{"id":709,"date":"2016-03-05T13:51:20","date_gmt":"2016-03-05T13:51:20","guid":{"rendered":"http:\/\/www.village-music-project.org.uk\/?page_id=709"},"modified":"2016-03-05T13:51:20","modified_gmt":"2016-03-05T13:51:20","slug":"tyldsley-wm-ms-abc","status":"publish","type":"page","link":"https:\/\/www.village-music-project.org.uk\/?page_id=709","title":{"rendered":"TYLDSLEY, Wm. ms ABC"},"content":{"rendered":"

%abc
\n%%abc-alias Wm Tyldesley
\n%%abc-creator ABCexplorer 1.3.7 [13\/12\/2009]
\n%%abc-edited-by www.village-music-project.org.uk
\n%VMP.Taz Tarry, 1999
\n%Revised 21\/05\/2003
\n%Revised again 11\/2008
\n%Revised again 12\/2009<\/p>\n

X:1
\nT:Rule Britannia. TLY.001
\nM:4\/4
\nL:1\/8
\nQ:1\/4=100
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Air
\nO:England.
\nA:Lancashire.
\nN:Bar line placed before the A in MS.I’ve corrected this as it does not
\nN:affect the tune in any way.CGP.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nA2|d2d2 d\/e\/f\/\/g\/ ad|e2 ef\/g\/f2 z A|d\/c\/d\/e\/ f\/e\/f\/g\/ aefe|\\
\nde\/f\/ e d c2z”*”A|!
\ncAdc ag\/2f\/2 ed|c2~B2A2 z2|d2dA BG z d|\\
\ngfed A2 z e|a2 g2 f\/d\/g\/e\/ a\/f\/e\/d\/|!
\nA2 ~e2d2 z2 ||:”^Chorus”f3f gg c f|gfed A2 z2|\\
\na2g2 f\/d\/g\/e\/ a\/f\/e\/d\/|A2e2d2:|<\/p>\n

X:2
\nT:Lovely Nancy. TLY.002
\nM:3\/4
\nL:1\/8
\nQ:1\/4=100
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Air
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\nB>A|G2G2G>B|A2A2A>c|B2gedB|A4B>A|!
\nG2G2G>B|A2A2A>c|B>g d>Bc>A|G4:|!
\n|:B>c|d2d2ge|e2d2B>c|d2d2(3geB|B2A2B>A|!
\nG2G2G>B|A2A2A>c|B>gd>Bc>A|G4:|!
\n|:B>A|GDGDGB|ADADAc|BGdBgB|A4B>A|!
\nGDGDGB|ADADAc|B>gd>Bc>A|G4:|!
\n|:B>c|dBdBge|ed d2B>c|dBdBgB|B>AA2B>A|!
\nGDGDGB|ADADAc|B>gd>Bc>A|G4:|<\/p>\n

X:3
\nT:Duke of York’s March. TLY.003
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.March
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nD2 D>D F2 F>F| (AF)(AF) D2 A>A|(dB)(dA) dAFD|A2A>A A2 z2|!
\na3f d2f2|e2 e>g f2za|a3f (fd)(gf)|e2 e>e e2 z2:|!
\n|:A2 A>A A(efg)|A2A>A A(dfa)|(ge)ee (fd)dd|bagf ~f2e2|!
\n“^cr”d3f\/2e\/2 dAB=c|=cB B4 ^c\/2d\/2e\/2f\/2|ggff eedd|e2 e>e e2 z2|!
\nD2D>D F2 F>F| (AF)(AF) D2g2|(fa)(af) (ge)(ec)|d2d>dd2:|<\/p>\n

X:4
\nT:Beggar Girl,The. TLY.004
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Misc.
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\nd>cB d>cB|A>GA B3|d>cB d>cB|A>GA G2d|!
\nd>cB d>cB| A>GA B>cd|d>cB d>cB|A>GA G2z:||!
\nDGB DAc|DcB {B}A>GA|DG=F E2 “^Rallantando”c\/c\/|BAG d2 c|!
\nd>cB d>cB|A>GA B>cd|d>cB e>fg|B>cA G2 z|]<\/p>\n

X:5
\nT:Bob and Joan. TLY.005
\nT:Bobbing Joan. TLY.005
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Misc.
\nO:England.
\nA:Lancashire.
\nN:First bar missing quaver in ms. Could be same as second bar, or d note
\nN:could be a crotche
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\nGB dc”qu”B2|GB dc Bd|ed cB A2|BG GD EG:|!
\n|:BG EF G2|BG EF GA|BG EF G2|AB cB FD:|<\/p>\n

X:6
\nT:March No1. TLY.006
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.March
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry
\nK:D
\nd2 d>d dcde|f2 f>f fefg|e2 e>e e2d2|c>af>d c2B2|!
\nA2 A>A A2::A>A|B2 zB c2 zc|d2 d>d d2 a>a|ag\/2a\/2 b>a g>fe>d|!
\ne2 e>e e2 A>A|d2 z2 e2z2|f2 z2 g2 z2| a2 b>a f>ed>c|!
\nd2 d>d d2::z2|F2 F>F FEFG|d2 d>d dcde|f2 f>f gfed|!
\nc2 c>c c2 B2|A2 c>c c2::A>A| G2 z G E2 zE|F2 F>F F2 f>f|!
\nfe\/2f\/2 g>f e>dc>B|c2 c>c c2 A>A|F2 z2 A2 z2|!
\nd2 z2 e2 z2|f2 g>f d>GF>E|F2 F>F F2:|<\/p>\n

X:7
\nT:Mad Moll. TLY.007
\nT:Peacock Followed The Hen,aka. TLY007
\nM:9\/4
\nL:1\/4
\nQ:3\/4=120
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Slip Jig
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\nF|c>d (ec) A A c A A|c>d (ec) AA B2 G|c>d e c A A c A A|!
\nB>c d d>e d B2G||c>d e (ge) e (ge) e|!
\nc>d e (ge) e f2 d|c>d e (ge) e (ge) e|\\
\nB>c d d>e d B2 G|]<\/p>\n

X:8
\nT:Mother Goose. TLY.008
\nM:9\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Slip Jig
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\nG2 g gfg dBG|A2B c2d ecA|G2g gfg dBG|( A\/2B\/2cA) BGE E3:|!
\n|:e2f g2a bge|(f\/2g\/2af) (e\/2f\/2ge) dBG| (A\/2B\/2cA) BGE E3:|<\/p>\n

X:9
\nT:Jenny Dang the Weaver. TLY.009
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Reel
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\ng|fA A\/2\/A\/A ABAB|dA A\/2A\/2A f2 ed|gB Bc\/2B\/2 BABd|ABde f2e:|!
\n|:f|defd efge|defd e2 ~dB|defd eBgB|aA A\/2A\/2A f2e:|<\/p>\n

X:10
\nT:Duke of York’s March. TLY.010
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.March
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nD2 D>D F2F>F|AFAF D2 AB\/2c\/2|dAdA dAFD|A2 A>A A2 z2|!
\na3 f d3 f|edef gfed|a3f gdgf|e2 e>e e2z2:|!
\n|:A2A>A Adfg|A2 A>A Adfa|geeg fdda|bagf fedc|!
\nd2 de dABc|B2 B>B B2 z\/4 G\/4A\/4B\/4c\/4d\/4e\/4f\/4|g>g f>f e>e d>d|\\
\nc2 A>B AGFE|!
\nD2 D>D F2 F>F|AFAF D2ge|eaae bgec|d2 d>d d2 z2:|<\/p>\n

X:11
\nT:Hussar Waltz. TLY.011
\nM:3\/8
\nL:1\/8
\nQ:3\/8=50
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Waltz
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\nd|dba|gBd|cAf|gBd|dba|gBd|cAf|g2:|!
\n|:d|cAf|gBd|cAf|gBd|dba|gBd|cAf|g2:|<\/p>\n

X:12
\nT:Persiand Ricado,The. TLY.012
\nT:Gallopede,aka. TLY012
\nM:2\/4
\nL:1\/16
\nQ:1\/4=120
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Gallop?
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\ndc|B2Bc A2AB|G2G2G2 AB|c2cd B2Bc|A2A2A2 dc|!
\nB2Bc A2AB|G2G2G2 AB|cBAG FGAB|G2G2G2:|!
\n|:dc|B2gf e2ed|(dcBd) A2 dc|B2gf edcB|A2A2A2 dc|!
\nB2gf e2ed|(dcBd) A2 dc|BdcB AcBA|G2G2G2:|!
\n|:Bc|d2d2d2g2|d2d2d2g2|d2d2 edcB|c2A2A2 Bc|!
\nd2d2d2g2|d2d2d2g2|d2Bc dcBA|G2G2G2:|<\/p>\n

X:13
\nT:Irish Emigrant. TLY.013
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Air
\nO:England.
\nA:Lancashire.
\nN:Time signmature in original given as 3\/4. Title given as “Irish
\nN:Emegrant” in Ms.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nA|d>c B>A|BA F>F|F>E F>E|D2 z (E\/F\/)|!
\nGF GA|Bc d>d|cE c>B|A2 z A|!
\nfedc|BA GF\/2E\/2|EFGA|B2 z (B\/c\/)|!
\nd>cBA|BA FF\/2F\/2|F>EFE|D2 z2||!
\nF|FdcB|ABd>F|Fedc|B2 z (B\/2c\/2)|!
\nd>cde|f>c d(c\/2c\/2)|BB Ac|B2 z A\/2A\/2|!
\nA>F Ad|d>d ec\/2\/c\/2|Afed|BB z (B\/2c\/2)|!
\nd>cBA|B>A FF\/2F\/2|F>EFE|D2|]<\/p>\n

