%abc
\n%%abc-alias George Watson
\n%%abc-creator ABCexplorer 1.3.7 [13\/12\/2009]
\n%%abc-edited-by www.village-music-project.org.uk
\n%VMP Taz Tarry, 2000.
\n%Revised 11\/2008
\n%Revised again 12\/2009<\/p>\n
X:1
\nT:Red Rose Polka. GHW.001
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nN:Pause sign over the last double bar line meaning Fine
\nZ:vmp.Taz Tarry
\nK:G
\n(Bcd2 efg2)|d2B2 (B^AB2)| d2A2 (A^GA2)|B2G2 (GFG2)|!
\n(Bcd2 efg2) |d2B2 (B^AB2)|(d2cB AcBA)| G2G2 G2 z2|!
\n(Bcd2 efg2)|d2B2 (B^AB2)| d2A2 A^GA2|B2G2 (GFG2)|!
\n(Bcd2 efg2) |d2B2 (B^AB2)|(d2cB AcBA)| G2G2 G2 z2||!
\nK:D
\n|:(ABA2 d2A2)|(c2B2) B2 z2|(EFG2) (GFE2)|(F2D2 DEFG)|!
\n(ABA2 d2A2)|c2B2 B2 z2|(ABcd egfe)|((3efe)d2 d2 z2|!
\n(ABA2 d2A2)|(c2B2) B2 z2|(EFG2) (GFE2)|F2D2 DEFG|!
\n(ABA2 d2A2)|c2B2 B2 z2|(ABcd egfe)|((3efe)d2 d2 z2:|!
\nK:G
\n(Bcd2 efg2)|d2B2 (B^AB2)| d2A2 (A^GA2)|B2G2 (GFG2)|!
\n(Bcd2 efg2) |d2B2 (B^AB2)|(d2cB AcBA)|(GABc defg)|!
\n(d2cB AcBA)|(G2B2 d2B2)|(G2B2 d2B2)|(G2B2 d2B2)|G2g2 g2 z2|]<\/p>\n
X:2
\nT:Country Dance Polka. GHW.002
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nN:As written!
\nZ:vmp.Taz Tarry
\nK:D
\n(3FGA BA|dA f2|fe fd|ed fd|!
\n(3FGA BA|dA f2|fe ac|ddd:|!
\n|:(3efe ^de|ac e2|(3efe dB|fe e2|!
\n(3efe ^de|ac e2|(3efe dB|ddd:|!
\n|:dg Bd|GB D2|BA cG|ed d2|!
\ndg Bd|Ad D2|BA cG|AG G2:|<\/p>\n
X:3
\nT:Pop Goes the Weasel. GHW.003
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Jig
\nO:England
\nA:Norfolk
\nN:mf indication at start of tune – assuming convention of notation under
\nN:the relevant stave – otherwise could be at start of B part.
\nN:Third bar of B part in MS appears as g3A3 e2 g – I have interpreted as
\nN:double stop first dotted crotchet, then crochet quaver
\nN:Rall sign over rests in penultimate bar of B part
\nZ:vmp.Taz Tarry
\nK:G
\nG2G A2A|(Bd)B G2z|G2G A2A|(B3 G2) z|!
\nG2G A2A|(Bd)B G2z|.e zz (A2c)|(B3 G2) z:|!
\n“^MF”g3 e2g|(faf) d2 z|[f3A3] e2 g|(f3 d2)z|!
\n.c z .B .c z .d|.e z .f .g zz|[eG] z z A2 c|(B3G2) z:|<\/p>\n
X:4
\nT:Bella Clara Polka. GHW.004
\nM:2\/4
\nL:1\/8
\nQ:100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nN:Pause mark of end of c part meaning Fine, DC mark at last
\nN:bar. 4th. bar of D music missing a beat in manuscript. Slur is marked
\nN:continuing into next bar. Also only 15 bars. Transcribed as in MS
\nZ:vmp.Taz Tarry
\nK:D
\nd|dB gd|fe A\/^G\/A|BA DA|BG G\/F\/G|!
\ndB gd|fe A\/^G\/A|BA DA|GGG:|!
\nz|A\/A\/F d2|d\/d\/A f2|(ea) (ea)|f2d2|!
\nA\/A\/F d2|d\/d\/A f2|(ea) (ea)|1 ddd:|2d2c2||!
\nz|dB gd|fe A\/^G\/A|BA Dc|AG G\/F\/G|!
\ndB gd|fe A\/^G\/A|BA DA|GGG||!
\nz|e3 f|g2c2|B3 A|”^cr”G4|!
\n(A2 f2)|G2 e2|d3 f\/e\/|d3 B|!
\nd3 f|g2 c2|B3 A|(A2f2)|!
\n(G2e2)|B3 e\/d\/|”^crs”ccc|]<\/p>\n
X:5
\nT:Holly Polka. GHW.005
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nN:Bars 7&8 (dG|g\/B\/ ccc) in MS.CGP
\nZ:vmp.Taz Tarry
\nK:C
\ne\/f\/|gcc B\/c\/|edA B\/c\/|dGG ^F\/G\/|age e\/f\/|!
\ngcc B\/c\/|edA B\/c\/2|dGgB| ccc:|!
\n|:A\/B\/|caa b\/a\/|gBB f\/e\/|cAA c\/B\/|GDD A\/B\/|!
\ncaa b\/a\/|gBB f\/e\/|dD D\/c\/B\/A\/|GGG:|!
\n|:A\/B\/|c\/c\/c d\/d\/d|c\/c\/c f\/f\/f|c\/c\/c g\/g\/g|c\/c\/c a\/a\/a|!
\nagd>e|gfc>f|1 fed>f|g2 cA\/B\/||2eca>g|fff||]<\/p>\n
X:6
\nT:Country Dance. GHW.006
\nT:If The Life Of A Man,aka. GHW.006
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Jig
\nO:England
\nA:Norfolk
\nN:Pause sign at end of A part -meaning Fine. Pause sign over second beat
\nN:of 6th. bar of B. DC at end of B
\nZ:vmp.Taz Tarry
\nK:D
\nF\/G\/|A>BA A>BA|d2 A A2 F\/G\/|A>BA A>BA|eeA AFG|ABA ABA|!
\nd2A e2A|f>ed A>dc|d2D HD2||z|f>ed f>ed|e2A A3|f>ed f>ed|!
\ng2 e e3|{d\/e\/}f>ed f>ed| gfe Ha2 g|f>ed A>dc|d2D D3:|<\/p>\n
X:7
\nT:Jenny Lind Polka. GHW.007
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nN:DC marked at end of each part.TT Meaning play ABAC? CGP.
\nZ:vmp.Taz Tarry
\nK:D
\nFA GB|Af f\/g\/f|Ge e\/f\/e|Fd d\/e\/d|!
\nFA GB|Af f\/g\/f|Ge e\/f\/e|ddd:|!
\n|:z|dB B\/c\/B|AF F\/G\/F|GE E\/F\/E|FD D\/E\/D|!
\ndB B\/c\/B|AF F\/G\/F|GE E\/F\/E|DDD:|!
\n|:z|e\/f\/e bc|ed d\/c\/d|e\/f\/e d^g|ba a\/^g\/a|!
\ne\/f\/e ac|ed d\/c\/d|e\/f\/e dB|AAA:|<\/p>\n
X:8
\nT:Little Polly Polka. GHW.008
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nN:Pause (Fine) mark at end of first part, but no DC marked in tune. 6th.
\nN:bar of C written asfe semiquaver, e quaver. Assumed meant same as 2nd
\nN:bar and transcribed as fe quaver, e quaver. Missing beat in 8th bar as
\nN:C part left as in MS
\nZ:vmp.Taz Tarry
\nK:D
\nAd d\/c\/d|Be e2|cc\/d\/ ec|df f2|!
\nAd d\/c\/d|Be e2|cc\/d\/ ec|df d2:|!
\n|:ce ce|ed d2|B\/wc\/d B\/c\/d|fe e2|!
\nce ce |df f2|ec e\/d\/c\/B\/|Ac A2:|!
\nK:G
\n|:d\/d\/d d\/d\/d|fe e2|^c\/c\/c c\/c\/c|fd d2|!
\nd\/d\/d d\/d\/d|fe e2|A\/A\/2A A\/A\/A|GBG:|<\/p>\n
X:9
\nT:Bird Polka. GHW.009
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:G
\nB|BB\/A\/ GG|gg\/f\/ e2|cc\/B\/ AA|ff\/e\/ d2|!
\nBB\/A\/ GG|gg\/f\/ e2|EA\/2B\/ “^d2EF in ms”dE\/F\/|GGG:|!
\n|:d|dB\/c\/ db|dB\/c\/ d2|eA\/B\/ cB\/c\/|dG\/A\/ B2|!
\ndB\/c\/ db|dB\/c\/ d2|F\/G\/A B\/c\/d|GGG:|!
\n|:d|dB\/d\/ dg|fe\/d\/e2|(eA\/B\/) ce|(dd\/c\/)B2|!
\ndB\/d\/ dg|fe\/d\/e2|A\/c\/f\/e\/ d\/c\/B\/A\/|GGG:|<\/p>\n
X:10
\nT:Polka. GHW.010
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:D
\n“^Key G in ms”A2|FGA2 GAB2|A2d2 f4|g2A2 cde2|a2d2 f2A2|!
\nFGA2 GAB2|A2d2 f4|g2A2 cde2|”^crs”d2d2d2:|!
\n|:f2|edc2 BAG2|^G2B2 d4|dcA2 BA^G2|A2c2 e4|!
\nedc2 cBA2|a2f2 d3f|edc2 dcB2|A2A2A2:|!
\nK:G
\n|:^d2ed cdef|g2B2 B4|A2fe dcBA|B2d2 G2B2|!
\nd2ed ^cdef|g2B2 B4|A2fe dcBA|G2B2G2:|<\/p>\n
X:11
\nT:Briton Polka. GHW.011
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nN:A number of bars have sets of three semiquavers, leaving a beat short.
