%abc
\n%%abc-alias George Spencer
\n%%abc-creator ABCexplorer 1.3.7 [13\/12\/2009]
\n%%abc-edited-by www.village-music-project.org.uk
\n%VMP.Cherri Graebe, 1999
\n%Revised 20\/05\/2003
\n%Revised again 11\/2008
\n%Revised again 12\/2009<\/p>\n
X:1
\nT:Peggy Perkins. GS.001
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Country-dance
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\nA2 | dfdA fgfd | a2a2a2f2 | gage fgfd | e2e2e2A2 |!
\ndedA fgfd | a2a2a2f2 | gage faec | d2d2d2 :|!
\n|:z2|ABcd efge | f2d2 d4 | gage fgfd | cdec A2 z2 |!
\nABcd efge | f2d2 d4 | efge cdec | d2d2 d4 \ud83d\ude10<\/p>\n
X:2
\nT:So Rax. GS.002
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:Bb
\nF | B>cB F>fd | ecB AGF | BcB Ffd | ecA B3 :|!
\n|: cAF d2d |ecA fdB | cAF d2d | ecA B3 :|!
\n|:baf fdf | edc fdB | bag fdf | ecA ” cr”B3 :|!
\n|: fdg ece | Acf dcd | fdg ece | Acf B3 \ud83d\ude10<\/p>\n
X:3
\nT:WINTER a favorite song. GS.003
\nM:6\/8
\nL:1\/8
\nQ:3\/8=80
\nS:George Spencer m\/s, Leeds,1831
\nR:.Air
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G
\nd| (de) c (Bc) d | (de) cB2 B | A2 A (Ad) c | (c3B2) d |!
\n(de) c (Bg) f | (fe) d (d^c) B | (BA) d (ed) ^c | {c} d3 zz d |!
\n(de) B (Bc) c | (cd) A (AB) g | g2 e (eB) G | (DA) F H G2 Z \ud83d\ude10<\/p>\n
X:4
\nT:Andrew Carr. GS.004
\nM:9\/8
\nL:1\/8
\nQ:3\/8=144
\nS:George Spencer m\/s, Leeds,1831
\nR:.Slip Jig
\nO:England
\nA:Leeds
\nN:This is in a different hand – writing, filling in blank lines at the
\nN:bottom of
\nN:pages 4 and 5. Could this be the ‘Andrew Kerr’ published in Scotlnd in
\nN:1730?
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G
\ng2e dBd dBd | g2g gab aba | g2e dBd def | g2G GAB A2 G :|!
\n|: B2c dBG dBG | c2 d ecA ecA | B2 c dBG def | g2 d GAB A2 G \ud83d\ude10<\/p>\n
X:5
\nT:French Air. GS.005
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Air
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:C major
\nG | Gec BAB | cec G2 G | AGF fed | (c3 B2) G |!
\nGec BAB | cec G2G | dcB AGA | (G3 G2) G |!
\nddd dBG | eee ecG | feB cge | (e3 d2) G |!
\n(d3 d)BG | (e3 e)cA | fdB cge | Hd2 G e2 B |!
\nc2 c d2 e | {g} fed A2A | f2e dcd | c2G d2 B |!
\nc2cd2e | fed A2A | f2e dcd | c3 z2 |]<\/p>\n
X:6
\nT:Duke of Yorks Cotillion. GS.006
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Cotillion
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\nA>BA d2 f | e2ee2f | def B2 e | (d3c2) A |!
\nA>BA d2 f | e2ee2b | afd “tr”e2 f | (d3d3) :|!
\n|:Bcd A2A | B2B A2A | BcdA2A | B3 “D.C.”A2 ||!
\nf\/2g\/2 | a2a f2d | “tr”e>de dfg | a2a f2d | “tr”f3″D.C.”e2 |]<\/p>\n
X:7
\nT:Chips and Shavings. GS.007
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Reel
\nO:England
\nA:Leeds
\nN:’ George Spencer 1831′ written on the stave at the end of the music..
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\n“_No time sig. in ms”
\ndBAF G2 (FE) | DFAF GE E2 | dBAF G2 (FE) | DFAF FD D2 :|!
\n|:dfaf g2 fe | dfaf (g2e)e | dfaf g2 (fe) | dBAF FD D2:|<\/p>\n
X:8
\nT:Drunken Wives,The. GS.008
\nM:4\/4
\nL:1\/8
\nQ:1\/2=75
\nS:George Spencer m\/s, Leeds,1831
\nR:.Strathspey
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:F major
\nA | D\/2D\/2D D2 F>GA>F | G\/2G\/2G G>A “^tr”B>GA>d |\\
\nD\/2D\/2D D>E F>GA>c | d<fc>f “^tr” A>GG :|!
\n|: e|f>ec>A “^tr”(f>ga>f) |g\/2g\/2g g>a b>ga>g |\\
\nf>dc>A f>g {fg}a>g|f>dc>A “^tr”B>GG>(e|!
\nf)>ec>B (f>ga>f) | g\/2g\/2g g>a {ga}b>ga>(f |\\
\nf)>dc>A (f>g{fg}a>g) | f>dc>f “^tr”A>GG |]<\/p>\n
X:9
\nT:Regent Park. GS.009
\nM:2\/4
\nL:1\/16
\nQ:1\/4=80
\nS:George Spencer m\/s, Leeds,1831
\nR:.Country Dance
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\nAG | A2dc d2de | fgef d2cd | B2ba gfed | dcec A2A^G |!
\nA2dc d2de | fgef e2cd | Bbag fedc | e4d2 :|!
\ncd | efec A2ag | fgef d2ef | gfga bagf | efec A2cd |!
\n” NB” fgef d2ef | gfga bagf | edcB” D.C.” A4 |]
\nW:NB.Possible bar missing.Try Bar 1 of B.music<\/p>\n
X:10
\nT:Cucko Nest,The. GS.010,
\nT:Cuckoo’s Nest,The.aka. GS.010
\nT:Come Ashore Jolly Tar,aka. GS.010
\nM:2\/2
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nN:Come ashore, Jolly Tar – from ‘A Selection of English, Irish and
\nN:Foreign Airs, adapted for Fife, Violin and German Flute’, volumn 1, by
\nN:James Aird, Glasgow, printed 1775. The tune is reprinted in Old
\nN:English Dances by Frank Kidson, the tune as printed is very similar,
\nN:but though the pitch of the notes is the same, the key signature is
\nN:Dminor – one flat, rather than the two in this MS. This version is
\nN:Phrygian mode, transposed down a tone. Or, of course, the key
\nN:signature could be wrong.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D min
\nDE | FEFD f2 ed | cAGF B2 AG | FEFD CDEC | c2 G2 G2 DE |!
\nFEFD f2 ed | cAGF B2 AG |FEFD CDEC | F2 D2D2 :|!
\n|: ” qu”A2 | d2d2 defd | c2 A2 A2 AB |c2c2 cdec |B2 G2 G2 A2 |!
\ndcde f2 ed | cAGF B2 AG |FEFD CDEC | F2D2D2 :|!
\n|: FG|AFDF AFDF | AFAF D2 EF |GECE GECE | GEGEC2DE |!
\nFEFD f2 ed |”_this bar added by Ed.” cAGF B2 AG |\\
\nFEFD CDEC | F2 D2 D2 \ud83d\ude10<\/p>\n
X:11
\nT:Brides Bells,The. GS.011
\nM:2\/4
\nL:1\/8
\nQ:1\/2=50
\nS:George Spencer m\/s, Leeds,1831
\nR:.Air
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:E major
\ne | dcBA | GFEe | dcBA | (G2E)e |!
\ndcBA | GFEe | dfF^A | ” cr”B3 :|!
\n|:e | cAFd | BGEe | cAFB | (G2E)e |!
\ncAFd | BGEG | AcFd | e2 ” cr”E \ud83d\ude10<\/p>\n
X:12
\nT:Brest Nots. GS.012
\nT:Breast Knots?. GS.012
\nM:2\/4
\nL:1\/8
\nQ:1\/2=80
\nS:George Spencer m\/s, Leeds,1831
\nR:.Country-dance
\nO:England
\nA:Leeds
\nN:This is not the tune known as Bonny Breast Knot or Ladies Breast
\nN:Knot.\/cont
\nN:The title is written twice in different handwritings, possibly because
\nN:the first attempt looks like Brest Wots
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nG>A (B<d) | (c>d) (e>g) | d>BG>B | A2d2 |\\
\nG>A B>d | c>d e>g | d>BA>d | B2 G2:|!
\n|:G>FG>E | (DB) G2 | G>FG>E | (DB) G2 |\\
\nB>BB>B | d>ge>d | ^c>AB>^c | d2″ D.C”D2 |]<\/p>\n
X:13
\nT:Astlys Hornpipe. GS.013
\nT:Ashley’s Hornpipe,aka. GS.013
\nT:Astley’s Hornpipe,aka. GS.013
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:F major
\nFGAB cAGF | fefd (d2 c)B | AcAF BdBG | AcAF FEDC |!
\nFGAB cAGF | fefd (d2c)B | AcAF BdBG | F2E2F4 :|!
\n|: cdef egec | fafd egec | cdef gedc | BAGF EGEC |!
\nAcAF BdBG | egec fafd | cfed cBAG | F2 E2 F4 \ud83d\ude10<\/p>\n
X:14
\nT:Crazy Jane. GS.014
\nM:3\/4
\nL:1\/8
\nQ:3\/4=30
\nS:George Spencer m\/s, Leeds,1831
\nR:.Air
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nDG | (A2F).G.A.B | (AB\/2)c\/2 B2 d>G | {G}F3 GFE | D4 DG |!
\n.G2. F.GA.B. | (GB\/2)c\/2 B2 dG | Ec B2 A2 | G4 ||!
\n“Slow” (FG) | A3 BGE | (AF) D2 (FG) | (AB) F2 “tr”E2 | D4 DG |!
\n(G2F)GAB | (AB\/2)c\/2 B2 dG | EcB2A2 | G4 |]<\/p>\n
X:15
\nT:Second Highdance. GS.015
\nM:9\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Slip Jig
\nO:England
\nA:Leeds
\nN:High Dance – a French English or Scots step or solo dance. ‘end
\nN:Book’ is written on the stave after the second double bar, but
\nN:several tunes have the word ‘end’ written at the end. See also note to
\nN:’The Priest in his Boots’
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:Bb major
\nf2b fdB BAB | GAB cdB AGF | f2b fdB BAB | Gec Afd B3 :|!
\n|: cAF cAF F=EF| BcB dfd fcA | cAF cAF FGA | Bcd ecA B3 \ud83d\ude10<\/p>\n
X:16
\nT:Marcy Ferous? GS.016
\nT:Lady first Highdance,the,aka. GS.016
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nC:”the Lady first Highdance,”
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:Titles – I’m relatively sure about ‘Marcy’ rather than ‘Nancy’, and
\nN:that’s what the second word looks like-the second title is written in
\nN:the same\/a similar writing. The writing of the music appears fairly
\nN:uniform throughout, but the titles seem to be in more than one
\nN:handwriting. High Dance – a French English or Scots step or solo
\nN:dance.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\nA | ABG FGE | DDD DDD | FED AGF | FEE E3 |!
\nABG FGE | DDD DDD | FAD EAG|FDD D2 |!
\n|:A | FAA Add | dff fed | Aag fed | e2ee2e |!
\nFAA Aed | dff fed | ABG FGE | FDD D2 \ud83d\ude10<\/p>\n
X:17
\nT:Cottage Dance. GS.017
\nT:Kitty O’Lynn,aka. GS.017
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:This tune also occurs as tune No. 45, page 34. The two are identical
\nN:except for the marked note )E in Mo. 45), and number 45 has repeats
\nH:1831
\nH:1831
\nH:183
\nZ:vmp.Cherri Graebe
\nK:C major
\ne\/2d\/2 | BGG GEG | AFA G2 e\/2d\/2 | BGG GEG | f3 fed |!
\nBGG GEG| Acf a3 | gag gfe | d3 c3 ||!
\nefg a2g | efg a2 g | g2eg2e | ded fed |!