X:14
\nT:Fishers Hornpipe. TLY.014
\nT:Egg Hornpipe,aka. TLY.014
\nM:2\/2
\nL:1\/8
\nQ:1\/2=90
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Hornpipe
\nO:England.
\nA:Lancashire.
\nN:Arnold Fishar was a ballet master at Covent Garden in about the 1760s
\nN:and is known to have composed hornpipes for the stage.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nAB\/2c\/2|dAFA GBAG|FAFA GBAG|FDFD GEGE|FAFD E2E2|!
\ndAFA GBAG|FAFA GBAG|FdBg fdec|d2d2d2:|!
\n|:cd|ecAc ecge|fdBd fdaf|ecAc ecge|edcB AABd|!
\nBGEG BGdB|AFDF AFdB|BGdB AGFE|D2D2D2:|<\/p>\n

X:15
\nT:London March.TLY.015
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.March
\nO:England.
\nA:Lancashire.
\nN:I have removed the D>E from the end of the A strain to the
\nN:beginning.CGP.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\n“*”D>E|F2 F>F F2E2| DFAd B2A2|BdAd GdFd|E2 E>E E2 D>E|!
\nF2 F>F F2 E2|D\/2E\/2F\/2G\/2 A\/2B\/2c\/2d\/2 B2 A2|\\
\nBdAd Gc ((3efg)|f2~e2d2:|!
\n|:f>g|a>gf>g g>agf|e>fg>g f2 e2|\\
\ndd\/2\/d\/2 de ff\/2f\/2 fg|ab>a b\/2a\/2g\/2f\/2f2 e2:|!
\n|:f2 f>f f2 e2|dfAd B2 A2|BdAd GdAd|E2 E>E E2 D>E|!
\nF2 F>F F2 E2|DFAd B2A2|\\
\nBdAd ((3Bcd) ((3efg)|f2~e2d4:|<\/p>\n

X:16
\nT:Handel’s Clarinet.2Parts. TLY.016
\nM:4\/4
\nL:1\/8
\nQ:1\/4=120
\nC:by Handel?just guessing!
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Air
\nO:England.
\nA:Lancashire.
\nN:Sorry – can’t decipher title – possibly should be Handel’s .
\nN:something.T.T.. Ed.Handes Clavriet in MS I Have taken to mean Handel’s
\nN:Clarinet. CGP.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\n[V:1]|:a2f\/2g\/2a\/2b\/2 {f}”tr”e2dA|((3ded) (3efe “tr”f3 g\/2a\/2|\\
\nbbba\/2g\/2 aaag\/2f\/2|!
\n[V:2]|:f2d\/2e\/2f\/2g\/2 {d}e2dD|((3FGF) ((3ABA) d3 e\/2f\/2|gggf\/2e\/2 fffe\/2d\/2|!
\n%
\n[V:1]gggf\/2e\/2 fffe|d\/2e\/2f\/2g\/2 ag\/2f\/2 b z g z|a z A z d4:|!
\n[V:2]eeed\/2c\/2 dddA|d\/2c\/2d\/2e\/2 fe\/2d\/2 g z e z|fz AzF4:|!
\n%
\n[V:1]|:a2|fAdf e\/2d\/2e\/2f\/2 ea|fAdf e3 a|”tr”a8|a6 a2|!
\n[V:2]|:a2|”tr”a8|a6a2|dAdf e\/2d\/2e\/2f\/2 ea|fAdf “tr”e4|(gf)(fe) (ed)(de)|!
\n%
\n[V:1](ba)(ag) (gf)fg|(ag)(gf) (fe) “tr”e2|\\
\nd\/2e\/2f\/2g\/2 ag\/2f\/2 b z g z| a z Az d2:|
\n[V:2]feed (dA) “tr”A2|d\/2e\/2f\/2e\/2 fe\/2d\/2 g ze z|az Az G2:|<\/p>\n

X:17
\nT:There is no luck. TLY.017
\nT:Nae Good Luck Aboot etc. TLY.017
\nM:6\/8
\nL:1\/8
\nQ:3\/8=140
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Schottische
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:C
\nG|c2AG2E|F2FF2G|c2AG2E|D3-D2 G|!
\nc2AG2E|F2F F2A|G2F E2D|C3C2:|!
\n|:c|e2ee2c|f2ff2c|e2ee2c|d3-d2 c|!
\ne2ee2c|f2ff2a|g2fe2d|c3-c2:|<\/p>\n

X:18
\nT:March of the 15th. Regiment. TLY.018
\nT:15th Regt. March. TLY.018
\nM:4\/4
\nL:1\/8
\nQ:1\/2=70
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.March
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\nG2|d2d>dd2 (3edc|B2B>BB2 (3GAB|A2c>e d>cB>A|G2G>GG2 g>d|!
\ne2e>ee2g>e|d2d>dd2Bd|c>Ac>c B>GB>B|A2A>AA2:|!
\n|:d>B|A2A>AA2d>A|B2B>BB2(3Bcd|e2g>gg2e2|d2g>gg2 (3edc|!
\n(3Bcd (3efg dcBA|G>ABB B>cdd|d2 (3edc B2A2|G2G>GG2:|<\/p>\n

X:19
\nT:March No2. TLY.019
\nM:4\/4
\nL:1\/8
\nQ:1\/2=60
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.March
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nA>A|d2a>d (dc) eg|g2 (f\/2e\/2f\/2g\/2) a3a|\\
\nb>ba>g f>ed>c|d2D>D D2 f>f|!
\n~f2e2z2 ^g<a>f|~f2e2z2 ^g<a>f|e>ef>e c>BA>^G|A2A>AA2:|!
\n|:a>a|a8|g\/2f\/2e\/2f\/2 g4 eg|f>aa>a b>ag>f|~f2e2 z2A>A|!
\ne2a>d (dc) (eg)|g2 (f\/2e\/2f\/2g\/2) a3a|b>ba>g f>ed>c|d4 z g<g>g|!
\n~g2f2 z2 e<e>e|~e2 d2 z A<B>c|d>ef>g a2 A2|d2 d>dd2:|<\/p>\n

X:20
\nT:Queen of Roses Polka,The. TLY.020
\nM:2\/4
\nL:1\/16
\nQ:1\/4=110
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Polka
\nO:England.
\nA:Lancashire.
\nN:There is a ‘signo’ at the first bar. A pause symbol above the quaver
\nN:rest in the last bar of the a part. Fine at the frst double bar. Strong
\nN:accent marks on last beat of bars 2,3 and 4 of B music. “Signo” at end
\nN:of B music. DC at end of B music. C music is marked as Trio and again
\nN:ends with a “signo” and DC. TT.
\nN:Key Sig of Trio may be wrong.CGP.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\n“$”B2d2 d2cB|c2e2 e4|ABcd efga|b2fg fedc|!
\nB2d2 d2cB|c2e2 e4|ABcd efga|g2b2g2″^Fine” z2:|!
\n|:A2g2 gfe2|fga2 d4|^cde2 A4|B^cde f4|!
\nA2g2 gfe2|fga2 B^cd2|efg2 AB^c2|d2d2d2″^DC” z2:|!
\n|:”^Trio”e2f2 g4|b2a2a4|Bcde f2f2|cdef g2g2|!
\ne2f2 g4|b2a2 a4|Bcde f2B2|c2ed c2 z2:|<\/p>\n

X:21
\nT:March No3. TLY.021
\nM:2\/2
\nL:1\/8
\nQ:1\/2=60
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.March
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:Bb
\nF2|B2B>B B>B A>A|B>B F>F D2 z B|\\
\nc2 c>c c2 c\/2d\/2e|f>f d>d B2 d>e|!
\nf2 f>f f2 e>d|e2 e>e e2 d>c|d2 (cB) g>fe>d|d2 c4:|!
\n|:d>e|f2 f>f f2 e>d|g>g e>e c2 d>e|\\
\nf>f d>d B2 A>B|c>c AA F2 f2|!
\ng2 b2 f2 d2|B2B>B B2 d\/2e\/2f|(g>e) (f>d) (e>c) B>A|B6:|<\/p>\n

X:22
\nT:Miss Gayton’s Hornpipe. TLY.022
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Hornpipe
\nO:England.
\nA:Lancashire.
\nN:1st bar in B strain is my reconstruction..CGP
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\nd>c|B>dg>f g2 d>c|B>dg>f g2 f>e|\\
\nd>fa>g f>ed>c|”_Bar not in ms”d>fa>g f>ed>c|!
\nB>dg>f g2 d>c|B>dg>f g2 f>e|\\
\ne>fg>e f>ga>f|g2b2g2:|!
\n|:g>a|b>ab>g a>g d2|g>fg>e d>BG>B|c>de>c B>cd>B|c2 A2A2g>a|!
\nb>gb>g g>fd>f|g>fg>e d>BG>d|e>fg>e f>ga>f|g2b2g2:|<\/p>\n

X:23
\nT:Money Musk. TLY.023
\nM:2\/2
\nL:1\/8
\nQ:1\/2=80
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Reel
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nb|a>df>d a>dg>b|a>df>d ef\/2e\/2 g>b|\\
\na>df>d f>g a>d’|b>ge>g f>d d:|!
\n|:b\/d’\/|d’>af>d’ a>d’f>d’|d’>af>d’ f>d’e>d’|\\
\nd’>ab>d’ a>d’f>a|b>ge>a f>dd:|<\/p>\n

X:24
\nT:Paddy Cary. TLY.024
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Jig
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:C
\nG2 c cBc|e2c cBc|B2c d2e|f2d B2G|!
\nG2 c cBc|e2c cBc|BAG GAB|cde d2c:|!
\n|:c2e a3|g2a gec|c2e fga|gec d3|!
\nc2e f2a|g2a gec|BAG GAB|cde d2c:|!
\n|:f2d dcd|e2c c2c|B2c d2e|f2d B2G|!
\nf2d d2d|e2c c2c|BAG GAB|cde d2c:|<\/p>\n