\nN:I have interpreted these as two semi-quavers + quaver -which seems more
\nN:appropriate than quaver + two semiquavers. The bars affected are
\nN:1,3,5,7,10,12,14,17,19,21,2
\nN:Fine sign at end of A, DC at end of D part (note C part is in fact the
\nN:A part again
\nZ:vmp.Taz Tarry
\nK:D
\n“_NB”(df)A2 (Ad)F2|G2B2 B4|(eg)c2 (ce)A2|e2f2 f4|!
\n(df)A2 (Ad)F2|G2B2 B4|egc2 ceA2|d2d2d2 z2:|!
\nf3ff3f|gad2 dfA2|e3ee3e|efc2 ceA2|!
\nf3ff3f|gad2 dfA2|c2d2d2g2|g2^f2=f2z2||!
\ndfA2 AdF2|G2B2 B4|egc2 ceA2|e2f2 f4|!
\ndfA2 AdF2|G2B2 B4|egc2 ceA2|d2d2d2 z2|!
\nK:G
\nB2d2g3f|e2g2c3A|F2A2e3d|B2d2G3G|!
\nB2d2g3f|e2g2c3e|A2c2F3A|G2G2G2 z2|]<\/p>\n
X:12
\nT:Trip to the Cottage. GHW.012
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Jig
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:G
\nd|dBB BGG|cAA AFD|DGG FAA|BBB A2 d|!
\ndBB BGG|dAA AFD|DGG FAA|BGG G2:|!
\nd|gfe dcB|edc Bcd|edA dBG|FAA A2d|!
\ngfe dcB|edc Bcd|efg agf|edc d3||g2g2g2|]<\/p>\n
X:13
\nT:Polka. GHW.013
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nN:DC marked at end of each part in M
\nZ:vmp.Taz Tarry
\nK:D
\nA|Adc>d|feB>e|dcB>A|BAF>A|Adc>d|feB>e|dcf>e|ddd:|!
\nK:A
\n|:c|cea>b|agB>c|ddg>f|fec>d|efd>c|cBF>B|ABc>B|AAA:|!
\nK:G
\nz|d2Bg|g2f2|fcf>e|e2d2|d2gf|f2e2|e2ag|gfed|!
\nd2Bg|g2f2|fcf>e|e2d2|dgc>d|dc e2|dfb>a|g|]<\/p>\n
X:14
\nT:Soldiers Joy Reel. GHW.014
\nM:2\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Reel
\nO:England
\nA:Norfolk
\nN:DC marked at end of each part in M
\nN:Last bar marked ‘fine
\nZ:vmp.Taz Tarry
\nK:D
\ndB|AFDF AFDF|A2d2d2(cB)|AFDF AFDF|G2E2E2 dB|!
\nAFDF AFDF|A2d2d2g2|fafd egec|d2d2d2||!
\ng2|fdfg fagf|ecAc egfe|fdfg fagf|edcB A2g2|!
\nfdfg fagf|ecAc egfe|fafd egec|\\
\nd2d2d2||z3\/ “FINE”[d\/F\/] [d6F6]|]<\/p>\n
X:15
\nT:Circasian Polka. GHW.015
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:G
\nBB\/A\/ GA|Bdd2|cA A2|BG G2|BB\/A\/ GA|Bd d2|!
\ncAA2|BGG2:|\\
\n|:E\/G\/c\/e\/ ge|d\/e\/d\/B\/ GB|A\/B\/A\/F\/ Dd|G\/D\/G\/B\/ dd|!
\nE\/G\/c\/2e\/ ge|\\
\nd\/e\/d\/B\/ GB|A\/B\/A\/F\/ Dd|G\/D\/B\/A\/ Gz:|\\
\nK:C
\n|:G|g4|ag g\/e\/c|!
\ned d\/B\/G|dc c\/G\/E|g4|ag g\/e\/c|ed d\/B\/G|c3:|<\/p>\n
X:16
\nT:My First Step Polka. GHW.016
\nM:2\/4
\nL:1\/16
\nQ:1\/4=110
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nN:DC marked at end of tun
\nZ:vmp.Taz Tarry
\nK:C
\ne2g2 gage|c2e2 e4|d2f2 fgfB|c2a2g4|!
\ne2g2 gage|c2e2e4|d2g2 fga2|g2g2g2 z f|!
\ne2g2 gage|c2e2 e4|d2f2 fgfB|c2a2g4|!
\ne2g2 gage|c2e2e4|d2g2 fdB2|c2c2c2z2:|!
\nd2g2 fdBG|c2c2 agec|d2g2 fdBG|c2g2 g2g2|!
\nd2g2 fdBG|c2c2 agec|GABc defB|c2e2 c4:|!
\ne2g2 gage|c2e2 e4|d2f2 fgfB|c2a2g4|!
\ne2g2 gage|c2e2e4|d2g2 fdB2|c2c2c2||!
\nK:G
\nD2|B6 A2|G6F2|A2G2 D3G|F4E4|!
\nc6B2|A6G2|F2C2 F3E|D4 EFGA|!
\nB6A2|G6F2|A2G2 g3f|f4e4|!
\nf6 e2|d2B2 G3E|D2B2 B3A|G2G2G2:|<\/p>\n
X:17
\nT:Clara Polka,The. GHW.017
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nN:DC marked at end of tune
\nZ:vmp.Taz Tarry
\nK:D
\nFG|A2f2 fed2|A2f2 fed2|A2f2e2d2|c2B2B2 FG|!
\nA2f2 ggfe|A2f2 fed2|A2e2 efe2|d2d2d2:|!
\nK:A
\n|:cd|eeee f2e2|e2E2c2f2|e2E2B2f2|e2A2c2 cd|!
\neeee f3e|e2E2c2f2|e2E2B2e2|A2A2A2:|!
\nK:G
\ndc|B2G2 GFG2|B2d2 g3f|e2A2 A^GA2|c2e2 a3g|!
\nf2d2 d^cd2|ede2 fef2|g2Bc dcBA|G2AB cdef|!
\ng2G2 GFG2|B2d2 g3f|e2A2 A^GA2|c2e2 a3g|!
\nf2d2 d^cd2|ede2 fef2|g2Bc dcBA|G2G2G2|]<\/p>\n
X:18
\nT:Genny Bell. GHW.018
\nT:Jenny Bell?aka. GHW.018
\nM:4\/4
\nL:1\/8
\nQ:1\/2=72
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Schottische
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:D
\nG>A|B>G g2 f>d f2|e>d G2G2 A>B|\\
\nd>cB>c A2 B>c|e>dc>dB2 G>A|!
\nB>G g2 f>d f2|e>d G2G2 A>B|d>cB>c F3F |G2G2G2:|!
\n|:”qu”a2|a>g d2 A>d f2|g>fg>a a2 z g|\\
\ng>e c2 A>c e2|f>ef>g f2 z a|!
\na>g “qu”d2 A>d f2|g>fg>a g2 z g|g>fe>d c>de>c|d2d2d2:|!
\n|:A2|((3AAA) B2 ((3AAA) d2|((3AAA) B2 ((3AAA) f2|\\
\ng3 e e>de>g|f>e A2 A>G A2|!
\n((3AAA) B2 ((3AAA) d2|((3AAA) B2 ((3AAA) f2|\\
\na3 e e>de>f|d2d2d2:|!
\n|:d>B|c>e a4 f>a|b>a d4 g>f|f>e c2 c>ed>c|e>d B2B2 d>B|!
\nc>e a4 f>a|b>a d4 z g|g>fe>d c>de>f|g2g>f g2:|<\/p>\n
X:19
\nT:Black and Tan Polka. GHW.019
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nN:A flat in third to last bar left as in MS, but probably should be B
\nN:flat as in 6th. bar of last par
\nZ:vmp.Taz Tarry
\nK:G
\nd2|g2g2 fagf|e2e2d3B|c2c2 BdcB|ABAG FED2|!
\ng2g2 fagf|e2e2d3B|cedc BdcB|A2g2g2 d2|!
\ng2g2 fagf|e2e2d3B|.c2.c2 BdcB|ABAG FED2|!
\n.g2.g2 fagf|e2e2d3B|cedc BdcB|A2f2g2||!
\na2|f2e2d3 a|c2B2A3 A|a2e2 a3g|f6 f2|!
\nf2g2f3c|d2e2d3f|f2e2d3B|e6 a2|!
\nf2e2d3 A|c2B2A3A|a2e2 a3g|f6 f2|!
\n(f2e2 EGcB)|(E2D2 DEBA)|(EDEF GABc)|d2d2d2:|!
\nd2|B2d2g3e|g6 d2|B2d2g3d|f6 d2|!
\nc2d2g3d|a6 _b2|g2f2e3d|c2B2A3d|!
\nB2d2g3d|g6 d2|B2d2g3d|f6 d2|!
\nc2d2g3d|a6 _a2|g2f2e3f|g6|]<\/p>\n
X:20
\nT:Polka. GHW.020
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nN:rests added Bars 16,24. CGP
\nZ:vmp.Taz Tarry
\nK:F
\na2ef g2f2|e2d2 d^cd2|a2ce a2g2|g2f2 fefg|!
\na2ef g2f2|e2d2 d^cd2|a2d2 ceag|f2f2f2 z2:|!
\n|:G2e2 cBce|a2g2 g^fg2|=f2^c2 e2d2|d2B2 dcBA|!
\nG2e2 cBce|a2g2 g^fg2|g2G2e3d|f2f2f2z2:|!
\n|:f4 e3d|d2c2 c4|cd^de a2g2|fg^ga d2c2|!
\nf4 e3d|d2c2 c4|cdef a3g|f2f2f2z2:|<\/p>\n
X:21
\nT:Scoth(Scotch?) Polka. GHW.021
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:F
\nA\/B\/|c a2 g|f d2 d|cc\/d\/ cf|agg A\/B\/|c a2 g|f d2 d|c>c de|gff:|!
\n|:B|Ac c>B|Ac c>B|Ac fa|gg\/^f\/ gB|Ac c>B|Ac c>c|df eg| aff:|!
