|B2G2G2:|]<\/p>\n

X:065
\nT:Hornpipe TS.065
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nA|dAFA dfed|ecAc egfe|fafd gbae|fafd dcBA|
\ndAeA fAeA|fafd dcBA|bgbg fedc|d2d2d2z:|
\n|:fg|afaf dfaf|bgbg fedc|dfaf gbge|fafd dcBA|
\ndAeA fAeA|fafd dcBA|bgbg fedc|d2d2d2:|]<\/p>\n

X:066
\nT:Hornpipe TS.066
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nA2|FDFA d2ef|gefd c2BA|BdAd GdFd|edef gfef|
\nFDFA d2ef|gefdc2BA|Bcdg fdec|d2d2d2:|
\n|:”qu. in ms”A2|defd e2ef|gefd c2BA|FAdA BAGF|E2E2E2A2|
\ndefd e2ef|gefdc2BA|afge fdBe|d2d2d2:|]<\/p>\n

X:067
\nT:Paddy’s Resource TS.067
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nC|F>GF CA,C|F>GFd2c| dcB AGF|GDDD2E|
\nF>GF CA,C|F>GFd2c|cde fcB|AFFF2:|
\n|:A|CFA AFC|CEG GEC|CFA AGF|A>BA”tr”G2F|
\nF>Ac fed|cAFG2F|AFD C>DF|AFFF2:|]<\/p>\n

X:068
\nT:Maria’s Frolick TS.068
\nM:6\/8
\nL:1\/8
\nQ:3\/8=115
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\n(AG)|FGA AFA|BGB AFA|E2e efd|”tr”c3A3|
\nFGA AFA|BGB AFA|D2d dec|d3″dotted in ms”D2:|
\n|:g|fga agf|efg gfe|fga Bcd|”tr”c3A2(B\/c\/)|
\ndcB AGF|GAB AFA|D2d dec|d3D2:|]<\/p>\n

X:069
\nT:Double Kisses TS.069
\nT:Kiss Her Twice, aka TS.069
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\ne|c2GEc2ce|c2GE dDDe|c2GF cdec|eagf ecc:|
\ne\/f\/|gcge gc c(e\/f\/)|gcge a(d d)(e\/f\/)|gcge gcge|fagf ec c(e\/f\/)|
\ngcge gc c(e\/f\/)|gcge ad df\/g\/|afge fdec|Aagf ecc|]<\/p>\n

X:070
\nT:Chapter of Kings,The TS.070
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\nG|Gcc cBc|d2BG2G|Gdd def|g2ec2(g\/f\/)|
\nefg gfe|a2fd2f\/e\/|f>ef fed|g2ec2G|
\nGcc Bdd|ecc fdd|e>fg fed|c2cc2G|
\nGcc Bdd|ecc fdd|e>fgn fed|c2cc2|]<\/p>\n

X:071
\nT:Turks March TS.071
\nM:C|
\nL:1\/8
\nQ:1\/2=70
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:march
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nGA|B2G2G2(AB)|c2A2A2(dc)|B2(AG)F2G2|(AG)(FE)D2(GA)|
\nB2G2G2AB|c2A2A2dc|BAGAD2″tr”F2|”cr.in ms”G6:|
\n|:Bc|dcded2e=f|e2c2c4|edef efga|f2d2″tr”d3c|
\nB2G2G2AB|c2A2A2dc|B2(AG)F2G2|(AG)(FE)D2GA|
\nB2G2G2AB|c2A2A2dc|BAGAD2″tr”F2|”cr.inms”G6:|]<\/p>\n

X:072
\nT:Admiral Collingwood’s March TS.072
\nM:2\/4
\nL:1\/8
\nQ:1\/2=60
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:march
\nN:Last 5 notes also shown in octavo.
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\ng|fedc|BGGd|gggg|a\/g\/f\/e\/ dg|
\nfedc|BAGB|cedF|G3:|
\n|:B|cA A\/B\/c\/d\/|BGGB|c\/B\/A\/G\/ c\/B\/A\/G\/|dDDB|
\ncA A\/B\/c\/d\/|BGGB|BG B\/A\/G\/F\/|”cr.in ms”G3:|<\/p>\n

X:073
\nT:Miss Mar. Lees Farewell TS.073
\nM:C
\nL:1\/8
\nQ:1\/2=60
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nG|DGBG E<GD<G|A\/G\/A\/B\/ c\/B\/A\/G\/ F<AA2|DGBG F<GD<G|A\/G\/A\/B\/ c\/e\/d\/c\/ BGG:|
\nd\/\/e\/\/f\/|g>dBg e>d e\/d\/c\/B\/|A\/G\/A\/B\/ c\/B\/A\/G\/ FAA d\/\/e\/\/f\/|gdBg e>d e\/d\/c\/B\/|A\/G\/A\/B\/ c\/e\/d\/c\/ BGG d\/\/e\/\/f\/|
\ngdBg e>d e\/d\/c\/B\/|A\/G\/A\/B\/ c\/B\/A\/G\/ FAA2|G>B A>c B>d g>d|e\/d\/e\/f\/ g\/e\/d\/c\/ BGG|]<\/p>\n

X:074
\nT:14th February or Valentine’s Day TS.074
\nT:Valentine’s Day TS.074
\nM:2\/4
\nL:1\/8
\nQ:1\/2=60
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\ne\/d\/|cfBe|A>B ce|fdBA|G\/A\/B\/G\/ HEe\/d\/|
\ncfBe|A>Bcd|fdBG|A2A2:|
\n|:Aa\/a\/ aa|aggg|f\/g\/a\/g\/ b\/a\/g\/f\/|fe ee|
\nd>e f\/e\/f\/e\/|c>d e\/c\/e\/c\/|fdBG|A2A2:|]<\/p>\n

X:075
\nT:My Lady TS.075
\nM:2\/4
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:quick step
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\nG|c2ce|d2df|eg g\/f\/e\/d\/|c\/B\/c\/d\/ cG|c2ce|d2df|eg g\/f\/e\/d\/|c2z:|
\n|:z|zgeg|zafa|zfdf|zgeg|zc’ge|eg g\/f\/e\/d\/|c2z:|
\n|:z|G2EF|G2Ge|f2fd|e2ec|cB Bd|c2g2|agfe|d2z:|
\n|:z|f4|e4|ff fd|ee ec|aa af|gc’ af|ed\/c\/ dc\/B\/|c2″rest added”z:|]<\/p>\n

X:076
\nT:Henry’s Cottage Maid TS.076
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:song
\nC:Pleyel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nB3BcB|d3B2B|B3BcA|G3D3|
\ne2f gfe|d3B2G|A2B cBd|B3A3|
\nB3BcA|d3B2B|B3BcA|G3D3|
\ne2f gfe|d3B2G|A2B cBA|G3G2d|
\nA2B cBA|B3d2B|A2B cBA|G3G2d|
\nA2B cBA|B3dBG|FAd GFE|D3D2z|
\nB3BcA|d3B2B|B3BcA|G3D3|
\ne2f gfe|d3B2G|A2B cBA|G3G2″sy”g|
\nf2g agf|g2bg2b|f2g agf|g2bg2b|gBA GGG|G3 G2|]<\/p>\n

X:077
\nT:Deep Nine,The TS.077
\nM:C
\nL:1\/8
\nQ:1\/2=60
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:song
\nC:Dibdin
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nGA|B2B2A2cA|G2F2G2>D2|GABcd2>d2|efge d2>d2|
\ng3f e3d|^cBAG F2 zA|d2d2Befg|d2^c2d2zd|
\ng3gf3f|e3e {e}d3d|d<Be2c<Ad2|B2^c2Hd2z|
\nF3G A2HG2|B2B HcHBz B|(Ae)(dc) (cB)(dB)|
\n(Ae)(de) (cB)(dB)|(cB)(AB) (cB)(cd)|(ed)(ef)Hg2{A}|B3c”tr”A4|G4|]<\/p>\n

X:078
\nT:Lads Of Dunce,The TS.078
\nT:Ladds Dance,The, aka TS.078
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nB|AFD DFD|DFD B2A|Bcd AFD|EEEE2B|
\nAFD DFD|DFDB2A|Bcd edc|d3d2:|
\n|:g|fefd2e|fgaB2A|Bcd AFD|EEEE2g|
\nfefd2e|fga B2A|Bcd edc|d3d2:|<\/p>\n

X:079
\nT:And Keep your Hair Dry TS.079
\nM:C|
\nL:1\/8
\nQ:1\/2=80
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\n“as writ”e|c>ef>ge2c2|dBfB aBfB|c>ef>ae2c2|A2aaga AA:|
\n|:e|c2A A>AA cA|cAB2E E>EE|BEBEc2AA|AA cAcAA2|aagaA2A2:|]<\/p>\n

X:080
\nT:Lady Montgomery’s Reel TS.080
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nN:Key Sig. unclear in MS. C maj sounds better than D.
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\nc2cG EFGE|c2cA Bcde|c2cG EFGE|DddcB2dd:|
\ne<cg2e<cg2|e<cg<c efga|e<cg2e<cg2|fedc Bcdf|
\ne<cg2e<cg2|e<cg<c efga|gefd ecdB|cAGEE2″Da Capo”CC|]<\/p>\n

X:081
\nT:Lady Mary Ramsay’s Reel TS.081
\nT:Mary Ramsay TS.081
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nC:Nath. Gow
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nD2DF AFFA|F\/G\/”s-q in ms”A DF AFFd|D2DF AFFA|BdAFE2z2:|
\nfddf ecce|dBBd AFFD|fddf ecce|dBAFE2z2|
\nfddf ecce|dBBd AFFD|dfce BdAd|FdAF E2z2|]<\/p>\n

X:082
\nT:Italian Morpheana TS.082
\nT:Italian Monferina,aka TS.082
\nT:Monferina,aka TS.082
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nN:Bar 8 has a cross drawn through it in MS.
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nD|GAB BcA|BGGG2[gd]|[g2d2]G FGA|BGGG2:|
\n|:g|fga afd|Bcdd2 g|fga afd|Bcdd2f|
\ngdg gdg|ece efg|ded cBA|GGGG2:|]<\/p>\n

X:083
\nT:Miss Grimstrobs Hornpipe TS.083
\nT:Bridge of Lodi,The,aka TS.083
\nT:Saxon’s Hornpipe,aka TS.083
\nT:Nelson’s Hornpipe,aka TS.083
\nT:Lord Nelson’s Hornpipe,aka TS.083
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\n“s-q in ms”AF|D2(d2d2)cd|ecAc d2 (eg)|fdec dBed|cdcB AGFE|
\nD2(d2d2) cd|ecAcd2(eg)|fdec dBA^G|A2A2HA2:|
\n|:fg|agfe dedc|B2G2G2ga|bagf efed|c2A2A2AF|
\nD2(d2d2)cd|ecAc d2(ef)|abag fedc|d2(d2d2):|]<\/p>\n

X:084
\nT:Prize,The TS.084
\nM:2\/4
\nL:1\/8
\nQ:1\/4=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.country dance
\nO:England;Lincolnshire
\nC:Stephen Storace
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nC|FF {B}AG\/F\/|cA Af|{g}fe\/f\/ {g}fe\/f\/|cAAC|
\nFF {B}AG\/F\/|cAAf|{g}fe\/f\/ c\/d\/c\/B\/|AFF:|
\n|:(3c\/d\/e\/|(3fef Ff|(3gfg Gg|(3fef (3gfg|af fc|
\n(3fef Ff|(3gfg Gg|f\/g\/a\/f\/ c\/d\/c\/B\/|AFF:|]<\/p>\n

X:085
\nT:Lincoln Hornpipe TS.085
\nT:Fisher’s Hornpipe,aka TS.085
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nN:Dotted crotchets followed by semi-quavers
\nN:very unusual but consistent. Tune as written in MS.
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\n“As writ in ms”B>A|GFGD B,DGB|A>GAF DFAc|BdBG ecAG|FGAF D3 B>A|
\nGFGD B,DGB|AGAF DFAc|BdBG ecAF|G2G\/G\/G2:|
\n|:B\/c\/|d>BGG G3c\/d\/|e>cAA A3 B\/c\/|dBGB ecAB|FGAFD3B\/A\/|
\nGFGD B,DGB|AGAF DFAc|BdBG ecAF|G2G\/G\/G2:|]<\/p>\n

X:086
\nT:Nelson’s Victory Hornpipe TS.086
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nN:This is not the usual tune with this title
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\n“s-q in ms”FG|A2A2A2FA|BcdB A2FG|ABAF ABAF|GABG E2FG|
\nA2A2A2FA|BcdBA3d|cdef gedc|d2d2d2:|
\n|:de|f2f2f2ef|gfed dcBA|FAdf edcd|edcd e3a|
\nf2f2f2(ef)|gfed dcBA|FAdf gedc|d2d2d2:|]<\/p>\n

X:087
\nT:Mrs Smollet’s Favourite TS.087
\nM:C
\nL:1\/8
\nQ:1\/2=60
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:Air
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\n(3ecA|E2CEA3c|B>AB>c A2AG|F3A E>CB,>A,|A,\/B,\/CB,4(3ecA|
\nE2CEA3c|B>AB>cA2ag|a>ff>aq e>cB>A|(A\/B\/c)A4:|
\n|:e|fefa fece|fecAB3e|fefg agfe|c2e4a2|
\nfefa fece|fecAB2AB|cdcB dcBA|(A\/B\/c)A4:|]<\/p>\n

X:088
\nT:Dutchess of Devonshire’s Reel,The TS.088
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nW: “one note higher” written in pencil over B part
\nW: “Bonum” in pencil at end
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\nc2ec dBAG|A\/B\/c GE FDD2|c2ec dBAG|A\/B\/c GF EC”qu in MS”C2:|
\n|:ecgc dBgB|cAdc BGG2|AFcF GEcE|FDGF EC C2|
\negcg dgBg|cAdc BGG2|AcFc GcEc|Fagf ecc2|]<\/p>\n

X:089
\nT:Frogmore Farm TS.089
\nM:6\/8
\nL:1\/8
\nQ:3\/8=115
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nf|fed cAF|dfd cAF|cAc cBA|BGGG2f|
\nfaf gec|dfd cAc|AFA BAG|FFFF2:|
\n|:A|cAc fcA|dBd gdB|cAc fcA|BGGG2A|
\ncAc fcA|dBd gdB|cba gfe|ffff2:|]<\/p>\n

X:090
\nT:New Drury TS.090
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\nE|(Ac)(ec) (Ad)(fd)|ecBc AGFE|(Ac)(ec) (Ad)(fd)|edca “tr”B3E|
\n(Ac)(ec) (Ad)(fd)|ecBA GBGE|Acea gafd|ecBcA3:|
\n|:E|CEA,E CEA,E|(Ac)(Bc) AGFE|CEA,E CEA,E|(Ac)(ec) “tr”B3E|
\nCEA,E CEA,E|(Ac)(Bc) AGFE|FDCB, CDEc|dBAG [A3E3A,3]:|]<\/p>\n

X:091
\nT:New Floating Battery TS.091
\nM:C|
\nL:1\/8
\nQ:1\/2=88
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\nA|(AB)(cd) e2(cA)|(fg)af {f}”tr”e2 dc|defd cdec|Aca(c{c}B3)A|
\n(AB)(cd)e2 (dc)|fga(A {A}G2) (FE)|dfdB cecA|E2[A2C2][A3C3]:|
\n|:a|(ag)”tr”fe fedc|defa AGFE|Ac”tr”BA Bd”tr”cB|ceac{c}”tr”B3a|
\n(ag)”tr”(fe) “tr”(fe)(dc)|(dF)”tr”(BA) (AG)(FE)|ABcd ecac|E2[A2C2][A3C3]:|]<\/p>\n

X:092
\nT:Mr Benton’s Hornpipe TS.092
\nT:Holywell Hp,aka TS.092
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\n(AB)|c2cf dcBA|dfef dcBA|GFAF CFAF|GABc BAGF|
\nc2(cf) dcBA|dfef dcBA|f2af dBGE|F2F2F2:|
\n|:AB|c2cd cAGF|d2d2d2(GA)|BABc BGEc|cfeg f2AB|
\ncAcf dBdf|ecegf2(fg)|afaf dBGE|F2F2F2:|]<\/p>\n

X:093
\nT:Lord Ramsey’s Reel TS.093
\nM:C|
\nL:1\/8
\nQ:1\/2=70
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:Strathspey
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nz|defg fdf2|dfbf fdB2|defg fdf2|d>b e\/d\/c\/B\/ c2B:|
\n|:B|FBDB FBD2|dc\/B\/ fdcBG2|FBDB FBD2|dc\/B\/ fdc2B2|
\nFBDB FBD2|dc\/B\/ fdcBG2|FBDB FG Bg|fd\/B\/ fd c2B2|]<\/p>\n

X:094
\nT:Miss Murray of Archentyre’s Reel TS.094
\nT:Miss Murray of Auchtertyre’s Strathespey,aka TS.094
\nM:C|
\nL:1\/8
\nQ:1\/2=80
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nC:John Bowie
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nB|(A\/B\/c) fc dcfc|(A\/B\/c) fc dcdf|(A\/B\/c) fd cf\/g\/ ag|fdcAF3:|
\n|:(A\/B\/)|cFAF cF Bd|cF (d\/c\/B\/A\/)G3A\/B\/|cFAF faga|fdcA”dot added”F3:|]<\/p>\n