X:25
\nT:German Minuet. TLY.025
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Minuet
\nO:England.
\nA:Lancashire.
\nW: top d’ marked as top c’ in MS
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nd2f2a2|d’2 agfe|d2 dddd|d4 a2|b4a2|g4f2|!
\ne2 eeee|e4 fe|de f2 ed|ef g2 fe|de f2 ed| ef g2 fe|!
\nd2 f2 a2|d’2 agfe|d2 dddd|d6::A2c2e2|a2 edcB|!
\nA2 AAAA|A6|d2f2a2|d’2 agfe|d2 dddd|d4 a2|!
\nb2 bgbg|a2fafa|b2 gbgb|a2fafa|b4a2|g4f2|!
\ne2 eeee|e4 fe|de f2 ed|ef g2 fe|de f2 ed|!
\nef g2 fe| d2 f2 a2|d’2 agfe|d2 dddd|d6:|<\/p>\n

X:26
\nT:Triumph. TLY.026
\nM:2\/4
\nL:1\/16
\nQ:1\/4=90
\nC:”Well Dun, Mon!”
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Reel
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\ng2|dBBG cAAF|Ggfg e2d2|dBBG cAAF|G2B2G2z2:|!
\n|:A3cB2d2 A3cB2d2|AAAc BBBd|dcBA G4:|!
\n|:B3d dcBA|A3c cBAG|B2cd efge|dcBA G2G2:|<\/p>\n

X:27
\nT:Mozarts Waltz,1. TLY.027
\nM:3\/8
\nL:1\/16
\nQ:3\/8=50
\nC:Can’t think..
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Waltz
\nO:England.
\nA:Lancashire.
\nN:Has the same title as the next tune, and it may be the Primo part or
\nN:not. Somebody could try them out and see if they fit together?. CGP.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:C
\ncd|e2e2e2|edefge|f2f2f2|e4e2|d2d2d2|c2c2c2|d2dcde|[E4G4c4]:|!
\n|:g2|c’gegc’g|bgdgbg|c’gegc’g|bgdgbg|!
\nc’bagfe|dcBAGF|EGcedB|[E4G4c4]:|!
\n|:g2|[e4g4] [c2e2]|[c4e4] [e2g2]|\\
\n[e2g2][d2f2][B2d2]|[B3d3][ce][d2f2]|\\
\n[c3e3][df][e2g2]|[e2g2][d2f2][c2e2]|[c2e2][B2d2][B2d2]|\\
\n[B4d4][e2g2]|[e4g4] e2|!
\nc’bagfe|[d4f4][d2B2]|d’c’bagf|e3fe2|d2c2d2|\\
\n[E2G2c2][E2G2c2][E2G2c2]|[E4G4c4]:|<\/p>\n

X:28
\nT:Mozart Waltz,2. TLY.028
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nC:”Sa nout gally”
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Waltz
\nO:England.
\nA:Lancashire.
\nN:See notes to previous tune, although since the tme sig is different it
\nN:rather suggests otherwise
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:C
\nc>de>fg>a|a>gg>^f g2|b>ge>ce>g|gf d4|c>de>fg>a|a>gg>^f g2|!
\nc’>ge>cd>B|[E2G2c2] z2 z2::g3 gec|gf d4|c\/2d\/2c\/2B\/2 cegc’|bc’d’b g2|!
\ng3 gec|gf d4|cdefgB|[E4G4c4] z2::gGeGcG|gGeGcG|!
\ndGBGBG|cGeGcG|g2e2c2|g2e2c2|d2B2B2|[E4G4c4] z2:|<\/p>\n

X:29
\nT:Air Allegro. TLY.029
\nM:3\/8
\nL:1\/16
\nQ:3\/8=50
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Air
\nO:England.
\nA:Lancashire.
\nN:There is a bar 9 in the B part which I have assumed is an error
\nN:rewritten in the next bar. TT
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nD2F2A2|dcdede|fagfed|cdcBAG|FDGDAD|!
\nBDADGD|FDGDAD|BDADGD|FAd2c2|d6:|!
\n|:fagfed|egfedc|dfedcB|cAdAeA|fAeAdA|!
\ncAdAeA|fAeAdA|cea2^g2|a6|afdafd|bgebge|!
\nafdafd|bgebge|bagfed|cdcBAG|FDGDAD|!
\nBDADGD|FDGDAD|BDADGD|FAd2c2|d6:|<\/p>\n

X:30
\nT:Saxon Waltz. TLY.030
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Waltz
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:C
\ne2|(fec)(agf)|(eG) c3 e|(dG) B3G|(eG) c3e|!
\n(fec)(agf)|(eG) c3 e|(dG) B3d|c4::(ce)|(dG) B3G|(eG) c3G|!
\n(dG) B3G|(eG) c3e|(fec)(agf)|(eG) c3 e|(dG) B3d|c4:|<\/p>\n

X:31
\nT:Lord Hardwickes March. TLY.031
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.March
\nO:England.
\nA:Lancashire.
\nN:Sign at start of first bar ofA. Pause at end of A part. Sign at end of
\nN:B part and at end of D par
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\na>g|:f2 f>f f2f2|(~f3a) d’agf|e2 e>e e2e2|(~e3f) (gb).a.g|!
\nf2 f>f f2f2|(~f3a) d’agf|(eb).a.g (fe).d.c|d2 d>d d2:|!
\n|:A>A|A2 A>A A2A>A|F2 D2 A2 a>a|a2 a>a a2 a>a|f2 d2 a2 a>a|!
\na2 A>A A2 a>a|a2A>A A2 a>a|.a.a.a.a .a.a(.a^g)| a2 a>a (ab).a.g||!
\nd4 A3 d|f4 d3 f|a2 d’>a f2 a>f| d2 f>d A2 g2|!
\nf2 (d\/2e\/2f\/2g\/2) aagg|f2 (d\/2e\/2f\/2g\/2) aagg|\\
\nf2 a>a f2 d2|a2 A>AA2 z2:|!
\n|:AA\/2A\/2 AA AAAA|(g4e2) z2|AA\/2A\/2 AA AAAA|(a4f2) z2|!
\nAA\/2A\/2 AA AAAA|g3f g3f|.g2.f2.e2.d2|.c2.b2.a2.g2:|<\/p>\n

X:32
\nT:Slow March,1. TLY.032
\nM:4\/4
\nL:1\/8
\nQ:1\/2=70
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.March
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nA2|d2d2 (d<f) (e<g)|f2f2 (f<a) (g<b)|a2d’2 (ag)(fe)|f2d2d2A2|!
\nd2d2 (d<f)(e<g)|f2f2 (f<a) (g<b)|a2 (gf) (ba)(gf)|{f2}e6:|!
\n|:A2|e2e2(ef)(ed)|(cB)(A^G) A2 z A|a2a2 (ab)(ag)|(fe)(dc) d2 z2|!
\nf2 ff e2b2|d2ddc2f2|e2 (dc) (dB)(A^G)|A2A2 AGFE|!
\n{D}d2d2 (d<f) (e<g)|f2f2 (f<a) (g<b)|a2d’2 (ag)(fe)|f2d2d2A2|!
\nd2d2 (d<f) (e<g)|f2f2 (f<a) (g<b)|a2d2 (fe)(dc)|\\
\n(d<f) (e<g) (f<a) (g<b)|!
\na2d2 (fe)(dc)|(d<f) (e<g) (f<a) (g<b)|a2d2(fe)(dc)|d2 z fd2 z f|!
\nd2 d’2 a2 f2|d2 dd d2d2|d2 z2 d2 z2|d6:|<\/p>\n