\nefg a2 g | efg a2 g | g2eg2e |dcd c2 |]<\/p>\n
X:18
\nT:John of Paris.2voices. GS.018
\nM:6\/8
\nL:1\/8
\nQ:3\/8=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:NB–The last three bars (assuming 8 bar B music) are missing – page
\nN:15 is missing – so I have used the last three bars of the A music.
\nN:Not the same tune as either of the two Johns of Paris in Dave
\nN:Townsend’s English Dance Music, or the one in Kerr’s Merrie Melodies.
\nN:The ‘dim’s’ are written as the standard signs under the notes, each
\nN:relates to a group of three crochets
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\nV:1
\n[V:1]d | ded fed | efe gfe |\\
\n“^dim.”dfa “^dim.”dfa | gfg e2f |!
\n[V:2]z | D,F,A, D,F,A, | \\
\nC,E,A, C,E,A, | D,F,A, D,F,A, | A,,F,A, A,,E,A, |!
\n%
\n[V:1]ded fed | efe gfe | dfa gea | fea d2 ||!
\n[V:2]D,F,A, D,F,A, | C,E,A, D,F,A, | F,2D,B,2B,, | D,2F,D,2 ||!
\n%
\n[V:1]a | (age) afd | bgg aff | (age) afd | cec ABc |!
\n[V:2]z | D,E,A, D,F,A, | C,E,A, D,F,A, | C,E,A, D,F,A, | A,,E,A, A,,2 z |!
\n%
\n[V:1]dAf eAg |”_last 3 bars missing” efe gfe | dfa gea | fea d2 |]
\n[V:2][D,2D2]z [C,2C2] z | C,E,A, C,D,A, |\\
\nF,2D,B,2B,, | D,2F,D,2 |]<\/p>\n
X:19
\nT:Second Hornpipe. GS.019
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nN:Looks more like a strathspy to me. CGP.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:A major
\n“_No time sig. in ms.”a | e>dc>B A2 A>c | B2 B>c d>ef>a |\\
\ne>dc>B A2 A>c| E>FG>B A2A :|!
\na | e2 c>e A>ec>A | B2 B>c d>ef>a |\\
\ne2 c>e A>ec>A | B>EE>G A2 Aa |!
\ne2 c>e A>ec>A | B2 B>cd>ef>g | \\
\na>ee>d c>AA>c | B>EE>c A2 A |]<\/p>\n
X:20
\nT:Mother Goose or Grimaldi – fragment. GS.020
\nT:Grimaldi. GS.020
\nM:9\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Slip Jig
\nO:England
\nA:Leeds
\nN:Page 15, which presumably has the start of this tune, is missing.
\nN:There is a Mother Goose slip jig in the Tildsley MS but it’s not the
\nN:same.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:A major
\nAGA Bed cBA | BGE BGE EFG | ABc dBG A3 \ud83d\ude10<\/p>\n
X:21
\nT:La Bell Catherine. GS.021
\nT:Lady Belle Catherine,aka. GS.021
\nT:Shrewsbury Quarry,aka. GS.021
\nT:Come Let Us Sing And Dance,aka. GS.021
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Country-dance
\nO:England
\nA:Leeds
\nN:Occurs in the Thomas Hardy tunebook under ‘Selected tunes from ‘The
\nN:Entire and Compleat Tutor for the Violin’ by Geminiani (Hardy Family)
\nN:Collection’, alt. title ‘Come let us sing and Dance – and in Ironbridge
\nN:Hornpipe, recognisably the same tho’ different in detail, alt. title.
\nN:’Shrewsbury Quarry– Pa – pause, conventional sign used.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\nz|d2 (f\/2e\/2).d\/2.e\/2 | fddB | B2 (e\/2f\/2).e\/2.d\/2 | cA A2 |!
\nd2 (f\/2e\/2).d\/2.e\/2 |fd dB | Bedc | d2d :||!
\nA\/2G\/2 | FA AG | FA AG | FA (d\/2f\/2).e\/2.d\/2 | cA A (A\/2G\/2) |!
\nFA A (B\/2c\/2) | .d(f\/2d\/2) .c(e\/2c\/2) |\\
\n.d(f\/2e\/2) .f(e\/2d\/2) | Ha2 “D. Capo”A |]<\/p>\n
X:22
\nT:Dashing White Sargent. GS.022
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Scots Measure
\nO:England
\nA:Leeds
\nN:There is a very similar version in the Ironbridge Hornpipe (John Moore
\nN:of Shropshire MS), which lacks the F# and C#, has alternative title
\nN:’Highland Reel’
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:F major
\nAG | FEFG FGAB | c=Bcd c2ag | f2d2c2A2 | d2G2 G2AG |!
\nFEFG FGAB | c=Bcd c2a2 | g2f2e2d2 | c4c4 ||!
\nc=Bcd edeg | g^fge “^crs”c2c2 | d^cde fefg | agaf d2d2 |!
\ne4 f4 | g4 a4 | b2a2 agfe | gfed cBAB ||!
\nc2f2 fefg | f2c2 c4 | d2g2 g^fga | b2d2d4 |!
\nc2f2 fefg | a2f2 fefg | a4g4 | f4f2 |]<\/p>\n
X:23
\nT:Keel Row. GS.023
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Schottische?
\nO:England
\nA:Leeds
\nN:Title is what appears to be the letter ‘K’ only: ‘Keel Row’ written in
\nN:pencil in a more modern writing.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nB2 GB c2 Ac | B2 GB AF D2 | B2 GB c2 ec | BGAF G2G2 :|!
\n|:Bddg e2 dc | B2 GB AFED | Bddg e2 dc |1 BGAF G2 G2 :|2 dgfa g2g2 \ud83d\ude10<\/p>\n
X:24
\nT:Barbery Bell. GS.024
\nT:St. Patrick’s Day in the Morning,aka. GS.024
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:The last two bars are written out once and marked ‘bis’ with repeat
\nN:marks at
\nN:the beginning and end of the phrase and a line bracketing the bars
\nN:together.
\nN:Looks odd but works fine
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nD | GAG G2B | ded dBG | ABc B2G | EFE E2D |!
\nGAG G2B | ded dBG | ABc B2G | E2 F G2 :|!
\n|:e | def g2e | f2d e^cA | def g2e | f2d e2 c |!
\ndef gag | fed dfg | def gag | fed dfg \ud83d\ude10<\/p>\n
X:25
\nT:White Cockade,The. GS.025
\nM:C|
\nL:1\/8
\nQ:1\/2=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Scots Measure
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nGA | B2B2 cBAG | B2d2d2g2 | d2B2 cBAG | F2 A2A2 GA |!
\nB2B2 cBAG | B2d2g3a | bagf efge | d2 B2B2 :|!
\n|: Bc | d2B2g2B2 | d2d2d2 Bc | d2B2g2 fg | a2A2A2GA |!
\nB2B2 cBAG |B2d2g3a | bagf efge | d2 B2B2 \ud83d\ude10<\/p>\n
X:26
\nT:Lieber Augustine,aka. GS.026
\nM:3\/8
\nL:1\/16
\nQ:3\/8=50
\nS:George Spencer m\/s, Leeds,1831
\nR:.Waltz
\nO:England
\nA:Leeds
\nN:No Title in ms..I learnt this at school, as a song – ‘Ah my dearest
\nN:Augustine, all is
\nN:gone by’. It’s probably by someone famous.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G Major
\nd2dedc | B2G2G2 | A2D2D2 | B2G2G2 | d2dedc | !
\nB2G2G2 | A2D2D2 | G6 :: A2D2D2 | B2G2G2 |!
\nc2A2A2 | d2d2 Bc | d2dedc |B2G2G2 | A2D2D2 | G6 \ud83d\ude10<\/p>\n
X:27
\nT:Fairy Dance,The. GS.027
\nT:Largo’s Fairy Dance,aka. GS.027
\nM:2\/4
\nL:1\/8
\nQ:1\/2=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Reel
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D Major
\nf2(fd) | f2(fd) | f2 (fd) | (cA)(ec) | f2 (fd) | (gf)(ed) | (cA)(Bc) |\\
\nd2d2 :|!
\n|:a2(af) | b2b2 | gfge | a2a2 | f2 fd | gfed | cABc | d2 d2 \ud83d\ude10<\/p>\n
X:28
\nT:Lady of the Lake,The. GS.028
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:The pause is written over the double bar lin
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nBcA G2D | E2DG2D | BcA G2 E | Dddd2c |!
\nBcA G2D | E2DG2D | E2Dc2B | AGFHG2 :|!
\n|:c | B2 B BcA | B2c def | g2fe2d | dcB A2 c |!
\nB2B BcA | B2c def | gfe a2g | fge d2 c \ud83d\ude10<\/p>\n
X:29
\nT:House That Jack Bilt,The. GS.029
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:’George Spencer Book Leeds 1831′ written on stave at end..This tune
\nN:rings a bell somewhere.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:C Major
\nG | Ged c2B | ABc G2G | Gcc cBc | ^cdd d2G | Ged c2B | ABc G2G |!
\nAdc BAB | (d3c2) || d | dcB BAG | c2de2g | gfe fAd | (c3B2) d |!
\ndcB BAG | c2de2g| gfe fdB |(d3c2)|| G | e2c cBc | f2d d3 |!
\nded B2G | e3 c2 G | e2c cBc | f2d d3 | ded B2G | (d3c2) |]<\/p>\n
X:30
\nT:Rule Britannia. GS.030
\nM:4\/4
\nL:1\/8
\nQ:1\/4=90
\nC:Tune: Dr. Arne. Words: Thomson
\nS:George Spencer m\/s, Leeds,1831
\nR:.Air
\nO:England
\nA:Leeds
\nN:Differs slightly from a printed source (only one I have, 1916 Oxford
\nN:Song Book) – 5 phrases are slightly different, notes values in the OSB
\nN:are double these.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\nA2 | d2d2 (d\/2e\/2f\/2g\/2) ad | e2 {e\/2g\/2} g2f2 z A |\\
\n(d\/2e\/2d\/2e\/2) (f\/2g\/2f\/2g\/2) aefe | de\/2f\/2 ed c3 A |!
\ncAeA a^g\/2f\/2 e\/2d\/2c\/2B\/2 | A2″tr”B2A2z2 |\\
\ndd>A BGz d | a>ged c2 z d | a2g2 f\/2d\/2g\/2e\/2 ad |!
\nA2″tr”e2d4 | \\
\nf2 z f gg z f | g>fe>d c4 | a2g2 f\/2d\/2g\/2e\/2 ag | f2 “tr”e2 d2 |]<\/p>\n
X:31
\nT:Julia, a Quadrile. GS.031
\nM:2\/4
\nL:1\/16
\nQ:1\/4=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nN:conventional pause marks are written
\nN:above and below the final double ba
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:Bb
\nF2 | f=efg f_ecA | “crs”B2B2B2 (Bc) | d2(dc) B2d2 | BABe cdd=e |!
\nf=efg f_edc| B2B2B2 (Bc) | “crs”d2d2 cBcd | B2b2 B2 :|!
\n|: F2 | B2(Bc) d2(dc) | BAcA F2(FA)|B2(Bc) d2(dB) |BAcA F4 |!
\nfede fgab | fede fgab | fdBd cBcd | B2B2 HB2 \ud83d\ude10<\/p>\n
X:32
\nT:Collage Hornpipe. GS.032
\nT:Sailors Hornpipe,aka. GS.032
\nT:College Hornpipe,aka. GS.032
\nM:2\/2
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nN:Mr. Spencer was obviously having serious problems with his pen, as
\nN:many of the noteheads are large blots. 1 – This bar has five beats,
\nN:there are two low crochets D’s 2 – this note is given as low D in the
\nN:MS – and the bar is then
\nN:repeated identically, (giving 9 bars in the A music). – so one bar
\nN:has been omitted. There are several other changes that could be made –
\nN:eg. first two notes would usually be DC rather than GF – but where do
\nN:you stop?’GS’ written on the stave st the end.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D Major
\n(gf) | d2 D2 “1 see NB” DEFG | A2 d2d2 (cd) | e2 “2” E2 EFGA |!