X:095
\nT:Lady Caroline Lees Waltz TS.095
\nT:Hanoverian Waltz TS.095
\nM:3\/8
\nL:1\/8
\nQ:3\/8=50
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:waltz
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nA\/G\/|FGA|Bcd|EFG|{G}F2d\/e\/|fed|dfa|ABc|d2:|
\n|:a|gee|cAA|a\/f\/dd|dfa|gee|cAA|d\/c\/d\/f\/e\/c\/|d2:|
\nA|AFA|dcd|B^AB|G2E|F>GA|AGF|{F\/}EDE|F2A|
\nAFA|dcd|B^AB|G2E|F>GA|AGF|{F\/}EDE|D2|]<\/p>\n

X:096
\nT:Lady Hamilton’s New Waltz TS.096
\nM:3\/8
\nL:1\/8
\nQ:3\/8=50
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:waltz
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nD|G\/F\/G\/A\/B\/c\/|.d(dB)|.e(ec)|.d(dB)|G\/F\/G\/A\/B\/c\/|.d(dB)|A\/B\/c\/A\/G\/F\/|G2:|
\n|:B|(Ad).d|(BG).G|(Ad).d|B2B|(Ad).d|(BG).G|A\/B\/c\/A\/G\/F\/|G2:|
\n|:d|(d\/e\/)cc|(c\/d\/)BB|(B\/c\/)AA|A2d|(d\/e\/)cc|(c\/d\/)BB|A\/B\/c\/A\/G\/F\/|G2:|]<\/p>\n

X:097
\nT:Waltz TS.097
\nM:3\/8
\nL:1\/8
\nQ:3\/8=50
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:waltz
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nF|d2c|BBd|(c\/e\/)(c\/A\/)(B\/d\/)|F2d|f2e|d2f|g\/e\/d\/c\/B\/A\/|B2:|
\n|:F|BB\/c\/d\/e\/|fdf|gg\/a\/b\/g\/|fdf|ece|dB\/d\/e\/d\/|c\/d\/e\/c\/B\/A\/|B2:|
\n|:d|e\/c\/A\/c\/e\/c\/|d\/B\/F\/B\/d\/B\/|e\/c\/A\/c\/e\/c\/|.f.f (d\/f\/)|e\/c\/A\/c\/e\/c\/|d\/B\/F\/B\/d\/B\/|c\/A\/F\/A\/c\/A\/|B2:|<\/p>\n

X:098
\nT:Miller of Droan TS.098
\nT:Miller of Drone,aka TS.098
\nM:C
\nL:1\/8
\nQ:1\/2=70
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:strathspey
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\n(c\/B\/)|A<FF>A E>FEC|A,A, d>c cBB c\/B\/|A<FF>A E>FEC|DF EF\/G\/A3(c\/B\/)|
\nA<FF>A E>FEC|A,A, d>c cBB c\/d\/|e>Bc>G A>EF>D|DF EF\/G\/A2:|
\n|:f|e<cc>a ee f\/e\/d\/c\/|e<cc>af2fg\/a\/|e<cc>a ee f\/e\/d\/c\/|d>Bc>A A<FF>f|
\nf<cc>a ee f\/e\/d\/c\/|e<cc>af3g|(3agf (3efg (3aed (3cBA|d>Bc>A A<FF:|]<\/p>\n

X:099
\nT:Hornpipe TS.099
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\n“s-q in ms”AG|GFED A,DFD|A,DFD A,DFD|GFED A,DFD|AGFG EBAG|
\nGFED A,DFD|A,DFD A,DFD|GFED A,DAG|F2D2D2:|
\n|:A|dcdA FDFA|BABc dcBA|Bdce dfeg|fdge dcBA|
\ndcdA FDFA|BABc dcBA|Bdce dfeg|fedc {e}d2″cr.in ms”d:|]<\/p>\n

X:100
\nT:Lord Nelson’s Waltz TS.100
\nM:3\/8
\nL:1\/8
\nQ:3\/8=50
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:waltz
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\nG,|CCC|B,C\/B,\/A,\/G,\/|CCC|B,C\/B,\/A,\/G,\/|CEG|ceg|fdB|c2:|
\n|:c|e2g|g2e|aaf|gge|ceg|g2aq|fdB|c2:|
\nK:F
\nc|cAB|cde|fed|c2A|BdB|AcA|BGB|A2A\/B\/||
\ncAB|cde|fed|cBA|Bgg|Aff|bge|f2|]<\/p>\n

X:101
\nT:Lord Nelson’s Hornpipe TS.101
\nT:Miss Grimstrobs Hornpipe,aka TS.083
\nT:Bridge of Lodi,The,aka TS.083
\nT:Saxon’s Hornpipe,aka TS.083
\nT:Nelson’s Hornpipe,aka TS.083
\nM:2\/4
\nL:1\/16
\nQ:1\/4=96
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nN:Different key and setting to TS.232 Nelson’s Hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\nG2c2 c2Bc|dBGB c4|ecec fdfd|geced4|
\nG2c2 c2Bc|dBGBc4|fedc BAG^F|G2G2G2:|
\n|:ef|gfed cBAG|A2F2 F2fg|gfed fedc|B2G2 G2ef|
\ngege fafa|gege fafa|gfed edcB|c4″cr. in ms”c2:|]<\/p>\n

X:102
\nT:Saymor’s Reel TS.102
\nT:Seymour’s Reel,aka TS.102
\nT:Torryburn Lasses,aka TS.102
\nT:Tadie\u0092s Wattle,aka TS.102
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nG2BG (Bd)dB|c2ec eggB|G2BG Bcdg|edcB B2A2:|
\ng2ag afed| edef gdBG|g2ga agfe|edefg2ga|
\nbagf gfed|edef gdBG|cBcd efge|dcBA G2G2|]<\/p>\n

X:103
\nT:Colibri TS.103
\nM:2\/4
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\ncffg|a2gf|a2gf|egg2|cffg|a2gf|dfeg|f2f2:|
\n|:fgfA|cAAc|BG B\/A\/G\/F\/|EGG2|fg\/f\/ ed|cAAc|BGFE|F2F2:|]<\/p>\n

X:104
\nT:Hibbinson’s Fancy TS.104
\nM:6\/8
\nL:1\/8
\nQ:3\/8=115
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nc|fga gfe|fccc2A|Bcd cdB|AFFF2c|
\nfga gfe|fccc2f|edc “^# in ms”G2″^b in ms”=B|c3-c2:|
\n|:c|cAB cBA|Bggg2B|BGA BAG|Afff2g|
\nagf edc|def cBA|Bcd GAB|AFFF2:|]<\/p>\n

X:105
\nT:1st A TS.105
\nM:C|
\nL:1\/8
\nQ:1\/2=70
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:strathspey
\nC:Pencil note on MS “Good Reel”
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nc|BGGA F>GA>c|BGGD B,DG,c|BGGA F>G A<c|B>d A\/B\/c\/A\/ BGG:|
\nd|gd B\/c\/d\/B\/ gddf|gd g\/a\/b aeef|gd B\/c\/d\/B\/ g>de>c|c>aA>c B>GG>d|
\ng>d B\/c\/d\/B\/ gdde|gd g\/a\/b aeef|g>bd>B e>ac>A|Bd A\/B\/c\/A\/ BGG|]<\/p>\n

X:106
\nT:2nd A TS.106
\nM:3\/8
\nL:1\/8
\nQ:3\/8=50
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:waltz
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nc|BcA|G2g|fge|d2c|BcA|G2g|fge|d2:|
\n|:f\/g\/|add|bdd|c’2b|a2g|fge|d2b|agf|g2:|
\n|:B\/c\/|dcB|gfe|edd|d2B|caa|a2c|Bgg|
\ng2B\/c\/|dcB|gfe|edd|d2B|ccc|A2F|GGG|G2:|]<\/p>\n

X:107
\nT:3rd A TS.107
\nM:C
\nL:1\/8
\nQ:1\/2=60
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nA\/B\/|c>dcA c>dcA|A<cf>A {A\/}G2 GA\/B\/|c>dcA cdfa|f<dc>A {A}F2F:|
\nB|A<cf<a f<afc|d<fc>A G2GB|A<cfc f>af>c|d<fc>AF2F c\/B\/|
\nA<cfa A<cfa|c2f\/g\/a fG GA\/B\/|c<dcd f>g {f\/g\/}a>f|f>dcA F2F|]<\/p>\n

X:108
\nT:Dutchess of Athol’s Strathspey, The TS.108
\nM:C|
\nL:1\/8
\nQ:1\/2=60
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:strathspey
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\nA”rpt. added”|:E>Ac>A (B\/c\/B\/)A\/ “tr”F2|E>Ac>A e>Ac2|d>f c>a (B\/c\/B\/A\/)F2|E>Ac>AB2A2:|
\n|:e>ca>c (d\/c\/B\/A\/)F2|e>ca>c (f\/e\/f\/g\/)a2|feac (d\/c\/B\/A\/)F2|E>Ac>AB2A2:|
\n|:A,>Ac>A F>BG>E|A,Ac>A e>Ac2|d>f c>a (B\/c\/B\/A\/)F2|A,>Ac>AB2A2:|
\n|:(A\/B\/c\/d\/) e>c a>ec>e|(A\/B\/c\/\/d\/) e>c a>ce>c|d>f c>a (B\/c\/B\/A\/)F2|A,>Ac>A B2A2:|]<\/p>\n

X:109
\nT:Old Thro’ the Wood Laddy TS.109
\nM:3\/4
\nL:1\/8
\nQ:3\/4=30
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nN:Scottish slow air 18th C. or earlier
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nF>C|D2D>E F>G|{B}A4f>c|d>e f>d c>A|{A}G4F>G|
\nA2A>B A>G|A>G F>E F>G|A>G A>B A>G|A>G F>E F>C|
\nD2D>E F>G|{B}A4 f>c|(a\/g\/f\/e\/) (f\/e\/d\/c\/) (d\/c\/B\/A\/)|{A}G4B>c|
\nd>e f>d c>A|B>c (dc\/B\/) AG|A2 D>F E>G|{G}F4:|
\n|:f>c| d2d>e f>g|a4f>g|a2 bagf|{a}g4 f>g|
\na2 a>b a>g|a>g f>e f>g|a>g a>b a>g|a>g f>e f>c|
\nd2d>e f>g|{b}”tr”a4 f>g|(a\/g\/f\/e\/) (f\/e\/d\/c\/) (d\/c\/B\/A\/)|{A}”tr”G4 B>c|
\nd>e f>d c>A|B>c (dc\/B\/) A>G|A2 D>F E>G|”tr”F4:|]<\/p>\n

X:110
\nT:Mac Donalds Reel TS.110
\nM:C|
\nL:1\/8
\nQ:1\/2=60
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nFA Af\/g\/ afed|gfed BdBA|FA Af\/g\/ afed|e\/f\/g f\/g\/ae2d2:|
\n|:FAAB ABAF|G\/G\/GG2GABG|FAAB ABAF|GBAF E2D2:|
\n|:(f\/g\/a) ab abaf|g\/g\/gg2gaba|(f\/g\/a) abab af|fafge2d2:|]<\/p>\n

X:111
\nT:Devil’s Dream,The TS.111
\nT:Devil among the Tailors,aka TS.111
\nM:C
\nL:1\/8
\nQ:1\/2=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\neaga eaga|eaga fedc|dfBf dfBf|dfBf gfed|
\ncaga eaga|eaga fedc|fedc dcBA|E2G2A4:|
\n|:ceAe ceAe|ceAe fedc|dfBf dfBf|dfBf gfed|
\nceAe ceAe|ceAe fedc|fedc dcBA|E2G2A4:|]<\/p>\n

X:112
\nT:Venus at Play TS.112
\nM:3\/2
\nL:1\/8
\nQ:1\/2=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:3\/2hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\n“as writ but squ.s should be qu.s”G2B2-B2G2(B\/c\/d\/B\/)|G2B2-B2G2 (F\/G\/A\/F\/)|\\
\nE2c2-c2E2(E\/F\/G\/E\/)|D2F2-F2D2(F\/G\/A\/F\/)|G3G3:|
\n|:G2g2-g2G2(B\/c\/d\/B\/)|G2g2-g2G2(B\/c\/d)B|\\
\nc2e2-e2c2(e\/f\/ge)|d2f2-f2d2(f\/g\/af)|g3g3:|]<\/p>\n

X:113
\nT:Hornpipe TS.113
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nC:’Rowley Belt’
\nN:Nearly identical to TS.225
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\n(cB)|(A\/B\/c)F2F2(GA)|BABc BcdB|Acde fgaf|bagf edcB|
\n(AB\/c\/)F2F2 (GA)|BABc BcdB|Acfc dBGE|F2F2F2:|
\n|:(fg)|afdfr gece|defd cAFA|Bdfd cAGF|E2C2C3B,|
\nA,CFA, B,DGB,|CFAF DFBD|Acfc dBGE|F2F2F2:|]<\/p>\n

X:114
\nT:Smiths Hornpipe TS.114
\nT:Lancaster Hornpipe,aka TS.114
\nT:Swan’s Hornpipe,aka TS.114
\nT:Fox In The Dumps,aka TS.114
\nT:Exiseman’s Hp,aka TS.114
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\ncB|Acfff2 (a\/g\/f)|egbb b2ag|agbg afef|geccc2(d\/c\/B)|
\nAcfff2 a\/g\/f|egBBB2d\/c\/B|AFBG AGFE|F2F2F2:|
\n|:cB|Acfc acfc|(d\/c\/B) fdB2 “triplet in ms”d\/c\/B|Bdge begd|ecgec2(d\/c\/B)|
\nAcff fagf|egBBB2dB|AFBG AGFE|F2F2F2:|]<\/p>\n

X:115
\nT:Adm. Duncan’s Hornpipe TS.115
\nT:Tumblers Hornpipe,aka TS.115
\nT:Washington Hornpipe,aka TS.115
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nB|Bcde fBAB|gBaB bBAB|GBFB EBDB|CecB BAGF|
\nBcde fBAB|gBaB bBAB|GBFB EBDB|ecBAB2:|
\n|:f=e|fBAB gBAB|gabg gfed|edcB cBcd|edcB BAGF|
\nBcde fBAB |gBaB bBAB|GBFB EBDB|ecBAB2:|]<\/p>\n

X:116
\nT:Jugler,The TS.116
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nB|fgab2c|defg2B|Acf dec|dBBB2B|
\nfga b2g|f=ef c2B|Acf Gf=e|fcAF2:|
\n|:F|ABcc2F|ABcF2F|Bcdd2G|BcdG2G|
\ncde edc|def gab|fBe dec|BFD”rep. mark added”B,2:|]<\/p>\n

X:117
\nT:Spanish Dollar TS.117
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nC:”Capital”
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nBc|d2dg edcB|egfg edcB|AGBG DGBG|ABcd cBAG|
\nd2dg edcB|egfg edcB|g2bg ecAF|G2G2G2:|
\n|:Bc|d2de dBGB|c2e2e2AB|c2cd cAFA|dgfag2Bc|
\ndBdg eceg|fdfag2ga|bgbg ecAF|G2G2G2:|]<\/p>\n

X:118
\nT:Witty Hornpipe TS.118
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nFG|A2AB AdBG|FdBGE3G|FAdf gefd|cABG FDFG|
\nA2AB AdBG|FdBGE3G|FAdf gedc|d2d2d2:|
\n|:cd|e2ea ecAc|d2frdB2ef|gfed dcBA|cBAG FDFG|
\nA2AB AdBG|FdBGE3G|FAdf gedc|d2d2d2:|]<\/p>\n

X:119
\nT:Hornpipe TS.119
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nC:Pencil note “Bonum” in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nz”rest added”|dcdA GFED|Bcde dcBA|dAFA dfaf|gbed dcBA|
\ndcdA GFED|Bcde dcBA|dAFA dfaf|bgecd3:|
\n|:z”rest added”|afdf gece|dcdA GFED|GAFGE2ef|gefd dcBA|
\nafdf gece|dcdA GFED|b2a2g2f2|gedcd3:|]<\/p>\n

X:120
\nT:Millers Hornpipe TS.120
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\n“tr.sign added”(3ABc|d2AG FDFD|GBGB FAFA|GBGB FAFA|EDE”triplet sign added”FE2(3ABc|
\nd2AG FDFD|GBGB FAFA|Adfa gece|d2d2d2:|
\n|:fg|afdf gece|fdBd cecA|GBGB FAFA|G2E2E2Ac|
\ndfaf cege|Bdfd Acec|dfeg fdec|d2d2d2:|]<\/p>\n

X:121
\nT:Hornpipe TS.121
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\ndcde dAFA|Bdce dcBA|BGFG AFdF|EFGA GFED|
\ndcde fdAF|EFGA Bcde|cAed cBA^G|A2A>AA2z2:|
\n|:A2A2 ABcd|efge dcBA|BGFG AFdF|EFGA GFED|
\ndAFA GBEG|FAdf ecAf|gabg fedc|d2d>dd2″rest added”z2:|]<\/p>\n