X:33
\nT:Prince of Wales March. TLY.033
\nM:4\/4
\nL:1\/8
\nQ:1\/2=70
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.March
\nO:England.
\nA:Lancashire.
\nN:Last quaver bar 2 marked p, last crotchet bar 4 marked
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:C
\nG2|c3G c>Gc>e|g3e g2 z”^P” e|d2d2e2g2|(gfef) e2″^F”G2|\\
\nc3G c>Gc>e|g3e g2 (gc’)|a2 a>a (ac’bc’) (d’c’ba)|\\
\n{a}g2 (eg) {g}f2 df|\\
\n{f}e2 (ce) {e}d2 (B\/2c\/2d\/2e\/2)|d2g2g2 z2|\\
\n“^P”d2(B\/c\/d\/e\/) (d\/c\/B\/d\/) (e\/^f\/g\/a\/)|\\
\n.b.b.b.b (b\/a\/g\/^f\/) (g\/f\/e\/d\/)|\\
\n(c\/B\/c\/d\/)c2(c\/A\/B\/c\/) (d\/e\/^f\/g\/)|\\
\n.a.a.a.a (a\/g\/^f\/e\/) (d\/c\/B\/c\/)|\\
\n(Bg)g3(gbg)|\\
\n(^de)e3(^fge)|dg (^f\/e\/d\/c\/)B2~A2|G2g>gg2:|\\
\n|:”^P”(B>c)|d3cB2″^F”.g.^f|.e.d.c.B .A.B.c.d|\\
\n“^P”c3BA2″^F”.a.g.|.^f.e.d.e .d.c.B.c|\\
\n.B.c.d.e .^f.g.a.b|e(c’\/b\/) (d’\/c’\/b\/a\/)g2^f2|\\
\ng2g2g2(g>f)|e2(g>f)e2g2|\\
\ng2e2f2(f>e)|d2(f>e)d2f2|(gf).e.d e2″^F”(c’b)|\\
\n.a(c’\/b\/) (d’\/c’\/b\/a\/) g(e\/g\/) (g\/f\/e\/d\/)|\\
\nc>ce>e g>gc’>c’|a>a (~a^g\/a\/)|f>f (fe\/f\/)|dd (c\/B\/A\/G\/) cegc’|\\
\ng(e\/f\/) ge cc\/c\/ cc|ee\/e\/ ee gg\/g\/ gg|c’2c’>c’c’2:|\\
\n|BB\/2B\/2 BB BBBB|BB\/2B\/2 BB BBBB|\\
\nBB\/2B\/2 BB\/2B\/2 (B\/2G\/2).A\/2.B\/2 .c\/2.d\/2.e\/2.f\/2|\\
\n“^FF”[g4B4D4]g3 g|gg\/2g\/2 gg gggg|gg\/2g\/2 gg gggg|gg\/2g\/2 gg\/2g\/2 g2||\\
\n“^P Flutes 8va”Bc|e>d (d2d).e.f.g|(g>d) B2 z2 B>d|\\
\nc2dc B>AB>c|(B>A) A2 z2 (AB)|\\
\nc4 {dc}(BAGF)|d4 {ed^c} (defg)|g4 fedc|”^8va”(Bc^cd) (AB=c^c)|\\
\n(ed) (.d2d).e.f.g |g>d B2 z2 (Bd)|c2 d>c (BABc)|BA A2 z2 AB|\\
\nc4 (BAGF)|d4 (^cdef)|(ge)cA (FA)dc|(c4B2) (AB)|c4 (BAGF)|\\
\n(d4d)efg|g3d d^c=cA|”^FF”G4 z2 B2|\\
\nd2 g2 b2 g2|”^FF”(d4d)(e\/d\/) (c\/B\/A\/G\/)|\\
\n.F.G.A.B .c.d.e.f|”^FF”[D4c4g4] z2 B2|d2 g2 b2 g2|\\
\n(d4d)(e\/d\/) c\/2B\/2A\/2G\/2|F2 A2 c2 F2|\\
\n.G.g.f.e .d.c.B.A|GABc defg|g2 B>B c>c^c>c|d>de>e d2f2|\\
\n“^F”gg\/2g\/2 gg .g.d.g.b|\\
\n“^Cres.”gg\/2g\/2 gg .g.d.g.b|”^F”gdgb “^FF”gdgb|\\
\n“^FF”[D4B4g4] [D3B3g3] [DBg]|[D4B4g4]z4|]<\/p>\n

X:34
\nT:King Pipping Polka. TLY.034
\nM:2\/4
\nL:1\/16
\nQ:1\/4=120
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Polka
\nO:England.
\nA:Lancashire.
\nN:Wrong key sig presumably. Compare other versions. CGP.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:C
\n“_try in other keys”A2Ad “^P”f4|g2gB f4|f2e2 efe2|\\
\ne2d2 ded2|A2Ad f4|g2gB f4|!
\nf2e2 efe2|d2d2d2::aaa2 AAA2|B2A2 GBA2|”^P”f2e2 efe2|e2d2 ded2|!
\naaa2 AAA2|B2A2 ABA2|f2e2 edec|d2d2d2::”^F”d2dg B2de|d2c2 c4|!
\n.D.E.F.G .A.B.c.d|.e.f.g.a b4|d2dg B2de|d2c2 c4|\\
\n.F.G.A.B .c.d.e.f|g2g2g2z2:|!
\n|:”^F”d2f2 A2(3fed|c2b2b2 A2|e2g2 A2(3gfe|d2d2d2 z2|d2f2 A2(3fed|\\
\nc2b2b2A2|!
\ne2g2 A2(3gfe|d2d2d2 z2::d2(dg) B2(de)|d2c2 c4|.D.E.F.G .A.B.c.d|!
\n.e.f.g.a b4|d2dg B2de|d2c2 c4|.F.G.A.B .c.d.e.f|g2g2g2 z2:|<\/p>\n

X:35
\nT:Very Favorite Duett. TLY.035
\nM:3\/4
\nL:1\/8
\nQ:3\/4=40
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nf4 gf\/2g\/2|a2 f2 d2|b3 c’d’b|a2 f2 d2|!
\ne3 fge| fdfad’b|(ba)(ag)(gf)|f4e2:|!
\n|:e3 fge| fdfad’b| baaggf|f4 e2|f4 gf\/2g2|a2f2d2|!
\nb3 c’d’b| a2 f2 d2|e3 fge|fdfad’b | agfedc|d4 d2:|!
\n|:fdfdge| afgefd|bfbfd’b|afgefd|!
\nAcegec|dfac’d’b|afgefd|1fedcBA:|2f4 e2||!
\n|:Acegec|dfac’d’b|afgefd| f4 e2|fdfdge| afgefd|!
\nbgbgd’b|afgefd|Acegec|dfac’d’b|agfedc|d4 d2|]<\/p>\n

X:36
\nT:My Ain Kind Dearie. TLY.036
\nM:4\/4
\nL:1\/8
\nQ:1\/4=100
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Air
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:A
\nc>B|”_As written”{AB} cEEF A>BAc| B>c d\/2c\/2B\/2A\/2 cFF c>B|cEEF A>BA a\/2e\/2|!
\nf>e f\/2g\/2a\/2e\/2 cAA c>B| cEEF A>B A\/2c\/2e\/2c\/2|\\
\nB\/2d\/2c\/2e\/2 d\/2c\/2B\/2A\/2 cFF c>B|!
\ncEEF A>B A\/2e\/2a\/2e\/2| f>e d\/2c\/2B\/2e\/2 cAAe|\\
\n~f3\/4e\/4f\/2g\/2 ac d>cde fA|!
\nB\/2A\/2B\/2c\/2 d\/2c\/2B\/2A\/2 cFF c3\/4B\/4|\\
\ncEEF A>B A\/2c\/2a\/2g\/2| ~f>e f\/2g\/2a\/2e\/2 cAA|]<\/p>\n

X:37
\nT:Scotch Air. TLY.037
\nM:4\/4
\nL:1\/8
\nQ:1\/2=60
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Air
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\n(f>g)|a3 b (a>f)(ed)|(e>d)(ef)B3 d|\\
\n(A>B)(AF) A2 (dA)|F2 (A>B)A2 (d\/e\/f\/g\/)|!
\na3 b (a>f)(ed)|(gf)(ed) {c}B2 (f>e)|\\
\n(d<B)(A<F) A2 (d>e)|{de}f2 (~e>d)d2||!
\n|AG|F3 A (~B>A)(B>d)|~e>def B3 b|\\
\na>b(af) (gf)(ed)|g>b (b\/a\/g\/f\/) e2 (a>g)|!
\n(ga)(bc’) d’2 (c’>b)|(af)(ed) B2 (f>e)|\\
\n(d<B)(A<F) A2 (d>e)|(d\/e\/f) (~e>d) d2|]<\/p>\n

X:38
\nT:Quadrille. TLY.038
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Quadrille
\nO:England.
\nA:Lancashire.
\nN:There is a ‘signo’ at start of first bar and at the end of the tune,
\nN:with a DC sign at the end also. Second note of 7th. bar is assumed to
\nN:be b as in third bar (ledger line missing
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nd\/2e\/2|f2f fef|a3f3| gbg edc|!
\ndfd A2 d\/2e\/2|f2f fef|a3f3| gbg edc|d2e d2:||!
\nc\/2d\/2|ecA ecA| g3 e3| fga agf| ecA A2 f\/2g\/2|!
\nafd afd| d’3 b3|c’d’e’ d’c’b|aba”^DC” gfe|]<\/p>\n

X:39
\nT:Campbells Are Coming,The. TLY.039
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Jig
\nO:England.
\nA:Lancashire.
\nN:No keysignature given in original, but probably D. At end it is marked
\nN:DC – I’ve used chord notation to cheat
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:C
\nG|”_As Written”cea gec|[Ge][Ge][Ge] [G2e2] d|cea gec|\\
\n[Ge][Ge][Ge] [G2e2] e|cea gec|!
\ne2 g (c’2d’)|(e’d’)c’- c'(ba)| gaf efd:||G|c2c cde| G2G GED|!
\nc2c cde|A2A A2B|cdc cBA| GAB c2d|edc cBA|gaf “D.C.”efd|]<\/p>\n

X:40
\nT:Waltz,1. TLY.040
\nM:3\/8
\nL:1\/16
\nQ:3\/8=50
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Waltz
\nO:England.
\nA:Lancashire.
\nN:No key signature given in MS.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:F
\n“No key sig in MS”cB|(Ac)f2 cB|(Ac)f2 (fa)|\\
\n(eg) c2e2|f2a2 (cB)|(Ac)f2 cB|!
\n(Ac)f2 (af)|(eg)c2e2|f4::(ef)|(ga)b2 ge|(fa) c2ef|!
\n(gf)(ed)(cB)|B2A2 (ef)|(ga) b2(ge)|\\
\n(fa) c2(fe)|dcBA (Ge)|f4:|<\/p>\n

X:41
\nT:Aria. TLY.041
\nM:3\/8
\nL:1\/8
\nQ:3\/8=50
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Air
\nO:England.
\nA:Lancashire.
\nN:25 bar marked cresc. 32nd. bar first crotchet marked pause, last quaver
\nN:A marked p. 45th. bar marked fort
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nA|ddd|d2e| (fg).e|d2e| fff| f2g| (ab).g| f2 (d’\/c’\/)|!
\nbbb| b2 (b\/a\/)| ggg|g2 (a\/g\/)| (fe).d| (ag).f| eee|e2:|!
\nA|aaf| g2e| ffd| e2A| d2d| e2e|f>af| e2a|!
\n“Cres.” b>c’b| (d’c’).b| a>ba| (ba).g|f>ga| (ag).f| eee| e2A|!
\nA>BA|AB=c| (=c3|B2) B|B>cB|Bcd|(d3|c2) A|!
\nBdB| cec| dfd| ege| f>ga| (gf).e|d’3| b3|!
\na>gf| (gf).e| d’3| bc’d’| a>gf| (gf).e| ddd|!
\nd\/c\/d\/e\/f\/g\/| afd| (AB).c|dd’d’|d’3:|<\/p>\n