\nB2 e2e2 (dc) | defg a2 gf |gfed c2 (BA) |\\
\n(Bd)(ce) (df)(eg) | f2 d2d2 :|!
\n|: (AG) | FA dA FA dA | B2G2G2 (BG) | GBdG GBdG |!
\nB2G2G2 (Bc) | defg a2 (gf) | fefd c2 (BA) | Bdce dfeg | BdFA G2G2G2 \ud83d\ude10<\/p>\n
X:33
\nT:Legacy,The. GS.033
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:This is very difficult to read, owing to Mr. Spencer’s
\nN:pen giving real problems and blotting everywhere.
\nN:A version, apparently identical, occurs as No. 76, which
\nN:has been used to reconstruct this
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:A major
\n“^p”A2A AEC | e2e ecA | A2 B cBc | F2 G A3 :|!
\n|: “^f” Ace a2a | (gf).e (fe).c | Ace a2a | (gf)e f2g |!
\na2a gec | f2f ecA | A2B cBc | F2GA3:|<\/p>\n
X:34
\nT:La Belle. GS.034
\nT:Davy Davy Knick Knack,aka. GS.034
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Country-dance
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nz|GFGA B2B2 | GFGA B2B2 | dcBc A2A2 | dcBc A2A2 |!
\nGFGA B2B2 | GFGA B2B2 | dcBc A2B2 | G6 :|!
\n|:Bc | dcBc B2B2 | {f}g4 d4 | dcBc A2A2 | dcBc A2A2 |!
\ndcBc B2d2 | {f}g4 d4 | dcBc A2B2 | G4 c2 \ud83d\ude10<\/p>\n
X:35
\nT:Balls Hornpipe(?). GS.035
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nN:Title looks like ‘Balbs’ Hornpipe.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nD2 | G2 BG A2 cA | B2 dB G2B2 | c2 ec B2 dB | ABAG GFED |!
\nG2 BG A2 cA | B2 dB c2 ec | cBAG D2f2 | g2 G2G2 :|!
\n|:z2| gfge edcB | dfge edcB | ca2 c Bg2 B | A2 BG GFED |!
\nG2 BG A2 cA | BcdB c2 ed | cBAG D2 f2 | g2G2G2 \ud83d\ude10<\/p>\n
X:36
\nT:Mony Musk. GS.036
\nT:Sir Archibald Grant of Monemusk’s Reel,aka. GS.036
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nC:Daniel (?Donald Dow) 1732 – 1783
\nS:George Spencer m\/s, Leeds,1831
\nR:.Reel
\nO:England
\nA:Leeds
\nN:Published first 1776. Republished and a little rewritten by the Gow’s
\nN:in the 1790’s as a strathspey. (‘Scottish Fiddlers and their Music’,
\nN:M.A. Alburger, Victor Gollancz Ltd, 1983
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:A major
\nf2 | eAcA eAdf | eAcA Bcdf | eAcA cdea | fdBe cA A2 :|!
\n|: g | aeca eac | aedc dbcg | aefa eaca | fdBe cA Ag |!
\naeca eaca | aedc dbBg | aefa daca| feBe cA A2|]<\/p>\n
X:37
\nT:La Fantase. GS.037
\nT:Sally Sloane’s.etc.aka. GS.037
\nT:Trip to Cottingham,aka. GS.037
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:F major
\n(c\/2A\/2) | FcA FcA | GcB GcB | Acg fef | agg g2 (c\/2A\/2) |!
\nFcA FcA | GcB GcB | Acg feg | fff f2 ||!
\nf\/2g\/2 | a3 f3 | aaa a3 | g3 e3 | fff f2 f\/2g\/2 |!
\na3f3 | aaa a3 | g3 e3 | fff f2||!
\nA\/2B\/2 | c3 BAB | c3 BAB | c2cf2a | agf edc |!
\nB3 AGA | B3 AGA | Bdc BAG | GFF F2 |]<\/p>\n
X:38
\nT:Stiam Boat,The. GS.038
\nT:Steam Boat,The. GS.038
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nN:See number 58 – which is identical.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nd2 | g2 bg d2 gd | B2 dB G2G2 | F2 AF D2 d2 | c2 B2 B2 d2 |!
\ng2 bg d2 gd| B2 dB G2 BG | FGAB cAGF | G2G2G2 :|!
\n|: Bc | d2 de dBGB | c2 cd cAFA | GABc defg | edcB A2 Bc |!
\nd2 de dBGB | c2 cd cAFA | Ggec BdFA | G2G2G2 \ud83d\ude10<\/p>\n
X:39
\nT:Come Haste to the Wedding. GS.039
\nT:Haste to the Wedding. GS.039
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nC:”get this off”
\nO:England
\nA:Leeds
\nN:The words “get this off” are written at the top of the music. An
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\nA | AFA Aaf | ede fdB | AFA AdF | EEE E2 A |!
\nAFG Aaf | ede fdB | AFG Aaf | dddd2 :|!
\n|:a | afa afa | bgb bgb | afb agf | eee e3 |!
\na3 f3 | ede fdB | AFA faf | ddd d2 \ud83d\ude10<\/p>\n
X:40
\nT:German Air. GS.040
\nT:Lieber Augustine,aka. GS.040
\nM:3\/8
\nL:1\/8
\nQ:3\/8=50
\nS:George Spencer m\/s, Leeds,1831
\nR:.Waltz
\nO:England
\nA:Leeds
\nN:Key signature is given as 3\/4 The top note of the chord at the end of
\nN:the A music is obscured by a blot, but see No. 76, to which this is
\nN:identical. Chords are shown as crochets in MS…I learnt this tune
\nN:when
\nN:I was seven, as a song, words something about’Ah, my dearest
\nN:Augustine,
\nN:all is gone by’. Probably composed..Cherri.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:Bb major
\n.f(f\/2g\/2)(f\/2e\/2) | (dB).B | .c.A.F | .d.B.F |\\
\n.f(f\/2g\/2)(f\/2e\/2) |.d.B.B |.c.A.F | [D3B3] :|!
\n|:.c.A.F | .d.B.G | .e.c.A | fdB | .f(f\/2g\/2)(f\/2e\/2)|\\
\ndBB | cAF | [D3B3] \ud83d\ude10<\/p>\n
X:41
\nT:Scots Over The Borders. GS.041
\nT:Carraroe,aka. GS.041
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:Carraroe,modern title from the playing of The Rakes.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\nD3 F2A | dfe d2 A | BcB B2 b | afd e2 f |!
\nD3 F2 A | dfe d2 A | BcB AFA| BdF E2D :|!
\n|:fga afd | bag f2 d | fga afd | fgf e2 d |!
\nfga afd | bag fed | dcB AFA | B{c}dF E2 D \ud83d\ude10<\/p>\n
X:42
\nT:Wind That Blows The Barley,The. GS.042
\nM:C|
\nL:1\/8
\nQ:1\/2=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Reel
\nO:England
\nA:Leeds
\nN:’George Spencer Book L’ written at end.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\nA3 B AFDF | B2BA B2d2 | A3 B AFDF | gfed B2 d2 :|!
\n|: f2 fd g2 ge | f2 fd cecA | f2 fd g2 ge | afed B2 d2 \ud83d\ude10<\/p>\n
X:43
\nT:Triumpt,The. GS.043
\nT:Triumph,The. GS.043
\nM:2\/2
\nL:1\/8
\nQ:1\/2=80
\nS:George Spencer m\/s, Leeds,1831
\nR:.Reel
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\ng | dBAG cAGF | Ggfe “cr”d3 g | dBAG cAGF | G2B2G2z2 :|!
\n|: A2c2B2d2 | A2c2 B2d2 | A2 A>c B2 B>d | dcBA G2 z2 :|!
\n|: B3 d dcBA | B3 d dcBA | B2cd efge | dcBA G2z2 \ud83d\ude10<\/p>\n
X:44
\nT:Rob Roy. GS.044
\nM:2\/2
\nL:1\/8
\nQ:1\/2=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Reel
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\nFD A2 FD A2 | FD GB AF E2 | FD A2 FD A2 |1 Bdce dcBA :|2 Bdce d2d2 |!
\n| cA aa fa ef | cA af fa df | bg b2 af a2 | ge fd ec BA |!
\nFA “tr”d2 BG “tr”G2 | Ee e2 cA A2 |\\
\nFA d2 GB eg | fd ec “qu’s”d2d2 \ud83d\ude10<\/p>\n
X:45
\nT:Cottage Dance. GS.045
\nT:Kitty O’Lynn,aka. GS.045
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:This tune also occurs as number 17, the marked note is different and
\nN:No.17 has no repeats.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:C major
\ne\/2d\/2 | BGG GEG | AFA G2 e\/2d\/2 | BGG GEG | f3 fed |!
\nBGG GEG | Ac”*”ea3 | gag gfe | d3 c2 :|!
\n|:efg a2g | efg a2 g | g2eg2e | ded fed |!
\nefg a2 g | efg a2g | g2eg2e | dcd c \ud83d\ude10<\/p>\n
X:46
\nT:Ecko Dance. GS.046
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:George Spencer m\/s, Leeds,1831
\nR:.Quadrille
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:F major
\nc | c=Bc AFc | cBc= BGc | c=Bc ^c2d | G2A AFc |!
\nc=Bc AFB | c=Bc BFc | c=Bc dBG | EFG F2 ||!
\nc | “qu”f2 f fef | a2ge2c | “qu”d2e ede | gfe f2c |!
\nf2f fef|a2ge2c | e2e ede | gfe f2 |]<\/p>\n
X:47
\nT:Reel, A. GS.047
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Reel
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\ndfaf dfaf | edef e2e2 | dfaf dfaf | BABc d2d2 :|!
\n|: A2AF G2GE | D2DF E2E2 | A2AF d2df | edef d2d2 \ud83d\ude10<\/p>\n
X:48
\nT:Swiss Boy. GS.048
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Country-dance
\nO:England
\nA:Leeds
\nN:A tune from an 18th century musical. Unfortunately I can’t
\nN:remember which one
\nN:Much blotted by a recalcitrant pen..Cherri.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:C major
\nEF | G2EF G2EF | G2ed c2cB | A2fe d2e2 | c4 c2EF | !
\nG2EF G2EF | G2ed c2G2 | G2fe d2e2 | “1”c4 c2 ||!
\nG2 | G2dc B2G2 | A2ed c2G2 | F2dc B2G2 | B2cd c2G2 |!
\nG2dc B2G2 | G2ed c2G2 | G2fe d2ed | c6 |]
\nW: 1 – this note is shown as a dotted crochet.<\/p>\n
X:49
\nT:Cottagers,The. GS.049
\nT:Trip to the Cottage,aka. GS.049
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:Title could be ‘The Cottagers’ – possibly it’s a version of ‘The Trip
\nN:to the Cottage’
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nd | dBB BGG | cAA AFF | DGG FAA | GBB ABc | !
\ndBB BGG | cAA AFD | DGG FAA | BGG G2 :|!
\nd | gfe d2 B | edc Bcd | ecA dBG | FAG FED |!
\ngfe d2 B | edc Bcd | efg fag | ge^c “DC”d2 |]<\/p>\n
X:50
\nT:Trip to LONDON, A. GS.050
\nT:Margaret’s Tune,aka. GS.050
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:Mr. Spencer was having trouble with his pen again but it is clear
\nN:from the context what is intended.. Cherri
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:Bb major
\nF | BcB bfd | c2c c2 d | ege dfd | c2 B AGF |!
\nBcB bfd | c2c c2 d | dcB FGA | B3 B,2:|!
\n|:z|fBB gBB | fBB eBB | dcB GAB | cdc AGF |!
\nfBB gBB | aff b2g | fed cBA | B3 B,2:|<\/p>\n
X:51
\nT:Mrs. McLeoad. GS.051
\nT:Miss or Mrs McLeod,aka. GS.051
\nM:2\/2
\nL:1\/8
\nQ:1\/2=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Reel
\nO:England
\nA:Leeds
\nN:This sounds as if it should be in A major with a G#, but it is in the
\nN:’pipe scale’
\nN:with G natural…’1831′ is written on the stave after the final double
\nN:bar..Cherri.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\nA2 a2 f>efa | c>cc>B c2 cB | A2a2 f>efa | B>BB>A B2 Bc |!