\nK:Bb
\n|:z2|F>G F>G|Fd d>d|ed cB|dc c2|F>G F>G|Fd d>d|fe dc|cBB:|<\/p>\n
X:22
\nT:M.B.Polka,The. GHW.022
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nN:Possibly ff marking at start of B part. Fine marked at end of C part. D
\nN:part marked ‘1st time f, 2nd time ff at start. 2nd. time at end of D
\nN:marked D.TT.. Last strain re-beamed.CGP
\nZ:vmp.Taz Tarry
\nK:G
\nB\/A\/B d\/^c\/d|ed G\/F\/G| F\/E\/F c\/B\/c|ed B2|!
\nB\/A\/B d\/^c\/d|ed G\/F\/G| F\/E\/F (d\/c\/B\/A\/)|GGG z:|!
\nK:D
\n|:Aff>d|A^GBA|Gee>c|AGcB|!
\nAff>d|A^GBA|Gec>A|ddd z:|!
\nK:G
\n“^FF”B\/A\/B d\/^c\/d|ed G\/F\/G| F\/E\/F c\/B\/c|ed B2|!
\nB\/A\/B d\/^c\/d|ag A\/^G\/A|c\/B\/c e>F|”^FINE”Ggg||!
\nK:C
\n|:e|cG\/G\/ GE|G3 e|cG\/G\/ GE|A3 f|!
\ndF\/F\/ FD|B3A|AG\/G\/ GE|G3e|!
\ncG\/G\/ GE|G3 e|cG\/G\/ GE|A3 f|!
\ndA\/A\/ Ad|cG\/G\/ Gc|BfA>B|1c3:||2c3 z|]<\/p>\n
X:23
\nT:Pergola Polka. GHW.023
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nN:Quavers left separated as in MS
\nZ:vmp.Taz Tarry
\nK:D
\nf A A ^G\/A\/|B g g2|g c c B\/c\/|d a a2|!
\nf A A ^G\/A\/|B g g2|g c c G\/A\/|d d d2:|!
\n|:e e f2| e e B2|e e f2|e e c2|!
\na a B2|f f A2|e e B3\/ c\/|d d d2:|!
\nd e d3\/ ^c\/|A3 B|G B d3\/ e\/|d3 g|!
\ng f g3\/ a\/|c3 e|e d d3\/ c\/|B3 d|!
\nd e d3\/ c\/|A3 B|G B d3\/ e\/|d3 d|!
\nd ^c d3\/ e\/|f3 g|f e B c|d2 z2|]<\/p>\n
X:24
\nT:Watson’s Quick Step. GHW.024
\nM:4\/4
\nL:1\/8
\nQ:1\/4=130
\nC:”Quickstep” in MS
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.March
\nO:England
\nA:Norfolk
\nN:Untitled in MS (except as Quickstep..CGP)
\nZ:vmp.Taz Tarry
\nK:F
\n((3cdc)|B>AG>A F>fe>d|c>BG>A B2 ((3cde)|f>ae>g d>fc>f|d>fc>f g2 c2|!
\nB>AG>A F>fe>d|c>BG>A B2 c2|d>gd>e c>d ((3efg)|f2e2f2:|!
\n|:((3efe)|d>^cd>f a>f d2|e>ce>g b>g e2|d>^cd>f a>f ((3def)|e2 c2 A2 c2|!
\nd>^cd>f a>f d2|e>ce>g b>g e2|d>ab>a g>f ((3efe)| d2 ^c2 d2:|<\/p>\n
X:25
\nT:Polka. GHW.025
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nN:First bar of B in MS is ‘fe>d a\/’ I’ve transcribed this as ‘fed3\/
\nN:a\/’ to make it fit time signature and reflect other occurences of this
\nN:pattern, especially 9th. bar of B. 14th. bar of B is split over a line
\nN:- seond half is ‘dfba’ in MS. I’ve transcribed this as ‘f\/d\/b\/a\/’
\nN:to fit time signature and established patter
\nZ:vmp.Taz Tarry
\nK:G
\nd|gg f\/a\/g\/f\/|eed>B|cc B\/d\/c\/B\/|A\/B\/A\/G\/ F\/E\/D|!
\ngg f\/a\/g\/2f\/|eed>B|c\/e\/d\/c\/ B\/d\/c\/B\/|Afg:|!
\nK:D
\n|:a|”NB”fed3\/a\/|cBA3\/A\/|aea>g|f3 f|!
\nfgf>c|ded>f|fed>B|e3 a|!
\nfed3\/A\/|cBA>A|aea>g|f3 f|!
\nfe e\/g\/c’\/b\/|ed “qus”d\/f\/b\/a\/|e\/^d\/e\/f\/ g\/a\/b\/c’\/|d’\/d’\/d’\/:|!
\n|:[dD]|Bdg>e|g3 d|Bdg>d|f3 d|!
\ncdf>d|[a3A3] _b|gfe>d|cBA3\/d\/|!
\nBdg>d|g3 d|Bdg>d|f3 d|!
\ncdf>d|a3 _b|gfe>f|g3:|<\/p>\n
X:26
\nT:Huntsmans Chorus. GHW.026
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Air
\nO:England
\nA:Norfolk
\nN:I have kept the notes separated as in
\nN:the MS. There is a pause mark over the last minim.
\nZ:vmp.Taz Tarry
\nK:G
\n[V:1]z2zA|d2 d\/e\/ f\/g\/|a2 f f|(ea) ea|f\/g\/f\/e\/ d A|d2 (d\/e\/) f\/g\/|a2f f|!
\n[V:2]z2z A|F2 F\/A\/ d\/e\/|f2 d d |c2 c c|d\/e\/d\/c\/ d A|F2 F\/A\/ d\/e\/|f2 d d |!
\n%
\n[V:1]e2 ^g3\/4 g\/4|a2 zA|d2 d\/e\/ f\/g\/|a2 f f|ea ea|fe d A|d2 d\/e\/ f\/g\/|!
\n[V:2]c2 d3\/4 d\/4|a2 z A|F2 F\/A\/ d\/e\/|f2 d d |c2 c c|dc d A|F2 F\/A\/ d\/e\/|!
\n%
\n[V:1]a2f f|e2 ^g3\/4 g\/4|a2 zA|f2 f f|d2 d d|g2 g g|e2 e e|f2 f f|!
\n[V:2]f2 d d |c2 d3\/4 d\/4|c2 z A|A2 A A |B2 B B|B2 B B|c2 c A|A2 A A|!
\n%
\n[V:1]d2 d d|g2 g g|e2 z A|f2 f f|g2 f f|e2f\/e\/ d\/e\/|f2 d A|f2 f f|g2 f f|!
\n[V:2]B2 B B|B2 B B|c2 z c|A2 A A|B2 A d|c2 (d\/c\/) (B\/c\/)|dA F A|A2 A A|!
\n%
\n[V:1](f\/e\/) (d\/c\/) f e|d2 z A|A A\/ A\/ A A\/ A\/|A A\/ A\/ A A\/ A\/|d2 A f|d2 A f|!
\n[V:2]B2 A d|c2 c c|d2 z A|A A\/ A\/ A A\/ A\/|A A\/ A\/ A A\/ A\/|F2 F A|F2 F A|!
\n%
\n[V:1](a\/g\/) e (a\/g\/) e|(a\/g\/) e (a\/g\/) e|d2 A f|d2 A f|\\
\n(a\/g\/) e (a\/g\/) e|(a\/g\/) e (a\/g\/) e|!
\n[V:2]E GE G|E G E G|F2 F A|F2 F A|E G E G|E G E G|!
\n%
\n[V:1]f d\/ f\/ a2|f d\/ f\/ a2|1 f d\/ d\/ d f|e2 z:|2 f d\/d\/ d d\/d\/| d4||!
\n[V:2]F d\/ d\/ c2|d d\/ d\/ c2|1 d d\/ d\/ d d|c2 z:|2 d F\/F\/ F F\/F\/|F4|]<\/p>\n
X:27
\nT:Polka. GHW.027
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:F
\na2ef g2f2|e2d2 d2^cd|b2ce a2g2|g2f2 fefg|!
\na2ef g2f2|e2d2 d2^cd|b2d2 cega|f2f2f2z2:|!
\n|:G2e2 cBce|a2g2 g^fg2|f2^c2 e3d|d2B2 dcBA|!
\nG2e2 cBce|a2g2 g^fg2|a2G2e3d|c2c2 c4:|!
\n|:f4 e3d|d2c2 c4|cd^de a2g2|fg^ga b2a2|!
\nf4 e3d|d2c2 A4|cdef a3g|f2f2 f4:|<\/p>\n
X:28
\nT:Lilian Polka. GHW.028
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:F
\n((3A\/c\/d\/)|af cA|dG G\/^F\/G\/A\/|cB GE|dc c ((3A\/c\/d\/)|!
\naf cA|dG G\/^F\/G\/A\/|cB GE|Fff:|!
\nK:C
\n|:GA\/B\/ c\/d\/e\/f\/|gg e2|ff d2|ee c2|!
\nGA\/B\/ c\/d\/e\/f\/|gg e2|ff d2|c3:|!
\nK:Bb
\n|:B\/c\/|dF Bc|((3B\/c\/B\/) AA c\/d\/|eF c>d|((3c\/d\/c\/) BB B\/c\/|!
\ndF B>c|((3B\/c\/B\/) AA e\/f\/|gc\/d\/ eG\/A\/|cBB:|
\nW:All triplets slurred quavers in MS|<\/p>\n
X:29
\nT:Soldiers of the Queen,The. GHW.029
\nM:4\/4
\nL:1\/4
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.March
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:F
\nc\/ c\/|fedA|c>B Ed|c>BE A|G>F C c\/ c\/|!
\nfece|d>c A c3\/4 d\/4|e e e3\/4 d\/4 c3\/4 d\/4|e3 c|!
\nfedA|c>B Ed|c>BE A|G>F C c|!