X:42
\nT:Song of Liberty. TLY.042
\nM:3\/4
\nL:1\/8
\nQ:3\/8=50
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Air
\nO:England.
\nA:Lancashire.
\nN:The incorrect bar lengths in the third and fourth parts have been left
\nN:as in the manuscript
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\n“_As written”D2|G>GB>Bd>d| db g2 (3Bdg| a2e’2 (3Adf| g2 b2 D2|!
\nG>GB>Bd>d| db g2 (3Bdg| a2e’2 (3Adf| g2:|!
\n|:(3Bdg| (3Adf a2 (3Adf | (3Bdg b2 (3Bdg| (3Adf a2 (3Adf|\\
\n(3Bdg b2D2|!
\nG>GB>Bd>d|d<b g2 (3Bdg| a2e’2 (3Bdf| g2:|!
\n|:B>c|d2 Bce| d2 Bce| d2 Bge| d2d2 B2|!
\nc2 Afd| af (3c’\/b\/a\/ (3g\/f\/e\/| d2 (3Bdg (3Adf| g2:|!
\n|:d>c|B2 GdB| gd b\/a\/g\/ g\/f\/e\/| d2 Afd| ag (3cba (3gfe|!
\nd2 Bgd|bg d’\/c’\/b\/ a\/g\/f\/| e2 ceg| dfa|g2:|<\/p>\n

X:43
\nT:Slow March,2. TLY.043
\nM:4\/4
\nL:1\/8
\nQ:1\/2=60
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.March
\nO:England.
\nA:Lancashire.
\nN:bar 1 is marked with a sign. Bars 9,10, 1313 and 14 are marked f, and
\nN:have dotted quaver-semiquaver crothcet rhythm marked under the crotchet
\nN:rests. End of bar 16 is marked with a sign. Minim A in bar 24 is marked
\nN:accented
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\n(d\/e\/d\/c\/)|:”S”B2 B>B B2 ~c2|d3 ^d (ef)(ge)|\\
\n(ed).B.d (dc)(cB)|{B}A2A.A A2 (d\/e\/d\/c\/)|!
\nB2 B>B B2 ~c2|d3 ^d (ef)(ge)|(ed).B.d (dc).B.A|G2 G>G G2:|!
\n|:g2|f2 z2 z2 g2|f2 z2 z2 b2|(ab)(c’b) (ag)(fg)| a2 a>a (ab)ag|!
\nf2 z2 z2 g2|f2 z2 z2 b2|(ab)(c’b) (ba)(ag)|\\
\n(gf)(fe) (ed)”S”(cB)||!
\nz2|(d3e\/d\/) (cB).c.A| G2 G>G (F\/G\/A\/B\/ c\/d\/e\/f\/)|\\
\n(gfed) (edcB)| (B3c\/B\/) AB(c^c)|!
\n(d3e\/d\/) (cB).c.A| G2 G>G (F\/G\/A\/B\/ c\/d\/e\/f\/)|\\
\n(gf).e.d d2 (ef)|(a4g2):|<\/p>\n

X:44
\nT:Marquis(of Harlington),The. TLY.044
\nT:Dearest Dickie,aka. TLY.044
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Jig
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:GMin
\nF|BAB cBc|dcd Bcd|efe dcB|ABc F2F|!
\nBAB cBc| d2d =e2 b|agf =efg|f3-f2:|!
\n|:d\/2e\/2|fdB Bcd| efg cde| dfe dcB| AcA FGA|!
\nBFB dBd|fga bfd|cde FGA| G3-G:|<\/p>\n

X:45
\nT:Waltz,2. TLY.045
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Waltz
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\nD4 G2|B4 d2|^cdedcd| A6|!
\n(DE).F.G.A.B| cBcAdc|BdGBAF|G2z2:|!
\n|:d2|g2g2g2|g2g2g2|g2gfgf|g4 z2|f2a2e2|f2a2e2|f2 agfe|d2z2:|!
\n|:z2|b4 a2|g4 ab|c’2 c’2 b2|b2 =g2a2|a4 g2|f4 ga|b2b2a2| g2 z2:|!
\n|:z2|e6|f6|g2b2b2 | f6|g2b2b2 |f6|g2 gf g2| a2ab a2|!
\nb2 babd’|{d’} c’4a2| b2 babd’| {d’}c’4 a2|\\
\nb2 g2g2|g2 bagf| g2g2g2| g2 z2:|<\/p>\n

X:46
\nT:Irish Washerwoman. TLY.046
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Jig
\nO:England.
\nA:Lancashire.
\nN:Untitled in MS.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\nd\/2c\/2|BGG DGG|BGB dcB| cAA EAA| cAc edc|!
\nBGG DGG|BGB dcB|cBc Adc|BGGG2:|!
\n|:g\/2a\/2|bgg dgg|bgb bag|aff dff|afa agf|!
\negg dgg|cgg Bgg|cBc Adc|BGG G2:|<\/p>\n

X:47
\nT:Waltz Mozart,4. TLY.047
\nT:Mozart Waltz,4. TLY.047
\nM:3\/4
\nL:1\/4
\nQ:3\/4=50
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Waltz
\nO:England.
\nA:Lancashire.
\nN:Start of B music is marked f. Start of C music is marked p. Last beat
\nN:of 8th. bar of D music is marked p
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:C
\nG|GGG| GGG| (G3|c) z G|GGG | GGG| (G3|d) z G|!
\neee| fdB|ccc |{Bd}cBA| Gce| gfd|d3 c z||!
\n|:g|(c’\/b\/c’\/b\/c’\/b\/)| (c’\/b\/c’\/b\/c’\/d’\/)| e’2 c’| g2 g|!
\nf2 d|c\/B\/A\/G\/A\/B\/| cce| c z:|!
\n|:(c\/e\/)|g\/^f\/g\/a\/b\/c’\/| c2 (d\/c\/)|B\/c\/d\/e\/f\/g\/| (fe) (c\/e\/)|!
\ng\/^f\/g\/a\/b\/c’\/|c2 (d\/c\/)|G\/A\/B\/c\/d\/e\/|c2:|!
\n|:E|e e3\/4e\/4e| e2 d| cBA| GBE| e e3\/4e\/4e| e2 d| cBA|e2 c\/e\/|!
\n|g\/^f\/g\/a\/b\/c’\/| c2 (d\/c\/)|B\/c\/d\/e\/f\/g\/|!
\n(fe) c\/e\/|g\/^f\/g\/a\/b\/c’\/|c2 (d\/c\/)|.G\/.A\/.B\/.c\/.d\/.e\/|c2:|!
\n|:~G|(ec) .G|(cG) .E| (Fd) .B| (ce) ~.G|(ec) .G|\\
\n(cG) .E|FdB| c z:|!
\nd|dcB| BAG| c\/B\/ cd| e2 c| dcB|BAG| c\/d\/ed| c2:|<\/p>\n

X:48
\nT:Michael Wiggins in Ireland. TLY.048
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Jig
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nA|dfe dcB|ABA AFA| DFA dfa| baf e2A|!
\ndfe dcB|ABA AFA| DFA dfa|gfe d2||!
\nf|afd dfa| b2 a g2 f| gab afd| cee efg|!
\nafd dfa| b2 a g2 f| gba gfe| fdd d2||!
\ng| fdf ece| dBd {B}AFD| EFE EFA| agf e2g|!
\nfdf ece| dBd {B}AFD| DFA Bgf|edc d2|]<\/p>\n

X:49
\nT:Waltz,3. TLY.049
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Waltz
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\nB2B2B2| (dc)(cA) A2|(FA)(Ac) B2|(Bd)(dg) g2|!
\nB2B2B2| (dc)(cA) A2|(FA)(Ac) BA| G6:|!
\nd4 (Ad)| fdAdfd| ge^cege| fdaf d2|!
\nd4 (Ad)| fdAdfd| ge^cege| d6||!
\n(dc)(dc)(dc)|dcBA G2| AGFE D2| GABc d2|!
\n(e^d)(ed)(ed)| (ed)(cB)(AB)| cBAG FA| G6|]<\/p>\n

X:50
\nT:Lancers Sett of Quadrils No.1. TLY.050
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Quadrille
\nO:England.
\nA:Lancashire.
\nN:Pause mark over double bar line at end of A music. DC at end of tune.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D min
\ncdc| a2a g2g|f2 c cdc| b2b a2a| g2 z cdc|!
\na2a g2g| f2 c cdc| d2 g cde| f2 z||!
\ncdc| e2e f2f| ^f2 g cdc| BcB ABA| G2 z cdc|!
\na2a g2g|f2f fed| c2A B2G| F2z||!
\nABA| d2d f2f| e2 A ABA| d2d f2f| e2 z ABA|!
\nf2f e2e| d2d _e2e| d2d ^c2c|d2 z||!
\nABA| ^c2c d2d| ^d2e ABA| GAG FGF| “^cr”E3 ABA|!
\nf2f e2e| d2d _e2e| d2d ^c2c| “^DC”d2z|]<\/p>\n

X:51
\nT:Lancers Sett of Quadrils No.2. TLY.051
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Quadrille
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:A
\nA2AA2 B|c2A e3|A2A A2A| B2c dcB|!
\nA2A A2B| c2A e3| e2f =gfe|B2c dcB||!
\ne2e e2e| c2A e3|e2e e2e| B2c dcB|!
\ne2e e2e|c2 A e3| e2f =gfe| B2c dcB||!<\/p>\n