\nA2a2 f>efa |c>cc>B c2 ce | f>gfe f2 (ef\/2g\/2) | a2 ec B2 Bc :|!
\n|: A>Ac>A ecca | c>cc>Bc2 cB | A>Ac>A ecca | B>BB>A B2 Bc |!
\nA>Ac>A ecca | c>cc>B c2 ce | f>gfe f2 (ef\/2g\/2) | a2 ec B2 Bc \ud83d\ude10<\/p>\n
X:52
\nT:Speed the Plough. GS.052
\nM:2\/2
\nL:1\/8
\nQ:1\/2=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Reel
\nO:England
\nA:Leeds
\nN:The date 1831 is written at the end of the tune.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:A major
\nz|A2 Ac efec | efec eaec | dfdB cecA | GBBA GB B2 |!
\nA2 Ac efec | efec eaec | d2 dB c2cA | GBAG A2 A :|!
\n|: e | aaaA aAeA | aAgA fAeA | d2dB c2 cA | GBBA GBBd |!
\ncAce aece | fgaf ecAc | dfdB cecA | GBAG A2 A \ud83d\ude10<\/p>\n
X:53
\nT:Harlequin Hornpipe. GS.053
\nM:2\/2
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nN:’George Spencer Book Leeds 1831′ written at end
\nN:1 – this note is written as ‘D’, but by comparison with bar 5 and
\nN:because it makes more sense, here shown as ‘E’..Cherri.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:Bb major
\nFA | B2B2 (Bd)(c”1″e) | d2d2 (df)(eg) | fbag fedc | (BA)(cA) ecAF |!
\nB2B2 (Bd)(ce) | d2d2 dfeg | fbag fddc | B2B2B2 :|!
\n|: FE | DBFB DBFB | EBGB EBGB |ecAc ecAc | dBEB dBEB |!
\nDBFB DBFB | EBGB EBGB | ecAc ecAF | B2B2 HB2 \ud83d\ude10<\/p>\n
X:54
\nT:All on the Tongo Island. GS.054
\nT:King of the Cannnibal Islands,aka. GS.054
\nT:Nottingham Swing,aka. GS.054
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig,See Notes
\nO:England
\nA:Leeds
\nN:CGP.I have difficulty quite often in assigning a “Rhythm” to a tune,
\nN:and they end up as “miscellaneous” as in this case. The problem here is
\nN:that the tune is not used for a jig or a quadrille dance nowadays (if
\nN:ever) but is very strongly associated with the dance “Nottingham
\nN:Swing”,a hop-step dance usually done to Schottisches or Spotty
\nN:Hornpipes eg Keel Row, Nae guid Luck(!a 6\/8 tune).
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:C major
\nG | e2d c2 B | “qu”c2 A G2 E | (FE) F D2 F | E2FG2c |!
\nA2Fc2A | A2Fc2c |(Bc)d G2B | c3 H c2||!
\nd | e2ee2d | e2ee2d | e2ef2e | d2dd2B |!
\nc2cc2B | c2cc2B | c2 A d2 c | B2A G2 B ||!
\nccc (BA)G | A2Bc2B | ccc BAG | A2Bc2^c |!
\nd2^cd2c | d2d (de) ^f | g2G GAB | c3 c2 |]<\/p>\n
X:55
\nT:Recovery,The. GS.055
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Country-dance
\nO:England
\nA:Leeds
\nN:The figure 4 over an E is in the MS and is an instruction to use 4th
\nN:finger not an open string. Those in bars 2 and 10 are written in ink.
\nN:Those in bars 6 and 14 are possibly in pencil, certainly in a
\nN:different hand. . – written under note – ? diminuenda.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:C major
\n“_See note”.G.c.G.c | (d\/2c\/2d\/2)”4″e\/2 d2 | gfdB | ce G2 |!
\n.G.c.G.c | (d\/2c\/2d\/2″4″e\/2) d2 | (gf).d.B | c4 :||!
\ngfdB | c”4″e G2 | FF F\/2E\/2F\/2G\/2 | (F2E2) |!
\n(gf).d.B | c”4″e G2 | ff f\/2e\/2f\/2d\/2 | c4 |!
\nee\/2e\/2 ee |”>” e3 f | edcB | (A\/2B\/2c\/2d\/2 e2) |!
\ndd\/2d\/2 dd | d3 e | dcBA | G>A G\/2F\/2E\/2F\/2 |!
\nGcGc | (d\/c\/d\/e\/) d2 | (gf).d.B | ceG2 |!
\nGcGc | (d\/c\/d\/e\/)d2 | (gf).d.B| [E4c4] |]<\/p>\n
X:56
\nT:Young May Moon,The. GS.056
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:See notes to GS.05….. 1 – not totally clear what slurring is meant.
\nN:dynamics and pause are shown below stave not on top. 2\/1 shown in MS –
\nN:fingering for the double stop – 2 for C and 1 for E..Cherri.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:C major
\nG | “^p”c2c c2G | A2G G2G | c2c dcd | e2c cde |!
\nf2f e2e | dec B2G | “^1” (AG).F (EF).G | A2G G2 ||!
\n“^f”G | c2G c2G | A2G G2G | c2c dcd | e2c cde |!
\nf2f e2e | dec H B2G | AGF EFG | A2c “^2\/1″[E2c2] |]<\/p>\n
X:57
\nT:Sir Malcolm Gereams(?). GS.057
\nM:2\/4
\nL:1\/16
\nQ:1\/4=110
\nS:George Spencer m\/s, Leeds,1831
\nR:.Country-dance
\nO:England
\nA:Leeds
\nN:The change of time signature for the C music is not shown in ms.The
\nN:words ‘George Spencer, Leeds’ are written on the stave after the final
\nN:double bar..
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\n“_See note”D2DA, F2FD | A2AF d4 | A2A2 BAGF | AGFG E4 |!
\nD2DA, F2FD | A2AF d4 | cecA BdB^G | A2c2A2 z2 ||!
\ngfed “^cr”c2 ec | d2fd A4 | A2A2 A2Bc | dcde f4 |!
\ngfed c2ec | d2fd A2G2 | ^GABc edBG | A2c2A2 z2 ||!
\nM:3\/8
\nL:1\/8
\nQ:3\/8=110
\nf>ed | dcB | AFG | A2d | fed | dcd | eaa | a3 |!
\nf>ed | dcB | AFG | ABc |d2d | ede | fdc | d3 |]<\/p>\n
X:58
\nT:Stiam Boat,The. GS.058
\nT:Steam Boat,The. GS.058
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nN:See number 38 -this is identical
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nd2 | g2 bg d2 gd | B2 dB G2G2 | F2 AF D2 d2 | c2 B2 B2 d2 |!
\ng2 bg d2 gd| B2 dB G2 BG | FGAB cAGF | G2G2G2 :|!
\n|: Bc | d2 de dBGB | c2 cd cAFA | GABc defg | edcB A2 Bc |!
\nd2 de dBGB | c2 cd cAFA | Ggec BdFA | G2G2G2 \ud83d\ude10<\/p>\n
X:59
\nT:Smash the Windows. GS.059
\nT:Roaring Jelly,aka. GS.059
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:No repeat marks shown at end of B musi
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\n“_see note”D2FA2c | d2f ecA | G2GF2F | E2F GFE |!
\nD2FA2c | d2f ecA | (Bgf) edc | d3d2 :|!
\n|:f\/g\/ | a2fd2a | B2a (agf) | g2ec2e | A2g gfe |!
\nf2dg2e | a2fb2g | fed edc |d3d2 \ud83d\ude10<\/p>\n
X:60
\nT:Nancy Dawson. GS.60
\nM:6\/8
\nL:1\/8
\nQ:3\/8=130
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G Major
\nG2GG2B | d2BG2B | A2BA2B | A2G (FED) |!
\nG2GG2B |d2BG2B | A2GF2E | D3″^cr”D3 :|!
\n|: A2BA2B | A2G FED | B2cd2e | d2e (dBG) |!
\nc2Bc2d | e2f (gfe) | dcB AGF | G3″^cr”G3:|<\/p>\n
X:61
\nT:Roger’s Reel. GS.061
\nM:2\/2
\nL:1\/8
\nQ:1\/2=80
\nS:George Spencer m\/s, Leeds,1831
\nR:.Reel
\nO:England
\nA:Leeds
\nN:’Should auld acquaintance be forgot?” – or very nearly, also bits of
\nN:”Coming thro’ The Rye”.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\n“_No time sig. in ms”D | G2 G>B A>GAB |\\
\nG>GG>B d2 d>f | G2 G>B A>GA>B |\\
\nG>EE>D G2 G :|!
\ne | dBBG AGAe | dBBG B2 Be | dBBG AGAB | GEED G2 Ge |!
\ndBBG AGAe | dBBG B2 Bc | dgBg AGAB | GEED G2G |]<\/p>\n
X:62
\nT:Stable Call,The. GS.062
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:George Spencer m\/s, Leeds,1831
\nR:.Fanfare
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nG2GGGG | B2G2B2 | d2 dddd | d2B2d2 |!
\ng2gggg | g2d2B2 | G2 GGGG | G4 “1”d2 :|!
\n|:g2 gggg | g4 bg | a2 dddd | e6 |!
\na2 aaaa | a4 c’a | b2 gggg | g4 z2 |!
\nG2 GGGG | B2G2B2 | d2 dddd | d2B2d2 |!
\ng2 gggg | g2d2B2 | G2 GGGG | G4 \ud83d\ude10<\/p>\n
X:63
\nT:Over the Water to Charly. GS.063
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G Major
\nGBd dBd | ege dBG | GBd dBd | e3 “^cr”g3 |!
\nGBd dBd | ege dBG | gbg faf |e3 “^cr”g3 :|!
\n|:gbg faf | ege dBG | gbg faf | e3g3 |!
\ngbg faf | ege dBG | GBd dBd | e3 “^cr”g3 \ud83d\ude10<\/p>\n
X:64
\nT:Kenlock of Kenlock. GS.064
\nT:Kinloch of Kinloch,aka. GS.064
\nT:Blow the Wind Southerly,aka. GS.064
\nM:6\/8
\nL:1\/8
\nQ:3\/8=45
\nS:George Spencer m\/s, Leeds,1831
\nR:.Air
\nO:England
\nA:Leeds
\nN:1 This note is dotted and shouldn’t b
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\nf>ed AFA | BGB AFA | f>ed AFA | Bdc ” cr” d3 :|!
\n|: f2f e2e | ded cBA | f2f e2e | ca^g a3 |!
\n” 1″ b2b ” 1″a2a | gfg f3 | fed Bgb | a2c ” cr”d3 \ud83d\ude10<\/p>\n
X:65
\nT:Dr. Syntax or The Race horse. GS.065
\nT:Race Horse,The. GS.065
\nT:Rose,The. GS.065
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nC:would suit flute?Rose,The.
\nS:George Spencer m\/s, Leeds,1831
\nR:.March
\nO:England
\nA:Leeds
\nN:Of Syntax? Dr. Syntax?, and by the side in different writing, ‘the
\nN:Rose’
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:Bb major
\nF | B3 (dcB) | fdB BAB | cAF FGB | BDE FGA |!
\nB3 dcB | fec BAB | cAF FGA | Bdf b2 “_or d in ms” c :|!
\n|:BDF BDF | dDF BDF | dDF BDF | cEF AGF |!
\nBDF BDF | dDF BDF | cFA AEF | BDF B2 ||!
\nf | fed fed | bag fed | bag fed | dcc edc |!
\nfed fed | bag fed | fgf edc | Bgf ed”^D Capo”c |]<\/p>\n
X:66
\nT:Allexander. GS.066
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:George Spencer m\/s, Leeds,1831
\nR:.March
\nO:England
\nA:Leeds
\nN:Another for the flute. – The letters G.S.L. are written on the stave
\nN:after the final double bar.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nc | BcB d2d | cBA B2 A | GFG BAG | BAG F2 D |!
\nBcB d2 d | cBA B2 A | GFG BAG | ” 1″ AEF G2 :|!
\n|:z|ABA AFd | Afd eaf | gec dAF | AGE E2 A |!