\nfedA|c =B\/ _B3\/4 A\/4 G3\/4 A\/4|Bcde|\\
\n1f2 z c\/ c\/:|2f2 z2|]<\/p>\n
X:30
\nT:Holly Bush Polka. GHW.030
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nN:DC marked at end of fourth (last) part
\nZ:vmp.Taz Tarry
\nK:C
\ng2cd ecfe|e2dA dFfe|e2dG dGed|d2cB cdef|!
\ng2cd ecfe|f2dA dAfe|dcde fgab|c’2c’2c’2:|!
\n|:cd|edcB ABcd|edcB ABcd|edcB AcBA|BEee eeee|!
\nedcB ABcd|edcB ABcd|edcA BdcB|1 A2a2A2:|2 edcB AcBA||!
\ng2gg g2g2|g2gg g2g2|g2gg g2g2|g2gg g2g2|g2gg g2g2|g2cd ecfe|!
\ne2dA dAfe|e2dB dGed|d2cB cdef|!
\ng2cd ecfe|e2dA dAfe|dcde fgab|c’2c’2c’2||!
\nK:D
\nL:1\/8
\nQ:160
\nA|d3c|e3d|fc d>B|A3A|G3e|d3c|cB f>e|ecBA|!
\nd3c|e3d|fc e>d|B3B|Bg f>e|ed A>d|dc f>e|ddd||!<\/p>\n
X:31
\nT:Snow Drop Schottische. GHW.031
\nM:4\/4
\nL:1\/8
\nQ:1\/2=70
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Schottische
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:G
\nGA|B2 d2 c2 e2|B2c2d2 A>c|c>BA>G F>GA>B|c>BA>G F2 G>A|!
\nB2d2c2e2|B2c2d2 A>B|c>BA>G F>D E>F|G2G2G2:|!
\n|:e2 d>e f2 d2|d2 g>f g2|c2 c>d e2d2|f2 e2 f4|!
\ne2 d>e f2 d2|d2 e>f g4|c2 e>d c>ed>c|B2 G2G2 z2:|!
\nK:C
\n|:e4 “^c>d in ms”c3d|e2 e>f d2 c2|B2 A>c d2 B2|c>dc>d g4|!
\ne4 c2d2|e2 d>f d2B2|d2 G>A B>cd>e|c2c2c2 z2:|<\/p>\n
X:32
\nT:Heel & Toe Polka. GHW.032
\nT:Sultan Polka,aka. GHW.032
\nM:4\/4
\nL:1\/4
\nQ:1\/2=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Polka
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:G
\nB2B2|AGGG|FGAB|dc c2|c2 c2|BA A2|GFEF|GG G2|!
\nB2BB|AGGG|FGAB|dc c2|cc c2|BA A2|GFEF|GG G2|!
\n|DD G3\/4A\/4 B|DD G A\/B\/|d c c2|c B B2|BAEA|GFED|!
\nDD G3\/4A\/4 B|DD G3\/4A\/4 B|dc c2|c B B2|BAEF|G2G2|]<\/p>\n
X:33
\nT:Galop. GHW.033
\nM:2\/4
\nL:1\/8
\nQ:1\/4=110
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Galop
\nO:England
\nA:Norfolk
\nN:’Signo’ at start and end, DC at end. Ccnfused notes in second beat of
\nN:23. Could be either cg or gc. I’ve gone for cg, but it could be
\nN:either.
\nZ:vmp.Taz Tarry
\nK:F
\ncc\/c\/ cd|c3 d|cAcf|e2 z2|cc\/c\/ cd|c3 a|gfdg|c.c.d.e||!
\n|:f3e|d2 zc|dc cd|d2 B2|f3e|d2 z d|dd cB|(d2c) z|!
\nf3e|d2 zc|dc cf|g2 d2|f2ed|c2 zd|ca cg|(f2f2):|!
\nK:Bb
\n|:d2c>B|d3 d|ff e>d|f2 zb|a3 g|d3 e|dd c>B|c3 ^c|!
\nd2 c>B|d3 f| ff e>d|(g2g2)|=e3 e|f3 g|fe d>c|(B2B2):|<\/p>\n
X:34
\nT:Eclipse Galop,The. GHW.034
\nM:2\/4
\nL:1\/8
\nQ:1\/2=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Galop
\nO:England
\nA:Norfolk
\nN:Bar 1, 9 in MS are a quaver short. I’ve changed these to match the C
\nN:part.Sign at start of B part. Last part marked TRI
\nZ:vmp.Taz Tarry
\nK:A
\nc>eA2|c>eA2|d>fa>f|f2e z|c>eA2|c>eA2|F>Bd>B|G2E2|!
\nc>eA2|c>eA2|d>fa>f|f2e z|c>eA2|c>eF2|G>Bd>B|A2 z a:|!
\n|:(3(aaa) a>a|(3(ggg) g>g|(3(fff) f>f|(e2e) z|\\
\nd>fe>d|c>fd>c|B>dc>B|(c2A2)|!
\n(3(aaa) a>a|(3(ggg) g>g|(3(fff) f>f|(e2e) z|\\
\nd>fe>d|c>ed>c|B>dc>B|A2A z:|!
\nc>eA2|c>eA2|d>fa>f|f2e z|B>dF2|G>Bd>B|A2 z a||!
\nK:D
\n“TRIO”dzez|fzgz|azaz|ag f2|gzBz|fzez|fzez|fecA|!
\ndzez|fzgz|azaz|ag f2|gzBz|fzez|dcBc|dzdz|!
\ne>A A2|f>dd2|eABc|d>fA2|e>A A2|f>dd2|eABc|dzdz|!
\ne>A A2|f>dd2|eABc|d>fA2|e>A A2|fdda|^gefg|a z z2|!
\ndzez|fzgz|azaz|ag f2|gzBz|fzez|fzez|fecA|!
\ndzez|fzgz|azaz|a>g f2|gzBz|fzez|dcBc|dzdz|]<\/p>\n
X:35
\nT:Second Violin. GHW.035
\nM:2\/4
\nL:1\/8
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Misc.
\nO:England
\nA:Norfolk
\nN:Unsure as to which tune this is the second violin part of.
\nZ:vmp.Taz Tarry
\nK:G
\nG|G B B B |G B B B|G B B B |G c c c |G c c c |A c c c |!
\nA A B B|G G G G|\\
\nG B B B |G B B B|G B B B |G c c c|F A A A|!
\nG B B B |c c d d|B2 B2:|\\
\n(3GGG G>G|B B B B|G G c c|!
\nG B B B|G B B B|G B B B|F A A A|G B B B|\\
\nG B B B|G B B B|!
\nG c c c |G B B B|G c c c|G B B B|F A A A|G G G|]<\/p>\n
X:36
\nT:Bunch of Roses Schottische. GHW.036
\nM:4\/4
\nL:1\/8
\nQ:1\/2=70
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Schottische
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:G
\nD>G|B2B2 c>Bc>B|e2d2 z2 d>c|B>dB>G A>cA>F|G2B2G2 D>G|!
\nB2B2 c>Bc>B|e2d2 z2 d>c|B>gd>B A>cB>A|G2B2G2||!
\nz2|a2 a>^g b2 d’2|c’2 b2 g2 z2|cdef g3 b|b2a2f2 z2|!
\na2 a>^g b2 d’2|b2 a2 g2 z2|cdef g3 c’|d’2d’2c’2 |]<\/p>\n
X:37
\nT:Snow Drift Gallop. GHW.037
\nT:Jingle Bells,aka. GHW.037
\nM:2\/4
\nL:1\/8
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Galop
\nO:England
\nA:Norfolk
\nN:Coda written above first bar of ‘C’ music. DC at end.
\nZ:vmp.Taz Tarry
\nK:G
\nD|(DBAG)|D2 z D|(DBAG)|E2 z E|(EcBA)|F2 z F|F(ed)>c|B3 D|!
\n(DBAG)|D2 z D|DBAG|E2 z E|EcBA|Bed>B|edcA|1 G2 G:|2 G2B z||!
\n(3(BBB) B>B|d>d d>d|B>B e>e|^d4|(e>Bc>e)|(d>BG>B)|(A>cB>A)| B4|!
\n(3(BBB) B>B|d>d d>d|B>B e>e|^d4|(e>Bc>e)|\\
\n(d>BG>B)|(A>cB>A)|1 G2 Gz:|2 G2G D||!
\n(DBAG)|D2 z D|(DBAG)|E2 z E|(EcBA)|F2 z F|F(ed)>c|B3 D|!
\n(DBAG)|D2 z D|(DBAG)|E2 z E|(EcBA)|Bed>B|(edcA)|G2||!
\nG2|G2E2|G2c2| e3 d|c3B|A3B|(dcBA)|(G4|G2) G2|!
\n(F3E)|(F2G2)|(F2E2)|(c3B)|(A3 d)|(d3c)|(cBAG)|(^FGAG)|!
\nG2E2|G2c2| e3 d|c3B|A3B|dcBA|(G4|G2) G2|!
\n(F3E)|(F2G2)|(F2E2)|c3 c|(d2A2)|(cBAB)|c4|[c2E2] z|]<\/p>\n
X:38
\nT:Gold Ring Schottische. GHW.038
\nM:4\/4
\nL:1\/8
\nQ:1\/2=70
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Schottische
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:G
\n(3(def)|.g2 .b2 e2 g>e|d>ed>B G2 A>G|\\
\nF>GA>B c>de>f|g>fg>e d2 (3(def)|!
\n.g2 .b2 e2 g>e|d>ed>B G2 (3(ABA)|1\\
\nF>Af>e d>cA>B|G2B2G2:|2 F>Af>e d>de>f|g2g2g2||!
\nK:F
\n|:A>B|c>fc>A F>Ac>A|B2 G2G2 G>A|\\
\nB>ge>c =B>cd>e|f2 A2A2 A>B|!
\nc>gc>A F>Ac>A|B2 g2g2 g>a|b>ag>f e>gd>e|f2f2f2:|<\/p>\n
X:39
\nT:Holly Schottische. GHW.039
\nM:4\/4
\nL:1\/8
\nQ:1\/2=70
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Shottische
\nO:England
\nA:Norfolk
\nN:DC marked at end
\nZ:vmp.Taz Tarry
\nK:G
\nd>cB>c d2 g2|e>dc>d e4|d>ef>g a2 d2|e>d^c>d B4|!