X:122
\nT:Sheffield Hornpipe TS.122
\nM:C
\nL:1\/8
\nQ:1\/2=84
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\nf|e>dc>B A>EA>B|A>Bc>d e>cd>e|f>dB>a g>ef>g|a>gb>g”dot added”a3c|
\nd>e fg\/a\/ b>ge>c|d>ef>g a>fd>f|e>cB>A G>AB>c|d>fe>GA2z:|
\n|:A|GB”tr”B2Ac”tr”c2|B>cd>e d>cB>A|G>BA>c B>dc>e|d>cB>A G>BG>E|
\na2 fg\/a\/ g2 ef\/g\/|f2de\/f\/ e>dc>e|d>cB>A G>AB>c|d>fe>GA2z:|]<\/p>\n

X:123
\nT:Kite Hornpipe TS.123
\nT:Keys Hornpipe,aka TS.123
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nfg\/a\/|bBba gfed|efgB BAGF|GBAc Bdce|dfgB BAGF|
\nbBba gfed|efgB BAGF|GBAc Bdce|dfgA B2:|
\n|:GF\/E\/|DBFB DBFB|EBGB EBGB|EecA EecA|edcB AGFE|
\nDBFB DBFB|EBGB EBGB|EecA EecA|B2B2B2:|]<\/p>\n

X:124
\nT:Lord Mac Donald’s Reel TS.124
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nB|d2>e2 dBgB|dBgB a(AAB)|d^cde dBgB|(A\/B\/c) BABG G:|
\n|:B|DBGB AGBG|DBGB AGAB|DGBG AGBG|dedc BGGG|
\nDGBG AGBG|DGBG A>GEc|BAGF GFED|EFGA BGG:|
\n|:B|d3e dBgB|dBgB a(AAB)|d^cde dBgB|”beaming changed from ms”A\/B\/cB ABGG:|
\n|:g|(dg)bg agbg|(dg)bg ageg|dgbg agbg|dedc BGGg|
\ndgbg agbg|dgbg (ag)ea|(ba).g.f (gf).e.d|efga bgg:|]<\/p>\n

X:125
\nT:Sylphs,The TS.125
\nT:New Sylphs,Tha,aka TS.125
\nT:Bill Hall’s No.1,aka TS.125
\nM:2\/4
\nL:1\/16
\nQ:1\/4=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:country dance
\nN:Different tune from “The Sylph”, Hardcore English p.64
\nN:The ‘The Sylph’ was written by John Abraham Fisher
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nz2|BcBA G2D2|GABc d2g2|BcBA G2AB|c2A2A4|
\nBcBA G2D2|GABc defg|edcB ABcd|B2G2G2:|
\n|:d2|g2>a2 b2ag|a2f2d2f2|g2>a2 b2ag|a2d2d2z2|
\ngfga bagf|e^def gfe=d|d2>B2 ABcd|B2G2G2:|]<\/p>\n

X:126
\nT:Tank,The TS.126
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:country dance
\nN:In Westrop’s 120 Country Dances No.33
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nB2b2 G2g2|c2fe dcB2|def2 efg2|f2a2b4:|
\n|:d2>e2 f2>d2|g(ee)c c(AA)F|d2>e2 f2>d2|gecAB4:|]<\/p>\n

X:127
\nT:Muses,The TS.127
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nA\/G\/|FAd FAd|{c\/}BAB e2d|{d\/}cBc ABc|{d\/}dcdf2(A\/G\/)|
\nFAd FAd|{c\/}BAB e2d|{d\/}cBc ABc|d3d2||
\na|f2ae2a|{e\/}dcd c2a|f2ae2a|{a\/}(gfg)a2a|
\nf2ae2a|{e\/}dcd c2a|f2ae2a|{a\/}(^gfg)”Da Capo”a2||
\nF|”minore”B^AB {c\/}B^AB|efg g2f|egf edc|B2cF2^A|
\n{d}B^AB BAB|efg f2f|cgf edc|BFd”Da Capo”B2|]<\/p>\n

X:128
\nT:Sweet Susan of the Garrett TS.128
\nM:C
\nL:1\/8
\nQ:1\/2=60
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:country dance
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\ng3d BGAB|cBAG FDEF|GABc dBed|cBAG FABc|
\ndBgd BGAB|cBAG FDEF|GABc dBec|BAGFG2z2||
\ncBAG FGAc|BABc dBcd|edcB cBAG|FGAF DEFD|
\nGDGB AFAc|BGBd cGce|dgfg fedc|BdFAG2z2|]<\/p>\n

X:129
\nT:Sir T.H. Liddell’s Favorite TS.129
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nfdB2cAF2|BABc defg|fdgf edcB|AFGA Bcde|
\nfdB2 cAF2|BABc defg|fdec dBcA|B2d2B2z2:|
\n|:Acf2Bdf2|edec dfdB|Acf=e dBgf|=ecde f_ede|
\nfdB2 cAF2|BABc defg|fdec dBcA|B2d2B2″rest added”z2:|]<\/p>\n

X:130
\nT:Crop the Croppies TS.130
\nM:C|
\nL:1\/8
\nQ:1\/2=70
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nN:Similar to version in Gibbons MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nf>cA>c f>cA>c|(fg)ef g2g2|f>ga>a bagf|e>fg>ef2f2:|
\n|:c2cA c2cA|dcBA B2G2|B2BGB2BG|cBAGA2F2:|]<\/p>\n

X:131
\nT:Miss Gow’s Fancy TS.131
\nM:C|
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nE|(D\/E\/)F Fd BG”tr”F2|GBFB (Acce)|(D\/E\/)F Fd BGFB|FGEG DB,B,:|
\ne|dBfB cAec|dBGB FB De|dBfB cAec|dfce dBBe|
\n(d\/c\/)B fB cAec|dBGB FB DC|B,DFD GEec|dBcA B2B|]<\/p>\n

X:132
\nT:Mrs Marsden’s Favourite TS.132
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\n“triplet in MS”(GBG)D G2B2|(AcA)D A2c2|(BdB)G (cec)A|(E2A2)(F2D2)|
\n(BdA)D G2B2|(AcA)D A2c2|(BdB)G (cecA)|G2F2G4:|
\n|:(aga)f (ege)d|(cec)B (AcA)G|(AdA)B (AdA)B|A2d2f2a2|
\n“dotted in ms” (g2bg) (ege)d|(cec)B (AcA)B|(BdB)A (ded)A|G2F2G4:|]<\/p>\n

X:133
\nT:Drops of Brandy TS.133
\nM:9\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nd2c BGB BGB|d2c BGBc2A|d2c BGB BGB|cBcA2B cBA:|
\n|:GBd gdB gdB|GBd gdBc2A|GBd gdB gdB|cBc A2B cBA:|]<\/p>\n

X:134
\nT:Hornpipe TS.134
\nM:2\/4
\nL:1\/16
\nQ:1\/4=96
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nF2|Bcde fgab|fdec BAGF|GBeg fdec|B2cB A2F2|
\nBcde fgab|gecg f2F2|Ggfe dcBA|B2B2B2:|
\n|:de|fdge fdBd|fdge f2ba|gfed edcB|A2c2c2 de|
\nfdge fdBd|cdec BAGF|Bdfd gecA|B2B2B2:|]<\/p>\n

X:135
\nT:Prince of Wales Hornpipe TS.135
\nT:Worster Hp,aka TS.135
\nT:Worcester HP,aka TS.135
\nM:C
\nL:1\/8
\nQ:1\/2=92
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\ndc|BFDF Bdfd|gfga b2ag|fdBd fdBd|cAFA cAFA|
\nBFDF Bdfd|gfga b2ag|fdBd ecAc|B2B2″minim in ms”B2:|
\n|:fe|dfBf dfBf|egcg egcg|dfBf dfBf|gecB BAGF|
\ndfBf dfBf|gfga b2 ag|fddB ceAc|B2[b2B2]”min. in ms”[b2B2]:|]<\/p>\n

X:136
\nT:Deans Hornpipe TS.136
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nN:Nine bars in B part may be error in ms.
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nF2|B2 df edcB|cfAc BAGF|DFBd EGce|ecdB BAGF|
\nB2df edcB|ceAc BAGF|DFBd EGce|dcB”B2B2 in MS”AB2:|
\n|:”qu. in ms”f2|gedcE2g2|fedc D2f2|”^extraneous bar?”edcBD2f2|edcBC2e2|dBFDB,2FE|
\nDFBd EGce|dfdBg2gb|fdcB ecBA|B2B2″min. in ms”B2:|]<\/p>\n

X:137
\nT:Waistcoat Pocket Hornpipe,The TS.137
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\n“s-q in ms”BA|BFDE FAce|dfdB A2GF|EGcB AcdB|Cced dcBA|
\nBFDE FAce|dfdB A2GF|”tr”E3g fdcB|F2A2B2:|
\n|:”q in ms”g2|fgab fdcB|egec {B}A2GF|EGcB AcdB|Ccedc2 (fg\/a\/)|
\nbfdB Fafd|Egec {B}A2 GF|”tr”E3g fdcB|FBAcB2:|]<\/p>\n

X:138
\nT:Croppies Lie Down TS.138
\nT:Go to the Devil and Shake Yourself,aka TS.138
\nT:When Sick is it Tea You Want?aka TS.138
\nT:Penniless Traveller,The,aka TS.138
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nN:The title “Croppies Lie Down” for this tune only appears in this MS.
\nN:It usually refers to an entirely different Jig, and might be an error by TS.
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\nG2c cBA|GE<G GE<G|cec dfd|ecAA3|
\nG2c cBA|G3GEG|c3d3|eccc2:|
\n|:(e\/f\/)|gec BAG|AFFF2f\/g\/|afd cBA|BGGG3|
\nG2c cBA|GEG GAG|c3d3|ecc c2:|]<\/p>\n

X:139
\nT:Opera Hat,The TS.139
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nc|f2f fga|c2cc2c|d2fe2g|f2a gec|
\nf2f fga|c2cc2c|d2fe2g|f3f2:|
\na|g2g gab|a2gf2a|g2g gab|a3f2z|
\n“2 crotchets in MS”g2g gab|a2gf2a|{a}g2f{f}e2d|{d}c2B{B}A2G|
\nA3{c}BAB|c2cc2c|d2fe2g|f2ag2b|
\nA3BAB|c2cc2c|d2fe2g|f3f2|]<\/p>\n

X:140
\nT:Monzani TS.140
\nT:Morgiano TS.140
\nT:Morgiana,aka TS.140
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nN:Also in the Gibbons MS as “Morgiana”
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nc|cAc {fg}a2g|fed c2d|cAc fcf|agf fed|
\ncAc fag|fedc2d|cAc fcf|agef2:|
\n|:(e\/f\/)|gag fed|ccc b2c|acc fcc|aggg2 e\/f\/|
\ngag fed|cdcb2g|a2f fef|gfe dcB|
\nAFGA2c|AFGA2c|B2dA2c|G3GcB|
\nAFGA2c|AFGA2c|d2fe2g|fca f2|]<\/p>\n

X:141
\nT:Voulez vous danser Madamoiselle TS.141
\nT:Oats & Beans & Barley Grow,aka TS.141
\nT:Ninepins,aka TS.141
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\nG|e2ee2e|d^cd=c2c|B2cd2B|c2de2G|
\ne2ee2e|d^cd =cde|f2e dec|BABc2:|
\n|:B\/c\/|d2dB2G|cded2B\/c\/|d2dB2G|cded2d|
\ng2g g^fg|^fee edd|dcB Adc|”rep.added”BcA”Da Capo”G2:|]<\/p>\n

X:142
\nT:Duncan’s Hornpipe TS.142
\nT:Tumbler’s Hornpipe,aka TS.142
\nT:Washington Hornpipe,aka TS.142
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nN:Slight variations from TS.115
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nBcde fBAB|gBaB bBAB|GBFBV EBDB|Ccec BAGF|
\nBcde fBAB|gBaB bBaB|GeFd EcDB|ecBAB2B2:|
\n|:fBAB gBAB|gaba gfgd|edcB cBcd|edcB BAGF|
\nBcde fBAB|gBaB bBAB|GeFd EcDB|ecBA B2B2:|]<\/p>\n

X:143
\nT:Duke of Norfolk’s Hornpipe TS.143
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nC:Pencil note “Bonum” in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nBA|B2FE DBFB|GABc BAGF|GABc dBfB|bBfB BAGF|
\nBGFE DBFB|GBFB EBDB|DFBd EGBe|cAFAB2:|
\n|:ba|bfdB bfdB|fdcd BAGF|ecec dBdB|A2F2F2GA|
\nGBEB edcB|AcFc fedc|Bbab fdBf|d2B2B2:|]<\/p>\n

X:144
\nT:Prince Edward’s Fancy TS.144
\nM:C|
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:march
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nd\/c\/|BBBBB2gB|AGAB GB\/A\/ Dd\/c\/|BBBBB2gB|AAAA\/B\/G3:|
\n|:A|ddee ffgg|ffee afdA|ddee ffgg|ffeed3:|
\n|:[b\/f\/][c’\/g\/]|d’d’d’d’d’2 bg|agab gdBG|d’d’d’d’d’2bg|agabg3:|]<\/p>\n

X:145
\nT:Figure of Five TS.145
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nBgf fdB|gab fdB|Bgf fdB|egec3|
\nBgf fdB|gab fdB|efg fdB|cBA”dot added”B3:|
\n|:BGE cAF|dBG ecA|fdB gab|fedc3|
\nDBG EcA|FdB Gec|fdB gab|dec”dot added”B3:|]<\/p>\n

X:146
\nT:Northumberland, or Bree is Loose TS.146
\nT:Northumberland Lady,aka TS.146
\nT:Breeches Loose,aka TS.146
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Gm
\nA|BdB cAc|BGGG2A|BdB cdB|AFFF2A|
\nBdB cAc|BGgf2e|dcB A\/B\/cA|BGGG2:|
\n|:A|Bd(f f)dB|fdB fdB|ce(g g)ec|gec gec|
\nBd(f f)dB|bag fdB|(c\/d\/e).c (A\/B\/c).A|BGGG2:|]<\/p>\n

X:147
\nT:Cuckow Solo TS.147
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\nA2EG|AA,z A|Bc d(e\/d\/)|c(B\/A\/)z e|Ed Ec|EBz f|E\/(d\/c\/d\/) E\/(d\/c\/d\/)|EBz E|
\nL:1\/16
\nEFGA B2c2|d2c2 z2B2|ABcd e2f2|g2f2z2 e2|a2(dc) d2b2|d2(cB) c2a2|c2(BA) d2c2|B2A2 e2>d2|
\nceee Beee|ceee Beee|dfff cfff|dfff Bfff|Aaaa Baaa|caaa Baaa|Aaaa Baaa|caaa Baaa|
\nAagf edcB|ABcd egfe|agag f4|e8::a2gf edcB|A4z4|A2GF EDCB,|A,4z2e2|
\neaga eaga|ebab ebab|ec’bc’ ec’bc’|ed’c’d’ ed’c’d’|ee’e’e’ ee’e’e’|ee’e’e’ fe’e’e’|ge’e’e’ fe’e’e’|ee’e’e’ fe’e’e’|
\nge’e’e’ fe’e’e’|ee’ee’ fe’fe’|ge’ge’ fe’fe’|ee’e’e fe’fe’|ge’ge’ fe’fe’|ee’fe’ ge’fe’|ee’fe’ ge’fe’|ee’fe’ ge’fe’|
\nee’fe’ ge’fe’|e’2d’c’ b2b2|c’2b2z2z2|a2gf g2a2|f2e2z2 e2|ceBe AeBe|ceBe AeBe|ceBe AeBe|
\nceBe AeBe|dece BeAe|dece BeAe|dece BeAe|dece BeAe|E6E2|EFGA B2c2|d2c2z2 B2|
\nABcd e2f2|g2f2z4|.e4.d4|c2E2 c2d2|.c4.B4|A6E2|EFGA B2c2|d2c2z2 B2|
\nABcd .e2.f2|g2f2 z4|.e4.d4|c2E2A2c2|cdefB4|A8|]<\/p>\n

X:148
\nT:Duke of Cumberland’s Reel, The TS.148
\nM:C
\nL:1\/8
\nQ:1\/2=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nN:Nearly identical to TS.226
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nB2bg fdcB|AFcF dFcF|B2bg fdcB|FAce dBB2:|
\nBGFE DEFD|ECCG cGGA|BGFE DEFD|B,BAc dBB2:|]<\/p>\n

X:149
\nT:Borks Hornpipe TS.149
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nC:Pencil note “Bonum” in MS
\nN:Probable error in MS amended in Bar 1
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\nd2|”semi-quavers in ms”cdecA2A2|GABGE4|FEFG AFED|CDECB,4|
\ncdec A2A2|GABG E2c2|defg aefd|c2A2A2:|
\n|:e2|fgaf ecAc|fgaf ecAc|BABc dB ba|g2e2e2(Ac)|
\nd2fd c2ec|B2bg aedc|defd cABG|A2A2A2:|]<\/p>\n