\nABA AFd | Afd Aaf | ge” 2″c dAF | GE^C D2 :|!
\n|:B | cdc aca | BcB bBb | cdc aca | dgf g2 B |!
\ncdc aca | BcB bBb | cdc aca | dgf g2 \ud83d\ude10<\/p>\n
X:67
\nT:Sicilian Dance,The. GS.067
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:The date 1831 is written on the stave after the final double bar line.
\nC:”1831″
\nZ:vmp.Cherri Graebe
\nK:F Major
\nF>GF AGF | c2cc2B | ABa c2B | A2GF2C |!
\nFGF AGF | c2cc2f | e>fe dc=B | c3c3 :|!
\n|g2 c b2a | gfe fef | g2c b2a | gfe f2c |!
\ndbb caa | Bgg f2A | BAG c2 E |F3 F3 |!
\n|A3 GFG | F2F FAc | c3 BAB | A2A A2f |!
\n(f2e) (e2d) | (d2c) (c2B) | ABc cBA| (A3G2) z ||!
\n(f3f)d=B | c2cc3 | (b3b)ge | f2ff2c |!
\ndbb caa | Bgg f2A | BAG c2E | F3F2 |]<\/p>\n
X:68
\nT:Salors (Salours) hornpipe. GS.068
\nT:Fisher’s Hp,aka. GS.068
\nT:Egg Hp,aka. GS.068
\nM:2\/2
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nN:The title is given twice, in what may be different but similar
\nN:handwritings, 1st time ‘Salors’ 2nd time ‘Salours’ no repeats shown at
\nN:end of 1st section.. 1 – this bar badly blotted and unclear but see bar
\nN:3 of this part.See GS.103 Morning Fair Hp…G.S.L. and what appears
\nN:to be 1881 not1831 written after double bar
\nN:on the stave – but it could be a badly written 1831..Cherri.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\n“_No time sig. in ms”
\nA | dAFA GBAG | FDFD GBAG | FDFD GEGE | FDFD E2 (3ABc |!
\ndAFA GBAG | FDFD GBAG |FAcd fdec | d2d2d2 ||!
\n(Bd) | “^1” ecAc efgf |fdAd fgaf | ecAc efgf | edcB A2A2 |!
\nBGDG BcdB | AFDF ABcA | BdcB AGFE | D2D2D2 |]<\/p>\n
X:69
\nT:Waterloo Bridge. GS.069
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Quadrille
\nO:England
\nA:Leeds
\nN:The first note should be omitted when repeating the tune. No repeat
\nN:marks are given. Da Capo is written in the margin at the end of the
\nN:line.1831 is written on the stave after the final double bar.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:C major
\n“_see note”C | E2 E FDF | Ged cBA | G2 E G2 E | GFE DEF |!
\nE2 E FEF | Ged cBA | G2EG2E | FDB, C2 ||!
\nG | c2c cBc | d2 G GFG | d2 d dcd | e2 c c2G |!
\nEGc cBc | FAd dcd | egf edc | BAG FE”^Da Capo”D |]<\/p>\n
X:70
\nT:Molly put the Kettle on. GS.070
\nT:Polly put the Kettle on,aka. GS.070
\nM:2\/4
\nL:1\/8
\nQ:1\/2=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Reel
\nO:England
\nA:Leeds
\nN:The date 1831 is written on the stave after the last double bar line.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\nabag | fd d2 | Beed | cAA2 | abag |!
\nfd d2 | Bedc | d2d2 :: fd ge | fd ge | !
\nBeed | cA A2 | fd ge | fd ge | Be dc | d2d2 \ud83d\ude10<\/p>\n
X:71
\nT:Kirgate Hornpipe. GS.071
\nT:Kirkgate Hornpipe. GS.071
\nT:New Castle Hornpipe,aka. GS.071
\nM:2\/2
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nN:Kirkgate is the main street in Leeds,as elsewhere
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\ngd | B2B2 BcAF | G2G2 B2 Bc | dBdB edcB | cBAG FAFD |!
\nB2B2 Bd^ce | d2d2d2 AG | FAFD EGE^C | D2D2D2 :|!
\n|: AB | c2c2c2 AB | cBAG F2D2 | d2d2d2 ef | gfed cBAG |!
\ne2e2 egfg | d2d2 dgfg | dBec BAGF | G2G2G2:|<\/p>\n
X:72
\nT:Calder Fair. GS.072
\nT:Cawdor Fair,aka. GS.072
\nT:Sing a Song of Sixpence,aka. GS.072
\nM:2\/2
\nL:1\/8
\nQ:1\/2=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Reel
\nO:England
\nA:Leeds
\nN:Some sort of relative of “Sing a song of sixpence”?
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\ndcBA (Bd) F2 | G2 AF A2A2 | dcBA Bd F2 | EDFA B2B2 :|!
\n|:Addd d2d2 | Beee e2 de | fedc dcBA | Bdce d2d2 \ud83d\ude10<\/p>\n
X:73
\nT:Diviels Dream,The. GS.073
\nT:Devil’s Dream,The. GS.073
\nT:Devil Among the Tailors. GS.073
\nM:4\/4
\nL:1\/8
\nQ:1\/2=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Reel
\nO:England
\nA:Leeds
\nN:Can any conclusions be drawn from the phonetic spelling of
\nN:’Devil’?Northumbrian accent?
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:A major
\ne2 | eaga eaga | eaga fedc | dfBf dfBf | dfBf fedc |!
\neaga eaga | eaga fedc | agfe dcBA | E2G2A2 :|!
\n|: e2 | ceAe ceAe | ceAa fedc | dfBf dfBf | dfBf gfed |!
\nceAe ceAe | ceAe fedc | agfe dcBA | E2G2A2 \ud83d\ude10<\/p>\n
X:74
\nT:Legacy,The. GS.074
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:The date ‘1831’ is written on the stave after the last double bar
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:A major
\n“^p”A2A AEC | e2e ecA | A2 B cBc | F2 G A3 :|!
\n|: “^f” Ace a2a | (gf).e (fe).c | Ace a2a | (gf)e f2g |!
\na2a gec | f2f ecA | A2B cBc | F2GA3:|<\/p>\n
X:75
\nT:Tank,The. GS.075
\nM:2\/4
\nL:1\/8
\nQ:1\/2=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Country-dance
\nO:England
\nA:Leeds
\nN:”1″ The chord at the end of the A music has a vertical curved line,
\nN:like a vertical slur n front of it…’1831′ is written on the stave
\nN:after the last double bar.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:Bb major
\nB2b2 | G2g2 | (fd).c.B | (ec).B.A | .d.e f2 |!
\n.e.f.g2 | fga2 | “1”[B4b4]::d2dd | f3 d |!
\n(ge) (ec) (cA) (AF) | d2 de | f3 b | gecA | [D4B4]:|<\/p>\n
X:76
\nT:German Air. GS.076
\nT:Lieber Augustine. GS.076
\nM:3\/8
\nL:1\/8
\nQ:3\/8=50
\nS:George Spencer m\/s, Leeds,1831
\nR:.Waltz
\nO:England
\nA:Leeds
\nN:See also number 40 – almost identica 1\/0 – fingering given in MS – B
\nN:is first finger , D is open string.. 1 – this note is G in No. 40
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:Bb major
\n.f(f\/2g\/2)(f\/2e\/2) | (fB).B | .c.A.F | .d.B.F | .f(f\/2g\/2)(f\/2e\/2) |!
\n.d.B.B | .c.A.F | “1\/0″[D3B3] ::cAF | dB”1″F |!
\necA | fdB | .f(f\/g\/)(f\/e\/) | dBB | cAF | [D3B3] \ud83d\ude10<\/p>\n
X:77
\nT:Quizes,The. GS.077
\nM:2\/4
\nL:1\/16
\nQ:1\/4=80
\nS:George Spencer m\/s, Leeds,1831
\nR:.Country-dance
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nd2 | BcBA G2G2 | FGFE D2D2 | G2G2A2A2 | B2d4d2 |!
\nBcBA G2G2 | FGFE D2D2| G2G2B2B2 | G6 :|!
\n|:d2 | dcBA GABc | d2g2 d4 | dcBA GABc | defg d2ef |!
\ngfed edcB | cBAG F2D2 | G2G2 ABcA | G2F2 G4 \ud83d\ude10<\/p>\n
X:78
\nT:Muses,The. GS.078
\nT:Three Meet,aka. GS.078
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:Where ‘$’ is shown above the stave this represents the ‘$’ as in D.S.
\nN:- dal segno. They are actually above and below the first bar line and
\nN:the double bar at the start of the minor section, which also has a D.C
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:F major
\n“_No time sig.in ms”.
\nc\/2B\/2 | “^$” Acf Acf | {e}dcd g2f | ede cde | (fef) a2 (c\/2B\/2) |!
\nAcf Acf |{e}dcd g2f | ede cde | fag f2 :|!
\nc | A2cG2c | {G}FEF E2c | A2cG2c | {c}=BAB cde |!
\n(f3a2)c | {e}(dcd) (f2^f) | {a}(g^fg) bag | =fed cdB”^DC” ||!
\n“^$ Minore” A | {e}d^cd dcd | fab a2f | egf ed^c | d2fA2A |!
\n{e}d^cd {e}dcd | g^fg bag | fed ed^c | dAf “^D. Capo”d2 |]<\/p>\n
X:79
\nT:La Lodoiska. GS.079
\nM:2\/4
\nL:1\/16
\nQ:1\/4=70
\nC:Rodolphe Kreutzer
\nS:George Spencer m\/s, Leeds,1831
\nR:.Country-dance
\nO:tEngland
\nA:Leeds
\nN:Part of ‘The Lancers Quadrille’\/ cont.. ‘1831’ written on the stave
\nN:after the last double bar.. Grace note ‘E’s’ in the C music are
\nN:naturals.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:Bb major
\n“^p”F2 | “_See note” B>BB>B B2B2 | B3F G>AB>c |\\
\n“cres”d>dd>d d2d2 | d3A B>cd>e |!
\n“^f”f>ff>f f2b2 | f>ed>e f2b2 | f2de gfed | d4c2 ||!
\n“^p”F2 | B2B2 {B}AGAF | B2B2 {B} AGAF | B2BA edcB |\\
\nA>Bc>d c>FG>A |!
\nB2B2 {B} A>GA>F |B2B2 {B} A>GA>F | B2Bd ceAc | B6 ||!
\nB2 | A2{=e}f2{e}f2{e}f2 | f>ed>c B>cd>B | A>BG>A F>GA>F |\\
\nB>AB>c d>cd>B | !
\nA>FA>c {=e} f2f2 | fedc B2{a}b2 | B2{a}b2 f>ed>c | B4b4 |]<\/p>\n
X:80
\nT:Flying Boy,The. GS.080
\nT:Cats in the Village,aka. GS.080
\nM:6\/8
\nL:1\/8
\nQ:120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:Hmm..
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major\/2c\/2 | “p”d2d (e2d) | B2B (d2c) | A2A AGA | (B3 G2) B\/2c\/2 |!
\nd2d e2d | B2B d2c | A2A AGF | (G3G2) ||!
\n“^f”g | f2d def | (g3d2)B | (ce).c (Bd).B | AFD D2g |!
\nf2d def | (g3e2) g| fga gfe | (d3d2) “^p” B\/2c\/2 | !
\nd2d (e2d) | B2B (d2c) | A2A AGA | (B3G2) B\/2c\/2 |!
\nd2d (e2d) | B2B d2c | A2A AGF | (G3G2) ||!
\n“^Minor” B | e2e g2g | fef B2B | c2AF2B | (G3E2) B |!
\ne2eg2g | fef B2B |c2AF2B | “(Da Capo” (E3E2) |]<\/p>\n
X:81
\nT:Life Let Us Cherish. GS.081
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nB3 cBc | (d2g) g2z | G3 AGA | BdB A3 |!
\nB3{d} cBc | (d2g) {ga} g2 z |\\
\nB3 {B} AGA | H(G3″Fine”G2) :||!
\nd | d2B ABc | d2B G2d | d2B ABc | {Bc} d2BG2d |!