\nd>cB>c d2 g2|e>dc>d e4|d>ef>g a>de>f|g2g2g2 z2:|!
\nK:D
\n|:f>ed>c d>f a2|g>fe>^d e3 z|c>BA>B c>d e3 z|f>ed>c B3 z|!
\nf>ed>c d>f a2|g>fe>^d e>f b3|a>gA>B c>df>e|d2d2d2 z2:|!
\nK:C
\ne4 c2 z2|e>fe>d c2 z2|d4 B2 z2|d>cB>d (a2g2)|!
\ne4 c2 z2|e>fe>d c2 z2|B>d g2 ^f>ac’>f| g2g2g2 z2|!
\ne4 c2 z2|e>fe>d c2 z2|d4 B2 z2|d>cB>d (a2g2)|!
\ne4 c2 z2|f>ed>^c d>f a2|g2 d>e f>ef>B|c2c2c2 “DC”z2|]<\/p>\n
X:40
\nT:Solway Schottische. GHW.040
\nM:4\/4
\nL:1\/8
\nQ:1\/2=70
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Schottische
\nO:England
\nA:Norfolk
\nN:’Sign’ at beginning. DC marked at end of B part. A part marked
\nN:’second
\nN:time octave higher at end. End of bar 4 in B part missing in MS
\nZ:vmp.Taz Tarry
\nK:F
\nA>B|c>Bd>c A>FE>F|B>AG>D G3 F|\\
\nE>FG>A B>ce>d|c>=Bc>d “^A>B in ms”A3B|!
\nc>=Bd>c A>FE>F|B>AG>D G3 F|E>FG>A c>Bd>c|1F2F2F2:|2f2f2f2|!
\nK:C
\n|:z2|G>AG>^F G2 e>c|f2 A2 A3 B|d>cB>A c>BA>G|B>AG>F “^NB”A>GE>F|!
\nG>AG>^F G2 e>c|A>^GA>B A2 f>d|\\
\nB>^AB>d B>G=A>B|1 c2c2c2 z2:|2″^DC”2c2c2c2||!
\n|:G2E2 c2G2|e>dc>A B2A2|f>ed>G e>dc>B|A>Bc>e d>cB>A|!
\nG2E2c2G2|e>dc>G B2A2|f>ed>c B>GA>B|c2c2c2:|<\/p>\n
X:41
\nT:Haywards Schottische. GHW.041
\nM:4\/4
\nL:1\/8
\nQ:1\/2=70
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Schottische
\nO:England
\nA:Norfolk
\nN:Pause mark at end of A
\nZ:vmp.Taz Tarry
\nK:G
\nB>cB>A G z d2|e>fg>e d3 B|c2 a>c B2 g>B|A>BA>^G A z d2|!
\nB>cB>A G z d2|e>fg>e d3 B|c2 a>c B2 g>B|A>cB>A HG3 z:|!
\n|:A2A2 B3 A|FAde f3 g|fe^de B3 e|ede>d A3 A|!
\nA2A2 B3 A|FAde f3 g|fe^de A^cfe|1 d2d2d2:|2 d2 c6||!
\nK:C
\ne2e2 f3e|ed^cd A3 A|c>BA>B d2 dd|e>dc>d e2 A2|!
\ne2e2 f3e|ed^cd A3c|c>BA>G F>Ge>d|c2c2c2z2|]<\/p>\n
X:42
\nT:Excelsior Schottische. GHW.042
\nM:2\/4
\nL:1\/8
\nQ:1\/2=70
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Schottische
\nO:England
\nA:Norfolk
\nN:C part key signature of G added as implied by notation
\nZ:vmp.Taz Tarry
\nK:D
\na>^g|b2a2f2 f>e|g2f2d2 c>B|A>^G A>c e2 c>B|A>^G A>c f2 a>^g|!
\nb2a2f2 f>f|g2f2d2 c>B|A>B c>d e>f f>e|d2d2d2:|!
\n|:c>d|e>d e>c A2 A>G|F>A d>f a2 g>f|e>g f>e d>f e>d|c>e d>B A2 F>G|!
\nA>^G A>B f2 d>c|B>G B>d g2 f>e|d>f e>d c>A B>c|d2d2d2:|!
\nK:G
\n|:B>c|d>e d>^c d2 d>e|d2 b2 f2 a>g|f2 c2 f3 e|d>e d>B G2 B>c|!
\nd>e d>^c d2 g>f|e>f e>d e2 a>g|f>e d>c B>d c>A|G2G2G2|]<\/p>\n
X:43
\nT:Schottische. GHW.043
\nM:2\/4
\nL:1\/16
\nQ:1\/4=70
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Schottische
\nO:England
\nA:Norfolk
\nN:Pause mark at end of A part. Last of B written as three crotchets ,
\nN:crothcet rest in MS. Transcribed as quavers to fit time signature
\nZ:vmp.Taz Tarry
\nK:D
\nf2A2d2A2|B2A2 A^GAB|c2A2 Acef|e2d2 dcde|!
\nf2A2d2A2|B2A2 A^GAB|c2A2 Acef|e2d2d2:|!
\n|:(gf)(fe) e2d2|DEFG (B2A2)|gfe2 Ace2|dcde f2a2|!
\n(gf)(fe) e2d2|DEFG B2A2|gfe2 Ace2|d2d2d2z2:|!
\nK:A
\n|:e|e2c2 Acea|g2f2d2 z d|d2B2 GBdf|f2e2c2 z e|!
\ne2c2 Acea|g2f2d2 z d|d2B2 GBfe|A2A2A2z2:|<\/p>\n
X:44
\nT:White Cockade Country Dance. GHW.044
\nM:2\/4
\nL:1\/16
\nQ:1\/4=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Scots Measure
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:G
\n(GA)|B2B2 cBAG|B2B2 B2g2|d2B2 cBAG|FGAB A2GA|!
\nB2B2 cBAG|B2d2 g2ga|bagf agfe|d2B2B2:|!
\n(Bc)|d2B2g2B2|d2d2 d2(Bc)|d2B2 g2(fg)|a2A2 A2(GA)|!
\nB2B2 cBAG|B2d2 g2(ga)|bagf agfe|d2B2B2:|<\/p>\n
X:45
\nT:Bric-a-Brac Schottische. GHW.045
\nM:2\/4
\nL:1\/8
\nQ:1\/2=70
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Schottische
\nO:England
\nA:Norfolk
\nN:Last note of 6th. nar is probably d, but has f# also marked. Last 16
\nN:bars marked TRIO at star
\nZ:vmp.Taz Tarry
\nK:D
\nA>df>e d>cd>B|A>^GA>B A2 d2|c>eg>f e>^de>A|B>cd>e f4|!
\nA>df>e d>cd>B|A>^GA>B A2 d2|^g>fe>d F>^Gc>B|A2 g2g2g2|!
\nA>df>e d>cd>B|A>^GA>B A2 d2|c>eg>f e>^de>A|B>cd>e f4|!
\nA>df>e d>cd>B|A>^GA>B A2 d2|^A>B=a>g ^G>A=g>f|e2 a2 d2 z2||!
\n|:d2 d>c B>^AB>F|G2 B2 F4|F2 ^A>c g>fe>f|d>ec>d B4|!
\nd2 d>c B>^AB>F|G2 B2 F4|B2 B>c d>Bc>^A|B2d2B2z2:|!
\nA>df>e d>cd>B|A>^GA>B A2 d2|c>eg>f e>^de>A|B>cd>e f4|!
\nA>df>e d>cd>B|A>^GA>B A2 d2|^A>B=a>g ^G>A=g>f|e2 a2 d2 z2||!
\nK:G
\n“TRIO”d3 B\/G\/ g3 d|e3 c\/G\/ g3 e|d3 B\/G\/ B3 G|A3 F\/G\/ d3 D|!
\nd3 B\/G\/ g3 d|_e3 c\/G\/ g3 e|d3 B\/G\/ d3 c|B>GA>F G2 z2:|!
\nK:D
\nA>df>e d>cd>B|A>^GA>B A2 d2|c>eg>f e>^de>A|B>cd>e f4|!
\nA>df>e d>cd>B|A>^GA>B A2 f2|a>gf>e d>A^G>A|f2e2 d2 z2|]<\/p>\n
X:46
\nT:Mountain Belle Schottische. GHW.046
\nM:2\/4
\nL:1\/8
\nQ:1\/4=70
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Schottische
\nO:England
\nA:Norfolk
\nN:Sign at start, DC sign at end of B part
\nD:New Victory Band
\nZ:vmp.Taz Tarry
\nK:F
\n((3c\/d\/e\/)|fAc d\/c\/|BEG (g\/a\/)|b3\/4a\/4g3\/4f\/4 e3\/4d\/4c3\/4B\/4|\\
\nA3\/4B\/4c3\/4d\/4 c ((3c\/d\/e\/)|!
\nfAc (d\/c\/)|BEG (g\/a\/)|b3\/4a\/4g3\/4f\/4 e3\/4c\/4d3\/4e\/4|\\
\nfff ((3c\/d\/e\/)|!
\nfAc (d\/c\/)|BEG (g\/a\/)|b3\/4a\/4g3\/4f\/4 e3\/4d\/4c3\/4B\/4|\\
\nA3\/4B\/4c3\/4d\/4 c ((3c\/d\/e\/)|!
\nfAc d\/c\/|BEG (g\/a\/)|b3\/4a\/4g3\/4f\/4 e3\/4c\/4d3\/4e\/4|fff ||!
\nK:C
\neg e(d\/c\/)|ba f2|ba fe\/f\/|ag e2|eg ed\/c\/|ba f2|ba de\/d\/|cec z|!
\neg e(d\/c\/)|ba f2|ba f(e\/f\/)|ba e2|eg e(d\/c\/)|ba f2|ba d(e\/d\/)|\\
\n“^DC”cec||!