X:150
\nT:Tank,The TS.150
\nM:2\/4
\nL:1\/8
\nQ:1\/2=70
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:country dance
\nN:Simplified notation of TS.126
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nB2b2|G2g2|c2f>e|d>cB2|defd|efge|f2a2|”bar line and rest added”b2z2:|
\n|:d2d2|f2d2|(ge)(ec)|(cA)(AF)|d2d2|f2d2|gecA|B4:|]<\/p>\n

X:151
\nT:Duke of Perth’s Reel TS.151
\nM:C|
\nL:1\/8
\nQ:1\/2=60
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nB|(G\/A\/B\/c\/) dB gBdB|gBdB aAAB|(G\/A\/B\/c\/) dB gBdB|cAdc BGG:|
\n|:d|gage abaf|gage beef|gage abaf|gdec BGG:|]<\/p>\n

X:152
\nT:West Hornpipe TS.152
\nT:Fisher’s Hornpipe,aka TS.152
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nfcAc BdcB|AcAc BdcB|AFAF BGBG|AFAF GEDC|
\nfcAc BdcB|AcAc BdcB|Acfa bgfe|f2f2f2″rest added”z2:|
\n|:gece gabg|afdf fgaf|gece gabg|afedd2c2|
\ndBFB defd|cAFA cfef|dfed cBAG|F2F2F2″q rest in ms”z2:|]<\/p>\n

X:153
\nT:Shooters Hornpipe TS.153
\nT:Shuter’s Hp,aka TS.153
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\n“tr.sign added”(3DEF|G2G2G2Bc|dBdB GABG|A2A2A2AB|cBAG GFED|
\nG2G2G2Bc|sdBdB G2ga|fafd egec|d2d2d2:|
\n|:FG|A2A2A2Bc|cBAG GFED|d2d2d2ef|gedc BdBd|
\ne2c2 cege|d2B2B3d|ecdB cAGF|G2G2G2:|]<\/p>\n

X:154
\nT:P. of Wales’s Hornpipe TS.154
\nT:Prince of Wales’s Hornpipe,aka TS.154
\nT:Worster Hp,aka TS.154
\nT:Worcester Hp,aka TS.154
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nN:Identical to TS.135
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\ndc|BFDF Bdfd|gfga b2ag|fdBd fdBd|cAFA cAFA|
\nBFDF Bdfd|gfgab2ag|fdBd ecAc|B2B2″min. in ms”B2:|
\n|:fe|dfBf dfBf|egcg egcg|dfBf dfBf|gecB BAGF|
\ndfBf dfBf|gfgab2ag|fddB ceAc|B2[b2B2]”min.in ms”[b2B2]:|]<\/p>\n

X:155
\nT:Daniels Hornpipe TS.155
\nT:Duncan’s Hornpipe TS.155
\nT:Tumbler’s Hornpipe,aka TS.155
\nT:Washington Hornpipe,aka TS.155
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nBcde fBAB|gBaB bBAB|GBFB EBDB|cdec BAGF|
\nBcde fBAB|gBaB bBAB|GBFB EBDB|ecBAB4:|
\n|:fBAB gBAB|gabg g^fgd|edc=B cBcd|ecdB BAGF|
\nBcde fBAB |gBaB bBAB|GBFB EBDB|ecBAB4:|]<\/p>\n

X:156
\nT:Reel TS.156
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\ndB”tr”B2FB”tr”B2|dBfd Acce|dBFD EGCG|Agfe dB”tr”B2:|
\n|:bBaB gBfB|dBec Ac”tr”c2|bBaB gBfB|Agfe dB”tr”B2|
\nbBaB gBfB|dBec Acce|dBFD EGCG|Agfe dB “tr”B2:|]<\/p>\n

X:157
\nT:It winna do, or Mr Watt’s Reel TS.157
\nT:Mr Watt’s Reel TS.157
\nM:C|
\nL:1\/8
\nQ:1\/2=75
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Dm
\nA,|D\/E\/F E>D (d\/e\/)f ed|cAGF ECCE|(D\/E\/)F E>D (d\/e\/)f e>d|c>AG>E ADD:|
\ne|f>ede fagf|egcg ecge|fede fagf|fdA^c dDDe|
\nf>ede fagf|egcg ecge|f<ae<g decd|AcEG FDD|]<\/p>\n

X:158
\nT:Calder Fair TS.158
\nM:C|
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:song
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\nB|cBAG A<cE2|G2GEG2>B2|cBAG A<cE2|D<E F<GA2:|
\nG|(Gc).c.cc2.c.c|(Ad).d.dd2(cd)|edcB cBAG|AcBdc2>G2|
\nw:If you had fol-lowed wis-dom as I have fol-lowd care, You-‘d ne’er have lost your mai-den-head by going to Cald-er fair
\n(Gc).c.c c2cc|(Ad).d.dd2 cd|edcB cBAG|AcBdc2:|]<\/p>\n

X:159
\nT:Sheffield Hornpipe TS.159
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nN:Different version to TS.122
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\n(cd)|edcB AEAc|AEAc ABcd|ecfe dBba|gefg a2(Bc)|
\ndfbd ceac|Bcdf ecBA|fdcB aecA|EAGBA2:|
\n|:”q. in ms”A2|GB”tr”B2Ac”tr”c2|Bdce dcBA|(3GAB (3ABc (3Bcd (3cde|dcBA e2>g2|
\na2(3fga g2(3efg|f2(3def e2(3cde|dcBA GABc|dfeGA2:|]<\/p>\n

X:160
\nT:Copenhagen TS.160
\nM:3\/8
\nL:1\/16
\nQ:3\/8=50
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:waltz
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nf<a|g<b f<a e<g|f<a d2 f<a|e<g A2 c<e|d<f A2 f<a|
\ng<b f<a e<g|f<a d2 f<a|e<g A2 c<e|d4:|
\n|:f<d|c<e A2 c<e|d<f A2 f<d|c<e A2 c<e|d4f<a|
\ng<b f<a e<g|f<a d2 f<a|e<g A2 c<e|d4:|
\nL:1\/8
\n|:a|baf|dfa|baf|e2a|baf|dfa|e\/d\/e\/f\/g\/e\/|d2:|]<\/p>\n

X:161
\nT:Liverpool Hp,aka TS.161
\nT:Hornpipe,untitled in MS TS.161
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nC:Pencil note “Bonum” in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\n(AG)|FDFA d2d2|efge dcBA|BGGB AFFA|GEEG AFED|
\nFDFAd2d2|efge dcBA|fgaf gedc|d2d2″min.in ms” d2:|
\n|:fddf ecce|dBBd dcBA|BGGB AFFA|GEEG AFED|
\nFDFAd2d2|efge dcBA|fgaf gedc|d2d2d4:|]<\/p>\n

X:162
\nT:Thomas Sands’ Three-Parter,aka TS.162
\nC:untitled ‘Hornpipe’ in MS
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nN:Rare example of a 3 part hornpipe.
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\n“s-q in ms”(ed)|cBAG A2cA|BAGA Bcde|fgae dcBA|GABG E2(ed)|
\ncBAG A2fe|dcBA B2 df|egfa gfe^d|e2e2e2:|
\n|:”rest added”z2|e3d ceac|d3cB2(Bd)|cdec aedc|BAGAB2 cd|
\ne3d ceac|d3cB2(Bd)|ceAc (3Bdc (3BAG|A2A2A2:|
\n|:(cd)|eace dfBd|ceAc BGED|CDEF GABc|dcBA GAE2|
\neace dfBd|ceAc BGED|CDEF GABc|dBAGA2:|]<\/p>\n

X:163
\nT:Hornpipe TS.163
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\n“q. in ms”A2|FDFA dfed|cgec AGFE|FAdf gfed|c2A2A2 AG|
\nFDFA dfed| cgec AGFE|FAdA BGEC|D2D2D2:|
\n|:de|fedf afdf|edce aece|dcdA Bged|c2A2A2dc|
\nBdAd GdFd|BdAd GdFd|BdBG FAEA|F2D2D2:|]<\/p>\n

X:164
\nT:Goulds Hornpipe TS.164
\nT:Merry Sherwood Rangers, aka TS.164
\nT:Durham Rangers,aka TS.164
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nFG|ABAFD2de|fgfe d2Bc|dedB ABAF|G2E2E2FG|
\nABAFD2de|fgef d2Bc|dedB ABAG|F2D2D2:|
\n|:de|fefg afdf|gfed ceAc|dfaf g2bg|f2af g2ee|
\ndefg abaf|gfed ceAc|dedB ABAG|F2D2D2:|]<\/p>\n

X:165
\nT:Countess of Sutherland’s Reel TS.165
\nM:C|
\nL:1\/8
\nQ:1\/2=80
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nN:Another version of the tune in C is TS.219
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nd|B2 FB GBFB|EBDB Cccd|B2FB Ggfe|dfce dBB:|
\n|:f\/g\/\/a\/\/|bgdg egce|dfBd cFF f\/g\/\/a\/\/|bfdf egce|dfce dBB f\/g\/\/a\/\/|
\nbfdf egce|dfBd cFFf|g>fga bgfe|dfce dBB|]<\/p>\n

X:166
\nT:Sicilian Dance,The TS.166
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nC|F>GF AGF|c2cc2B|Afa c2B|A2GF2C|
\nF>GF AGF|c2cc2f|efe dc=B|c3c2:|
\nc|gec a2b|g2fe2f|gecb2a|gfef3|
\ndbb caa|Bggf2F|AGF c2C|F3F2||
\n(c\/B\/)|A3 GFG|F2F FAc|c3BAB|A2AA2f|
\nf2ee2d|d2cc2B|ABc cBA|A3G3||
\nf2ffdB|c2cceg|b3bge|f2ff2c|
\nf2ed2c|d2cB2A|GAB c2C|F3F2|]<\/p>\n

X:167
\nT:No-Body TS.167
\nT:Davy-Davy Knick-Knack,aka TS.167
\nT:La Belle Isabelle,aka TS.167
\nM:2\/4
\nL:1\/16
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\n(BABc) d2d2|BABc d2d2|(fede) c2c2|fede c2c2|
\n(BABc) d2d2|BABc d2d2|(fede) (fedc)|B2B2B4:|
\n|:f2f2d2d2|b2b2f4|(fede) c2c2|fede c2c2|
\nf2f2d2d2|b2b2f4|(dgfe) dcBA|B2B2B4:|]<\/p>\n

X:168
\nT:Pleasant Reel,The TS.168
\nT:Devil in a Bush,aka TS.168
\nT:Parson in the Suds,aka TS.168
\nT:Kincaldrum’s Reel,aka TS.168
\nM:C
\nL:1\/8
\nQ:1\/2=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nf”rpt.mark added”|:b2fed2cB|ABcd ecca|b2fed2cB|FAce dBB2:|
\n|:FBdB cBdB|FBdB ecce|dfga bgfe|dfce dBB2:|]<\/p>\n

X:169
\nT:Miss Well’s Reel TS.169
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nDF|G2GA B2BG|ABcd e2ef|gfge dBAG|E2F2G2:|
\n“q. in ms”g2|bgdg b2ag|afdf a2 ga|gfed efef|gfede3f|
\ngfge dBAG|ABcde3f|gfge dBAG|E2F2G2|]<\/p>\n

X:170
\nT:Sweet Jessy TS.170
\nT:Jessie, The Flower of Dunblane,aka TS.170
\nM:6\/8
\nL:1\/8
\nQ:1\/2=35
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nN:Poem by Tannahill set to music c.1820
\nC:R.A.Smith
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\n(c\/d\/)|e> f e d g> e|c> B c d B (c\/A\/)|G> A F E> G c|c> d e (f<d) (c\/d\/)|
\ne> f e d g> e|c> B c d B (c\/A\/)|G> A F E< G (c\/e\/)|d A “tr”B c2 e|
\ne c> d e< a e|e c> d e< c e|d B> c d< g e|d> B A HG2 G|
\nc> e d> e c> d|e> f g f d e |f> g a f< e c|d> A “tr”B Hc2 c\/ {BdcBc} A\/|
\nG> A F E< G (c\/d\/)|e> f g f< d e|f> g Ha g< e c|d> A B c2|]<\/p>\n

X:171
\nT:Newcastle Hornpipe TS.171
\nT:Kirkgate Hornpipe,aka TS.171
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nN:Also in Gibbons and several other collections
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\n(gd)|B2B2BcAB|G2G2GABc|dcdB edcB|BAcA GFED|
\nB2B2Bdce|d2d2d2cB|AdcB AGFE|D2D2D2:|
\n|:AB|c2c2c2 AB|cBAG GFED|d2d2d2(ef)|gfed cBAG|
\ne2e2efge|dcBcd2g2|egec BGAF|G2G2G2:|]<\/p>\n

X:172
\nT:Norwich Hornpipe TS.172
\nT:Liverpool Hornpipe,aka TS.172
\nM:2\/4
\nL:1\/16
\nQ:1\/4=96
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nN:Key sig. as in MS. Should be D?
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nAG|”_As written. Key sig for this is usually Dmaj”FDFA d2 ef|gfdc dcBA|BGGG AFFF|GBAG GFED|
\nFDFA d2 ef|gfed dcBA|g2 fe fafd|fedc “dotted in ms” d2:|
\n|:de|fddd eccc|dfed dcBA|BGGG AFFF|GBAG GFED|
\nFDFA d2 ef|gfed dcBA|g2 fe fafd|fedc “dotted in ms” d2:|]<\/p>\n

X:173
\nT:Wright’s Hornpipe TS.173
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\n(D\/E\/F)|G2G2GABG|c2c2cecA|BdBG ABcA|GFED DEFD|
\nG2G2GABG|c2c2cecA|BdBG AcAF|G2G2G2:|
\n|:(Bc)|d2d2defg|e2c2c2(AB)|c2c2cecA|B2G2G3B|
\nAFDF AFDF|A2c2c2A2|BdBG AcAF|G2G2G2:|]<\/p>\n

X:174
\nT:Rowley Belt’s #1Hornpipe,aka TS.174
\nC:untitled ‘Hornpipe’ in MS
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nC:’Rowley Belt’
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\n(cB)|(AB\/c\/)F2F2(GA)|BABc BcdB|Acde fgaf|bagf edcB|
\n(AB\/c\/)F2F2(GA)|BABc BcdB|Acfc dBGE|F2F2F2:|
\n|:(fg)|afdf gece|defd cAFA|Bdfd cAGF|E2C2C3B,|
\nA,FAF DFBD|CFAF DFBD|Acfc dBGE|F2F2F2:|]<\/p>\n

X:175
\nT:Sweet Jessy TS.175
\nT:Jessie, The Flower of Dunblane,aka TS.175
\nM:6\/8
\nL:1\/8
\nQ:1\/2=35
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:Air
\nC:R.A.Smith (attributed)
\nN:Another setting of TS.170
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\n(d\/e\/)|f>gf e<ae|d>cd ec(d\/B\/)|A>BG FAd|d>ef {f}e2(d\/e\/)|
\nf>gf e<af|d>cd ec(d\/B\/)|A>BG FAd|e>Bcd2:|
\n|:f|f>de f>ba|f>de f<de|e>cd e>af|e>cB {B}A2(A\/B\/)|
\nd>fe (fde)|f>af g<ef|(g>ab) afd|e>Bcd2{dc}{ec}{dB}|
\nA>BG F<A (de)|f>af g>ef|(gab) afd|e>Bcd2″rpt.sign added”:|]<\/p>\n

X:176
\nT:Rule Brittannia TS.176
\nM:C|
\nL:1\/8
\nQ:1\/4=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:Air
\nC:Thomas Arne 1740
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nA|d2d2 d\/e\/f\/g\/ ad|e>f (e\/f\/g\/a\/){g}^f3A|d\/c\/d\/e\/ f\/e\/f\/g\/ aefc|d>fed c3z|
\nzA ec ag\/f\/ e\/d\/c\/B\/|A2B2A2::A|d2dA BGz B|gfed c2ze|
\na2g2(f\/d\/)(g\/e\/) ad|A2{f\/}e2d2z|f3eg3f|(gf)(ed)c3e|a2g2(f\/d\/)(g\/e\/) ad|A2e2d2:|]<\/p>\n

X:177
\nT:Old Towler TS.177
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:Air
\nO:England;Lincolnshire
\nC:William Shield
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nA|d2dB2G|F2GA2c|B2d ceg|f3e2A|
\nd2df2d|Bcde2{d}F|E2FG2F|EA,A,A,2A,|
\nA,DD DFF|FDDD2D|DFF FAA|AFF F2A,|
\nA,DD DFF|FAA FAd|dff faa|^g3zg2|
\naeg fed|Bgf edc|d3c3|d’af dfa|
\nd’\/a\/f\/ d\/f\/a\/ d’\/a\/f\/ d\/f\/a\/|d’\/a\/f\/ d\/f\/a\/ d’\/f\/a\/ d\/f\/a\/|d’d’d’ d’d’d’|d’6|
\n|:”Song”A|d2d B2G|F2GA2c|B2d ceg|f3e2A|
\nd2df2d|BNcd e2d|cdc BAB|A3z2z:|
\nA|e2cA2A|f2dA2d|c2eg2f|f3e2A|
\nA^GA Bcd|efg afd|B2e cAc|d3zDF|
\nA3A3|ABc dcB|AFA AFA|Add dAc|
\ne3e3|efg agf|ece ece|e2gz a|
\nfdd dcd|ecAA2a|fdd dcd|ecA ABc|
\ndff dfd|d3d3|dff dff|f2Ha3 F|
\nD2GF2B|A2gf2d|B2e cBc|d3g3|
\nfgf edc|a3g3|f>gf edc|dAFD2:|]<\/p>\n