\ne2c g2e | d2B g2d | d>ed dcB | “D.C.”(B3 A2) |]<\/p>\n
X:82
\nT:Austrian Charge,The. GS.082
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:The words ‘the end’ are written twice in the margin at the end of the
\nN:tune
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:A major
\nAce Adf | Ade cea | fed cBA | GBA GFE |!
\nAce Bde | cea dfa | edc BAG | A3 A3 :|!
\n|: GBd Eed | ced cBA | GBe Eed | cd^d e3 |!
\naec afd | aed cBA | Bdc BAG | A3 A,3 |]<\/p>\n
X:83
\nT:Do so In a Meraca (America). GS.083
\nT:East Neuk o’ Fife,aka. GS.083
\nM:2\/2
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Scots Measure
\nO:England
\nA:Leeds
\nN:”America” is in a different handwriting. “G.S.L. 1831” is written on
\nN:the stave after the last double bar
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:E minor
\nD | G2G2G2 Ac | dBdG dBdG | A2A2A2 gf | efge dBGB |!
\ndcBA GABc | dBGB d2 B2 | ABcA BcAB | G2 E2E2 :|!
\n|:dc | B2G2G2 dc | BcAB G2 ed | c2A2A2 ed | cdBc A2 dc |!
\nBGFG DGEG | DGFG d2B2 | ABcA BcAB | G2E2E2 :|!
\n|: ef | gfgd BcdB | gfgd BcdB | agae ^cdec | agae ^cdec |!
\ngfgd BcdB | efge dBGB | ABcA dcBA | G2E2E2 :|!
\n|:gf | egdg B[cg]d[Bg] |egdg Bgdg | eaca Aaca |eaca Aaca |!
\negdg Bgdg | efge dBGB | ABcA dcBA | G2E2E2 \ud83d\ude10<\/p>\n
X:84
\nT:French Air. GS.084
\nM:2\/4
\nL:1\/8
\nQ:1\/2=60
\nS:George Spencer m\/s, Leeds,1831
\nR:.Air
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:C major
\nG | (c>B c)>d | .e>(e g)e | {e}(d^cde) | .c(a\/2g\/2) (^f\/g\/)(=f\/d\/) |!
\n(c>B c)d | e>(e gf\/2e\/2) | {e}d^cd{f}e | =c3 g |!
\n(g>B) .B(c\/2d\/2) | (d>c) .c(A | G).c (c{(dcBc)}d\/2).e\/2 | (^c2 d) G |!
\n(=c>B c) .d | eg Hg {g^fag}{( gf)} e | (d>cd).e | c2 z .G |!
\n(c>Bc)>(d | e)>(eg)(e | d)>(dg>).g | (gc)c |]<\/p>\n
X:85
\nT:Le Petit Tambour. GS.085
\nT:Grand Old Duke of York,aka. GS.085
\nM:2\/2
\nL:1\/8
\nQ:1\/2=75
\nS:George Spencer m\/s, Leeds,1831
\nR:.March
\nO:England
\nA:Leeds
\nN:Bears a resemblance to a Cornish song called ‘Trelawney’. 4 – written
\nN:in MS – this refers to use of the 4th finger for E. The triplets are
\nN:shown with the number inside the slur, which may mean, slur the notes
\nN:or merely that these three notes are a triplet.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:C major
\n(e>d) | .c2.G2.E2G2 | c2 c>c c3 (B>c) | d2d2d2d2 | (d3ed2) G2 |!
\ne2e2e2e2 | e2 (fe) d2 (ed) | c2c2 BcdB | c4 z2 || !
\n(cB) | .A2(A2B2c2) | (d3cB2) cB | .A2(A2B2c2) | d3cB2 cB |!
\n.A2 (A2B2c2) | ((3d^cd) (3(^fed) (3(=cBc) “4”((3edc) |\\
\n(3(BAB) (3(dcB) (3(A^GA) (3(cBA) | G6 G2 |!
\nc2 c>c c2c2 | c4 z2 G2 | .c2.g2.e2.c2 | .G2.G2z2.G2 |!
\nc2 c>c c2c2 | c6 (d>”4″e) | “4”(ed).c.B (dc).B.A | G6 (ed) | !
\nc2G2E2G2 | c2 c>c c2 B>c | d2 d>d d2d2 | (d3ed2) (G2 |!
\ne2)e2e2e2 | (3(e^de) (3(gfe) (3(=dcd) (3(fed) |\\
\n(3(cBc) “4”(3(edc) (3(BAB) (3(dcB) | c2c>c c2 |]<\/p>\n
X:86
\nT:Di Tanti Palpite. GS.086
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Air
\nO:England
\nA:Leeds
\nN:<> – drawn as a joined diamond shape under the note, but means
\nN:crescendo and diminuendo?
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\n.B4 .B2B2 | {c} B>AB>c d4 | (3(cdc) (3(BcB) .A2.d2 | \\
\n(3(BcB) (3(ABA) G2D2 |!
\nB4 B2B2 | {c} B>AA>c d4 | (3(cdc) (3(BcB) A2{e2}d2 | G4 z4 |!
\nA4(^GAc).A | (F4D4) | .G4 (B2d2) | G2(cB) .A4 |!
\nA4 (^GAc)A | F4D4 | G4 (B2d2) | “<>”A8 | (B4B2B2) |!
\n(A\/2B\/2A\/2^G\/2 A\/2B\/2c\/2d\/2 e\/2f\/2=g\/2^d\/2 e\/2B\/2c\/2A\/2) |\\
\nG4 B2A2 |G4 z4 | [D4B4g4]z4 | g8 |]<\/p>\n
X:87
\nT:Carnival de Venices. GS.087
\nT:When Daylight Shines,aka. GS.087
\nT:Uncle Jim’s Jig(Bob Cann’s),aka. GS.087
\nM:6\/8
\nL:1\/8
\nQ:3\/8=80
\nS:George Spencer m\/s, Leeds,1831
\nR:.Air
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\n.a | (b2a)(g2f) | (a2ge2).e | (f2g) (b2a) | f3 d2 a |!
\nb2 a (ag).f | (a2ge2).e | (f2g)(b2a) | d3 d2 :|!
\n|: .a | (ag).f (fe).d |(c2e) (b2a) | (^g2a)(=g2a) | (f3 d2) .a |!
\n(ag).f (fe).d | (c2e) (b2a) |(^g2a) (=g2e) | d3d2:|<\/p>\n
X:88
\nT:Huntsman’s Chorus in Dr. Freyschutz. GS.088
\nT:Der Freisch\u00fctz,aka. GS.088
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nC:C.M. von Weber
\nS:George Spencer m\/s, Leeds,1831
\nR:.Air
\nO:England
\nA:Leeds
\nN:There is a squiggle under the minim chord which could be meant as a
\nN:crescendo and diminuendo.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\n“_1st time piano, 2nd time forte”A2 | d4 (defg) | (a4 f2) .f2 |\\
\n[A2e2][A2a2][A2e2][A2a2] | (fgfe) .d2.A2 |!
\nd4 (defg) | (a4f2).f2 | e2a2c’2b2 | a2a2a2 :|!
\n|: e2 | f4 f2f2 |d4 d2d2 | g4 g2g2 | e4 e2e2 |!
\nf4 f2f2 | d4 d2d2 | g4 g2g2 | H d6 e2 |!
\nf4 f2f2 | (a2g2) f4 | e2e2 (fede) | (f4 d2) A2 |!
\nf4 f2f2 | (a2g2) f4 | (gede) f2e2 | d4 z2 A2 |!
\nA2AA A2AA | A2AA A2AA | d4A2f2 | d4 A2f2 |!
\n(ag).e2 (ag).e2 | (ag).e2 (ag).e2 | d4 A2f2 | d4 A2f2 | !
\n(ag).e2 (ag).e2 | (ag).e2 (ag).e2 | .f2(df a4) | .f2(df a4) | !
\nf2dd d2d2| H[c8e8] | d4 A2f2 | d4 A2f2 |!
\n(ag).e2 (ag).e2 | (ag).e2 (ag).e2| d4 A2f2 | d4 A2f2 |!
\n(ag).e2 (ag).e2 | (ag).e2 (ag).e2 | f2df a4 | f2dfa4 |\\
\nf2dd d2d2 | d12|]<\/p>\n
X:89
\nT:Hornpipe,A. GS.089
\nM:2\/2
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nN:”$” = the usual S with a line through it for repeat from here. The
\nN:second $ is written over the double bar. The first full bar has a line
\nN:over it and the word ‘biss’ – the first ‘s’ written as an old-style
\nN:long ‘s’ This (I assume!) is ‘bis’ – twice, so I have written the bar
\nN:out twice. The bar also has repeat marks at the end. As written the
\nN:music has 8 bars A music and (with repeats) 16 bars B music.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\n:”$” (3(ABc) | dcdc dfaf | dcdc dfaf | dfba gfed |1 cdBc ABcA :|\\
\n|2 “$” cdec d2 |!
\n|:fg | afaf bagf | gfgb agfe | fdef gfed | cdBc A3A |!
\ndefd BcdB | efge cd”?”ec | agba gfed | d2d2d2 \ud83d\ude10<\/p>\n
X:90
\nT:Chalmers’ Hornpipe. GS.090
\nM:2\/2
\nL:1\/8
\nQ:1\/2=80
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nN:” “1” This note has a natural written over it, above the stave The
\nN:slur joins only the ‘F’ and the grace notes, but ABC2win doesn’t like
\nN:that. “2” – grace note (semiquaver) is slurred with the following
\nN:note “3” impossible to show as written! Main note has a “~” over it –
\nN:the sign for a turn which is also correctly written out in terms of
\nN:pitch – the ‘B’ is shown as a normal sized note, the others as
\nN:grace-note size. “4” -” ~” and sign for natural shown vertically
\nN:underneath it, so it’s a turn with an E natural and won’t play quite
\nN:right here. The final pause is written above the double bar. Fine is
\nN:written below it.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:Bb major
\nF | BAcA Bdfd | c=BdB cege |.dbfd .cgec | AecA “1”(F{GF=EF}) GA |!
\n“2”{c}BAcA Bdgd | “2”{d}c=BdB cege | .dbfd .cgec | .AecA B2 :|!
\n|: “3 ~”(c\/4B\/4A\/4B\/4) | cfef cfef | df=ef bfdB | cfef cfef |\\
\ndfga bfdB |!
\ngfed e=Bcg | fedc dA_Bf | efde cdBd | ABGA ” nat 4″ ~F2 GA |!
\nBAcA Bdfd | c=BdB cege | .dbfd .cgec |.AecA ” nat 4″ ~F2 GA |!
\n“2”{c}BAcA Bdfd | “2”{d}c=BdB cege |.dbfd .cgec |\\
\n.AecA H”Fine”B2:|<\/p>\n
X:91
\nT:Lassells Hornpipe. GS.091
\nT:Trumpet Hornpipe,aka. GS.091
\nM:2\/2
\nL:1\/8
\nQ:1\/2=80
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nGG G2 GG G2 | BGBd gdBG | DD D2 DD D2 | FDFA cAFD|!
\nGG G2 GG G2 | BGBd gdBG | gbag fed^c | d2d2d2z2 :|!
\n|: dd d2 dd d2 | gaba gfed | edef gdcB | ABcG FEDC |!
\nB,GDG EGDG | B,GDG EGDG | cedc BAGF | G2G2G2z2 \ud83d\ude10<\/p>\n
X:92
\nT:Shuters Hornpipe. GS.092
\nM:2\/2
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:A major
\n(EF\/2G\/2) | A2A2A2 cd | ecdB ABcA |[E2B2][E2B2][E2B2] fe |\\
\ndcBA GBGE |!
\nA2A2A2 cd |ecdB A2 a2 | gbge fafd | e2 ee e2 ||!
\nGA | B2B2B2 cd | ecBA GBGE |\\
\ne2e2e2 fg | afed ce”^BG in ms”cA |!
\nf2d2 dfaf | e2c2 ceae | fdec dBAG | A2 AA A2|]<\/p>\n
X:93
\nT:Butchers Hornpipe. GS.093
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nDB, | G,B,DB, G,B,DB, | G,2 G2G2 AF | DFAF DFAF |\\
\nD2 d2 d2 (cB) |!