\nK:Bb
\n(F\/E\/)|DF B>c|BA c2|gc gc|gf d2|DF B>c|BA c2|gc gc|Bbb (F\/E\/)|!
\nDF B>c|BA c2|gc gc|(gf) d2|DF B>c|BA c2|gc gc|Bbb|]<\/p>\n
X:47
\nT:Lawn Tennis Schottische,The. GHW.047
\nM:4\/4
\nL:1\/8
\nQ:1\/2=70
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Schottische
\nO:England
\nA:Norfolk
\nN:Sign at start, Fine at end of A part, DC at end of B part, Trio at
\nN:start of C part. DC and Sign at end of 2 time bar of C part
\nZ:vmp.Taz Tarry
\nK:G
\nD>BA>G (F2d2)|E>cB>A D2 z2|A>BA>^G (A2 d2)|d>^cB>c d2 z2|!
\nD>BA>G (F2d2)|E>cB>A D2 z2|B>cB>A d>ed>c|B2A2G4:|!
\n|:B>cB>A (B2F2)|A>GF>G E2 z2|d>ed>^c (d2B2)|A2 ^c2 d4|!
\ng>ag>f (e2B2)|e>fe>dc2 z2|A>Bc>d c>BA>G|E2F2 G4:|!
\nK:D
\n“^TRIO”(3AAA B2 (3AAA E2|(3AAA B2 (3AAA F2|\\
\nA>^GA>B (c2d2)|1 e2f2e2a2:|2f2e2d4|]<\/p>\n
X:48
\nT:Spring Blossom Schottische,The. GHW.048
\nM:2\/4
\nL:1\/16
\nQ:1\/2=70
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Schottishe
\nO:England
\nA:Norfolk
\nN:D part marked Trio. F part marked DC with a sign at end. G part marked
\nN:Coda. Repeats and double bar lines assumed for first and second time
\nN:bars in Coda..TT..May not fit on one page!!CGP
\nZ:vmp.Taz Tarry
\nK:F
\nF>Ac>f e2d2|E>GB>e d2c2|((3cdc) =B>c d2_B2|((3BcB) A>B d>cA2|!
\nF>Ac>f e2d2|E>GB>e d2c2|((3cdc) =B>c d2_B2|A>Gd>c F2 z2:|!
\nK:C
\n|:G2e2 F2d2|E2c2 a>^ga>b|a2g2 g>^fg>a|g2e2 c4|!
\nG2e2 F2d2|E2c2 a>^ga>b|a2g2 e3d|c2c2 c2 z2:|!
\nK:F
\n|:F>Ac>f e2d2|E>GB>e d2c2|((3cdc) =B>c d2_B2|((3BcB) A>B d>cA2|!
\nF>Ac>f e2d2|E>GB>e d2c2|((3cdc) =B>c d2_B2|A>Gd>c F2 z2:|!
\nK:Bb
\n|:”^TRIO”B>AB>d c3B|A2G2 e3d|d3c g3f|gfdB F4|!
\nB>AB>d c3B|A2G2 e3d|d>cg>f e>cG>A|B2[b2B2][b2B2] z2:|!
\nK:F
\n|:{FAc}f2f2 g>fe>d|(c4c)>cd>c|c2(B2 B)>Be>d|=B4 c2z2|!
\n{FAc}f2f2 g>fe>d|c2f2 f2 z2|E4 {GB} d2c2|F2f2f2 z2:|!
\nK:Bb
\n|:B>AB>d c3B|A2G2 e3d|d2c2 g3f|gfdB F4|!
\nB>AB>d c3B|A2G2 e3d|d>cg>f e>cG>A|”^DC”B2B2B2 z2:|!
\nK:F
\n|:”^CODA”F>Ac>f e2d2|E>GB>e d2c2|((3cdc) =B>c d3_B|1\\
\n((3BcB) A>B d>cA2:|2A>Gd>cF4||!
\n|:c>cd>c c2=B2|B>Bc>B B2A2|f>fe>d d2c2|1c>cd>c A4:|2c>cd>c F3e||!
\nf3e f3e|f3f f2f2|f2 z2 a2 z2|F8|]<\/p>\n
X:49
\nT:Pretty Martha Schottische. GHW.049
\nM:4\/4
\nL:1\/8
\nQ:1\/2=70
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Schottische
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:D
\nF>G|A>d f2 e>d B2|A>^GB>A FA D2|D>EG>A A>dg>c|e>dc>B A>GF>G|!
\nA>d f2 e>d B2|A>^GB>A FA D2|C>EG>A c>eg>c|d2f2d2:|!
\nK:A
\n|:c>d|e2A2c2E2|A>GG>A B>cd>e|f2B2d2G2|B>Ac>f e2 (3(cd^d)|!
\ne2A2c2E2|A>GG>A B>cd>e|(3(fed) (3(cBA) G>F c>B| A2 c2 A2:|!
\nK:G
\n|:d>c|d2g2B2d2|e>dd>c B>c d2|d>cc>B AB c2|c>BB>A G>AB>c|!
\nd2g2B2d2|e>dd>c B>c d2|d>cc>B (3(ABc) (3(def)|g2g2g2:|<\/p>\n
X:50
\nT:Hollyhock Schottische. GHW.050
\nM:4\/4
\nL:1\/8
\nQ:1\/4=70
\nC:Edmund Forman
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Schottische
\nO:England
\nA:Norfolk
\nN:Triplets not marked as such in MS. I’ve marked them in my transcription
\nZ:vmp.Taz Tarry
\nK:C
\ne>Bd>c (3BcB A2|f>Ae>d (3cdc B2|b>ag>^f =f>dA>B| (3ABA G2 E2 (3EGc|!
\ne>Bd>c (3BcB A2|f>Ae>d (3cdc B2|b>ag>^f =f>dA>B|1\\
\nd2{ed}c>Bc2 (3EGc:|2d2 {ed}c>B c2 z2||!
\nK:G
\nB>cd>e d>B g2|f>ec>e f2 e2|A2A>B c>BA>c|f>ed>c B2z2|!
\nB>cd>e d>B g2|f>eA>c b2a2|af b>a a>gf>e|d2 e>d a>f (3dec|!
\nB>cd>e d>B g2|f>ec>e (f2 e2)|A2A>B c>de>f|a>gf>e d3 z|!
\nB>AB>c d>e d2| e>fg>a b>c’ b2|a>gf>e d>Bd>b|a>e f>d g2 z2|]<\/p>\n
X:51
\nT:Waltz,Country Dance. GHW.051
\nM:3\/4
\nL:1\/4
\nQ:3\/4=50
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Waltz
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:G
\nd\/|g\/z\/B\/z\/d\/z\/|(g2f)|(fe)e|(e2d)|d\/z\/F\/z\/A\/z\/|\\
\n(d2c)|(cB)B|(B2d)|!
\n|g\/z\/B\/z\/d\/z\/|(g2f)|(fe)e|(ea)g|(f>^e) f|(db)a|(ag)g|g2:|!
\n|:d|(g3|g)Bd|(G3|G)FG|(A3|A)Bc|e2d|B2d|!
\n(g3|g)Bd|G3|GFG|(A2d)|(cf)>e|(ed)d|d2:|<\/p>\n
X:52
\nT:Blue Rhine Waltz. GHW.052
\nM:3\/4
\nL:1\/4
\nQ:3\/4=50
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Waltz
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:C
\nG|(e2e\/f\/)|(edc)|(G3|G)zG|(e2e\/f\/)|(edc)|(A3|A)zA|!
\n(f2f\/g\/)|(fed)|(a3|a)z(g\/a\/)|(gag)|(fAB)|(c3|c)z:|!
\n|:G|(g>g)g|(f\/e\/ed)|(c>c) c|(c\/B\/AG)|(d>d)d|\\
\n(d\/e\/d)G|(c\/B\/c)d|(e2G)|!
\n(g>g)g|(f\/e\/ed)|(c>c) c|(c\/B\/AG)|(A\/B\/cd)|\\
\n(e\/f\/ga)|(g\/a\/g\/f\/e\/d\/)|Hc2:|<\/p>\n
X:53
\nT:Little Annie Rooney. GHW.053
\nM:3\/4
\nL:1\/4
\nQ:3\/4=50
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Waltz
\nO:England
\nA:Norfolk
\nN:Chorus written at start of B music
\nZ:vmp.Taz Tarry
\nK:C
\ne|e2a|g2e|ed2|c2z|f2a|g2e|f2e|d2z|!
\nea2|g2e|e2d|c2e|dc’2|b2a|a3|g2z|!
\na2c’|g2e|(age)|g2e|f2a|g2e|(ag)e|d2d|!
\ne2a|g2e|e2d|c2e|dc’2|(b2a)|a3|g2z||!
\n“^CHORUS”g3|c3|g3|c3|c’3|a3|(g3|g2)z|!
\na3|f3|g(e2|e2)z|e3|c3|(d3|d2)z|g3|e3|d(c2|c2)z|!
\ng(c’2|c’3)|b(a2|a2)z|gg2|a2b|c'(g2|g2)a|f3|d3|c3|]<\/p>\n
X:54
\nT:Kirks Hornpipe. GHW.054
\nT:West End,The,aka. GHW.054
\nM:2\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:D
\n(AG)|FGAF D2d2|cdec A2 f2|gfed B2 (ed)|c2A2A2 (AG)|!
\nFGAF D2d2|cdec A2 f2|gfed cdce|d2d2d2:|!
\n|:(fg)|afdf a2a2|gece g2g2|fedc d2 (ed)|c2A2A2 (fg)|!
\nafdf a2a2|gece g2g2|fedc Bdce|d2d2d2:|<\/p>\n
X:55
\nT:Mairs Hornpipe. GHW.055
\nM:2\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nN:First bar written gfge in MS – transcribed as afge to match fifth bar
\nZ:vmp.Taz Tarry
\nK:D
\n(fg)|afge dfed|cdec A3 G|FAdf gfed|(ce)AA A2 (fg)|!
\nafge dfed|cdec A3 G|FAdf gecA|d2d2d2:|!