X:178
\nT:Brighton Camp TS.178
\nT:Girl I left behind me,The TS.178
\nM:C
\nL:1\/8
\nQ:1\/4=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:country dance
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\ne|”as writ”d>B B>A B>GE3|({DEF}G)G G\/A\/ B\/c\/ d2B>d|d>B B>A B>G E>G|FA (D\/E\/F\/D\/)G2G:|
\nA|Bdef gdBG|Bdef g2 fa|gfge dB BG|FA (D\/E\/F\/D\/)G2G:|]<\/p>\n

X:179
\nT:O Dear what can the matter be TS.179
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nd3d3|dBg dBG|c3c3|cAB cBA|
\nd3d3|dBg dBG|EGc BcA|G3z2:|
\n|:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA|
\ndBc dBc|dBg dBG|EGc BcA|G3z2:|]<\/p>\n

X:180
\nT:Paddy Carey TS.180
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\nG”rpt.sign added”|:G2c cBc|e2c cBc|A2dd2e|f2d BG2|
\nG2c cBc|e2c cBc|BAG GAB|cde d2c:|
\n|:c2ef2a|g2a gec|c2ef2a|gecd3|
\nc2ef2a|g2a gec|cBA GAB|cde d2c:|
\n|:f2d dcd|e2c cBc|B2cd2e|f2d B2G|
\nf2d dcd|e2c cBc|BAG GAB|cded2c:|
\n|:c2cc2a|g2a gec|c2cc2a|gec d3|
\nc2cc2a|g2a gec|cBA GAB|cded2c:|]<\/p>\n

X:181
\nT:Gobby O, The TS.181
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Am
\nB|c2A ABA|E2A ABc|B2G GBd|dBGG2B|
\nc2A ABA|B2ee2g|edc BAG|E2AAz:|
\n|:c|A2Bc2d|e2^fg3|^fafg2d|dBGG2B|
\nA2Bc2d|e2^fg2d|edc BAG|E2AA2:|]<\/p>\n

X:182
\nT:Miss Adams Hornpipe TS.182
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\n“s-q in ms”(dc)|BGBd BGBd|gfge dBAG|(ec)(dB) cABG|F2A2A2″s-q in ms”(ed)|
\nBGBd BGBd|gfge dBAG|ecdB cABG|D2G2G2||
\ndc|Bgfg Bgfg|Baba gfed|caga caga|cgag fedc|
\nBgdB AecA|BdBG fafd|gfge dcBA|B2G2G2|]<\/p>\n

X:183
\nT:March,A TS.183
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:march
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nB>A|B2B,>B,B,2d>B|c2F>FF2e>c|dBFD B,fed|cBAG FEDC|
\nB2B,>B,B,2 dB|c2F>FF2ec|d>fe>g f2e2|f2f>ff2:|
\n|:f>e|f2F>FF2 fe|e2F>FF2d>c|dBFD B,fed|c2c>cc2F>F|
\nGBAc Bdce|dfegf2e2|(3dcd (3edcB2″tr”A2|B2B>BB2:|]<\/p>\n

X:184
\nT:Bugle Solo TS.184
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\ng|fed dcd|efg afd|AAAd2g|AAAd2g|
\nfed dcd|efg afd|Agf Aag|fddd2:|
\n|:A\/G\/|FGA ABc|dcB Bdf|Bcd def|geee2 A\/G\/|
\nFGA Bcd|dcB A2″quavers in ms”a\/g\/|fdd dfa|fddd2:|]<\/p>\n

X:185
\nT:Tail Toddle TS.185
\nM:C
\nL:1\/8
\nQ:1\/2=80
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nG\/G\/G BGc2GE|G\/G\/G BG A2FD|G\/G\/G BG cABG|A\/B\/c B\/c\/d A2FD||
\nc2GE EcGE|c2GE DAFD|c2GE d\/c\/B\/A\/ BG|A\/B\/c B\/c\/dA2FD||
\nG\/G\/G BG cABE|G\/G\/G BG ADFD|G\/G\/G BG cABG|A\/B\/c B\/c\/d c2AF||
\nc2Ec EcGE|c2Ec DAFD|c2 Ec d\/c\/B\/A\/ BG|A\/B\/c B\/c\/dA2 FD:|]<\/p>\n

X:186
\nT:John Anderson my Jo TS.186
\nM:2\/4
\nL:1\/8
\nQ:1\/2=50
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Em
\nD|B,EEF|G2GA|EDD>E|D3E\/D\/|B,EEF|GFGA|BAGA|B3||
\nc|BAGA|BcdB|AGFG|A2GA|BGAF|GEFB|B,EE^D|”dot added”E3:|
\n|:d|Beef|g2ga|fdde|d2ed|Beef|g2fe|fdBB|B3d\/c\/|
\nBGdG|gGdG|DEFG|A2GA|BGAF|GEFB|B,EE^D|”rep.added”E3:|]<\/p>\n

X:187
\nT:Woo’d and Married and a’ TS.187
\nT:Irishman’s Choice,aka TS.187
\nT:My Mind Will Never be Easy,aka TS.187
\nT:New Widow Well Married,aka TS.187
\nM:9\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:slip jig
\nN:First note in final bar perhaps should be E
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Em
\ng|d2c BABG2A|Bcd dgBd2g|edc BAB GAB|E2e ef^de2:|
\n|:g|def gag fed|Bcd dgBd2g|def gag fed|B2e eg^de2g|
\ndef gag fed|Bcd dgBd2g|edc BAB GAB|F2e ef^de2|]<\/p>\n

X:188
\nT:Cauliflower, The TS.188
\nM:2\/4
\nL:1\/8
\nQ:1\/4=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:quick step
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nDE\/F\/|GGGB|AAAc|BGGB|A\/G\/F\/E\/ DE\/F\/|GGGB|AAAc|B\/d\/B\/G\/ A\/c\/A\/F\/|G2:|
\n|:B\/c\/|Bgbd|d\/c\/B\/c\/ AB\/c\/|cgbc|c\/B\/A\/B\/ GB\/c\/|Bgbd|Bd e\/d\/c\/B\/|B2A2:|
\nK:Gm
\n|:BGBd|dc\/B\/ AF|AGAc|cB\/A\/ BG|BGBd|ec\/B\/ AG|F2G2|]<\/p>\n

X:189
\nT:Drummer’s Rant, The TS.189
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nN:No key sig in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nF|Bdf Bdf|eggg2b\/g\/|fdB BAB|dccc2F|
\nBdf Bdf|egg gab|fdB ecf|dBBB2:|
\n|:f\/e\/|dfB AcF|dfB AcF|bag fed|eccc2d\/e\/|
\nfdd gee|aff bgg|fe\/d\/c\/B\/ Acf\/e\/|dBBB2:|]<\/p>\n

X:190
\nT:Trip to the Oatlands, A. TS.190
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nN:Also in William Mittel MS 1791 (Kent)
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nAB|c>dc cAF|c>dc cAF|fed cdA|BGGG2 A\/B\/|
\ncdc cAF|cdc cAF|fed cdB|AFFF2:|
\n|:c|f3g3|agf edc|fed cBA|BGGG2c|
\nfef gfg|agf edc|fed cdB|AFFF2:|]<\/p>\n

X:191
\nT:In the dead of the Night TS.191
\nM:C
\nL:1\/8
\nQ:1\/2=55
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nD>F|G2B>Gd2B>G|A>B c\/A\/G\/F\/G2zB|A>GFG (A<d) (^c\/B\/A\/G\/)|
\nF>G (A\/G\/F\/E\/)D2B>c|d2B>G G>E c>d|e>c A>G Bc\/>B\/ A E\/F\/|GEFG AB\/>G\/ “s-q in ms”A>B|
\ncABc (d<g)ec|(Bd) (DF)G2zG|(B>G)(d>B) (g>d)(e>c)|(B>d) DFG2|]<\/p>\n

X:192
\nT:Fairy Dance, The TS.192
\nM:2\/4
\nL:1\/8
\nQ:1\/2=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nf2fd|f2fd|f2fd|cAec|f2f[da]|gfed|cABc|d2d2:|
\n|:a2af| b2ba|g2{f}ge|a2ag|f2fd|B2ge|c[Ad][eB]c|d2d2:|
\nw:B part has 1st written over it
\n|:a2af|b2b2|gf ge|a2a2|f2fa|gfed|c[Ad][Be]c|d2d2:|]
\nw:C part has 2nd written over it<\/p>\n

X:193
\nT:Kiss My Lady TS.193
\nM:C|
\nL:1\/8
\nQ:1\/2=80
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:country dance
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\nE|A2A2A2>c2|B2B2B2d2|cdef edcB|Aagf edcB|
\nA2A2A2c2|B2B2B2d2|cdefr edcB|A2A2A3:|
\n|:E|A2e2c2e2|A2f2d2f2|^G2d2B2d2|cdef edcB|
\nA2a2 e2c2|A2f2d2B2|cBcd edcB|A2A2A3:|
\n|:F|E2E2C2D2|E2E2E2c2|d2d2d2B2|c2c2c2A2|
\nG2G2G2G2|A2A2A2A2|f2e2d2c2|c4″min. in ms”B3:|
\n|:E2d2d2B2|E2c2c2A2|E2d2d2B2|E2c2c2A2|
\nD2f2f2d2|f2a2f2d2|cBcd edcB|A2A2A4:|<\/p>\n

X:194
\nT:Kiss My Lady TS.194
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\ne|efd cdB|AGA E2D|C2EA2B|c2BB2e|
\nefd cdB|AGA E2D|C2EA2B|”crotchet in MS”c2AA2:|
\n|:z|a2Ac2A|a2Ac2A|GABB2A|GABB3|
\na2Ac2A|a2Ac2A|E2Ac2B|B3A3:|
\n|:c2e f2e|c2ef2e|f2ef2e|edcB3|
\nc2ef2e|c2ef2e|f2ef2g|a2AA3:|]<\/p>\n

X:195
\nT:Speed the Plough TS.195
\nM:C
\nL:1\/8
\nQ:1\/2=70
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:country dance
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\nA>AA>c e>fe>c|e>ae>c e>fe>c|d>ed>B c>ec>A|FB{c}BA GBB2|
\nA>AA>c e>fe>c|e>ae>c e>fe>c|d>ec>d B>cA>B|F>AG>B A>AA2|]
\na>aa>A a>Ae>A|aq>Ag>A f>Ae>A|d>dd>B c>cc>A|B>FB>A G>B B>e|
\n(c\/\/B\/<A) e>A a>Ae>A|f>dB>f e>cA>e|d>ec>d B>cA>B|F>AG>B A>AA2|]<\/p>\n

X:196
\nT:Caledonian Laddy, The TS.196
\nT:Lea Riggs,The,aka TS.196
\nT:My Ain Kind Deary O,aka TS.196
\nT:Lollipop Man,The,aka TS.196
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\nc>B|A<cE2E2F>G|A3BA2zc|B>AB>c d>cB>A|”triplet sign added”(3ABc F2F2c>B|
\n“triplet sign added”(3ABc E2E2F>G|A3BA2ze|fefg (3fga e>d|c<eA2A2:|
\n|:”q.inms”e2|f>ef>g az2c|d>cd>e fz2=A|B3c d>cB>A|(3ABc F2F2 c>B|
\nA<cE2E2F>G|”^cr in MS”A3BA2ze2|fefg f<a e<d|c<eA2A2:|]<\/p>\n

X:197
\nT:Hull Dock Company’s March TS.197
\nM:C|
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:march
\nN:The quaver\/semi-quaver\/semi-quaver runs are ALSO marked as triplets in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\n(AB\/c\/)|d2d>dd2 “triplet in ms”ef\/g\/|f2f>ff2 “triplet in ms”ga\/b\/|a2f>dg2e>g|f>dcde2 “triplet in ms”ag\/f\/|
\ne2e>ee2 “tripelet in ms”fe\/d\/|c2c>cc2 “triplet in ms” de\/f\/|(3eag (3fedc2B2|A2A>AA2:|
\n|:A\/B\/c\/d\/|e2 “tripelt in ms” fa\/b\/ B>dc>e|d>cd>ed2(3efg|f>dg>e afbd|c2A>AA2(3efg|
\nf2d>dd2 “tripelt in ms”ag\/f\/|g2e>ee2 “triplet in ms”fg\/a\/|f>af>d B>ge>c|d2d>dd2:|]<\/p>\n

X:198
\nT:Bonny Ann TS.198
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nN:Key as in ms
\nR:reel
\nO:England;Lincolnshire
\nC:Daniel Dow
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\nc|AAAG EFGc|AAAB cded|cBcG EFGc|Aaag aA”^cr in MS”A:|
\n|:g|e2c2eggd|B2G2Bddg|e2c2eggf|[Ae]aag aAAg|
\nagea gfed|cBAG AcBd|cBcd cdea|gede cA”^cr in MS”A|]<\/p>\n

X:199
\nT:Golden days of good Queen Bess, The TS.199
\nM:C
\nL:1\/8
\nQ:1\/4=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:Song
\nC:Words by William Collins 1721- 1759
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\ne\/ d\/|c2B> eA2A c|B A G A B> c d
\nw:To my muse give att-en-tion and deem it not a mys-ter-y,
\ne\/ d\/|c2B c A A A B c B A B c d e>
\nw:If we jum-ble to get her, mus-ic, po-et-ry and his-to-ry
\nc|e2e> e de f> f|d2 d> d c>d e
\nw:The times to dis-pl-ay in the days of Queen B-ess, Sir,
\nd|c2c> c d d z c|B c d B (cd)e2
\nw:Whose name and whose mem’-ry pos-ter-it-y may bl-ess, Sir.
\nA2B\/ c A G> G|FG AF E4|
\nw:O the gol-den days of g-ood Qu-een Bess
\nd> e f d c> d e c|(BA) (Bc) A2|]
\nw:Merr-y be the mem-or-y of g-ood Qu-een Bess.
\nW:%
\nW:Then we laugh’d at the bugbears of Dons and armadas,
\nW:With their gunpowder puffs, and their blust’ring bravadoes;
\nW:For we knew how to manage both the musket, and the bow, Sir,
\nW:And could bring down a Spaniard, just as easy as a crow, Sir.
\nW:O the golden days of good Queen Bess,
\nW:%
\nW:Then our streets were unpav’d, and our houses were thatch’d Sir
\nW:Our windows were lattic’d, and our doors only latch’d Sir;
\nW:Yet so few were the folks that would plunder and rob Sir,
\nW:That the hangman was starving for want of a job, Sir
\nW:O the golden days &c
\nW:%
\nW:Then ladies with large ruffs, tied round about the neck fast
\nW:Would gobble up a pound of beef steak for their breakfast,
\nW:While a close quill’d up coif their noddles did fit, Sir,
\nW:And they truss’d up as tight, as a rabbit for the spit, Sir.
\nW:O the golden days &c.
\nW:%
\nW:Their jerkins and doublets, and yellow worsted hose, Sir
\nW:With a huge pair of whiskers, was the dress of our beaux, Sir
\nW:Strong beer they preferred to claret or hock, Sir.
\nW:And no poultry they priz’d, like the wing of an ox, Sir
\nW:O the golden days &c
\nW:%
\nW:Good neighbourhood then was as plenty too as beef, Sir
\nW:And the poor from the rich ne’er wanted relief, Sir;
\nW:While merry went the mill clack the shuttle and the plough, Sir
\nW:Anmd honest men could live by the sweat of their brow, Sir.
\nW:O the golden days &c
\nW:%
\nW:Then football & wrestling, & pitching the bar Sir
\nW:Were preferr’d to a flute, to a fiddle, or guitar, Sir:
\nW:And for jaunting and junketting, the fav’rite regale Sir,
\nW:Was a walk as far as Chelsea, to demolish buns, and ale, Sir.
\nW:O the golden days &c
\nW:%
\nW:When the folks, ev’ry Sunday, went twice at least to church, Sir
\nW:And never left the parson or his sermon in the lurch, Sir,
\nW:For they judg’d that the Sabbath was for people to be good in, Sir,
\nW:And they thought it Sabbath breaking, if they din’d without a pudding Sir.
\nW:O the golden days &c
\nW:%
\nW:The our great men were good, and our good men were great, Sir
\nW:And the props of the nation were the pillars of the state, Sir
\nW:For the Sov’reign and subject one interest supported
\nW:And our powerful alliance by all powers then was courted, Sir
\nW:O the golden days &c
\nW:%
\nW:Then the high and mighty states, to their everlasting stain, Sir,
\nW:By Britons were releas’d from the galling yoke of Spain, Sir.
\nW:And the rous’d British lion all Europe then combin’d, Sir
\nW:Undismay’d, would have scatter’d them, like chaff before the wind Sir
\nW:O the golden days &c
\nW:%
\nW:Thus they ate, and they drank, & they work’d & they play’d, Sir,
\nW:Of their friends not asham’d, or their enemies afraid Sir,
\nW:And little did they think, when this ground they stood on, Sir
\nW:To be drawn from the life, now they’re all dead and gone Sir.
\nW:O the goldendays &c.<\/p>\n