\ncdec cdec | ABcd efga | fdec dBAG | D2 G2 G2 :|!
\n|:Bc | dBGB dBGB | ecAc ecAc | gfed egag |\\
\nf2 d2 d2 (cB) |!
\ncdec cdec | ABcd efga | fdec dBAG | D2 G2G2 \ud83d\ude10<\/p>\n
X:94
\nT:Blickling Races. GS.094
\nT:Timour The Tartar,aka. GS.094
\nT:Blanchard Races,aka. GS.094
\nM:2\/2
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Reel
\nO:England
\nA:Leeds
\nN:Blickling in Norfolk? Though someone has written ‘Brickling Races’,
\nN:probably in pencil. George Spencer Leeds is written on the stave at
\nN:the end of the tune. Pause is the conventional sign, written over the
\nN:first double bar. DC is written after the second double bar on the
\nN:stave..
\nK:A major
\nA2 (c\/2B\/2A) eAcA | eAaA gAfA | eA (c\/2B\/2A) eAcA | BEcE dEcE |!
\nA2 (c\/2B\/2A) eAcA |eAaA gAfA | efed caec | BABc A2HA2 || !
\nG2 (G\/2F\/2E) BEGE | BEdE cEBE |\\
\nA2 (c\/2B\/2A) eAcA | eAfA eAcA |!
\neA (c\/2B\/2A) aAfA | eA (c\/2B\/2A) aAfA|\\
\necfe dcBA | GABA GEF”^DC”G |]<\/p>\n
X:95
\nT:Earl Cathcart. GS.095
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:I think what is meant with the repeats is that the 1st bar is played
\nN:first time through, but after that the last bar replaced the first bar
\nN:$ = conventional
\nN:dal segno sign… + is , yes, a cross. The first bar line, shown here
\nN:as double with repeat marks, is single in the MS, but ABC2win wants it
\nN:double. It can’t cope with ungrammatical music. DC is written below
\nN:the stave and the pause
\nN:is written over the double bar.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G Major
\n“+” DGB d2d |: “$” dcB A2 c | BGd cAe | G3F2D |!
\nDGB d2d | dcB A2 c | cBA BAF | A3HG2 :|!
\n|: d | def g2g | gfe d2d |ecB Ace | G3F2A | GB^c def |!
\nB3 g2g | fed ^cde | dec def “^DC”|| “+” gdB GB”$”d |]<\/p>\n
X:96
\nT:Non my Ricordo. GS.096
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nGAG B2d | GAG d2 e | dBG GFG | ABG FED |!
\nGAG B2 d | GAG B2 e | dgf fed| ed^c “^cr”d3 :|!
\n|:ded dbd | cdc cac | BcB BgB | A2G FED |!
\nG2 A B2 c | def g2 e | edB dcA| A3 “^cr”G3 \ud83d\ude10<\/p>\n
X:97
\nT:York Winter Assemblies. GS.097
\nM:2\/4
\nL:1\/8
\nQ:1\/2=80
\nS:George Spencer m\/s, Leeds,1831
\nR:.Country-dance
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D Major
\nD | DFAd | A2 BA | A\/2G\/2F\/2E\/2 DA, | EDDA, |!
\nDFAd | A2 BA | A\/2G\/2F\/2E\/2 DC | E2 D ||!
\nA |d2 AA | f2dd | c\/2d\/2e\/2f\/2 gf | f2 eA |!
\nd2 AA | f2 dd |c\/2d\/2\/e\/2f\/2 gc | e2d ||!
\nA | A2 GF | d2cB | AGFE | D\/2C\/2D\/2E\/2 DF |!
\nA2 GF | d2 cB | AGFE | DFD |]<\/p>\n
X:98
\nT:Warterloo Dance,The. GS.098
\nT:Waterloo Dance,The. GS.098
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Country-dance
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\n“qu”A\/G\/ | FdAd | f>e dd | e2 d\/c\/B\/A\/ | dfA A\/G\/ |!
\nFdAd | f>e dd | e2 d\/c\/B\/A\/ | dfd |!
\n| c\/d\/ |ecaf | e\/^d\/e\/c\/ AA | ^G\/A\/B\/c\/ de | d2 c c\/d\/ |!
\necaf | e\/^d\/e\/c\/ AA | ^G\/A\/B\/c\/ dA | AcA |!
\n|f\/g\/ | a3 f | bagf | edef | defa |!
\na3f | bagf | edef | dfd |]<\/p>\n
X:99
\nT:Vauxalls Hornpipe. GS.099
\nT:Sadler’s Wells Hornpipe,aka. GS.099
\nM:2\/2
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nBA | G2G,2 GcBA | BdBG F2 ED | CDEC B,CDB, | A,2A2A2 BA |!
\nG2G2GcBA |BdBG F2 ED | c2 BA BGAF | G2G2G2 :|!
\n|: d2 | g2d2 ecBA | BdBG F2 ED | cdec BdBG | F2A2A2d2 |!
\ng2d2 ecBA | BdBG F2 ED | c2 BA BGAF | G2G2G2 \ud83d\ude10<\/p>\n
X:100
\nT:No Luck About the House. GS.100
\nT:Nae Guid Luck Aboot etc,aka. GS.100
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nS:George Spencer m\/s, Leeds,1831
\nR:.Schottische
\nO:England
\nA:Leeds
\nN:See my comments in GS.054, Unfortunately Mr. Spencer was having
\nN:serious problems with his pen, but the combination of well-known tune
\nN:and very luckily spaced blots means it is legible.Cherri.. P.S.
\nN:Cherri, I think he was closing the
\nN:book before the ink was dry,. Chris P.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nd | g>fdB c>def | g>edB A2 AB | g>edB c>def | d>cBA G2G :|!
\n|:A | B2 BG c2 cA | B2 BG A2Ac | B2BG c>def | dcBA G2 G \ud83d\ude10<\/p>\n
X:101
\nT:Cambells Are Coming. GS.101
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G Major
\nGBe dBG | BcB B2 A | GBe dBG | ABA A2B |!
\nGBe dBG | B2d g2a | bag gfe |dBB B2 :|!
\n|:d| g2g gab | d2d d2B | g2g gab | e2ee2e |!
\ngfe gab | d2d g2a | bag gfe | dBB B2 \ud83d\ude10<\/p>\n
X:102
\nT:Paddy O’Carrel. GS.102
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\n” qus”(A\/2G\/2) | FDD FDD | F>GF FED | AFF dEF | E>FE EAG |!
\nFDD FDD | F>GF FED| AFF dFF | D>ED D2 ||!
\na\/2g\/2 | fed ecd | BdB AGF | fda eca | dB^g a2a\/g\/ |!
\nfdd ecc | B>dB AGF| AFF dFF | D>ED D2 |]<\/p>\n
X:103
\nT:Morning Fair Hornpipe. GS.103
\nT:Rickett’s Hp,aka. GS.103
\nT:Manchester Hp,aka. GS.103
\nM:2\/2
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nN:Differs from Rickett’s Hp. in the B strain..The name Charles ? is
\nN:written on the stave at the end of the music,
\nN:then crossed out. The missing surname resembles ‘Naseby’
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\nA2 | dcdA FAdf | edcB A2 ef | gege Bged | dcec Aged |!
\ndcdA FAdf | edcB A2 g2 | fafd Bgec | “1”{c}d2 {c}d2 {c}d2 :|!
\n|: fg | affd dffa | bgge efgb |affe bged | cdBc Agfe |!
\ndcdG FAdf | edcB A2g2 | fafd Bgec | {c}d2 {c}d2 {c}d2 \ud83d\ude10<\/p>\n
X:104
\nT:Seventh Bullet. GS.104
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Air
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nd4 (^cde)c | f4 (fgag) | b4 (agf)e | e2d2 z4 | A2B2c2^c2 |!
\nd2g2 (fed)c | B2d2 (BcBA) | “cr” HG6 ||!
\nD2 | G2G2 B2B2 | ^c2d2 z2 d2 | b2 ag (fgd)B |!
\n(edcA) G2D2 | G2G2B2B2 | ^c2d2 z2 d2 | ^c2g2d2c2 | d6 Bc |]<\/p>\n
X:105
\nT:Betsy Baker. GS.105
\nT:Push About The Jorum,aka. GS.105
\nM:2\/4
\nL:1\/8
\nQ:1\/4=150
\nS:George Spencer m\/s, Leeds,1831
\nR:.Country-dance
\nO:England
\nA:Leeds
\nN:Very Kerry Polka – like. In margin in pencil “Air – Push About The
\nN:Jorum”
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\ng | dBBG | FAAc | BGBd | g3 g>e | dBBG | FAAd | BcdB | G3 G\/ :|!
\n|:d | efge | afdd | efge | f2 dd | efge | afga | bgfd | g3 g>e |!
\ndBBG | FAAc | \\
\nBGBd | g3 g>e | dBBG | FAAc | BcdB | G3 G \ud83d\ude10<\/p>\n
X:106
\nT:Cl. Stewart’s Quadrille. GS.106
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Quadrille
\nO:England
\nA:Leeds
\nN:’George Spencer’ is written on the stave after the last double bar.
\nN:ABC2Win doesn’t like reading Chords, and always messes them up. .
\nN:$ is conventional dal segno.. pause is written as conventional sign
\nN:over bar line, ff is written under the double bar $ is written on the
\nN:stave after the last double bar, Da Capo is written underneath..
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:F major
\n“$”AB | c2f2d2f2 | cdcB A2[A2c2] | [G2B2][G2B2][F2A2][F2A2] |\\
\n[C6G6] AB |!
\n[A2c2]f2d2f2 | cdcB A2c2 |d2f2e2c2 | [A2f2] H”^ff” z ||!
\nf2 z2e2z2 | f6 d2 | c2c2B2A2 |A2G2 z2 c2 |!
\nf2 z2 e2 z2 | fcag fedc | BAGF G2c2 | BFGA Bcde |!
\nfgaf efge | fcde fcdf | cfac’ bgaf | a2g2z2c2 |!
\nfgaf efge | fcde fcdf | cfac’ =bc’_bg | \\
\n[A2f2][c2a2] “$ Da Capo”[A2f2]|]<\/p>\n
X:107
\nT:Joys of Wedlock,The. GS.107
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\n“_no key sig. in ms”D | DGG GBd | gfe d2 c | Bdg dBG | ABA A2 D |!
\nDGG GBd | gfe d2 c | BdB cAF | GAG G2 :|!
\n|:c | Bdg dBG | Bdg d2c | Bdg dBG | ABA A2 d |!
\nBdg dBG | Bdg d2 c | BdB cAF | GAG G2 \ud83d\ude10<\/p>\n
X:108
\nT:Just in Time. GS.108
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Country-dance
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nD | GG\/A\/ GD | BB\/c\/ BG | AcFA | G\/F\/G\/A\/ GD |!
\nGG\/A\/ GD | BB\/c\/ BG | AcFA | G3 :|!
\n|: D | dd\/e\/ dg | BB\/c\/ Bd | FcDF | G\/F\/G\/A\/ GD|!
\ndd\/e\/ dg | BB\/c\/ Bd | AcAF | G3 \ud83d\ude10<\/p>\n
X:109
\nT:Duncan Gray. GS.109
\nM:4\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Air
\nO:England
\nA:Leeds
\nN:”George Spencer Book Leeds 1831″ written on the stave at the end of the
\nN:music
\nH:183
\nZ:vmp.Cherri Graebe
\nK:D major
\nAdcd ef c2 | d2 e>g fd d2 | Adcd ef c2 | d2 eg fd d2 :|!
\n|:ga ag\/f\/ gg g2 | fg\/f\/ ed cB”^or G in ms” A2 |\\
\nab\/a\/ ga\/g\/ fg\/f\/ e2 | d2e>g fd d2:|<\/p>\n
X:110
\nT:Reel,A. GS.110
\nM:2\/2
\nL:1\/8
\nQ:1\/2=100
\nS:George Spencer m\/s, Leeds,1831
\nR:.Reel
\nO:England
\nA:Leeds
\nN:’end of the Reel’ written at the end of the music
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:C major
\n(ef) | (ga).g.e (ga).g.e | (ga).g.e (fd).d.e |\\
\n(ga).g.e (ga).g.e | (ga).g.f ec c2 :|!