\n|:(cd)|(eA)AA (fA)AA|gAAA A3f|(gf)ed (dc)BA|GBBB B3A|!
\nFddd Aeee|(df)ff (eg)gg|(fg)af (bg)ec|d2d2d2:|<\/p>\n
X:56
\nT:Harvest Home Hornpipe. GHW.056
\nM:2\/4
\nL:1\/8
\nQ:1\/2=80
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nN:Last note of penultimate bar and last bar missing from photocopy. I’ve
\nN:’guessed’ these but please check with original
\nZ:vmp.Taz Tarry
\nK:D
\nF>E|D>AF>A D>AF>A|d>ef>e d>cB>A|e>Af>A g>Af>A|edcB AGFE|!
\nD>AF>A D>AF>A|d>ef>e d>cB>A|e>Af>A g>Ae>c|d2f2d2:|!
\n|:cd|eAAA fAAA|gAAA fAAA|eAfA gAfA|edcB AGFE|!
\nDddd c>de>c|Dddd c>de>c|d>fa>f b>ge>c|d2f2d2:|<\/p>\n
X:57
\nT:Yarmouth Hornpipe. GHW.057
\nT:Rickett’s Hp.,aka. GHW.057
\nT:Manchester Hp,.aka. GHW.057
\nM:2\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nN:4th bar of B part – last note crotchet A in MS transcribed as minim A
\nN:to correspond with A music
\nZ:vmp.Taz Tarry
\nK:D
\nA2|dcdA FAdf|edcB A2 g2|fafd bgec|dfec A4|!
\ndcdA FAdf|edcB A2 g2|fafd bgec|d2d2d2:|!
\n|:(fg)|afdB G2 fa|bgec A2 (fg)|afdf gece|dfec “^cr”A4|!
\ndcdA FAdf|edcB A2 g2|fafd bgec|d2d2d2:|<\/p>\n
X:58
\nT:Devil Among the tailors Country Dance. GHW.058
\nM:2\/4
\nL:1\/8
\nQ:1\/2=100
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Reel
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:A
\neaga eaga|eaga fedc|dfBf dfBf|dfBf gfed|!
\neaga eaga|eaga fedc|fgaf ecBA|E2G2 A2 z2:|!
\n|:ceAe ceAe|ceAe fedc|dfBf dfBf|dfBf gfed|!
\nceAe ceAe|ceAe fedc|fgaf ecBA|E2G2 A2 z2:|<\/p>\n
X:59
\nT:Fishers Hornpipe. GHW.059
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:D
\n((3ABc)|dAFA GBAG|FAFA GBAG|FDFD GEGE|FDFD E2 ((3ABc)|!
\ndAFA GBAG|FAFA GBAG|FAdf fdec|d2d2d2:|!
\n|:(cd)|ecAc ecge|fdAd fdfd|ecAc ecgf|edcB A2A2|!
\nBGDG BGdB|AFDF AFdA|BdcB AGFE|d2d2d2:|<\/p>\n
X:60
\nT:Goumaldies Hornpipe. GHW.060
\nT:Grimaldi’s Hp,aka. GHW.060
\nT:Alexander’s Hp,aka. GHW.060
\nM:2\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nN:Transcribers Note: See same tune later in the MS.
\nZ:vmp.Taz Tarry
\nK:D
\n(3(ABc)|(dA).F.A (DF).A.d|fdAF E2 (ef)|\\
\n(gf).g.e (fe).f.d|(ec).d.B A2 (fe)|!
\n(dA).F.A (DF).A.d|(fd).A.F E2 ef|(ge).b.g (fg).e.c|d2d2d2:|!
\n|:(AG)|(FA).d.A (FA).d.A|(GB).d.B (GB).d.B|\\
\n(Ac).e.c (Ac).e.c|(df).a.f (ge).c.A|!
\n(FA).d.A (FA).d.A|(GB).d.B (GB).d.B|(Ac).e.f (ga).c.e|d2d2d2:|<\/p>\n
X:61
\nT:Beckels Hornpipe. GHW.061
\nT:?aka. GHW.061
\nM:2\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nN:First note of first basr transcribed as a – crossbar on note missing on
\nN:M
\nZ:vmp.Taz Tarry
\nK:A
\n((3efg)|(ae)(ce) (Ac)(ea)|(fd)BG A2 (Bc)|\\
\n(de).f.e (dc).B.A|G2 E2E2 ((3efg)|!
\n(ae).c.e (Ac).e.a|(fd).B.G A2 (Bc)|(df).e.d (cB).A.G|A2A2A2:|!
\n|:(ed)|ceAe ceAe|dfBf dfBf|ceAe ceAe|GBEB GBEB|!
\nceAe ceAe|dfBf dfBf|(ea).g.f (ed)cB|A2A2A2:|<\/p>\n
X:62
\nT:Tom Jolly’s Hornpipe. GHW.062
\nT:Liverpool Hp.,aka. GHW.062
\nM:2\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:D
\nG2|(FD).F.A (df).a.f|(gf).e.d (dc).B.A|(GB).G.B (FA).F.A|\\
\n(GB).A.G (GF).E.D|!
\n(FD).F.A (df).a.f|(ge).f.e (dc).B.A|f2 (fg) (af).d.f|(ge).c.e d2:|!
\n|:A2|(df).d.f (ce).c.e|(df).e.d (dc).B.A|(GB).G.B (FA).F.A|\\
\n(GB).A.G (GF).E.D|!
\n(FD).F.A (df).a.f|(ge).f.e (dc).B.A|f2 (fg) (af).d.f|(ge).c.e d2:|<\/p>\n
X:63
\nT:Jacksons Hornpipe. GHW.063
\nM:2\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:G
\n(BA)|G2 (GA) BGBd|e2 (ed) (ef)ge|\\
\ndBge d{B\/}c{A\/}B{G\/}A|E2 (A2A2) BA|!
\nG2 (GA) BGBd|e2 (ed) efge|dBge d{B\/}c{A\/}B{G\/}A|d2 G2G2:|!
\n|:((3def)|(gd)Bd (gd)Bd|efge d{B\/}c{A\/}B{G\/}A|\\
\ncAce dcBA|E2 (A2A2) ((3def)|!
\n(gd)Bd (gd)Bd|efge dcBA|(cA).c.e d{B\/}c{A\/}B{G\/}A|D2 G2G2:|<\/p>\n
X:64
\nT:Rapers Hornpipe. GHW.064
\nM:2\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:G
\ndc|(BA).B.A (dg).d.B|(cB).A.G FGAc|\\
\n(BA)Bd gabg|(3(agf) (3(gfe) d2 dc|!
\n(BA)BA (dg)dB|(cB)AG (FG)Ac|(Bd)BG (Ec)AF|G2G2G2:|!
\n|:AG|(FG)AB (cB)AG|(GA)Bc (dB)GB|\\
\n(cd)ed (cB)AG|(3(AGF) (3(GFE) D2 (dc)|!
\n(BA)BA (dg)dB|(cB)AG (FG)Ac|(Bd)BG EcAF|G2G2G2:|<\/p>\n
X:65
\nT:Watson’s Hornpipe. GHW.065
\nT:Hornpipe. GHW.065
\nM:2\/4
\nL:1\/8
\nQ:1\/2=90
\nC:Untitled in MS
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:D
\nAGFG A2 d2|BGde dcBA|defe B2 (cd)|efge dcBA|!
\nAGFG A2 d2|BGde dcBA|defe B2 g2|fdec d4:|!
\n|:f2 (df) agfe|e2 (ce) aedc|defd B2 cd| efge dcBA|!
\nAGFG A2 d2|BGde dcBA|defe B2 g2|fdec d4:|<\/p>\n
X:66
\nT:Bang Up Hornpipe. GHW.066
\nM:2\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:D
\ndc|d2D2D2 fd|e2E2E2 ef|gfed cdef|ec A2A2 dc|!
\nd2D2D2 fd|e2E2E2 ef|gfed cdef|d2d2d2:|!
\n|:AG|FAFA dAGF|GBGB ecBA|FAFA dAGF|G2E2E2 AG|!
\nFAFA dAGF|GBGB ecBA|FAdB cdef|d2d2d2:|<\/p>\n
X:67
\nT:Swanton Abbott Hornpipe,aka. GHW.067
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nC:untitled
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nN:Untitled in MS..My Title… CGP
\nZ:vmp.Taz Tarry
\nK:F
\ncB|ABcA F2 fg|agaf d2 cB|AB c2 dcBA|A2G2G2 cB|!
\nABcA F2 fg|agaf d2 cB|AB c2 agfe|f2F2F2:|!
\n|:de|fgaf ge c2|fgaf ge c2|cABc dcBA|A2G2G2 cB|!
\nABcA F2 fg|agbf d2 cB|AB c2 agfe|f2F2F2:|<\/p>\n
X:68
\nT:Haste to the Wedding. GHW.068
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Jig
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:C
\nG|GEG (Gg)e|d>cd ecA|GEG (Gc)>E|EDD D2G|!
\nGEF Gge|d>cd ecA|GEG (Gg)f|ecc c2||!
\ng|geg geg|afa afa|geg gfe|edd d2 (e\/f\/)|!
\ng3e3|d>cd ecA|GEF (Gg)e|ecc c2|]<\/p>\n
X:69
\nT:Off She Goes. GHW.069
\nM:6\/8
\nL:1\/8
\nQ:3\/8=120
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Jig
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:D
\nA|F2A G2B|ABc d3|F2AG2B|AFD E3|!
\nF2AG2B|ABc d2e|f2d({ef}g2)f|edc d2:|!
\n|:g|(f\/g\/a)f d2f|(e\/f\/g)e c2 e|(f\/g\/a)fd2f|edc d2 g|!
\n(f\/g\/a)f d2f|(e\/f\/g)e c2 e|d2f a2 f|gec d2:|<\/p>\n
X:70
\nT:Touch the String. GHW.070
\nT:?aka GHW.070
\nM:2\/4
\nL:1\/8
\nQ:1\/2=80
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Country-dance
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:D
\nd|AFFD|CEEG|FDFA|d2cB|AFFD|CEEG|FDAF|D2D F|!