X:200
\nT:Sailors Allegory, The TS.200
\nM:C|
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:Song
\nC:George Saville Carey 1743-1807
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nA2B c|d2d2(dc) (BA)|d2d2F2F2|G2(FG)A2A2|D4
\nw:Life’s like a ship in con—stant mo-tion, Some-times high a-nd some-times low.
\nA2B c|d2d2 (ed) (cB)|(cd)e2c2c2|d2(cd)e2E2A4
\nw:Where ev’-ry-one must br-ave th-e o–cean, What-so-ev–er winds may blow.
\nA2d c |B2A2G2F2″bar line added”| GA\/B\/ A2B2 c2|d2 e2 (fd) (af)|{f}He4
\nw:If un-ass-ail’d by squall or show—er, waft-ed by the gen—tle gales
\n(ge) (fd){d}|c2 (BA) (ge) (fd)|{d}c4 A2 (Bc)|d2f2e2a2|d4|]
\nw:Le-t’s n-ot lose th-e f-av’ r-ing hour, Whilst s-uc-cess at-tend our sails.
\nW:%
\nW:But if wayward winds should bluster
\nW:Let us not give way to fear
\nW:But let us all our patience muster
\nW:And learn from reason how to steer
\nW:Let judgement keep you ever steady
\nW:That’s a ballast seldom fails
\nW:If dangers rise, be ever ready.
\nW:To manage well the swelling sails.
\nW:%
\nW:%
\nW:Trust not too much to your own opinion
\nW:Whilst your vessel’s under way
\nW:Let good example bear dominion
\nW:That’s a compass will not stray
\nW:When thundering tempests make you shudder
\nW:Or Boreas o’er the surface rails
\nW:Let good discretion guide the rudder
\nW:And providence attend the sails
\nW:%
\nW:%
\nW:Then when you’re safe from danger riding
\nW:In some welcome port or bay
\nW:Hope be the anchor you confide in,
\nW:And care awhile in slumbers lay:
\nW:Then when each can’s with liquor flowing
\nW:And good fellowship prevails
\nW:Let each heart with rapture glowing
\nW:Drink success unto our sails<\/p>\n

X:201
\nT:Calais Packet TS.201
\nT:Hunting the Hare,aka TS.201
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nC:In different hand B
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\nc2C EFG|Adc BAG|c2C EFG|AdB”undotted in ms”c3:|
\n|:edc edc|edc edc|dBc dBc|dfe”D.C.””undotted in ms”d3|]<\/p>\n

X:202
\nT:Hunting Chorus, The TS.202
\nT:Huntsman’s Chorus,aka TS.202
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:Song
\nC:Weber
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\n“Molto Vivace”A,|D2D\/E\/[F\/D\/][G\/E\/]|[A2F2][FD][FD]|[CE]A[CE]A|F\/G\/F\/E\/ DA,|
\n“crotchet added”D2D\/D\/[F\/D\/][G\/E\/]|[A2F2][FD][FD]|[F\/C2]E\/D\/E\/ [FC][EC]|[D3A,3]||
\nA|[d2A2]([d\/A]A\/) ([d\/A]e\/)|[f2A2][dA] [dA]|[e2c2][ec] [ec]|([fd][ec]) [dd] [AA]|
\nw:The mist th-at a-t mid-night en-vel-op’d the moun–tain, like
\n[d2A2] ([d\/A]A\/) ([d\/A]e\/)|[f2A2] [dA] [dA]|[c2A2] [ec] [dB]|[c2A2]z[ec]|
\nw:spir–its h-ave fled at the dawn-ing of day; While
\n[d2A2]([d\/A]A\/) ([d\/A]e\/)|[f2A2][dA] [dA]|[e2c2][ec] [ec]|([fd][eA]) [dd]
\nw:Sol w-ith h-is rad-iance is gil-ding yon f-ount-ain
\n[AA]|[d2A2]([d\/A]A\/) ([d\/A]e\/)|[f2A2][dA] [dA]|[A2c2][ec] [ec]|[c2A2]z
\nw:as thro’ th-e gr-een mead-ow it rip-ples a-way.
\n[ec]|[f2c2][fc] [fc]|[d2B2] [dB] [dB]|[g2B2][gB] [gB]|[e2c2] [ec]
\nw:Then on to the chase for the shrill Horn is sound-ing
\n[ec]|[f2c2][fc] [fc]|[d2B2] [dB] [dB]|[g2B2][gB] [gB]|[e2c2]
\nw:And blithe-ly its Ech-oes re-doub-le the strain;
\n[AA] [AA]|[f2d2] [fd] [fd]|[g2d2][fd] [fd]|[e2c2]([f\/d\/][e\/c\/]) ([d\/B\/][e\/c\/])|[f2d2] [dA]
\nw:See the stag from the side of yon for–est i-s bound-ing,
\n[dA]|[f2d2][fd] [fd]|{a\/}[g2d2][fd] [fd]|[f\/c2]e\/d\/e\/ [fc] [ec]|[d3d3]
\nw:Then on to the chace ov-er mount—-ain and plain
\nA|A A\/ A\/ A A\/ A\/|A A\/ A\/ A A\/ A\/|”$”[d2A2][AA] [fd]|[d2A2][AA] [fd]|
\nw:La la la la la la la la la la la la la la la la la la la la la
\n{a\/}[gc] [ec] {a\/}[gc] [ec]|{a\/}[gc] [ec] {a\/}[gc] [ec]|
\nw:la la la la la la la la la la la la la la la la la la la la la la la la la la la la la
\n[d2A2][AA] [fd]|[d2A2][AA] [fd]|{a\/}[gc] [ec] {a\/}[gc] [ec]|{a\/}[gc] [ec] {a\/}[gc] [ec]|
\nw: la la la la la la la la la la la la la la la la la la la la
\n[fA] [f\/A\/] [f\/A\/] [aA]|[fA] [f\/A\/] [f\/A\/] [aA]|[fd] d\/ d\/ d [fd]|1H[e4c4]:|2d4|]
\nw: la la la la la la la la la la la la la la la la la la la la<\/p>\n

X:203
\nT:Buy a Broom TS.203
\nT:Bavarian Air, A TS.203
\nT:O Du Lieber Augustin,aka TS.203
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nN:Additional final note “C” omitted from bars 7 and 15
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\n[d2B2][dB][ec][dB][cA]|[B2G2]G2G2|[A2F2]D2D2|[B2G2]GABc|
\n[d2B2][dB][ec][dB][cA]|[B2G2]G2G2|[A2F2]D2D2|[G4B,4]z2:|
\n|:[A2F2]D2D2|[B2G2]D2D2|[c2A2]D2D2|BAGABc|
\n[d2B2][dB][ec][dB][cA]|[B2G2]G2G2|[A2F2]D2D2|[G4B,4]:|]<\/p>\n

X:204
\nT:Jenny Jones TS.204
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:waltz
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\nG2|c2G2ED|C3DE2|F2A2dc|B2G2B2|c2G2E2|F3GA2|G2c2B2|c4:|
\nd>d|e2c2e2|d2B2G2|A3Bcd|B3AG2|e2c2e2|d2B2G2|c2B2A2|”D.C.”G4|]<\/p>\n

X:205
\nT:Butter’d Pease TS.205
\nM:C
\nL:1\/8
\nQ:1\/2=70
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nN:In a different hand C. Similar to E.Holmes MS hand.
\nR:country dance
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nc|.Bd-d.B .ce-e.c|.Bd-d.B cAA2|.Bd-d.B ce-e.c|BdAc BG G:|
\n|:A|(Bc).d2(ef).g2|BcdB cAA2|(Bc).d2(ef).g2|BcAc (BG). “cr. in ms”G:|]<\/p>\n

X:206
\nT:Reel TS.206
\nM:2\/4
\nL:1\/8
\nQ:1\/2=60
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nC:In different hand B
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nd|c>A G>F|f>ga>g|(f<d) c>A|dGGd|(c<A) G>F|f>ga>g|(f<d) c>A|F2″cr. in ms”F:|
\nc|(d\/e\/f) ec|dfcA|(B\/c\/d) cA|dGGc|(d\/e\/)f ec|bgaf|(d\/e\/)f cB|AFFc|
\n(d\/e\/)f ec|bgaf|(d\/e\/)f cB|dGGA|F>GFA|cbag|(f>d) c>A|F2F|]<\/p>\n

X:207
\nT:Freichuzt’s Quadrille, Der TS.207
\nT:Freischutz Quadrille,Der,aka TS.207
\nT:Huntsman’s Chorus,aka TS.207
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:quadrille
\nC:Carl Maria von Weber 1821
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nA,”$”|D2D\/E\/F\/G\/|A2FF|EAEA|F\/G\/F\/E\/ DA,|D2 D\/E\/F\/G\/|A2FF|EAEA|DF\/A\/ d||
\nA\/A\/|AF\/F\/ Fd\/d\/|dA\/A\/ Af\/f\/|f2e\/d\/c\/B\/|A2FA\/A\/|AF\/F\/ Fd\/d\/|dA\/A\/ Ad\/e\/|ff e\/d\/e\/f\/|dfd”$”||
\nA|d2d\/e\/f\/g\/|a2ff|eaea|f\/g\/e\/f\/ dA|d2d\/e\/f\/g\/|a2ff|eac’b|aA\/A\/ Ae|
\nff\/f\/ fe|d\/e\/c\/d\/ BB|gg\/g\/ gf|e\/f\/d\/e\/ cA|d2d\/e\/f\/g\/|a2ff|e{^g\/}ae{g}a|d2[d’2d2]|
\nd2Af|d2Af|{a\/}ge{a}ge|{a}ge{a}ge|d2Af|d2Af|{a}gege|d\/A\/^G\/A\/|^G,\/A,\/B,\/C\/”D.C.”|]<\/p>\n

X:208
\nT:Anna TS.208
\nM:C|
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nN:In a different hand, possibly by a child
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\n“as writ”d>e ff ee dd|A3 A BABc|dc d\/c\/B\/A\/ dd|d3f fa A2|
\nA2 B\/ BAGFA2|AB c2Hd2″marked as 6( in MS” (2e\/\/d\/\/ (4c\/\/B\/\/A\/\/G\/\/|F3DE2D2:|
\n|:FE FG AA BA|BA Bc\/d\/ c\/d\/c\/B\/A2|d2d2d2f2|fHa AA BBA2|
\nG2F2 GABc|d2e2d2 c\/B\/A\/G\/|F3DE2D2:|]<\/p>\n

X:209
\nT:Jockey to the Fair TS.209
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nN:Key sig. off the stave in margin of ms
\nN:As previous tune
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nD|G2AB2c|d2gd2c|(B\/c\/d\/G) GFG|(A\/B\/c\/B) BAd|
\ndcd efg|(fg\/a\/f)e2g|fed Adc|d3d2:|
\nd|afd afd|c2cB2d|dgd dgd|c2cB2B|
\ne2 f gfe|^d2eB2e|e^de B2A|G2FE2D|
\nG2GB2d|e2fHg2|dBGA2B|E2FG2A|B2g BcA|G3G2:|]<\/p>\n

X:210
\nT:Black Joke,The TS.210
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nN:As above
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nD2DG2G|ABA AGA|BcB BAG|ABA AGF|G2GE2E|DEFG2:|
\n|:c|Bcdd3|efgd2c|Bcdd3|efgd2c|B2gB2g|
\nABA AGA|BcB BAG|ABA AGF|G2GE2E|DEFG2:|]<\/p>\n

X:211
\nT:Trip to Gretford TS.211
\nT:Trip to Oxford,aka TS.211
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nDEDF2D|A,2DF2D|ABAB2d|c2de3|
\nDEDF2D|A,2DF2D|ABAB2c|d3d3:|
\n|:ABAc2d|e2fg3|f{g\/}af d2f|ecAA3|
\nABAc2d|e2fg3|f{g\/}af gec|d3d3:|]<\/p>\n

X:212
\nT:Hunters Chorus to Der Friechuzt TS.212
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nC:Carl Maria von Weber 1821
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nD|G2G\/A\/B\/c\/|d2B2|Ad Ad|B\/c\/B\/A\/ GD|G2G\/A\/B\/c\/|d2B2|Ad fe|d2z:|
\nA|B2BB|G2GG|c2cc|A2AA|B2BB|G2GG|c2cc|A3||
\nA|B2BVB|c2BB|A2AA|B2G2|B2BB|c2B2|A2AA|G3||
\nD\/D\/|DD\/D\/ DD\/D\/|DD\/D\/ DD\/D\/|G2DB|G2DB|{d\/}cA {d\/}cA|{d\/}cA {d\/}cA|G2DB|
\nG2DB|{d\/}cA {d\/}cA|{d\/}cA {d\/}cA|BG\/B\/ d2|BG\/B\/ d2|BG\/G\/ GG\/G\/|
\nGG\/G\/ Gd\/d\/|dB\/B\/ Bg\/g\/|gd\/d\/ dg\/g\/|bb (a\/g\/f\/e\/)|e2dd\/d\/|dB\/B\/ Bg\/g\/|
\ngd\/d\/ dg\/g\/|bb a\/g\/f\/a\/|g\/f\/g\/b\/ a\/f\/d\/f\/|g\/f\/g\/b\/ a\/f\/d\/f\/|gg\/g\/ gg|g2z|]<\/p>\n

X:213
\nT:Hornpipe TS.213
\nM:C|
\nL:1\/8
\nQ:1\/2=80
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nN:As written with only 7 bars in B part
\nN:”Bis” used to repeat bar 6 in A part
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\nc>Bc>d e>fg>e|c>Bc>d e>fg>e|dcde fedc|B2G2G2AB|
\nc>Bc>d e>fg>e|c>Bc>d e>fg>e|eagf edcB|c2c2c2:|
\n|:z2|g^fgf fdBG|fgag fde”bar missing”f|g2b2g3e|fefe fagf|
\neded egfe|eagf edcB|c2c2c2:|]<\/p>\n

X:214
\nT:Quadrille TS.214
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:quadrille
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\ncccc|(e\/d\/)(d\/c\/)B2|(d\/c\/)(c\/B\/)A2|(c\/B\/)(B\/G\/)E2|
\ncccc|(e\/d\/)(d\/c\/)B2|(d\/c\/)(c\/A\/) (c\/B\/)(B\/G\/)|AcAz||
\nBece|dece|Becf|e^d e^d\/=d\/|
\ncccc|e\/d\/d\/c\/B2|d\/c\/c\/A\/ c\/B\/B\/G\/|AcA2||
\nA\/>G\/A\/>G\/ A\/>G\/A\/>G\/|AEc2|A\/>G\/A\/>G\/ A\/>G\/A\/>G\/|AEc2|
\nB\/>A\/B\/>A\/ B\/>A\/B\/>A\/|BEsd2|B\/>A\/B\/>A\/ B\/>A\/B\/>A\/|BE “D.C.”d\/c\/e\/d\/|]<\/p>\n

X:215
\nT:Smash the Windows TS.215
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nA,2DF2A|d2f ecA|G2BF2A|E2F GFE|
\nA,2DF2A|d2f ecA|faf gec|d3″undotted in ms”d3:|
\n|:a2fd2A|F2″crotchet in MS”a agf|g2ec2A|E2g gfe|
\nf2dg2e|a2fb2g|faf gec|d3″undotted in ms” d3:|]<\/p>\n

X:216
\nT:Cameronian Rant, The TS.216
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\n(c\/B\/)|AF F\/F\/F AFcF|AF F\/F\/Fc2BA|BG G\/G\/G BGdG|BG G\/G\/Gd2:|
\n|:A\/G\/|Fffg fdcA|Fffg fdcA|Ggga gecA|Ggga gecA|
\nFffg fdcA|Fffg fdcA|egdf egdf|e\/f\/g def2 cBH|]<\/p>\n

X:217
\nT:Dusty Miller,The TS.217
\nM:C
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:3\/2hornpipe
\nW:Usually found notated as 3\/2 hornpipe (see next tune)
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nBcdB AGFA|ABcA BcdB|AGDG GABG:|
\n|:Bcde fgaA|ABcA Bcde|fggG GABG:|]<\/p>\n

X:218
\nT:Dusty Miller,The,aka TS.218
\nM:3\/4
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:3\/2hornpipe
\nC:Untitled in ms.
\nN:In different hand C
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nB>c dBAG|F>G ABcA|B>c dBAG|DGGA BG:|
\nB>c defg|a>A ABcA|B>c defg|gG GABG:|]<\/p>\n

X:219
\nT:Countess of Sutherland’s Reel,The TS.219
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nN:See also version in Bb, TS.165
\nO:England;Lincolnshire
\nC:George Jenkins
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\ne|”tr”c2(Gc) AcGc|FcEc Ddde|c2Gc Aagf|egdf ecc:|
\n|:g\/a\/\/b\/\/|c’geg fadf|egce dG Gb|c’geg fadf|egdf ec cf\/a\/\/b\/\/|
\nc’geg fadf|egce dGGg|”tr”a>gab c’agf|egdf ecc|]<\/p>\n