X:52
\nT:Lancers Sett of Quadrils No.3. TLY.052
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Quadrille
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:Bb
\n“as writ”F2| B2B>B B2B2| B3F GABc|d2d>d d2d2|!
\nd3A Bcde|f2f>f f2b2| f2de fedc| B6||!
\nF2|B2B2 AGAF|B2B2 AGAF| B2Bc edcB|!
\nABcd cFGA| B2B2 AGAF| B2Bc ceAc| B6||!
\nB2|A2f2f2f2|fedc B2B2| A2F2 F2GA|(BA)(Bc) (dc)(dB)|!
\nA2f2f2f2|fedc B2b2|B2b2 fedc|B4 b2|]<\/p>\n

X:53
\nT:Lancers Sett of Quadrils No.4. TLY.053
\nT:If The Life Of A Man,aka. TLY.054
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Quadrlle
\nO:England.
\nA:Lancashire.
\nN:DC at en
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\n(F\/G\/)|A>BA A>BA|d2A A2 F\/2G\/2|A>BA A>BA e2 A AFA| A>BA A>BA|!
\nd2A e2A| f>ed A>dc| d2 D D3||f>ed f>ed| e2A A3|!
\nf>ed f>ed| g2e e3| f>ed f>ed| gfe a2 g| f>ed A>dc| d2 D”^DC” D3|]<\/p>\n

X:54
\nT:Lancers Sett of Quadrils No.5. TLY.054
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Quadrille
\nO:England.
\nA:Lancashire.
\nN:Pause mark at end of A strain.The tune runs out at . The end of the
\nN:page and the next page is missing from the photocopy.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\nd^cd| g2g BAB| d2 d gd^d| eAB cDA| G2F d^cd|!
\ng2g BAB| d2d fd^d| ecA G2F| G3||!
\nA2A | AGF ddd| d^cB g2g| gfe edc| ^cBA G2G|]<\/p>\n

X:55
\nT:Jig,Untitled. TLY.055
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Jig
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\nD| G2G B2B| AGA G3| B2B d2d| cBc B2 D|!
\nG2G B2B| AGA G3| B2B d2d| cBc B2c|!
\nd2Bd2B| d2B d2d| e2cc2e| dec B2A|!
\nGAG B2A|G>AG B2A| G>AG d2c|BcA G3|!
\nG>AG B2A| G>AG B2A| GBc ded| cBA G2|]<\/p>\n

X:56
\nT:Yellow (Haired Laddy). TLY.056
\nM:3\/4
\nL:1\/8
\nQ:3\/4=30
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Air
\nO:England.
\nA:Lancashire.
\nN:Title is indecipherable, apart from Yellow, but tune is “Yellow Haired
\nN:Laddy”. Pause mark over last beat of 6th. bar of B
\nN:music.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:Eb
\nE>F|G2B2 c>d| e3f g2|B2 (cB)(AG)|(G2F2) E>F| G2 B2 c>d|!
\n(e>d)(e>f)s g2|B2 ag fg| e4::ef|g2 (ag) (fe)| d2 (fd) (cB)|!
\n(c>d e2)G2| (G2F2) E>F| G2 B2 c>d|\\
\ne3 f g2| B>e BG F>E|E4:|<\/p>\n

X:57
\nT:Getting Up Stairs. TLY.057
\nT:Such A Getting Upstairs,aka. TLY.057
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Misc.
\nO:England.
\nA:Lancashire.
\nN:A noted Morris dance tune.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\nG2| B2c2d2G2| B2c2 d4| e2d2 c2B2|A2B2 c4|\\
\nB2c2d2G2|!
\nB2c2 d4| e2d2 c2B2|A2B2 c4||
\ndc|B2G2 D2G2| FGAB c2dc|!
\nB2G2D2G2| FGAB c2dc|B2G2D2G2| FGAB G4 dc|!
\nBABG D2G2| FGAB cAdc| BABG D2G2| FGAB G4|]<\/p>\n

X:58
\nT:Jim Crow Quadrilles (1). TLY.058
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Quadrille
\nO:England.
\nA:Lancashire.
\nN:Sign at start of tune and add end of B music. D.S at ebd if C musi
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\nB2d2c2e2|B2d2 A4|BBBB c3c|B2A2 G4|\\
\nB2d2c2e2|B2d2 A4|BBBB c3c|d2f2 [g4c4]||!
\nB4c4|B2B2 A4|BBBB c3c| B2A2 G4|\\
\nB4 c4| BBBB A4|BBBB c2c2|B2A2 G4||!
\n[E4c4] [D4B4]| e2e2 d4| dddd e2dc| B2A2 G4|\\
\n[E4c4] [D4B4]| e2e2 d4| dddd e3e| d2F2G4|]<\/p>\n

X:59
\nT:Jim Crow Quadrilles (2). TLY.059
\nM:2\/4
\nL:1\/8
\nQ:1\/2=80
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Quadrille
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nA|d3 f|a3 b|ageb| afdA| d3 f| a3a| dfac| d2z2||!
\nd| edcB| cA A2| Bcde| fd d2| edcB| cA A2| BF^GE| BAA a|!
\n(b\/a\/g\/f\/) e(e\/g\/)| ff\/c\/ dd\/^g\/| BA za| (b\/a\/g\/f\/) e(e\/g\/)|!
\nb\/a\/g\/f\/ ee\/g\/| (fg\/a\/) (gg\/b\/)| a3a|]<\/p>\n

X:60
\nT:Jim Crow Quadrilles(3). TLY.060
\nT:Dingles Regatta,aka. TLY.061
\nM:6\/8
\nL:1\/8
\nQ:3\/8=110
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Quadrille
\nO:England.
\nA:Lancashire.
\nN:Sign at start and end of B. DC at end of C musi
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\nB\/2c\/| “_As written”d2d e2d| B2B d2c| A2A AGA| B3 G2 B\/2c\/2|!
\nd2d e2d| B2B d2c| A2A AGA| G3-G2||!
\ng| fef def| g3 d2B| c2d B2c| B3 A2g|!
\nfef def| g3e3|c2 ABc| dfe dBc||!
\nB| e2e g2g| fef B2B| c3A F2 B| G3 E2 B|!
\ne2e g2g| fef B2B| c2A F2 B|EFG ABc|]<\/p>\n

X:61
\nT:Jim Crow Quadrilles (4). TLY.061
\nM:2\/4
\nL:1\/8
\nQ:1\/2=100
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Quadrille
\nO:England.
\nA:Lancashire.
\nN:Pause mark at end of A. DC at end of
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:C
\ncGEG| cee2| Adfd| c2 BG| cG EG| ccc z||!
\ne(3c\/d\/c\/ Ge|d(3B\/c\/B\/ GG| cBAG| ^F>GAA|\\
\nB3B| dcBA| G2 B>A| G2 zE|!
\n.F.A.D.B|ce EG| FADB| c2 zg|\\
\n.e.c.A.f| dBGe| cAdB| c3 z|]<\/p>\n

X:62
\nT:Jim Crow Quadrilles (5). TLY.062
\nM:2\/4
\nL:1\/8
\nQ:1\/2=90
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Quadrille
\nO:England.
\nA:Lancashire.
\nN:DC art en
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nd|cAAA|ceec|dcBc|d3 E|F>GA>F|G>AB>G|A2c2|d3||!
\nd|cAAA|ceec|dcBc|d3 d|c>dB>c| A>Bc>A|EFEC|D3E|!
\nEDEF| (GF)(GE)|F2D2| G3 z|F>GA>F|G>AB>G|A2c2|d3||!
\nd|c>eA>B| c>de>c|d>fB>c|d3z|F>GA z|G>AB z|A2 c2| d3|]<\/p>\n

X:63
\nT:Green Hills. TLY.063
\nT:Green Hills Of Tyrol. TLY.063
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Air
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:Bb
\nFBc|d3 Bde|f3 deg| fdcA eg| fdBF Bc| d3 Bde|f3 deg|!
\nfecF Ac| B2 z||f2| b4 (ag)| gf f2 g2| fe e2f2| (ed) d2 z g|!
\nb4 ag| (gf) f2 g2| f=e e2 c2| f3 cac| a3 cec| fgegfg|!
\nefdfcf| B3||FBc|d3 A^fA| d3 edc| BABd cA| B3 FBc|!
\nd3 A^fA| d3 edc| BABdcA| B2 z2 f2|b4 ag| gf f2 z g|!
\nfe e2f2| ed d2 f2| b4 (ag)| gf f2 z g| fe e2 a2| b4|]<\/p>\n

X:64
\nT:Bob And Joan. TLY.064
\nT:Bobbing Joan. TLY.064
\nM:3\/2
\nL:1\/8
\nQ:1\/2=80
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Double H\/Pipe
\nO:England.
\nA:Lancashire.
\nN:Time sig. is given in MS as 2\/2 – is in fact 3\/4 3rd. note 2nd. bar –
\nN:assumed a although ledger line missing. No title is given in the MS,
\nN:although a slightly different version appears earlier on as Bob And
\nN:Joan. TLY.005.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\ndfag f2| dfag fa|b>agf g2|e>feA ce:|!
\n|:fdBc d2|fdBd ce|fdBc d>f|e>feA ce:|<\/p>\n

X:65
\nT:Waltz,4. TLY.065
\nM:3\/8
\nL:1\/16
\nQ:3\/8=50
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Waltz
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nA2F2d2|d4 c2|B2G2e2|e4 d2| c2A2a2|a4 g2|!
\nfgag fe| d4 AB| A2F2d2|d4 c2|B2G2e2|e4 d2|!
\nd2c2B2|A2B2c2| dcdf ec|d4||f2| g2e2c2|A2G2E2|!
\nF2A2d2|f2d2a2| ^gabagf| edcB AG| F2A2d2| f2d2a2|!
\nF2A2d2|d4c2|B2G2e2|e4d2|cdedcB|AcBdce|dcdfec|d4:|<\/p>\n