\nBcdB|ceAA|BcdB|{cd}e2 AA|BcdB|cdec|{de}fdc>B|d2c>B|!
\nAFFD|CEEG|FDFA|d2cB|AFFD|CEEG|FDAF|D2D|]<\/p>\n
X:71
\nT:Collage Hornpipe. GHW.070
\nM:4\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nN:First four quavers of 5th. bar of B music transcribed as (ba).g.f to
\nN:match same phrase in A music
\nZ:vmp.Taz Tarry
\nK:Bb
\n(BA)|B2B,2B,2(FE)|DFBA BdcB|c2C2C2 (cB)|(Ac) f2f2 (ga)|!
\n(ba).g.f (gf).e.d|(ed).c.B BAGF |GBAc Bdce|d2B2B2:|!
\n|:(FE)|(DF).B.F (DF).B.F|G2E2E2 GF|(=EG).c.G (=EG).c.G|A2F2F2 (ga)|!
\n“NB”(ba).g.f (gf).e.d|(ed).c.B (BA).G.F|GBAc Bdce|d2B2B2:|<\/p>\n
X:72
\nT:Ewan’s Hornpipe. GHW.072
\nT:Navvie on the Line,aka. GHW.072
\nM:2\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:G
\n(Bc)|dgfe dcBA|(GB)DG B2 AG|(FA)DF A2 (GF)|(GB)DG B2 (Bc)|!
\ndgfe dcBA|(GB)DG B2 AG|FGAB cdef|g2g2g2:|!
\n|:(ag)|(fa)df a2 gf|(gb)dg b2 ag|(fa)df a2 gf|(gb)dg b2 Bc|!
\ndgfe dcBA|(GB)DG B2 AG|FGAB cdef|g2g2g2:|<\/p>\n
X:73
\nT:Kays Hornpipe. GHW.073
\nT:?Hp,aka. GHW.073
\nM:2\/4
\nL:1\/8
\nQ:1\/2=80
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:D
\n(FE)|D2D2 D>FE>G|F2F2 F>AG>B|\\
\nA>dc>B A>GF>E|D>FA>F B>GE>C|!
\nD2D2 D>FE>G|E2E2 E>GF>A|A>dc>B A>GF>E|D2D2D2:|!
\n|:A2|F>Ad>A F>Ad>A|G>Bd>B G>Bd>B|\\
\nA>ce>c A>ce>c|d>fe>d c>BA>G|!
\nF>Ad>A F>Ad>A|G>Bd>B G>Bd>B|\\
\nA>ce>c A>ce>c|1 e>dc>B A>GF>E:|2d2[d2F2][d2F2]|]<\/p>\n
X:74
\nT:Swiss Hornpipe,The. GHW..074
\nM:2\/4
\nL:1\/8
\nQ:1\/2=80
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:F
\n((3CDE)|F>EF>G F>Ac>A|dcAc FAGF|EGce dfBd|cBcd cBAG|!
\nF>EF>G F>Ac>A|fagf edcB|(Ac)(FA) (GB)(EG)|F2F2F2:|!
\nK:C
\n|:(GF)|EGce dfBd|cBcd ecGc|fedf edce|((3ded) ((3cBA) G2 (GF)|!
\n(EGce) (FAdf)|EGce dcBA|Gagf edcB|d2c2c2:|<\/p>\n
X:75
\nT:Victor Bowden’s Hornpipe,aka. GHW.075
\nM:2\/4
\nL:1\/16
\nQ:1\/4=80
\nC:untitled
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nN:Untitled in MS, named after Victor Bowden of Kemsing,Kent who brought
\nN:the MS to light, and kindly donated it to George Frampton.CGP
\nZ:vmp.Taz Tarry
\nK:D
\nFG|AFDF AFAd|BdAd fedc|dfAf gfed|((3edc) ((3dcB) A2(FG)|!
\nAFDF AFAd|BdAd fedc|dfAf gfed|d2d2d2:|!
\n|:(de)|(fd)d2 BdAd|FAdA (fd)d2|eAfA gAfA|((3edc) ((3dcB) A2(de)|!
\n(fd)d2 BdAd|FAdA (fd)d2|eAfA gAfA|eABc d2:|<\/p>\n
X:76
\nT:Lancashire Clog Dance. GHW.076
\nM:2\/4
\nL:1\/8
\nQ:1\/2=70
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nN:End of A part marked Fine
\nZ:vmp.Taz Tarry
\nK:D
\nD2 ((3FED) A2 D2|B2 ((3dcB) A2 F2|G2 ((3BAG) F2 ((3AGF)|E>FE>D c>BA>c|!
\nD2 ((3FED) A2 D2|B2 ((3dcB) A2 c2|d2 ((3cBA) G2 ((3AGF)|E2A2 D2 z2:|!
\n|:B2 ((3dcB) f2B2|g2 ((3agf) e2 g2|f>gf>e d>cB>^A|B2 F>E D2 B,2|!
\nB2 ((3dcB) f2 B2|e2 ((3gfe) d2 D2|G2 ((3AGF) E2 ((3GFE)|D2c2B2 z2:|<\/p>\n
X:77
\nT:Miss Gaytons Hornpipe. GHW.077
\nM:2\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:F
\n(c>B)|(A>cf>e) f2 (c>B)|(A>cf>e) f2 (c>B)|\\
\n(A>ag>f) (e>dc>B)|(c>eg>f) (e>dc>B)|!
\n(A>cf>e) f2 (c>B)|(A>cf>e) f2 (f>e)|(d>ef>g) (e>fg>a)|(f>ef>g) f2||!
\n(f>g)|(a>ga>f) g2 e2|(f>ef>d) c2 A2|(B>cd>B) (A>Bc>A)|\\
\n(G>FG>A) G2 (f>g)|!
\n(a>ga>f) g2 e2|(f>ef>d) c2 (f>e)|(d>ef>d) (e>fg>e)|f2a2f2|]<\/p>\n
X:78
\nT:Grimaldies Hornpipe. GHW.078
\nT:Alexander’s Hp,aka. GHW.078
\nM:2\/4
\nL:1\/8
\nQ:1\/2=90
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nN:Transcribers Note: Essentially the same as Tune 60 with slightly
\nN:different bowing. Interesting to note that the 3rd.
\nN:note of the 7th. bar – b – appears to be crossed out in both
\nN:versions.TT.
\nZ:vmp.Taz Tarry
\nK:D
\n(3ABc)|(dA).F.A (DF).A.d|(fdAF) E2 (ef)|\\
\n(gf)(ge) (fe).f.d|(ec).d.B A2 (fe)|!
\n(dA).F.A (DF).A.d|(fd).A.F E2 ef|(ge).b.g (fg).e.c|d2d2d2:|!
\n|:(AG)|(FA).d.A (FA).d.A|(GB).d.B (GB).d.B|\\
\n(Ac).e.c (Ac).e.c|(df).a.f (ge).c.A|!
\n|(FA).d.A (FA).d.A|(GB).d.B (GB).d.B|\\
\n(Ac).e.g (fa).c.e|d2d2d2:|<\/p>\n
X:79
\nT:Amateur Hornpipe. GHW.079
\nM:2\/4
\nL:1\/8
\nQ:1\/2=80
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nZ:vmp.Taz Tarry
\nK:Bb
\nF2|((3BBB) F>B D>FB>c|((3ddd) B>d F>Bd>B|\\
\n((3eee) A>c F>ce>c|((3aaa) a>g f>ed>c|!
\n((3BBB) F>B D>FB>d|((3eee) A>c F>ce>c|\\
\nA>ca>g f>ec>A|”qu’s”B2b2B2:|!
\n|:(cB)|Acec BdFB|Acec BdFB|Acec agf=e|f=efg f2 (f_e)|!
\n(db)(ca) (Bg)(Af)|(Ge)(Fd) (Ec)(DB)|Acag fecA|B2b2B2:|<\/p>\n
X:80
\nT:Coltishall Slow Hornpipe,aka. GHW.080
\nM:4\/4
\nL:1\/8
\nQ:1\/2=70
\nC:Untitled in MS
\nS:George H.Watson,MS,Swanton Abbott,Norfolk,c1880
\nR:.Hornpipe
\nO:England
\nA:Norfolk
\nN:Named by me after presumed home village of GHW..CGP.
\nZ:vmp.Taz Tarry
\nK:G
\n((3DEF)|G>BD>G ((3B,DG) B>d|d>gb>a g>fe>d|\\
\n((3gag) f>e d>cc>B|((3aba) ((3gfe) ((3ded) ((3cBA)|!
\nG>BD>G ((3B,DG) B>d|d>gb>a g>fe>d|\\
\n((3aba) ((3gfe) ((3ded) ((3cBA)|G2g2G2:|!
\n|:F>G|((3AcB) ((3AGF) G>Bd>B|g>dB>G F>AF>D|\\
\n((3dcd) e>c d>ef>g|((3fed) ((3edc) d2 e>f|!
\ng>a f>g e>f d>e|c>d B>c A>B G>A| Ffee d>cc>F|G2B2G2:|<\/p>\n","protected":false},"excerpt":{"rendered":"
%abc %%abc-alias George Watson %%abc-creator ABCexplorer 1.3.7 [13\/12\/2009] %%abc-edited-by www.village-music-project.org.uk %VMP Taz Tarry, 2000. %Revised 11\/2008 %Revised again 12\/2009 X:1 T:Red Rose Polka. GHW.001 M:2\/4 L:1\/16 Q:1\/4=100 S:George H.Watson,MS,Swanton Abbott,Norfolk,c1880 R:.Polka O:England A:Norfolk N:Pause sign over the last double bar line meaning Fine Z:vmp.Taz Tarry K:G (Bcd2 efg2)|d2B2 (B^AB2)| d2A2 (A^GA2)|B2G2 (GFG2)|! (Bcd2 efg2) |d2B2 … Continue reading WATSON, George ms ABC<\/span>