X:220
\nT:Sand’s Reel,aka TS.220
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nC:untitled in MS
\nC:Labelled “2nd” on MS page
\nN:I have taken the liberty of naming this untitled tune after Mr Sands
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Gm
\nc|”^No key sig. in MS”B\/c\/d Gd BG dB|A\/B\/c Fc AF cA|B\/c\/d Gd BG dB|^F\/G\/A DFG2G:|
\n|:A|B2Bf B\/B\/B dB|cdcB ABcA|Ggga bag^f|g\/a\/b a^f g3a|
\ng\/a\/b =fd Bdfd|cdcB ABcA|Bdg^f gBce|dBcAG2G:|]<\/p>\n

X:221
\nT:Lady Charlotte Lenox’s Strathspey TS.221
\nM:C
\nL:1\/8
\nQ:1\/4=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:strathspey
\nC:Labelled “3rd” on MS page
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nA\/B\/|”As written”cF\/cF\/ cF\/Ad\/|AF AG\/F\/ EGG A\/B\/|cF\/dF\/ cF\/Bd\/|E\/F\/G G\/A\/B AFF:|
\n|:a\/g\/|f\/g\/a\/g\/ fc d\/ffg\/|f\/g\/a\/g\/ fd ef\/ga\/|f\/g\/a\/g\/ fc df\/cA\/|B\/c\/d G\/A\/BA2FFa\/g\/|
\nf\/g\/a\/g\/ fc df\/fg\/|f\/g\/a\/g\/fd eg\/gb\/|ab\/ga\/ fg\/df\/|B\/c\/d G\/A\/B AFF|]<\/p>\n

X:222
\nT:Untitled TS.222
\nM:C|
\nL:1\/8
\nQ:1\/4=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nC:Labelled “4th” on MS page
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:None
\nc|”^no key sig in MS”BGGA “^as written”F>GAc\/|BGGD B,DG,c|\\
\nBGGA FG\/A\/c|”undotted in ms” B>d A\/B\/c\/A\/ GFF:|
\nd|gd B\/c\/d\/B\/ gdde|gd g\/a\/b aeef|gd B\/c\/d\/B\/ g>de>c|\\
\n“all undotted in ms” c>aA>c B>GG>d|
\ngd B\/c\/d\/B\/ gdde|gd g\/a\/b aeef|\\
\n“undotted in ms”g>bdB e>acA|Bd A\/B\/c\/A\/ BGG:|]<\/p>\n

X:223
\nT:Untitled TS.223
\nM:C
\nL:1\/8
\nQ:1\/4=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:strathspey
\nC:Labelled “5th” on MS page.
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nA\/B\/|c>dcB c>dcB|A<cf>A “G2 added”G2{A\/}GA\/B\/|c>dcA cdfa|”undotted in ms”f<dc>A {A}F2F:|
\n|:B|”all undotted in ms”A<cf<a “tr”f>afc|d<fc>A G2GB|A<cfc f>af>c|d<fc>AF2F c\/B\/|
\nA<cfa A<cfa|”tr”c2f\/g\/a gG GA\/B\/|”tr”c>dcd f>g {f\/g\/}af|f>dcAF2F|]<\/p>\n

X:224
\nT:Untitled TS.224
\nM:2\/4
\nL:1\/8
\nQ:1\/4=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nC:Labelled “7” on MS page
\nR:march
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nB|A\/B\/c”crotchets in MS” .c.c|”undotted qu. in ms”B<d d3|A\/B\/c AF|E<GG>B|A\/B\/c .c.c|B\/c\/d\/e\/ fd|cA BG|{E}F2F:|
\nf|g2{f\/g\/}ae|fcfa\/|gf\/g\/ af|egga|g3{f\/g\/}ae|fc {g}fe\/d\/|cABG|{E}F2Ff|
\ng2{f\/g\/}ae|fcfa|{a}g2{f\/g\/}af|eg gf\/g\/|gfdf|ecfd|”triplet signs added”(3cBA (3BAG|EF2F|]<\/p>\n

X:225
\nT:Rowley Belt’s #2Hornpipe,aka TS.225
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nC:’By Rowley Belt’
\nC:untitled in MS
\nN:Nearly identical to TS.113
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\n(cB)|(AB\/c\/) F2F2(GA)|BABc BcdB|Acde fgaf|bagf edcB|
\nAB\/c\/F2F2(GA)|BABc BcdB|Acfc dBGE|F2F2F2:|
\n|:(fg)|afdf gece|defd cAFA|Bdfd cAGF|E2C2C2>B,2|
\nA,CFA, B,DGB,|CFAF DFBD|Acfc dBGE|F2F2F2:|]<\/p>\n

X:226
\nT:Duke of Cumberland’s Reel, The TS.226
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nN:Nearly identical to TS.148
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nB2bg fdcB|AFcF dFcF|B2bg fdcB|FAce dBB2:|
\n|:BGFE DEFD|ECCG cGGA|BGFE DEFD|B,BAc dBB2:|]<\/p>\n

X:227
\nT:Miss Murray of Archentyres Reel TS.227
\nT:Miss Murray of Auchtertyres Reel,aka TS.227
\nM:C|
\nL:1\/8
\nQ:1\/2=70
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nB|(A\/B\/c) fc dcfc|(A\/B\/c) fc dcdf|(A\/B\/c) fd cf\/g\/ ag|fdcAF3:|
\n|:(A\/B\/)|cFAF cF Bd|cF (d\/c\/B\/A\/)G3A\/B\/|cFAF faga|fdcA F2:|]<\/p>\n

X:228
\nT:Paddy O Carol TS.228
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nC:Note next to title “Irish”
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\n(A\/G\/)|FDD FDD|F>GF FED|AFF dFF|E>FEE2(A\/G\/)|
\nFDD FDD|F>GF FED|AFF dFF|D>EDD2:|
\n|:(d\/e\/)|fdd ecc|BdB AGF|fda eca|dB^ga2=g|
\nfdd ecc|BdB AGF|AFF dFF|D>EDD2:|]<\/p>\n

X:229
\nT:Ap Shenkin TS.229
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nC:Note next to title in MS “Welch”
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\n(A\/G\/)|F2F Fdc|B2B Bcd|A>BA AGF|FEE EAG|
\nF2F Fdc|B2B Bcd|ABA GFE|DDDD2:|
\n|:”qu. in ms”d\/e\/|f2de2c|dcB AGF|GAB (Ad)F|FEEE2(d\/e\/)|
\nf2de2c|dcB edc|fed cdB|Adc “Da Capo”BAG|]<\/p>\n

X:230
\nT:Farrier’s Reel TS.230
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\nA2cA eAcA|E2GB dBGE|A2cA eAcA|dBed cAA2:|
\naece Aece|aece dBB2|aece Aece|dBed cAA2|
\naece Aece|aece dBB2|agfe fedc|dBed cAA2H|]<\/p>\n

X:231
\nT:Miss Fletcher’s Reel TS.231
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nN:The final ‘A’ in the first part is merely a grace note in the MS
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nD2FA dAFD|E2CE A,ECE|D2FA dAFD|A,\/A,\/A, B,CD2″NB”A2:|
\n|:fage dcBA|BABc dAFA|fage dcBA|{c\/}BABcd2d2|
\nfage dcBA|BABc dAFE|D2FA dAFD|A,\/A,\/A, B,CD2H|]<\/p>\n

X:232
\nT:Nelson’s Hornpipe TS.232
\nT:Lord Nelson’s Hornpipe,aka TS.101
\nT:Miss Grimstrobs Hornpipe,aka TS.083
\nT:Bridge of Lodi,The,aka TS.083
\nT:Saxon’s Hornpipe,aka TS.083
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nN:Different key and setting from TS.101
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nAF|D2d2d2cd|ecAc d2de|fefd gfge|afdf ec AF|
\nD2d2d2cd|ecAc d2d2|cdec dB A^G|A2A2A2:|
\n|:fg|agfe dcBA|B2G2G2 ga|bagf edcB|c2A2A2fg|
\nafaf gbgb|afaf gbgb|afbg fdec|d2d2d2:|]<\/p>\n

X:233
\nT:Dean’s Hornpipe,aka TS.233
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nC:untitled in MS. cf#136
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nz2|B2df edcB|ceAc BAGF|EGcE DFBD|CBAc BAGF|
\nB2df edcB|ceAc BAGF|EGcE DFBD|CBAcB2:|
\n|:f2|geBGE2g2|fdBFD2f2|ecGEC2ec|dBFDB,2FE|
\nDFBd EGce|FBdf GBeg|fdBd ec (3AcA|B2B2B2:|]<\/p>\n

X:234
\nT:Mrs McCarty’s Reel TS.234
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\n“qu. in ms”(G\/F\/)|EGGc AcGc|GcGE FD DF|EGGc AcGc|Bddf ec c:|
\n|:f|eg (3gfe faaf|egge fddf|eg (3gfe faaf|egdf ec”cr. in ms” c:|]<\/p>\n

X:235
\nT:College Hornpipe TS.235
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\n(BA)|B2B,4(FE)|(DF)B4(3dc=B|c2C4(cB)|(Ac)f4(ga)|
\n(ba).g.f (gf).e.d|(ed).c.B BAGF|(GB).A.c Bdce|”qu. in ms”d2B4:|
\n|:(FE)|DF(BF) (DF)(BF)|G2E4(GF)|(=EG)(cG) (EG)(cG)|A2F4(BA)|
\n(Bd)g2(gf)(ed)|(ed).c.B (BA).G.F|.G.B.A.c .B.d.c.e|(d2B4):|]<\/p>\n

X:236
\nT:I’ll make you fain to follow me TS.236
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\nC|EGA c2e|dDDD2C|EGA cdc|BAB cGE|
\nF2dE2c|dDDD2C|EGAc2G|ECCC2:|
\n|:f|ced gec|eged2e|ega gec|gea gec|
\nega gec|eged2G|EGAc2G|ECCC2:|]<\/p>\n

X:237
\nT:Miss Green’s Hornpipe TS.237
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\n“qu. in ms”F2|Bd f2fdfd|BdF2BdF2|c=Bcd efgf|edcB AFGA|
\nBdf2fdfd|BdF2BdF2|c=Bcd egfe|d2B2B2:|
\n|:fe|dfdf bfdB|eded efgf|efde cdBc|ABcB AFGA|
\nBB\/c\/ dc BAGF|ee\/f\/ gf edcB|ABcd ecBA|B2B2B2:|]<\/p>\n

X:238
\nT:Guardian Hornpipe TS.238
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nN:Natural sign added in bar 10
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nBd|fbfd ecBA|BdBF dBFD|EGcd edcB|(3ABc (3BAG F2Bd|
\nfbfd ecBA|BdBF dBFD|EGce dfAc|B2B2B2:|
\n|:dB|c=Bcd edef|g^fga b=fdf|bagf edcB|ABcAF2F2|
\nfbfd ecBA|BdBF dBFD|EGce dfAc|B2B2B2:|<\/p>\n

X:239
\nT:Hornpipe TS.239
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\n(3FGA|BFBF B2FE|D2B,2B,2Bc|dBdB dfed|c2F2F2fe|
\ndbbg fgfe|dbbg fgfe|dfbf gecA|B2B2B2:|
\n|:(3cd=e|fcfcf2cd|ecAcB3d|g^fga bga=f|d2g2g3a|
\nbabab3a|g^fgfg3=f|edcB Agfe|d2B2B2:|]<\/p>\n

X:240
\nT:Stoney Steps,aka TS.240
\nT:Hornpipe,untitled in MS TS.240
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nN:Similar setting to “Stoney Steps” in Gibbons and Clare MSS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\ned\/c\/|BFDB, B,Ace|dfdB BAGF|EGcB AFdF|CAce dcBA|
\nBFDB, B,Ace|dfdB BAGF|E3g fdcB|FBAcB2:|
\n|:g2|fgab fdcB|egec BAGF|EGcB AFdF|CAcdc2ga|
\nbfdB Fafd|Egec BAGF|E3g fdcB|FBAcB2:|]<\/p>\n

X:241
\nT:Hornpipe TS.241
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\ndc|dAFA defd|edcB AGFE|FGAB cdef|g2e2egfe|
\ndAFA dAfd|edcB AGFE|FAdf Aceg|f2d2d2:|
\n|:FE|Ddcd edcd|efga g2fe|fdcd Bded|c2A2A2 (3gfe|
\ndAFA dAfc|edcB AGFE|FAdf Aceg|f2d2d2:|]<\/p>\n

X:242
\nT:Scotch Reel TS.242
\nM:C|
\nL:1\/8
\nQ:1\/2=80
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nB|AFCF Acfc|dBGf eggA|F>AG>B A>cB>d|g>beg aff||
\nf|cf (a\/g\/f) c>fAc|B<G g>f egge|c>ed>f e>gfe|fdcB AFFf|
\nc>f (a\/g\/f) cfAc|B<Gg>f egge|c>ed>f e>gf>a|gbeg aff|]<\/p>\n

X:243
\nT:Mr Clark’s Hornpipe TS.243
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nDC|B,DFB dFED|CEGc eGFE|DB,FD BFdB|A\/B\/cc2c2DC|
\nB,DFB dFED|CEGc eGFE|DFEG Fgfe|d2B2B2:|
\n|:fg|afdB Aceg|fdcB BAGF|ecec dBdB|AEFE FDEF|
\nGEGB edcB|AFAc fedc|Bbag fedc|B2B2B2:|]<\/p>\n

X:244
\nT:Gayton’s Hornpipe TS.244
\nT:Miss Gayton’s Hp,aka TS.244
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\ncB|Acfef2cB|Acfgf2cB|Acfa gfed|cfag fedc|
\nAcfef2cB|Acfgf2c2|defd efge|f2a2f2:|
\n|:fg|agaf gfge|fefd dcBA|BcdB ABcA|B2G2G2fg|
\nagaf gfge|fefdc2c2|defd efge|f2a2f2:|]<\/p>\n

X:245
\nT:Dean’s Hornpipe,aka TS.245
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nC:untitled in MS. cf#136
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nB2df edcB|ceAc BAGF|EGcE DFBD|CBAc BAGF|
\nB2df edcB|ceAc BAGF|EGcE DFBD|CBAcB2:|
\n|:”qu. in ms”f2|geBGE2g2|fdBFD2f2|ecGEC2 ec|dBFDB,2FE|
\nDFBd EGce|FBdf GBeg|fdBd ec (3AcA|B2B2B2:|]<\/p>\n

X:246
\nT:Perth Hunt,The TS.246
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\nF|E2CE A,ECE|A,ECE FB,B,F|E2CE A,ECd|ceBd cAA:|
\nd|(c\/B\/A) eA fAeA|(c\/B\/A) eA fBBd|(c\/B\/A)eA fAeA|EFAB cAAd|
\n(c\/B\/A) eA fAeA|(c\/B\/A) eA fBBd|ceAc dfBd|EFAB cAA|]<\/p>\n

X:247
\nT:Wilkinson’s Hornpipe TS.247
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\nED|CEB,E CEA,E|CEAc ecAE|FAGA EAGA|FBdB AGFE|
\nCEB,E CEA,E|CEAc ecAE|Dfed caAf|edcBA2:|
\n|:ed|ceAe ceAe|agfe dcBA|BABc dcde|fdBA AGFE|
\nFAEA DACA|B,BdB AGFE|Dfed cGAF|EDCB,A,2:|]<\/p>\n

X:248
\nT:E A Hornpipe TS.248
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\ne|a2ed cAec|Bcde fBbg|a2ed cAec|dfed cAA:|
\ne|(c\/B\/A) EA cAec|Bcde fBed|(c\/B\/A) EA cAec|dBed cAAe|
\n(c\/B\/A) EA cAec|Bcde fBed|cefd eabg|afed cAA|]<\/p>\n

X:249
\nT:Sicilian Dance, The TS.249
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nC|FGF AGF|c2cc2B|Acf c2B|A2GF2C|
\nFGF AGF|c2cc2f|efe dc=B|c3″dotted in ms”c2:|
\nc|g2c b2a|gfe (f2e\/f\/)|g2c b2a|gfe f>ef|
\ndbb cbb|Bgg”dot omitted”f2A|BAG c2E|F3″undotted in ms”F3||
\nA3 GAG|F2F FAc|c3 BcB|A2A Acf|
\nf2ee2d|d2cc2B|ABc cBA|A3″undotted in ms”G3||
\nf3fd=B|c>dc ceg|b3 bge|f>gf f2c|
\nf2ed2c|d2cB2A|BAGc2E|F3F2|]<\/p>\n

X:250
\nT:Mr C.Clark’s Hornpipe TS.250
\nC:”1812″ in brackets follows title in MS
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nFE|DB,DF BFDF|egec BAGF|AFcA ecdB|Ac F2F2FE|
\nDB,DF BFDF|egec BAGF|Bgec dBcA|B2B2B2:|
\n|:fe|dBfd g2>a2|bfdB gfdB|AFcA ecdB|AcF2F2E2|
\nDBGB GBEB|Acec BAGF|Ggec dBcA|B2B2B2:|]<\/p>\n