X:66
\nT:Waltz,5. TLY.066
\nT:Pretty Poll,aka. TLY.066
\nM:3\/8
\nL:1\/16
\nQ:3\/8=50
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Waltz
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:Eb
\nA2|(GA)B2B2|(cd)e2e2|(F2G2A2)|(A2G2) e2|gfe(dcB)|e2g2b2|!
\nB2c2d2|e4::g2|(ba)f2f2|(fd)B2B2|(bg)e2e2|e2g2b2|!
\n(ba)f2f2|(fd)B2B2|(ed)(eg)(fd)|e4:||:c2|B3AG2|(e2d2)e2|!
\n(c2=B2)c2|A4F2|G3AB2|B3AG2|F3EF2|G4B2|!
\nB3AG2|(e2d2)e2|(c2=B2)c2|A4F2|G3AB2|B3AG2|F3EF2|E4:|<\/p>\n

X:67
\nT:Polka, by Jubin. TLY.067
\nM:2\/4
\nL:1\/16
\nQ:1\/4=120
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Polka
\nO:England.
\nA:Lancashire.
\nN:End of B is marked D
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\nc2(3cdc A2e2|d2d2 b3g|f2f2 a3f|g>fga b2g2|c2(3cdc A2e2|d2d2 b3g|!
\nf2f2 e3f|[g2B2][g2B2][g2B2]:|\\
\nf2((3fgf) a2d2|d2^c2 c4|g2 ((3gag) b2c2|e2d2 d4|!
\nb2(3bc’b e’2b2|b2 a4 f2|a2 g4 e2|fefg a2A2|\\
\nf2((3fgf) a2e2|d2=c2 c4|!
\ng2 ((3gag) b2^c2|e2d2 d4|b2(3bc’b d’2b2|b2 a4 f2|\\
\na2 g4 e2|d2d2d2||!
\nG2|.c2.e2.g2 ((3cdc)|B2d2=f2 G2|B2d2f2 (3aba|\\
\ng2 e4 G2|c2e2g2 ((3e^fe)|d2 =f4 ((3ded)|!
\nc2e4 ((3cdc)|B2 d4 G2|\\
\nc2e2g2 ((3cdc)|B2d2f2 G2|B2d2f2 ((3aba)| g2c2e2 G2|!
\nc2e2g2 ((3cdc)|B2d2f2 (3aba|g2B2d2 ((3ded)| d2f2d2|]<\/p>\n

X:68
\nT:No. 2 Polka. TLY.068
\nM:2\/4
\nL:1\/16
\nQ:1\/4=120
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Polka
\nO:England.
\nA:Lancashire.
\nN:DC at end of B part and at end of C part – DC at end of B part looks in
\nN:different handwriting to Tillasly’
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:C
\nEFG2 e2c2|A2A2 f4|Bcd2 b2a2| a2g2 e2c2|!
\nEFG2 e2c2|A2A2 a4|Bcd2 a2B2| c2c2c2:|!
\nf2 z2 a2ba|g2e2 e4| g2(3gag f2d2| c2e2e2 z2|!
\nf2 z2 c’2ba|g2e2 e4| g2(3gag f2d2|c2cd e2c2|!
\nf2 z2 d’2c’a|g2e2 e4| g2(3gag f2d2| c2e2e4|!
\nf2 z2 a2ba|g2e2 e4| g2(3gagf2d2| c2e2c2||!
\nK:F
\nc| .f2.f2.a2 z f|.e2.e2.g2 zg| .b2.b2.d’2 z d’| c’2a2a2 z c|!
\nf2f2a2 z f|d2d2b2 zb| d’2d’2c’2 zc|g2f2f2 z2|!
\nb2b2 d’2c’b| a2a2 c’2ba| g2g2 b2ag| a2bb c’4|!
\nb2b2 d’2c’b|a2a2 c’2ba|g2g2 b2ag| .f2.a2.f2|]<\/p>\n

X:69
\nT:Quadrils (1). TLY.069
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Quadrille
\nO:England.
\nA:Lancashire.
\nN:DC at end of B part, also at end of C part. DC at end of B part looks
\nN:to be a different hand to Tillasley’
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:C
\nG|c3 e3| c3-c2 (G\/F\/)|E2 E EDE| G2F E2G|!
\nd3 f3| d3 dcB| BAG GAB| (d3c2)||!
\nG| f2 d dcd| e2c cBc| d2 B GAB| c2 e c2 G|!
\nf2 d dcd| e2c cBc| d2B GAB| c3-c2||!
\ne\/2c\/2| A2 A Ae[cA] |B2B Bdf| e2e dcd| e2e ecA|!
\nA2A Aec| B2B Bdf| e2 e ^g2g| a3a2|]<\/p>\n

X:70
\nT:Quadrils(2). TLY.070
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Quadrille
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:C
\nce| gece g2a2| gece g2a2| g2g2f2e2| d^cde d2ce|!
\ngece g2a2| gece g2a2| gege fdfd | c2c2c2:|!
\n|:Bc| dBGB d2d2| ecGc e2e2| f2gf e2fe| dcde d2Bc|!
\ndBGB d2d2| ecGc e2e2| f2gf e2fe| d2d2d2:|<\/p>\n

X:71
\nT:Quadrils (3). TLY.071
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Quadrille
\nO:England.
\nA:Lancashire.
\nN:DC at end of B and C parts – not in Tildesley’s hand
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:F
\nc| caa egf| c3- c2 d|c2 A c2 A| c2B G2c|!
\ncaa egf| d3 dcB| Acc BGE| (G3F2)|]
\nA|BGE c2 B| Acf a2 f| bge c2B|Adc c2 A|!
\nBGE c2 B| Acf a2 f| egb d’be| (g3f2)||!
\nA|d3f3| e3 ge^c| dfa bge| d3 c2 A|!
\nd3 f3 |B3 e2g| f2 d e2 ^c| d3 d2|]<\/p>\n

X:72
\nT:Quadrils (4). TLY.072
\nM:6\/8
\nL:1\/8
\nQ:3\/8=100
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Quadrille
\nO:England.
\nA:Lancashire.
\nN:DC at end of B music (not in Tillasley’s hand?
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nA| d2e f2 e| d3- d2 A| BGB AFA| BGB A2 A|!
\nd2e f2e| d3- d2 a|agf ede| d3- d2 :|!
\n|:A\/2G\/2|F2 A d2 A| f2 d e2 c| d2 B A2 ^G| A3-A2 A|!
\ne3 efe | d3 def| g3 gag | f3- f2 A|!
\ne3 efe| d3 d2 f| efe dcB| A2 A A2:|<\/p>\n

X:73
\nT:Quadrils (5). TLY.073
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Quadrille
\nO:England.
\nA:Lancashire.
\nN:DC marked at end of B abd C music (not in Tildesley’s hand?
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\nd2dd d2dd| d2dd d2g2| G2B2 e2d2| d2d2 A4| !
\nc2cc e2ee| c2cc A2AA| F2e2d2F2| A4 G2z2:|!
\nB4 c2^c2| d2g2B2d2| A2e2 d2F2| G2A2B2c2|!
\nB4 c2^c2| d2e2f2g2| F2e2d2F2| A4 G2 z2||!
\nB2BB B2BB| B2BB B2e2| ^d2e2a2g2| g2b2 B4|!
\nB2BB B2BB| B2BB B2g2| f2e2 ^def=d|f4e2 z2|]<\/p>\n

X:74
\nT:Waltz,5. TLY.074
\nM:3\/4
\nL:1\/8
\nQ:3\/4=50
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Waltz
\nO:England.
\nA:Lancashire.
\nN:triplets are not marked after first bar in C part but simil
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:Bb
\nF2| B3 cdc| Bb B2 cB| AcFAcA| Bd F2F2|!
\nB3 cdc| Bb B2 cB| AcFAcA|B4:|!
\n|:B2|ABcdec|dfedcB|ABcdeB|df F2B2|!
\nABcdec|dfedcB|ABcdeB B4:|!
\n|:F2| (3BcB (3ded (3 fgf| bfd Bdf bfd|ecA FAc ecA| Bdf ecA FAc|!
\nBcB ded fgf| bfd Bdf bfd|ecA FAc ecA| Bdf ecA FAc|B4:|!
\n|:f2|=efgf_ec| (c2f2) B2|ABcdec| (d2B2) f2|!
\n=efgf_ec| (c2f2) B2|ABcdec| B2 B,2 \ud83d\ude10<\/p>\n

X:75
\nT:Fall of Paris. TLY.075
\nT:Downfall Of Paris,aka. TLY.075
\nM:2\/4
\nL:1\/16
\nQ:1\/4=80
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Air
\nO:England.
\nA:Lancashire.
\nN:A part has only 15 bars in MS. Pause mark at end of
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\nd2d>e d2d>e|d2d>e gfed|e2e>f e2e>f| e2e>f agfe| f2f>g f2f>g |\\
\nf2f>g| bagf| e2e>d e2e>d| efge cABc|d2d>e d2d>e|\\
\n“^Possibly a bar missing”d2d>e gfed|\\
\ne2e>f e2e>f| e2e>f agfe| f2f>d a3g| fede f2e2| d2d2 d4:| \\
\n|:a8| a2f2b2a2| g2g>f g2g>f| g2g>f g4| g8 g2e2a2g2| f2f>e f2f>e|\\
\nf2fe f4:||:(ABcd) (cBAG)| (FGAB) (AGFD)| d2d2e2e2| f2f2 e4|\\
\n(ABcd) (cBAG)| (FGAB) (AGFE)|d2e2f2e2| d2d2 d4:||:\\
\n.c2.d2.e2.f2| .g2.f2.e2.d2|\\
\n.c2.d2.e2.f2| .g2.f2 e4| (ABcd) (cBAG)|\\
\n(FGAB) AGFE|d2e2f2e2| d2d2 d4:|<\/p>\n