\n|:.G.c.E.c .G.c.e.c | .G.c.E.c .d.D .D2 |\\
\n.G.c.E.c .G.c.e.g | (fa).g.f ec c2 \ud83d\ude10<\/p>\n
X:111
\nT:Gallop on Gaily. GS.111
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:’George Spencer’ written after the end of the music
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\nA | ABA d2 f | gfe fga | ABA d2 f | gec d2 :|!
\n|: e | efe aec | fdB ecA |efe aec | edB A2 e |!
\nefe aec | edB ecA | efe aec | edB A3 ||!
\n(D3F2)G | AAA A2a | aba agf |gfe fga |!
\nD3 F2 “^cr” G | AAA A2a | aba agf | gfe d3 |]<\/p>\n
X:112
\nT:Princes Hornpipe. GS.112
\nT:?
\nM:2\/2
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nN:Title written in large ornate letters on the last line of the page.
\nN:Rather better handwriting than the title at the top of the page
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\n(fg) | afge dfed | cdec ABAG | FGef gfed | c2 AA A2 (fg) |!
\nafge dfed |cdec ABAG | FGef gedc | d2 dd d2 :|!
\n|: (cd) | eAAA eAfA | eAAA fdfa |gfed dcBA | B2 BB B2 (AG) |!
\nFAdB cdec | defd efge | fgaf bgec | d2 dd d2 \ud83d\ude10<\/p>\n
X:113
\nT:Mrs.Casy. GS.113
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:’end of Mrs. Casy’ written after music A music has only seven bars, so
\nN:bar added to match
\nN: pattern which occurs in 3 other places
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\n(gf\/e\/) | d2B (BcB) | A2A (ABA) | “_BAR ADDED” B2B BcB |\\
\ng3 (f2e) |!
\nd2B (BcB) | A2A (ABA) | B2 B (BcB) | d3 f3 :|!
\n|: d2ef2g | a2ba2f | d2ef2g | a3 f2a |!
\nb2ga2f | g2ef2d | d2B (BcB) | g3 (f2e) |!
\nd2B (BcB) | A2A (ABA) | B2B (BcB) | g3 (f2e) |!
\nd2B (BcB) | A2A (ABA) | B2B (BcB) | d3g3 \ud83d\ude10<\/p>\n
X:114
\nT:Saghoni Waltz,The. GS.114
\nT:Green Hills of Tyrol,aka. GS.114
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:George Spencer m\/s, Leeds,1831
\nR:.Waltz
\nO:England
\nA:Leeds
\nN:> -shown under the note – diminuendo?George Spencer Book Leeds
\nN:September 5, 1831 written on stave after
\nN:music. A fairly close relative of “Green Hills of Tyrol”
\nH:183
\nZ:vmp.Cherri Graebe
\nK:G major
\n“p”DGA | (B2 B)(GBc) | (d2 d)(eBe) | (dcAFAe) | (dBG) “^f”(DGA) |\\
\n(B2 B)(GBc) | (d2 d)(eBe) | (dcA) (DFA) | G2 z2G2 |\\
\n“^>”g4 (fe) | ed dz”^>”e2 | \\
\ndc cz “^>”d2 | cB Bz G2 | “^p”g4 (fe) | (ed) d z e2 | (d^c) c z BA |\\
\nd3 AfA | (e2 e)A(^cA) |\\
\n(d2 d)(AfA) | (e2 e)(A^cA) | (de)(^cede) | =cdBdAd |\\
\nG2 z “^p”(DGA) | (B2B)(GBc) | (d2d)(eBe) |\\
\n(dcA) (FAe) | (dBG) (DGA) | (B2 B)(GBc) | (d2 d)(eBe) | \\
\ndcA DFA | “^f”G2z FGA |(B2 B)F^dF | (B2 B)cBA | \\
\n(G2 G)DBD | G2 z “p”FGA |(B2 B)F^dF | (B2 B)cBA | \\
\n(G2 G)DBD | G2 G z G2 | g4 fe | (ed) dz”^>”e2 | (dc) c z “^>”d2 |\\
\ncB Bz2G | g4 fe | ed d z e2 |\\
\ndc c z (3(A\/B\/c\/) Hf2 | (3(G\/B\/d\/) Hg2 f2 z |]
\nW:”George Spencer Book Leeds September 5 1831”<\/p>\n
X:115
\nT:Wanton Widow,The. GS.115
\nM:2\/4
\nL:1\/8
\nQ:1\/2=80
\nS:George Spencer m\/s, Leeds,1831
\nR:.Country-dance
\nO:England
\nA:Leeds
\nN:1- the two groups in this bar are marked as triplets in the MS.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\na | {g} fedf | gbeg | fadf | e\/d\/c\/B\/ Aa |!
\n{g} fedf | gbeg | “1”f\/g\/a A\/B\/c | d3 :|!
\n|:A| FAdf | eAgA | fadf | e\/d\/c\/B\/ AA |!
\nFAdf | eAgA | faAc | d3 \ud83d\ude10<\/p>\n
X:116
\nT:Mount Edgcomb. GS.116
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:Mount Edgcumb near Plymouth?
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nGDD BGG | dBB g3 | cde ABc | GAB AFD |!
\nGDD BGG | dBB g3 | aff gee | d3D3 :|!
\n|:ddd eBc | ccc dAB | BBB cdB | ABG AFD |!
\nGDD BGG | dBB g3 | dBB cAA | G3 [G,3G3] \ud83d\ude10<\/p>\n
X:117
\nT:Hum the Hummer. GS.117
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:’George Spencer’ written at the end of the musi
\nH:183
\nZ:vmp.Cherri Graebe
\nK:D major
\nA | dAF BGE | AFD d2e | fdB ecA | (d3 d2) E\/F\/ |!
\nAFD BGE | cAF g2f | ecA ^GEG | (A3 A2) :|!
\n|: c | ecA dfd | BdB GGf | gec fF^A | (B3 B2) c |!
\ndBG GEd | eBe cBA | dAF BGA | (D3D2) \ud83d\ude10<\/p>\n
X:118
\nT:Prussian Soldier,The. GS.118
\nM:6\/8
\nL:1\/8
\nQ:3\/8=60
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:NB Paul Roberts suggests that some 6\/8 tunes may be treated to a waltz
\nN:- like tempo,or as residual 6\/4 a la Playford, like this,and very nice
\nN:too.It’s certainly worth trying with some of these otherwise rather
\nN:lame sounding quadrille type thingys. CGP.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nGAB cAc | BGB AFD | GAB cAc | (B\/c\/d)B G3 :|!
\n|:Bdf gdB | gdB gdB | Bdf gdB | gdB A3 |!
\nBdf geB | gdB gdB |(c\/d\/e)c (A\/B\/c)A | BGG G3 \ud83d\ude10<\/p>\n
X:119
\nT:Marquis of Gramby’s Rant,The. GS.119
\nM:2\/4
\nL:1\/8
\nQ:1\/2=80
\nS:George Spencer m\/s, Leeds,1831
\nR:.Strathspey
\nO:England
\nA:Leeds
\nN:’End of Marquis of Gramby’s Rant’ written at end of musi
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nG2G2 | G>Bd>B | A2 A>B | c>de>f |\\
\nG2G2 | G>Bd>B | A>Bc>e | c>B G2 :|!
\n|:gaga | gagd | gaga | gaba |\\
\ngaga | gagd | (d\/f\/g) g>d | B>G G2 \ud83d\ude10<\/p>\n
X:120
\nT:Priest In his Boots,The. GS.120
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Jig
\nO:England
\nA:Leeds
\nN:Date information – ‘George Spencer Book Leeds September 8 when he
\nN:finished this Book Kings Coronation Day’ – but there are four tunes
\nN:after this ..Cherri..King George III died unlamented in 1830, and was
\nN:succeeded by his brother William IV ,King 1831 – 1837 “His
\nN:Majesty,though at times a jovial and, for a king, an honest man,was a
\nN:weak,ignorant commonplace sort of person..his very popularity was
\nN:aquired at the price of something like public contempt.-The Spectator..
\nN:Chris P.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\neee eee | efd cBA | d2d fed | c2d e3 |!
\neee eee | efd cBA |d2e faf | gec d3 :|!
\n|: a2fg2e | f2d ecA | d2e fed | c2d e3 |!
\nafa geg | fdf ecA | d2d faf | gec d3 \ud83d\ude10<\/p>\n
X:121
\nT:Tumblers Hornpipe. GS.121
\nT:Washington Hp,aka. GS.121
\nT:Y Fasged Wyau,aka. GS.121
\nM:2\/2
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nN:aka Basket of Eggs\/Egg Basket\/William Andrews Hp
\nN:C(Sheepstor,Dartmoor)and a version from Quebec, title
\nN:unknown.Also Daniel’s Hp,J.Clare ms…’George Spencer Leeds 1831′
\nN:written on stave after music
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:Bb major
\nBcde fBAB | gBaB bBAB | GBFB EBDB | edcB BAGF |!
\nBcde fBAB | gBaB gBAB | GBFB EBDB | ecBA B4 ||!
\nfBAB gBAB | fBAB gBAB | gbba gfge | edcB BAGF |!
\nBcde fBAB |gBaB bBAB | GBFB EBDB | dcBA ” cr”B4|]<\/p>\n
X:122
\nT:Nelsons Hornpipe. GS.122
\nM:2\/2
\nL:1\/8
\nQ:1\/2=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Hornpipe
\nO:England
\nA:Leeds
\nN:’George Spencer 1831′ written on stave at end of music
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:A major
\ncd | ecfd cBdB | AGBG A2 cd | ecag fedc | cBdB BAGF |!
\necfd cBdB | AGBGAafd |cBdB AGBG | A2A2A2:|!
\n|:cd | egaf fedc | fefg a2 ag A| fedc BAGF | E2E2E2AG |!
\nFABG Acec | dfaf ecfd | cBdB AGBG A2A2A2 \ud83d\ude10<\/p>\n
X:123
\nT:Zelmira. GS.123
\nM:4\/4
\nL:1\/16
\nQ:1\/4=90
\nS:George Spencer m\/s, Leeds,1831
\nR:.Air
\nO:England
\nA:Leeds
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:G major
\nd4 d^cde d2g2 d4 | Bc^GA e2d2 “_as writ”B<cA<B G4 |\\
\nB4 B^ABc B2e2 g4 | gf^cd eAB^ce2f2 d4 ||!
\na2f2 dede d2g2 b4 | ba^ga dede d2B2 G4 |\\
\ng4a4b4 c’a | gbfa fadf | b4g4 |]<\/p>\n
X:124
\nT:Three Fingered Jack. GS.124
\nM:9\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George Spencer m\/s, Leeds,1831
\nR:.Slip Jig
\nO:England
\nA:Leeds
\nN:First three sets of grace notes shown as slurred to the following note.
\nN:All grace
\nN:notes shown as semi-quavers.
\nH:1831
\nZ:vmp.Cherri Graebe
\nK:D major
\n{fg}a3 afd ecA | {fg} a3 afd bge | {fg}a3 afd ecA | Bdc {e}dcB AFD :|!
\n|:afd {e}(dcd) bge | afd {e}dcd ecA | afd bge afd | gec ABc d3 \ud83d\ude10<\/p>\n","protected":false},"excerpt":{"rendered":"
%abc %%abc-alias George Spencer %%abc-creator ABCexplorer 1.3.7 [13\/12\/2009] %%abc-edited-by www.village-music-project.org.uk %VMP.Cherri Graebe, 1999 %Revised 20\/05\/2003 %Revised again 11\/2008 %Revised again 12\/2009 X:1 T:Peggy Perkins. GS.001 M:2\/4 L:1\/16 Q:1\/4=100 S:George Spencer m\/s, Leeds,1831 R:.Country-dance O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:D major A2 | dfdA fgfd | a2a2a2f2 | gage fgfd | e2e2e2A2 |! dedA fgfd | … Continue reading SPENCER, George ms ABC<\/span>