X:251
\nT:Hornpipe TS.251
\nM:C
\nL:1\/8
\nQ:1\/2=84
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\n“qu.in ms”F2|B>AB>d B>AB>d|B>ba>g f>dc>B|c>de>d c>dc>B|A>Bc>A f>ec>A|
\nB>AB>d B>AB>d|B>ba>g f>=e_e>d|c>de>c f>ec>A|B2d2B2:|
\n|:A>G|F>Ac>e F>Ac>e|e>dc>B B>AG>F|G>BTB2F>BTB2|c>de>c B>AG>F|
\nE>gTg2D>fTf2|e>dc>B A>GF>E|D>FB>A G>ec>A|B2B2B2:|]<\/p>\n

X:252
\nT:New May Day TS.252
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:reel
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\n(A\/G\/)|FAdF GBed|cABc dfdA|FAdF GBed|cABcd2d2:|
\n|:e|fdcd BdAd|GdFd eEEe|fdcd BdAd|cABc d2de|
\nfdcd BdAd|GdFd eEEG|FAdF GBed|cABc d2d2|]<\/p>\n

X:253
\nT:Stirling Castle TS.253
\nM:C|
\nL:1\/8
\nQ:1\/4=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:Strathspey
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nf|cFAF cF d\/c\/B\/A\/|cFAF EGGf|cFAF cF fc|d\/c\/B\/A\/ cF CFF:|
\n|:c|f2a\/g\/f\/e\/ fcAc|FB d\/c\/B\/A\/ cAAc|f2a\/g\/f\/e\/ fcAc|dfeg cffc|
\nfcaf ecbg|afcf eggb|afcf dBAB|AFcC CFF:|<\/p>\n

X:254
\nT:Bilsby Hornpipe TS.254
\nM:C
\nL:1\/8
\nQ:1\/2=84
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nN:One of many examples of erratic lead notes in ms
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\ned”rpt.added”|:c2A2{B}A>GA>B|c2A2A2B>c|d>fd>B c>ec>A|B>AG>FE2e>d|
\nc2A2{B}A>GA>B|c2A2A2a>g|f>gf>e ^f>Bc>d|1e>gb>a g>f”_rep.added”e>d:|2 e>gb>ge2z2|]
\ng>a|b>ag>f e>fg>e|a>ga>e c>de>c|f>=gf>e d>cB>A|G>AB>A G>EF>G|
\nA>Bc>d e>cac|f>db>a g>fe>d|c>eA>c B>dG>B|1A>Bc>d e>fg>a:|2A>EA>cA2z2|]<\/p>\n

X:255
\nT:Hornpipe TS.255
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\n(F\/E\/D\/C\/)|B,FDF BFdB|fdba gfed|cegf edcB|Af=ef F2(F\/E\/D\/C\/)|
\nB,FDF BFdB|fdba gfed|(3efg ec ABcA|B2B2B2:|
\n|:AB|cFFF cFeF|dFFF dFfF|eFdF cFBF|(3dcB (3ABG (3FGE (3DEC|
\nB,FDF BFdB|fdba gfed|(3efg ec AFGA|BFdcB2:|]<\/p>\n

X:256
\nT:Gypsies Hornpipe TS.256
\nM:C
\nL:1\/8
\nQ:1\/2=84
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nf>e|d>ec>d B>cA>B|G>AB>G F2FA|B2F>Bd2B>d|f>ed>ec2f>e|
\nd>ec>d B>cA>B|G>AB>GF2E>D|E>gf>e d>cB>A|B2B2B2:|
\n|:E>D|E2g2g2e>c|D2f2f2d>B|C2e2e2c>A|e>dc>B A>GF>D|
\nE2g2g2e>c|D2f2f2g>a|b>ag>f a>gf>=e|f2F2F2″D.C.”|]<\/p>\n

X:257
\nT:Casterlenor’s Hornpipe TS.257
\nM:C|
\nL:1\/8
\nQ:1\/2=84
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\n“qu in MS”E2|A>cB>A G>BA>G|A>ce2eEFG|A>cB>A G>BA>G|A>ce2 e>cd>e|
\n(3fef d>f (3ede c>e|”triplet sign added”(3dcd B>d (3cBc A>c|(3BAB (3dBA (3GAB (3EFG|(3Acd (3efg a2:|
\n|:z2″rest added”|B2>G2 E>GB>d|c>Ae>c (3agf (3edc|(3BcA “trip.sign added”(3GAF E>GB>d|c>Ae>c (3agf (3edc|
\nf>d A>F (3DFA (3dfa|ecAF (3CEA (3cea|f>dc>B e>cB>A|E>AG>B A2:|]<\/p>\n

X:258
\nT:Astley’s Hornpipe TS.258
\nM:C
\nL:1\/8
\nQ:1\/2=84
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\n“qu. in ms”D2|G>AB>c e>dc>B|a>gf>ee2d>c|B>dB>G c>ec>A|B>d E>A G>FE>D|
\nG>AB>c e>dc>B|a>gf>ee2d>c|B>dB>G c>ec>A|G2F2G2:|
\n|:”qu.in ms”d2|d>ef>g f>af>d|g>bg>e f>af>d|d>ef>g a>fd>c|B>dB>G F>AF>D|
\nB>dB>G c>ec>A|f>af>d g>bg>e|d>gf>e d>cB>A|G2F2G2:|]<\/p>\n

X:259
\nT:South Down Hornpipe TS.259
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nN:Long gap on stave after rest in bar 12
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\nf3c edcB|BcAB AGFE|FCA,F B,DGB,|A,FG,E FA,CF|
\nAFfe edcB|BcAB AGFE|FCA,F B,DGB,|A,FG,DF4:|
\n|:c3d cABd|c3d cABd|cfdf cfdf|cAFAG2z (a\/b\/)|
\nc’3d’ c’abd’|c’3d’ c’abd’|c’agf bgfe|f2a2f2z2:|]<\/p>\n

X:260
\nT:Rory O’More TS.260
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nC:Samuel Lover,1837
\nC:In different hand C
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\nf|eAA cAA|eAA A2f|eAA cAA|GBBB2c\/d\/|
\neAA cAA|eAAHf2(e\/d\/)|cde efg|aAAA2H:|
\n|:g|agf fcc|dcBA2(A\/G\/)|FGA ABc|dfeHe2f\/g\/|
\nagf fcc|dcBA2A\/G\/|FGA ABc|dfeHe2″Da capo”f|]<\/p>\n

X:261
\nT:Earl St Vincent’s Hornpipe TS.261
\nM:C|
\nL:1\/8
\nQ:1\/2=84
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nf>e|d2B2B2d>B|c>BA>GF2G>E|D>FB>F G>ec>A|B2B2B2f>e|
\nd2B2B2g>f|=e2c2c2d>B|Acfc dbg=e|f2f2f2:|
\n|:f>e|d(BAB) d(BAB)|G(EDE) G(EDE)|cded edcB|A>Bc>AF2f>g|
\n.f(BAB) .g(BAB)|.a(BAB) b(BAB)|GBcd ecAc|B2B2B2:|]<\/p>\n

X:262
\nT:Stoney Steps Hornpipe TS.262
\nM:C|
\nL:1\/8
\nQ:1\/2=84
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\nB>Fd>B f>db>g|e>cA>c B>AG>F|G>ED>E C>FB,>B|c>eg>B”tr”B2A2|
\nB>Fd>B f>db>g|e>cA>c B>AG>F|G>ED>E D>EC>e|d>cB>AB4:|
\n|:D>B,F>D B>Fd>B|e>ge>c B>AG>F|(G>AB>G) F>fg>b|a>gf>=ef4|
\ng>ed>e f>dc>B|G>Be>c B>AG>F|G>ED>E D>EC>e|d>cB>AB4:|]<\/p>\n

X:263
\nT:Rick’s Hornpipe TS.263
\nM:C|
\nL:1\/8
\nQ:1\/2=84
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:Bb
\n“qu.in ms”F2|B3cd3e|(3fgf (3edc B2(3fga|b>fd>B c>=Bc>d|egec BAGF|
\nB3 cd3e|(3fgf (3edc B2f2|g>ba>c’ b>=ef>d|(3cdc (3BAGF2:|
\n|:f2|fedc =B_aga|=B_aga gfed|edcB Ag^fg|Ag^fg =fedc|
\n“triplet signs added”(3dbb (3caa (3Bgg (3Aff|(3Gee (3Fdd (3Ecc (3DBB|d>fd>B F>ec>A|B2B2B2:|]<\/p>\n

X:264
\nT:Queen Victoria’s Waltz TS.264
\nM:3\/8
\nL:1\/8
\nQ:1\/4=60
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:waltz
\nO:England;Lincolnshire
\nC:In different hand C
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\n(3D\/D\/D\/|D2(3D\/D\/D\/|D2(3D\/D\/D\/|DFA|d2(3f\/f\/f\/|f2(3f\/f\/f\/|f2g|f2^e|f2:|
\n|:A|A>GF\/G\/|(A<d)z|(B<e)z|d<fz|A>GF\/G\/| A<dz|c>dg\/c\/|[d2F2]:|
\n|:f\/>f\/|f3f\/>f\/|ff\/g\/f\/e\/|dd\/e\/d\/c\/|B2e\/e\/|e2e\/e\/|ee\/f\/e\/d\/|cc\/d\/c\/B\/|A2A|
\nA>GF\/G\/|A<dz|B<ez|d<fz|A>GF\/G\/|A<dz|g>ec\/e\/|[d2F2]:|]<\/p>\n

X:265
\nT:Foresters Sound the Cheerful Horn TS.265
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nN:First 12 bars in hand B, rest completed by hand C
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nA|ffff2f|a2ff2f|gfe fed|e3e2A|A2d def|edcB2d|A2A ABc|d3d2:|
\n|:E|E2AA2B|c2AA2c|d2cB2A|B3B2e|e2a agf|fee e2d|cde dcB|AAB cde|
\nffff2f|a2ff2f|gfe fed|e3e2A|A2d def|edc Bcd|A2A ABc|d3d2HJ|]<\/p>\n

X:266
\nT:Morning Hymn TS.266
\nM:2\/4
\nL:1\/8
\nQ:1\/2=60
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nC:”A Greek Air” written next to title
\nN:bar 9 in bass part all crotchets in MS
\nR:air
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\n[V:1][cD]>[dF]|[e2G2][e2G2]|[e2G2][c2E2]|[d2F2][B2D2]|[c2E2][cE][dF]|
\n[V:2]C,2|C,2C,2|C,2C,2|G,,2G,,2|C,2C,2|
\n[V:1][e2G2][e2G2]|[e2G2][c2E2]|[d2F2][B2D2]|[c2E2]z2|]
\n[V:2]C,2C,2|C,2C,2|G,,2G,,2|C,2z2|]
\n[V:1][c2E2C2]BA| GFE2|FG\/F\/ [EC][DB,]|[E2C2]z2|
\n[V:2][A,2A,,2][G,G,,][F,F,,]|E,D,[C,2C,,2]|D,E,\/F,\/ G,G,,|C,E,\/G,\/ CB,|
\n[V:1]C2DE|[FG,][AF][GE][FD]|EDCB,|C2|]
\n[V:2]A,G, F,E,|D,2E,F,|G,2[E,G,,]D,|[G,2E,2C,2]|]<\/p>\n

X:267
\nT:Evening Hymn TS.267
\nM:C|
\nL:1\/4
\nQ:1\/2=60
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:F
\n[V:1]F2Ac|dcBA|[G2C2][F2=B,2]|[c2G2E2]z[cA]|
\n[V:2]F,2F,F,|B,A,G,F,|E,2D,2|C,2zF,|
\n[V:1][dB]>[ec][fd][dB]|c2(3FAc|[BD]A[GC]B,|[F2A,2]||
\n[V:2]B,3B,|A,2F,2|B,,2C,2|[F,2F,,2]||#
\n[V:1]z[cA]|[d2D2][c2F2]|[d2=B2][e2c2]|[f2c2][d2=B2]|[c2G2E2]zc|
\n[V:2]zF,|B,2A,2|G,2C2|F,2G,2|C,2zA,|
\n[V:1]BAGF|dcBA|fedc|[f2c2A2]zA|
\n[V:2]DCB,A,|B,A,G,F,|A,CB,2|A,2zF,|
\n[V:1]BdGB|AcFB|[A2F2]G2|[F2C2A,2]|]
\n[V:2]B,,2C,2|F,2A,B,|C2C,2|[F,2F,,2]|]<\/p>\n

X:268
\nT:Henrietta’s Favourite TS.268
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:jig
\nC:’By Mr Clark 1840′
\nC:In different hand C
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:C
\n(e\/f\/)|gea gea|g2fe2c|Ade fed|c3B2(e\/f\/)|
\ngea gea|g3gfe|edc BAB|c3c2:|
\n|:B\/c\/|d^cd gab|d^c=cA2c|Bdg eag|g3f2e|
\nd^cd edc|Bcd efg|fed cBA|G3G2||
\nG,|DDD DG,D|EEE ECE|GGG GEG|cGE DG,D|
\nCCC CG,C|EEE ECE|GAG FED|C3″D.C.”C2|]<\/p>\n

X:269
\nT:Hornpipe TS.269
\nM:C|
\nL:1\/8
\nQ:1\/2=84
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nO:England;Lincolnshire
\nC:In different hand C
\nC:untitled in MS
\nZ:vmp.Ruairidh Greig, 2011
\nK:G
\nBc|dBGB cAFA|GDB,D CA,DC|B,DGB cBAG|(3FGA (3GFE D2Bc|
\ndBGB cAFA|GBdf gfgb|(3baf (3age (3gfd (3fec|d2d2d2:|
\n|:B2|cfag fedc|Bdgf edcB|Acfe dcBA|GBed cBAG|
\nFGAB cdef|gdeB cEcA|GFAF DCA,B,|G,B,DGG,2:|]<\/p>\n

X:270
\nT:Psalm 80th TS.270
\nM:3\/2
\nL:1\/2
\nQ:1\/2=120
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:air
\nC:’Composed by the Revd G. Oliver’
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:A
\n[V:1]E|E2G|G2A|GAG|F2B|A2B|(Be)d|
\n[V:2]e\/c\/|B2d|e2e|(ed)e|d2d|efg|(fe)f|
\n[V:3]E|G2B|e2c|BAG|F2B|cde|dcB|
\nw:O Is-rael’s shep-herd Jo–seph’s guide Our pray-ers to th-ee vouch
\n[V:4]E,|E,2B,|G,2E,|G,F,E,|B,,2B,|A,F,E,|F,E,D,|
\n[V:1]edc|B2||”Two Trebles”B\/A\/|G\/B\/c\/B\/A\/G\/|F\/c\/B\/A\/G\/F\/|
\nw:____Th-ou that dost on the cher-ubs on th-e cher–ubs
\n[V:2]g2^a|b2||G\/F\/|E\/G\/A\/G\/F\/E\/|D\/A\/G\/F\/E\/D\/|
\nw:___Th-ou that &c
\n[V:3]cB^A|B2||z|z3|z3|
\nw:sa-fe to hear
\n[V:4]E,F,F,,|B,,2||z|z3|z2E,\/F,\/|
\n[V:1]Gzz|zzE|G2B|e2g\/f\/|e3|d3|e3:|
\nw:ride
\n[V:2]Ezz|zzg|c’2f|e2e\/f\/|g3|f3|g3:|
\n[V:3]z3|zzB|e2d|ecB\/A\/|G3|F3|G3:|]
\nw:Ag-ain in sol—emn state ap-pear
\n[V:4]G,\/A,\/B,\/C\/D\/B,\/|E2E,|E,2F,|G,A,G,\/A,\/|B,3|B,,3|E,3:|]
\nw:that dost on the cher-ubs ride<\/p>\n

X:271
\nT:Abbot’s Hornpipe TS.271
\nM:C|
\nL:1\/8
\nQ:1\/2=90
\nS:Thomas Sands’ MS,1810,Lincolnshire
\nR:.hornpipe
\nN:F in bars 2 and 6 very feint in MS
\nO:England;Lincolnshire
\nZ:vmp.Ruairidh Greig, 2011
\nK:D
\nD2FD CEA,C|DA,FD AFdA|fdaf d’afd|abge dcBA|
\nD2FD CEA,C|DA,FD AFdA|ea^ge ee’c’a|eagba2a2:|
\n|:eaa2 ebb2|ec’c’2 ed’c’a|babf gfgf|efge dcBA|
\nDddc DBBA|DGGE DCB,A,|Dafd Ebge|Adce d2d2:|]<\/p>\n","protected":false},"excerpt":{"rendered":"

%abc %%abc-alias none %%abc-creator ABCexplorer 1.5.0 [30\/04\/2012] %’Thomas Sands’s Book, March 12th 1810′ Lincolnshire %added to for a number of years in the same hand, %plus a handful of tunes added c1840 in two further hands. %From a private collection %Transcribed to ABC for www.village-music-project.org.uk %by Ruairidh Greig October 2011 %revised 30\/3\/12 %revised 30\/4\/12 X:001 … Continue reading SANDS, Thomas ms ABC<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-696","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/696","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=696"}],"version-history":[{"count":2,"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/696\/revisions"}],"predecessor-version":[{"id":698,"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/696\/revisions\/698"}],"wp:attachment":[{"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}