X:76
\nT:Duke of Yorks New March. TLY.076
\nT:Toreador?..TLY.076
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.March
\nO:England.
\nA:Lancashire.
\nN:Forte marked in 2nd beat, 8th. bar, piano marked in second 10th. barbea
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\na>a|f2 a>a f2 a>a| {g}gf\/g\/ e2 z2 g>g| e2 g>g e2 g>g|\\
\n{g} fe\/f\/ d2 z2 D>F|!
\nA2 F>A d2 A>d| f2 d4 a>d’| a2 f>a g2 e>a| f2 F\/G\/A\/F\/ A2 D>F|!
\nA2 F>A d2 A>d| f2 d4 a>d’| a2 f>a g2 e>a|d2 d>d d2e2|!
\nf2 z2 (f\/g\/) a>a {b}gg\/f\/| e2 e>e e2 f2| g2 z e\/f\/ gg {a}gf\/e\/|\\
\nf2 a>a a2 ag\/f\/|!
\nb2 d’>d’ d’2 {e’}d’c’\/b\/| a2 a>a a2 {b}ag\/f\/| ee\/e\/ ff\/f\/ gg\/g\/ ee\/e\/|\\
\nf2 z2z2 f>f|!
\nee\/e\/ ff\/f\/ gg\/g\/ ee\/e\/| f2 z2z2 f>f|\\
\nee\/e\/ ff\/f\/ gg\/g\/ ee\/e\/| d2 d’2 d’2|]<\/p>\n

X:77
\nT:Miss Bakers Hornpipe. TLY.077
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Hornpipe
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:F
\ncB|A2F2 FAGF| EG B2 BdcB| Acde fcdB| A2 F2 F2 cB|!
\nA2F2 FAGF| EG B2 BdcB| Acde fcdB| A2 F2 F2:|!
\n|:c2| fcAc fagf| gece gbag| afge fdgf| e2 c2 c2 fe|!
\ndcBA B2 ba| gfed c2 BA| Bcde fcdB A2 F2 F2|]<\/p>\n

X:78
\nT:Through The Wood Lady. TLY.078
\nT:Through The Wood Laddie,aka. TLY.078
\nM:3\/4
\nL:1\/8
\nQ:3\/4=30
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Air
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:F
\nFC| D2 DE FG| A2A2 fc| d2 fdcA| G4 FG|!
\nA3 B AB| A2 F2 FG| AG AB AG| A2 F2 DC|!
\nD2 DE FG| A2 A2 (3ABc| d2 fdcA| G4 (3ABc|!
\nd2 fd cA| cd cB AG| A2 D2 ~E2 | F4:|!
\n|:fc | d2 de fg| a4 fg| a2 ba gf| g4 fg|!
\na2 (bagf)| a2 f2 fg| ag ab ag| a2 f2 dc|!
\nd2 de fg| a4 fg| (a\/g\/f\/e\/) (f\/e\/d\/c\/) (d\/c\/B\/A\/)| G4 (3ABc|!
\nd>e fdcA| cd cB AG| A2 D2 ~E2 | F4:|<\/p>\n

X:79
\nT:Smith’s Hornpipe. TLY.079
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Hornpipe
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:A
\n(3efg| aece Acec| fdBG A2 Bc| defe dcBA| GABG E2 (3efg|!
\naece Acec| fdBGA2 Bc| defe dcAB| A2A2A2:|!
\n|:ed| ceAe ceAe| dfBf dfBf | ceAe ceAe| GBEB GBEB|!
\nceAe ceAe| dfBf dfBf| eagf edcB| A2A2A2:|<\/p>\n

X:80
\nT:A Favourite Hornpipe. TLY.080
\nT:Navvie On The Line,aka. TLY.080
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Hornpipe
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:A
\ncd| eagf edcB| AcEA c2 BA| GBEB d2cB| AcEA c2cd|!
\neagf edcB| AcEA c3 B| Afed cBAG| B2A2A2:|!
\n|:cB|AcEA c2BA| GBEB d2cB| AcEA c2BA| GBEB d2cB|!
\neagf edcB| AcEA c3B| Afed cBAG| B2A2A2:|<\/p>\n

X:81
\nT:Jubillee Hornpipe. TLY.081
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Hornpipe
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:A
\ned| cBAG Aaga| fedc dfed| cBAG ABcd| BAGF D2 ed|!
\ncBAG Aaga| fedc dfed| cBAG AGFE| DAGB A2:|!
\n|:ed| caea caea| dafa dafa| caea caea| BAGF E2 ed|!
\ncaea caea| dafa dafa| cBAG AGFE| DAGB A2:|<\/p>\n

X:82
\nT:Bang Up Hornpipe. TLY.082
\nM:C
\nL:1\/8
\nQ:1\/2=90
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.Hornpipe
\nO:England.
\nA:Lancashire.
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:F
\ncB| AFAc fcAc| Bdgf edcB| Acfe dcBA| G2G2G2 cB|!
\nAFAc fcAc| Bdgf edcB| Acfc AcGB| A2 F2F2:|!
\n|:ef| gfed cBAG| AFGA Bcde| fgaf bagf| e2 c2c2 cB|!
\nAFAc fcAc| Bdgf edcB| Acfc AcGB| A2 F2F2:|<\/p>\n

X:83
\nT:Granes March,2parts. TLY.083
\nM:2\/2
\nL:1\/8
\nQ:1\/2=60
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.March
\nO:England.
\nA:Lancashire.
\nN:triplets not marked in 6th. and 7th. bars, 9th, 10th, 13th., 14th. and
\nN:17th. bars in original
\nH:1860.
\nZ:vmp.Taz Tarry.
\nK:D
\n[V:1]|:f4 e4| d>dd>d d2 A2| a4 g4| f>ff>f f2 d2| f>ff>a e>ee>a|!
\n[V:2]|:d4 A4| F>FF>F F2 D2|f4 e4| d>dd>d d2 F2|\\
\nd>dd>f A>AA>f|!
\n%
\n[V:1]d>dd>f e2 A2| (3ded (3efe (3fgf (3efe|\\
\n(3aba (3gag (3fgf (3efe| d>dd>dd4:|!
\n[V:2]F>FF>d A2D2|(3FAF (3AdA (3ded (3AdA|\\
\n(3fgf (3efe (3ded (3AdA| F>FF>F F4:|!
\n%
\n[V:1]|:(3fgf (3fgf (3efe (3efe| (3gag (3gag f4|\\
\nf>ff>a e>ee>a| d>dd>f e2 A2|!
\n[V:2]|:(3ded (3ded (3AdA (3AdA| (3efe (3efe d4| d>dd>f A>AA>f|\\
\nF>FF>d A2 D2|!
\n%
\n[V:1](3fgf (3fgf (3efe (3efe| (3gag (3gag f4| a8|\\
\na8| (3aba (3gag (3fgf (3efe| d>dd>d d4:|
\n[V:2](3ded (3ded (3AdA (3AdA| (3efe (3efe d4|!
\n(~f8|~f8)|(3fgf (3efe (3ded (3AdA| F>FF>F F4:|<\/p>\n

X:84
\nT:Life Guards March,The,2parts. TLY.084
\nM:4\/4
\nL:1\/8
\nQ:1\/2=80
\nS:Wm.Tildesley,Swinton,Lancs.1860s.
\nR:.March
\nO:England.
\nA:Lancashire.
\nD:1860.
\nZ:vmp.Taz Tarry.
\nK:G
\n[V:1]|:D2| G2 GG GBAc| B2BB Bdce| dgfe dcBA| G2 GG G2 D2|!
\n[V:2]|:z2| z4 z2 D2|G2 GG GBAc|Bedc BAGF|G2GGG2 z2|!
\n%
\n[V:1]G2 GG GBAc| B2BB Bdce|dgfe dcBA| G2GGG2:|!
\n[V:2]z4 z2 D2|G2 GG GBAc|Bedc BAGF|G2GGG2:|!
\n%
\n[V:1]|:Bc|d2dd dgfe| d2dd d2 Bc| d2 dd dgfe| d2 dd d2 Bc|!
\n[V:2]|:z2|B2BB B2 AG| F2FF F2GA|\\
\nB2BB B2 AG| F2 FFF2 GA|!
\n%
\n[V:1]dBGB dBGB| cAFA cAFA| BGDG BGDG| A2AA A2 D2|!
\n[V:2]BGGB BGGB| AFFA AFFA|GDDG GDDG |\\
\nF2 FFF2 z2|!
\n%
\n[V:1]G2GG GBAc| B2BB Bdce| dgfe dcBA|G2 GG G2:|
\n[V:2]z4 z2 D2|G2 GG GBAc|Bedc BAGF|G2GGG2:|<\/p>\n","protected":false},"excerpt":{"rendered":"

%abc %%abc-alias Wm Tyldesley %%abc-creator ABCexplorer 1.3.7 [13\/12\/2009] %%abc-edited-by www.village-music-project.org.uk %VMP.Taz Tarry, 1999 %Revised 21\/05\/2003 %Revised again 11\/2008 %Revised again 12\/2009 X:1 T:Rule Britannia. TLY.001 M:4\/4 L:1\/8 Q:1\/4=100 S:Wm.Tildesley,Swinton,Lancs.1860s. R:.Air O:England. A:Lancashire. N:Bar line placed before the A in MS.I’ve corrected this as it does not N:affect the tune in any way.CGP. H:1860. Z:vmp.Taz Tarry. … Continue reading TYLDSLEY, Wm. ms ABC<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-709","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=709"}],"version-history":[{"count":1,"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/709\/revisions"}],"predecessor-version":[{"id":710,"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/709\/revisions\/710"}],"wp:attachment":[{"href":"https:\/\/www.village-music-project.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}